#I am not the person for this conversation
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I am not EVERY autistic person so this probably won't be a total coverage approach, but here's what I have learned:
People like to feel that you pay attention to and remember little but important things about them. And when someone is "small-talking" with you, it is often because they either want to offer you some of that info about themselves, or they want to pearn it about you so they can "return the effort". I think of it a bit like call and response with my cats! They don't understand me, and I don't understand them, but when I walk into the kitchen each morning, Lup runs towards me excitedly making her tiny little squeaks and trills. That's kitty small-talk! Many words of all varieties just say "I love you! I missed you! I'm happy to be here with you today!"
So I answer her! Sometimes I mimic her little sounds, and other times I pretend we're gossiping like church ladies (*gasp* NO, you're KIDDING, he said THAT?? What a scandal!") But whichever I do Lup gets excited and continues her little "conversation" with me.
People are harder. I had to really take time and practice different ways of responding before I found appropriate "call and response" for small talk, but I found that there are genuinely more options than you'd think. And the same thing happened! As I learned how to "call and respond" to small talk, I found that people would excitedly approach me to have it, and gradually we got to know each other enough that the "calls" coming from both sides got less general, more tailored to our personal preferences and interests, and I didn't have to small talk as much (but when I did it wasn't as scary either)
This isn't just my personal theory either! A fair amount of research in interpersonal/social in-group dynamics suggests that "bids for attention" like small talk function in this way of call-and-response intimacy/connection building. I have found that a LOT of social etiquette gets less scary to navigate when I at least understand the function of it. It also gave me some understsnding of why people might be hurt when I visibly don't WANT to "respond" to a "call" they've made: I'm the same way about my "calls" I just use different ones! The way I feel when I ask someone "would you want to hang out with me in the kitchen while I make lunch?" (Sad, a little anxious or vulnerable, maybe hurt if they've said no to a LOT of recent calls, etc) is the same way others feel when I decline theirs! That doesn't change if it was MISSED rather than DECLINED, but it can be repaired! Ao another thing I've taken to doing is naming for people the calls I have learned I'm most likely to miss. I know I have a hard time understanding/recognizing small talk as a call to attention, so I let people know that! And generally the people I connect best with are the ones who notice I missed a call and offer me an explicit/direct opportunity to reject it before internalizing what I've done as a rejection. This isn't really an option for everyone! And while I'm always delighted when someone is compatible with me in that way, I don't get upset if they're not, and work to not take it personally as something I'm doing wrong either.
Anyway, this got rambly at the end there, but the point is, most social interactions have a FUNCTION and while being autistic frequently means that we struggle to learn and interact in these systems as they currently exist, but that doesn't necessarily mean that we don't also depend on those functions. I think it can be easy to forget that part of the "disabling" effects of social/communication symptoms in autism is how it cuts us off from systems of support, care, and human interconectedness (things we still NEED) and it can matter to our quality of life to be able to find compatible alternatives to fulfilling those functions even if the original mechanism (small talk in this case) doesn't suit us.
Being bad at small talk doesn't mean you don't need friends, but it will probably make it very hard to MAKE friends. And we each and all deserve to decide for ourselves what to do about that.
I'm trying to figure out a good way to say "you really should actually learn the basics of small talk" with sounding like I'm biased against autistic people.
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a/n. i really don't know where i'm going with this, y'all. but getting to role-play as a therapist and explore bakugou's psyche has been lots of fun, so bear with me. please let me know what you think and/or would want to see! maybe that'll give me an idea lol. (1.1k)
navigation. part 1, part 2, (you are here)
“n-no.”
at that, the woman’s eyebrows shoot up, disappearing underneath her fringe. “no?”
“you heard me,” bakugou spits instinctively, immediately regretting how hostile that sounded not even a second later. “i mean, no, i didn’t.”
his therapist, apparently unfazed by his show of aggression—she must’ve gotten used to it by now, although he still feels bad when he gets testy—only jots something down in her clipboard before looking back up at him, an inexplicable expression etched across her features.
“do you have any ideas, then, why, for the first time in seemingly forever, you’re fixating on a particular social encounter?”
bakugou barely manages to bite back a scowl.
he hates it—this part. the part where his psychologist obviously has theories as to why he’s acting a certain way or how he’s actually feeling but chooses to ask him instead, in an attempt to draw it out of him.
as if talking about difficult shit in the first place isn’t already painful enough.
and isn’t that what he’s paying her to do? give him answers? why’d he have to be the one to wrack his brain for uncomfortable answers to uncomfortable questions?
“do you?” he then challenges, emboldened by that train of thought just now.
“yes,” she responds truthfully and without missing a beat it somewhat surprises him. “but as i’ve explained to you before, i think it’ll be helpful for you if we try a more active approach on your end so that any insights gleaned from our discussions become more personalized and stick with you longer.”
well, then. fuck.
the lady’s got a point.
“so,” she continues when he doesn’t reply, annoyingly aware her little spiel got to him, “any ideas? working hypotheses?”
“uh,” he starts begrudgingly, eyes roving over the bookshelves lining the room’s walls as he struggles to come up with another angle. then it dawns on him, and he looks directly at the woman. “i didn’t expect to see someone in here, and when i did, it caught me off guard.”
“that may be because most of our clients opt for virtual consultations rather than face-to-face ones.”
“yeah,” he piles on quickly, admittedly thankful for the validation, and for the fact. the absolute last thing he needs is to bump into some extras before and after therapy. “that must be why.”
“but how does that explain your, and i quote, ‘dumb as shit reaction’?”
bakugou instantly feels himself flame. he clears his throat, “i told you, didn’t i? it caught me off guard. how the fuck did you expect me to react?”
that must’ve been a reasonable point, thank the fuck, because the woman pauses in thought before nodding slowly. “i suppose you’re right.”
he narrowly bites back an of course, i am.
but then she’s spouting off again.
“although it’s interesting to me how your immediate reaction was to say hi, when that’s not really…how should i say, your style, based on our prior sessions and your personality test results.”
a pause.
bakugou scrambles for a bulletproof rebuttal. he comes up short.
the lady cocks her head to the side, curious. “how often would you say you mull over social blunders?”
never, he thinks to himself. because they never happen.
“i figured as much,” comes her unexpected reply, and only then does it dawn on him that he said the last bit out loud.
“can we talk about something else?” he finds himself suddenly asking, totally over this entire conversation. he can worry about being a loser and pathetically begging for an out some other time. right now, he just needs a break.
“actually, you’re in luck,” she checks her smartwatch, “the session’s just about to end.”
at that, his shoulders almost instantly sag in relief, which makes the woman laugh. he shoots her a half-hearted glare.
they spend the next few minutes summarizing what has been discussed, as well as the arrangements for the following weeks, with bakugou eventually throwing his bag over his shoulders and bidding her a mumbled goodbye. he tosses her a nod over his shoulder as he crosses the threshold of her office, mind already drifting to what he’s going to cook himself for dinner.
and that, for a typical session, he’s walking out relatively unscathed.
but then he does the stupid thing of looking up from where he was studying his trainers when a door creaks open, and he freezes.
because standing a few feet away from him, right beside the entrance to the restroom, is you, equally frozen.
he doesn’t know how much time passes with him just staring at you like a motherfucking idiot, and you, strangely enough, peering at him back, but it’s you who eventually takes a hammer to the silence.
“h-hi,” you offer, voice soft and quiet, just like how he vaguely remembers it from two weeks ago.
“hey,” comes his gruff reply, which would’ve been immediately followed by a wince at how rough his tone was just now had he not stopped himself in the nick of time.
at least he didn’t stutter.
“…b-bakugou, right?” you ask after a moment of neither of you saying anything, confirming his earlier suspicions.
“right.”
you nod, a polite yet somehow stilted smile on your face, and suddenly he’s mentally slapping himself. since when was he fucking bound to one-word sentences?
he decides then and there that this shit won’t do.
in an attempt to convince himself that no, this is just a weird outlier of an encounter for him, and that no, he’s not a fucking idiot like dunce face, and that yes, he is and is being perfectly fucking normal, he resolves to ask you for your name.
and he was just about to do that—he swears he was—when someone from the other side of the door calls out a name, and you whip to face their direction, breaking eye contact.
“yes, doc!” you holler back, and he watches you as you hesitate in place for a second, before turning to face him with an awkward smile.
“nice meeting you, bakugou-san.”
and then you’re off and shutting the door behind you.
he stands there for what feels like a few minutes, just blinking at the door in front of him, what must be your name echoing—again and again—up to the far recesses of his mind.
then: fuck.
he may or may not have just lied to his therapist.
