#I can refer to this post and not have to explain

[not-so-mundane-after-all]

I know plenty of people have already made a version of the "Jinx is alive" theory post but I've also seen so many of you mourn her death that I decided to gather all the evidence and make another post, turning this theory into a fact.

Because Jinx is alive. It's not a speculation. It's literally there.

The first thing I'm going to mention are the context clues Jinx gives herself. First, the last thing the ghost of Silco tells her. I think the cycle only ends when you find the will to walk away. Then, the realization she comes to when Vi hugs her in the cell. You're never gonna give up on me, are you? What she tells Vi after she leaves her in that cell. You don't need to worry about me anymore. [...] And yes, her initial plan is to kill herself, because she thinks the only way for Vi to move on is for her to be gone. And Ekko gets there just in time to stop her but it looks like he doesn't convince her to abandon her plan, just change it.

And later, when she joins Vi in the final fight. What does she tell her? Still don't get it, huh, sis? I'm always with you. Even when we're worlds apart.

Everything that happens after is constructed specifically to let us and Vi believe that Jinx died. Until we get to this scene:

Caitlyn is studying the Hexgates designs.

She's looking through the pages depicting the place where the final fight happened, specifically focusing on the air vent shafts, while toying with a monkey bomb head - the same monkey bomb that Jinx used in her supposed last monents.

She looks down at the monkey...

Watch the eyes. The realization hits her...

And she smirks, knowing. Jinx used one of the air vents to escape before the explosion.

I've studied the explosion frame by frame. First, a small yellow explosion goes off - Jinx sets off the monkey bomb.

As it becomes bigger, she shoots out of there

this is still the beginning of the blast when we can still see her, and the big boom that destroys everything starts 10 frames later

Last context clue is a reference to the very first episode, which is clearly depicted in this gifset here, so instead of explaining, I'll just send you there to check for yourselves.

One thing that is speculation here is, how exactly did Caitlyn come into possession of the monkey bomb head? I doubt she found it there because it would have been turned to dust. And I'm thinking, Jinx took it with her and left it for Cait to find as a clue. She didn't want Vi to know but maybe she wanted Cait to figure it out. I imagine her sneaking into her house and maybe leaving it somewhere for Cait to find, like her desk or something. It gives Cait an idea, a gut feeling she needs to check, and that allows her to figure it out. Just like we are supposed to figure it out on our own.

Bottom line, Jinx is alive. She escaped the explosion through the air vents, then boarded the airship and left the city, convinced that the only way to give her sister a happy ending is to take herself out of the equation. The glitching closing shot saying The End in Jinx's colorful handwriting is a sign that she is telling us that this is where this story ends, like she's saying "don't look for me. It's over." That's also probably why we aren't shown what Caitlyn does with the information she now possesses.

I hope this helps take away from the grief 💙

[theactualsunshinechild]

Seeing this post always immediately reminds me of a fun story from early on in my relationship that my partner and I affectionately refer to as

The Can Opener Incident

This was back in my college days. That semester I was living in a dorm that was more like a collection of small apartments on the very fringes of campus territory. My partner had come over to spend the night at my dormroom, and we were going about making some pasta in the little kitchenette. The pasta was already fully cooked and strained when we suddenly encountered a problem:

The canned pasta sauce I had bought was not a pop top, and rummaging around the kitchen for a can opener revealed that I had neglected to bring one.

Not one to settle for miserable, dry pasta on a cozy home date, I ran over to the dorm room next door and asked to borrow a can opener. They're a little startled to find someone knocking on their door at 9 PM, but they let me borrow it with no resistance. Upon bringing it back is when the problems truly began.

You see, all of my life I had used a can opener which you latched to the side of the can and twisted the knob to make the sharp ring cut into the top of the can vertically, parallel to the side of the can. This one looked similar, all the right parts were in the right places, so I gave it a shot... but nothing happened. My partner comes up and tells me I'm using it wrong, and I think to myself "oh, okay, so maybe he's used this kind of can opener before, I'll let him at it," and I hand it off to him.

The can opener my partner has used his whole life is the kind that you latch on to the TOP of the can, so instead of holding the handle at the side, you're holding it horizontally over the top of the can. I didn't know that kind of can opener even existed, so when he tried using this one his way, I looked at him like he was insane. This look quickly intensified as this method also didn't work. Things rapidly went downhill from there. He defensively explained the way his can opener at home worked, and I started pointing to the structure of the can opener and arguing why this one wouldn't work that way. We're a little frustrated, but it's nothing some pasta can't fix, so I propose I simply go over next door to the people who I borrowed the can opener from and ask them how to use it.

As I reached over to take it from him, he held it out of my reach.

"No! I'll figure it out myself!" He announced.

"What? Why? It's easier to just ask the owner," I argue, jumping around trying to get at the items.

"Because I can figure it out!"

Okay. Fine. I guess he wants to solve this like some kind of puzzle for enrichment. I give up and I wait. The fiddling begins. I'm standing there watching him try increasingly improbable methods of getting that thing to work over and over. The pasta is getting cold. He's testing methods that have already proven not to work, trying new methods that physically couldn't work, then trying the ones that have already failed us all over again. My stomach growls.

"We should really just ask," I grumble, hungry and frustrated.

"No, I've got this."

He does not fucking got this. I want my goddamn food and I do not have time for this puzzle solving.

"Give it here."

"No."

"I'm just gonna take it to the owners and ask them to show us how to use it, you can come with."

"No! I want to figure out out myself!!"

"And I want my food god fucking damn it!!"

This went on for a bit. The pasta was drying to the side of the pot and getting crusty. At some point during this yelling match I got so pissed off that I stormed out of my own apartment into the cold with no coat on.

'I need to make him see reason!' I thought to myself, making my way through the snow. One building over was where two of his friends were rooming together. I knock on their door, boiling with rage. It is 10 PM.

"Hey, can you come over? [Partner] is being completely unreasonable and obstinate over figuring out how a can opener we borrowed works and won't let me take it to the owner to ask. Please help me convince him to hand it over, I'm literally too short to wrestle it from him."

"Alright, let me grab my coat."

We head back over to my place to find my partner Still Messing Around with that godforsaken can opener.

"Let me see that for a second," says his friend, taking his coat off. I experienced a moment of relief, thinking to myself, 'Finally!' as my partner pouted for a second, but relinquished the can opener.

This peaceful glorious relief fizzled out into horror as his friend began to try to open the can the same way I had.

"That's weird. It really looks like it should work this way..." he mutters.

"Try it from the top, that's how my parents' works," my partner suggests.

"No no, that won't work, just give me a second to figure it out."

Oh my fucking god.

I stared blankly, watching them study the can opener and turn the can this way and that, both completely absorbed in finding the solution to this hour long problem. I was going to lose my fucking mind. Perhaps in that moment I really did. Shellshocked, I stood, wondering how it had come to this. I just wanted some fucking pasta and a relaxed night in, and instead I've gotten these goddamn STEM majors milling around in my kitchen at 10:25 PM arguing over how to use a can opener that isn't even mine. So I went and did what, in retrospect, I should have done ages ago: I went next door for help.

I can't imagine what my neighbor must have thought of me, showing up over an hour after borrowing their can opener, looking as if something inside of me had died, and, with a hint of desperation in my eyes, begging them tearfully to come next door and show us all how to use their can opener. Over an hour after borrowing it.

Well, whatever they thought of it all, they did oblige my pleas. Their arrival thankfully broke up the debate, and as all three of us watched intently as hawks over their shoulder, they cracked open that can of pasta for us.

Using it the exact same way I had tried at the start of it all.

It was just dull.

"I don't need a shopping list; with effort, I will remember that I need this item"

Okay but will you be able to remember that you already bought it? Because apparently I can't.

[notlongtolove]

time present and time past

spencer tried to explain einstein’s theory of relativity once. and now, with spencer beside you in bed, you think you finally understand what he was on about. because time is relative. and if he doesn’t wake up, this moment will never end, and maybe you can slow down time itself.

pairing: spencer reid x fem!reader (second person, no y/n)

genre: angst

content: situationship core. they argue. avoidant!-ish.

word count: 3.4k

note: i have a final in 3 days and thought now would be the perfect time to write and post my first fic. yay! anyways this is inspired by an old literature text i studied, einstein's theory of relativity and what not. a line: I’ll come to you before you call—Just to prove that I don’t come to you every time you call.

time present and time past are both perhaps present in time future, and time future contained in time past. if all time is eternally present all time is unredeemable. - t.s. eliot

You've never been one for physics, the numbers, the theories, the science of it all. But that’s never stopped Spencer from launching into explanations like a rocket whenever the chance presents itself. You would nod along, a smile on your face though whatever he's saying might as well be in a foreign language. 

He tried to explain Einstein’s theory of relativity once. Something about clocks, something about a kind of gravitational field. 

"Think of it like I’m on the jet," he started, and if you try hard enough you can imagine him on the other end of the line gesturing with his hands in that animated way of his. "Now imagine if I run down the aisle—”

“Hotch would kill you,” you interrupted, biting back a grin as you tried to picture the sight. 

“Just imagine it,” Spencer laughed.

“Okay, okay.”

“So, if you time me and I make it down the aisle in five seconds—”

“Highly unlikely, but sure.”

“Angel,” he warned, but there was no real bite in it. He waited for your giggles to subside before pressing on, “It takes me five seconds to get from one end of the plane to the other. Right?”

“If you say so...”

Spencer sighed, but soldiered on. “But for you, timing me, you’d also have to factor in the distance the jet travelled in those five seconds.”

“Ah.”

“You don’t get it.”

“No, I do. I do.”

“Okay, so explain it.”

You paused, your lips twitching with suppressed laughter. “Uh… You can run faster than a jet?”

Spencer groaned, but he was laughing too. “Time moves slower for those in the jet!” he said profoundly as though he was the one who had discovered the theory of relativity itself. “It’s fascinating really.”

“Ohhh” you sound, trying your best to feign understanding. 

“You know what,” he said between laughs, “I’ll explain it when I’m back, I know you’re a visual learner.”

But he never did. And so you never understood it, not really. At least, you thought you didn’t—until now.

Not until he’s lying in your bed again, your sheets tangled around him like they’ve claimed him as their own.

Einstein says that time is relative. He says that the rate at which time passes depends on an observer's frame of reference. 

The observer in this case—You. 

And if one observer moves at the speed of light, time will slow down for them. 

Spencer’s asleep beside you. His face is soft in the flickers of streetlight creeping through the blinds. They give you just enough visibility to watch the rise and fall of his chest and you wonder if he's dreaming. The sound of his breathing, steady, is the only thing keeping you tethered.

If you squint hard enough, there’s almost something domestic about the scene. You ignore the fact that this is the nth time you’ve done this because ignoring is easier. It’s easier to think about how he smells like his shampoo, and how his shirt is thrown haphazardly over your nightstand. A sight you missed more than you would admit. You think about reaching for it, but your hand stays where it is. You stay where you are—just watching, observing. Because Einstein said the rate at which time passes depends on the observer’s frame of reference. And if you stay still enough, maybe you can slow down time itself. 

