#I can think of wildly different ways to do it even

[kristylime]

So...re: the WWDITS finale/final season-

Let me preface this by saying I'm not mad... I'm a little disappointed. I am happy for those who are happy. And I would also urge everyone to be cool, tolerant, and respectful, but upon reflection...

I think season 3 and season 4 demonstrated a lot of potential. Sky high. I was giddy. And while I don't think the show ever became straight up terrible, but I think that they backtracked on what they were becoming and decided to double down on everything they were before The Cloak of Duplication (not to even mention The Night Market).

While I will always have a special place in my heart for this show and Nandermo, I think they just decided to be "that silly vampire show" instead of doing something meaningful. I suppose I am grateful for the subtext that can be read into the finale. But I wish it wasn't subtext. I wish it was bold and indisputable.

I don't think "business as usual" was the right decision for the final season. I wanted "very special episodes." They didn't need to be schmaltzy or over the top or even wildly different in tone from some of their best work in prior seasons. I wanted to see meaningful arcs and stakes (no pun intended, actually). I wanted to see conclusions. I get that they're vampires... they fall into patterns and have repetitive adventures and interactions.

But for me personally, I don't think meta and teasing was the way to go for the finale. Again. Not mad. Not surprised. Just disappointed.

PS- The Guide has never been my favorite character, but they did her dirty. She deserved better. Literally, wtf was that in the finale?

PSS- Literally was the most heartfelt moment of the season Laszlo and Seanie's heart to heart at the end of March Madness?

[little-worm-grant]

Night Terrors

Moonboys x You (Reader) 574 words / 18+ only, no minors

Masterlist.

If you like what you see, leave a like or reblog and follow me ♥

Summary: Marc isn't the only one to suffer the occasional bad night, they all do. Here are some ramblings of how each of the alters handles night terrors with you around. This will contain descriptions but nothing graphic.

A/N: A lil cathartic trauma writing after a bad night. I have CPTSD that's not too different to Marc's experience with his mom growing up. No matter how many years of therapy I've done to find my baseline normal, I still get night terrors every month. This is a damn sure better than what it used to be, but still annoying. It's one of those things I will never have control over and just have to deal with it. Thought I'd use my experiences to write how I imagine it'd go for the moonboys. Regardless of the things I write, I'm genuinely in a good place in my life. Healing is not linear. The worst experience to ever happen to me was my childhood and I've gone forward in life with my head up knowing nothing will ever be that bad again. Look after yourself first, no one can do it as good as you can.

Steven wakes up sometimes in a panicked wheeze, flapping his arms as though to get a spider off his pillow (it's just the shadow indent of where his head was that his brain hasn't quite registered), or just straight up flying out of bed in a scramble to get away from the perceived threat. You've learned he needs a lot of physical contact to come around and be eased back into bed. He never remembers these nights or what he's dreaming about. Laughs and calls himself a "right plonker" when you explain it the next day. He'll comfortably make jokes about his evening escapades. He panics when he's conscious, it doesn't surprise him one bit he also does it in his sleep too. No wonder he's always so tired. Steven deeply appreciates knowing you're there for him when he needs it. He'll pamper you and try making your day a little easier to make up for it. Scratch each other's backs and all that. -

Marc shouldn't be touched when he gets like this. Always a small chance it'll freak him out more. He's never hurt you, more like he doesn't recognize you and tries to keep you at an arm's distance to keep himself safe. You've never seen him so tense. Sat upright, shaken breath. Eyes wildly scanning the dark of the room, convinced he's seen something in the shapes he can make out. As though it's both your lives on the line if he's distracted from it. He doesn't look angry, it's not like that stern expression he usually carries... but more like he's seen a ghost. He's terrified of whatever may come out of the dark. It breaks your heart. You talk him through his logical fallacies until he's convinced enough to settle back down. Sometimes it requires a light being turned on for him to snap out of it. Come the next day, he'll brush off your follow-up questions of it. Embarrassed you saw that side of him. Marc won't often remember getting up in the night, but he certainly remembers what he dreamt about. He won't willingly discuss that in any detail. He thinks you'll look at him differently if he does. The day naps wrapped around you make everything better. -

Jake you've only seen out once in this state. The broom you'd moved out the way before bed came tumbling down in a loud clatter, and he was up in a blink of an eye. No staggered breathing or wild eyes like Marc. None of Steven's exaggerated or fast movements. Stiff as a statue he's up and staring off into the empty void of the room. It was more unnerving than the other two. You try talking to him but he doesn't acknowledge you. A tentative touch snaps his eyes to yours. After a moment, he seems to soften and come back to himself. Some mumbled strung-together Spanish you aren't convinced was meant to be coherent. He chuckles and drops back down into the sheets. Reaching out to pull you in closer. Soundly snoring a moment later. You're left perplexed and blinking. Questioning who the hell that was. Jake tends to have a very vague recollection of coming to and trying to tiredly explain his reasoning. He doesn't remember if he was dreaming. "But there's no danger, so there's no problem. Go back to sleep," he'd tell you, thinking you understood him perfectly. He can sleep better for it.

[taldigi]

I'm always a big proponent for localizing when necessary so I'm interested to hear your takes. For example, I'd much rather remove things like "senpai" or honorifics. If necessary, fully localize to the setting all the way down to the location (ex: Because Ace Attorney is a game that so heavily focuses on modern day Japan's legal system, there's the chance that could put off American players from buying the game for fear of being lost due to the differences in the systems, even though the game itself has no such issue. So localize to LA to break through that initial barrier and get the player to pick up the game). If not, keep the location (MOST stories don't need their location changed) and explain that which needs explaining, but fully translate all dialogue and speech patterns (I actually approve of P4s decision to use frequent bear puns in place of -kuma).

You don't need Japanese honorifics, English has its own honorific system. It's why children are expected to call all adults Mr/Mrs/Ms/Miss [last name], except when they're family. It's why, if your boss lets you call them by their first name, they're considered more relaxed ("Please, call me [first name]. Mr. [Last name] was my father's name!") but if your university professor does so it's considered a sign of respect. And it's why it's noticeably, but not unprofessional, if someone goes by last name only without an honorific. If you're localizing a game, I believe you should use that language's honorific system. No -sans, -kuns, or -chans.