˖⁺‧₊ as always, reblogs, replies, and tags are appreciated <3 feel free to drop an ask, too—i'd love to chat with you. have a nice day!
tagging. @bunnysaursushii @yawnzzzzzzzz @cholios @kashee-h @iluv-ace @lotuslovers @elarakive @sugurusmoon @napbatata @k0z3me @h0ngh0ngh0ng @honeyoru @yoongiwithglasses @hellokitty-doll @lilsebnem @tetsuukuroo @crangrapel0ver @syrhra @qyuin | @kalulakunundrum @cheezemanz @gold24fish @lunaryasha
#or in which we witness bkg's descent into a crisis#jgkgjfk ik i want them to interact more too but the circumstances don't allow for much of that#i'll figure out a way. i will#bakugou x reader#bakugou x y/n#bakugou x you#bakugou katsuki x reader#bakugou imagines#mha imagines#bnha imagines#mha scenarios#bnha scenarios#mha x you#bnha x you#bnha x reader#mha x reader#bakugou fluff#bakugou drabble#bakugo x reader#bakugo x y/n#bakugo x you#bakugo katsuki x reader#katsuki bakugo x reader
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Y/n Nolan & Drew Starkey | Actors on Actors
masterlist
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word count: 9.3K
warning: talks of childhood hod, growing up in hollywood
Don't forget to reblogg and let me know what you guys think.
behind the scenes:
Y/n and Drew sit down for variety's actors on actors for a candid conversation to reflect on their careers, their personal journeys through Hollywood
Y/n Nolan & Drew Starkey | Actors on Actors
Y/n Nolan (‘Anora’) and Drew Starkey (‘Queer’) sit down for a candid conversation to reflect on their careers, their personal journeys through Hollywood, and the roles that have defined them. The discussion touches on y/n’s breakthrough at a young age and the vast array of work she has accomplished, including playing some of the most iconic characters in contemporary horror films. At the same time, Drew opens up about his experience working with legendary actor Daniel Craig, along with his struggle to avoid being pigeonholed into a particular role.
Intro
“Blimey hell, Drew, did you ask him about James Bond?” Y/n says, her voice rich with a classic English lilt, so natural and effortless that it feels like the words are floating out with ease. Her eyes, framed by her signature striking features, twinkle with mischief. “Knowing Daniel, I’m sure he loved it.”
Drew looks slightly amused, a knowing smile tugging at the corners of his lips. “He just kind of started talking about it,” he says, as though it was a conversation that naturally rolled into place—nothing forced, just genuine moments spilling out.
“That sounds like Daniel,” Y/n replies knowingly, her tone dripping with a fondness that only comes from knowing someone for years. Her voice softens as she adds, “He’s very much like that. A bit of a showman, isn’t he?”
“Yeah. Some were fake,” Drew quips with a grin, half-joking, half-posing it as an inside joke.
“Just say they’re real,” she teases, a playful glint in her eyes. Her smile is wide and charming, her tone teasing but warm.
“They’re all real,” Drew responds with a smile that broadens into a full, cheeky grin. “Everything. Everything’s real.”
Jazzy, upbeat music plays briefly as they both settle into the conversation, the camera cutting back to them with soft light casting a flattering glow on their faces.
Drew leans in slightly, his tone sincere as he admires Y/n. “Wow, you’re even more beautiful in person. I must say, I am such a big fan of your work. I mean, you’re only 25, have 5 Oscars, 9 Emmys, and you just won a Golden Globe—that’s incredible.”
Her laughter rings out, clear and melodic, as she blushes at the lavish compliment. She tucks a strand of her platinum blonde hair behind her ear, clearly caught off guard by the sheer number of accolades he listed. “Wow, all this flattery—thank you so much. Truly, it means so much,” she says, the sincerity of her words tempered by a humble laugh. Her eyes shine with appreciation but also with a touch of disbelief that all these accolades are being attributed to her.
“Drew Starkey,” she continues, her tone shifting slightly to more familiar ground, “it is a pleasure to see you again.” Y/n extends her hand toward him, her touch elegant and graceful. There’s no pretense, just an open gesture of respect and camaraderie.
“Likewise, Miss Nolan,” Drew replies with equal warmth. His voice, smooth and composed, betrays a deep level of respect for the woman in front of him. He meets her eyes with a hint of admiration, which speaks volumes about the genuine rapport they share.
“This is funny to me,” she starts, her expression turning playful again. “I was talking to Daniel the other day, we ran into eachother at some coffee shop, about how we’re doing this interview, and he’s like, ‘Drew cannot talk to women to save his life, especially pretty ones like yourself.’ But you seem fine,” she says, teasing Drew with a smirk, clearly enjoying the moment of light-hearted banter.
Drew bursts out laughing, the sound filling the air around them. “Well, it is good to see you. We met, what, a couple of weeks ago?” He flashes a grin, clearly enjoying the opportunity to revisit their brief encounter.
“Yes, we did—quite briefly though,” y/n answers, her voice dipping slightly as she recalls their first interaction. “We stopped mid-conversation because you were like, ‘Let’s save it, but it was in a respectful way since i also had to go.’”
“Yeah,” Drew agrees, nodding thoughtfully. “’Cause we knew we were talking here. Well, at least I… knew,” he says, laughing again, a little sheepishly as he recalls how the timing of their first conversation worked out.
“In all honesty,” y/n adds with a laugh, “you told me, and I just looked at you funny because I had not been aware of that at all yet.” She tilts her head, her eyes wide with playful disbelief. Her laughter is contagious, and the moment feels entirely spontaneous and genuine, like two friends catching up after a long time apart.
“Yeah, yeah, yeah, I could tell that was your first time hearing about it, so I paused our conversation,” Drew says, shaking his head slightly, as if amused by how little he was able to prepare her for the interview. His voice has a smooth cadence, almost as if he’s recalling a funny memory.
“How are you doing?” Drew asks, his voice softer now, shifting from the playful banter to a more grounded, sincere tone. He leans in slightly, interested in how she has been feeling lately, his warm gaze making it clear that the question is about more than just small talk.
she smiles warmly, her posture softening as she responds. “I’m doing quite well, love. I had a lovely iced latte this morning,” she starts, almost savoring the memory of a peaceful morning moment. She gestures as if bringing Drew into the picture, sharing the simple pleasure of the experience.
“What did you get, honey?” Drew asks, the nickname rolling off his lips effortlessly. It’s both sweet and casual, the kind of endearing phrase one uses for close friends.
she lets out a soft laugh, her eyes sparkling as she recalls her morning ritual. “Well, I got coffee with my dearest friend, Elle Fanning, and we went to our favorite coffee shop in LA, i will tell you the name later because i would like to keep it priavate. I love a good iced latte, but I got a Maple Sea Salt Latte. It had Vermont maple syrup simmered with sea salt, and it was just lovely,” she says, her words painting a vivid picture. Her voice is warm and relaxed, and as she describes the drink, it feels as though she’s sharing a secret joy—something small yet meaningful that anchored her day.
Drew, listening intently, can’t help but admire her ability to convey even the smallest moments with such grace. “That sounds amazing,” he responds, a note of awe in his voice. He’s caught up in the moment, picturing the maple syrup and sea salt melding together, and the sense of peace Abbie must’ve felt.
“How about you? How has everything been going for you?” y/n asks, her voice turning softer now, laced with genuine curiosity. She leans in a little closer, her eyes searching his face, not just as a co-worker but as someone who truly cares.
“It’s good. It’s good,” Drew replies, his tone calm but content. “I’m here in LA, which is nice. Have a little break for a little while.” He leans back in his chair, allowing the conversation to breathe, a small smile forming on his lips as he speaks about the rare respite. He looks at her as if he’s grateful for the moment of stillness amidst his busy schedule.
Y/n nods understandingly, her eyes glinting with empathy. “I can imagine,” she says. “A break must feel like a gift in this crazy world.”
The warmth between them is palpable, an ease that only comes from two people who understand the delicate balance of life in the industry—the highs, the lows, and everything in between. The conversation feels like a dance, full of humor, sincerity, and the kind of bond that only two actors who’ve lived through similar experiences can share.
As they continue, the camera zooms out slightly, capturing the intimate yet casual nature of their conversation, the kind of dialogue that could easily stretch on for hours, full of laughter, reflection, and shared understanding.
“You’re from North Carolina, correct?” y/n asks, her eyes narrowing slightly as she recalls a conversation they had before.
“yes I’m from North Carolina, yeah,” Drew answers casually, his tone easy and open, as though he’s prepared to dive deeper into his past.
“What’s that like? Tell me, because I’m actually going to be shooting a film out there quite soon that’s supposed to be set in North Carolina,” she says, her curiosity piqued. The excitement in her voice is genuine—she’s always had an affinity for learning about the places people call home.
“Yes. I’m not from the coast,” Drew begins, the words rolling out slowly as he paints the picture of his roots. “I’m from up in the mountains, kind of… Appalachia—like Southern Appalachia, in the Blue Ridge Mountains,” he continues, a hint of pride creeping into his voice. He pauses for a second, taking in the magnitude of where he’s from.
Just then, a phone starts to ring loudly in the background. Both her and Drew burst out laughing, the sound infectious. The video cuts briefly to black, then cuts back in, a moment of light-heartedness shared between them.
“So, North Carolina,” Y/n picks up again, smiling at the minor distraction, her voice still warm with interest. “Yeah, Southern Appalachia, like up in the mountains. Asheville, North Carolina area. It’s beautiful up there. Very different, though,” Drew finishes, nodding thoughtfully.
She leans forward slightly, her interest clearly piqued. “Tell me a little bit more about Asheville because, in terms of the arts and our world, what does that mean for you growing up?” she asks, her tone sincere. She’s eager to hear how his environment influenced his journey into acting.
Drew smiles, the memories flooding back as he continues. “Strangely, it’s kind of a strange… you know, it’s, I grew up in a very rural area. There’s not a lot around. Kind of these little communities up in the mountains are very… the arts are everywhere,” he begins, the words coming slowly as he reflects on how his hometown shaped him.
“I grew up going to—there was theater, and…” He trails off for a moment, searching for the right words, but y/n quickly picks up on the thread.
“Oh,” she interjects, her face lighting up with recognition.
“Live music, and yeah, it’s strange, you know,” Drew continues, his eyes lighting up as he recalls his childhood. “And then, of course, you’re kind of smack dab in the middle of a national forest. Like, there’s nothing going on. But yeah, I was constantly surrounded by art and artists growing up. Without, like, any… any… you know, there was no kind of accessibility to doing it professionally. It wasn’t like that. It was just—it was kind of around us,” he finishes, his voice trailing off as he reflects on the seemingly paradoxical nature of his upbringing.
y/n nods in understanding, her expression thoughtful. “I get that,” she says, empathizing with Drew’s description of growing up in an environment full of artistic influence but without the means to pursue it professionally.
“But you grew up in… are you from London?” Drew asks curios, picking up hints of an accenet, shifting gears a bit, intrigued by her background.
“No, I’m actually from Nantucket,” she replies, a smile tugging at the corner of her lips. “It’s actually quite an interesting story. So, my dad was from London, but his family moved to chicago but still went back and forth from there to london. He then moved to San Diego met my mom, and then they moved to Nantucket and had me,” she explains, the story rolling off her tongue effortlessly. She seems content, even amused, by the twist of fate that brought her into the world.
Drew, intrigued, leans in slightly, his expression warm. “Wow, that’s a lot of moving around,” he says, the tone of his voice more reflective.
“Yeah,” she continues, her smile softening. “When I was five, things happened,so its just been him and i since then i guess , but i have an accent because i picked it up from my dad’s family , I guess. It’s sort of faded over time,” she adds, a small chuckle escaping her lips. There’s no bitterness in her voice—just an acknowledgment of the path her life took.
“Tell me more about yourself, beautiful,” Drew says, his voice sincere, but also filled with curiosity. His admiration for her is palpable, but there’s a warmth that speaks of genuine interest.
Y/n lets out a soft laugh, her cheeks flushing slightly at the compliment. “I’m what you call a ‘nepo baby,’ I presume,” she begins, her voice light but honest. “Means I’ve been acting since I was around four or five. My dad is a director, but, um, well, when my mom left, he sort of took a step back and raised me all by himself—taking me to everything I was shooting or my dance classes. But we were still living in Nantucket,” she shares, her eyes glimmering with a quiet vulnerability as she recounts her childhood.
“You were a dancer?” Drew asks, his voice filled with genuine interest.
“Yes, oh my gosh, I loved ballet,” she responds, her face lighting up at the thought of it. “If I wasn’t an actress, I would want to be a ballerina. I take classes occasionally for fun when I’m on breaks, but haven’t lately,” she adds wistfully, as if she misses the discipline and art form of ballet.
Drew grins, clearly delighted by her enthusiasm. “I love that. It’s always so cool to see someone so passionate about something.”
“How was school for you while doing all of this?” Drew asks, his curiosity continuing as he leans forward, intrigued by how she balanced everything as a child.
“I actually… my nan, my dad’s mum, she taught me—or I was taught on set ,” y/n answers, her expression softening at the thought of her grandmother. “Sort of well homeschooled in my elementary age. Then when we moved to California I started going to the same high school as Elle , but it was not easy because everyone was constantly harassing me, and it just was trying to get something from me, but Elle never did. i di dnot end up going to college, clearly” she explains, her voice tinged with the fatigue of that early experience.
Drew nods sympathetically. “That must’ve been tough,” he says quietly, understanding the pressure that comes with growing up in the public eye.
“What about you? Did you finish school or even college?” she asks Drew, her voice curious, switching the focus back onto him.
“I did, I did. I finished college,” Drew answers, the tone of his voice indicating that this part of his life was a bit more straightforward. “I spent probably, I mean, three out of the four years trying to leave as much as I could,” he adds with a rueful chuckle, the humor in his voice undeniable.
“You know, I mean, what—you know, I think everybody has stuff that they look back on. They’re like, ‘Oh, my God,’” Drew continues, his voice light but reflective. “But yes, I mean, school—it offered me, I don’t know, ways on how to operate, and test yourself within a bubble, and then kind of go out into the world. To me, it was pretty invaluable, but my younger sister Brooke would say she learned a lot and liked it,” he finishes, his smile widening slightly as he thinks about his sister’s perspective on their shared experience.
Y/n listens intently, her expression softening with understanding. “I get that,” she says. “You find value in everything, even the things you think you wouldn’t.”
“Tell me about Anora. How was that? How was that transition since you’ve been deemed the queen of horror movies?” Drew asks, his voice laced with genuine curiosity as he leans forward, eager to learn more about her latest project.
She smiles, the excitement in her eyes matching Drew’s. “Well, I’m so lucky to be in a film like this,” she begins, her tone soft and grateful. “And I’m so lucky to have had such guidance from someone like my dad, and the Fanning sisters. They’ve been my biggest supporters, having become best friends with Elle on set when I was little, because she was working with my dad. We became inseparable. I was four, she was five,” y/n continues, a slight nostalgia coloring her voice as she reflects on her childhood friendship with Elle Fanning.
“But to be in the place that I am right now… it does feel… it feels surreal. I don’t know, some of it doesn’t quite feel real at times,” she admits, her smile bittersweet as she reflects on the magnitude of her career.
Drew nods, understanding the surreal nature of being in the spotlight for so long. “Filming Anora, oh my gosh,” she adds, her voice tinged with excitement. “I mean, it was completely different for me. You would think by now, in the 20 years I’ve been doing this, I would’ve been in a film like this before, but my genres never aligned with this film—mostly horror or mystery. So being in a drama/rom-com, whatever you want to classify it as, is quite new to me,” she laughs, the sound light and full of joy.
Drew chuckles along with her. “I mean, you worked for Quentin Tarantino and Sean Baker. So, did they pursue you? Did you see the script? Did you audition? How was that jump after working on Maxine?” he asks, genuinely fascinated by how these big-name directors came to cast her.
Y/n’s expression shifts, her thoughts going back to how she got involved with Anora. “So for Anora, Sean had gone and seen Pearl,” she begins, her tone steady, almost like she’s recounting a well-known story.
Drew looks intrigued. “And he went and saw it?” he asks, seeking clarification.
“Yes, he was invited to the premiere. And I think he was already sort of thinking about the plot for Anora,” she responds, her smile growing a little as she recalls the moment. “And he cast me in it just from the film. So, it was the easiest casting process I’ve ever had to go through. I’ve never had to not audition for something before, which to me was absurd, but I was also working on Maxxine already, so I made him aware that I would have to be jumping around from set to set,” she explains, a hint of pride in her voice. “But he was pretty adamant on wanting me to play Ani.”
Drew’s interest piques further, and he asks, “So I’m curious to know, what was your preparation like physically for that?”
Y/n considers his question carefully before answering. “Honestly, going into it because I was also filming Maxxine, I could use some of the things I had already learned from shooting Maxxine and incorporate it into Anora,” she begins. “And there were pole tricks that I wanted to learn, so I started developing my skills with that. It was an exciting process because I was getting to know a new character, but since i have a dance background already it helped shape her in a way. With Maxxine, it was following the storyline of Pearl, and I had already been immersed in her from playing her in X and Pearl, so it was so fun for me to get to understand and dive into a new character,” she says, her enthusiasm growing as she describes her deep commitment to her craft.
She pauses for a moment, reflecting more on her preparation. “Really trying to get to immerse myself in who she is, understand her morals,” she continues. “I asked myself lots of questions about her. I wanted to really go into depth and more detail than I ever have before. So, like, I would know everything about her—like what cigarettes she smokes, what her school life was like, what her relationship with her parents is.”
Drew watches her intently, clearly impressed by the depth of her process. “Wow, that’s so in-depth,” he says.
Y/m smiles and continues, “So when I got to Sean’s set, because he’s such an organic filmmaker, I wanted someone to ask me a question about my character and me always be able to answer it. And so I feel like I got to a place where I got there, and then obviously, I had to learn as much Russian as possible and the dialect.”
She lets out a small laugh. “So I just did little things at a time. And I think it sort of, over the course of five months, built up to this fully formed character.”
Drew laughs softly. “I bet your dad was relieved that you finally got a break since you’re the queen of horror,” he teases, enjoying the lightheartedness of the moment.
She laughs along, nodding. “Oh gosh, when I told him about X, he was like, ‘Oh wow, that’s a big leap,’ especially since my childhood and high school years, I was in like, more family-friendly, teeny-bopper things. Then when I hit 18, everyone was like, ‘She looks made for horror movies,’ and I just sort of rolled with it.”
She pauses, her smile growing warmer as she reflects on her father’s support. “But he has always been my biggest supporter. He always gives me pointers, and I don’t know, he just never really had an issue with any role that I have done thus far,” she says, her voice soft and sincere. “I mean, he was like, ‘You’re a grown adult, you know your limits, I’m just going to be here every step of the way cheering you on.’ Even when he was filming and just directing, he was supporting me in some way, so that always meant so much to me,” she tells Drew, her voice full of gratitude.
Drew nods appreciatively, touched by the deep bond she shares with her father. “That’s amazing,” he says. “Having that kind of support makes all the difference in the world.”
Y/m smiles, her eyes softening with affection as she recalls the unwavering encouragement she’s always received from her dad. “Yeah, it really does,” she agrees, her voice full of warmth.
What about you? This was such a big leap for you. How was filming something so different?” She asks Drew, her voice filled with excitement, eager to hear about his experience. Her curiosity radiates as she leans in, ready to listen.
Drew nods thoughtfully before answering, “You know, Luca and I talked a lot, and then I didn’t meet Daniel until we were in New York, probably a month before we shot. I met him at the table read, and so it was kind of the meeting, and then we just jumped into reading it out loud.” He pauses, reflecting on the atmosphere. “Luca does a good job of fully painting a picture for you. We also shot it in Rome at Cinecittà,” Drew adds, the excitement in his eyes evident as he recalls the legendary filming location.
She smiles, clearly impressed. “It’s absolutely darling there,” she says, her enthusiasm matching his as she imagines the stunning backdrop. “Walking through the different stages that the movie is set in. So you kind of walk in, you’re in, you know, these incredible clothes,” Drew continues, his tone animated as he describes the experience. “But we were only there for a bit.”
, intrigued she , leans forward. “Where was the rest of it?” she asks, eager to know more. “Were you actually in the jungle?”
Drew laughs, nodding. “Like a week in Sicily on the coast. They built the set. They brought all these—Luca was like, ‘I want these plants.’ And they brought in, like, I don’t know how many thousands of pounds of whatever, of dirt. And they built a jungle.”
She raises her eyebrows, clearly fascinated. “Well, so they’re real plants?” she asks, wanting the full details.
Drew thinks for a moment before responding, “I think some were real; I think some were fake.” He looks at her with a grin. “Just say they’re real,” she teases, her smile wide as she playfully suggests an easy fix.
“They’re all real. Everything, everything’s real,” Drew says, laughing, caught up in the lighthearted moment.
Y/n laughs too, enjoying their banter. “But yeah. So that Cinecittà Studios is like—it’s famous. Yeah,” Drew says, proud to have been part of such a historic location.
“This is so intriguing,” she says, her eyes shining with interest. “It’s always so interesting to hear someone else’s experiences with films and everything.”
Drew nods, his expression reflective. “God, it’s wild. I think walking into that, like, the setting of it was like I knew I was walking into this kind of elevated type of feel in terms of tone. And it’s also not a direct period piece. It’s this kind of Mexico City and South America within the imagination of William S. Burroughs, you know, kind of. There’s something very absurd about it. It’s incredibly surreal and absurd,” he finishes, his voice filled with the intensity of the film’s atmosphere.
, intrigued, she presses further. “How did you understand that, from what, from the way Luca spoke about it? Or from just…” Her curiosity is evident, her expression leaning forward, wanting to grasp every bit of the creative process he’s revealing.
Drew smiles as he thinks about it. “Yeah, I think, I think so. Yeah. In conversations with Luca. I mean, he was very specific about how he wanted the world to feel,” he says, pausing for a moment. Abbie listens intently, clearly drawn to his words.
“He also gave me some visual references, some photography. There are these paintings by Francis Bacon that we looked at. Kinda two lovers. And yeah, so there were all these kinds of visual references, so that was helpful,” Drew continues, watching Abbie as she gets lost in the imagery he’s painting. She seems almost hypnotized by his description, imagining the world he was immersed in.
Y/n nods slowly, appreciating the thoughtfulness of Drew’s preparation. “But yeah, then Daniel, I think kind of a similar situation,” Drew adds, his voice becoming more reflective. “Daniel and I, there wasn’t a lot of conversation about how we wanted it to feel or, you know, the dirty word—the chemistry between the two of us. It was just kind of exercising it and going for it. So there wasn’t a ton of rehearsal. It was a lot of talking, you know, we did like chatting two weeks prior. Just table reads. ‘Will you be around?’ ‘Yes.’ I think so, yeah,” Drew says, a shrug in his tone as he describes the informal nature of their preparation.
She looks at him, her eyes full of understanding. “Do you like rehearsing?” she asks, shifting the conversation to their own processes.
“I do, especially having worked with so many different people in that way; it allows me to become a lot more comfortable with them in that sense,” she says, her voice soft and thoughtful as she reflects on the role rehearsal plays in her own work.
Drew nods, considering her words. “What about you?” she asks the 31-year-old actor, curious about his own preferences.
“For some things, I don’t,” Drew admits. “I think I get scared of it.” He pauses, trying to put his feelings into words. “Oh, you don't? Tell me about that. How do you navigate it?” She asks, leaning forward again, her genuine curiosity evident.
Drew looks down for a moment, his voice a little quieter. “I get—I get shy,” he confesses, the vulnerability of the moment hanging between them. She watches him, her expression one of empathy.
“Yeah?” she asks gently.
“I get shy of saying, ‘Oh, I’ll just do it on the…’ I’ll just, yeah. And then I wouldn’t ever be like, ‘I’m saving it for the take,’ but I’m like, there’s a part of me that’s like, I can’t fully let go until I’m on doing a thing and—there’s something like when you hear ‘action’ or the cameras roll that you’re like, ‘Okay.’” Drew finishes, a slight smile tugging at the corners of his lips as he acknowledges the thrill that comes with the real take.
Y//n laughs softly, understanding exactly what he means. “That is completely understandable. You can kind of hide behind it a little more,” she says with a knowing smile. “As a performer in general, like for me, I mean…” she starts, her voice taking on a more serious tone. She shifts slightly in her seat, crossing her legs, clearly about to share something more personal. “When I was filming X, Pearl, and Maxxine, Pearl was basically an adult film star. So learning how to be comfortable with that—especially having finished the black coat’s daughter —it was weird,” she says, her voice trailing off as she reflects on the challenges she’s faced in her own work.
Drew listens intently, his expression softening as he connects with her openness. “Yeah, that’s got to be a lot,” he responds thoughtfully.
She nods, grateful for the understanding. “It was, but you learn to adapt and grow through the process,” she says, a hint of strength in her voice as she embraces the complexity of her roles. In Anora, you have such a presence always about you,” Drew begins, his voice filled with admiration. “And I think there’s a stillness, confidence, and danger about, like, the way you present yourself on screen always. So I look at you on screen, like, damn, this girl is the most amazing actress I’ve ever…” Drew’s words are warm and genuine, but before he can finish, she laughs, cutting him off.