You like moments like these. The simplicity of it. You tell your friends the same thing when they ask, their voices thick with judgment, their eyes too knowing. “We don’t do anything” you insist to the room of raised eyebrows. “We’re just hanging out, you know, as friends” you say, as if saying it enough times will make it true.

“Just hanging out?” “Yup.” 

“As friends?” “Yup.”

You know you’ve hit a new low when you have to pull the ‘hanging out’ card, but you take a sort of comfort in that fact. Because at least he’s not like those other guys, right? That’s your silver lining. That it’s not like that. He’s not like that. But in the quiet after, when his breathing is the only sound and you feel walls closing in you, you can't help but wonder which is worse: the thing that he is, or the thing you’re letting yourself become.

You reached out first this time. A small victory in the game you’ve been playing against yourself. There’s some semblance of control in it, you rationalize. If you’re bound to fall, tethered to this fate of always crawling back, at least let it be on your terms.

I’ll come to you before you call—Just to prove that I don’t come to you every time you call.

Come over. Made too much pasta. You texted. It’s an olive branch, a peace offering after a fight that had left you both frayed at the edges. A throw of the same old ball back to his side of the court where the game has dragged on far too long. Proof to him that you didn’t mean what you’d said, that you’re not done yet. That you’re still okay with this.

You can take it. 

The fight had been about work—or at least, that’s how it started. He’d mentioned a new trainee in passing, his voice light, almost too casual, as he spooned rice out of the takeout box. “She’s new,” he said, with a shrug. “Eager, maybe too eager. Emily says she’s a bit of a people pleaser.”

She. You watched him carefully, trying to read between the lines. 

“Oh?” you replied, keeping your voice as even as you could manage. Muscle memory. You’ve been here before. Just because Spencer wasn't one of those guys didn't mean you haven't had your fair share of them. 

You smile as you meet his eyes asking all the right questions. Where’s she from? How’s she doing?

He glanced up at you, surprised by your interest. Light work you thought. “Somewhere out West, I think. She’s doing fine—rookie mistakes, you know. She had a bad day last week, though. Got rattled on a case. Garcia said Hotch was too hard on her.”

“Poor thing,” you murmured, “Hope she’s feeling better.”

“Garcia thought I… thought she was pretty,” he added laughing, the words tumbling out like an afterthought. Like the words don’t hold the weight that he knows it does. 

Ah. There it is.

“Well, did you?” you asked, trying to keep your voice steady, casual.

“She’s… alright,” he said, his tone too high, too quick. You didn’t miss the way he swallowed hard afterward.

“You’re avoiding the question,” you teased lightly, smiling even though your stomach was beginning to twist itself into knots.

“I’m not,” he countered, shoving another bite of food into his mouth. “You asked if she’s pretty, and I said she’s alright.”

“You’re totally avoiding it,” you said, laughing to keep the air light even as the knot pulled tighter. “Spence, you can just say it.”

“Say what?” he asked, eyes darting up to meet yours, then back to his plate.

“Just say it.”

“I don’t know what you want from me.”

“Admit that she’s pretty.”

“Okay.” He exhaled sharply, like the word had been dragged out of him. “I think she’s pretty.”

Oh.

There was something in the way he said that made your chest constrict. 

I think she’s pretty.

He thinks she’s pretty. Not like it was some objective fact, not something calculated or reasoned. Not that she was statistically pretty, backed up by some symmetry or math behind it. He just… thought so—No, he thinks so. Thinks. Present tense. Meaning as he’s sitting here, across from you, eating the takeout you suspected he’d purposefully ordered too much of, he thinks she’s pretty.

You stared down at your plate, your appetite long gone. The silence stretched between you, heavy and uncomfortable. You could hear the faint hum of the refrigerator, the distant murmur of voices from the apartment next door.

“You’re quiet,” he said finally, his voice softer now, hesitant.

“I’m fine,” you replied too quickly, a smile pasted on your face as you looked up. “Just thinking.”

“About?”

You shook your head, forcing a smile. “Nothing. Pass the soy sauce?” He passed it without another word, but you could feel his eyes lingering on you. 

“Why are you looking at me like that?” you finally said, your voice sharper than you intended.

“I’m not,” Spencer replied, his tone defensive, though his eyes stayed trained on you. “You’re just… quiet. It’s not like you.”

You laughed, a hollow sound. “Yeah, well, maybe I’ve run out of things to say.”

“Is this because I said she’s pretty?” he asked after a beat, his voice cautious, careful. “Because I didn’t want—”

“Spencer stop,” you interrupted, setting your fork down with a deliberate clink against your plate.

“I wasn’t going to say it. You asked me to say it.” he countered. “And the term pretty is subjective anyway, I think you’re pretty too.” You stayed silent, not meeting his eyes. “Don’t be like that. You know I care about you.”

“It sure doesn’t feel like it,” you shot back, your voice trembling despite your best efforts to steady it. You knew you were being petty. Acting like a child who didn’t get their way, grasping at anything to make the hurt feel justified. But you couldn’t help it.

“You just—you talk about work, about—god, about pretty girls and I—”, You stopped, swallowing hard, trying to tamp down the words you weren’t ready to say. “I feel like I’m just… here. Someone you call when you’re bored or when you’ve ordered too much food or when—”

“That’s not true,” he argued, his tone sharp now, defensive. “You’re twisting it—”

“Am I?” you snapped, your eyes finally meeting his. They were wide, startled, but it didn’t stop you. “Because I’m starting to think this is exactly what it is.”

“Well, what do you think this is?” he asked, his jaw tightening as his hands gripped the edge of the table.

“I don’t know,” you said bitterly. “Why don’t you tell me?”

“We’ve talked about this,” Spencer said, his voice low and deliberate, each word cutting deeper than the last. “You said you wanted to be friends. Friends do this. Friends have dinner. Friends don’t force someone to admit someone else is pretty and then make it all—I don't know, all weird after.”

You winced, his phrasing like a mirror reflecting every misstep, every conversation where you’d backed yourself into this corner. He’s not wrong—you had said you wanted to be friends. But he didn’t know the weight behind that concession.

You’d thought back to those late-night conversations. The ones where he’d laid out his reasons like a clinical diagnosis: I don’t have the time. It wouldn’t be fair to you. I’m not ready. So, you’d waited, convincing yourself that 'not now' meant 'not yet'. But eventually, you’d called it yourself, told him you should just be friends. A sad attempt at controlling a situation you were only ever destined to be hurt by. Because your own destruction should only ever be yours to wield—and you have to claim it before it can claim you.

He’d agreed it was better this way and you’d nodded along. Not because you believed it, but because it was a way to keep him in your life. A lifeline you clung to no matter how much it cut into your hands. But labels don’t erase what’s already happened. They don’t undo the stolen glances, the kisses in the quiet moments, the nights where you felt like the only two people in the world. They just build a fragile scaffold over it all, a flimsy way of holding up what’s already crumbling. Dating. On a break. Dating again. Friends. They pile on top of one another like a pathetic plaster over the hurt of what you wished things could be. 

“Right,” you said finally, the word brittle and sharp as it escapes your lips. Your voice was hollow as your eyes met his, daring him to flinch. “So I guess that means I can’t expect anything from you, right? No decency, no consideration, no… nothing. Because we’re not in a relationship. We’ve never been in a relationship. Right?”

“Don’t,” Spencer said quietly, almost pleading now. “That’s not fair. Don’t turn this into something it’s not.”

“You’ve made it perfectly clear what this is,” you said, standing from the table, your hands trembling as you gathered your things. 

“Wait,” he said, standing too, “You don’t have to—”

“And by the way, Spence,” you cut him off, reaching into your bag and slamming the extra key he’d given you months ago onto the table. It clattered louder than you expected, echoing in the tense silence between you. “You can have this back. Because last I checked, friends don’t have keys to each other’s apartments.” You were acutely aware of the venom dripping in your voice but you pressed on, the words spilling out before you could stop them. “And thanks for the flowers, but I don’t think friends go out of their way to buy a bouquet to make up for every friendly dinner they miss.” You didn’t wait for a response. You didn’t look at his face, didn’t want to see whatever expression he was wearing. 

But the satisfaction of that slam felt distant now. You think back fondly of the girl who had made her point so clear, so definitive. A line drawn in the sand. But winds blow and sand moves. That girl seems like a lifetime away from the girl you are now—the one lying here, beside him, again.

Spencer stirs beside you, a quiet sigh escaping his lips, and your breath hitches. You don’t want him to wake up. Because if—when he does, you know he’ll leave. But until then, in this moment of temporary serenity, you can pretend it doesn’t matter. You can pretend it’s okay. You can pretend you’re okay. 

After all, Einstein said that time is relative. If he doesn’t wake up, the moment will never end, and maybe—just maybe—you can slow down time itself. You stare at the ceiling, letting the minutes tick past, each one stretching longer than the last.

Your thoughts drift back to what Spencer had said. Time moves slower for those in the jet.

Well, if your apartment is the sky, then this bed is the jet. In the quiet of this moment, his warmth beside you, the faint smell of him lingering on the pillow—this is where time bends. The rate at which time passes depends on the observer’s frame of reference. Maybe you can trick the universe, make these seconds stretch into hours. Maybe, if you stay still enough, think hard enough, the world outside won’t come knocking. You can freeze this bubble of peace.

But the illusion is tenuous, and reality looms like turbulence on the horizon. Time doesn’t truly stop, you know that, we’re all forced to move on along with it. They say time waits for no man—least of all a broken-hearted girl. The clock keeps ticking, indifferent to your longing. Sooner or later, he’ll wake, and the bubble will burst.

You wonder how long you can keep this up. You’d just been talking earlier tonight, telling each other what had happened in the days you hadn’t spoken since the argument. The words had come easier than you expected, though none of them seemed to solve anything. Spencer had fallen asleep mid-sentence, right as you were recounting something trivial about your day. His exhaustion was written all over his face—the heavy pull of his eyelids, the way his head tilted slightly toward you before finally giving in. You’d paused, watching him, and the words you were about to say dissolved into silence. You hadn’t wanted to wake him.

The old you would’ve been angry, the frustration bubbling up into sharp words and accusations. The fight was always the same, well-rehearsed and raw: You always do this. I’m sorry. When are you not? I missed you. Then why won’t you stay? You know I can’t. You can. I can’t. It was less of a conversation and more of a script. It had long since stopped being about what either of you said; it was about how you said it and where it always led. It would’ve ended in a fight, Spencer’s guilt countered by your hurt, spiralling into a familiar standoff with no real resolution. 

But that was the old you. She’d had more fight in her, more fire to demand the things she felt she deserved. That fire has dimmed now, not extinguished, but banked low and steady, like you’ve learned to ration it. It’s not that the frustration has disappeared—it lingers, an ache beneath the surface—but you’ve stopped letting it boil over. Deep down, you know the real reason you didn’t start a fight tonight. It’s not just that you’re tired of fighting, though you are. It’s that you don’t know how much fight he still has in him. You don’t know if one more argument, one more crack in this fragile thing between you, will be the thing that makes him walk away for good.

And you’re not ready to find out.

So you let it slide. Not because you want to, but because you can. You’ve told yourself you’re strong enough to carry it—to make up the weight of his distance, his exhaustion, his inability to give you what you need. You let him sleep, listening to the steady rhythm of his breathing, and you tell yourself it’s enough. 

