#I can get around that yes I can

[zorangezest]

thanks for listening

[gascreates]

a new star

[lucabyte]

monologue

[lotus-pear]

i love you royal trio (minus akechi)

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[marzipanandminutiae]

no but genuinely I lose a little more patience for people who won't wear wool, leather, silk, or fur every day that I live in a world where plastic is increasingly the only damn kind of clothing you can find (or the only kind of fabric for sewing, even)

obviously, animal cruelty is horrible. I believe that even industries that rely on the deaths of animals should make their lives as good and their ends as humane as possible. and many of these industries need tighter environmental regulations on their production practices- some of the chemicals involved are highly toxic and ill-controlled at times

but at some point, you have to wake up to the fact that the only alternative we've found to date is destroying our planet

it's all plastic. and plastic is horrible for the world- the environment, humans, and especially animals. how cruelty-free is it to cause mass habitat loss? or climate change that disrupts food sources for those animals on a vast scale? how is that better than the deaths of a relatively small proportion of animals comparatively?

(and don't even start with "but pineapple leather! but cactus leather!" when those are still basically plastic due to heavy plastics use in their production processes. there is currently no non-plastic alternative to most animal-based textile products)

I've always tried to keep in mind that we all have to decide where our line is, that we all consume and there's no way of living in this world that doesn't take something from it. that for me, plastic clothing is to be avoided as much as possible, and for others, animal clothing products are to be avoided as much as possible. that the choice is equally valid

but I'm having a hard time seeing it as valid anymore when it just feels like trying to push the unpleasant part away from yourself so you can pretend your choice has no negative impacts. you're not wearing animal skin (or wool that an animal didn't even die to produce), so surely your way of doing things is better! no animals were harmed in the making of your outfit!

except. they were.

they and all the rest of us.

[stevebabey]

you're the only one for me, baby

1.7k, steddie, one of them getting so drunk that they don't recognise the other and telling them back off i've already got a boyfriend, it's all sweetness <3 likely a modern!au and actually just goobers in love

Eddie doesn't really drink. He's not against partying but he's much more attuned to smoking a little weed to take the edge off, sometimes a spliff if he wants to mix a little business and pleasure.

Eddie doesn't really drink—so when he does, it goes about as well as expected.

From zero to a hundred.

Steve had lost track of him after directing his stumbling feet towards the bathroom to take a leak. But apparently, as he's now found out, this bathroom has two doors.

What the fuck kind of bathroom has two doors, like some weird thoroughfare?

Regardless, it took all of five minutes with no noises coming from the inside before Steve had loudly announced he was coming in, no matter what, getting quite worried for his boyfriend.

He trusted Eddie to not be too sloshed to handle a piss, even if he was on the wilder side tonight, but still leaned up against the door to chase off anyone else looking to knock—because Eddie hilariously gets pee-shy.

The door had opened easily, apparently unlocked, and Steve had stepped into the empty bathroom. The other door across the room, the one he hadn't noticed until now, was wide open to the party.

So, now he's on the hunt for Eddie.

Which is a task that feels a little bit like herding cats because drunk Eddie isn't something Steve has a lot of experience with. But what he does know, is this: it's the opposite of high Eddie.

Stoned, Eddie likes to find the comfiest place he can (usually Steve's lap, or so he proclaims) and sink into it, like melting wax. Then, given he has access to adequate snacks, he doesn't move for quite some time.

Drunken Eddie cannot even fathom the concept of sitting still.

Either way, looking where there's food is a good as a place to start as any.

Steve ambles out the strange two-doored bathroom and flips his head back and forth, trying to remember the direction of the kitchen. He hasn't been here before—one of Eddie's band connections—and Steve's still had a couple beers himself.

He shakes his head and takes a left, relieved when it leads to the stairs. Okay, he sort of knows where he's going now. They had only come upstairs to find the quieter bathroom for Eddie.

As Steve reaches the bottom of the stairs, a faint stir of irritation flashes through him. Eddie just left him behind? That wasn't that nice, even if he was incredibly drunk.

He can hear the din of people chattering just above the music and he follows it, leading him into the half-full kitchen, people dotted around. There's a few pizza boxes scattered around and Steve eyes each of them specifically, looking for the tell-tale wipe of Eddie's greasy fingers. No dice.

Steve wrinkles his nose, spinning around and double checking before he moves on.

If not by the food, then... where?

Steve takes a few steps forward into the living room, his heart beginning to sink and shrivel all at once. There was a miserable feeling attached to looking for his partners at a party, a wallowing and awful memory tied to the feeling.

