#I can be more lenient

[seabeck]

My ceramicwere is from IKEA and they stopped making the exact kind. Over the years a few have broken here and there and in a big fan of matching plates and bowls (not because aesthetic but because of the autistic need for food things to be the same).

My roommates recently broke a plate (it happens) and offered to replace it but I can only find it on eBay in sets so it’s expensive. They’re at the thrift shop and just found the exact set.

[even-more-pro-fiction-jellicle]

If you genuinely say things like "they like degenerate stuff" you're a goddamn fool if you think you're liberal and anyone who falls for the lie that you're liberal is also a goddamn fool. You're a conservative at best, a fascist at worst. If you don't like being considered that then stop fucking using their language. You can't clean up or redeem fascist language and you shouldn't want to. You're not cleaning off the fascism, you're just being reeled in by it.

[mollysunder]

What if the big twist in Protocol is that Jon and Elias both exist, they're married, and Gwen's their kid. Gwen's working for the OAIR cuz Elias put her on one of his classic elaborate goose chases that involves boring desk work and disturbing misadventures.

[binah-beloved]

despairful day. remember to take comfort in anything that brings you joy. for me, that is Binah. for you, it might also be Binah. that is alright. she has hugs enough for all.

[chloesimaginationthings]

hey! wanted to let u know that someone dubbed one of your across the spiderverse comics without creding u.

tumblr doesn't let me link videos or anything like that but you can easily search it on yt by writing "The Ultimate Miles Morales"

Thanks for telling me! They’ve apparently “dubbed” (ai voices) a couple of my comics, which tbh I don’t really mind but do mind the no credit in the video or description or comments, I’m pretty low maintenance when it comes to reposting so pretty funny

I’ll see if I can do anything about it, I kinda doubt it seeing it seems like a whole account just dedicated to not crediting, but here’s my advice

- If you ever see my work (or any artist you know) reposted and not credited, just comment and credit me yourself! So at least people can still find the source someway ^^

[bunnieswithknives]

sorry if idk this but what do you think about Wordgirl now in 2024 do you still like it do you still want to make art or talk about it or are you just done with all of it forever and plus i seen that you haven't made art of it since 2022 so you just done with all of it oh yeah and what about The Magnus Archives + Wordgirl ao3 fic too like is that just going to be and i know that your working on 2 au's now just wanting to know that's all

My interests tend to come in intense bursts and then fade. Unless something like, big happens like it gets a reboot its unlikely I'll be coming back to it anytime soon. As for the fic I don't have any current plans to finish it unfortunately.

[lususnatura]

just a gentle reminder that THIS is how big the spines around blamore's neck are whenever he doesn't shrink them... so, it's pretty much a surefire way for it to keep other people away from him, NGL ☠️ (unless you are trying to get poked in the eye JSJSJ / j i'm kidding, i'm kidding (,: but blamore really does have several natural defenses against any 'aggressors,' i guess you could say, and it's spines REALLY add to it's uncannyness whenever they're at full - length ).

[triglycercule]

normal murder time trio and then the idiocracy that is jk fashion au and the jk!mtt

[purplesoup-lad-le]

Councillor Alina, from ye ole sexywoman match of 2024.

[petewentzisblack1312]

hey guys. heres the thing. genre is a social construct meant for classification.

what that means:

its made up and dictated by people agreeing on it

its descriptive, not prescriptive

what that doesnt mean

its fake

that there is any weight of any kind to a musical act being or not being in a genre.

sometimes its helpful to have words that mean certain things. that is what genre is for. hope this helps!

[strixcattus]

if you wouldn’t mind, could you share the class system and magic workings of your stp dnd au?

There's a worldbuilding side to this and a game mechanics side to this. I'll start with the game mechanics, since that part's quicker.

I've made the general decision that the game the characters are playing is something that on the surface looks pretty much like D&D (same d20+ability score+skill system, for one, and pretty much all the terminology is the same), but if you poke into the mechanics of character creation it's not like D&D at all. Which is to say that classes in-game aren't quite the same as classes in D&D.

It's like college, you know? Eventually you have to declare your major (class), and you'll have to take a certain number of courses (skills) in the major (class), but that doesn't stop you from exploring courses outside of it (taking other classes' skills) as long as you can still meet the requirements for what you're trying to do.

(I imagine there are a few skills that are locked to specific classes, and others to specific patronages—a divine cleric and warlock both get to dip into a list associated with celestial magic, while their demonic counterparts have access to an assortment of more infernal abilities.)

This is how the party can have three bards who each have an entirely different relationship with magic. Contrarian is (ironically) the only one playing a normal bard, while Smitten has been almost exclusively taking non-magical bard skills, and Opportunist poured half his points into taking progressively higher ranks in a single non-bard skill.

(Most of the party is playing a single-class character. Skeptic and Broken are the primary exceptions, with neither of them having a class yet—Skeptic has a single, very expensive sorcerer skill and everything else isn't attached to a class [think extra proficiencies], while Broken has been using a level 0 character sheet the entire time, with his real sheet being held by the Narrator until the party reaches the point where all his level-locked skills become available.)

On to the worldbuilding/magic system side of things. I'll break this down by spellcasting class.

ARTIFICER: The line between artifice and wizardry is extremely blurred, and generally it's just a matter of identification, with casters on both sides being extremely uppity about their personal definitions. Generally speaking, artificers create magical effects primarily through mundane tinkering imbued with magic. They can't really take spell slots through their class, but they can create reusable magic items.

BARD: In this world, music is inherently magical, but there are some who put genuine effort into increasing the magical output of their music. Their magical repertoire is mainly limited to healing and support spells—even focused magical training can't summon fireballs by the power of music alone. There are a few bards who can manipulate other's actions or even take over their minds entirely, though...

CLERIC: Clerics can gain their magic either through actively being granted a higher status from the god they worship, or passively absorbing some of the powers of the Sleeping Gods through faith and luck. Either way, it's a pretty lax contract—their power is drawn from their god, so they'll lose them if they taper off in worship or start going against their god's morals, but all a deity ever really asks from a cleric is their faith.

DRUID: Druids draw their power from the interconnected network of living things called the Networked Wild, tapping into it momentarily to summon storms or communicate with plants. Their powers are, of course, stronger when there are a lot of living things nearby, but it's hard to cut them off from the Wild entirely. Druidic magic usually uses a one-way connection with the Wild—giving it a command to produce a spell—but some more powerful druids take the risk of opening their mind to the Wild entirely, gaining immense awareness with the danger of losing their individuality.

(Paladins and rangers exist in this system, but they don't have their own systems of magic. Paladins are essentially martial classes who tap into clerical magic, while rangers are martial classes who tap into druidic magic. They do have some class-specific skills, but most of what they can do comes from a combination of other classes.)

SORCERER: Sorcerers' magic is innate—less powerful, but more readily available and often more customizable. Some sorcerers can trace their magic back through their bloodline to a demonic, divine, or otherwise magical ancestor, but just as many gain their powers seemingly at random. Generally speaking, sorcerers have their potential from birth—it's not unheard of for someone to be struck by lightning and walk away with powers, but anything granted by an outside force with any measure of awareness will probably come with a clerical or warlock pact.

WARLOCK: Warlocks are similar to clerics, and can actually have any patron a cleric might (though they can also have patrons a cleric could never dream of). The difference lies in the terms of their agreement. While all a cleric's benefactor wishes for is some form of worship, a warlock is expected to provide some sort of service to their patron. For most, it does pay off in the benefits—innate abilities that don't drain from a finite pool of spellcasting energy.

WITCH: Witches deal in curses—similar to spells, but more permanent, sometimes more powerful, and more difficult to resist. The catch is that every curse has a condition that breaks it, usually tailored to the target—and the more powerful the curse, the easier it has to be to break. The condition generally falls into one of three categories: personal growth, giving up something of value, and a fetch quest. Witches can also control nature spirits, with each having their own specialty—local lakes or animal species, or even (if they're ambitious) a section of the Networked Wild.

WIZARD: The academics of the magical world, wizards gain their powers through study. They have the potential to be a jack-of-all trades (more so than any other single casting class) or to narrow in on a single field of magic and attain incredible magical abilities. There's some overlap with artificers, but generally wizards are considered to rely more on magical power than mechanical contraptions, and they have more ready access to spells.

(Making magical items, especially potions, is within the domain of both wizards and artificers, but the skills involved all technically belong to the Artificer class. Likewise, if an artificer wants to fill out their spellbook, they'll have to buy spells from another class's list—usually Wizard's.)

[randomwords247]

Me after finishing my latest commission: Man thank goodness I don't have to deal with strict perspective anymore I love doing backgrounds but having to rely on vanishing points can really make my head hurt and I'm just glad I don't have to do that anymore and can take a break a-

literally me right after with the next artwork I'm working on:

At least its not 2 point perspective but still gosh darn it why do I keep DOING THIS TO MYSELF

[deus-and-the-machina]

ffxiv garlemald discourse is so funny because people will go "ugh people just cant stand it when things aren't black and white" and then you look at how the empire are portrayed in stormblood and shadowbringers and its like hm. that seems like a pretty intense and accurate display of violent imperialism to me! Wow I wonder why people in this day and age may find it hard to feel sympathy for them or even hate them on principal. god its such a mystery.

the games like 50/50 to me on how it tackles these themes because I actually like the garlemald arc in EW, I think it has a lot of horrific and powerful scenes depicting how self destructive fascist propaganda and beliefs are, but I also think it doesn't go far enough on some fronts. the garleans' xenophobia is most notably and obstacle to getting them to accept the contingent's help, which is what they're there to do,

but there's never an admission of harm from any garleans on the uuuuuuuuh massive amount of war crimes the nations around them are still suffering from they're just kind of like "we misjudged you...but you actually wanted to help us all along" like yeah thats great now can we get you all some deprogramming because you keep talking about returning to your prime and glory days and I think we need to unpack some stuff you really SHOULDNT return to. im not even really talking about EW proper but the patches where things are a bit more chilled out and people are recovering.

It feels like they wanted to have their critique of imperialism and also have things end with the beauty of human connection and reaching out and these things just don't mesh well because hey a lot of your modern day audience is not gonna like having to treat people yelling xenophobic things at the cast and your character with kid gloves after you showed them hours and hours of the awful things these people's beliefs have done. especially in the present day hoo boy.

[cybersanctum]

soooo pleasantly surprised by My Lady Jane. I was on the fence but after the genre-twist im hooked. so fun and refreshing and the chemistry between the leads is *fans self*

[bright-and-burning]

decided that after this weekend i am going no contact w Hell Girl (or. how does jo put it. jo’s parasocial enemy) but in a way that is invisible so she can’t kick up a fuss abt me being evil or ableist or whatever. deleting groupme off my phone. muting her on Everything. a friend already said she’d let me know if anything big/important is coming up/being planned in the group chat. deeply unfortunate that i have to also like basically leave all of my college group chats to maintain my sanity but. such is life

[dreamlanddeluxe]

A vision of a Mo redesign came to me idk if I’ll stick with it or not but I think it’s fun. What do we feel about this