Same with things like "senpai." You don't need it. Find a way around it. I honestly don't think the solution to Teddie is to add more untranslated words. The problem with Teddie isn't what he's saying. It's dropped context. It's not clear enough that Teddie doesn't really get what he's saying. It reads more as if he doesn't get why what he's saying is wrong. But those are two different things. Knowing what you're saying but not knowing why it's wrong is a different problem than not knowing what you're saying at all and just repeating things you've heard. There isn't anything wrong with Teddie using the word "scoring," it's entirely in the way it's delivered.

Of course, that's just my thought on localization. I'm interested in yours!

I think I understand what you're saying, and I understand the exact sentiment. Normally, I feel that adding honorifics can be annoying- esp if the story doesn't really call for it.

However- Persona is a kind of series where it doesn't come off as annoying- because the story is very Japanese as well as being a game about the relationships between a bunch of super powered teens- so its implementation is more organic than say.. idk, if Pokemon did, where that relationship nuance isn't as needed.

There's a lot of nuance that gets lost when those aspects are translated or localized away. Rules like using a person's last name is wildly different in JP than it is in english. Sure, the relationships between first and lasts name have their own rules in ENG, but referring to someone via their last name can be seen as insulting, mocking, or scolding. Maybe even a bit demeaning depending on the context whereas in JP its seen as respectful and using a first name or lacking those honorifics can be seen as affectionate.

Being able to step into the headspace where these honorifics matter in relation to how the characters relate to one another is an integral part of steeping yourself in the narrative. IMO, Making it digestible for English audiences would be more akin to like... "Do we need child characters to refer to themselves in third person?"

English is no stranger to loan words to express things. American-English especially. Schadenfreude, Safari, Rendezvous. Doppelganger? If using "Senpai" is important in the narrative to define a relationship or denote authority or respect between two characters, then I believe it's important for the narrative. I mean, people don't step away from the game clueless on what a Persona or a Shadow is, right?

How I see it... Using English: If Naoto called Yu "Yu" it feels too personable, if they called him "Narukami" then it could be seen as dismissive. "Mr. Narukami" feels stiff and "Mr. Yu" is childish and unfitting. "Sir"? Maybe. But again, that feels too yielding? (AU where Naoto refers to Yu as "Dude".)

Kanji's use of honorifics is important to his characterization, too. Even though he's rough and easy to anger and slacks in a lot of social rules, he's still respectful and that's a really important.

However, I'm no linguist nor a philosopher- let alone know more than a few japanese terms at best. So that's just a train of thought. I know the balance between pure translation and necessary localization is a fickle one.

thought: If this was a fantasy world with fantasy terms and honorifics, is that annoying too? or is it good worldbuilding?

Localizing the area? N.. No. I fully disagree with that. No matter what. If someone needs to be coddled enough that they cannot handle a location change, they can go play a different game. It's like asking Pathologic to be anywhere but the Russian Steppe. That is a different issue divorced from being able to understand the meanings and implications of language.

That being said, I think most people who would find interest in a game like persona would be smart enough to pick up context in a story to give meanings to words. (imagine if persona or even SMT was localized to Soul Monsters LMAO)

(Topsicle is a translation I don't like, especially when they could have called it.. idk, a "Vanilla Bar" or just "Vanilla Ice Cream". "Animal Crackers" too. It's not hard, like.. make up more accurate names for them. "Nillabar" or "Cheeseas Crackers" idk. They had the copyright granted for them to use the originals. Weird.)

Taking a step sideways: Teddie was absolutely fumbled. And yeah, I think the blame lies less in him specifically and more in how the other characters treat him. You are correct in saying the issue isn't "scoring" vs "gyakunan", but I felt that it was the best way to express the issue curtly. But then, I must further inquire... why Scoring? Why not "I to be [Girl]'s hot stud!". I mean, I know why. but "scoring" has negative implications. Hell, they could have just used "hot wife" or "mistress" smth, which carries the ridiculousness forward more.

"Maybe I can be Yukiko's mistress!" "*gasp* YOSUKE, were you trying to be Sensei's Mistress?"

Just thinking out loud at this point.

(I want to emphasize, tho- that I LOVE Teddie. I think he is SO silly and sweet and he is absolutely in my top 5, if not top three, fellas from 4. And yes, I love his bear puns too. I like to use both them and the "Kuma" tics when writing him.)

They really needed to telegraph that the characters don't take him seriously and think he's silly WAY more. Not even in the sense of "child coded". He's a shadow. It's not that abstract that he's immature. But the rest of the world around him needs to act like he is, otherwise the reader/player isn't going to get it either. This is telegraphed suuuuper clearly ingame by the JP team, whereas the ENG team... does not. It is SO clear how fond the girls are of Kuma it's almost comical- and yeah, it even detracts from Yosuke's interactions with him. His annoyance is a little disagreeable in JP, while way more justified in ENG.

anyway, getting rambly. Hope I was able to express something akin to a reasonable opinion.

[mixterglacia]

CONTENT WARNING: Vivziepop Critical/ Stolitz Critical below the cut.

This episode made me incredibly angry, so it's not going to be as well structured as I try to manage.

TL;DR The pacing and tone was a horrible mess, and this should have been split into at least two episodes to pull this off.

To start, we prove in the first five minutes how little these two actually know each other. They're surprised by very simple things and I don't like that. It tells me that neither of them, but especially Stolas, EVER asked about the other's interests. Cool, that's good to know I was right about that the whole time.

Blitz is WILDLY out of character in the bulk of this episode. I LOATHE how he's waiting on Stolas hand and foot. If we're being honest, he'd probably just say "figure it out yourself" and focus on his life, business, and daughter. Why are we always having to baby Stolas' feelings? It feels like he's the only one allowed to actually be doted on. (In a non-humorous way.)

