#I can't stop making those

[5leggedlamb]

Ok so I tried it with thicker thread and omg this thing looks as if it's going to last me 5 generations what the hell

[magentasnail]

spoon theory

[peacockrulz]

An Well Made Excuse To Post My Specific Headcanons I've Had Since The Show Came Out

[greencarnation]

eleven is fascinating to me because he came right off the back of tens horrible traumatic breakdown after he lost everything and he immediately tried to establish himself as the opposite of that. he is funny and goofy and almost childlike, and he bulldozes on in his adventures with amy like nothing happened at all. but then something happens and his masks slips and it's like oh! the core of this man is still anger. he is so so angry all of the time and this façade is the only thing stopping him from being consumed by it. he isn't over any of it and he hasn't moved on. he is wearing a fez and laughing but under that all that exists is age old anger and grief and it is going to consume him

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[her-soliloquies]

I'm half convinced that if Vi and Cait hadn't actually kissed and slept together, there would be some people showing up out of nowhere to say that their relationship is supposed to be platonic and seeing it as romantic is harmful to the concept of simple friendship and that two people can be close without it being romantic etc etc (which they are saying about jayvik and silco/vander)

Now since explaining a thousand times that people can have different opinions and they should learn to respect them instead of correcting them as if there is only one true answer does not seem to work, here's an idea: just block those ship tags and let us all have peace in this fandom.

Thank you.

[demaparbat-hp]

Almost

[leroibobo]

really do not think people understand the extent to which palestinian sites/landmarks (especially muslim ones) were destroyed, beginning in 1948 until now, even in cities. the oldest extant mosque in jaffa (al-bahr mosque) was built in 1675, even though islam came there in the 7th century

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[little-hermit-crab56]

WHY IS THE NINJAGO FANDOM OUTSIDE OF TUMBLR SO FUCKING TOXIC

[lonelyspire]

another tidbit that is making me emotional in the septa scene is that rhaenyra has been so stiff since the beginning of the season, rigid with grief and having to hold herself in check because her council keeps undermining her, so she doesn't allow herself to emote very much besides expressing her sorrow but like. the second she's with alicent, particularly when speaking of the scenario of being found out and slain, she's back twenty years, making faces. the first few seconds especially, she's frowning and raising her eyebrows and scoffing etc but there's also an undercurrent of like rolling her eyes, of being facetious almost. and it's not an intensity that stems only from the urgency of the situation, it really is just how she reacts to alicent all the time, whether in the same room or miles away, there's always emotion bubbling out of her when it comes to alicent, and a fondness that can't be kept at bay, even when she's literally threatening to kill her (sort of in a jest) like. they're bound to destroy each other but also alicent is bringing something out of her that pierces through her heartbreak.

[flower-blossoms654]

"If not his friend, then mine."

I keep thinking about that one line because it fucking tears my heart out. Its Telemachus saying I know you have done something that you regret - probably something that you believe is bad and makes you a bad person and unworthy of that person's friendship - but as your friend (who fully realizes your imperfections) I believe you are a good enough person to make amends.

"Maybe to fall is to learn one way" because its OKAY to make mistakes. Doing bad things doesn't automatically make you a bad person. If you really want to help, if you really want to make amends, and the person who you wish to help is wanting and willing to accept those amends, then maybe things will get better.

He's really just looking at Athena and acknowledging that she can change/is changing/has changed for the better - and that was what Athena needed. She seeks out Odysseus, sees that he needs her help, and challenges her father for his freedom.

She's a goddess. Renowned and worshiped. She has great pride and not only did she extend her mentorship to Odysseus, she basically set her claim on him. For him to directly go against her warnings and for him to believe he knew better than her was a big blow. Their argument didn't make things better.

So she cut him off. Said goodbye. Tried to forget him and act like she was never tied to him. That she never even considered him a friend.

Then his son rolls around. Young and bright. In need of guidance. Surrounded by foes. A young boy who looks so much like a father he never knew of - most likely because of her.

And its pride and guilt and regret that fights inside of her until someone can look at her and tell her that hey, you don't have to be perfect to be loved.

[dragonsbluee]

I have a request for batfam/Jason Todd fanfic writers:

I love the "Jason Todd is a bookworm/theatre nerd" fics as much as the next person, don't get me wrong, but can we please diversify his interests?

90% of the time when I open a fic with that tag, we see Jason reading Jane Eyre or Pride and Prejudice or quoting Shakespeare. And not to say that there's anything wrong with any of those being his favourite but even if he loves to read "classical" books, come on!

You're telling me Jason raised-in-crime-alley-spent-his-formative-years-between-an-eccentric-billionaire-and-an-assassin-cult Todd only reads books by dead white people?!

I refuse! Give me a man who takes to books more than ever after his return to Gotham. Jason, who reads books like I am Woman, A Really Good Brown Girl and White Tears/Brown Scars, then recommends them to the working girls as he establishes his territory. Who reads in multiple languages, and who loves Arabic poetry.

Give me a little "Robin is Magic!" Jason scouring Bruce's library and picking up a copy of The Mahabharata after he's done The Iliad, and spends weeks obsessed with Journey to the West.

Give me a Jason who's read Things Fall Apart, and One Hundred Years of Solitude! The number of quotes and references he could pull that would further support his dramatic tendencies? It would make him so happy!

[primarinite]

haven't learned how to draw everyone else yet so some more sifs (and loops)

original forever weed

[theunknownpoetandrewfoster]

Dennis + goofy facial expressions

[uncanny-tranny]

Medical racism isn't important to address just because it's mean to be racist to patients (I mean, it is mean), but because medical racism kills people. It contributes to systemic suffering of those deemed non-white, and the disinformation that spreads about non-white people.