#I am responsible 4 my fandom experience

[fellow-fandom-fruitifier]

Screaming & crying bcz I keep seeing things that portray 6EM as this dude that’s just obsessed w/ SWK. & like, I don’t wanna disrespect ppls interpretations, it’s completely valid y’know? But I get irrationally angry when I see it & need 2 just talk (AGIN NO DISRESPECT TOWARDS THE PPL WHO SEE IT LIKE THIS, THAT IS UR OPINION/INTERPRETATION & JUST BCZ I DON’T LIKE IT DOESN’T MEAN ANYTHING, I AM RESPONSIBLE 4 MY OWN FANDOM EXPERIENCE, U DO U & ILL DO ME)

6EM is sort of obsessed w/ SWK but also not rlly, I think he’s struggling 2 cope with grief or guilt & he’s shoving all the blame n shit on SWK 2 cope/avoid it. Bcz w/ out that “safety net” of “everything is SWK’s fault” he has 2 face the reality of it, & that is not easy esp w/ the shit 6EM has gone thru. So is he obsessed w/ SWK? Uhm,, technically?? But it’s more like he’s “obsessed” w/ unhealthy coping mechanisms & avoiding reality

[neil-gaiman]

Hi Neil.

I know you are flooded with asks and this somehow became extremely long. Too long. “Why am I suddenly telling this poor man my life story?” too long. “I think I’d rather he work on the GO3 script than read this wild beast” too long. “He’s going to think you’re criminally dangerously insane” too long. If you never get to it, I’m good with never seeing a response from you. Maybe it’s better that way? Maybe an anon would have been nice here. But, it’s 2024, so I say “we ball.” It’s a privilege to be able to send this to you at all. You get a lot to this effect and I hope they give you good feels, so maybe what’s the harm, yeah? Because this is not an ask. This is a thank you letter.

First, thanks for reblogging my therapist post, I hope it amused you. I nearly sent you “How am i supposed to explain this to my therapist?!” But refrained. At that time.

So, therapy. What is therapy really? Well…

Things have been really rotten for as long as I can remember. Bad health, bad doctors, bad relationships, bad coping mechanisms, bad all kinds of things. (Yeah, bad is a weak and unhelpful word, my therapist reminds me, but we’re doing this.)

Well, things got even more really really rotten and BAD these last few years. Health declined further, coping mechanisms declined further and more intensely, packed up my life, applied for disability, moved back in with my parents across the country.

Then 4 years ago last week I watched my fiance die of a sudden heart attack. I was 29. Two years later my best friend died. Then last summer I sauntered vaguely into a cancer scare. Not long before an operation my cat who has been my companion through so much garbage died as well. I’m not entirely in the clear on the cancer scare front. All my attempts at going back to work, volunteering, going to grad school - they collapsed on me because I couldn’t get through this STUFF.

(Sometimes when I talk about this, when I tell people, I think “they are going to think you are a raging pathological liar.” Because I’m not sure I would believe someone if they told me all of this happened to them. In such a short time period. All before they were 35. And hell if that hasn’t been isolating. You know how it sounds? Lonely. And it is.)

I did the hypervigilant and sensation/experience chasing stage of PTSD. It got me in a lot of trouble in all kinds of ways. I had to do a lot of medical and psych advocating because things kept getting worse. That was exhausting. Then that peaked. I went into the thick of the “I feel absolutely nothing” stage for a long time. I didn’t feel fatigue or hunger or thirst. Not people, feelings, a reason. Not hope.

But of course, like seems be for a lot of us, I somehow found Good Omens at just the right time. I was a very “I’m so cool and intellectual I mostly consume non-fiction media” person for too long. Like, what? How is that even a real thing? And it wasn’t real. It was just part of this curated autism mask that I don’t think anyone really bought anyway.

I think I got to a point where I’d just had too much reality. I needed fantasy. I didn’t realize I always needed it. But I denied myself for too many odd and painful reasons. Maybe I thought it was an escape I didn’t deserve.

But as it turns out, it wasn’t an escape. I watched both seasons last fall, and then this light came on. I watched it again and again.

I came to tumblr because I needed more. I found this fandom. I stepped into this beautiful world of fanart and fanfiction and brain flexing meta writing and a sense of community and wonder that you and Terry created - that everyone involved in the show inflated - exploded in the right way - like fireworks if fireworks were some kind of autocatalytic reaction - a self perpetuating force.

It’s not a “saved my life” feeling. Not a “getting my life back” feeling. It’s been a “maybe it’s time for you to have the life you’ve always been denied - that you’ve denied yourself” feeling.

I’m creating. I’m not “great” yet. Not terribly “good” at all. Maybe “behind” as far as the “proper” timeline for starting. I know there isn’t one, not really, but boy does that society machine make ya feel like there is. And sure, I started and stopped a lot in the past. But the second it got hard I always gave up. I felt like if I didn’t get it “right” to begin with, then I just didn’t have it in me at all. But for once I’m really in it. I’m writing and trying to draw things that look less like fever dream five year old drawings. (Not that there’s anything wrong with those, is there? ��) I’m eating better. I’m sleeping better. I reach out to old friends more. I’ve made new friends who share this love of Good Omens.

My therapist has been floored by the change in me. After that first funny mini flop, he has been so encouraging about it. I saw him this week and I said “Maybe this is helping me get prepared to start living again. Maybe it’s a springboard.” And he honest to god said “But You ARE living. This is YOU LIVING. Why does it have to be a springboard? Why do you have to turn this into ‘work?’ Just let yourself have this for once in your life.”

But there were two more added elements that made it all work. And I can’t help but think this whole brainrot thing wouldn’t have happened without them. So many things just happened all at just the right time - a proper coincidence.

In all of the madness of the last few years I finally got the memo that I'm autistic. i figured I was for a while. But it finally sunk in for me and my docs and my people. So I’d been working on unpacking that. Grieving the life that could have been entirely different, shedding the mask. I let myself hyperfixate openly instead of hiding it and hating myself for “spiralling” or “obsessing” like others -!like ‘I’ always punished myself for before we knew that it was a trait and not a personality flaw.

Then over the last few months my therapist and I started trying this new exercise. One session he stopped me and said “in the last 20 minutes you have responded to what I’ve said with 9 ‘I knows.’” My response to that? “Ugh, I know.” So we started this “I know” swear jar type situation. Really, I’ve been afraid of not knowing. I couldn’t let myself “not know.” Because it meant I was “dumb.” I was just drowning for so long in guilt and self loathing for the “I knew better and screwed up anyway.” Or “I should’ve known better - I should know that by now.”

As it turns out, there’s a lot of things I don’t know. That I didn’t know. Things I will never know. And refusing to admit all of that kept me from learning a damn thing. Kept me from asking questions. Kept me from trying new things because it was scary to do something new - something unknown - and I "knew" how it would all turn out anyway. Kept me from connecting with people because it was painful or embarrassing when they knew things I didn’t and it seemed like I already should have. Kept me from getting better at making art, music, writing. Kept me from forgiving myself. Kept me from growing. And kept me from moving forward. Maybe not on. I don’t know if we ever “move on” from things. But we can move forward as we carry them. And as we do, the weight gets less. We’re able to carry it better. But only if we can admit that we don’t know how. Only if we don’t treat ourselves like this is something we do know or should know and we’re just failing because we’re less than. Not good enough. Not strong enough. Not deserving. We have to be able to say “I don’t know how to do this.” And then we can start looking for the answers. We can ask. We can learn.

I thought about the apple. Being able to tell the difference between good and evil. Aziraphale’s years and years of watching what he “knows” to be true be proven wrong. Crowley’s need to ask questions…

The simple and enormous gift of “Knowledge.” The “Knowledge” of the difference between Good and Evil. The “Knowledge” that can only be gained by realizing, accepting, admitting that there are things we don’t know. Asking the questions. Sometimes we get answers we don’t like. Sometimes the consequences of asking hurt us. And unless you want to stay in that painful place that painful knowledge got you, well, you’ve got to let yourself learn how to get out.

So all of this good? I never expected this. I never thought I deserved it. Joy and belonging and this sense that “Yeah, maybe things can get better. Maybe things can be good.” Because I said those things, not truly believing them, to the people I thought needed to hear it. But it couldn’t save them. It was hollow. The proof for us wasn’t really in our orbit or on our radar at the time. And now they’re gone.

People always say “it’s never too late.”

One of the people I lost said “it’s later than you think.”

I jokingly would respond “it’s already too late.”

It was for him in the end. For them. For some people I guess it really is. But maybe a lot of the “too late” people are there because they think “they know” that things will never be good for them. So they stop looking, they stop asking, stop finding. And eventually they just stop.

Then there came Crowley’s “It’s always too late.” The first time I heard it I thought “For sure, Crowley-cakes, I KNOW.”

But then…I just needed to rewatch the whole thing. And lines like that…familiar things…familiar themes…I was suddenly identifying with these characters. I suddenly saw myself. And the realization hit - I connected with something! Something new. And I FELT THAT. And that tiny little crack that made in the wall was just enough to start breaking it down. Yeah, when you start letting yourself feel after not feeling for so long, opening up to the good feelings means opening up to feelings and then the bad ones come out too. But when there IS good … it helps you balance. You can deal with the bad a little better because you’ve got the good thing to lean against when it gets too much. And now you’ve got feelings. You’ve got good and bad. You’ve got sticky foggy grey. You’ve got life.

Whew.

So, TLDR, thank you. From the bottom of my slowly healing heart, thank you.

And to sign off with some shits and giggles… I couldn’t find this in existence as a sticker so I had to custom order. Perhaps this will spread misery and panic among the humans of my city - or at least a malignant and creepy sense of unease.

Or maybe they’ll say “wtf” and go home and google it and they’ll fall into the Good Omens hole they never knew they needed too.

Thank you for this. I never quite know what to say to messages like this apart from I am really glad that it helps. (It becomes the weird extra piece that I worry about when writing season 3 -- hoping that it will be that thing again. Not just a story, but something that helps people feel and helps with healing and helps with love.)

[just-a-funny-little-brain]

A Tag Wrangler's Guide to Tagging on AO3

Tags on AO3 can be confusing and hard when you don't know what you're doing. There are also a lot of misconceptions about how the Archive works behind the scenes, so here's a guide with tips, tricks, and explanations from a writer and tag wrangler (me)!

DISCLAIMERS:

I'm a tag wrangler volunteer, but anything I say here is my own personal experience and opinion, not that of the archive.

I am not: a coder, ao3 support, a wrangler of your fandom (probably), or responsible for that one author who annoys you.