But Spencer shifts again, and this time his eyes flutter open. You freeze, your body tense, as if staying perfectly still might undo his wakefulness. 

“Hey,” he murmurs groggily, his voice thick with sleep. His arm snakes over your waist, pulling you closer. For a brief, fleeting second, you allow yourself to relish the warmth of his touch, the illusion of intimacy.

Then his hand moves. He’s reaching—not for you, but for his watch on the bedside table.

He checks the time, squinting in the dim light filtering through the blinds. And you know. You know what’s coming next. 

“I should go.” he says softly, his arm already retreating from where it had rested over your waist. He pushes himself up, running a hand through his sleep-mussed hair.

You sit up slightly, the sheets pooling around you, and force a small smile. “Okay” you murmur, the words feeling hollow even as they leave your lips.

Spencer’s already out of bed, reaching for his shirt and bag. The routine feels mechanical, practiced—a series of motions he’s repeated so many times it barely registers as something that could hurt you. He pulls the shirt over his head, adjusts the strap on his bag, and leans down to kiss your forehead. Friends, as if. You think.

It’s a fleeting gesture, a touch that’s supposed to mean something but feels more like a formality now. More perfunctory than tender.

“I’m sorry I fell asleep,” he says as he straightens, glancing at his watch like he’s late for something more important. “You should’ve woken me up.”

You shake your head silently, not trusting that your thoughts won’t betray you. Don’t wake up. Don’t leave me. Don’t go. Instead you settle for, “You were tired. You should get some rest.” The weight in your chest feels unbearable but you press your lips into a tight, strained smile anyways. A silent permission for him to leave.

He doesn’t hesitate.

“Drive safe,” you say quietly as you walk him to the door.

“I’ll text you?” he offers, already halfway out.

“Okay,” you reply, the word barely audible.

And then he’s gone.

The sound of the door clicking shut echoes in the quiet of your apartment, final and unrelenting. You stand there for a moment, staring at the door as if willing it to open again, as if hoping he might turn around and come back. You know he won’t. 

You turn and lean against the wall, the cool surface grounding you, a poor substitute for the warmth that was just beside you. The apartment feels colder, emptier now, the silence deafening. The clock on the wall ticks forward, oblivious to your grief, dragging you further away from the moment he was just here. You feel stuck in place, a reluctant passenger watching the world rush forward while you’re left behind, stranded.

You think back to what Einstein had said and you think he’s got it all wrong. How if one observer moves at the speed of light, time will slow down for them. Because no matter how tightly you try to hold on, the jet doesn’t slow down. It won’t wait for you. The jet will keep moving forward, unrelenting, and him along with it. With or without you.

And as you stand alone in the stillness he’s left behind, you realize it’s always been without you.

⋆✴︎˚｡⋆ hi if you're here! thank you for reading! feel free to like or reblog or comment or reply!

[saras-almanac]

So I wrote this post the other day about my feelings on the handling of the BuckTommy breakup (which you can read here if you want). And @parrishjeanna reblogged with a link to an article from Tim. I wrote out a reply to it but it became so long I needed to put it in a separate post because it’s over 3k and I need to put it until a readmore.

Okay so I did read that article thank you @kawaiifacesong for linking the not generating revenue clicks because I don’t like reading any articles for 9-1-1 because it’s literally all buddies who can’t ask anything about the show. (Case in point, in this particular interview, the interviewer brings up “The Couch Theory” because Buck and Eddie sit on a couch.)

So this interview was trash for many reasons but I’ll narrow it down to three for the sake of this response: Biphobic nature of the breakup and aftermath, what’s being said in interviews isn’t what we’re seeing, and Tim writes as he goes so there’s no actual plan going forward.

First: The Biphobic Nature of this breakup is still moving full swing.

The idea that Buck is “still figuring himself out” and needs to explore is insulting in so many ways—especially to myself as a bisexual lady in my 30s. Firstly, being in my 30s, the idea that you need to figure yourself out still is absolute bullshit. Yes, you can still find new things out about yourself and make some changes, but usually by this point in your life, you have a pretty decent handle on who you are as a person. Which Buck does have… and we’ve seen that? So it has to be a reference to his newly discovered and realized sexuality.

Which, AGAIN is so biphobic and plays into incredibly harmful bisexual stereotypes that bisexuals need to “explore” to figure out what or who they want. This means either they need to fuck around and make sure they’re really bisexual. OR they need to get enough experience with their same gender to then be able to have a same-gendered relationship. Both of which are insulting and harmful. This idea that Tommy couldn’t possibly be a lasting relationship because Buck just came out as bisexual is wrong. It’s fine if they didn’t want Tommy to be a long-term love interest or even an end-game love interest, but why couldn’t they have done it differently, to hopefully not play into these harmful stereotypes that are still incredibly prevalent today.

Now do I think they fully intended it to play out as biphobic as it is? Not really, but I do think that the heart of what they wanted—Buck exploring his sexuality—is inherently biphobic because of the way they have chosen to go about it. There’s a world of difference between having Tommy break up with Buck so Buck can go exploring and having OS and TM saying similar things in interviews and Tommy and Buck breaking up and Buck getting back out there and dating around. Which if they had given it just a smidge of thought, I have to hope they would have come to that same conclusion and maybe gone about it in a different way.

Second: What Tim’s saying in interviews about what’s happening on the show and in these storylines doesn’t match up to what we’re seeing

I’m going to paste the few paragraphs related to BuckTommy break up here, just to read. I have bolded what I thought was important and what I’m going to talk about after it.

“Look, I think the breakup was premature, but that was by design. For me, the story that I was trying to tell was here’s a guy, Tommy. He’s not a main character on the show. We haven’t done ‘Tommy Begins’ or something. But you do see him in the ‘Begins’ episodes, in flashbacks, and by the time he leaves in ‘Bobby Begins Again,’ he’s turned over a new leaf. He’s feeling more comfortable. He’s hanging out with the new people at the 118 once Bobby takes over, and they throw him a party and bake him a cake when he goes off to his new post. There was even a reference in Broken when Chimney calls him to do the water drop,” Minear explained. “But Tommy’s a guy who’s in a different place in his life than Buck is. And I think what Tommy realizes is exactly what he said, which is, ‘I’m not your last. I’m your first.'” Minear referenced the coffee shop scene in Season 7, where Buck asked Tommy to give them another shot and come to his sister’s wedding, as a point when Tommy thought, “Alright, this guy’s kind of great. He’s super hot and he’s sweet. And this will be nice. And I’m going to be vulnerable for this.” As the relationship grew stronger and the stakes grew higher, however, Tommy reevaluated things. “I think Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out. And even if Tommy doesn’t know it, he might sense the fact that Buck likes to jump in with both feet a little bit precipitously,” Minear mused. “So was the breakup premature? Yes. Because Tommy was put in a position where he had to be honest. And once he speaks the truth, which is, ‘I think I know where this ends, and I can’t move in with you,’ he’s kind of breaking the spell — the spell of that honeymoon. Tommy even says, ‘I didn’t see this coming either.’ I don’t think either one of them did.”

Okay, lots of things happening in this quote but ultimately there’s a massive disconnect in what TM thinks is happening or what he’s saying is happening and what is actually on screen—and that’s a huge problem. You can’t rely on interviews to explain things, it needs to be in the actual text of the episode.

I think the real crux of the issue is this: “Tommy’s a guy who’s in a different place in his life than Buck is… Tommy, in the end, understood that this was not forever… he’s kind of breaking the spell—the spell of that honeymoon.”

Let’s break this down a bit. Tommy being in a different place in his life than Buck… How? Buck has, since the pilot episode, been looking and searching for a stable romantic relationship—he’s always craved that and wanted that. Even in the breakup, he was thinking about their future and marriage and moving in with Tommy. Is that not what the next logical step of a relationship might be? So doesn’t that—regardless of whether it was premature or not—prove that Buck and Tommy are in the same place of clearly wanting a long-term, committed relationship? So if this wasn’t the case, why didn’t you show that? Show them having that disconnect or make it clear that Tommy’s dropping hints about their future and Buck is not in the same place so he’s not picking up on them at all. Because what we saw was Buck wanting and seeing a future with Tommy and Tommy basically telling him that the doesn’t actually.  

“Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out.” This is my villain origin point—for real. Because this is also not what we saw! What we saw, was a Buck who was so secure in himself and his relationship, arguably for the first time on this show, that he didn’t panic or second-guess anything really. He was all-in with Tommy and enjoying himself and being with Tommy. He even said that being with Tommy makes him more comfortable with himself—aka what a lot of couples say when they’re in committed and reciprocal, healthy romantic relationships—that being with you makes me happy being me. (Paraphrasing here, but hopefully my point gets across.)

Because what is there for Buck to figure out yet? He knows he’s bisexual and incredibly into Tommy. He’s happy and content with his work life and seems pretty happy with where he’s living. His relationships with his friends and family are all as good as they usually are. So what is there for Buck to still figure out? I’m left to assume that this is again only about his sexuality, which just keeps adding more to the pile of shit that makes me feel crappy and uncomfortable with this storyline.

Also, why couldn’t Buck and Tommy last? Why is that assumed to be the correct conclusion to come to? How many high school sweethearts get together and last? How many people who don’t date until they’re in their 20s-30s find someone right away and stay together? How many people come out as queer later in life because they have found someone they click with and it just makes them see more of themselves and they stay together? Sure, this is not the case with every single person in these situations, but it’s not unheard of. To me, this just feels like the show and Tim are acting like Buck is a young, 20-year-old child and now a grown man in his 30s…

What we actually saw on our screens, was two people who genuinely seemed to enjoy each other and spending time together. That had an easy and sweet relationship, where they both felt settled and comfortable together. It’s why the weird change in 806 felt so abrupt—what do you mean these two people who had amazing communication up until that point, have not talked about their past relationships at all? I think that was done as a shortcut for the writers and TM to say, “Look, see, they’re not compatible, they can’t last because they’re not talking about anything serious.” But again, my point is: then you should have showed us that beforehand, given some foreshadow or lead up to it. Instead, they chose to blindside the audience for the “shock value” and it didn’t work. Shock value for shock value’s sake never works for the audience. They don’t want the rug to be pulled out from under them, they want to see you building something and only after it’s built can they see what you were doing the whole time.

Now, I understand that they just wanted to break them up for “story” reasons (which I have no faith is going to be anything good). While I personally hate that because I feel like there would have been much more storylines and things for Buck to be involved in and it would have opened up a lot more potential stories for the future, I get that it’s not my decision to make. But why couldn’t they actually make this make sense in the actual context of what we’d seen already? If you wanted to break them up because they’re in different places, then having Buck ask Tommy to move in could have caused more of an argument of Tommy saying that Buck doesn’t really see him and doesn’t seem to understand that Tommy has a whole life outside of Buck. O Tommy could have been the one to propose moving in together and Buck freaks out because it’s too soon—which leaves Tommy to come to the conclusion that they want different things right now and he can’t just sit around and hoping Buck will catch up because it would be too hard for him to let go of Buck later. Or have Tommy literally going to a different place—whether temporarily or permanently—and so they have to break up because Buck has a whole life here and Tommy wasn’t about to ask Buck to uproot himself for Tommy…

There’s so many other ways this breakup could have gone instead of the route they went—and they would have made much more sense contextually. Instead, they went this cheapest way possible and have Buck now acting like a child about calling Tommy, when in reality and with the growth we’d seen of Buck in the past 8 years, he would have reached out to Tommy already. At least to talk things through. The baking thing was cute for an episode and it would have been okay for longer, but I’m just sitting here wondering exactly why Buck can’t call Tommy… If it’s because he’s hurt, then they needed to say that because right now, it just seems like Buck is literally being forced to not call him but the audience isn’t really sure why.

All this brings me to my biggest point. Third: I don’t trust anything that’s being said in interviews or by TM because he doesn’t write in advance and that’s a major problem

Before we get into it let me make a disclaimer: I’m gonna need every single network and studio to start requiring all the white men who write for them to actually be getting them scripts. We cannot rely on their “genius” to make sense because these scripts—especially season 8—should have had a few more passes before what we’ve seen. The only episode so far that actually felt like a complete episode was the Halloween episode.

And if this season has taught us anything, it’s that Tim not having any real plans or anything written is actually a massive problem for this show.

Now me not believing TM is not me saying that I 100% believe Tommy is coming back (though I feel like the chances are higher now with the reaction from the GA for ABC to suggest some things or at least give a closure beat to this character and relationship) This is more, nothing that TM has said in interviews up until this point for season 8 has really actually happened on screen except for Eddie shaving his moustache… Granted, I don’t read every single article with him so I might have missed something, but I just feel like he’s got no interest in setting anything up and actually paying it off in any real way.

So many people were so excited for season 8 because it was the first season in years where we actually knew so many storylines going into 8—that weren’t told to us in interviews; they were introduced in the actual show! We had Bobby/Athena’s house hunting, HenRen fighting Ortiz and trying to get Mara back, Madney fostering Mara in HenRen’s place, Eddie dealing with Christopher leaving, and Gerrard back at the 118. Any one of those storylines would have been so amazing to really see explored and fleshed out. Instead, everything was basically settled and done by episode 4—apart from Christopher and Eddie resolution and Bobby/Athena actually moving in / building. To me, as a writer myself, that decision to rush though those other stories was a massive massive misstep. There was so much there to explore and delve into that could have been so satisfying to watch and really reap the emotional payoff.

Instead, we had like 2-4 minutes max of processing HenRen not being able to see Mara again before they were all reunited. Not that I wanted to see HenRen struggling again in this way, but it would have been different and they could have put some humor into it with Karen suggesting they tail Ortiz and try to find things out about her—or Hen comes back from a shift to find Karen has stayed up for 38 hours tracking every single facebook post from Ortiz and her family to try and find something they could use and she’s the one who uncovered the link between Ortiz and Gerrard, which then promts Hen to ask Buck as Gerrard’s specialist boy to ask for a favor or try to convince Gerrard to help them deal with Ortiz.

And Maddie and Chimney having Mara would have been so interesting to see them actually having conversations about what they want for their family going forward—do they want more kids, do they not? Are they wanting to try naturally or adoption? And then Mara being with Chimeny could have also added another layer of tension between Hen and Chimney with Hen being jealous that Chimney is raising her daughter.

I mean Eddie… the fact that it took 8 episodes (basically) for him to actually acknowledge that he needs to do something to be a part of his son’s life is a major problem as well. It makes me not want to root for Eddie to reconcile with Chris because he has shown hardly any initiative in actually confronting what he did and the actual reason why Chris is so upset and feels betrayed. There was a little in 6, but that’s sort of it.

Bobby and Athena, they just don’t seem to know what to do with them anymore. And that’s a shame because there are so many things they could do—namely my favorite thing which is give them more comedy to do! They are so funny together (cruise ship is one of my favorite things). Or they could have had the first few episodes be them sort of couch surfing through the firefam and be a fun little runner of “we really need to figure out what we’re doing.” Even their storyline of their house burning just doesn’t seem to be a thing anymore.

Buck, it would have been so amazing to see him dealing with the work stuff more and having Tommy to lean on, to see Buck who’s been pretty secure in his work for the past few seasons now dealing with Bobby being gone and Gerrard there, just really gets him thinking about the future. Or even the comment about budget cuts, why was that never brought up again? That would have been so interesting to lead up to the midseason finale, which of the 118 is going to get laid off? And Buck being in such a secure spot maybe he volunteers because he wants to explore something outside of firefighting and/or because everyone else has kids and a family and he knows it’s easier for him to not have a job? And then he’s saying his goodbyes and the midseason act out is Bobby announcing that Eddie is going to be leaving them instead.

Instead of really exploring any of that, it’s all been rushed through to move on to the next thing, but the honest truth is: I don’t trust what TM’s great next thing is because he absolutely squandered all the potential he had going into season 8. So all these “amazing things” he has going forward I just don’t trust they’re going to happen or even be slightly interesting. Instead, I assume they’re going to be something that’s like an episode opening and then never mentioned again if they do happen.

I just don’t understand what is going on in his head other than ego right now and I’m just… I deal with too many egos in my life to deal with another one like this.

[silent-sanctum]

"Jotaro Kujo is Weak at His Core"

As a writer and avid character psycho-analyzer, I find this concept fascinating because I wholeheartedly agree with what OP has quoted from a "What opinion would get the community to do this? *Insert Johnny getting torn apart*" post.

Before I begin, I know some people will see this, misread it, and immediately say "lmao did we watch the same show? He's strong, badass, and can kick anyone's ass. Like do you know Star Platinum bro?". Trust me, I've seen the replies to this post and they said this same exact thing.

And I'm here to say that to said people, if you truly are not the illiterates I'd like to term you as, you'd take the time to realize that when we say "he's weak", we're not referring to his physical prowess because we know he's one of the strongest characters in the show.

If you don't like to, then you're just proving the accuracy of the last sentence: "You can't stand seeing your edgy badass image of Jotaro as vulnerable."

Pushing that aside, I'd like to expand on OP's opinion/headcanon with some depth to it and explain how exactly he's "weak" outside of being a skilled and strategic fighter.

I've learned that to be holistically healthy, one needs to develop and maintain all optimal functions of oneself: Physical, Emotional, Social, and Mental.

Obviously, Jotaro excels in the physical category. He's conventionally attractive, taller than the average male population, well-defined with a muscled build, fit as hell, street and book smart, and highly in tune with his environment making him adaptable in any circumstance.

He's "strong" in that aspect we all know at a superficial level.

However, we start to see the core problem once we strip this good-hearted man of his physical appeal:

Emotional? He believes he doesn't need to express them to others because why should he. He refuses to process them and instead keeps them behind a locked wall of stoicism and aloofness.

Social? Can't communicate to save his life. He's reclusive and doesn't know how to socialize outside of work. Guarded and skeptical around others. Too much of a workaholic to bother making new acquaintances (if he even knows how) outside of familial connections.

Mental? At 17, he went on a death crusade over Asia and the Middle East, almost died numerous times, and most likely lived with unresolved PTSD that carried over into adulthood, and further deteriorated his already poor social and emotional skills.

What do we have then? If we look past that powerful exterior of a man, we have inappropriate emotional expression, poor socialization, and constant fatigue of dealing with bullshit that relates to his trauma.

And this is what we mean by his "core": His mindset. His inner machinations. The soft spot his enemies would need to target in order to defeat or kill him, strategy-wise.

I. Emotional

We pretty much already know how this man handles emotions. And this may come off as "irrelevant" to the dudebros and the meme riders who believe "haha feelings are for pussies, I advocate for edgy autistic Florida man who don't give a fuck, elopes with dolphins, and berates women".

But believe it or not, he has them, just like any other human being on the planet. I said it once and I'll say it again: Not everyone will wear their heart on their sleeves. Some will convey emotions publicly with no issue, while others would prefer to keep to themselves.

But how does this contribute to him being "weak" at his core?

Essentially, it's similar to how someone with depression may behave (not everyone, some of them). One may appear friendly, sunny, and bubbly to everyone around them, not knowing they're actually suffering from a void that eats them up from the inside when alone.

For his case, it may look like he doesn't care about what happens to him and everyone around him, considering his nonchalant and aloof behavior, but beneath that cold exterior, he cares way too much for his family, friends, and allies. He feels too much to the point where once his allies are endangered, he would sacrifice his well-being without a second thought.

And that's an issue to him.

To him, emotions make him vulnerable and in his circumstance where enemies are actively hunting him down trying to find his weak spots, his emotions should be kept behind doors because he doesn't know how to regulate it on the outside so it's either total stoicism or lashing out.

I found someone saying this line about him that fits him so well: "He's a good person who doesn't know how to be a good person."

This is a man who means well and truly wants to help out of the goodness of his heart, but because of his inability to convey his emotions properly and is unable to pick up emotional cues, it can lead to shit tons of misunderstandings due to inappropriate tone & expression, and that can change how someone views him in the long run, thus leading to unintended deterioration of personal relationships (which contribute to the social aspect of his weakness).

The emotionally-reserved character here with the poor communication skills is the girl. She's a CEO who just received a call, came out from work, and meets with her husband, asking him to accompany her to a doctor's appointment.

I found a visual representation of what I just said above. Just to give context: The show is about a married couple who struggles to keep their relationship afloat, having to navigate through family politics, work & life balance, and miscommunications so they could find why they loved each other in the first place.

Observe how she thinks she views herself VS how others actually view her as.

Other's POV: Demanding, brash, and insensitive Her POV: Anxious, hesitant, and confused

Now remember what Araki had written about Jotaro? "He doesn't believe he must reveal his emotions to others because he thinks everyone can figure him out, leading him to be a victim of misunderstandings. Others think him to be cold-hearted, rebellious, and insensitive."

II. Social

With emotions as our base foundation to poor communication skills, this leads us to his weak socialization aspect.

In a recent quote reblog about how he was raised as a child may have contributed to his tough persona, I mentioned something about his need of "Security".

Growing up, it was mostly just him and his sweet pacifist mother Holly. Joseph couldn't have visited often (he hates Japan) and his dad is a busy musician with a packed schedule on tour. As a kid up to early adolescence, he was coddled by his mother and raised as a good student. Everything was going great for him.

[In popular headcanon] Once he passed puberty, the change to his Part 3 MC era began. People began picking fights with him and bullying him, and he began to see the world as a threat to his safety. Knowing his mother, he wouldn't rely on her to defend him against these dangers. She was too kind, too friendly, too loving for her to deal with the harsh life he now has to deal with.

So he had to be the stronger one for both of them. He already had the physical attributes for it, so why not use it to his advantage?

He got on the popular delinquent trend back in 80's Japan, integrated a couple of cool masculine-esque personalities as his own from his favorite Western and Crime media, and is then able to project this menacing aura everyone should be afraid of, to ward potential threats away from him and his mother.

But Mijin, how does this make him weak? What does this have to do with his need for security?

Think about it: The poor guy's already introverted, doesn't feel comfortable with his emotions that he can't express properly, and now he has to be skeptical with people around him because he realized how shitty society can be, which leads to intimidation that wards off not only potential foes but potential friends as well, making it look like he's anti-social.

On the outside, people are likely to think that he likes being this way when in reality, he seeks a reliable support system on which he can lean onto. Everyone with a sound mind wants that subconsciously because we are social creatures. It's part of our nature.