Steve pushes a hand across his chest roughly, as if trying to shove the feeling away.

Eddie wasn't... her. Eddie wouldn't do that.

But the moment he's thought it, it's stuck in his head. Steve's feet begin to speed up, checking a little more carelessly as he starts to stick his head in different rooms, his hazel eyes jumping around. Not Eddie, not Eddie, not Eddie—so many people and none of them are Eddie.

Until—there. Steve spots a very familiar looking behind as it leans over the back of the couch, the owner of said-behind talking to someone sitting on the couch.

He blinks, just to be sure, but the details come into better focus. There's chains on his belt loops and when he shakes his head, Steve can see the curls he loves to bury his hands into.

Eddie.

Steve's relief pulls him forward, his feet almost stumbling, his mouth pulling into a relieved smile. He puts a hand out, fingers spread, across the leather-clad back.

"Eds," Steve says, relief colouring his voice.

Eddie swings up abruptly, pushing himself off the couch. When he turns, a bit of liquid sloshes out of the beer bottle he's holding.

"Heyyy," The words come out a bit slurred and when he finally stands straight, he doesn't look right at Steve. "Handsssss off the merchandise, buddy."

Steve chuckles, reaching out and plucking the bottle from his boyfriend's grasp. Eddie gawps, an adorable little hiccup interrupting his shocked expression.

"Hey," He says loudly, reaching forward for it fruitlessly as Steve pulls it out reach. "That's mine." Eddie whines.

"You've had more than enough, I think." Steve says. He steals just one gulp of it before he turns at puts it on a nearby table. When he turns back, Eddie is frowning at him, brows pulled together tightly and bottom lip jutting out.

"Listen—" Eddie leans forward, jabbing a finger into Steve's chest. "I dunnowhoyouthinkyouare," The words come out in a one big jumble and Steve frowns.

What? Something sour claws into Steve's chest at the frosty greeting.

"Eddie," Steve says, his hazel eyes wide and worried as his gaze darts between Eddie's squinted face and swaying form.

Steve reaches out to put a hand on his waist, aiming to steady him, but Eddie sees it coming and widens his eyes comically. He swerves back to avoid it, his boots tilting dangerously on the wooden floors. If he was still holding his beer, Steve bets half of it would be on the floor by now.

"Wo-oah," Eddie exaggerates, waving a hand out and batting Steve's outstretched arm away. The rottenness in Steve's chest blooms, rancid and freezing. He sucks in a sharp breath.

"Ed—"

"I—" Eddie says, holding up his hand and waggling one finger at Steve, like he's a naughty schoolboy. His words still have that drunken slur to them.

"—already have a boyfriend, thank you very much. He's much too pretty to be throwing it away for the likes of you, you weasel of a man..." His ludicrous and nonsensical insult trails off under his breath as Eddie's attention is drawn away by a shout across the room.

As he watches Eddie drape himself back over the couch, the sourness between Steve's ribs shifts, transforming into something infinitely sweeter. He lets out a dazed laugh, a wild smile spreading on his face before he can smother it beneath his hand.

I'm dating a lunatic, Steve thinks happily.

He reaches out and steals Eddie's beer once more, taking another large swig before giving it another go.

This time, he sidles up beside Eddie who's engaged back in conversation with one of the guys on the couch, and just waits. It only takes a minute before the dude on the couch seems to realise who Steve's waiting for and he nudges Eddie, gesturing behind him.

Eddie, still bent over the back of the couch, twists only his head to look. This time, the recognition is immediate.

He springs up, pushing the couch forward an inch in his excitement and leaps forward, his hands clawing into Steve's shoulder with a fierce delight.

"Steeeeve," Eddie croons, crowding in close. His hands start moving, fingers searching like curious spiders, fingertips dancing along the sensitive skin of Steve's neck til he's squirming back, laughter betraying him.

"Stop it." He laughs. Steve arrests Eddie's wrists in his hand and Eddie cackles, using the pause to surge forward, kissing him square on the mouth.

Eddie tastes like the beer he's been drinking and Steve barely gets a moment to enjoy it before Eddie's pulling back, leaning forward so they're forehead to forehead.

"I was looking for you." Eddie says, his doe eyes wide. His pupils grow larger the longer he stares at Steve.

Steve grins. "Uh huh. Looking for me between the couch cushions, were you?"

Eddie rears back, his head flipping as he stares back at the couch and then back at Steve. "Nuh uh. I came out the bathroom and you were goooone."

That explains it. Eddie must have left out the other door — and then thought Steve had left him behind and gone hunting for him. Something else settles in Steve's chest, relieved.