I'm using well-known examples, not things I necessarily write or ship. Don't come at me for your shipping wars.

Image descriptions for screenshots are in the alt text!

With that out of the way, let's get started!

1. Fandoms

TL;DR - Use full words, the Archive will take care of the rest.

This is perhaps the most straightforward field. Enter the name of the fandom that your work relates to. If you start typing, the field will auto-suggest fandoms for you!

You'll have the best results with full words. The Archive doesn't know abbreviations!

If you've tried full words and nothing shows up, it might be the first work for that fandom! Congrats!! You can type the name of the fandom and press Enter or Return on your keyboard, and it'll appear just as any other fandom.

~~

2. Relationships

TL;DR - Relationships will auto-suggest based on what you enter in the Fandoms field!

Once you've entered a fandom, the "Relationships" field will auto-suggest as you type with relationships that have previously been tagged* in that fandom.

An ampersand (&) indicates that a relationship is platonic. A slash (/) indicates that a relationship is romantic or sexual.

Similar to the Fandoms field, full names are going to work best here.

Some things to note:

Tags suggest based on how closely they match what you've typed, then by how much they're used

Characters are alphabetized by last name (usually)! The order of names has no other meaning, like who tops, the Archive's favorite character, whatever. It's just the alphabet.

You can leave it blank. If there are no significant relationships, you can leave it empty!

If you want to note that a relationship is background, endgame, anything like that, you can indicate that in the Relationships field, but that's better for the Additional Tags field.

If your relationship isn't showing up, congrats! It might be the first time it's been tagged (or a wrangler hasn't gotten to it yet). Hit Enter and the tag wranglers will do the rest!

~~

3. Characters

TL;DR - Characters auto-suggest based on fandom, and tags are usually their most common name.

This field is to tag the characters who appear in the fic. Character tags will use the most common name in canon or fandom (ex. Tony Stark, not Anthony Edward Stark).

But I don't know if they're a big enough character to tag!

A good rule of thumb is: Would you be disappointed if this was your blorbo and you were looking for fics with them in it? Note: This is a rule of thumb that I, the author, use, and not an Actual Rule anywhere.

If your blorbo is a canonical character and they don't have a tag, it's not personal! They just haven't been tagged yet (or a wrangler hasn't gotten to it yet). Hit Enter and the tag wranglers will do the rest!

If your blorbo is not a canonical character, then I can't guarantee anything. Most fandoms need a non-canonical character to be tagged by at least three separate people before wranglers will make it into a tag. So recruit a friend or two!

~~

4. Additional Tags

TL;DR - Anything and everything else!

This is the field people struggle the most with. So much so that there are three archive tags for it: How Do I Tag, I'm Bad at Tagging, and Tags Are Hard!

This field can tag for anything and everything else that wasn't covered in the Fandoms, Relationships, and Characters fields. Think of it as bright colors on an animal -- it warns some away, and it entices others.

Here are some ideas:

genre/tone (fluff, angst, murder mystery, slow burn, etc)

relationship modifiers (background X & Y, endgame X/Y, X and Y are exes, etc)

character modifiers (mentioned X, werewolf Y, trans Z, etc)

tropes (there was only one bed, fake dating, etc)

any other warnings not covered by the Archive Warnings section (panic attacks, sad ending, nightmares, etc)

alternate vs canon universe?

when in canon? (missing scene, fix-it fic, pre-canon, etc)

If there's smut, any kinks

meta tags about the work (POV, verb tense, drabble, one-shot, etc)

If something doesn't show up, try a synonym; it may be phrased a little differently. And if a tag doesn't exist, make it! Wranglers will link it to where it needs to do.

~~

Wrangling FAQ!

Why do some characters have parentheses after their name and some don't?

The parentheses are used to reduce ambiguity between characters. "Steve" is just some guy, but if I type "Steve (Blue's Clues)", now we both know which Steve I'm talking about.

Why doesn't my canonical blorbo have a filterable tag yet?

If your fandom is very busy, the wrangler probably hasn't gotten to it yet. Be patient! If it's a fairly small fandom, it may not have a wrangler. There's only so many of us, and there are a truly mindboggling number of fandoms on the Archive.

Why isn't my tag "Blorbo is gay and Blorbette is trans" a filterable tag yet? They're gay and trans in canon!

Tags that have multiple concepts are almost never going to become filterable tags. That's because wranglers can only link a tag to one other tag with the same meaning. This tag would have two meanings: "Blorbo is gay" AND "Blorbette is trans".

Just because something is the case in canon doesn't mean that it automatically gets a filterable tag. Ao3 is an archive, not a wiki!

I don't want anyone changing my tags!

Then you're in luck, because we don't! Wranglers don't and can't change the tags on a work. Tag wranglers work on the backend, linking related tags to each other.

Do wranglers really see every tag?

Yup! But no need to be embarrassed. I promise you that your tag is not the weirdest thing your wrangler has seen.

I think a tag has been wrangled wrong!

Feel free to let Support know! Please don't come into my inbox and ask me to do something bc I can't if it's not my fandom.

I'm still confused! Where can I find more information?

Check out the Wrangling Guidelines! They're available for anyone to look through, and they're what guide the filterable tags that you see. They also have a lot more information and caveats for strange circumstances that I didn't cover in this post.

[jesncin]

A Failure of Asian Lois Lane: Pt 2: My Adventures with Superman, an honest discussion

If I had to pinpoint the fundamental problem with My Adventures with Superman's depiction of Asian Lois Lane it's in their attempt to subvert the classic two person love triangle: Lois loves Superman but is indifferent to Clark Kent. In MAWS, Lois insta-crushes on Clark Kent and hates Superman. In the show's attempt to make sense of this dynamic, Lois' Asian identity becomes at odds with a story meant to touch on xenophobia and immigrant themes.

Let's have an honest discussion about a show that made fandom cheer as an Asian character removed the one thing that made her most visibly Asian.

Disclaimer: While I am of East Asian descent, I am not Korean. I'll be discussing general Asian diasporic experiences but the specifics of Korean culture are outside of my knowledge (as usual I can't and don't speak for every Asian person ever, I am 1 opinion). Secondly, I'll be pulling from my personal experiences every now and then particularly pertaining to being a butch Asian person watching this show. It'll be a mix of formal analysis and personal anecdotes. Thirdly, this isn't an exhaustive analysis of MAWS Lois' character. We'll be sticking to what I consider is relevant to themes of Asian identity and immigration. Lastly once more, I do not believe the MAWS crew had malicious intent in any (of what I consider) poor writing decisions. We're here to analyze and challenge these writing decisions.

Please read Pt 1 of Asian Lois analysis that covers the comics, as it provides the groundwork for the ideas expanded on in this essay.

We need to talk about Lois' design. In the follow up to MAWS' release, people have been speculating on Lois' ethnicity. CBR writes that the show has "some fans believing that she's at least part Asian" and other articles have the show crew confirm Lois Korean heritage via her hanbok outfit in episode 4. The existence of these articles, my own anecdotal experience of streaming MAWS with Asian friends, and comments I receive from people asserting Lois' Asian identity was never explored in the show ("you'd only know she was Asian if you searched up articles about it"), tells me we have a case of an ambiguously designed Asian woman. Tangentially many people had no idea Livewire, the white haired and blue eyed woman, was meant to be South Asian.

There's a lot to be said about art styles that don't properly stylize ethnic features, but for the purposes of our analysis that means the writing has to deliver the heavy lifting where the design fails. This is the opposite case of American Alien: a comic that relied on the art to portray Asian Lois.

Let's start at episode 3. In it, Lois finally manages to conduct a private interview with the elusive Superman. When she asks where Superman comes from, how his powers work, etc- Superman comes up empty. In this version, Superman can't talk to his Kryptonian father (Jor-El)'s hologram because of a language barrier, so he knows very little about his alien heritage. He leaves Lois, assuring her he's here to help the people of Metropolis. When Clark Kent congratulates her for interviewing Superman, Lois rebuffs him. "Oh, he's [Superman's] a liar." smirking as she says it. This is the start of the Lois Hates Superman For Being a Liar arc.

I'd like you to consider the optics of an Asian American woman interviewing an alien immigrant who honestly told her he doesn't know where he comes from and is still figuring out who he is, only for her to think he's lying. Because she didn't get the answers she wanted. I can't help but think about my own experiences, where I was asked "but where do you really come from?" or "okay but what's your real name?" I think of my Asian American peers who would honestly say they're from Texas or Atlanta and get a vindictive "you're lying" as a response. People want to hear you're from China. They want their biases confirmed. I think about how I honestly can't tell you where my elders hailed from, because of cultural genocide and language barriers. This scene makes me uncomfortable, but let's press on.

Episode 4 is where Lois is most visibly Korean. In this episode the trio of Lois, Clark, and Jimmy are tasked with interviewing rich techbro Prof. Ivo of Amazo tech at an investor event. It's a prom episode. Lois wears a "hanbok inspired gala outfit" designed by Dou Hong and Jane Bak in a deliberate move to showcase Lois' Korean heritage. Bak comments "I remember feeling strongly about wanting to inject some aspect of her Korean heritage without disrupting her characteristic as a spunky and resourceful intern/reporter." while the wording poorly implies that Korean heritage is at odds with Lois' spunky personality- I do want to challenge a couple of the decisions that went into this design.

I want to acknowledge as an Asian butch that there are many ways to sport traditional garments and it's okay to mix and match to figure out what reclaiming culture (and your comfort) mean to you. However we're talking about the opportunity to showcase culture in an episode of a fictional animated show. I also encourage cultural gender expression that thinks outside of western white people's idea of gender (in both fiction and real life).

Whenever artists try to do a non-conforming spin on a cultural outfit, I always have to ask: "what standard of masculinity are we basing this on?" It's clear that MAWS is pushing for a "tomboy" Lois, and this gala outfit is an extension of that. But what's the standards of masculinity in a Korean lens? Men wear hanbok too, so why can't Lois imitate how Korean men wear hanbok, by traditionally accompanying her look with baji (baggy and loose pants)? This design notably has tight pants that hug the form, instead. I know the hanbok look has been modernized in and out of Korea in many ways, but in a show where you have the opportunity to showcase cultural non-conformity, I feel more thought should be put into the outfit outside of a potentially western lens- or the idea that cultural heritage of any sort "disrupts" a character's personality.

Now that we've discussed the design of the outfit, let's look into the narrative role it plays in episode 4. While we can celebrate cultural representation in media, I consider it important to ask "what is this media's relationship with the cultures it represents?" and the answer for Lois' hanbok in this episode is: nothing! It's an aesthetic acknowledgement of culture. "Hanbok" or "Korea" are not terms explicitly mentioned in the show. When Prof Ivo offers beautiful women as compensation for Clark to keep quiet about his company's corruption, Ivo looks over to Lois- who spills food on her clothes, and remarks that she's unclassy. She's not judged for wearing othering cultural clothes- which would have tied nicely into Clark choosing to be silent on issues of Ivo displacing a neighborhood, making Clark realize his complacency actively hurts marginalized people. Despite wearing cultural outfits being a political statement in America, nobody reacts to it. It's clear what the actual goal of this scene is: Clark looks cool for defending his "tomboy" crush.

In a scene blatantly made for fanservice, Lois offers to sew up Clark's ripped tuxedo by undressing her hanbok so she can reach her little sewing kit. Lois never wears her hanbok again afterwards. This scene haunts me. It's a scene that tells you that fanservice is more important than cultural representation. It's a scene meant to set up that Clark gives his tuxedo to Lois later on for warmth. Lois removing her hanbok is meant for not one, but two fanservice scenes.

Lois talks to Clark at the stairwell. She opens up about her estranged relationship with her father, how her mom has passed away, and how she's been an intern at the Daily Planet for a year with no sign of being hired. This makes the narrative decision for Lois to lose her hanbok far more tragic. Lois being a diasporic child with so few familial ties to her culture would mean garments like her hanbok would hold a lot of sentimental value! It's hard enough finding a cultural outfit that fits with your butchess (many of my cultural outfits are hand made to fit my form and gender expression), and yet Lois unceremoniously loses her hanbok. You would think in Lois opening up about being distant from her parents that Clark would be able to culturally relate with the distance he has with his Kryptonian parents. But the narrative opportunity to link their immigrant experiences is not taken, because the show simply doesn't recognize the parallel between the two.

Instead MAWS pushes for the Lois Thinks Superman is A Liar thing again. A far less narratively substantial and fundamentally flawed arc. This episode starts with Lois calling Superman a liar and has Lois ranting about him "dodging her questions" (remember, he was honest with her about not knowing his heritage) thereby rendering her interview unpublishable. She resorts to conspiracy tabloids giddily provided by Jimmy for information. She rather cruelly says "nobody normal believes in aliens". We are uncomfortably seeing the build up of Lois being allegorically xenophobic towards alien immigrants- a Lois on a quest to out an alien before he's ready. This is their justification for flipping the love triangle. Lois loves cuteboy Clark from work, and hates Superman for not confirming her biases that would help her publish an interview that would promote her at work. What a love story.

To wrap this episode up: Prof Ivo ends up challenging Superman to a fight so he can flex his Parasite suit to investors, only for it to backfire, destroy his reputation, and greatly damage the Amazo building (remember this it'll come back later). The episode ends with Lois discovering Superman is Clark Kent. Anecdotally, I was so frustrated with the treatment of Lois' hanbok in this episode, that I went online to search if anyone else felt similarly. All I was met with was fandom thirsting over the stairwell scene where Clark and Lois were undressing. Consider the optics of an Asian character who removed the most visible signifier of her heritage (the outfit far more culturally specific where her character design was racially ambiguous) and how people cheered because that meant they could see her in her undergarments. They can happily thirst over the body they desired now that the othering cultural garment was out of the way. It's just clothes after all. Diversity clothes. This show continues to be very uncomfortable, and a little too real.

In episode 5 Lois is passive aggressive to Clark and Superman, trying to get Clark to admit he's Superman and vice versa. She eventually confronts Clark by jumping off the roof of the Daily Planet, causing Clark to fly down and save her. She proclaims she doesn't want to be friends with him anymore for "lying" to her. This episode caused a huge ruckus online as people were divisive over Lois' actions. Some defended Lois, saying that "women should be messy" and "it's not Lois Lane if she doesn't do something crazy for journalism!". Ignoring that opinion's very flandarized view of Lois' character for a second, let's thoroughly discuss how this relates to themes of immigration and Asian identity.

By this episode, Lois had known Clark for 5 days. In that time she's entitled and angry to the point of friend-breaking-up with him because he wouldn't disclose his marginalized identity to her within less than a week. "A secret is another type of lie!" Lois says, regardless of her lying on sight to both Jimmy and Clark upon meeting them at work, and continued to lie in episode 3 (after promising not to in ep 1) about her intentions to interview Superman. Only Lois gets to lie in this relationship. The hypocrisy of her character is never recognized. Clark calls out Lois for having previously admitted to him that she wanted to dox Superman and "publish all his secrets. MY secrets!". Keep in mind that when Clark brings up Superman feeling uncomfortable about his secrets being published by Lois in episode 3, Lois' response was "yeah, but HE doesn't know that's my plan!". She explicitly admits that she would publish private information about Superman without his permission. But when she's confronted by Clark in episode 5 about that, her response is "I would never do that to you, I didn't know it was you until after the gala. How could you think that?" It's only through conflict of interest that Lois spares Superman of being doxed. He's supposed to magically know this. Extremely cool of Asian American Lois to be entitled to an alien immigrant's identity within four business days.

Episode 6 wraps up the Lois Hates Superman For Being A Liar arc, so let's quickly summarize what happens. Lois and Clark set aside their fight to find Jimmy in an abandoned scientific facility (he's being cared for by Mallah and the Brain). Jimmy admits (very smugly) to having known Clark was Superman all along because he kept breaking stuff. As the trio are chased by killer robots, they emotionally confront Clark for not trusting them with his alien secret- despite neither Lois or Jimmy creating a safe environment for Clark to come out to either of them (Jimmy outed Superman as an alien on his video channel). The moral of the story is Clark should have trusted his friends anyway, because lying is bad. Not once does the narrative hold Jimmy or Lois accountable.

We have Black Jimmy Olsen and Asian American Lois Lane being entitled to their white passing friend Clark Kent's marginalized alien identity. A joke is made at Jimmy's expense that he doesn't understand bigotry, and Lois clearly doesn't understand why an immigrant wouldn't be forthcoming about his identity to his hostile friends at work. This is how that arc ends.

I'd like to quickly compare this Lois Hates Superman For Being A Liar arc to my favorite scene in Superman Smashes the Klan. In this story, Superman debuts as a strongman superhero instead of an alien, suppressing his more othering powers to pass as human. He jumps instead of flying. Roberta, the Chinese American girl targeted by the Klan, calls Superman out for not using his full abilities to save people who could've gotten hurt. Yet, as she's calling him out, Roberta understands Superman's fear of not wanting to be othered. She sees the way her father dresses up to pass as an accomplished scientist, how he tells her mom to speak in English, how her brother makes racist jokes at their family's expense to fit in. She's not mad at Superman, she's mad at the world that would be scared of Superman if he flew.

"I wish it were okay for you to fly!" Roberta yells. This is a beautifully empathetic scene that shows a marginalized person frustrated at a systemic problem, instead of blaming the marginalized for being marginalized. It's the empathy and perspective we're missing from MAWS.

Episode 7 is a metatextual episode where MAWS addresses how their Lois isn't like the other Loises you've seen before. Lois and Jimmy are brought on to a team of alternate dimension Loises to find interdimensional troublemaker Mxy. In seeing the other more accomplished Loises in the multiverses, Lois ends up feeling inadequate about her self worth...in connection to being Superman's girlfriend, of course. Because Superman only loves Lois Lane after she wins a couple of Pulitzers, right?

I'm open to a version of Lois Lane that isn't as accomplished as she's historically known to be. I can like a Lois that's young and idealistic, like in Girl Taking Over. It's hard not to compare this episode to 2022's Everything Everywhere All At Once, another multiverse story about an Asian American woman who is the "greatest failure" version of all the parallel iterations of herself. But while that movie talks in depth about themes of generational trauma, expectations, and self potential within Asian immigrant families, MAWS uses the multiverse to say that while their Lois is less accomplished, she's still a good girlfriend to Superman! Why should I bother giving grace to a different take on Lois only to get such a superficial story out of it. This is metatextual-ly frustrating.

Why is it, the minute we get an adaptation of an Asian Lois in something as prominent as an animated show, we get "the worst Lois in the multiverse"? Lois is historically depicted as excelling in her field. She's an award winning journalist, jaded and mean from having to work her way to the top. She owns her sexuality, she's the experienced city girl. Instead of taking the opportunity to inform Lois' jadedness and excellence with her Asian American identity like in Girl Taking Over, instead we have an Asian Lois that's simply incompetent at her job. Why are we now adapting historically accomplished women into adorkable quirky screw ups? She went from being sexually confident to being insecure over sending a text to Clark. Is it more relateable to see an Asian woman that way? Is it too intimidating to see a butch Asian woman who excels at her job? Who's romantically confident? This is what MAWS would rather do than humanize her excellence or her failures.

Are you tired of an ambiguously designed Asian American woman reporter being xenophobic to Superman in MAWS? Well too bad because episode 8 introduces us to Vicki Vale, voiced by Andromeda Dunker (an Asian actress), with explicit notes in leaked concept art to design this character as "Indian American or Asian American" (as if those are mutually exclusive...) inspired off of real Asian reporter Connie Chung. Vicki wants to write a hit piece on Superman and interviews Prof Ivo's assistant, Alex, for a negative biased opinion on Superman (to Lois and Jimmy's dismay).

This episode is where it's abundantly clear the writers don't know how to talk about xenophobia. They'll make nods to xenophobic rhetoric, but they don't know what the rhetoric means. In response to Alex's derisive opinion on Superman destroying Amazo tower thereby bankrupting the company and putting "thousands out of work", Vicki responds "Superman wiped out good American jobs". This is a misplaced nod to Replacement Theory: the fear white people have over people of color, but particularly immigrants, coming to "their" country to "steal" jobs they're entitled to, ultimately becoming demographically replaced by non-white cultures and people. This rhetoric is also commonly applied to Jewish people.

The problem is, that's not what Superman did in the show. Amazo tech was going to go bankrupt because of Prof Ivo's poor business decisions. Prof Ivo made the mistake of antagonizing Superman and ruining his own image. Superman damaging the building came from his fight with Prof Ivo, not a deliberate attempt to get hired (if anything don't the building repair people have new jobs now?). No one's job is tangibly being taken by Superman. None of this is called out by Lois or Jimmy, who know the full story and were even the ones to attack Alex for helping Prof Ivo (let's be real the writers forgot this happened). In fact, Lois and Jimmy don't react to Vicki's Replacement Theory remark at all! It's like they don't even recognize she said something with racist implications!

Jimmy and Lois meet up with Superman who learns the people of Metropolis are becoming scared of him (from causing some recent property damage in an attempt to hunt a criminal down) and writing mean comments on social media. A user writes "he should go back to where he came from." This is a transparently xenophobic comment. It doesn't work in the context of the show because of a huge plot hole: Superman never publicly came out as an alien to Metropolis. No verified newspaper has explicitly made this fact known. The only source that mentions this is Jimmy's conspiracy channel, which the citizens of Metropolis are apparently treating as fact- therefore (if we're to believe this is how people knew) this means Jimmy absolutely outed Superman as an alien without Clark's consent.

So how does Asian American Lois respond to seeing her alien boyfriend go through xenophobia? She says "Take a break from being Superman and just try being normal." To be fair, the narrative does portray Lois saying the word "normal" as charged (only here at least, not in episode 4), and when she tells Superman to "take a break" it's because he had been overworking himself after suddenly unlocking the ability to hear when someone's in trouble. But was this really the response Asian American Lois thought to say? To her boyfriend going through such explicit xenophobia? At this point it's abundantly clear that racism doesn't exist in the world of MAWS. Being "normal" is to be human. And to be marginalized- or as the show likes to call it "different" is only reserved for white passing alien man Clark (along with gorilla and robot that was once a white man). Any hope of an immigrant parallel between Asian American Lois and Superman should be fully discarded at this point.

After the events of the previous episode where Superman is kidnapped by Task Force X, in episode 9 Lois regrets being allegorically xenophobic to Clark. At least I think that's what's happening. I often describe MAWS as a show that's extremely squeamish with getting political- and I believe the vagueness of Lois' Dark Night of the Soul moment reflects that. "I said awful things to Clark. I doubted him when he needed us most. I was wrong and now he's gone..." Lois says as she cries to Jimmy. Is this dialogue implying she shouldn't have told a sleep deprived Superman to take a break? What did she doubt about him? This dialogue is purposefully vague about Lois being xenophobic. They've universalized Clark's immigrant identity to such a point that they can't keep their argument consistent. Was Lois in the wrong for telling her overworked superhero boyfriend to take a break? Or was she being xenophobic for telling him to lay low for a while? Or is she regretful for hating Superman for Being A Liar? How is that possible when the narrative sided with her and Jimmy in episode 6? It's woefully non-committal. Regardless, the intent of this scene is to pay off in the climax of the episode.

In the end Superman has a showdown with Prof Ivo Parasite, who has grown into a large godzilla-esque kaiju creature. In typical MAWS fashion, the show is more interested in a surface level nod to Asian media instead of engaging with the specific themes of nature and post-war trauma kaijus and godzilla serve in Japanese culture. I digress. Using Jimmy's massive social media platform, Lois delivers a hope speech that instantly heals Metropolis of its xenophobia towards Superman.

Lois says to the people of Metropolis.: "People have told you to fear Superman because he's different from us. But we humans are capable of causing hurt and pain too. [...] Because we want to punish those who don't look or act like us." I mean this in the most polite way possible, but who on Earth thought this line was a good idea for Asian American Lois Lane to deliver when talking about white passing man Superman?? Why did the writers feel the need to specify Superman not looking like us. I simply don't understand how nobody considered the terrible optics of this.

After Superman defeats Parasite, episode 10 is about Clark, Lois, and Jimmy celebrating Thanksgiving at the Kents' house. At the Daily Planet, the trio of interns are promoted to finally being reporters. It only took Clark and Jimmy a few weeks while it took Lois a whole year! Now feels like a good time to remind you that Lois as a character was historically frustrated at sexism in the industry and despised how men were treated better than her (including Clark Kent). Well in MAWS episode 4, Lois has no idea why she isn't getting picked up to be a reporter. According to the narrative, and Perry White's dialogue ("you're terrible interns, so the only thing to do was to make you reporters")- she simply didn't break enough rules yet! Thank goodness she had the help of two men to show her how it's done! This is a pretty clear case of character regression. Keep in mind that in American Alien, at the very least that Asian Lois still underwent sexism, and I gave it the grace that the story could eventually expand to talking about both sexism and racism if it were to continue. But in MAWS? I don't think even sexism exists, let alone racism. Somehow Thanksgiving does, though.

Half the final episode is spent on Thanksgiving shenanigans where everyone's trying to be polite but they dislike Lois' stoic dad (Sam Lane)- who Clark recognizes as the Asian American xenophobic man who tortured him in Task Force X's government bunkers. A parallel is pulled between Sam and Jor-El, two fathers with different ideals when it comes to protecting their kids. There's a huge missed opportunity to have Lois and Sam speak in Korean with each other, to create a parallel in the language barrier between Clark and Jor-El. Maybe Lois isn't as fluent in Korean as Sam is depending on how culturally connected she is. Oh, but the existence of non-English human languages would imply some sort of minority, who would be marginalized, and we can't have anyone outside of aliens and a gorilla be marginalized in MAWS. Non-English languages in America are political, after all. Oh, but they also got a Filipino actor to voice Sam. Generously Lois could be Filipino-Korean but if we're being truly honest it's clear the MAWS crew think Asians are interchangeable.

Let's talk about Sam. In terms of optics, it's already not great that the main villains who represent the face of America's secret government xenophobia are Amanda Waller and Sam Lane- a Black woman and an Asian man. What's doubly notable is that of the antagonistic villains, Sam and Vicki are the most xenophobic. When Sam tortures Superman, he shouts "When is the invasion? How many of your kind will come through this time?" without a hint of irony. Reminder that historically, Asian immigrants were (and still are) considered invaders in America. They are the perpetual foreigner. MAWS loves making nods to Superman being an immigrant allegory, and yet they can't fathom the human beings that allegory is inspired by.

It's not impossible to portray people of color or even Asian American characters specifically being xenophobic. In Superman Smashes the Klan, Dr. Lee is initially antagonistic towards Superman but we understand why. We see him trying desperately to assimilate into whiteness, to the point he rejects assistance from his Black neighbors who help put out a fire in their backyard (that the Klan started as a threat). We understand why he's a character who would turn on fellow people of color, or fellow immigrants, in order to fit in. For MAWS, if we had a flashback scene where Sam was serving in the military and fought against Asian soldiers, showcasing his loyalty to America over his own people- that would narratively explain why an Asian American character would be xenophobic. Writing bigotry from within marginalized communities requires specificity. Otherwise, you've just got a diverse villain. In the end, Lois defends her immigrant alien boyfriend from her xenophobic Asian American dad.

Whenever I bring up how MAWS fails its characters of color but especially Asian Lois, I'm met with people telling me that "hopefully they'll make Lois more Asian in S2" or "they'll just retcon the bad writing in S1" and I hope this thorough analysis on the treatment of Lois' Asian American identity can help enlighten why I personally think that's impossible. The entire concept is flawed from the very beginning. The story MAWS wants to tell is at odds with Lois' Asian identity. In trying to justify an Asian Lois that loves Clark but hates Superman, they never considered what it means to hate Superman. To hate the alien immigrant. The alien other. What it means for an Asian American character to do all that. MAWS is a show that wants to have its cake and eat it too, they want a diverse world without racism or sexism but still want to reap the clout of lightly portraying Superman as "different".

They'll make the most surface level nods to Lois' Korean heritage- but remove all of the cultural context from them. They can't be bothered to acknowledge the inherit political identity being a person of color means in America, they're too busy doing that with Clark. I'm told "MAWS didn't have the time to go over Lois' Asian identity, it's a 10-episode series that focuses on Clark's alienation", and to that I say the potential of an immigrant love story and time frame was there, they simply chose to go another direction.

When I bring up things like Superman Smashes the Klan, Girl Taking Over, and Everything Everywhere All At Once, it's not to say MAWS should have used those stories as reference when crafting their allegory. All of those specific media were released while MAWS was deep in production already. Girl Taking Over was released the same year MAWS premiered. What I am saying is that we, as the audience, should have higher standards. Because better media portraying Asian American characters already exist. Better media portraying Asian characters relating to Superman mythos already exists. What we're doing when we celebrate the breadcrumbs of representation that is MAWS, is allowing mediocrity to exist uncritically.

Shows like Wednesday are known in the discourse for their portrayal of Black characters as being functionally white, yet that kind of scrutiny doesn't seem known for MAWS. The diverse reimagining of Lois and Jimmy is so poorly handled in MAWS that it would honestly make more sense if Jimmy and Lois were white here. The joke made at Jimmy's expense that he doesn't understand bigotry would be actually funny if it was calling out his white privilege. If, for whatever reason, the writers are compelled to write a xenophobic Lois that unlearns her bigotry and falls for Superman, I'd rather she be white for that kind of story. I wouldn't personally root for that kind of couple, but at least it'd make sense. It's a common joke among DCAU fans of color that we like to headcanon Lex Luthor as Black, or Lois Lane and Terry Mcginnis as Asian. It's a cruel irony that the one time we finally have a canonized Asian Lois in an animated show, she honestly feels and acts whiter than actual white Lois ever was.

I mentioned in Pt 1 of my essay that Asian Lois and Superman has the potential to be a definitive love story. One that considers both their backgrounds as immigrants, othered in different ways by American society. The story of a jaded but accomplished Asian city girl who finds hope to be herself again in an alien immigrant superhero. One where she gets the courage to wear traditional clothes again, to practice languages she once suppressed. The story of Superman, an alien immigrant, finding hope in someone with a painfully similar experience.

As of writing, we have yet to see this dynamic in any canon DC media. A second season of MAWS will not give us that story.

[yandereworlds]

「 INDEX + INTRODUCTION 」

˚₊‧🔪WELCOME TO MY YANDERE BLOG! I mainly make content for my own original characters and occasionally, fandom related stuff. This blog is strictly 16+ and run by two people.

My name is Kiki (She/Her) and I am 18+. I’m the one that mainly provides the art and bots that you’ll find throughout this blog and sometimes, I write headcanons/imagines as well. My writer is Rose (She/Her, 18+) and she’s responsible for writing the fanfictions and some of the drabbles. To make it easy for you to know who's behind each post, you'll see either 'Mun Kiki', 'Mun Rose', or both credited in the tags.

We started this blog because we had numerous ideas for yandere characters. Given my background as an artist and Rose's talent as a writer, it seemed like a natural fit. I'm primarily creating this post to serve as a guide for navigating the blog. I've received numerous asks about accessing the characters' backgrounds, information, as well as questions regarding my bots, projects, commissions, socials, and other related topics. You can use this post as a reference FAQ or as a comprehensive guide to streamline your experience on the blog. 