He's constantly fearful of his surroundings, growing even more vigilant as he ages, but he doesn't look afraid because he chooses to put on a brave face to challenge said fears instead of acknowledging he's scared. I read somewhere in an ask that's not mine that in the manga, some panels actually depict Jotaro shaking/trembling in a mix of fear and adrenaline during some of his fights.

He wants to be around people who he can trust. People who he can lower his defenses with. People who are capable of protecting him just as he is capable of protecting them. People who can face his intimidating aura and challenge it to stand on equal grounds with him or to remind him of his place when he goes too far with certain things. Hence, why he seems comfortable being with the Crusaders.

For once, he wants to feel safe.

To not feel like he has to be this strong pillar of hope that everyone depends on.

To be someone being protected, instead of the other way around where he was always the strong protector. He wants a life of normalcy where he can just be a marine biologist and a professor with a loving family he can come home to.

But that can't happen. The inner circle of friends he counted on is either dead or far away, leaving him even more fearful of the world around him. This results in even more guarded skepticism, always watchful of who's an enemy Stand user and what their Stand could do. Because of his cautious nature, this leads to minimized socialization with others.

With little to no solid support system he can count on, he has no one he feels completely secure with because he believes danger will always come to hurt and/or kill those near him. He doesn't want to burden others with the issues & responsibilities of dealing with Stand users. He wants them to live the normal life he could no longer have.

He doesn't trust in the capabilities of his loved ones when it comes to defending themselves against the amount of potential threats and dangers he has faced, and yet he cares about them dearly. So, he commits to what seems to be the most practical solution in his mind: Self-Isolation.

To be a distant beacon where danger is attracted to and away from those dear to him.

(As we see in the beginning of Part 3 where he willingly locks himself in jail as soon as he sees himself as the threat, and in Part 6 where he stays away from his family once he realizes his enemies were targeting him).

"Your family is your weakness."

All this leads him to become what Araki always envisioned him to be: A lone hero.

III. Mental

Now onto the last part, this part of the essay will focus more on the popular headcanon the community has made about him: "Jotaro has PTSD."

Considering what he's been through at only 17, it would be no surprise that he'd acquired major trauma after those 50 days. Think about it- he gets injured more times than he can count, almost dies numerous times, sees his grandfather get "killed" in front of him, and all this combined with the constant reminder that his mother's life is also on a time limit. A failure to kill DIO meant a failure to save Holly.

The amount of pressure and risk he had to endure for her (and there will still be people who adamantly believe that he hated Holly because he said "bitch" to her twice in the first two episodes).

Now, remember when I said about him having this mentality of over-independence when dealing with stressors? It was still manageable during Stardust Crusaders, but because of what had transpired in Cairo, that mindset carries on to the rest of his adulthood, more so if we consider that he most likely didn't get any therapy or treatment for his trauma.

It might be normal for a teenager to hold onto this stubborn notion of "I can do this by myself" and it's all casual, but with trauma now involved, that notion warps into a persisting belief of "by doing this myself, no one else will get hurt" (i.e. refusing help, doing solo fieldwork, self-isolation).

But Mijin, you keep saying "mentality" this, "mindset" that. What are you talking about?

There's an old Tumblr post I found that talks specifically about this in great detail, but to put it shortly: Jotaro has always wanted to do things by himself because he believes that not only will the task be done with, there would be no one else involved with it, making it better for him to cope mentally if ever shit hits the fan (tying back to poor emotional expression and insecurity in bonds).

If any injuries were to be inflicted, he would be the one to receive them, and he alone, because who knows how he'll react and/or cope when his allies are harmed instead of him over and over again? (refer to the trauma of Jotaro surviving Cairo while the majority of the team that went with him died a.k.a "survivor's guilt")

(Also, refer to how he had exhibited great distress when Jolyne was about to be struck by a rain of knives that Pucci sent)

This might also be the reason why he's more self-sacrificial as an adult: Will be the bait during the rat episode instead of Josuke, takes the brunt of Sheer Heart Attack's explosion to spare Koichi, dives straight onto a path of bullets to save Jolyne, etc.

The only possible solution so he could snap out of that belief he holds on to is that strong, reliable support system he internally needs. People who can help him without sustaining fatal injuries in the process [social]. People who he can approach to release any pent-up frustrations and inner conflicts [emotional].

If he had found those people, then he might have been able to deal and/or cope with his trauma better instead of letting it linger and change his outlook in life [mental].

But we all know how his life went in canon. One moment he's a kid playing ball with his mother, then in his last, he dies by having his head bisected by a time-altering Stand.

Jotaro is a person with a gold heart and a rough exterior. Someone who wants to help and protect his loved ones from the unpredictability of the world the best that he can. But even then, his best wasn't enough. His fear was masked with an air of strength and capability, perhaps as compensation for everything else he lacked:

Adequate processing of emotions.

Stable connection with familial, platonic, and romantic bonds.

A sound mindset that stems from effective coping for his PTSD.

We could only hope in headcanon land that he had a better chance at life in the Ireneverse where he finally could develop his inner core better and get that long-deserved break he had always wanted.

[ebenelephant]

Look, I think you're misconstruing some of my points and since this is reaching way farther than I wanted I would like to clarify for a second. This was kind of a bit of a rant post which I didn't expect people other than like 4 mutuals to... see? So as you can imagine I wasn't exactly my best articulated. Some of my points have definitely come across wrong, so to try and explain what I mean a little better:

I'm not saying we should see more flashbacks to Tom's life. This is a criticism I have of this plot point not being thought through, more than anything. It tells us something other that what was probably intended because you get the impression that Rowling didn't really consider the wider implications of what she was saying in the time period it was set. I'm not suggesting this should be delved deeper into, I'm just suggesting that it wasnt the best thought through.

With the Weasleys I just messed up the timeline on this one. I do genuinely have issues with some of the portrayal of the Weasleys which I won't get into, but this one is my mistake.

The Snape one is more of a personal gripe. My tongue in cheek remark about being "surprised you caught onto that" is in reference to the fact that I have heard/seen multiple people just glossing over that context to his life entirely - either because they missed it of because it was too minor for them to care.

My issue with the Hermione thing isn't actually that she obliviated her parents – as you say, this makes sense with her character – but rather how underutilised they are. We meet the parents and guardians of other, less important characters when they're thematically and narratively relevant, and given how important Hermione's status as a muggleborn is in the books you would think they would be both. It always seemed a weird choice to me that her parents are practically non-entities, spoken of occasionally but never seen. It's the show-don't-tell thing: we are told that Hermione loves her parent a lot, and of course we know this to be true, but the biggest time they are really relevant is when she obliviates them. Even if Harry had just seen them once, maybe sending Hermione to platform 9¾, and had seen them in contrast to the Dursleys this would have given them more weight. Hermione is distraught, but we as the reader are much less emotionally involved because we have no idea who these people are.

The Lily point honestly feels like a bad faith arguement, because she was never just 'the main character's long dead mum', she was the person who saved him, who made him the chosen one, who is referenced throughout the series, and who is directly related to the actions of multiple characters. I would literally just like consistent characterisation for her, because the way she is spoken about doesn't align with the ways we see her acting in the few scenes she has, and even in those scenes she is somewhat contradictory. This is never addressed by Harry the way it's addressed when he learns the negative qualities of his father – though in a book targeted at a 9-12 audience you would certainly expect it to be. This makes me think, again: oversight. Kids books have to guide the reader somewhat, and this aspect doesn't really do that. Could've been a great addition to that "nobody's perfect" theme JKR had going, but wasn't executed in a way properly accessible to a nine year old as opposed to other points in the series.

thinking again about jk rowling being a bad writer. like, we all know about the massive flaws in her worldbuilding and i hope by now it's clear she's a bigot on basically every front. (hello, regular reminder that she doesn't even actually like women.) but like. she's especially good at dropping bits of lore and then those not being relevant in the fucking slightest. riddle was told to go home to his orphanage in london during what would have very much been the blitz? whatever. the weasley's are so strapped for cash that they're sending their son to school with a potentially dangerous broken wand? of course they're spending their lottery winnings on visiting their adult son in egypt, what else would they do. snape grew up in what was likely a dying northern industrial town with abusive/neglectful parents, largely cut off from the magical world? almost impressed you caught on to that, with how little it's expanded on. yes hermione has a supposedly good relationship with both her parents, no we're not going to show you it at all, yes she's going to wipe they're memories like it's nothing. lily evans is the moral compass of james and basically the most important person in the series but fuck you if you want to actually know anything about her lmao. even what little we see is wildly inconsistent.

[celaenaeiln]

are you still doing the post where you explain the ranking?? don’t mean to be impatient i was just wondering! (take your time) <3

@imperatrice21

Hey y'all! You asked and I deliver ;)

Alrighty let's get to it!!

So in THIS POST which is being referred to, I had created a ranking of Bruce's favorites in order from most to least.

And this was the ranking:

Dick

Damian

Cass

Jason/Tim (tie)

Tim/Jason (tie)

Steph

Now lets get into why.

Dick

I don't want to rehash why Dick is the favorite because I went into a lengthy explanation in the referred post as to why. It's not even close, and it's really explicitly stated that Dick's the one that Bruce likes the most. If you haven't read the post or want a refresher, I've already linked it but here it is again - OG POST

Infinite Crisis Issue #3

and also

JLA (1997) Issue #73

"The only time I ever feel pride is when I look at Nightwing. Sometimes I think he's the only thing I ever did right."

When something happens to Bruce, he only tells or trusts Dick with the information of what happened.

Batman and Robin Eternal Issue #1

His only message was addressed to Dick. Like I could go on and on about this, but I feel my other Dick and Bruce posts give a pretty good idea on how Dick is special to Bruce.

And that's where we will leave the blatant adoration for Dick by Bruce and move on to the next person, cause really, 'nuff said.

Damian > Cass > Tim/Jason > Steph

Dami!! I also explained a bit of why Damian is so loved by Bruce through the comparison of Bruce's reaction to Damian death vs Bruce's reaction to Jason's death in the referenced post, but I never talked about why he's the next in line for favoritism.

Rather, it's a process of elimination of who does Bruce not like the least which we can find through how Bruce treats each member of the batfam and reacts to traumatic passings.

6. Stephanie

The least favorite is, unfortunately, very obvious and it's Stephanie.

Why is it obvious? Because Bruce treats Stephanie like utter shit. I have never seen him act so callously to a member of the bat crew aside from Stephanie. He literally didn't even care that Stephanie died in the War Games arc.

He didn't even want Stephanie in the first place, only using her to manipulate Tim back into being Robin because he knew Tim care about her and knew the dangers of being Robin so he wouldn't want her getting her.

Robin (1993) Issue #92

And so she becomes Robin, eventually.

But Bruce and Stephanie have an extremely strenuous relationship. Stephanie is very independent but Bruce like obedience. A long time ago he would have appreciated independence but not anymore, not when the result is death.

On the final mission of Stephanie being robin, Batman gives her repeated orders that she disobeys.

Robin (1993) Issue #128

Bruce becomes completely fed up with her and fires her.

Long story short, Stephanie steals one of Batman's plans for the city that involved Matches Malone. Steph doesn't know that this is one of Bruce's identities and the whole thing quickly goes way out of control and sets off a city-wide bloody war - AKA War Games. Stephanie gets caught by Black Mask who tortures her and she dies from her injuries in Leslie's Clinic when she escapes. But -

Batman (1940) Issue #633

And after this happens, this bitch sits down has a drink with Dick, who woke up from coma or something I can't remember (he was dealing with the aftermath of Tarantula which is why he wasn't around. Also Alfred threatened to kneecap him if he didn't get back on the bed) asks Bruce what he's gonna do -

And what does he do?

Batman (1940) Issue #634

Bitch. This is the only time (the War Games) Dick walked out on him after Bruce asks for help. Fun fact, Leslie intentionally let Stephanie die even though she could have saved her. She let her die to teach Batman a lesson about making kids Robins. It was later retconned that Leslie secretly saved her life but in the original, Stephanie was gone. And Batman straight up did not care.

He didn't care about Stephanie as a person and ignored her passing, completely unaffected.

So that's why Stephanie's 6th on the list.

5. & 4. Tim and Jason (Tie)

I don't want to rehash this again because I truly do not believe I can go into more detail about why they're a tie and who Bruce loves more.

THIS POST I made for anon who asked about the tie will be the answer. But I want to highlight @canthandlethishit 's reblog because in my post had said I didn't know why it feels like Tim was slightly less even though Bruce treated him better.

This line: "there’s a saying “the kid who cries gets the candy/milk” and sometimes being too easy to raise makes a kid receive less love & attention from their parents"

EXCELLENT! Fantastic analysis!!

3. Cass

Cass is tricky because because Bruce doesn't actually have a reason for liking her. He just does. I think what Bruce really loves about her is her dedication to making Gotham good.

Batgirl (2000) Issue #50

Batman & the Outsiders (2019) Issue #17

I think the reason Batman treats her so well is because she acts like a daughter to him. None of his children are so open with wanting affection as Cass is, ironically. And Bruce appreciates that. He's a dad and some part of him, behind all his walls, wants to be needed as dad which Cass does for him. She understands what he wants because she's good at that and loves him because she wants it too. Cass is Bruce's only daughter. So it's a combination of dedication to faith that Gotham City can be better as well as the fact that she's ready to genuinely be a daughter for him.

2. Damian

A big part of it is that he's Bruce's blood son. I know we make jokes about being wanted vs forced or whatever with Damian but Damian's arguments in those jokes do hold.

Aside from Dick, Bruce doesn't react to anyone as strongly as he reacts to Damian. When Damian was dying and died, he lost it. I would provide panels but it's basically the entirety of Batman and Robin (2011).

A part of it, is also that Bruce actually raised Damain. He and Dami struggled with each other for the longest time and still do, but that's his son.

Batman Incorporated (2012) Issue #10

The following panels of Bruce going crazy are, as you probably guess it, in the OG Post and the Eldest Daughter Syndrome Post where I talk a little about the effect Damian's death has on Batman.

[lenaboskow]

PLS PLS PLS GET INTO HOW WOULD CHRIS REACT I find it so interesting, because most of the times is Chris just going "Great ! Im happy!" which valid, but honestly? I really like when it's more complex than that, like in the fic Pinky Promise by rainbow_nerds, that explores a bit the fact that Chris does in fact has abandoment issues, like I don't doubt that Chris (even angry) wants his dad to be happy, but c'moooon, his mother was his primary caretaker (because his dad left for the military, though it always hard for me to get the Diaz Timeline), then she left him, then she came back, then she died, his dad almost died at least twice (that he is aware of), Buck in the hospital, etc. Chris is going to have many complicated emotions ! I love him ! And I just wished people explored more all that potencial, you know?

i vividly remember making a diaz boys timeline back before the s7 finale but i just spent thirty minutes looking for it and i'm pretty sure i never posted it so... oops. maybe i'll make one later with the references but (apologies for the mess this is i tried to make it organized but i’m sick so there’s only so much i can do lmao):

when you look at it, buck has been consistently in christopher's life longer than shannon ever was, even if you restart after the lawsuit. shannon was him primary caregiver until he was about three, and then for a year it was eddieandshannon, after which she left. after that, it was consistently eddie. even if he wasn't around that often because he was working, he was still there, and that's what chris remembers. she came back for about half a year when he was seven, but then she died.

not counting the lawsuit, buck has been in christopher's life since he was eight. but the lawsuit wasn't that long, it was a few weeks at most, so the real answer is he's been in his life since he was seven. that's seven years at this point. to chris, buckandeddie has been a constant, more so than eddieandshannon, even if it's not the same type of partnership. and that's just a fact. sure, he'd known shannon for seven years, same as he's known buck, but technically she wasn't there for all of it. that's what he remembers.

but the same way eddie thought he needed to be with shannon romantically so as not to ruin the relationship, chris probably thinks eddie and buck need to keep the status quo not to ruin the relationship. especially when you take into his warped view of romantic relationships. shannon, ana, marisol, they all ended terribly for eddie. and buck? i'm not sure what he's told chris about his relationships, but he doesn't have a much better track record. abby ghosted him, ali left at the first sign of trouble, there was the whole jonah scenario with taylor (who actually was in christopher's life, so that definitely messed with chris a bit), tommy broke up with him seemingly out of nowhere...

it makes the most sense that chris wouldn't want them to date. if chris was home when they told him, i can imagine him calling pepa or carla, kind of a parallel to him running away to buck in s4 (which he can't do now for obvious reason). i don't think the arc would last long, i think whoever he ran to would start the conversation and tell him about an ex that they're still friends with, and then eddie would come to pick him up and they'd talk it out, there'd be a buckley-diaz scene, end of ep.

but if he was still in texas? he'd probably yell at them over the video call and then refuse to answer any calls or texts afterwards. buck and eddie would probably "break up" for an ep or two, and be absolutely miserable. this probably culminates in eddie taking a trip to texas (alone, maybe not even telling buck) and talking it out with chris, addressing their mutual fears about the relationship and eddie explaining that even if it doesn't work out, they'd still be friends, and even if that doesn't work out, buck would still be in his life, that it wouldn't be like when his mom left. there's definitely a video call to buck in this, after eddie and chris have talked their feelings out, and then chris would ask to come back home, effective immediately.

but there's also the question of how chris would react if eddie tells chris about his feelings for buck (pre-relationship). he'd probably tell eddie he can never act on it, then tell buck the same thing (without telling eddie) and then there's a few eps of buck and eddie acting distant from each other before chris snaps and says "you weren't supposed to act like you're already divorced!". of course that's if he's in la. if he's in texas it would probably play out the same way it would've if they were already together after they stopped avoiding each other and finally talked it out.

of course, they could go the easy route and have chris say "it's about time" but this is 911 we're talking about, they probably won't do that

[rainbowsky]

Good Morning Rainbowsky, hope you are well. I am just wondering with these latest songs..."the drifting "Life of Us" is no longer protracted"... in essence, do you think this is hinting at possible significant changes coming soon? Like millions of their fans, I love the MVs, they are so well produced, it would be grand if ggdd move forward in that direction to produce more MVs, movies and so on. Hopefully they will start recording their songs in English as well, they would be so well received with the international audience.

This is in reference to a previous post.

Hi dottie911, I'm well, thanks! Hope you are too. 😊

That's just an imperfect translation of something that makes more sense using the Chinese song names. The phrase using the Chinese song names reads:

孤舟上的「夜行人」，望着《灯塔》的方向，《漂流》变得不再漫长

The "Night Walker" on the lonely boat looks in the direction of "The Lighthouse", and the "Drifting" no longer seems so long.

vs. the one from my post, which read:

The "Night Person" on a lonely boat, looking towards the "Beacon", the drifting "Life of Us" is no longer protracted.

It looks to me like an attempt to tie all the song titles together into a little story that flows along with the themes of the songs. It's just that you can't say, " the 'Life of Us' no longer seems to be long" because that sounds weird in English. "Drifting" makes more sense in that sentence, but it doesn't simply translate using the English song titles.

The translation I used in that post comes from the official fan club, and they've chosen to write it as 'protracted' to imply 'neverending/tedious' rather than simply 'long'. Everyone would want a long life, few would want one that feels protracted - drawn out, tedious. As you can see they threw drifting in there too, to try to bring it together more, but it just doesn't work fully in English.

Perhaps a Chinese speaking reader can chime in here and do a better job of explaining this than I have.

I wouldn't read anything too dramatic into this. Let's not get carried away and over-interpret everything GG and DD post.

As I've said before, it's unrealistic for fans to expect anything earth-shattering from them. They're both into a groove of focusing on living their best lives and working on the kinds of projects that make them happy. It's highly unlikely they're going to be making any big public announcements or changes, or do anything that will destroy the equilibrium of their lives or disrupt things for the stakeholders connected to their careers.

Re: singing in English - both GG and DD do sing English songs fairly regularly. However, their audience is primarily Chinese-speaking and Chinese is their native language, so it makes sense that most of their work is in Chinese. It's also better for GG to be seen as a Chinese artist appealing to Chinese audiences - particularly with his debut album - rather than as someone who's singing for/appealing to foreigners. If he appeared to be appealing too strongly to foreigners he'd face backlash.

There are still more songs coming, one of them might be in English but I'd be surprised. This album is very personal, and GG is Chinese. His thoughts, ideas, concepts will all be in Chinese.

As an international fan I love it when I can understand what GG or DD is singing, but I enjoy the Chinese songs just as much.

[meli-writes]

Long Time, No Shear - Ch. 01

A sheepish Fae-girl is desperate for someone to shear her for the summer, and to not be weird about it.

There’s a human on Dolly’s doorstep — and she’s naked.

Okay. No, not literally. Per human customs this is all completely appropriate, if a little avant-butch, for the current weather. Black boots and denim short-shorts; enough chains to lose count; loose, side-slit tank that makes her toned, tanned arms part of the outfit; no attempt to hide the lace bra underneath — citrine yellow, to match the sun beating down on her.

And Dolly, snout pressed on the window, feels like she can see all of her.

But— she’s here because Dolly invited her and Dolly can sympathise, because it has been three weeks since she was supposed to have been sheared and she is melting.

(It is though 100% the humans’ fault this is the 8th ‘hottest summer’ — on record, in a row.)

And so there she is, pressing forward through the curtains, trying not to be noticed while she works up the courage, when all of a sudden the human looks at her.

And waves.

---

sheep-goat Fae needs EMERGENCY help w/ summer shear. Can be reg if not weird

Last posted 18 hours ago on Fluffr, the dating-slash-bulletin app for Fae and panel-vetted humans. Yes, humans named it.

It still takes a weird person to apply to the panel, unless they got Fae-referred but that’s got pitfalls too; it also went public after the grants dried up, and has gotten worse because of that particular human-neoliberal urge to overdevelop everything into ruins; and it’s where she met her Wolf-Fae ex — the one who dumped her four weeks ago. But:

It’s still better than the human apps.

Because Dolly doesn’t need this to become a weird sex thing because it’s already super intimate and freaky — and it’s what every human she meets on their apps tries anyway.

Y’know, before she shuts them down and they false-report her till she’s banned.

None of this is the Dolly-in-distress’ preference. Not by the length of a thousand leylines.