And now he remembers Via? Sure, just run off without thinking about your family. You have never let that stop you before. And now Stella is being cartoonishly evil in front of her daughter? We've never had it proven that she's a bad mother. In fact, from what Via states later, that's the case! I really think they have no idea on how to be subtle with her.

In a similar vein to the moment with Blitz watching the family later. You didn't need to tell us who he was imagining in that window. The moment worked without you punching it down our throats.

Likewise with Millie's pregnancy. I wish they'd left that as an open thread, rather than taking time to fully confirm it. Like maybe all the way up to the point where she went into the bathroom and left looking a little fucked up? That way it can be an engaging thing to return to in S3.

The non-drama parts of the episode (especially the first five minutes) dragged HARD. They gutted any emotional moments and just felt like padding for the runtime.

I am so annoyed at the way this show is trying to lessen what Stolas did.

HE CHEATED ON HIS WIFE. HE DESTROYED HIS FAMILY. HE ABANDONED HIS DAUGHTER. HE IS A TERRIBLE MAN WHO GETS EVERYTHING HE WANTS BECAUSE THE SHOW BABIES HIM.

This is not some cute little quirk. His wife was never implied to cheat on him first. She was a bitch, but she didn't do anything to deserve this. I can't stress enough that if you showed her playing around too, it would immediately solve most of the hypocrisy with this.

Trying to weasel around that by Blitz trying to say cheating really so bad is fucking gross. It's not like they had an open relationship and Stella got jealous. Stolas is a slimeball. He doesn't deserve Blitz. He doesn't deserve Via.

He hasn't earned any of this.

While it came out of nowhere, the Via song is STELLAR. As a product of divorce, she owes her father nothing. She deserves to feel so hurt and betrayed.

"My tears won't fall upon your shoulder...I'll just get older and you'll only know my name." Hit me like a truck.

So imagine my outrage when we aren't allowed to sit and think about her feelings for more than a few seconds after the song. We aren't allowed to focus on her pain. If they staged a sequence between the number and her finding her dad's pills, I think it would work better.

Or even uploading the song by itself. But no. You have to CONSTANTLY remind us to feel bad for the stupid fucking owl. Feel bad because he's depressed. Feel bad because he's trapped in the same loveless marriage as his wife. But don't feel bad for her because she's a bitch.

Fuck. Off.

My dad was manic depressive, that doesn't mean he got to treat our family the way he did. Stolas didn't even think about her before throwing his life away over his booty call.

This show has so much potential that it just squanders. There are two different series being forced together and it doesn't work. You have the comedy series shoved into the same sweater as the soap opera. They aren't mutually exclusive, but truly the team seems incapable of making this work.

I'm done.

This isn't even fun to critique anymore.

If folks want my opinions on future Helluva Boss content, you'll have to directly ask me to watch the piece in question. I'm still going to give S2 of Hotel a shot, but as far as this?

I'm throwing in the towel. Of the two, I was so excited for Helluva. I loved the characters, I loved the idea, and I truly loved the first couple episodes.

But that show doesn't exist anymore.

Once again, I'm going to take a moment to remind you all:

You are allowed to love this series. I am just a dude on the internet. I am not trying to change your mind. I am not trying to ruin your fun. If you love it, that's awesome. I am so happy you found something that sings to your soul.

Don't let me harsh your buzz. Okay?

[ace-and-ranty]

Okay, so, hear me out. Here is how I would have tidied up a bit the MESS that is She-Ra's lore.

The native native Etherians, the ones who evolved and originated from the planet, are people like Angella and Madam Razz; not people like we know them, but beings, manifestations of the planet's magic, immortal and la-di-da and ancient and mysterious.

Over time, immigrants started moving to Etheria, first and foremost humans, who spread out and got settled and started intermarrying with the magic natives, until we get to a planet that has some native magical beings still around, but is mostly their descendants with immigrants. This is how you get all the princesses, and that explains why most princesses are humans (descendants of humans and native beings), Scorpia specifically is not (descendant of a different immigrant population and a native being), and what Angella is (one of the very few beings still around by the time SPOP rolls around, who is only now handing over her rune to a mixed descendant)

She-Ra was one of those native beings, who slowly got integrated into the immigrant population, creating this Avatar-like cycle of She-Ras that was going just fine until:

The First Ones arrive.

The First Ones are not human. They are humanoid because of course, but are distinctively non-human, with specific identifying characteristics like Scorpia or Angella or Horde Prime. Like. Hell if I know. Make them elves.

There's a targeted propaganda machine to make the (mixed) native Etherians think the First Ones are helpful helping helpers, here to bring modern machines and shit to the natives!! She-Ra is handed over willingly, despite protests by various fractions. And then Mara blows the whistle.

Greyskull Squadron is not Mara's old squadron, or not only that, but a group of Etherians that Mara allied herself with, trying to oppose the First Ones. Like. Just show us a little bit of the Etherians fighting for their own planet, like what the show is currently trying to be about. Would be even better if later, Adora finds information not just from old First One tech, but from records left by the Etherians themselves.

[t-u-i-t-c]

balance & naga // episode 31

[kyuala]

SOOOOOO hard to go through everyday life trying to ignore the never-ending feeling that im just irreparably fucked up and therefore should just give up on everything

[thedreadvampy]

1 week left for Charlie to do the funniest thing he'll do in his life

[arolesbianism]

Beginners guide to my Jackie and Olivia universe thoughts except the handwriting might be kinda unreadable so idk figure it out

[carfuckerlynch]

thinking abt the opening to hill house in the context of the parts of physics that offer the claim that there is no such thing as absolute reality

[valeriehalla]

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and

the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

Okay. Point 1. The frog-boiling.

Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.

In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!

And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”

That did not happen. There is no ceiling. The frog is soup.

Point 2. The complete and utter mundanity of all of this.

It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.

The vibe with “Saki” is different.

It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.

There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.

So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.

The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.

Do you get??? why I’m so fascinated??? Are you not a little enraptured???

Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????