Find that you enjoy our work? Consider leaving a tip, it’s greatly appreciated and helps the blog. Also, if you’d like to be able to be more involved with our creative process and engage with the community, you can join our Discord server here. 

╰┈➤ ASK RULES - OPEN!

✦ Absolutely no NSFW asks. This blog is 16+ for a reason, so obviously, we will be trashing asks related to sexual topics. 

✦ We’re allowed not to answer certain asks. If you’ve been spamming the same ask and we haven’t responded to it for months, it’s most likely because we aren't comfortable doing so OR we’ve already answered an ask similar to yours.

✦ We will not be answering any asks regarding self-harm, eating disorders, extreme gore, noncon or any topics that could be associated with them. 

✦ Finally, we kindly request your patience. We understand that it may take some time to address each individual ask, as we both have busy lives and there may be periods when we don't post asks for weeks. Please refrain from rushing us, and rest assured, we will eventually get to your ask. 

╰┈➤ YANDERE MASTERLISTS 

Original Yandere Masterlist

Fandom Yandere Masterlist

╰┈➤ CHARACTER AI + JANITOR AI

If you've been following this account for some time, you're likely aware that I frequently share my character bots here. I've received numerous asks about which bots are available and where to find them online. While I plan to compile a list of my bots soon, for now, I'll provide links to both of my accounts for future reference.

It's worth noting that I'm currently on a temporary hiatus from Character AI due to site complications. Consequently, most of my recent bots can be found on Janitor AI, where I'm more active. Before visiting either site, please be aware that Janitor AI is intended for users aged 18 and above, whereas Character AI caters to a younger audience. In other words, minors stay off JanitorAI!

My Character AI profile - 1, 2, 3, 4

My Janitor AI profile (18+) - 1, 2, 3, 4, 5

Wish to request a bot from me? You can find the information here.

╰┈➤ ART COMMISSION INFO - OPEN

Pretty self explanatory. If you're interested in commissioning artwork from me, simply click the link to access my commission page. Currently, I'm accepting payments through both PayPal and Cashapp. Below is a brief FAQ regarding my commissions. Should you have any further questions, don't hesitate to contact me!

Can you draw my OC with your characters?

✦ Yes, absolutely! Just provide me a reference and what you'd like specifically. We can discuss all the details in DM's.

Can you draw a character from 'this fandom' for me?

✦ I'm completely fine with drawing fandom related content. The only fandoms I will not draw under any circumstance is youtubers, Your Boyfriend, Country Humans, BTD and Killing Stalking. Otherwise, I'm open to whatever.

Can you draw a comic for me?

✦ Yes, but only short comics. You can let me know what you'd like the short comic to be about and all that fun stuff. Just know comics from me will likely be around $20-$40+ dollars depending how detailed and complex you'd like it to be.

[princemick]

GOOD EVENING (for european standard time) EVERYONE AND WELCOME TO!!

the results of the f1blr survey (if you dont care about the graphic or the most mentioned blogs here's a direct link to the form results!

if u want to leave now all I wanna do is to encourage you to take 10 minutes of ur time rn to send a kind lil message to ur fav blogs to keep the vibes going n I hope ur day is wonderful! <3

now for the most mentioned blogs which also counts as a short blog rec post according to the 73 people who answered this form!

(for clarity, I choose to remove myself from all these replies because I think it's incredibly biased and so not relevant or interesting to mention myself)

NOW ONTO THE MOST MENTIONED!!

ARTISTS!

@penaltyboxboxbox with give or take 23 mentions!

@storm3326 with give or take 13 mentions!

@ilikecarsandlike4people with give or take 13 mentions!

GIFMAKERS!

@yesloulou with give or take 12 mentions!

@argentinagp with give or take 9 mentions!

@userhamilton and @arturleclerc who both got give or take 7 mentions!

GRAPHIC DESIGNERS!

@argentinagp with give or take 18 mentions!

and then there were a lot of different people mentioned most of which about 2/3 times so here's all of those:

@queerbenched @alpinelogy @livetogether--diealone @formulaonedirection

WRITERS!

there were...lets say the most answers came form this category, most of the people mentioned were in there 2 times so here's a bunch of blogs that were all mentioned around 5-3 times!

@officialmood @bejwled @toastandvegemite @yekoc @effervescentdragon @hourcat @hungriestheidi @veryspecificfantasies

COMMENTARY!

@vegasgrandprix with give or take 7 mentions!

@karlmarxverstappen with give or take 6 mentions!

@raceweek and @race-weekwith give or take 4 mentions I think but I wouldn't be surprised if people forgot the dah so here they are together <3

and lastly, here are some replies to the share with the class question that I personally really liked!

"I love F1 even if it’s “boring”! Watching cars go 300km and hour is always fun even if the winner is always the same . For me, there’s always been Seb winning, and then Lewis winning and now Max, so it’s fun! Plus there’s always so much tea and all drivers are hilarious and I’m so fond of them! And the history is so cool!!!! And I count all the wdc champions before sleeping instead of sheeps! All I need are ferrari bedsheets, and I’m done I’m 22 how did I get to this point?"

"I've been so thankful for the support f1blr has extended to me, and it's a fandom I really feel at home in, so I'm so happy to get a chance to shout out some of the wonderful and talented people in this fandom with me! Such a fantastic idea."

"I am legit so grateful we have so many creative and brilliant people in f1blr, it makes my enjoyment of the sport I've loved for so many years that much better"

"i’ve only been on f1blr since the summer but i’ve felt soooo welcomed and made so many nice friends <333 love u guys"

"I’m so bad at remembering names but all of you have made my first year on f1blr a lovely experience!"

"Keep doing what you love! Stay safe, enjoy life, and be happy. I love you all!!! 🫶🏻"

"Looking forward to spending the '24 season with this amazing community!!"

and so so many more kind responses! thank you to everyone who participated it was really nice to see this and watch us come together for a lil pls do keep spreading the love and send out some asks to your fav blogs!!

and thats all for now, goodnight and until next time!

[watching-sam-and-dean-again]

Watching a reactor on YouTube who just got to Season 4: Lazarus Rising, and I’m so annoyed by the amount of comments with people saying things like, "this is when the series REALLY starts" and "Seasons 1-3 were the prologue, now The Story begins" and "I’ve been waiting for you to meet my favorite character!"

First, I will never be able to understand Castiel being someone's legitimate favorite character. I just don’t get it. He starts off as a massive dick, becomes an ally, uses and betrays both brothers a number of times, rarely takes full responsibility for his actions, and ends up as a totally different and neutered version of himself. But this guy is your favorite!? The only reason I think a large number of fans who love him do is because he comes in the gate treating Sam like crap and he becomes a simp for Dean (or they are shippers). Also, if someone is a more casual fan, I can see enjoying Cass because he’s quirky and he mostly stands up for the Winchesters, but if someone is a big fan of the brothers, Cass makes their lives harder a lot of the time. Also, I’m coming to really hate the fact that the dude is always in a trench coat. How am I supposed to take a character seriously who is essentially like an unchanging cartoon character come to life? Anyway, despite how it might sound from my ranting, I actually do think people are allowed to love whatever character they want, but it just doesn’t compute for me personally that it’s Cass as he is on screen (not in someone’s head).

Next, the idea of people calling the first three seasons "The Prologue" to supernatural is offensive to me personally (well, not offensive but it’s dumb as hell). A prologue is used to give some important background that should be known for you to better understand the main story, but it happened before, or doesn’t quite fit into, the main narrative. I’m sorry, but the first three seasons of Supernatural are the foundation that everything builds off of, and maybe I’m splitting hairs here, but it’s not just the set up to the Real Story. The Real Story of Supernatural has always been and will always be "the epic love story of Sam and Dean," not the angel crap. Calling the basis of the whole show the prologue has an implied message that it’s not as important as, or connected to the rest of the story. Again, people are allowed to have their own opinions about what they enjoy in media, but this idea that what came before Season 4 wasn’t as important as the rest of the show is actually bad media literacy, especially when you consider how much retconning and inconsistency later seasons have (*cough* John Winchester, for exapmle). The early seasons are Supernatural at its most pure, and if you don’t like or care about Sam and Dean's story, what are you doing here?

I was going to go on by listing all of the important things that we learn about Sam and Dean's characters and relationship in the first three seasons, but honesty, I’m tired. If you’re reading my post, I’m sure you already know. True fans of the show, even if seasons 1 to 3 aren’t their favorite, know how important these seasons are. Frankly, if someone claims that they don’t matter as much as the later season, then I’m going to assume that they are probably a heller (and I’m probably right), thus their opinions on the show don’t matter.

Speaking of Hellers, they are the Jehovah’s Witnesses of fandom. They descend on your doorstep (YouTube video, blog post, etc), uninvited and unwelcome, to make you uncomfortable by forcing their literature (head-canons and subtext) on you in a vain attempt to make you convert to their twisted version of a cult religion (Destiel). Some get indoctrinated into their cult, others consider them a joke, and yet others are driven to madness by the constant hounding of the hellers. I wish they would just stay in their lane and let people come to their own conclusions about the show and the characters, but they try to gatekeep the fandom experience by jumping on anyone new and telling them how they are the "most popular ship" and that supernatural queerbaits, but Dean and Cass are still totes husbands, and there is some other guy there, too but Sam is just some jerk who isn’t as important as Wuwu Dean and their Little Meow Meow Cass. If somone actually sees and enjoys Destiel on their own, great, good for them; they’ll find the blogs and groups who love it too. Hellers don’t need to try actively recruiting people. It’s all just a numbers gone to them. We have the most fanfic (um, yes, because the show doesn’t deliver what you want), we are the most popular ship (sure, because the other main ship is brothers which squicks some people out, and because you crucify anyone who admits to being a Wincest shipper), and they tell the stupidest lies (the show shifts away from being about the brothers, and focusses more on Dean and Cass' "relationship," and Sam isn’t as important to the story later). I wish they would just stay in their own sandbox and not come pee in everyone else's. Cult like behavior in action.

Okay, deep breaths. I’m grad I got that one off of my chest, but my blog is getting very ranty. I’m going to try make sure my next post is a positive one.

Happy weekend everyone!

[f1shipbracket]

Welcome to The Ship Bracket

After going through all the responses to the form (thank you to everyone who participated) and fighting against Excel, Word, and several Bracket-Making websites, I am proud to present the Very Unofficial Formula 1 Ship Bracket:

The ships were ranked making an average of the number of entries and the number of fics on ao3, with the top 32 ships making it into the bracket. I'm sorry if your favourite ship didn't make it in, but even some of my favourites didn't make the cut 😢😢.

The bracket is seeded, meaning that (based on the ranking explained above) the highest contender is going against the lowest contender, the second highest against the second lowest, and so on.

Here is a list of the matchups:

Group A (left):

Daniel Ricciardo/Max Verstappen vs. Charles Leclerc/Lewis Hamilton (finished)

Max Verstappen/Sergio Pérez vs. Pierre Gasly/Yuki Tsunoda (finished)

Carlos Sainz/Charles Leclerc vs. Esteban Ocon/Pierre Gasly (finished)

James Hunt/Niki Lauda vs. Lewis Hamilton/Sebastian Vettel (finished)

Kimi Räikkönen/Sebastian Vettel vs. Lewis Hamilton/Valtteri Bottas (finished)

Kevin Magnussen/Nico Hülkenberg vs. Lando Norris/Oscar Piastri (finished)

Lewis Hamilton/Max Verstappen vs. Lando Norris/Max Fewtrell (finished)

Charles Leclerc/Daniel Ricciardo vs. Carlos Sainz/Lando Norris (finished)

Group B (right):

Charles Leclerc/Max Verstappen vs. Fernando Alonso/Jenson Button (finished)

Jenson Button/Sebastian Vettel vs. Fernando Alonso/Mark Webber (finished)

Alex Albon/George Russell vs. Logan Sargeant/Oscar Piastri (finished)

Charles Leclerc/Lando Norris vs. Charles Leclerc/Sebastian Vettel (finished)

Lewis Hamilton/Nico Rosberg vs. Fernando Alonso/Lance Stroll (finished)

Jenson Button/Nico Rosberg vs. Mark Webber/Sebastian Vettel (finished)

Daniel Ricciardo/Lando Norris vs. Esteban Ocon/Lance Stroll (finished)

Michael Schumacher/Mika Häkkinen vs. Charles Leclerc/Pierre Gasly (finished)

Schedule:

I will post one poll per week, starting with the first matchup of Group A on the 4/3/2024 (4th of March) and each poll will be open for one week. According to my calculations, this will be over by October.

Rules:

I have experienced how fandom brackets like this one can cause chaos and drama, so I just want to make some things clear from the get-go:

Feel free (and very encouraged!!) to make propaganda for the ship you want to support and reblog the poll with said propaganda.

Vote following whatever criteria you want. If you want to vote because you like the ship, go for it. If you want to vote because you think the ship has more historical significance, go for it. If you want to vote because you like/don't like a driver or a team, one again, go for it.

Please don't bot the polls. To be perfectly honest, I don't think I can do anything if it happens, but we would all like this to be a fair fight.

DO NOT harass other people or the mod. This is an fandom poll on the internet about shipping, don't let it bleed into real life consequences. I know where the block button is and I will not hesitate to use it, I recommend everyone else adheres to the same principle should someone make you feel uncomfortable.

Have a fun time!! I decided to make this to see how it develops, and I hope everyone else can enjoy the experience too.

Feel free to ask any questions.

[f1rewalk3r]

I want to listen to some "car seat headrest" to better understand you and henghost. What do you recommend

well first and foremost i would recommend not doing that. if you’re dead set then i must give you the caveat that much of the CSH discography is about 1) going through a homoerotic breakup 2) being a desperate drunk degenerate college student 3) leaving town or 4) all over the above. if none of these apply to you then you may find that CSH doesn’t quite “click.”

Car Seat Headrest is the internet’s indie darling, started in 2010 by Will Toldeo. It was not his first project, but was his most successful. He released 12 projects on bandcamp (including the now delisted “numbered albums” and their outtakes) before being signed to Matador Records in 2015, releasing 4 albums under their label.

Stylistically, CSH can be a bit all over the place. Although they will always fall under the indie umbrella, they’ve gone from experimental lofi “shitgaze” (shitty shoegaze) to experimental electronic tracks, to 90s inspired garage rock to full on electronica pop. They have a little something for everything!

With that said, there are two available routes for you. the first is to start with one of the most popular albums, then work your way backwards in the discography. Alternatively, you can start at the very beginning, experiencing the growth of the lyricism and production quality.

Of the two, I’d recommend the former option, meaning you should start with Teens of Denial (2016), an album about growing up, being a sad addict, and not knowing your place in the world. your other option is to start with the ultra famous Twin Fantasy (Face to Face) (2018). Often considered Will Toledo’s magnum opus, this album is about being gay, falling in love, being a little too fond of drugs, and ultimately ruining things in your relationship due to your inability to see yourself as human/stop idolizing your partner. I am not responsible for any damage listening to this album may do to your relationship. (this warning comes from anecdotal experience)

Whichever album of these two you pick first, your next step on the listening journey should be the other option. My immediate next pick would be to jump all the way back to Twin Fantasy (Mirror to Mirror ) (2011), the original, shittier(?), lofi version of TF. Do not let its production quality deceive you- this album is just as good as its modern remaster.

You could then go to the Living While Starving EP (2013), as MtM has introduced you to the more lofi sound that is iconic to much of the CSH discography. This EP features some classics like “It’s Only Sex” and “Reuse the Cels.”

From there, you should go to the fandom’s favorite album, How to Leave Town (2014). I don’t think words can describe this album properly. It’s like listening to the audio version of a panic attack. It’s indescribably good.

And if you get that far into the discography, well. I’m afraid it’s too late for you then.

I hope this serves as an insightful entry guide into Car Seat Headrest! Show henghost and maybe he can back up my claims/recommendations. Oh, and if you smoke weed at all, I’d highly recommend choosing to smoke while listening to Twin Fantasy. It truly makes the experience, especially if you smoke too much and spiral out of existence during the track “High to Death.”

[savebylou]

Hi❤

I've never posted or reblogged anything at all ever because I didn't see the point and I find the thought so scary. This is like my safe space - and exept from sending an anonymous ask sometimes (It was not until quite recently I had the courage to and felt safe enough to do so.) - I kind of don't want anyone to see me. But now I am considering to start reblogging posts that I like instead of just liking them. Because I've seen a lot of posts recently about how important it is for fandom and tumblr itself.

I know that there's probably a lot of posts out there about how to use tumblr, but do you have any tips about how/where to start? And can you go back and write tags on your post after you have posted them or is that impossible?

Thank you for being here, I think you are very important to this fandom and I love your blog. Hugs from me❤

Hi anon! Sorry for the late response. First thank you for sending your ask, the last part of your message make my day, I really need it that. I think is amazing you had find the courage to send asks and interest to reblog content that is wonderful. This is a long post so answering below resources of how to tumblr and tutorials:

I totally understand the feeling of just wanting to see content, I was a lurker for months before I really have the motivation to start being active and it can feel intimidating sometimes because is not something we used to do, but with time you start to feel comfortable.

For resources here are some:

1.This post explains some basics of how to tumblr, how to use the tags, some suggestion in your profile and just general recommendations of how to behave on tumblr.

2.For personalize your blog: I recommend this post of making your dash in chronological order and this one about shorter posts. Also how to put some basic info in your bio (I will said that you don't need to put some much details of you, not even your name depending of how much you are comfortable to share, but the basic is just changing your profile pic and put some info like what you like or something along those lines so people know you are not a bot).

3. For using gifs in posts this is very useful.

4. How to find a post.

5. Protect your blog from AI resarch propouse.

6. I like this post reflecting on the reblogs, how your blog is a space to collect your shiny fandom objects. I see it as like my dairy of the fandom, post and reblog what you like to have this as a memory.

7. In case you want to make a post but don't want anyone to reblog your post.

My advice on how to tumblr:

1.Curate your own experience: Follow the people that you enjoy their content, filter the tags that you are not interested to see (I will put below how to), in case you keep seeing content for someone you disagree and don't like unfollow or block them.

2. You can reblog without the need to write tags or you can write tags, that is up to you.

3. Always be kind and if you don't like a post don't engage with it, ignore it.

4. Enjoy! Tumblr is to have fun, the moment that starts to not being fun, reflect of what you need to enjoy it or put some boundaries that you need so it doesn't affect you.

5. Don't overthink it. It feels very intimidating when everyone has their own mutual bubble but this is a very welcoming fandom if you follow people that you enjoy.

6. Try not to worry so much about follows, likes and reblogs. People come and go, you stay true to yourself regardless of who follows you or don't, is hard to get someone to follow you especially at the beginning but just try to focus on your blog and having fun.

7. Don't be afraid to interact, send asks, or talk in the tags, people enjoy it as long as your are kind. I will also say don't spam the asks hehe, if you want to share your thought make your own posts as well.

8. If you are a creator: In case you want to create something and share things do it for yourself and no one else. Is hard to get people to see yor posts but still don't lose the joy to share content regardless if people see it or not. I will add that for post of your own creation add tags so more people see it, for example if is about louis put the tag #louis tomlinson (there are also some especific tags that other blogs follow to reblog creators let me know if you want them).

Tutorial:

-Filter tags: This is super useful to not see content that either you are not interested or is triggering. First you go to Settings>Account

After this you go to the part Filter Tags and click on the edit icon on the right.

It appear a space where you can write the word or words to filter, when you are done you click on add.

After that it will show you this:

You can add filter tags as much as you want or remove them in case you need it. On your dashboard the filter content will appear like this:

Only if you click on view post you will see the content otherwise it will always look like that the filter tags. The only problem is when people don't use tags so you can't filter those posts.

-How to edit tags: About your question on edit the tags after, you can totally go back and add tags after. Here is how:

This is a post of a reblog I made, in the right corner there is a icon of a pencil that means you can edit, tap there.

It will show you either your tags or the post without tags:

You start writing in the add tags. The trick for the tags is that you write your word or phrase and to end your tag you tap the # that will automatically save that tag and let you go to the next one (there is a limit of words for each tag but you can still write in the next tag). When you finish you click on save and your tags will be save.

And because my brain is half a meme a funny post about reblogging.

I hope this is useful and not very confusing. Let me know if you have a specific question and I can make you a tutorial or share resources.

Thank you again for your ask, your motivation to want to reblog and for your sweet message it means a lot.

I hope you have a lovely day/afternoon/night. Sending you a big hug too.

[thatneoncrisis]

I was just catching up on your most recent fic after a busy week and saw your AN and came here looking for more clarification.

I guess I don’t understand why you felt the need to take it upon yourself to write something that you knew would get the attention of the people you were satirizing. Your whole stance on fan fiction (based on your own personal statements in both your asks and your ANs) seems to be that if people aren’t doing it the way you personally like, they shouldn’t be doing it at all. You keep saying you want people to just talk to you about it but why should they when you haven’t extended that gesture to them?

Also it’s very odd of you to be speaking for an entire group of people you yourself do not identify with. To what end exactly? So you can pat yourself on the back and tell yourself you fandom correctly while everyone else doesn’t? Did someone come to you and ask you to advocate for them? It just doesn’t make sense why you felt like this was your responsibility to correct or something.

It kind of reeks of moral (and fandom) superiority, like you’re just doing the most to educate people (which is. Not a thing we need in fandom spaces) and keep them on your straight and narrow instead of letting fandom works be what they are which is, for most people, a fun, exploratory way to engage with the source material. Your GOTCHA attitude towards readers who were enjoying your “bland” fic was very shocking. It does come across like you just want to embarrass people who enjoy those types of stories and tropes and make yourself feel enlightened and better than them because you thought outside the box.

I don’t know. The idea of using these tropes as a tool to spring “THIS WASN’T REAL” on readers is fun but I think it would have been much better if you hadn’t actually been making fun of other people. That kind of spoils the whole experience of your fic. I’ve been a fan of your writing and art for a long time and I do genuinely understand the desire to have people write more of what you want to see/write things that feel more in-character, but the approach here is confusing and off putting and it’s pretty disappointing to see you openly hurt people just because you like dicking around and can’t just scroll past stories/ideas/headcanons you don’t agree with.

Anyway I doubt any of this will change your mind about what you did and I doubt you’ll even care about what I have to say about it. It’s hurtful and upon deeper inspection and reading and rereading the fic and your AN and asks, I’m pretty sure I’m one of the intended targets. This is kind of word vomit at this point as I try to get my thoughts out but you asked for the people you were criticizing to reach out so here I am. Discouraging and disappointing but I hope you found what you were looking for I guess.

see thats like. completely antithetical to the point ive been reiterating for like a week. i CANNOT stop anyone from writing and i dont want to this is not the take away and it never has been. if they want to write fifteen fics like that to spite me then good on them i really just

cannot keep saying enough that i dont want anyone to STOP writing. this was just me kind of screaming in the dark because i see the exact same patterns repeated over and over. you should never ever stop creating because some fucking nobody is frustrated with the content produced en mass for free as a hobby. there is no actionable Thing that can take place here i cant stop anyone from writing any of this i just kind of wanted some people to Think about what they were reading. ive gotten messages from people saying they didnt like the initial tone of the story before chapter 4 but kept reading it because they were desperate for content. thats nuts to me! but i also understand that those people just have very little to choose from. if anything i want MORE people to write

like i keep saying again and again i do not want and cannot stop anyone from writing whatever they want. im not your mom! and to a certain degree, this did come out of nowhere there was no big thing that set it off, it was just me being obscenely frustrated.

and what i am REALLY frustrated about is how presumptuous youre being! i do feel bad that i hurt people and i decided basically a day after i posted the chapter i would never do something like this ever again. theres just too much room for misinterpretation. you are actively reading me as malicious like we can just talk in dms. "im so disappointed in you" YOU DO NOT KNOW ME. THAT is the shit that is getting to me youre acting like i am incapable of acknowledging how i know this fic could have been interpreted. its up now i made my bed im not going to plug my ears and pretend a public vent wouldn't catch people unawares. i am no stupid and do not treat me as such

i am actively choosing not to post most of the asks i get in FAVOR of this because they are dumping on the kinds of fics i dont even necessarily like and i think that's just adding on. again this is why i spoke about braid tropes used, shit that could basically be applicable to any fandom, and not a particularly fic. i didnt want to go into someones comments or dms and say hey! your fic is personally, to me, bad and hard to read, might you explain yourself? like theres nothing TO explain its aet it just exists how it is. there was no nice way of doing this kind of thing, but itd be so sweet if people didnt call me a friendless clout chaser and do some "you'll never work in this town again" shit.

[snickerdoodlles]

emberfaye replied to your post "choose violence ask game except its just me complaining about fic tropes..."

☕☕☕☕

am going to do my absolute BEST not to ramble too much here, but okay so!! 4 Chay things that will have me back-flipping out of a fic at the speed of light:

babyfication of Chay

i just. ugh. ugh. he is not a baby. he's a 17-18yo guy who half-raised himself due to some shit circumstances and took care of himself entirely by himself for minimum several months. the only difference between him and an adult is that he's not making his own income. Porsche and Arthee doing their best to give Chay as much of a childhood as they can afford him still doesn't change the fact that Chay grew up young and fast just like the rest of this cast. if he acts uwu innocent baby i'm gone. if the author calls him an uwu baby in their notes i'm gone. ugh.

being weird about Chay's or Barcode's age, specifically in regards to sex

as above, i'm pretty shirty about people babying him in general, but fandom is plain weird about Chay having sex. esp him and Kim having sex. 1. their age gap is not that big, and their circumstances have left them on pretty equal footing re the growing up too fast thing. 2. please assess why you think 18 fixes whatever your concerns are with 17yos having sex. 3. teens have sex. dunno what tf was happening with the rest of you but i knew kids even young as junior high who were already fucking. sure, i thought they were fucking idiots for it, but my concerns about people having sex young are rooted in the fact that sex is an inherently very vulnerable act and that's a lot to put yourself thru emotionally during the age range when everything's a wild emotional cocktail. but like. teens still do it. teens are gonna experiment with adult things and sometimes that means experimenting with sex. i personally might not think it's a good idea, but something not being a good idea doesn't inherently make it a bad one either. please stop being weird about it thanks.

calling Chay "bambi"

i just really don't like it. part of it's related to the babyfication thing, but mostly it's just one of those silly things my brain went nOPE on and oh well. back click. 😂

mischaracterizing Chay's anger

so like. this one is tricky because a lot of it comes down to personal interpretation of canon, but also like. a lot of my mischaracterization gripes involves people writing tropes or drama anger instead of Chay's anger, so. yeah. 😂 a lot of people default to writing explosive anger because it's easier to write, but in canon Chay is just. so completely not explosive. and it's not because he's bottling up anger (which!! even if he was, suddenly exploding due to pressure isn't a good thing, gah).

a lot of Chay's personality stems from Needing To Be Okay. a lot of Chay's personal motivations are trying to help Porsche with his burdens and when Porsche won't let him take on extra responsibilities, Chay does what he can to not add to Porsche's plate. and part of not being a burden is quietly dealing with his anger and resentments on his own time. (another factor playing into that is Porsche and Chay really only have each other-- Porsche deals with his anger very quietly too, and it's very characteristic of how they really don't want to hurt each other because they don't have many other people they care about, so they remove themselves from tense/bad situations best they can to reflect on their anger and return to talk about it after they've calmed down.)

Chay is fierce in his anger, but he withdraws when he's pissed and he always tries to talk it out with the intention of achieving clarity. and if i don't feel like a story's going to handle Chay's resentment/anger in a way that feels true to how it was shown in canon (there's a few litmus tests but mostly i'm going by vibes), i just click out because i already know any plot conflict won't feel fully or properly resolved to me in the end :/

[ send a ☕, get a bitchy* fic opinion ]

*personal opinion, I'm not going to be mean

[sgiandubh]

The sound of silence

With the end of August already in sight - somebody, please, tell me where did this botched summer go, all of a sudden? -, a somewhat different landscape is slowly emerging, on the S&C front.

Dare we hope? The new normal seems to be a mix of latergrams, sibylline tweets, ultra-muted innuendo (most of it the result of a couple of pundits' sterile speculations on meagre hints dropped on purpose) and secondary (even third-circle) players being conveniently called to the rescue. A low budget, almost homemade solution to keep the prayer wheels of this fandom spinning. A fandom both of these two know, by now, like the back of their hands.

For months and months in a row, I tried to understand something that puzzled me constantly: not the messages being ventilated in here, but their circuit and lifespan, if you want. For what is worth, the rinse and repeat image is fine in my book, but in no way comprehensive, nor intellectually satisfying. And then, a couple of weeks ago, I started to suddenly figure it out.

I am not going to insult you with savant jargon or Venn diagrams, rest assured. However, I need some arrows. I called it the 4 R Circuit and here we go:

(an information is being) Released (via Anons or DMs exclusively: it's never sheer luck, that is a bloody lie and a poor one, at it) -> (it then prompts a couple different) Reactions -> (followed by an almost immediate) Retcon (by the other side of this very antagonistic fandom) -> (in response, an old information is being) Recycled (thus effectively keeping the chatter alive, but re-oriented until ) -> (a new or old/new information is being) Released

Historically, the lifespan of this news cycle was never shorter than 24, but seldom (if ever) longer than 72 hours. This summer is a resolute break off this pattern, but old habits die hard: the collective attention span has been also conditioned accordingly.

And how could it be otherwise? Because neither of them had any consistent A-list level gossip history, the emerging fandom had to resume itself to their social media accounts, for a start. And boy, were we copiously spoiled, with banter and innuendo and double-entendre galore, and then with voluble Anons being simultaneously directed to the main players of all the factions. I bet it was elating. I am sure it was also great fun: a merry, sunny age of innocence. Until it wasn't and the ugly manipulative streak began its inglorious march in here. The thirst grew, and so did the stakes. Pictures, pictures or it did not happen. And when we got them, we started to immediately diss and hiss and hum and drum. In the Real World (you know, out there, where we all go every morning and are civilized, amiable people), this kind of behavior would be more than uncanny: it would be uncalled for and drastically sanctioned as such. But, I digress.

The result of this disco inferno by design is a pattern of reactivity I have never seen in my entire life. Nano-inquisitors immediately spring out of their chairs once you dare write something: why did you say that? how dare you speak your mind, you are supposed to be a stupid, stupid shipper? In the meantime, almost nobody bothers connecting the dots, finding a solid background for arguments, placing facts or speculation in a logical context. It's frowned upon. Yet, the whole experience would be way more enjoyable, if instead on focusing on idiotic and obviously doctored details, we could bring some perspective to all this hubbub.

Last case in point, this freshly baked imbecility:

We all know who the fuck Brave Heart is: the kilt obsessed, once Mightiest Troll of Mordor. The one who invented by herself the grotesque story of the Hôtel Costes Rash sightings, last April, via Anons written in painful English. Also, the one who spun, based on a friendly snap at a sportive event, the Ellenwood Innuendo, promptly ditched - it didn't stick well enough- now reactivated. A sample:

Calling all stations: there is no side exit at the Hôtel Costes' restaurant, you fool, who's been to Paris as often as I went to Oahu, which is to say never. There is a back exit, through the kitchen, madam: next time, do your damn homework properly! Unlike you, I often went there (I preferred other, less nouveau riche playgrounds, that being said), back in 1996-2002, when it still was the boldest celeb' spotting venue in town. Not anymore. And who in their right mind would bring luggage or shopping bags in a very peculiarly laid-out French restaurant, without immediately taking the risk of being a conversation stopper, a bull (heh) in a china shop?

