#I can write here too?

[canonkiller]

but you can't keep holding on like this.

[spyres]

[glorious-spoon]

i know we all laugh (mostly fondly) about the paper-thin plots in porn that only exist to make the sex happen, but i was reading some old stargate fic over the weekend, and i really think we're sleeping on the paper-thin hurt/comfort plot that only exists to force the characters to FEEL THINGS.

like, is this scenario realistic? no. does it make any rational sense? no. does it provide a built-in excuse for a character to collapse, bloody and disoriented, into the arms of his beloved/friend/partner? obviously, that's the whole point of this exercise.

i love it. it's my favorite thing in the world.

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[frosted-woods]

autumn time to be gay and totally fine and not miserable at all

[randomminty]

Five billion octopath 2 scribbles i feel sick

[teaboot]

you're so like. inspiring. or i wish i could be inspired. you reblog that post with the blue critter and you're like "im glad i was born on this planet". how do i manage to get that mindset. how do i manage to not want the pain to stop at any cost and enjoy what's still possible to enjoy

It's my first time here and I'm never coming back

[damian-lil-babybat]

'Dead Poets Society' gang

Headcanon that these four drop poetry and literature quotes on their conversations unprompted.

Jason 'English-major-I-only-visit-the-manor-for-the-library' Todd-Wayne

Damian 'I-master-liberal-arts-unlike-you-plebs-PHD-holder' al Ghul-Wayne

Cassandra 'I-learn-English-thru-Shakespeare-as-god-intended' Cain-Wayne

Duke 'only-title-holder-of-vigilante-poet-and-will-cuss-you-just-as-poetically' Thomas-(future) Wayne

[minty364]

DPXDC Prompt #85

When the Justice League hears about a new branch of government that believes ghosts are not sapient or sentient they of course decide that they want to evaluate this themselves so they go to Amity Park. Unfortunately ghosts can’t speak normally to humans it sounds like a fork in a garbage disposal to a human.

Danny’s friends weren’t around for the accident as they both had family emergencies at the time. No one knows and more troubling for him is the Justice league keeps stepping on his territory with different sets of hero’s trying to talk to him, he doesn’t because he knows they won’t be able to understand him. That changes when they start sending bats and a one Red Hood can understand him.

[hellsitegenetics]

Can U blast this https://urbanshade.org/wiki/Documents/Sebastian_Solace pls

String identified: caTatcaaaaaataactGTtttatcagcatcttcagtctaaaattattatcttataCAagtataaaCCTaatccatttatacattcctaccatccttttattagtCAcatacatagataatatttgtccataAtggtctatattccagagtattGaaacggcaaccaactaaatatctatccagatctagacggttaCACCTcattagttacgtatacttatatctaacattatctgaaggtgatgctaaaattagaattaagaatAtgctactttatcgattgaagtaaatagtctaatctatctccaacaaaacttaaacacaaaacttatattgaggAtaaaaaaagattaatatagaaaattttataaccagatattatattaacttctTctctatttctatgcacatatGagattactTtagttatattattcactttatcattattaaaccaacttcaattcacataAtttgtattgaagtattatacattactatattaaaccatatactaagtctatttattacttattcaagacacaAtttaggttatagaatttttatagaaacagtgtttgctaacctcatagaaaatcctaccaatatactaaattctttaatctaaatattagtttggg

Closest match: Balaenoptera musculus genome assembly, ██████ ████████ genome assembly, Microcephalophis gracilis genome assembly, Carcharodon carcharias genome assembly, Bufoceratias wedli mutated genome assembly, Diretmus argenteus genome assembly, Gonodactylus smithii genome assembly, Homo sapiens genome assembly Common name: THAT FUCKING FISH THAT I HATE

(If this image source is shown to unauthorized personnel, you'll be BLASTed with my wizard beams)

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

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[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.

[beepboopappreciation]

I always see people talk about how cool becoming a cyborg would be, replacing parts of our flesh with metal and pistons and cool gadgets.

Why don't we talk more about the horror that is the opposite of that?

A computer who grafts lab-grown skin in patches onto their own form to feel. To experience a gentle and cool breeze passing by, or the oppressive sweat-inducing heat that their systems produce.

A robot with an organic eye to help them see as their creators once did. Imperfect, sure. But it seems to have quite an uneasy effect on organics, and doesn't that make it more than worth it?

A machine with blood coursing through its systems, flowing through the central chambers, in and out of its beating heart. Perhaps if the heart holds up, it could add lungs to help circulation.

A being that resembles a man at a distance, but upon closer inspection it is clear that he is instead a cacophony of skin, mismatched body parts and features, with just a few robotic limbs and mechanical parts visible. It smiles at you, the wide grin revealing that none of its teeth match.

He lurches toward you, hair from at least three different scalps falling carefree in front of its shoulders. You take a step back.

Where is the line drawn between cyborg and robot with human parts? Do you know? Does it know? Does anyone know?

It gets closer. You continue to retreat. Your back brushes against a wall.

You don't know where that line is, you've decided, but you're positive this individual has crossed it.

Having cornered you, it reaches its mechanical hand out, fingernails grafted on the metal tips. You blink, locked completely still from fear for just a few moments. It angles his hand in invitation. He wants you to take it. You hesitantly accept.

Under the metal you can feel . . . something, flowing, pulsing just beneath the surface wanting to escape. It's warm.

"Wh.. what do you want?" You manage to sputter out.

The being shakes your hand, his smile returning. "A friend," it replies.