#I care so much more than I meant to

[madeofbees]

i stayed up until 2am making the most unlikely crossover meme with an oth quote on shippy hannibal pics

anyway i invented time travel tonight apparently as i am clearly back in 2004 but before i come home i have some business in nc involving dan scott and a man who eats the rude

[sorikufeels]

kiss me once, kiss me twice, and, dare i say, kiss me three times

(progress posts: sketch, line art progress)

[cangrellesteponme]

i don't think wonderland is ready for those alices

[welcometogrouchland]

I miss them so bad (Dick and Damian)

[monsterfuckermilligan]

i have a theory that the baby!jack fanaticism in the fandom partly comes from the fact that on june 26th, 2017 (less than two months after jack was introduced as a character) the us supreme court ruled that queer couples were allowed to adopt in all 50 states. so naturally, as kelly died giving birth to jack, dean was in the midst of his widower arc, and the fandom thought that jack was going to be a baby, we had a wave of romanticization of infant adoption for destiel.

[erstwhilesparrow]

to the surprise of approximately no one, i am thinking about video game mechanics and mcrp and c!owen and violence again. i am thinking about interesting accidental resonances and i am thinking about what someone's medium of choice makes it easy to tell stories about. the thing is, owen's pov of outsiders is a story that, despite being told almost exclusively in minecraft, really does not want to be a story set in minecraft.

what i mean by this is that cc!owen repeatedly and deliberately tries to prevent minecraft logic from existing in the story he is telling. according to him, things operate in the messy space of real-world physics, and the fundamental structure of the world aligns much more with our reality than with, i dunno, a series of 1s and 0s. of course they can't climb the vines to get to the top of the walls, they'd get tired well before the reach the top, never mind that minecraft doesn't have any mechanic in place to keep you from clinging to a vine for as long as you want. of course acho drowning during the underwater maze game could have been from something being wrong with the potions, never mind that minecraft potions come out the exact same way every time. of course it matters that owen punched mohwee for going into the maze, but only once, because he couldn't bring himself to do it again. never mind that a punch in minecraft rarely means much.

a single punch in minecraft doesn't mean anything. or it means almost everything, which is why it doesn't mean anything. but the outsiders, at least for a little while, make a world where a punch matters, where it's the kind of thing you go running to tell other people about because it means a real fight's brewing. mohwee punches graecie, and someone comes running to let owen know. we're meant to react to it the way we would if it happened irl. we're treating this seriously now!

except that's really hard to do in minecraft, because minecraft isn't a game that gives you many avenues for... body language. for the kind of nonverbal communication you do by touching someone gently. try as they might to pretend otherwise, it is built into the bones of any minecraft world that the only way you can touch another person for sure, in a way that the game has an obvious mechanical system in place to respond with, is by punching them. so two things here.

one is that yeah, the outsiders creators stop acting like a punch is a punch not super long into the series, because there is no vanilla mechanic for [grabbing you by the arm and dragging you away from the gates]; you have to use what you have at your disposal (such as the left-click button on your mouse) to gesture at the thing you actually mean. owen emulates the act of dragging someone around by punching magic at one point. nobody, in-universe or out, reacts like he was actually hitting her, and i'm not saying we should. but there is that disconnect between what the story is supposed to be (maybe owen pushes her away from the gates, maybe he's trying to pull her back), and what the game will allow them to do.

two: despite the ways that the game runs counter to the kind of story owen et al. are trying to tell, this limitation wrt punching still produces some really interesting resonances that require us to accept and pay attention to the fact that no matter what owen says, this is a story told through minecraft, inflected by its mechanics.

(side bar: i'm focusing on owen for this, but i think you can expand this idea to other characters, maybe the whole cast, by thinking about how both the story world and the game world are, on some fundamental level, set up to not allow for kind or gentle connections between people. you can't actually put your arm around someone else. you can't actually wipe away their tears or lean on their shoulder. the entire world the outsiders live inside of, both from a game perspective and a roleplay perspective, is designed to funnel them toward big dramatic gestures and cyclical violence. the easiest way to touch someone is violently. and still, there are the gestures of care, carved out of what the game will allow. sharing food. speaking softly to each other. opening the trapdoor to your bunker and letting the people behind you hurry down the ladder to hide. so you've never learned how to touch someone without violence. you can still know how to put your whole body between the person you care for and the danger. you can still die for them. isn't outsiders such a story of caring, despite, despite, despite?)

anyway. about c!owen. i think it's fair to say he's a character shaped by violence from the jump. he comes up the elevator and is almost instantly making and hoarding weapons. he tells himself he has to protect everyone, and the first two ways he decides to do this are by making a sparring ring where he intends to teach them to fight, and by threatening to break their legs. for the latter half of the series, he is literally sleeping on the edge of a sparring ring, all his personal effects literally pushed off to the side to leave room for this sand pit in the middle. even before he gets the memories of his time as a soldier back, we can see that this is how he interfaces with and understands the world. violence is in his bones.

as a result, i am kind of crazy about the fact that the literal game mechanics he engages with reinforce this image of him. there's this brief period of time really early on where i guess they haven't really got the prox chat range to yell to each other from a distance, and owen decides to take his weapon of choice and fire an arrow in the path of the person he's trying to talk to. (i know for sure he does this with rasbi and with at least one other person. forgive me, i don't recall who the other person was.) when you're getting shot at, yeah, you sure do generally want to look in the direction that arrow came from to see who's trying to shoot you! that'll get someone's attention! that is generally how people play the game!

at another point much later in his series, a group of outsiders find an enormous crane towering over a section of the maze, and owen pulls out a bow and aims it upward. it took me a second while watching to realize that it's because when you draw a bow in the game, you also zoom in on the thing you're aiming at. owen was trying to get a closer look at the crane, so he grabbed his weapon and used it to get a better understanding of the world.

more broadly, owen uses spears and arrows to point at things, to check distances and investigate stuff he doesn't want to or can't get close to. when he and magic first notice ash up on the walls, he fires arrows up at her, not really to hit but to see how she reacts. then he keeps firing them, having noticed the barrier blocks (in-fiction, the screen that makes up the false sky). later, while talking to chat in a high-up part of the maze, he demonstrates again that the sky is fake by hurling a spear into it.

out of character, these are just creative workarounds for the medium's limitations. in character, however, these instances make it clear that every single thing about the way owen interacts with his world is coloured by the fact that he has used weapons and will continue to use them, that his reaching for a bow right after waking up wasn't some fluke, that even with his memories wiped out he is a character who has been trained to reach for violence before anything else.

just by playing the game, cc!owen adds another dimension to this character, because he is playing a game where There Exist game mechanics meant to facilitate violence, and this is about the cycles of violence c!owen finds himself trapped in and perpetuating and it is also about how violence is so deeply ingrained in him that it is an inextricable part of his world.

[shima-draws]

Grips my shirt and tears it apart so that all the buttons go flying and SCREAMS I love Law and Cora so much what the FUCK!!!!

[agalychnisspranneusroseus]

My hot take is that marcanne has as much potential for toxic yuri as any other calamity trio ship and it's not nearly as soft and fluffy as one may think

[13eyond13]

You know even if L and Light were both extremely heterosexual men, I still don't get how either one of them wouldn't find it alarmingly sexy that the other one was secretly trying THAT hard to constantly impress them and read their mind and personally entertain them and trip them specifically and ONLY them up

[pwurrz]

being obsessed with yakumo is a job and baby i’ve never called in a sick day!!!!!