“Please, all these compliments. You’re making me nervous. Stop looking at me like that,” she says, playfully brushing her hair back and trying to hide the flattery she feels from his compliment. Her voice is light and teasing, but there’s an unmistakable sincerity behind it.
Drew laughs softly, clearly enjoying the playful exchange. “Do you get nervous on set? Do you get nervous working?” he asks, his curiosity genuine as he turns the conversation to something more personal.
She thinks for a moment, her expression thoughtful. “When I first got cast for X, I was nervous. I mean, I had never really filmed anything that warranted me being a fucking adult film star,” she begins, her voice calm but laced with the vulnerability of recalling a significant moment in her career. “And I was 22, having just finished my first horror film’s back to back , and pearl ,then infinity pool . So having to navigate that aspect, along with how it would intertwine with horror, made me nervous. Because at the end of the day, everyone was going to see me and my body, then oversexualize it, which I had been dealing with since I was 15.”
She pauses for a moment, collecting her thoughts. “But it has gotten a lot worse over the years, so that is why I was nervous at first,” she adds, the weight of her experiences evident in her voice.
She looks at Drew, smiling a bit as she continues. “But I don’t so much anymore. I think once you understand, and once you feel safe with a crew, and you get, you’re in a rhythm, it all feels like everyone’s on the same path to get the same thing. And so the fear for me goes. If it’s a good environment, the fear goes for me. Because I feel like comfortable and I’m, you know, I can make a fool of myself. If you understand what I’m saying?”
Drew listens intently, appreciating her openness. “What about you, love? Do you?” she asks him, genuinely curious, a warm smile on her face.
“Yeah. Yeah, I definitely do,” Drew responds after a pause. He laughs lightly, the honesty in his voice cutting through the conversation. “That’s why they call it baked Alaska, I imagine. You know, I mean, my, like, heart was racing on the first day.”
Y/n nods, empathizing with him. “Right,” she says, her voice soft but encouraging as she listens to him continue.
Drew leans back slightly, his tone becoming more reflective. “And I usually, I’m usually good about it. I like having a lot of pressure and I like working within that type of environment,” he admits, the intensity in his eyes showing how much he thrives under challenge.
“How so?” She asks, intrigued.
Drew seems to think about it for a moment, trying to explain a feeling that’s hard to put into words. “It’s like, I don’t know. I think it’s kind of like when you have some expectations, or, or there’s something, you know, there’s—it’s a feeling of like, there’s nothing to lose. Who cares? I love kind of working within a pressure cooker in a way. But, this one, like first day I was like, I bet—like first take, like my heart is like pounding through my chest. Like, I’m not gonna be able to do this.” He laughs a bit at his own admission, looking over at Abbie with a bit of disbelief at how much pressure he’d felt.
“Well, you’ve got Daniel and Luca, these two formidable forces,” she says to him, offering a bit of reassurance with a knowing smile.
Drew chuckles, nodding, but still feeling the weight of the situation. “And so, like, come in and, and, and be like, they’re gonna—they’re gonna know, man. Like, first day they’re gonna, like, find me out. This is not the right—what do we do? We made a mistake,” Drew says sincerely, the anxiety still clear in his voice despite his lighthearted attempt at self-deprecation.
Y/n , however, doesn’t miss a beat, her affection for Drew and his talents apparent. “First of all, Drew, you are so talented,” she says warmly. “I mean, for starters, I should have said this before, but welcome to A24 films—that in itself is groundbreaking,” she adds with a genuine, almost reverent tone. She pauses, her voice filled with admiration. “One thing I love is how attentive they are, and they just, when they see talent, they see it. And you’re so relatable. I mean, look at how far you’ve come. I completely understand. I mean, my first A24 film I was with a Skarsgård, and I was what 17 turning 18 I was terrified. But like, to be able to be cast alongside Daniel Craig as a main lead, holy hell, love, that’s so amazing.”
Drew laughs, clearly touched by her kind words, but still slightly in awe of the situation himself. “Did you ask him about James Bond?” she asks, a playful glint in her eye as she reminisces about the experience.
“He just kind of started talking about it,” Drew laughs, a bit sheepish but also amused by how casually Daniel Craig had approached the iconic role.
“That sounds like him,” y/n says, laughing along with him. “That’s so typical of Daniel,” she adds with a smile, as if recalling a thousand stories about the actor’s laid-back personality.
Drew nods, shaking his head a bit in disbelief. “Yeah, it was great. He’s just so chill about it all,” he says, both in awe and admiration.
“So, pretty girl, any new projects for you?” Drew asks with a playful smile, his tone light but full of curiosity as he watches her.
She chuckles, clearly enjoying the attention. “The way you keep calling me pet names, people are going to think we’re together,” she teases, her voice playful and full of warmth.
Drew grins mischievously. “Just trying to be sweet,” he replies, shrugging in mock innocence.
Y/n glances to the side at her team, a mischievous glint in her eye. “But I was told I am allowed to share this, since it will most likely come out before this does, i can't remember who is playing the lead though” she says, nodding toward her team, missing drew's knowing smirk. “My team is also staring at me smiling right now,” she adds with a smile, causing both her and Drew to burst into laughter.
The mood shifts slightly as Abbie asks, “Have you watched anything or read anything by Nicholas Sparks?”
Drew’s eyes light up. “Yes, I have! The Notebook is a classic,” he responds with a fond smile, clearly a fan of Sparks’ work, while acting oblivious to the fact that he is playing the lead.
Y/n nods enthusiastically. “Well, he has this book, Two by Two, which is my favorite book ever,” she says, her eyes lighting up as she shares her passion. “It follows this father and his 5 or 6-year-old daughter as he navigates life, newly divorced from his wife who had spent their daughter’s whole life being a stay-at-home mom. But then she decides she wants to find a job, making him a stay-at-home dad while he’s running his own business. He finds out she cheats on him with her boss, and basically, he has to raise their daughter mostly on his own. The story is beautiful, and I have the honor of getting to play the girl he falls back in love with—Emily, who is a painter with her own gallery. She also happens to be his high school sweetheart. She’s also newly divorced, but they reconnect because his daughter, London, and her son, Bohdi, become best friends.”
Drew listens intently, utterly captivated by her description. “That sounds incredible,” he says, his voice full of admiration. “I can see why you’re so excited about it.”
Her face softens with genuine enthusiasm. “I don’t think I’ve been this excited for a project. I mean, I’ve been excited before, but this one is so different than what I’m used to since it’s more of an emotional and romantic movie,” she says, her tone growing reflective.
She pauses for a moment before adding, “I mean, I’ve been deemed the queen of horror since I was 18, so I feel like it’s going to be so refreshing to have a break from only doing horror movies.” She laughs lightly at the thought.
Drew chuckles and nods. “I mean, you wouldn’t have 16 different awards if you weren’t good at what you do,” he says with a sincere smile, causing y/n to blush modestly.
“Thank you,” she responds, her voice barely above a whisper, clearly touched by the compliment.
After a brief pause, Drew asks, “You said it resonates with you a lot. May I ask how so, seeing as though you haven’t been married or have kids… or have you?” His tone is gentle, as he clearly recognizes the vulnerability of the question.
Y/n hesitates for a moment, taking a deep breath. “I unfortunately am quite single,” she says, a soft chuckle escaping her lips. “But, umm… sorry, I feel like I’m going to cry,” she admits, her voice faltering slightly. “But you know, transparency is great, and that’s something I strive for.”
Drew’s expression softens in sympathy. “Hey, no, it’s okay. Take your time,” he says with genuine care. “I’m just curious, you don’t have to answer it.”
She nods, wiping her hands nervously on her lap before speaking again. “No, it’s okay,” she reassures him. “I feel like people know bits and pieces, but…” she begins, shifting her posture as if bracing herself. “As I said earlier, it’s been me and my dad since I was five years old. Well, that’s because my mom cheated on him right when I turned five. So a lot of what Russ and London lived, I did too.”
She pauses briefly, collecting her emotions. “After that, my dad took a big step back from the industry and began to focus on raising me and guiding me through my career at that age. Taking me to all my shoots and my dance classes,” she adds softly.
Drew’s smile softens with understanding as he imagines young y/n . his expression tender, clearly picturing her as a little ballerina.
“ when I wasn’t acting, I was doing ballet,” she responds, a slight smile tugging at her lips as she reminisces. “I mean, I still take classes occasionally for fun when I’m not shooting any movies or shows. If I wasn’t doing this, I would have totally gone to Juilliard,” she says with a bittersweet laugh.
“Wait, you wanted to go to Juilliard?” Drew asks, his surprise evident.
“Yeah,” she replies with a nod. “But then I realized I loved acting a lot more. But like, it was truly an honor to meet with Nicholas, and he personally asked how I would feel about being in the adaptation for this book. And I sobbed because it means so much to me,” she says, her voice wavering with emotion. “I still don’t know who’s playing Russ, but I am so excited to be able to revisit the book. That’s why I said I’m filming in North Carolina soon.”
Drew looks at her with admiration. “Y/n, that’s truly beautiful,” he says, his voice filled with warmth. “It’s amazing that you get to be in an adaptation of something you love so much. It just means you’ll put your all into it.”
She smiles through the emotion, a tear welling up at the corner of her eye. Drew, noticing the tear, rises from his seat, moving in front of her. Gently, he places his hands on her knees, wiping away the tear with his thumb.
“Your mom doesn’t know how much she missed being able to love and know such a beautiful human being,” Drew whispers softly, his words full of compassion. “You’re so talented, and even though you grew up in this industry because of your dad, you’ve proven you have a right to be here. And about who is casted as russ, i found out last week that i was cast as lead alongside you, so we will for sure be seeing a lot of one another ”
The camera captures this tender moment, the rawness of the emotion hanging in the air. Her eyes well with more tears, but she mouths a quiet “oh my gosh that's amazing, and thank you” to him. Drew smiles warmly, stands up, and walks back to his seat, leaving a sense of peace and admiration between them. The atmosphere is quieter now, a sense of intimacy settling in. Drew, ever curious and willing to delve deeper, leans in slightly. “Not to keep it on an emotional level, but like… what’s your biggest fear?” His voice is steady, but the question feels weighty, more than just idle conversation.
Y/n , still drying her eyes, lets out a soft chuckle, trying to mask the rawness of the moment with humor. “Oh gosh, Drew. Take me out to dinner at least if you’re going to ask me these questions,” she laughs, wiping away the last traces of her tears. The attempt at levity lingers in the air, but it’s clear the underlying tension is palpable.
Drew’s smile is kind, but there’s an undeniable sincerity in his response. “Seeing how this is going, I plan to afterwards,” he says, his tone warm but not overly flirtatious. He’s just being sincere, which makes Abbie pause for a moment, her eyes meeting his with a blend of curiosity and hesitation.
She stares at him, her wide eyes blinking several times as if grappling with how much of herself she is willing to reveal in this vulnerable moment. It’s a rare pause, almost as if she’s debating whether to give the “safe” response or speak from a place of true honesty. Finally, after a long moment, she speaks, her voice still gentle but marked with an emotional undertone.
“Do you want a generic answer or a sincere one?” she asks, her head tilting slightly, her eyes narrowing with the effort of weighing her options. It’s clear she’s giving him permission to choose how deep this will go.
Drew, understanding the gravity of the question, leans back in his seat a little and responds in a voice full of care, “Sweet girl, make it a real one; but again you don’t have to if you don’t want to.” His words are an invitation for authenticity, not just an attempt to dig deeper. His respect for her boundaries is evident, but the warmth in his tone makes it clear that whatever she decides to share, he’s there for it.
Y/n hesitates for a moment, as though she needs to ground herself, but then, she nods. “No, it’s okay,” she says with newfound resolve. “Again, want to be the most authentic and real for people.” There’s a slight quiver in her voice, betraying how much this question stirs inside her. Her lips part as if she’s about to say something difficult, something not just for the camera but for herself, too.
She takes a deep breath, clearly preparing to dive into a painful memory. “I mean, when he found out that my mom cheated on him… that was the saddest I’ve ever seen him,” she begins, her voice soft but heavy with the weight of the past. She looks down briefly, perhaps to gather strength before continuing. “To me, I didn’t understand it at first. How could someone hurt a man who showed them nothing but love and support, dropping huge projects to be by her side, he truley was the epitome of a man in love? It’s mind-blowing to me. I mean, I’m his daughter. I grew up seeing how hard he worked for me, how he sacrificed everything for me. And then to have that… betrayal, to see him devastated like that—it broke me. But he just kept going. He kept showing up for me. Even though I couldn’t fully understand it, he kept being my dad. And that’s what I admire about him the most—his ability to continue, despite everything.”
There’s a pause as she gathers herself, blinking away tears, though she’s holding it together. She takes another steadying breath, looking up at Drew with eyes that now glisten with unspoken emotion. The silence between them is thick, heavy with empathy, and Drew listens without interrupting, letting the words sink in.
After a moment, she continues, her voice still slightly shaky. “I also just hate it when people call me a ‘nepo baby,’ but they’re right, you know?” she admits, her tone raw. “At my core, that’s really what I am. And it’s scary, because every day, I’ve had to prove myself. I feel like I’m always fighting against that label, trying to show that I’m not just here because of who my dad is, but because I deserve to be here.”
Her voice trembles slightly as she presses on, her gaze unwavering. “And sometimes, it feels like no matter how hard I try, it’s always going to be about him. And that’s terrifying. I want to build my own path, not just walk in his shadow,even though i am so proud to get the honor of calling him dad. But that’s the burden, isn’t it? You’re expected to be something great, and when you don’t feel like you measure up, it’s hard not to worry you’ll disappoint them.”
The vulnerability in y/n’s voice is palpable, but she doesn’t falter, holding herself together as she speaks her truth. Drew nods slightly, his expression filled with understanding, the kind of silent support that encourages her to continue.
Her words hang in the air, and Drew quietly responds, “I get that. That pressure is no joke, and it never really goes away. You’re not alone in feeling that.” His voice is filled with warmth and empathy, and there’s a deep resonance in what he says, as if he knows exactly what that pressure feels like. Drew gives her a reassuring smile, but it’s the kind of smile that’s heavy with shared experience, a subtle acknowledgment of how difficult the road she walks truly is.
She takes a breath, wiping the final traces of tears from her face, and then shifts the conversation back to him, her tone gentle but inquisitive. “What about you, love? What’s your biggest fear?” she asks, her voice quiet but full of curiosity.
Drew pauses, rubbing the back of his neck—a familiar gesture that signals a shift in tone. His expression softens as he reflects on the question, and there’s a moment of tension as he searches for the right words. He leans forward, as if ready to share something personal, but still weighing how much of himself he wants to expose.
“You know, it’s funny,” Drew starts, his voice taking on a thoughtful cadence. “Because on the surface, everything’s great. People see the success, the roles, the recognition. But, if I’m being honest, my biggest fear is being typecast. Getting stuck in one role, one type of character. Like, they see me as rafe cameron, the coked out killer, you know?” He smirks as he says this, but the edge to his voice reveals how deep the fear runs.
“Rafe Cameron was a turning point for me,” Drew admits, his tone becoming more animated. “I got attention, sure—but with it came a box. And I’m scared I’m gonna be stuck in that box forever.”
She listens intently, her gaze steady and knowing. She can relate—she’s seen it in her own career, how quickly an actor can be defined by one character or one image. Drew’s voice picks up, the words flowing faster now, the urgency clear in his expression.
“It’s like I’m constantly fighting against this image of being the rebellious, troubled guy,” he continues, frustration creeping into his voice. “I’m grateful for Outer Banks—I love playing Rafe, but I want to show people more than that. I want to do things that challenge me, roles that let me push my limits. But I’m afraid Hollywood will just see me as that one thing, and I’ll never get the chance to grow.”
Drew’s vulnerability is laid bare in this moment, his fear of being confined to a single role evident in every word. “It feels like there’s this pressure to break away from that and show that I can do more. But sometimes I think… I could end up being one of those actors who only gets cast for their ‘type.’ And that’s just—ugh. It’s a slow death for me, artistically. I want to do more than just ‘play a part.’ I want to create something that people remember me for, something that’s not just one-dimensional.”
He pauses, rubbing his temples, letting the weight of his thoughts settle. “And on top of that, there’s the whole ‘persona’ thing. Being in the public eye, being known for a certain thing—it’s all part of the game, but I worry that it’ll overshadow my work. Like, what if the person people see isn’t really who I am? And if I keep chasing roles that push me outside of what people expect, I might lose sight of what really matters. Who I really am, outside of the character, outside of the fame.”
Drew shrugs slightly, the unease still lingering in his words, but there’s an honesty in his self-reflection. “It’s not just about missing out on opportunities—it’s about losing myself in the process. I don’t want to become something that I’m not. I want my work to not define me as an individual , not the image the industry creates.”