---

“Hey. Sorry about that,” Dolly says, sheepishly.

“You’re all good,” the human replies, a smile perched beneath her silver-rimmed aviators. “I’m looking for someone in need of a bit of help, roommate maybe?”

“Dolly! Yeah. That’s me,” Dolly cuts in.

She points to the thin, white line traced on the interior doorframe, “You see the chalk? It’s a shadowskin enchantment, here and on the windows. Makes me look human from the outside, your side, so no one stares.”

“Ace! Makes total sense. Fiona, by the way,” Fiona says, as she steps past the threshold.

Behind the aviators her eyes glimmer, and Dolly has to remind herself it’s just the dispelled illusion and not— “You are a beaut, but I see yer problem.”

She’s glad Fiona can see the smooth, mottled-white velvet on her face now, because even from across the street anyone looking in would be seeing her cheeks swell up with a redcap-crimson blush.

“Girlfriend broke up on ya, didn’t she?” Fiona asks, a little idly.

“Mutual! It… was… mutual,” Dolly bleats, biting down on a full-blown shriek. “Okay. No. But she did it at the worst time and—” She breathes in the infodump, stops herself, curls in an outstretched finger and restarts, “Remember what I said on Fluffr about privacy?”

Fiona winces, hard, and Dolly has to smother her mirror of it, cursing at herself in her own head for not sucking it up. It’s nothing I didn’t tell her, justifying the post and shit. She was just—

“Yeah nah, totally,” Fiona says to her relief. “Just out to help a fellow gal in need.”

(Fellow. Yeah. Dolly also had to tell her in those DMs that Dolly was trans — up the freak-show sentiment even further — because there was no way around Fiona seeing it.

Humans could never tell otherwise, even though her horns were still buck-sized.

She was half-goat anyway, which explains away most irritating questions she gets from them — even if they still didn’t stop staring at the black thigh-high wool pattern on her legs.)

Dolly tries to move on, before Fiona stepping back over boundaries also means out the door, “Thanks. You’ve got uhh— experience. Right?”

Fiona’s nerves are swallowed in a moment. “Reckon!” she says, bouncing on her feet. “I was a kid when there was still livestock on the big, industrial farms. Went to the sheep-stations each year to help out; docking lambs in the spring and the like.”

(When Fiona had mentioned her ‘experience’ in DMs Dolly convinced herself it was practical. Human ethics have been catching up since Fae unveiled themselves a few decades back, after the Vampires, but it was still… weird.)

Did she have to specify docking? Dolly thinks as her tail twitches, and thinks Fiona can see her trying to hide it, and that Dolly can see that Fiona can see that, and that—

“That’s… okay? You’re okay?”

“Ahh! Yep. It’s helpful, not weird,” Dolly answers desperately. “Well, it’s a little weird, but it always is. Just remember that I’m very much sapient and talkative.”

She steps into the next room without looking, hoping Fiona is still with her.

---

“Alright girl, are ya ready?” Fiona asks, observing Dolly scurrying over the plastic mat that covers the floor, making sure it’s tightly held at each corner by a chair or spare textbooks.

“Uhh, one minute. Could you— look away?” asks Dolly, bringing a long-clawed paw to the neck of her shirt. “I know you’re gonna look back but—”

Fiona turns. She’s not giving you a striptease, she thinks to herself, pottering over to the sideboard to distract herself, “This is the stuff here?”

Dolly watches as Fiona inspects her life-long assembled kit — explains, “Yeah. I had to figure out what was best for me. Was not cheap.” Fiona whistles in agreement, as she slides a slim pair of double-bow metal shears out of the sunlight.

“I know this girl who can roo, so lucky,” Dolly adds, jerking about as her pencil-skirt stretches over her fluff-plumpened ass and— “Okay, ready.”

She sees Fiona tee-up herself, nabbing the electric handpiece. “No wide combs, I like it. Grandpa used to say we lost the union to those things,” she says, before turning back around and instinctively sizing Dolly up.

“Huh… like a whether,” she mutters under her breath.

Dolly has tried desperately to never learn the terminology; doesn’t think when she idly asks Fiona, “Excuse me?”

“Comb on the handpiece: anything bigger than 2.5 inches is a ‘wide’ comb,” Fiona answers obliviously. “So you can go faster, and get paid less. I suppose it makes sense to go smaller, and you’re not looking to sell the fleece are ya?”

(She had — once. When she still had rent to pay, and was needily short, so went and sold it on a Fae-fetish site for a shameful and incredible amount. And still thinks about it sometimes.)

Right now, her hooves grind anxiously into the floor. “No, Fiona. The other thing?”

The human’s round eyes tumble back into the abyss of their sockets, as Fiona’s brow rises in concert with realising what she’s said; something Dolly hasn’t the expertise to know, only the foolishness to ask. She doesn’t answer. Dolly feels the plastic fibres beginning to snag under her circling hoof.

“Say it, or go and don’t help me,” she demands at last.

“It’s a… castrated male,” Fiona says, biting her cheeks. “Sorry. Maybe I should go anyway? It was a bit of a heinous thing to say—”

“Nope. No, you’re doing it now,” Dolly tells her, making it obvious she’s guilting her. “Or, maybe I pull out Fluffr and report you?”

Tormenting her too — all while utterly in the fluff, Fae-adapted phone stylus in hand.

Fiona twists at her shirt, briefly exposing a rippling mid-riff, “You wouldn’t… really?”

Dolly makes a show of walking up, tucking the stylus into a stationary-drowned mug, and looks at her. “Fiona, I’m fucking with you. You apologised, and I’m desperate here.”

“It really is that bad?” Fiona mutters, as much about the overcoat as realising her pitiful remorse is far better than Dolly must usually get.

“You know what crutching is?” Dolly asks.

Fiona nods.

“Eugh. And, it’s a fifth of my body weight. Roughly. And fuck it’s so hot these days.”

“Yeah nah, lost my hometown to a wildfire,” Fiona says, a little dissonantly chipper about it. “Why I moved here to be honest with ya.”

“Shit. Sorry I’m—”

“Our fault,” Fiona reassures. Meaning humans. “Not yours. Just tryna help.”

“You really are, y’know.”

She sinks to her knees, leaning forward and pressing her thighs together to hide herself a little, and coaxes Fiona to join her. “My girlfriend— my ex— she promised to help me after the breakup ‘cos I was due but well… ghosted me, then blocked me after I called.”

(Six voicemails. The first few reminders; the last few begging.)

“The other options are like pay three hundred pounds to get nude at a hairdressers, and/or livestream the thing on a fetish site to break-even,” Dolly continues, knowing exactly what that site is called. “Yeah… nah.”

Fiona listens, but doesn’t look, focused on setting a few implements down before taking an offered arm to follow her down. “Wow, you’re soft.”

“Uhh, yeah? Unlike the sheep you’re used to, I don’t like live in a field,” Dolly says sardonically. “I get a bath in this place.”

“Sweetheart, you’ve got an entrance hall, lounge, staircase. It’s heaps better than ninety-percent of the places in this city. Certainly better than the box I’m allowed to rent,” Fiona retorts, flipping the handpiece on.

Dolly lets out a small, nervous titter. The way humans tangled up their housing with markets seemed remarkably silly. “Adjustment funds, the Greater London—”

Fiona swipes, a whole ream of Dolly-fluff falling off of her.

“Hey-hey-hey! Wait!” Dolly squeals, Fiona blinking as she rushes to pause and Dolly collects herself. “You uh— need to go slower than that.”

“Sorry, sweetheart. Was just thinking you’d want me to be… efficient.”

She smiles plaintively, “I mean, I do. It’s just I wanna make sure it’s not scruffy, or messy, or obvious. ‘Cos that would take weeks to grow out. It’s best to sort of—” She holds her breath, and looks at Fiona who’ll never be more ready for this.

“Go slow and hold me down.”

Fiona swallows, wishing it was light beer and not the sheep-girl’s dignity going down.

“And that’s… where people get really weird, right?” she asks.

“Yep.”

If they somehow got this far.

“Like, seriously — how do I explain on an ad: hiya, I need a girl to pin my nude body down and spend four-to-five hours groping me and not somehow make it a weird sex thing.

And, y’know, not make it too much of a regular weird thing either.”

She sighs; rearranges herself to lean back into Fiona, bumping horn into chest.

“Throat’s best to start,” she says, after a moment.

Fiona’s hand reaches slowly, constantly darting her eyes back-and-forth for consent and, not seeing any complaint, takes Dolly at the horn and pulls her low till she’s able to line the handpiece up against the notch at the base of her neck. She closes her eyes, a little unemboldened. The lambs never talked back to her or looked this cute.

“Come on,” Dolly interrupts. “I’d like to wear clothes again today.”

Fiona fumbles, and blinks open, and the lamb in her arms just laughs. It’s difficult not to, there isn’t a way this isn’t absurd and Fiona thinks she gets that now.

Her gaze focuses, a little less nervous this time. A smile creeps to the corner of her mouth, “No worries. I’ll get ‘er right, sweetheart.”

---

Three hours in, and Fiona’s just now reached Dolly’s hips. The arms were simple, if a bit too close to being nipped once or twice; the back came off clean, and Dolly doesn’t admit she thinks about that site again; the tits weren’t bad — mostly covered in the same velvet that’s on her face, all the way down to her— y’know.

(Dolly also absolutely does not mention the three times she came this morning. Not for any sort of pleasure, spirits no. But to make sure there’s as little chance as possible that she gets hard from the super-hot, basically-nude butch handling her like— well, like a sheep.)

The ass was mild torture; Fiona tearing her facial muscles to shreds in the sternest wince of her life, as she held up Dolly’s fat, soft cheeks to clean up the folds where her ass met her thighs. Dolly, at least, holding herself in a grim but merciful silence of solidarity, till at last both rushed to kick back into listing off more of their shared, fascinating, and agonising spars with each of the respective departments of the Home Office that exists to make their lives a bureaucratic nightmare.

It made it all too easy for Fiona to forget Dolly was even supposed to wear clothes, until she was looking at her bend down to a cupboard to fetch mugs for a strongly needed tea-break, even in the present heat.

But, it’s smooth now, and so she runs a hand serenely down the small of Dolly’s back, not thinking of anything more than just making sure the girl’s cut is clean and consistent — till her hand reaches that newly-shorn ass and—

Bleat!

It’s the tiniest sound Fiona has ever heard, and it sounds hot.

What comes after is worse than the ass-silence. Fiona tries not to panic, hopes that Dolly didn’t feel the still in Fiona’s slide, but before she can click on the handpiece to continue—

“Oh— God. I am so sorry,” Dolly squeals.

“No, no. It’s okay,” Fiona protests but Dolly is wrestling out of her lap and she doesn’t dare stop her, as the self-excoriated sheep covers her mouth in shock. 

Fiona tries to raise her hands in surrender, “I-I wasn’t thinking. Or rather thinking of you like a— I just wanted to check it was all the right length.”

“Fiona, you heard that right. I sounded like I was—” Dolly buries her face into the unshaven fluff of her thighs, butting the tip of her snout through to sniffle at the air. “You know what I said earlier…. weird sex thing. Like I’d never mean to, it’s just you’re hot and I can feel all of you. And I know how dumb that sounds coming out of me and with what the weather’s like but I’m used to people wearing like— more than that when they’re shearing me.”