"And—" Eddie hiccups. "—and some guy tried to- to freakin' flirt with me. Can you believeee?"

Steve's grin widens by a mile. "Is that so? What you'd tell him?"

"No, of course!" Eddie says, head pulled back as if he's appalled Steve would think otherwise. He shakes his hands out of Steve's grip and drops them, fumbling for a moment to get his fingers into Steve's belt loops.

When he does, he yanks Steve forward a tad too forcefully, their bodies colliding in a way that's more sore than sexy. Eddie continues on as if he doesn't notice. "Even if he was particularly tasty," He murmurs, his lips tracing the column of Steve's throat.

"I let him know, baby." Eddie all but purrs.

And perhaps if the competition Eddie was beating off was literally anyone other than himself, Steve would be right there with him.

Instead, he can't contain his snort of laughter. Eddie was perfect; he was a possessive and drunken dog, barking up the wrong damn tree. Steve loves him.

"You're laughing," Eddie states plainly, even as his doe eyes manage to grow even more round. Steve can't help it, it just makes him laugh more.

"Treason." Eddie declares. Then using the belt loops to keep Steve captive, he leans in and blows a raspberry on his neck.

Steve lets out an unattractive squawk, his laughter melting into Eddie's as he pushes his boyfriend's face away — to which Eddie simply lets himself go limp, his face cradled and held up solely by Steve's hands.

"Christ," Steve says between his laughs, shifting his hand to hold him more tenderly. Eddie smiles dopely, then puckers his lips and closes his eyes.

Steve rolls his eyes, entirely too endeared. "Alright, c'mere," He gives in, leaning and kissing Eddie, short and sweet. When he pulls back, Eddie's eyes are open, starry and gazing up at him. He gives a dreamy sounding sigh. Steve's heart fizzles, like it's full of pop-rocks.

"Ready to go?"

"As long as it's with you, baby." Eddie says, sounding every bit like he means it.

[bastardlybonkers]

feetman

[dyketennant]

as someone who has obviously done extensive research on the topic i would like to present to you all...dyketennant's "which david tennant character are you" uquiz

[puppetmaster13u]

Prompt 254

So. Danny might have accidentally become a bit of a cryptid. He didn’t mean to, but he’d become a bit nocturnal- like many an Amity Parker- and it wasn’t his fault that he couldn’t be bothered to make sound when he was tired. Or pretend to breathe or, okay, he could see why he kept freaking people out at the grocery store he kept going to. 

But it wasn’t his fault! He has to get food too! And really is it anyone else’s business? Seriously he thought that people wouldn’t be so surprised with how much magic is everywhere. Like you’d think they’d never seen someone who wasn’t fully human before or something. 

Oh great, there’s a journalist at the grocery store now- he’s going to ignore that and finish his shopping and then continue his online work. Ooh, and eat icecream. He deserves it for potentially putting up with this. 

Oh, it’s a little baby reporter, first couple of article thing. Adorable. 

[wasyago]

we're at it again🕺

[liauditore]

Equally Invalid

[magicpiano]

Batfam AU where Bruce adopts Billy Batson but neither know each other's secret identity.

Bruce is determined to let Billy be the safe normal child who doesn't do any vigilante work. Although after a year the rest of the family convinces him that Billy should at least know about who they are. So Bruce sits Billy down for a serious talk but before he can get started Billy says, "I actually have something important to tell you too."

Convinced that his revelation is going to be much bigger, he lets Billy go first. Unfortunately for him, Billy has also decided that he trusts his new family enough to tell them his secret.

Anyways, Bruce's dream of a safe normal child flies out the door when Billy says, "I am actually the hero Captain Marvel."

[itscherryterry-again]

yea

[momentomori24]

THEY ARE SO INSUFFERABLE AND HORRIFIC AND AWFUL BUT SO AMAZING AND DORKY AND THIS PART IS SO UNFAIRLY FUNNY AND CUTE AND WHOLESOME-- PLEASE, PLEASE HAVE MORE SCREENTIME IN S2. PLEASE LET THEM TAKE OVER THE SHOW. I KNOW THEY'RE HORRIBLE PEOPLE BUT I NEED MORE OF THE VEES.

And the most important scene of them all (to me):

First of all, how is Vox doing that. Second, you just know that these two douchebags are going to bang so hard with Alastor getting his ass kicked replaying in the background after this. I hate them so much.

[kit-screams-into-the-future]

drawing your favorite guys being silly is very effective at keeping The Horrors at bay

bonus doc from a different canvas: