#I am so screwed.

[egophiliac]

IT WAS ERIC AFTER ALL!!!! I'm so glad we got to meet him (before Vil snaps him away with those Infinity Gauntlets) (can't wait to see what happens when we get the matching Infinity Tiara to go with them, there will be no survivors)

(sorry to be so slow/rough lately, just got a lot of stuff on the ol' brain at the moment! alas, if only I could spend all my time drawing incredibly stupid characters I mean I do but)

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[chiptrillino]

I'm sorry, just sent in 62 for the ask game because I'd overlooked that it's the amazing scifi thing!

Soooo 63?

(ID in ALT text)

okay so... you know whats really funny here. i think made this while for the first time polls popped up on tumblr. and i had this werid idea of like... "choose your adventure" kind of story telling. but... lets be honest i don't have much... time to draw all the options? but this is still like... a sort of darker AU which is deer to my heart. and till today i don't know if they should have a happy end or not. sokka got shipwrecked. and to make his situation even worse zuko poped up and and took a bite of him.

the whole siren idea is more based on the sinister one. the one drowning and eating seamen. and zuko is now out to eat sokka. i have some plot lines written out. -sokka playing with zuko a game of riddles to buy himself some more time -zuko being unable to stay in the sun so sokka has to decide if he lest him take shelter underneath his make shift raft or lure him out of there to burn him. at the end sokka does get saved and can escape for some time? because zuko did end up biting him. and now sokka cant stop hearing him in his head, and zuko can still follow him. so... watch out sokka! zuko is on his way to eat you up but i still don't know if he means it literally or in a more plessurable way...

[ameliadoesstuff]

something about s1-3 zane is just. oh this guy is so silly and friend-shaped. look at his friendly boy swag. like????? how could you ever hate him. the ultimate silly

not to hate on his titanium era because frankly it is very cool. but the essence of s1-3 zane is unique and uncapturable. he is just a little guy you can put in your pocket. his default facial expression is so inherently funny. there are no thoughts behind these eyes. i would trust him with my life.

[rileyclaw]

I LOVE THEM !!!!!

[angelscometrue]

hot take: i dont think Crystal is going to the person who helps Charles come to terms his bisexuality.

i think JENNY will be. Not only because its great way for her to connect with the boys (until know she only has scenes with the girls) ... but also because it would serve as a way to have her hilarous comments about love relationships. (see the episode with Niko).

Just imagine ska Charles and gothic Jenny going in a Supernatural gay bar. His sunny, optimistic personality clashing with Jenny whole dark vibes.... oh it would have been AMAZING.

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[squalamander]

he's not a kin or a comfort character but a secret third thing (my worksona)

[ln4wins]

this year as a lando fan while it’s had its highs (it been great to witness everything he’s achieved) it’s been an absolute struggle more so than any other year, i’ve feel myself becoming less and less attached to the sport and to do so in the year he got his maiden win and was “fighting” for wdc feels so shitty. and the fact is it’s got absolutely nothing to do with lando himself, i will continue to support him no matter what, but the discourse surrounding him, people trying to minimise every achievement he got, the bombardment of hate towards him has been nothing less than disgusting, psychotic and heartbreaking. i used to come on this site and go through landos tag to see if id missed anything he’d been up to and it was something that brought joy to my day, however now i can’t scroll through the lando tag without seeing hate directed his way by people, (who are not only losing a few braincells with their inability to correctly anti tag), who just think it’s fun to wish injury and death on people and dont seem to understand the irony in a lot of their posts. not forgetting the insane lando hate anon, while yes i enjoyed laughing at, would flood lando fans inbox’s with hate anytime he so much as breathed. anytime i go on twitter i see more hate for lando from other drivers fan accounts than i see positive things about their drivers. the anti lando hate train that some people think is cool to be on isn’t. and it just shows how rotten of a person you are if no matter what your supposed favourite driver does the first words out of your mouth are about lando norris and reason 626174 of why you hate him. it’s very telling when people who claim they aren’t fans are more obsessed with talking about him than those who are, i beg you all seek help and get a hobby because this type of behaviour isn’t healthy both for yourself and for others around you to witness.

[daily-odile]

head pats...

[hahasuchagarbage]

🚨 TW limb(s) missing 🚨 (yes, it's not that graphic - no blood, raw meat or shattered bones poking through flesh, but better put a warning just be sure)

I give you guys ZERO context of what is going on here, so you can go wild with the guesses in your heads :)

[citrine-elephant]

in case of emergency, break glass

...or, uh.... maybe we should look at leon's files, first....

(the many directional scars -> when he was protecting ada from simmons)

[taeyungie]

Compilation of Jungkookie hugging his soulmates ♡

⤷ because that's something I wish the most to happen for me and you, Sky. My wish for you this year is that our friendship lasts a lifetime, that we will never run out of reasons to hug and cherish each other, because without you my universe is not complete. 🥺 I truly believe that our friendship was meant to be, that if soulmates exist - what we feel for each other must be exactly the definition of it. I can't wait to finally meet you one day so we can properly make up for all the hugs we needed to happen.

Happy birthday to the love of my life – Sky, aka @jung-koook. I love you the most. 🌻

[rosy-crow]

Lol I’m late, but Merry Christmas to these crazy ass idiots that I love so much! LOOK I GAVE THEM HOLIDAY HAPPINESS!! 🎄

And best wishes to the Crisis Core/Ever Crisis fandom around here that’s been a huge support to me for over a year now. You guys rock. Love ya 🖤🖤🖤

I wrote a fun little holiday thing here for these three and actually made it happy because canon is way too depressing x)

Enjoy!

[respectthepetty]

Pride Petty Watch (The Untamed) 1/?

I let the crowd pick which two blacklisted shows I would watch from my Petty List, so I flew through the first one knowing I had this 50-episode beast waiting for me. People have warned me that the first two episodes wouldn't make sense, there are a ton of characters to keep track of, I need to watch it at normal speed, and I need to keep the sound on. Therefore, I was already mad before I hit play, yet somehow I started the first episode, blacked out, and emerged five episodes later.

Which means I like it so far, and here's some quick reasons why:

Before I start, these two better be an item because they are my favorite BTS song aka "🔥" and since I haven't seen them in the present yet, I'm fearing something happened to them in that great battle in the past, and if so, I'M GOING TO BE BE LIVID! I've had them for three whole minutes, and they are everything to me, so I feel this story is going to fuck me over.

Everyone is chasing after this golden black snitch, yet nobody is catching it, so although there is a lot of death happening, I'm laughing.

If you squint, My Stand-In and The Untamed are the same. Boys who fell off a cliff come back in another body only to live the same life with the same people and make the same bad decisions. Cool cool cool.

This current lecturer is stating nobody could find the body but he fell into fire/lava, so what body were they thinking they would find?! Also, don't think I didn't catch homeboy getting in trouble in the past for asking in class what happens when a spirit demands revenge and the instructor got upset because look where we are now! Possession of a body for the sake of revenge. Should've entertained the question, professor, because sixteen years later, it will come back to haunt you, literally.

And homeboy applied his own theory of making the possessed bodies work for him to fight the other body. He is a smart cookie, and that's why the original Moo Moo person gave his body up to him.

@dribs-and-drabbles, if this is why you told me I needed the sound on, I'm confident I'm not going to remember this melody. And how is he playing a leaf right now?

I can't take this seriously. This feels like an 80s music video, and he is about to hit me with the hottest synthesizer intro.

And the sword has the golden black snitch in it. *Pikachu face*

I can't play an instrument but for a DIY flute made out of bamboo on the spot, I thought his playing was excellent. For people being saved from being squashed, they are some haters, and I would have stopped playing just so they could suffer.

I picked up that sister is dead in the future, but her kid is a brat, and I would've been mean to him too.

And did the brother really kill him in that battle on the hill because when the entire crowd was like "you killed him, right?", he was looking like . . .

So this is the brat's daddy? It would make sense that a man who shut down an entire hotel for his party would have a son who sets 400 traps so nobody else can catch anything. The privilege is genetic.

I like him AND I respect him. He has priorities and they are to drink and party because even when he came back in that other body, he snatched the liquor. As the opening showed, he's here for a good time, not a long time.

I don't like Fuddy Duddy. He can remember 3,500 rules (this place is where fun goes to die), but couldn't remember to tell my party bro that his sister and brother were inside? Everybody just left homeboy without a note saying where they are, and Fuddy Duddy had the information, yet was too busy lecturing about rules. AND committed the ultimate party foul and wasted the liquor. Make that the 3,501th rule! He's lucky he can lay the synthesizer so well.

This is where the big battle is/was (Nightvale, Nightshade, NightWhatever), and I hope this man died in it because he is doing TOO MUCH! "I don't fear death; I fear boredom" YOU'RE boring! Shut up and go collect the pieces of that dumb rock, Thanos Jr., so we can get this battle going.

HE BROUGHT A BIRD INTO CLASS! This is the everyday American high school class.

Why is everyone in the Fire Nation so pissed? Is it because it's hot there? All of y'all are doing too much except for that sister and her brother. I know that brother was the zombie guy from the statue fight, so that means the main homeboy was talking to Fire Nation sister at the graves. That was her family's grave, and she must be a good person, who is probably dead now too.

So they can all play magical instruments? They're like Josie and the Pussycats, playing gigs between fighting crime.

The brat's dad is gold, the Cloud Recesses (what is this name about because they should be a lot more fun with a name like that?) are white and blue, and the Fire Nation is red, so it's odd that homeboy had the dark blue robes with red underneath before coming to school, and keeps getting really friendly with the fire people. Plus the cloud people's power is blue, but his comes out in bursts of red. Is his daddy really Fire Nation? Get Maury on the line.

So his bird buddy gave him porn, which he gave to Fuddy Duddy, who then ripped it up. No wonder why he is so good at school and remembers 3,500 rules. Got nothing but time on his hands since he isn't using his hands doing anything else by being so repressed.

Fuddy Duddy just said he doesn't touch people, yet in the very beginning he snatched homeboy's hand without hesitation, so he wouldn't fall to his death. Then, he snatched that premium liquor for him. I see you and your heart on your sleeve, my man! Just like this water demon, the feelings are sneaking up on you and snatching you up!

Should've bought her the comb, bro, because she's going to be dead after that big battle since she was sent to snoop for the Fire Nation. Even though she is trying to help her brother, I feel this will be y'alls Romeo and Juliet moment.

So the brother was always going to come back from the dead since he already was cursed(?), and my homeboy is once again proving to be a friend to all. I like you, and I will learn your name, hopefully by episode 28.

Only three marks healed in the present, so whoever is the last mark has to be one of these hoochies, and the more backstory I get, the more I think it's going to hurt when I find out who the last mark is.

Half these people have already died leading up to that big battle and the other half will die as homeboy sets out on his Kill Bill journey, so like . . .

"You and I have unfinished business"

*slams on the 'next' button*

[momentomori24]

[This has been sitting in my draft for a while lol]

When it comes to Curly's failings, I always see people bring up his obvious failure to protect Anya and him prioritising Jimmy, who was the rapist in that situation. Which is completely valid btw and we should rake him through the coals for that alone even more. But I also see too many people saying that Curly "didn't enable Jimmy" or playing softball for his actions. And I could maybe see where that comes from if that incident was the only thing we had to point to-- but that wasn't all he did, is it? Curly being indifferent or not taking Jimmy's mistreatment and belittlement of Anya seriously was hinted at so much earlier than that.

Namely, the very first time we play from Curly's point of view. Let's just skip the fact that Curly was putting everyone in danger by not taking his psych evals seriously and simply giving the same answers to pass them even tho he was shown literal minutes after this scene being clearly not-sane, and go straight to the point I actually wanna get into. Which is this:

These scenes in isolation wouldn't be that bad. From his pov, it's played off as comical and it is. Jimmy being a brony (not really lmao) and getting playfully dragged over it is funny. But unfortunately this is the first example out of many for Curly's complacency. Anya is complaining about Jimmy not taking his psych evals or her seriously, which is easy to believe considering how much he rags on her for "not being a good nurse" (she kept Curly alive on hopes and dreams how dare you). So he keeps making her do silly and inappropriate reports she clearly doesn't wanna do, which is kinda shitty (also borders on harassment). But rather than actually saying something about Jimmy's behaviour or even acknowledging how it sucks he says this:

Mate, that's not a good thing 💀 He's clearly aware that the problem is Jimmy's lack of respect for Anya specifically. He knows that if he, his friend and a man in power, were the one doing the evals Jimmy wouldn't try that disrespect. But it's Anya, a meek woman who ranks lower than him so he thinks he can get away with it (which he DOES), and Curly's shown as comfortable in knowing that. He doesn't chew Jimmy out for making Anya uncomfortable nor does he reassure her that he will do something about it. All he does is take it off her hands this once and helps Jimmy power through it to get a good diagnosis (even tho we know he's DEFINITELY not sane either). He doesn't even mention Anya's discomfort or confront him on his inappropriate behaviour, just teases Jimmy in good fun instead because he doesn't think of it as anything serious. It's subtle and pretty minor in comparison to everything else, but I think it's worth pointing out. Especially because this convo takes place after Jimmy had assaulted her, which makes this so much worse.

If you need any more evidence of Curly being an enabler you need not look further than Anya herself. And I'm not just talking about the way he failed her here-- I'm talking about Anya's own view of Curly and the way said view influences her actions.

Just look at her choice of wording. "What would you have done". This is in response to him saying that she could've come to him if she were feeling stressed, which she-- in his eyes-- didn't. The question itself implies that she had no faith in Curly to actually help despite his insistence that he would've, which I think is significant because it shows that she's very much aware of Curly's shortcomings when it comes to her situation AND it's one of the first (or the first time) she actually verbalised her lack of trust towards him or anyone directly. Prior to this scene she had told him about her rape and the rapist, presumably because she trusted him to handle it. And he dismissed her because the rapist was his best friend, and that evidently deeply scarred her. Enough so that she secretly took the gun and hid it someplace else and didn't even tell Curly were that was, because she knows that if Curly has access to it there's a so much greater chance Jimmy will have too, insinuated by the line "the least I can do is make sure he never gets it either". Speaking about the gun:

It sucks so bad that this perception of him isn't even inaccurate nor unjustified. That despite everything Jimmy had done to her and everything he could still do to her, he'd very likely still not allow her access to the gun for protection. Because that's exactly what he didn't do anyway. He didn't attempt to keep her safe from Jimmy, instead he just pretended that nothing was wrong and still let Jimmy's belittlement of her pass. He didn't give her the gun after the incident, because she wouldn't have hid the case if he had. Despite his desperate reassurance that he'd do anything, he did nothing but make it worse for her and she KNOWS that. It's so frustrating knowing he entrusted the axe to Swansea when he needed it but not the gun to Anya when she needed it too. Also this:

The fact that his knee-jerk reaction to her admitting that she's pregnant was "Who would you--" is so fucked, especially considering she's already told him what happened. "Who would you" what? Who would you fuck? Who would you have sex with? That choice of wording drives me up a wall-- SHE wouldn't and didn't do anything or anyone. That was JIMMY. The potential sentence implies that she had any choice or agency in her pregnancy. She didn't. And the fact that Curly had to ask "who" insinuates that he's been putting Jimmy's action out of sight and out of mind the whole time, choosing to not think about them or what happened to Anya at all. And considering he still made her do Jimmy's evaluations despite being able to do them himself and literally didn't even think of making sure she gets psych evals done too--especially AFTER getting sexually assaulted--that might actually be the case (I haven't seen anyone make a stink about that piece of info so I'm going to because what kinda colossal fuck up IS that??).

I vaguely had a post like this in mind but seeing so many people be like "well Anya did some wrong stuff too like leaving Curly alone with Jimmy but you don't get mad at HER for that so why is Curly not doing anything about Jimmy being alone with Anya so different??" actually makes me want to blow some people up. Jimmy's an abuser, sure, but Anya has no real reason to believe that he'd actually harm Curly. From her perspective, they were close, close enough that Curly would not only let Jimmy continuously disrespect her but also get away with assaulting her too. That, and she knows that Jimmy was closer to Curly than anyone and more likely to be civil around him than he ever was to her. She has barely any reasons to suspect Jimmy would harm Curly when they're alone. Curly, on the other hand, has every fucking reason on the planet to think Jimmy would harm her when they're alone. He knows he raped her (likely in her room at night too). He knows that he sexually harasses her. He knows that he doesn't respect her at all. And that was BEFORE the crash. Anya tried insisting on giving Curly his medicine, only for Jimmy to keep aggressively insisting that he'll take care of it despite her protests. Curly didn't try to keep them separate at all even though he was the Captain and had the power to do so. And this should go without saying, but leaving your rapist alone with his best friend that he was close to and enabled/protected him and leaving your friend alone with the woman he raped (and might have repeatedly assaulted given his free access to her) is NOT THE SAME and I'm going to start chucking some people down a waterfall because what the fuck is that argument 💀 Actually leave it to the fandom of the game where the rape of a woman is the catalyst for the events that unfold to use her trauma to defend the guy that enabled it in the first place. Bloody hell.

The reason why this whole Curly discourse pisses me off is because it-- from what I can see-- ONLY brings up his failures 1-0 days before the crash and the Dead Pixel scene (or all the discussion around other points are drowned out by those two). Those scenes, while important to talk about, are not the only things he's done, and focussing on those as the only things is a mistake that comes short of understanding the issue. When it comes to Curly the main defences I see for him are "he was trying not to escalate the situation" and "he was trying to keep things under control the best he can" and "he was waiting for the right time to help Anya", but those don't work when you look at the bigger picture of everything he's done.

He half-assed through his psych eval despite clearly not being sane (and KNOWING he's barely sane, he literally admits it to Jimmy's face). He still continued to task her with Jimmy's psych evals. He brushed over Jimmy's sexual harassment of her as a joke. He didn't think about making sure she got psych evals done herself after being raped. He gave Swansea the axe but didn't give Anya the gun despite it being for "unrest amongst the crew" (whatever the hell THAT means). He let her assault slip his mind that she had to remind him. He's literally a blond man. He took no action to hold Jimmy responsible for anything, and prioritised how his violation of Anya would affect him rather than her. He ignored her demands for him to get rid of Jimmy. He still allowed Jimmy free reign of the ship as co-pilot even after he was openly fantasising about killing everyone and had a major motive and the means to do just that. He was potentially thinking of making her miscarry to cover up what happened. He was so accustomed to her sucking up being disrespected and disturbed that he didn't even notice a difference in her behaviour until she hid the fucking gun. There's so much other shit he's done and hasn't done, and not talking about them or glossing over them makes it so easy for people to argue that he isn't actually an enabler or just minimise the severity of his neglect.

And while I'm already dragging Curly through the mud, I might as well just drag Swansea too. I've seen too many people being like "Anya should've told Swansea instead" and "Swansea was the one that actually took responsibility". Like, y'all realise he's not that much better than Curly, right? He already knew about what happened to Anya-- he admits it to Jimmy's face-- but he didn't do shit. He knew, but he still got completely shitfaced for months despite her earlier protestation to that (for very understandable reasons). He knew, but he still let Jimmy have the axe AND be alone with Anya while having it. He knew, but when Anya locked herself in the Medical and Daisuke and Jimmy asked for his help he didn't budge nor really showed any care. He knew, but the reason he finally decided to do something about Jimmy wasn't Anya, it was Daisuke. Her suffering and her eventual death weren't enough for him to take action either.

This game, on top of everything else, is a great depiction of rape culture. It doesn't just include the rapists, but the people (mostly men) that stay silent, do nothing, make excuses for and protect the perpetrator for whatever reason, and Swansea and Curly (Curly way more so than Swansea) are both active contributors to the environment that allowed for evil to flourish and continue unhindered until it destroyed them all. And while that arguably doesn't make them evil themselves or as bad as Jimmy, they are so much more a part of the bigger problem than the fandom likes to admit.

[Ok since this is kinda gaining a bit of traction please consider helping these guys out here, here and here. Thanks!]