She parts herself like Moses, and looks at Fiona clenching herself in awkward horror.

It really doesn’t help how it makes all her muscles flex.

“I-I’ve made it weird, not you,” Dolly whines; crucifies herself on the plastic sheet, “You can stop there, and I can wear shorts or a skirt so you don’t need to shave my legs.”

No one’ll notice the bulge. Shadowskin can take care of it. Right?

“Are you sure?” Fiona asks, tentatively placing her on Dolly’s knee and sinking it down a bit into her coat. Forcefully enough to both reach her wayward lamb, and to demonstrate the problem still there. “It’s really okay, that was totally me. I just sort of—

forgot the artwork for the canvas it was on.”

Dolly looks up, jerks a horrifically undecided croak out of her throat, and asks, “Did you prepare that one? You don’t… you don’t think this is a date, do you?”

There’s no velvet to hide the crimson shame that courses across Fiona’s cheeks, nor the same cushioned thighs to tuck them behind. “No, no, definitely not. Sorry,” she cries. “I know what you said too, and I don’t wanna be another weird human that you’re suffering for… basic care! It was just that you seemed… cute? And I don’t know, it feels nice to rescue a gal in need. I-I didn’t expect anything, I just… didn’t want to say no if you liked me too.”

The sheep stares at her, tilted head and pursed lips. Dolly can’t tell what reaction she’s having, which bloody well means Fiona won’t be able to.

Instead she slides back across the plastic and lies on her back, pulling her legs up till each forms a triangle. It does the trick.

“Should do the legs, shouldn’t I,” Fiona says — and Dolly is glad she didn’t have to ask.

---

The door is open, and Fiona hovers at not-quite the threshold unsure if she should be on the inside or the outside of it. Of the chalk line, Dolly’s rather literal boundary.

Dolly at least is— Fiona can’t admit it, not now, but she’s beautiful. To see the whole of her not in shittily-taken photo-form — her stylus is there for a reason it seems — but all in motion, as she stretched and shook and wiggled her tail and shorn-at-last self.

It’s hard not to feel proud too, of a job done well, of a girl saved.

The magic — the metaphorical, right now — worn off though leaves Dolly hovering too. She looks about as stressed as when Fiona showed up, but she hopes it’s only in a way that’s her fault — and that it’ll be quickly settled when she’s been booted out the door never to see her again.

“Uhh. Hey,” Dolly says, sheepishly, like Fiona was just coming in again. “You really helped me out a lot today.”

“No drama, sweetheart,” Fiona replies, the points of boots tip-tapping as she looks down at herself. “But, I should’ve dressed up better, didn’t think at all it’d be such a bother for you. Or— not a bother but— not your fault.” 

“No I— It’s cool. You look good.”

“Oh… Thanks.”

She takes a step back, pulls out her aviators and tries to flip them on but Dolly just reaches out and takes her at the wrist. They stare at each other for a moment, but Dolly doesn’t let go, and Fiona doesn’t shake her off.

“Would you wanna help me next time?” Dolly asks, in more of a squeak than a sensible, unheated whisper. “It’s in a few months time… a lighter cut, for autumn.”

She drops Fiona, watches nervously as Fiona’s own nerves creep across her face, “Oh, I mean, sure! Would you wanna meet up before then, maybe? I don’t know, just to help things be more… normal.”

Dolly laughs, sweet on the afternoon breeze that’s sweeping in. “Now it’s a date?”

Fiona’s tongue wants instinctively to slither down her throat, but she thinks she can spot one of the girl’s teases by now — and she probably does have all the right to be a little mean.

“If you’d like it to be,” Fiona teases back. “But — for real — I’m still happy to help.”

Dolly huffs, and smiles in eminent satisfaction, “Then yeah, we can call it a date.”

It’s when Dolly’s peering through the curtains a few minutes later that she sees Fiona, thinking she can’t be seen, stop at short distance down the street and dance with glee for just a precious, delightful moment, before she looks back with a dumb, fond smile on her face and it just cracks when she realises Dolly can still see her.

And Dolly waves.

And Fiona can see her blush.

---

(Masterpost) / (Next)

[thesauce8]

dude, i know this is crazy, but i promise i only found you here by accident. this is funny. anyways, half of what you said i didnt say or you misunderstood, but you blocked me before i could clarify. tt format is very unhelpful when you need to flush things out, so i probably didnt properly articulate my point over there. i told you i wanted to help you understand (or for you to help me understand your point), but you were having none of it. when we were talking, i kept citing my sources for my beliefs through quotes but you refused to cite yours and just retorted that i was wrong. i cant exactly look back at my comments, but if i started out rude or judgmental, i apologize. that was immature of me. ive seen a lot of misinterpretation of obito, so i tend to assume the worst.

i didnt say that obito didnt love rin (and if i did, it means i phrased myself very poorly, but i remember clarifying this in a later comment), i said that the romantic aspect of their relationship was completely unrelated to the conflict obito faced with kakashi (post-accident) and the world because your video and caption phrased it in a way that made it seem like you thought the conflict was breeded from it. obito and rin being besties is the important part that a lot of people ignore in favor of painting obito as a simp and diminishing the depth of their bond. the crush and any contempt derived from it towards kakashi was only relevant pre-accident, which i said because you stated in your caption something about obito needing to accept rin chose kakashi when referring to her death.

i am willing to hear you out on obito blaming kakashi *if you cite your sources!!* please give me a quote or something because thats what i use to form my opinions. the reason i dont think obito blames kakashi is because right after rins death, he says he didnt kill kakashi because he didnt care about what happens to him since he’ll see the real him in the IT. he didnt know rin killed herself, but he also didnt seem to have a particularly strong (or existing) hatred towards kakashi. if you give me a quote that shows he did hate him, i wont be stubborn.

i also dont know where you got me saying kakashi and obito werent friends? i said they werent best friends; rin and obito were. they had a rivalry and cared about each other, but their relationship was a little rocky, and obito states that they were just starting to get along right before his consciousness faded after getting crushed by the rock.

obito trying to kill kakashi doesnt mean he hates him (sounds crazy, i know, but its not impossible). obito dissociates and sees this kakashi as a “fake”. he tries to kill and mocks kakashi because of practicality. killing is what you do to those who oppose you (when youre a villain lol) since they’re problematic. mocking him throws him off his game, which makes it easier to kill him. the real kakashi is gonna be in the IT, and he’ll see him there. this kakashi is also a connection to his past self, which may contribute to his desire to eliminate him.

its the same reason he kills so many people despite wanting everyone to live in a world free of pain and suffering. to him, these people are imposters, and the real them (and him) will exist within the infinite tsukuyomi. this kakashi is scum, he himself is scum, everyone who isnt scum will become scum. he didnt experience a change of philosophy when he offered kakashi peace in the IT because he didnt call kakashi scum out of hatred. he knows that the world forced kakashi to become scum, so he doesnt blame him for rins death, and thats why he feels this world is a hell. it forces everyone to either become scum or dead.

as you can see, a whole essay was needed for me to explain my thoughts, which might explain any poor delivery on the app that heavily limits the amount of characters you can use in a comment. i still think its hilarious that this came up on my home page. its possible youll block me here too, but at least my thoughts have been released in full.

sooo chat apparently obito never loved rin, obito & rin we’re only best friends, apparently obito never blamed kakashi at first (before he got over it and told him he STOPPED blaming him), apparently obito & kakashi never were friends at one point or got along until the tree incident. 🤷🏽‍♂️

as if obito didn’t hate and blame kakashi for the entire incident at first and tried to kill bro buuuut okay! :))))) those are the kind of comments I’ve been getting on TikTok for talking about the kakashi obito rin situation xDD but no none of that stuff happened (being sarcastic).

[thatonebirdwrites]

how many panic attacks can you fit into this person? *slaps themself*

we need a nonbinary version of that 'how many x can you fit into this bad boy' quote.

anyway, the answer is TOO MANY. I got badly triggered over the weekend. Talked to the therapist, and realized I've actually been triggered for weeks and having minor panic attacks nightly until my body just had enough and blasted panic at full volume to get me to cease and listen for once.

It's actually a bit of a miracle I didn't end up in the hospital actually. Since I also fainted and laid on the floor for quite some time. To the point that Quark came over to sniff and lick my nose.

He does that when I faint to help me wake up because sandpaper tongue wakes the dead.

It also explains why he's been so clingy lately.

He knew before I did.

Look at this sweetie pie giving me the side-eye for failing at basic self-care:

[irregularjohnnywiggins]

You ever have those moments where an idea just... won't leave your head?

[cantdealwiththisnow]

Part 1 - Appreciation post for all the TFP universe Autobot mugshot cameos (known and unknown) in RID2015 3x25 (even if the context is that they've been OUSTED against their will)

[velvetvexations]

If you want to argue about that specific post, that I had the restraint to not engage with on your own blog, I need you to acknowledge

Sure.

how you trolled the #transmisogyny tag, as you often do,

It's a social media website.

did not show me the same restraint!

I wouldn't call not engaging with the post that sparked your OP here to be "restraint." It is, again, a social media website and everything I post except a vent once in a blue moon is meant to be engaged with.

You came onto my post to, best I can guess, imagine the post I was referring to, imagine that I read it wrong, and present the "correct" reading of that imagined post.

And I turned out to be correct. I'll now explain the correct reading of the actual post.

I'm pretty sure that what I said lines up with what the anon said in the post. I am open to the idea that I'm wrong, and I'd welcome anyone who isn't you to talk to me about it and whether or not anon has an incomplete picture of what transmisogyny is.

Anon was arguing against strict definitions of TMA/TME because of how hard these things are to define. In that sentence, they were asking a hypothetical question about a trans woman - does she suffer transmisogyny if she has not yet suffered anything directly relating to her transition? In context, it's pretty clear the answer is "yes." The point they're making is that transmisogyny is more than seeing an AMAB person in a dress and yelling a slur at them. Transmisogyny takes many forms, often invisible, insidious, and affecting people you wouldn't know it to be affecting.

I thought this section of the reply was going to take longer, honestly.

it is an educated guess that you believed my post was in communication with your discussions of male/female socialization

The general discourse but not involving me specifically lol.

last time we did a diskhorse, You did something pretty interesting! Did you know that you did this? because it sends a specific message!

Yeah, I honestly didn't handle that very well. I didn't intend anything I said to ask you to or imply you should divulge your trauma but I did aggressively insist you were talking about something you insisted you were not talking about and interrogating you about if you were really thinking of cis people doing that. I'm very frustrated with critique deflection and though I tried to play it both ways by acknowledging you personally may have gone through an example of an accusation of critique deflection being bullshit, it was very poor of me to treat the situation the way I did. I did not do you right there and I regret it. Trans women often have claims of transmisogyny unfairly dismissed and in this case I was way too aggro about what I assumed the post was about, and my attempts to be diplomatic were disingenuous and insufficient.

They are really showing their whole ass when someone who thinks they are not tme also thinks that transmisogyny only affects transfems after they come out.

[deoidesign]

Someone killed my boss last night and he sent me this I'm so fired

god I can't wait to make this comic.