The "have seen it with my own eyes" gave you away, this time. A classical, by the book way to spin a cheap lie.

Also, C's witty latergram, via a tertiary player. I am sure (and I will film myself eating my socks live, if proven wrong) that back in Mordor someone already came with the agit-prop retcon: "it's irrelevant when the picture was taken".

It is very relevant. July 31. One day before August 1st: I always admired her humor. But who would take the time to tell 1+1= 2?

If I could gift this fandom anything, let it be this: context is always important. Manipulation starts exactly when you stop questioning and let your brain live the 72 hours news cycle.

The only real sound of this August, on the S&C front, is the sound of silence.

I rest my case.

[sensitiveheartless]

20 questions for fic writers!

Tagged by @feralrookie! :D Thank you for the tag!!

1. How many works do you have on ao3?

10! (technically, kinda)

2. What's your total ao3 word count?

379,547

3. What fandoms do you write for?

Just Bungou Stray Dogs! It's also the first fandom I've written for, actually. :D

4. What are your top 5 fics by kudos?

This is how it feels to take a fall (Dazai goes feral, time shenanigans)

Plate :( (Dazai breaks a plate, experiences emotions)

Dazai and the Moving Detective Agency (Howl's Moving Castle AU)

Chuunyaa's Pawsitively Catastrophic Day (Chuuya is turned into a cat, it's short and pretty much just shenanigans)

Wish in one hand (First fic I wrote, and the first one I posted — Dazai has emotions about handholding)

5. Do you respond to comments? Why or why not?

I try to, but I've been absolutely terrible at it lately — whenever I'm particularly stressed I start worrying that the negative emotions are going to leak through into what I'm writing and make my tone sound weird, so then I end up turtling in on myself and not saying anything at all, no matter how much I want to engage with people. It's a bad habit, and I want to work on it, so I'm gonna try to catch up on comments! (I treasure every single one of the ones I receive, so for anyone who has left a comment and hasn't gotten a response from me yet, thank you and I am very sorry about my inability to form words in a timely manner skdjfksd)

6. What is the fic you wrote with the angstiest ending?

Probably An Unsent Letter, since it's pretty much just a short snippet of Dazai being sad while he's leaving the mafia. And even with that one, I have in my head that skk still get together after the four years apart, I just didn't write it. I am dreadful with sad endings — although the ending to "This is how it feels to take a fall" is a little bittersweet, perhaps.

7. What's the fic you wrote with the happiest ending?

Hmm...I'm gonna say Dazai and the Moving Detective Agency, because it's the one with the longest buildup, so I think it has the most catharsis, at least for me! But I tend to give all of my fics happy endings because, as established, I am a wimp when it comes to hardcore angst. I will say that Zut Alors I Have Missed One is probably a contender for happiest as well, just because that fic had no angst whatsoever and was just Unhinged

8. Do you get hate on fic?

Nope! Everyone's been lovely! I have gotten some for my art, but honestly it was pretty toothless and I couldn't take it seriously lol

9. Do you write smut?

...Yeh. :0 There was an attempt, at least — one fic, and I made it anonymous (so on the extreme off-chance that anyone notices a discrepancy between my total ao3 wordcount listed here and the summed up wordcounts of the fics viewable on my profile, that's why!) It's also another fic I need to finish, I hit my writing roadblock with that one at the same time as all my others, and it's almost doneeee I just need my brain to cooperate >:|

10. Do you write crossovers?

Not any proper crossovers, only things like the Howl AU and the Little Mermaid AU, where I took the settings/plots and put in BSD characters.

11. Have you ever had a fic stolen?

Not that I know of!

12. Have you ever had a fic translated?

...Possibly? I'm not actually sure, I've given a couple people permission, but I'm not sure if anything came of that, I haven't heard one way or another :0 I do have a tendency to use puns, which I realize might make things difficult for translations

13. Have you ever co-written a fic before?

No, not so far — and given how tempestuous my schedule has been, it'll probably be a while before I attempt anything like that! Sounds fun, though

14. What's your all-time favorite ship?

...I mean, it's gotta be soukoku, because for all that I've enjoyed a lot of fictional pairings before (for example, Howl and Sophie specifically from the HMC books, Beatrice and Benedick from Much Ado About Nothing — I like bickering duos, what do you know — Peter Wimsey and Harriet Vane, currently falling down the Hualian rabbithole because I'm reading Heaven Official's Blessing with my friend, and there's lots of other ones), for as much as I like all those, I haven't really had much of an urge to write anything for them.

So, purely in terms of me wanting to mess around with two characters and write them over and over and over again, it's really only skk! They hit the exact right combination of braincells, I guess lololol

15. What's a WIP you want to finish but probably won't?

Hmmm...honestly, most of my WIPs I still intend to finish at some point or another — first priority being the ones I've already started posting, of course! Although...just due to time constraints, I might not get around to writing the thief!Chuuya/detective!Dazai one I was planning a while back. (and I mean a WHILE lol) I didn't write very much of it, and honestly most of the reason I wanted to write it was for comedy — so maybe I'll turn it into a short comic series instead, because I do think some of the bits were funny :0

16. What are your writing strengths?

That's a hard one; I tend to look more at the ways I want to improve my writing then at what I like about it, and I nitpick just about everything I create, art and writing alike. But if I had to pick something, I would probably say dialogue? That tends to be what I write easiest, at least. I still want to get better at that too, though.

17. What are your writing weaknesses?

Descriptions and action scenes. I've been making myself write them more, so I think I'm slowly improving (the Howl AU has been great for that! It pushed me to write all sorts of scenes I wouldn't have normally :D ), but those two things remain what I get bogged down by the most.

18. Thoughts on writing dialogue in another language in fic?

Depends on the circumstances, I think? I'd include translations if I did. I do tend to include Japanese honorifics when I'm writing in the canon universe, because there's not really english equivalents and it feels like I'm leaving something out when I just do their names straight — although I did take them out when I was doing the Howl AU and the Little Mermaid AU, just as a setting thing.

19. First fandom you wrote for?

Bungou Stray Dogs — like I mentioned in the ship section, this is the first fandom where I've really felt the urge. Although I did write things when I was little that very blatantly yoinked in various creatures and concepts from the things I was reading and watching, which resulted in stories with pirates and weeping angels and Ringwraiths all running around in the same place. But I didn't usually bother with bringing in actual characters from those pieces of media, or even using the settings, I just made ocs and had them run around in my own made up world.

20. Favorite fic you've written?

I like all of them for different reasons, but I think my favorite overall has to be Dazai and the Moving Detective Agency. It's the longest thing I've ever written, and when I started out I wasn't sure I'd be able to do it — so the fact that it's most of the way done (currently chipping away at the epilogue, it is getting to be a LOT of words) makes me really happy. And it's just been so much fun! Writing characters I hadn't before, piecing the world together, working out the magic system, writing Dazai being a mess and Chuuya being cool, it's all been a blast. And I seriously need to finish the epilogue, because the followups are living in my brain and they demand to be freed aksdfjksdjfk

But yeah! I'm not sure how many writers I know on here have already been tagged, so I'll just go open tags on this one! :D If any of y'all write and feel like doing this, then go for it!

[olderthannetfic]

I think Tumblr ate my Ask since I’ve seen other Asks I sent in after it were already posted.

Genuine advice question: when does a fan fiction stop being a fan fiction and become an Original Work?

I am right now writing a story that is set in the universe of an established franchise and is about the children of some of the protagonists. But they’re all OCs and the fic takes place years after canon. The bulk of the story takes place in a location that has been established in canon but the franchise hasn’t used since the early 2000s

Should I tag this story with the fandom tag or as an Original Work?

Or, should I just not post it at all? I’m a veteran of FFN 2002-4 era when people who wrote OC centered fics were bullied and harassed extensively, I don’t want to go through the same experience now

--

This is a duplicate, obviously, but to respond to the first part, I sometimes post things right away if tumblr fucks up when I'm trying to get to the 'add to queue' dropdown. I might also post them right away on purpose if I'm interested and want responses faster or if I'd like them to hit at a good hour on a weekend or something.

Right now, I'm waiting for three or four days before going through my inbox, so I do usually scroll back to find the first of 60 or 80 or whatever. But if I'm logging in more often, I'll usually just start with whatever ask I see first, not the earliest one sent. I'll sometimes also scroll up and down a little, looking for ones that are happier or about a different topic to break up something that's getting tedious.

It totally is possible for tumblr to just eat something, but my queue is also days long and not necessarily in order, so it's hard to tell.

--

And you should tag them with the fandom. Original vs. fic is about intent, not the actual degree of originality in the work.

If you're lifting some ideas from someone else's world building with the intent to make something basically original, it's Original Work. If you're setting out to write a fanfic in a canon world but populated by OCs, that's fic. Yes, even if some OC-haters whine about it.

[smaeemo]

Honestly? I really use tumblr for a couple reasons

1. Fandom spaces (mainly spn, and 911)

2. Indulging my interests

3. Sharing my hot takes/perspectives

4. Brain rot

5. The rest of social media is pretty toxic

And what I will say, is that the whenever I make a post regarding a criticism that I am making, it’s less of an attack (even though it may seem like it) and more of an analysis or retrospective discussion. Like truly, if there is someone that disagrees with me, I want to know why.

The honor and the privilege that I have is to educate myself/have conversations about different perspectives. Like if I make a post about how much I hate the color blue, I genuinely want to know why some people do.

It’s not baiting, moreas I want to share my opinions/perspectives to both my followers and to potential followers. Along with wanting to see what the response is, building an opportunity for constructive/informational conversations.

And im not gonna sit here and pretend im perfect. I suck at communicating sometimes and honestly? I’ve been a part of some pretty cringe fandoms (I was the cringe part) but I am actively trying to do what I wish other people will/would do regarding fandom conversations. Fandoms and fan community is such a unique thing that constantly is changing and has also stayed the same. For many it can be the literaly epicenter of their personality or life, therefore criticism or difference in opinions can be really upsetting. Like once I literally had an entire arguement about it with my friend, and it was super embarrassing but it was also something that made sense to me.

So yeah, anyways I kinda lost sight of what this rant was about, but like. If you see something I post that you don’t agree with, lets have a convo, you’re entitled to your opinion as much as I am. I just speak from my own experiences, and experiences change and so do people.

Anyways — As always, send q’s and fun things, reblog with your controversial takes, and send fic recs.

XOXO,

Leenya