[lilacerull0]

the initial appeal of lila to me was how in her childhood days, she was the brightest student, but managed to do it in the most unconventional way possible, a way that so closely mirrored my academic experience and that i was never able to find a description of until now. the prototype of the good at school kid is always somehow related to wanting to prove one's self to someone or living up to the expectations, be it your own or somebody else's, there is a level of obedience involved and a desire to be liked (sometimes hidden, sometimes quite outwardly) and it almost always ends in gifted kid burnout and being surrounded by this sort of portrayal has always felt kind of isolating to me who did and continues to get top marks, but fails to bow their head. as a child, lila is the best student in her school, but not because she has to be. it is simply the consequence of who she is, but her particular brand of intelligent fails to meet the parameters of how students are supposed to behave. and okay yeah, this is portrayed in fiction, but that kind of student usually doesn't get top marks in spite of being the smartest person in the room. lila does. because she is able to translate the awfully restricted, written according to some unwritten step by step guidebook, material (that is supposed to offer information, but unable free thinking or thinking at all) and give it her own spin that results in teachers being obligated to grade her accordingly because she understands what's being taught, but also resent her because her understanding of it is too out there to be acceptable. she takes the material out of context (the context being school) and tries to understand it for what it is simply because it interests her. it's the sentences that have been following me for as long as i can remember "you're incredible bright, but you wander off" or "your knowledge lacks structure" or "you're incredibly bright, but your way of thinking is incompatible with the world's mechanisms". (something that has been said about me in kindergarten because that's an okay thing to do to a child apparently) and i have mentioned this in relation to lila before, but i think she is able to keep this attitude alive because it isn't an attitude at all, it's a way of being. she isn't a rebel by choice, she's a rebel almost biologically. (which is an advantage, but the world isn't too into people who think, no restrictions attached) it's almost like her main trait is having too much individuality which was always how i felt about myself and what causes people to characterize you as unfeeling. i love her forever <3

[ozlices]

nintendo het baiting w sidon and his fiancee only to pull the gayest shit ive seen in a While by having sidon renew his vows w link (they got married at the end of ruta’s quest in botw. obviously. clearly.) and giving him a power that lets him ‘stay by his side forever’. i see you husbands i am so glad your marriage is thriving. good for them. good for them. they also both have two hands for anyone who wants to pull any nonsense im js. there is room for yona she just has to understand link has held sidon’s heart for years first.

[vaguely-concerned]

realizing after meeting eldrin how many parallels I've completely accidentally managed to set up between davrin and rye despite the fact that they're such incredibly different personalities and feeling an embarrassing swell of real tears rising up

[hermitagereheadcanons]

this isn't an ask or a request, but I hope you could still post it, because since I found this account the wave of love for this fandom crushed me yet again

not to disclose who I am too much, but here's a fact: I was dealing with pre schoolers as a part of my education(or, well, practice). around the same time I discovered the wonderful world of hermitcraft age regress fics. I myself don't regress, but I find those works insanely comforting. anyways I mentioned my education because, while in fics the looking after might be Way to soft and all-allowing (that YES can be very bad even short term), most of the works show it really well. and not just comforting, but as if the authors know Very Well they are portraying not a parent figure per say, but a "cool uncle that looks after you" type character and I LOVE IT. maybe this says smth about my childhood, maybe it's the overwhelming feeling of love coming from a friendship, but still. kudos to everyone who writes age re in this fandom, I love you.

I still haven't explored the topic of age regression as a study (meaning: I haven't really looked up the real world instances), but I have a feeling that learning about this phenomena in psychology feelings-first from a fictional work was a good idea.

Your ask has actually reminded me why I love this blog. I've been a bit out of touch with the fandom lately, but the sense of community that comes from gathering around something so niche is really nice and I love hearing about it.

I'm glad this type of content can be comforting and enjoyable even if you don't regress!

Also, when I originally had the idea to start this blog, there was very little agere-related content in this fandom that didn't emphasize a parental, set-in-stone caregiver as a key feature. I'm happy to see so much more variety in how people portray it in relation to friends and partners.

[angelichl]

.

[grossillygirl]

i used to read smut about succubuses (succubi? Idfk) and rape and ageplay and ddlg and grosssssss bad stuff and i REGRET IT SO MUCH NOW. I WAS THE DUMBASS KID READING THIS FUCKED UP SHIT THAT CONDITIONED ME TO WANT OLDER MEN LIKE THAT