[kaijutegu]

Alligator Body Language and You, or: How To Know When An Alligator On Social Media is Being Stressed for Views

Alligators are wild animals. Despite the idiotic claims of animal abusers like Jay Brewer, they cannot be domesticated, which means they are always going to react on the same natural instincts they've had for millions of years. Habituated, yes. Tamed, yes. Trained, definitely. Crocodilians can form bonds with people- they're social and quite intelligent. They can solve problems, use tools, and they're actually quite playful. Alligators are also really good at communicating how they're feeling, but to somebody who doesn't spend much time around them, their body language can be a bit mystifying. And it doesn't help when social media influencers are saying shit like this:

That is not what a happy gator looks like.

That's a terrified, furious gator who isn't attacking because the ogre handling her has her in a chokehold. She's doing everything she can to express her displeasure, and he's lying about it because he knows his audience doesn't even know how to think critically about what he's doing. He knows that because his audience doesn't know anything about these animals, he can get away with it. This I think is why I hate him so much- he deliberately miseducates his audience. He knows what he's doing is factually inaccurate, he just doesn't care because attention means more to him than anything else in the world.

Let's change that! Here are two really important lessons for understanding alligator body language on social media.

Lesson 1: Alligators Don't Smile (in fact, most animals don't)

So what's going on in this video? Jay Brewer is aggressively choking his white alligator Coconut while scrubbing algae off of her with a toothbrush. And make no mistake, he is digging into the creature's throat while she is visibly distressed. He claims she's happy- but she's not. He is willfully misrepresenting what this animal is feeling. That's a problem, because people... well, we actually kind of suck at reading other species' body language. The reason for this is that we tend to overlay our own responses on their physical cues, and that's a problem. For example, let's look at an animal with a really similar face to ours, the chimpanzee. Check out Ama's toothy grin!

Wait, no. That's not a happy smile. That's a threat display. When a chimpanzee "smiles," it's either terrified and doing a fear grimace, or it's showing you its teeth because it intends on using them in your face.

How about a dog? Look at my smiling, happy puppy!

Oh wait no, this is a picture of Ryder when he was super overwhelmed by noise and people during a holiday party. He'd hopped up in my sister's lap to get away from stuff that was happening on the floor and was panting quite heavily. See the tension in the corners of his mouth and his eyes? A lot of the time when a dog "smiles," the smile isn't happy. It's stress! Why Animals Do The Thing has a nice writeup about that, but the point is, our body language is not the same as other species. And for reptiles, body language is wildly different.

For instance, look at these two alligators. Pretty cute, right? Look at 'em, they're posing for a Christmas card or something! How do you think they're feeling?

Well, I'll tell you how the normal one is feeling. He's annoyed! Why is he annoyed? Because the albino just rolled up, pushed another gator off the platform, and is trying to push this guy, too. I know this because I actually saw it happen. It was pretty funny, not gonna lie. He's not gaping all the way, but he was hissing- you can actually see him getting annoyed in the sequence I took right before this shot. Look at him in this first shot here- he's just relaxing, and you can see he isn't gaping even a little bit.

By the end, he's expressing displeasure, but not enough to actually do anything about it. He's annoyed, but he's comfy and that's where one of the best basking areas is, so he'll put up with it.

Reptiles open their mouths wide for a lot of reasons, but never because they are actively enjoying a sensation. Unless they're eating. No reptile smiles- they can't. They don't even have moveable lips. If a reptile is gaping, it's doing so because:

It is doing a threat display.

It is making certain vocalizations, all of which are threats. Alligators are one of the rare reptiles that do regularly vocalize, but most of their calls aren't made with a wide open mouth.

It is about to bite something delicious or somebody stupid. Check out this video- virtually all of the gaping here is anticipatory because these trained gators know darn well that the bowl is full of delicious snacks. (I have some issues with Florida's Wildest, but the man knows how to train a gator AND he is honest about explaining what they're doing and why, and all of his animals are healthy and well-cared for, and he doesn't put the public or his staff at risk- just himself.)

It's too hot and it has opened its mouth to vent some of that heat and thermoregulate. This is the main reason why alligators will often have their mouths part of the way open, but sometimes they'll open all the way for thermoregulation. This is what a thermoregulatory gape looks like- usually it's not all the way open, kinda more like < rather than V, but you can't say that 100% of the time. Additionally, a thermoregulatory gape... typically happens when it's hot out. If they're inside, maybe they've been under their basking light for too long. Heat's the dominant factor, is what I'm getting at.

There is another reason that a captive crocodilian might be gaping, and that's because it's doing so on command. Some places have their gators trained to gape on cue, like St. Augustine Alligator Farm and other good zoos. They have the animals do this in presentations that are genuinely educational. They ask the animals to open their mouths so that they can show off their teeth and demonstrate how their tongues seal off the back of their mouth. They'll also do it as part of routine healthcare, because looking at their teeth is important.

In this case, the animals aren't gaping because they're stressed, they're gaping because they know they're gonna get a piece of chicken or fish if they do it. And what's more, they're doing it on cue. They have a specific command or signal that tells them to open wide. It's not an instinctive response to a situation. It's trained. If the animal provides the behavior after a cue, the situation is much less likely to be negatively impactful.

It's also important to remember that there's a difference between a partially open mouth and a gape! As discussed above, alligators will often have their mouths a little bit open just to maintain temperature homeostasis. It helps them stay comfy, temperature-wise. These guys are all doing thermoregulatory open-mouthed behavior- that slight open and relaxed body posture is a dead giveaway. (That and it's the hottest spot in the enclosure.)

Lesson 2: A Happy Gator Is A Chill Gator

So if alligators don't smile or have facial expressions other than the :V that typically signifies distress, how else can you tell how they're feeling? One way is stillness. See, alligators subscribe to the philosophy of if it sucks... hit da bricks.

Basically, if they hate it, they'll leave. Unless, y'know, somebody has their meaty claws digging into their throat or is otherwise restraining them. (Restraint isn't always bad, btw. Sometimes the animal is going through a medical thing or needs to be restrained for their safety- which a responsible educator will explain.)

Let's look at a very similar scenario, in which a captive alligator is getting his back scrubbed.

As you can see, it's quite different. First, he's not being restrained at all. Second, look at how relaxed he is! He's just chilling there vibing! He could simply get up and leave if he wanted to, because he's not being held. Towards the end of the video, as he lifts his head, you can see that his respiratory rate is very even as his throat flutters a bit. I'm not sure what this facility is, so I can't comment on care/general ethics, but like. In this specific case, this is an alligator enjoying being scrubbed! And you can tell because he's not doing anything. A happy gator is content to be doing what they're doing.

Why Should I Listen To You?

Now, you should ask yourself, why should you listen to me? Why should you trust me, who does not own an alligator, versus Jay Brewer, who owns several?

Well, first off, there's no profit for me in telling you that what you're seeing on social media is in fact not what you're being told you're seeing. I'm not getting paid to do this. That's the thing with people who make social media content. The big names aren't doing it just for fun. They're doing it for money. Whether that's profit through partnerships or sponsorships, or getting more people to visit their facilities, or ad revenue, you can't ignore the factor of money. And this is NOT a bad thing, because it allows educators to do what they're passionate about! People deserve to be paid for the work that they do!

But the problem starts when you chase the algorithm instead of actually educating. A "smiling" alligator gets the views, and if people don't know enough to know better, it keeps getting the views. People love unconventional animal stories and they want those animals to be happy- but the inability to even know where to start with critically evaluating these posts really hinders the ability to spread real information. Like, this post will probably get a couple hundred notes, but that video of Coconut being scrubbed had almost 400,000 likes when I took that screenshot. Think about how many eyeballs that's reached by now. What I'm saying here is that it's just... really important to think critically about who you're getting your information from. What do dissenters say in the comments? What do other professionals say? You won't find a single herpetologist that has anything good to say about Prehistoric Pets, I can tell you that right now.

Another reason you can trust me is that my sources are not "just trust me bro," or "years of experience pretending my pet shop where animals come to die is a real zoo." Instead, here are my primary sources for my information on alligator behavior:

Dragon Songs: Love and Adventure among Crocodiles, Alligators, and Other Dinosaur Relations- Vladimir Dinets

The Secret Social Lives of Reptiles- J. Sean Doody, Vladimir Dinets, Gordon M. Burghardt

Social Behavior Deficiencies in Captive American Alligators (Alligator mississippiensis)- Z Walsh, H Olson, M Clendening, A Rycyk

Social Displays of the American Alligator (Alligator mississippiensis)- Kent Vliet

Social Signals and Behaviors of Adult Alligators and Crocodiles- Leslie Garrick, Jeffery Lang

Never smile at a crocodile: Gaping behaviour in the Nile crocodile at Ndumo Game Reserve, South Africa- Cormac Price, Mohamed Ezat, Céline Hanzen, Colleen Downs (this one's Nile crocs, not American alligators, but it's really useful for modeling an understanding of gape behaviors and proximity)

Thermoregulatory Behavior of Captive American Alligators (Alligator mississippiensis)- Cheryl S. Asa, Gary D. London, Ronald R. Goellner, Norman Haskell, Glenn Roberts, Crispen Wilson

Unprovoked Mouth Gaping Behavior in Extant Crocodylia- Noah J. Carl, Heather A. Stewart, Jenny S. Paul

Thank you for reading! Here's a very happy wild alligator from Sanibel for your trouble.

[lingeriae]

"because you're my wife."

the voice is aggressive and harsh, which isn't unexpected because of the person it comes from, but the words have you feeling warm even with the possessiveness and aggression that comes off of it, it still has you face heating up and your eyes averting from his ruby red ones that seem to see right through you.

sukuna's fist is clenched and his body is tense as he stands in front of you, unknown and unwanted emotions flowing throughout his body, his heart beating rapidly and loudly in his ears—he wonders if he's having a heart attack at the moment. his swallows as he takes in your beautiful side-profile, light hitting your sun kissed skin just right, his fingers itch with the need to grip unto you. to take you.

his throat feels tight.

your stubborn, reckless—smart but reckless. it gets on his nerves, the way you don't seem to care about anything, not even yourself. your defiant, especially against him. don't follow rules, and go by what you think is right, and no one, not even him, can get in the way of what you think is right. and it's funny, you're just a mere human, a bothersome woman. sukuna could take your life easily, he has no doubt you would put up a fight, but he could kill you.

that was the plan all along, marry a member of the zenin clan, get the information needed, then kill them.

but things had changed, a lot of things changed since he met you. you made sukuna...feel things. you were different from all the members of that shitty clan, with your hair that rose towards the sun, always looking neat with the little curly coils and always feeling soft to the touch, you didn't cease to amaze sukuna with the little way you styled it and with the way you cared it so delicately.

your fierce glare that rarely left sukuna's gaze, never backing down even when he gave you the most deadliest of looks that had anyone else cowering, those same eyes that allow him to see how vunerable you are when you let him have his way with you and show him how you truly felt at times. those plumpy soft lips, full and round, they felt like heaven against his own when they overlapped. your sweet fucking voice, always finding something to cuss him out about, always saying his name in more ways than once. shit don't let him start on your fucking body.

you made sukuna feel things, give him this warm and nice feeling inside and it makes him sick. everything would go according to plan if you didn't make sukuna fall for you—if you weren’t so you. that's why he can't kill you,

and that's why he's so fucking upset.

with your arms crossed over your chest, you unintentionally make the male infront of you glance down at your supple breast that sits temptingly against your bra, you suck your teeth in annoyance still refusing to look at him. "i was your wife before, and it wasn't a problem." before, before he fell for you. before he got infactuated with you.

his jaw tightens and he grabs your chin, forcing you to stare into his eyes. "i said what i said, you'e not doing that shit. you're gonna get fucking killed."

you drag your hand from his grip as if you were burned, returning his equally intense gaze and ignoring the way your panties seem to cling unto you. drenched with annoyingly arousal. "don't talk to me like im a fucking child, ryomen."

sukuna’s head tilted in brief wonder and amusement, astonished that you would spit his last name out with such venom, knowing he could kill you in a second. knowing that not only was it his name but yours.

he lets out a bitter chuckle, "stop fucking acting like it."

it's a silent battle between you and him after that. both of you silently daring the other to look away as you continued to glare at each other—a silent battle between husband and wife. a war between two faith-fucked lovers.

sukuna huffs out a breath, shaking his head wildly before cradling your delicate and god-like face in his palm—akin to some form of desperation.

“what is it going to take? to prevent you from doing this to-to stop you from going on this fucking suicide mission?!” his voice almost cracks.

sukuna ryomen’s voice almost cracks.

your hand is so little in contrast to his. it has committed less cruelty and faced less harsh treatment compared to his, yet you place your hands over his and caress them with such gentleness. such tenderness and love.

and sukuna’s heart cracks at the words that left your lips, inhaling sharply as if he had been stabbed in the chest.

“there’s nothing you can do, you can’t stop me from doing this. nothing you do or say will change my mind and that’s final.”

the king of curses forgets how to breathe.

[rafesdollette]

LATE NIGHT DRIVES

PAIRING: BSF!RAFE X SWEETHEART!FEM!READER

summary: Rafe cherished these drives with you. Where you both would blare your wildly different music, talk about anything that came to mind, and stop at random convenience stores for snacks. It was the only time where he felt genuinely relaxed and content.

a/n: okayy new setup? 🫣 I dunno, I'm trying it out but I likee. very professional, very cutesy. Anyway, this is my first well thought out writing so please do leave constructive criticism if you think I could do something different next time...

word count: 0.6k

The route to your house was second nature by now. He's been there so much that he almost knows it better than his own home. which he doesn't mind at all, cause your house was basically his second home.

As you lie in your bed, your phone buzzes with an "I'm outside" text from Rafe. So per routine, you get up, throwing on the first hoodie in reach and heading out of the door.

He blows out out a breath, letting out a low "Its about fucking time" as you get in his truck.

"yeah yeah, it wasn't that long. you're just impatient"

he pulls out of your driveway, scoffing slightly "I must have plenty of patience, I deal with you, don't I? and put your seat belt on."

Once your seat belt is fastened, he begins driving on the road, having no destination in mind like usual. For a while, it's just silence between you two. Which isn't uncommon for both of you, it's familiar and more comforting than he'd like to admit.

"Lets stop at a gas station for snacks" you request, looking out the window

He nods, a murmured "sure" leaving his lips as he drives in the direction of the nearest gas station.

Entering the gas station, you immediately make your way toward the section with candy, picking out packages of a variety of candies while he heads towards the chips.

Once you both have gathered a good amount of snacks for each of you, which you both are gonna end up sharing anyway, you set them down on the counter as the cashier to rings up all of the items that he ends up paying for like usual since he'll throw a fit if he doesn't.

When you both make it into the car, he drives to the usual spot you both spend nights at. An empty parking lot. "Oh my gosh, turn it up!" you motion to the radio, smiling widely.

He groans as he turns up the radio "What the hell is this? Taylor Swift?"

"Sabrina Carpenter" you correct "And it's good, just listen."

"Yeah, I'd rather not" he replies as he takes a few gummy bears from the bag in your lap. He always claims to hate your music taste but you always find him humming a beat to one of the songs you pick out during a drive.

He leans back into his seat, chewing slowly as he listens to the lyrics. "You listen to some dirty music" he chuckles

"Hey, she's not that bad. You should see her on tour though, you'll have a stroke."

he raises his eyebrow, an amused expression on his face "really, huh? what, are you gonna go?"

you hum, shaking your head "No. I want to, though. But her tickets are kinda pricey. Maybe if I have extra money to spend soon."

"I'll take you."

The Skittles you were eating nearly get stuck in your throat as you look at him in bewilderment "What?! No! Rafe, that's too much money."

he shrugs "It's fine. I wanna do it. Just let me? Please?" of course he wouldn't bat an eye at spending that much money, he was loaded.

you hesitate for a moment, but seeing the insistence in his eyes, you eventually nod slightly "Fine. You can take me. But I'm paying you back eventually, alright?"

"Mm okay, sure. Deal." he agrees, even though he knows when it comes time for you to pay him back, he'll either give the money right back to you or refuse it.

"Thank you, Rafe. I appreciate it." you smile, genuinely touched by his willingness to spend that much money on you. It was rare that he went out of his way to please someone.

"Mhm, of course" he smiles back before throwing a gummy bear your way "consider it a late birthday gift."

"my birthday was like nine months ago, but okay."

"Mm yeah, just go with it" he chuckles, reaching over and talking your hand.

That was definitely new...

[hamsternella]

PLEEEEASE a nsfw alphabet for Stanford??🥺

SORRY IT TOOK ME SO LONG

Stanford Pines NSFW Alphabet

A= Aftercare (what they're like after sex)

Despite the tiredness and embarrassment once the heat of the moment wears off, Ford goes to great lengths to wrap you in his arms and hold you tight against his chest, where you can hear his heartbeat. He likes to let you know how well you did, and how much he loves you. Caresses and kisses, as well as laughter and sweet whispers until falling asleep are never lacking.

B= Body part (their favorite body part of theirs and also their partner’s)

Ford would always say his brain. He is a cool, methodical person who almost always finds a way to achieve great results. Thinking and ingenuity are like breathing to him. But of course in this case that's not the answer; considering that the last thing he can use is his brain when he has you in front of him. It is as if only his heart exists, beating wildly at the sight of the most beautiful and inexplicable thing he has been able to witness in his entire existence: you.

That being the case, he can't find any other part of himself that he likes enough. Maybe his hands, because he knows how much you love it when he touches you. And if it's you, it would be everything—Ford is unable to pick just one part of your body. If he had to, maybe it would be your waist; because he loves to grab you with both hands from that spot to keep you still, under or on top of him, and at whatever pace he can best get those sweet sounds out of you that fascinate him so much.

C= Cum (anything to do with cum, basically)

He cums a lot and hard. Preferably inside you or on your face; sometimes pushing a little with his fingers to fill your mouth with his cum. He loves it when you clean his hand with your tongue.

