#I can hear music

[freddiemercurylegendabovelegends]

🔸Pre-Queen Singles Discography🔸

Today, on June 29th, 1973 - 'Pre-Queen' Story!

'I Can Hear Music' / 'Going Back' released in the UK, Germany and USA

🔸In the summer of 1972, Trident Studios' in-house engineer Robin Geoffrey Cable instigated an experimental project in an effort to emulate the "wall-of-sound" style made famous by Phil Spector. Queen happened to be recording their debut album in the studios at the time, so he invited Freddie Mercury to lay down the lead vocals who, in turn, roped in Brian May and Roger Taylor to provide percussion, guitar and backing vocals - as paid session musicians.

In June 1973, shortly before Queen's own debut album was released, EMI decided to cash in on the emerging glam rock trend and rushed out the resulting recordings as a 7" single under the name of Larry Lurex - an obvious send-up of Gary Glitter.

source ➡️ discogs.com

🔸The Ronettes (and later Beach Boys) classic 'I Can Hear Music' was recorded that summer in Trident Studios and features (per Freddie's insistance) Roger Taylor on drums and Brian May on guitar. The single was released in the UK a week before Queen's first album, becoming the first solo product by a Queen member. Freddie insisted the Queen name not be used for the release, so it was released under the pseudonym Larry Lurex.

🔸'Goin' Back' is best known as a 1966 single by Dusty Springfield. The song written by Carole King and Gerry Goffin and was recorded by a number of artists including The Byrds, Phil Collins and eventually Carole King herself.

The song was used as the B-Side to the Larry Lurex single "I Cant Hear Music".

source ➡️ queenvault.com

👉 'Mother Love' (taken 'Made In Heaven' album, 1995) ends with first strophe of song 'Going Back'

📸 Pic: 2016 Freddie Mercury 'Messenger Of The Gods' Boxed Set 7" Sleeve

[punk-chicken-radio]

I Think I Can Hear Music…

…..well to start off with I thought it was kind of musical…..but actually it’s more a kind of permanent ringing sound…..sometimes it’s more noticeable than others…..

…..after my recent head injury (another one 🙄) I thought it had finally gone away…..but no…..it’s back…..just like one of those annoying persistent synth backing tracks that @loveaxiomatic is so fond of playing on her new hi-tech keyboard…..

…..I’m getting used to it…..but apparently there is a ’cure’…..the quack says all I have to do is distract my brain with other sounds…..maybe music…..so that the one sound blanks out the other. Now I’m not entirely sure that loud music wasn’t the cause of the problem in the first place, but hey, what do I know, maybe it’s a new scientific break through…..

…..trust the science 🤣…..

…..you might have heard what’s coming up next…..a bunch of music that mentions…..well…..music…..

Cacophony Kisses 😘

love(ZOOMIES)axiomatic

The Old(f*cker)Smelly

[guerrilla-operator]

The Beach Boys // I Can Hear Music (The Ronettes cover)

I can hear music I can hear music The sound of the city baby seems to disappear I can hear music Sweet sweet music Whenever you touch me baby Whenever you're near

[gazpachoandbooks]

Currently imagining Arthur + Gwen + the knights asking someone (maybe druids?) who this famous "Emrys" is and they proceed to do a version of "We Don't Talk About Bruno" while Arthur, Gwen and the knights grow increasingly more distressed with each line and Merlin hyperventilates in the background

[cyanide-sippy-cup]

Man I just love dressing crazy. Star-shaped eyeliner, jacket covered in bottle caps with smiley faces, bright pink glasses, piercings in my face. I thrive in the weird looks from strangers. I love being that person little kids think is a fairy and remember for years. I love giggling at myself while I make faces in the mirror.

To me, this is what it is to be punk. To make weird, messy art. To sing your crooked voice as loud as you can. To be the most beautiful ugly. To be that creature 8 year old you wrote stories about in their school notebooks. To be the greatest you you can be.

There is nobody on this Earth who can do you like you. So why not go out and be the best you the world's ever seen?

[eye-may]

CATS!! I can't stop thinking about this musical and these characters! I keep trying to figure out how Id personally translate their designs for things like animation and/or comics. plenty of these I'm not 100% satisfied with and I'm sure they'll change but here's at least my first attempt for posterity. I feel like I drew SO many cats and yet there are SO many I have YET to draw OTL

this musical is making me ill I s2g (affectionately)

[totally-not-kawaii]

loki's concern over mobius after his outburst is genuinely so endearing and nice to see. he genuinely cares for mobius and wants to make sure he's okay, the same mobius has done for him. loki knows something is wrong with mobius bc he's the one who's known for his outbursts not the latter. in this essay i will—

[missjashin]

Wayne finding Eddie and Steve sleeping together and he is taken aback but not because Eddie sleeping with a boy or not even because he is sleeping with Harrington. No, he is taken aback because the boy is sleeping soundly with Eddie. His Eddie. Who happens to be snoring like a jackhammer.

And yet there Steve is. His head resting on the juncture of Eddie’s neck and shoulder, basically having his ear right on the level of Eddie’s mouth, but face relaxed like nothing has ever bothered him in his life.

[szaryherbatnik]

Got this vision of kremy playing dress to impress and getting VERY into it

[prylc]

BEST BOI

[genosigned]

you guys remember live sports

[resident-dumb-fuck]

every stephen sondheim musical ranked by number of ao3 hits it has

[pineapple-frenzy]

This is one of the pieces from @zutaracoloringbook that I wanted to color! The beautiful line art is by @growingroses they did amazing with the line art and I had a lot of fun coloring it in!

[ahhrenata]

golden hour 🌅

close up below the cut:

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.