She leans in, a soft but understanding look on her face. “I get that,” she says quietly, her voice full of empathy. “That fear of being seen only for what they want to see. It’s a lot. But you’re not alone in feeling that, Drew. I think… we both understand that pressure in different ways.”
Drew looks at her, the vulnerability still visible in his eyes. But now, there’s also a quiet reassurance in the space between them. For a brief moment, they sit together, both actors—both people—unmasked in their shared understanding of the pressure to fit into the mold created for them by others. There is no judgment here, just the unspoken knowledge that they’re not alone in the complex, often isolating experience of being seen in ways they never intended.
The atmosphere has shifted. The heavy emotions from their earlier conversation are still lingering in the air, but now there’s an undercurrent of lightheartedness, an invitation to relax. Drew stands up, stretching slightly as he looks at her. He smiles, his expression softening with sincerity, but there’s a certain playfulness that has returned to his demeanor.
“Well, beautiful, this was definitely, may I say, the highlight of my year,” he says, his voice warm and genuine. There’s a slight twinkle in his eyes, and though the comment might seem like a simple compliment, it carries the weight of an unspoken connection between the two of them. “And I wasn’t joking about taking you out to dinner,” he adds, the promise of a follow-up hanging in the air. It’s not just an offer—there’s intention behind his words, and she can sense it.
Y/n looks up at him, the slight blush on her cheeks betraying the genuine sincerity of his words. She lets out a small laugh, more because of how unguarded he’s been throughout their conversation than anything else. “I’ll hold you to that, Starkey,” she says, her voice teasing but also tender. There’s a newfound warmth in her tone, the kind that comes from having shared something personal with someone who isn’t just listening, but truly understanding. The bond between them, though still in its early stages, is unmistakable.
With a smile, Drew takes a step forward, the distance between them closing as they meet in the middle. There’s a natural ease to their movements, and without a word, they each open their arms to embrace one another. The hug is brief but meaningful—a moment where both seem to realize that what has just transpired between them is something more than just an interview or a casual conversation. It’s the beginning of something new, something that neither of them fully understands yet, but both are undeniably intrigued by.
As they pull away, Drew chuckles, clearly feeling lighter than before. “Not going to lie, my mom would adore you,” he says, his voice filled with affection, but also with a certain vulnerability that shows he’s being real with her. The mention of his family is telling—a subtle way of indicating that he’s not just seeing her as a professional acquaintance, but as someone who might be important enough to bring into his personal life.
She raises an eyebrow, her lips curving into a playful smile as she eyes him with mock suspicion. “Already thinking about taking me home to meet your parents?” she asks, her tone light but filled with curiosity. The question isn’t just one of jest; it’s also an acknowledgment of the connection they’ve built. She’s not only acknowledging the intimacy of the moment but subtly suggesting that she’s open to seeing where this could go.
Drew grins, his eyes lighting up as he gives her a quick, knowing look. “Maybe,” he replies, though his voice carries the hint of possibility. His answer isn’t a definitive yes, but it’s clear that the idea of her meeting his family is not out of the question. There’s something more here, something that feels both promising and delicate, like the early stages of a relationship that could grow into something more substantial.
As they walk toward the exit together, their steps in sync, there’s a sense of ease between them that wasn’t there before—an ease that only comes after sharing something deeply personal. They move with the kind of familiarity that suggests a budding friendship, the kind where even the smallest gestures or words hold meaning. The conversation has shifted, but the connection remains.
The video starts to fade out, the final frame capturing them walking side by side, their laughter trailing behind them as they exit the scene. The last words spoken—those lighthearted, yet telling comments about dinner and family—linger in the air, like a promise of something that could develop further.
The scene closes on the image of the two of them, a quiet promise hanging between them: the possibility of dinner, of getting to know each other better, and of exploring where this newfound bond could take them. They both thought, for a fleeting moment, that maybe this was just the start of something beautiful. It wasn’t just about the conversation they’d shared, but about what might come after—what was unfolding in the quiet spaces between their words and actions.
|previous| next|
ABBIE'S CORNER
this has been my favorite written chapter by far. i watched both videios a few times and used elements from both but also added my own things ( y/n's backstory, and them both being casted in the movie adapataion of one of my favorite Nicholas Sparks book) Don't forget to reblogg and let me know what you guys think.
#drew starkey fanfiction#abbie's corner#drew starkey x reader#drew starkey fluff#drew starkey imagine#drew starkey x actress!reader#actress!reader#actress#it girl!reader#hollywood it girl#hollywod series#hollywood#drew starkey#queer movie#drew starkey series#drew starkey x y/n#mikey madison#anora movie#anora film#maxxxine#friends to lovers#celebrity#famous!reader#drew starkey x female!reader#drew starkey x famous!reader#drew starkey x you#drew starkey x female reader#elle fanning#dakota fanning#jonothan nolan
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[id: screenshot of an iMessage conversation at 8:45pm. the first message has some information censored, and reads "Hi Everyone, can anyone work [censored] overnight tonight?" the following messages from a separate person read, "I'm 13 why am I here 💔" "I don't got a job 🙏💔". end id]
my boss accidentally added a wrong number to our group chat 😭
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Eee sorry about the vague request lol. I'm thinking maybe reader is unknowingly giving someone else a lil too much attention at a house party or something like that and Vik gets jealous and pouty about it and reader makes it up to him 👀👀
Clearly im not great at wording requests lol, I hope this makes sense
<3
Hi! I love you, so after I've written the first part of smut for this, I went to pray to the smut fairy and she gave me more smut :v @rennethen we thank you, we bow to you. And yes, there is no other point to this story than smut, because we had a lot of emotional stuff happening on this blog in the last couple of days :')
Eat Me
viktorxfemale!reader explicit! Viktor is jealous, therefore: smut, also dom!Viktor
word count: 3,3K
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“Yes, I suppose you could say that,” you laughed sheepishly at—what was his name again? Mark? Maurice? Never mind, you politely laughed at his joke. Somewhere in the middle of this conversation, you had felt Viktor’s hand slip off the small of your back as he walked away to have a chat with Jayce. You could swear you heard a sigh accompanying the action, but the number of people talking at you simultaneously was too great to stir your mind to focus on one thing.
You looked around the room; the party had visibly dispersed into small groups— a few people splayed on the floor, talking in hushed voices; a smoking gang squished on the small balcony; a not-very-promising-looking queue to the bathroom; very loud voices coming from the kitchen, where some groundbreaking conversations were definitely taking place. Exactly opposite you and Mark—or Maurice—Viktor stood leaning on the doorframe, a glass hanging limply from his hand. He seemed very determined not to glance in your direction, no matter how many smiles you tried to send him.
You remained unalarmed until it was Mark’s—or Maurice’s—hand travelling to the small of your back, his mouth closing in on your ear to whisper, “So… can I get your number?”
At that point, Viktor scoffed and retreated into the corridor, out of your sight. You shifted uncomfortably, sliding yourself away from the intruder’s touch, and squeaked, “Eh, sorry, I don’t think… I don’t think my boyfriend would be happy about it, you know?”
Mark—or Maurice—raised his hands in a gesture of surrender, saying, “Forgive me, I didn’t know. Enjoy the party.” He patted you on the shoulder, his touch immediately shifting from seductive to friendly, his eyes moving from your cleavage to your face, and began snaking deeper into the room, leaving you alone and a little stunned by the windowsill. Huh, that obvious.
You downed your drink and left the glass behind, ready to find the lost boyfriend. You searched Jayce’s cramped apartment room by room, people trying to pull you in for a drink occasionally slowing your progress. Jayce, already moderately drunk and flushed from all the hands invading his personal space, pointed you toward his study. The door was ajar, and a faint glimmer of light was coming from inside.
“Hello?” You peeked your head through the door, only to see Viktor slumped behind Jayce’s desk, engrossed in a book. He didn’t look up at you and only threw you a dry, “Hello,” in return.
“Tired of the crowd, hmm?” you hummed after slipping inside and leaning over the desk opposite him. Your fingers tapped on the wood, awaiting a reply, only to be given the cold shoulder in the form of a quiet, dismissive hum. “Well, do you want to go home?” you tried again, inching your fingers to sneak under his sleeves, and Viktor shuddered.
“Home? No, I am quite content where I am. Also—” he paused as his eyes landed on your hands before retreating further into the chair to avoid your touch. “You seemed quite content with where you were as well,” he retorted, flipping to the next page.