D= Dirty secret (pretty self explanatory, a dirty secret of theirs)

Ford would never tell you—there's a reason it's a secret. But do you still remember those times when you couldn't find your underwear, and suspiciously it was during the weekdays when Ford took care of the laundry, and oddly enough he took all the time in the world to iron and put the laundry away...? Yeah, well. I think you know what I mean. Don't mention to him how obvious it is that he's been stealing your underwear to masturbate with it. Don't tell him, really.

Also don't mention that you've actually felt him cling to you when you sleep; looking for more than just warmth at night. Don't tell him that you clearly feel him down there—hard and warm.

Or do. Who knows what might happen.

E= Experience (how experienced are they? do they know what they’re doing?)

Technically no experience at all. Of course he had gotten to kiss other women, maybe a little touch with one or two, but that was many, many years ago; by now he hardly remembers anything at all. Besides he was very young; he used to think differently and be busier with his research. Now that the world is at peace and he can enjoy the calm and family life, it is more than obvious that the only thing he has to defend himself at the beginning of the relationship is all theoretical. It's not a terrible thing, of course. Ford is willing to experiment and learn with you.

F= Favorite position

There are still many positions to try and discover, but the most used —for comfort and practicality— are three par excellence.

Doggy, because nothing is nicer than being able to see you under him, with your ass and waist at his disposal to play to his heart's content.

Cowgirl/Cowboy, because even though he loves making love to you, Ford has to accept that at his age it's hard to stay steady all the time. Sometimes he needs a little help from you to avoid looking pathetic for getting tired after so much action—even if you tell him there's nothing pathetic about it. Besides, don't you look lovely on top of him, with your body shaking and your eyes glazed over? Best view of all.

Spooning, because Ford goes crazy holding you from behind, pushing his hips against your ass; with one of his hands working over your body and his lips on your neck, waking you up from a long night of deep sleep. This man is desperate to touch you.

G= Goofy (are they more serious in the moment? are they humorous? etc.)

Ford is quite serious during the moment, but this is because he is a very shy person about approaching you to begin with. Even if it comes to playing along with you he is the first and last to get embarrassed. An occasional nervous laugh; sometimes little choked sentences if he notices you looking at him too much, and that makes him lose his concentration. But in general he is someone very focused, who seeks not to lose the thread of the moment. His biggest fear is disappointing you.

H= Hair (how well groomed are they? does the carpet match the drapes? etc.)

A lot of things happened and he hasn't had the time, nor the desire, to get down to work there. That being the case, I'd say hairy; but at least he's started to take the time to trim it down a bit and make it halfway nice for you. If it's something that would bother you, Ford is willing to trim it further—even all of it.

But yeah. Super hairy.

I= Intimacy (how are they during the moment? the romantic aspect)

Ford takes care to be careful with everything he does or says, always seeking to satisfy the needs of your body and mind; every fantasy you have closely tied to everything he does to make you feel fulfilled. He is a dedicated man, with nimble hands and a sensitive heart. Sweet and witty words are never lacking, always driving you crazy in his arms and against his lips. Sensuality is never in short supply.

J= Jack off (masturbation headcanon)

He's been starting to do it more often since he's been with you. Not a lot, because he prefers to do it with you; but once in a while never hurts if he can't get you out of his head. He needs at least something of yours to make him cum—your underwear or the warmth of your body. He needs you.

He cums fast and hard, with the piece of clothing against his face, inhaling intensely; or with a free hand on your body, against your skin.

K= Kink (one or more of their kinks)

Definitely role-playing and cockwarming.

L= Location (favorite places to do the do)

Private places, if possible. Ford doesn't want to risk the possibility of being seen by someone else. He loves to have you in the bedroom, or even in his study room. Any place where no one and nothing will interrupt you.

M= Motivation (what turns them on, gets them going)

To see you in his clothes, to hear your voice, to come on to him... to suddenly appear dressed for some sensual and perverse role-playing... My goodness, how you drive him crazy.

Ford is a simple guy: he sees his partner existing and making eyes at him, and suddenly he feels his body warm and ready to go.

N= No (something they wouldn’t do, turn offs)

Threesomes, because he can't accept the idea of seeing you with someone else, let alone seeing himself with someone other than you. Ford is also unwilling to degrade you or physically harm you; just as he does not find it attractive to allow the same to be done to him.

O= Oral (preference in giving or receiving, skill, etc.)

Ford loves to receive oral, but he prefers to give it. He loves to put his mouth down there, tasting you and pulling out sounds that haunt him in his best dreams. You are a delight. Even if he's inexperienced, he's so desperate to have you in his mouth that the guy learns in no time to meet your expectations. There's no way not to lose your mind when Ford is taking care of everything between your legs; with his hands holding you by the flesh of your thighs, with his fingers caressing your skin.

Imagine his face if you proposed sitting on it. Imagine that, I insist. It's the best.

P= Pace (are they fast and rough? slow and sensual? etc.)

Slow and sensual; deep and hard. Getting all the way in, Ford always gives a little push to press himself against you, hiding his face in the space of your neck. He will talk to you through this—be prepared for a couple of whimpers and muffled moans.

Q= Quickie (their opinions on quickies, how often, etc.)

He doesn't like them at all. He prefers to take his time with you. Although if you are very needy, then maybe he can find a way.

R= Risk (are they game to experiment? do they take risks? etc.)

Ford loves to experiment! And with that always comes risk. But when it comes to sex, this all takes a different turn; and while he's willing to try new things and experiment with you, he'll always be against anything that might hurt you or make you both uncomfortable.

S= Stamina (how many rounds can they go for? how long do they last?)

The years and the various experiences out in the open have weathered Ford, and have made him a man with a lot of physical capacity to endure long hours without sleep and with a lot of work. Research work, of course; the physical stuff has always been for fighting or survival.

With this in mind, Ford is able to handle quite a bit of foreplay and sex itself, but he tires quickly after a second round—if the first one wasn't strong enough. Even if he feels he can't go on, he has no problem helping you by using his hands or mouth; as well as any other part of his body that comes in handy. Hopefully and maybe there will be another round if you manage to turn him on one more time.

T= Toys (do they own toys? do they use them? on a partner or themselves?)

Ford doesn't need toys. He only needs you. Now, if in a hypothetical case you would like to use one, he has no problem even designing his own to use with you. At first you tell him no, because it's easier to buy them; but after seeing some plans and listening to him talk so excitedly, seeing that he even starts to consider the idea of implementing other things when it comes to sex, you come to the conclusion that maybe it's not so bad.

Ford opts to use toys on you, not him. They don't get his attention that way.

U= Unfair (how much they like to tease)

Not so much, really. He thinks it's cute to see you being so desperate for him. But at the end of the day it's something that makes him desperate too. Ford couldn't stand to play with you like this for long; he needs to accede to your needs in order to satisfy his own.

V= Volume (how loud they are, what sounds they make, etc.)

Whimpers A LOT, and likes to moan loudly—but tries to drown them out, fearful that someone might hear them.

If the two of you are in a place where you can be sure not to be overheard, Ford sets out to talk to you during the act.

W= Wild card (a random headcanon for the character)

He's unexpected and always manages to sweep you off your feet, but Ford is capable of the hottest dirty talk you can imagine. When you least expect it you have him with his lips on your ear, his hot breath on your skin, and his husky, deep voice of desire spitting out dirty, kinky phrases that keep you with your hands pushing against his chest; his fingers pressing against the skin of your neck, surprising you with how much this man can separate himself from the real world and let you drown in his darkest fantasies.

Ford prefers not to talk about it after everything calms down. It will take some time.

X= X-ray (let’s see what’s going on under those clothes)

Not as long, but definitely fat. The tip is quite sensitive. Slightly curved downward.

Y= Yearning (how high is their sex drive?)

Since he discovered how fascinating your touch is, quite high. Although it's more what he desires than what he can get to do. If he gets careless, he comes quickly. It's fun to play on his desperation and make him wait; that might help him endure his neediness with you a little longer.

Z= Zzz (how quickly they fall asleep afterwards)

Pretty fast; but he strives to see that you're okay after all, and that you're resting with him. His priority is you, after all.

[hexhomos]

Hello fellow Jayce defender.

First off, virtual kisses on both your cheeks for your Arcane analysis. They're refreshing to read, and insightful as well.

Something that's always bothered me about the way fans interact with Jayce is assuming that he's always the one making the mistakes in any of his relationships. It's almost funny in a way how they strip other characters of their autonomy and arcs just so they can point out how Jayce is failing his partners.

With Mel and Viktor especially, there's this narrative that Jayce simultaneously ignores both of their needs while also prioritising one over the other. Either he neglects Viktor to go and swoon over Mel, or he abandons his relationship with Mel to go play science with Viktor, or he neglects both to go do his own things while they suffer through their own plots.

And it's fascinating how incredibly mistaken these people are, and also how they reduce his character to only being important when he's in a relationship.

I'm here like, "hey, do you wanna discuss the reason for how Jayce seemingly knows how to navigate the ways of high class society very easily is probably because he's had to rely on sponsorships and donations for most of his youth to find his research because his house is too poor to be able afford it?"

Or "It's canonical that Jayce only ever had one friend in his youth before Viktor, and that was the daughter of his main sponsor, do you think it's interesting that this indicates he probably had difficulty making or maintaining friendships and that this is possibly a symptom of the Academy mainly housing elite and rich students so they couldn't relate to his struggles and he couldn't relate to theirs?"

But no, people just want to hate on him for not being the picture perfect boytoy in a relationship.

And I mean, it's not like it's just reduced to Jayce either. So many other characters have had similar treatments where they're reduced to either their most basic qualities or mischaracterised entirely. And I'm really not trying to be the fandom police or whatever - everyone interprets differently - I just find it frustrating is all.

Anyways, you're cool.

YES I never have time to talk about this bc people don't give a fuck but in Jayce's journals we even see him stewing with envy and petty rage at this star-rising student on the academy that he sees as the example of a perfect prodigy (in opposition to how much Jayce fucks things up...)

It also strongly suggests he's on a scholarship, which ties into his suicide attempt.

Jayce is keeping his experiments a secret from everyone to avoid the blowback and isolating himself further and further when they don't work. Jayce is flawed! He's proud of his dream pitch to the point of hilarity. Jayce doesn't like socializing, he does it out of obligation! Even when he's being raised to a councilor position in s1 he's PANICKING. He doesn't want the fucking job, he doesn't like the parties nor the people, his truest honest self is that moment in season 2 where he declares the lab was always his home, and so was Viktor.

But even then he subsumes his own wants spends most of s1 trying to attend to the needs of other people. He routinely asks Viktor if he's alright, if he wants to come up to do the presentation, if he's sure those experiments are safe, etc. He tries to make Heimerdinger proud despite his constant rejections of their projects, and only turns on him when he threatens viktor's wellbeing. The reason why he doesn't announce anything on progress day is that he Was listening to Heimers so-called wisdom and it only bit him in the ass. Jayce gets himself in trouble with the council by being too naive and assuming his new post will allow him to crackdown on Piltovan corruption aided by the Hexgates. Majority of the complaints wrt relationships I see people making of him are just wildly exaggerated. "He was neglecting viktor" bro he talks about viktor in nearly every scene he has with mel 😭 viktor is the one who isolates himself and randomly disappears at times bc he's a grown man with his own boundaries.

Jayce's entire life is defined by the transactional nature of his existence, his work, the patronage receives - all depending on how much he can play the showpony role without fucking it up. It's not a comfortable position. Jayce is stressing out the whole damn show because if one person isn't pissed at him, someone else will be, and it always comes down to revokable money, investments, social standing. if he really was as uncaring and well-off as some claim he wouldn't give a shit. He could just coast along life, but that's not what he's doing ever. He only 'frees' himself in season 2 by abandoning his life's dream and the rotten reality that existed around it. Which is kind of bleak, but at least its over.