“I’m not sure I quite follow?” You gave him a puzzled look, hoping he saw at least a glimpse of it from the corner of his eye. “Viktor?” you asked, splaying yourself all the way across the desk to pluck the book from his hands. “Why are you not looking at me?”
He sighed, his hands frozen in the air exactly where the book had been a second ago, and finally did look at you, at which point you started to wish he hadn’t.
“You were in quite stimulating company, no? Has Gregory abandoned you that you decided to pay me a visit?” Ah, yes, Gregory, not Mark or Maurice. He gave you a cold stare and an unforgiving smirk, and you choked on a snort.
“Excuse me? Viktor, are you being jealous?” You were now both leaning over the desk, playing a game of stares. Viktor blinked first but made it look like he had won.
“From where I was standing—and I will add that it was many different angles I got to observe—he was quite ready to eat you all right up,” he cocked his head to the side and left you to deal with the statement.
“Eat me? We were just talking,” you said, pointing your finger between the two of you to accentuate that, up until some point, Viktor had also been a part of the conversation. Realising the new round of the staring game had just begun, you relented, “Still—that’s completely irrelevant, as the only person I would wish to eat me is you.”
“That’s very unfortunate then, given that I seem to have lost my appetite.” Viktor took the opening and squeezed it dry. He picked up the book, opened it to a random page, and pretended to sink back into reading.
You straightened, taken aback by this... ridiculous display of mistrust. A smile played under your nose as you circled around the desk, turned the chair to make Viktor face you, and leaned in to touch his mouth with yours. “Are you sure I can’t even interest you in a snack?” you murmured against his lips, placing a lingering kiss there.
Viktor didn’t move, and soon you felt the handle of his cane poking at your stomach, beckoning you away. You shot him a questioning look and moved the cane aside with your hand, only for it to return to where it was, his eyes still fixed on the book. “I said, I am not hungry,” he said, his tone feigning exhaustion.
“Really? Are you telling me you would rather read—” you paused to take the book away and glance at the cover, “Jayce’s journal, rather than quit this pointless display of sulk and spend some time with me?” You held it expectantly in your hand, bemused.
“Yes. And give it back now.” He leaned forward, his hand reaching for the tome, only for you to swing it behind your back and move your body so your face met his.
“What will I get in return?” you asked sweetly, your breath ghosting his cheek. But Viktor wouldn’t give in. He shifted away, gluing his spine to the chair’s backrest.
“How about freedom to roam the party as you please, with whomever you please? Ah, right, apologies—it seems you already took that opportunity,” he mused, his tone almost annoyed as he kept his hand extended, expecting the stolen good to be returned.
“Viktor—” you scolded, growing more and more impatient. The book dropped to the desk with a thump, and before Viktor could reach for it, you straddled his lap, ignoring all the huffs of protest and palms trying to push you away. You wrapped your arms around his neck and pressed your face to his, whispering into his ear, your voice needy and keen, “What I want is my man to stop sulking. I can apologize, if you let me.”
Viktor hesitated until his hands rested on your hips, the rest of him still frozen in place. “I’m listening,” he muttered, causing a satisfied smirk to bloom on your lips.
You took the cue and slid your palms flat onto his chest, tugging at his collar. “Well, how would you like your apology to be served, mister?” You licked at the seam of his mouth and sucked on the crown of his upper lip. Viktor allowed it but still wouldn’t engage much, keeping his façade of a man who was hurt. Your tongue travelled down to his jaw, then up to the pulse point below his ear. Finally, you were rewarded with a shudder and a sigh. “Hmm, that seems to be working, no?”
“I’d say your little stunt requires some more remorse to be shown for me to forgive you entirely, my girl,” he murmured, his hands squeezing your hips in tandem with a grunt coming out of his mouth.
“Remorse, huh? I might know one universal way to repent,” you said, sliding off him to the floor, your knees resting on the carpet between his feet, your fingers already tugging at the buckle of his belt. “I’ve heard begging on one’s knees can work wonders.”
He uttered a quiet fuck along with your name, eyes fixed on yours, as you beckoned him to lift his hips, allowing you to slide his pants down his legs. His thumb brushed on your lower lip as he gave you a thoughtful look. “Show me. How sorry you are.”
You smiled and propped your hands on his hips, as you leaned in to tease him. His cock was still soft, twitching slightly under your breath. You began to place lingering kisses across his length, all the way from his balls to the tip, not moving it from the crease of his hip where it rested. Then, you flipped it to the other side with your nose and proceeded to do the same, from the top to bottom, watching it harden after each peck.
Viktor’s breath hitched, his fingers curling into your hair, as he pressed his hips into your face and rasped, “I will have to see some more initiative if you want me to believe you.”
You immediately responded with opening your mouth and letting him drag his half-hard length on it, his cock now splayed between your mouth, side of your nose, the tip resting somewhere around your eyebrow, smearing your own spit all over your face. Viktor’s brows pinched together, his lips parted into a toothy smile as he sat back down. “Good,” was the only praise you got so far, and you felt yourself aching for an addition of girl next to it.
Your kisses deepened, more passionate and lingering on the base, your tongue reaching down to his perineum, releasing a startled chuckle somewhere from the depth of his chest. You cocked your head, taking the side of his cock between your lips and started dragging it leisurely up and down, pausing to tease a sensitive spot below the head with the tip of your tongue.
Viktor remained still, his hand resting tangled into your hair, the other gripping the arm rest tightly as his eyes followed your every movement. You glanced up to meet his gaze—blown pupils, cheeks already flushed, lips shining from constant licking. Pleased with the view, you took him in your hand and patted the head of his cock on your flattened tongue, baring your teeth in a smile when his eyes rolled back, and he gave you a quiet ah sound as a reward.
“I feel like you are enjoying it far too much for a proper atonement,” he smirked. Before you could respond, he gripped your hair tighter, motioning your head to rest on his lap, as he slid himself inside your mouth. You groaned against him, grabbing his forearm and he only tsk-ed at you. “Bad girl. Tongue out, breathe through your nose,” he commanded, and you immediately obliged.
He fucked your throat steadily, retreating right before you were about to gag, soft praises falling from his lips. He watched himself appearing and disappearing between your lips and the hand that was previously whitening at the armrest travelled to cup your face and caress your cheek. You closed your eyes at the touch and let the drool roll out of your mouth onto his thigh, your breath heavy through your nose as you tried to even out its rhythm with the one of his thrusts.
He retreated to rub himself all over your face, smearing your makeup in the process. “So pretty like this,” he cooed, stroking your hair. “Are you sorry?”
You nodded, looking at him from under glued eyelashes. And Viktor looked so in love you couldn’t help a smile forcing itself onto your lips.
“Let’s apologize some more, are you ready?” he asked hoarsely, already lining himself against your mouth. Wordlessly, you opened, splaying your tongue out, coating your teeth with your lips to avoid any accidental scratches. He pushed himself deeper, tickling your uvula, while plugging your nose with his fingers and holding you in position.
“Are you sorry?” He leaned in to whisper into your ear, and you nodded, as much as you could. Obediently, you stayed for as long as your breath allowed you to, tears pooling in the corners of your eyes, before patting his thigh three times, and Viktor released you with a loud groan, spit glistening on his length.
“Good girl,” he breathed, and you felt something perking up inside you as you reached back out for him to suck on his head. He leaned in the chair, granting a few languid rolls of his hips into your mouth, whispering quiet praises when you gagged yourself on his cock. Undying affection seeping from his eyes, from his touch, pumped air into your lungs, when your nose couldn’t.
“Will you be a good girl and eat me up?” he asked, feeling the lance of lust twisting his guts, his movements speeding up, his breath hitching and you mumbled something sounding like a yes against his thrusts.
His body curled in, hands cupping your face, thumbs digging into your cheeks, wiping your tears away. You felt him hitting the back of your throat a couple of times, drool leaking out with each movement in and out, before his stomach tensed up and he coated the inside of your mouth with his cum, distantly whispering “Yes, yes, good girl.”
You swallowed the salt of him, not letting him out, making sure to lick down every last drop. Viktor shuddered, suddenly overstimulated, and gently pulled you up to sit back on his lap. The thin layer of your knickers so wet it almost disappeared as your cunt pressed on his softening cock. He licked his thumb to clean the smears of mascara cascading down your cheeks and murmured, “You did very well. I forgive you,” before kissing you on the mouth lovingly.
A giggle forced itself out of you, as you wrapped your arms around him and nuzzled your face into his neck. “Were you really so upset?” You asked quietly, tracing your fingers up and down his chest.
“Of course not,” he chuckled, massaging the nape of your neck. “I wanted to see how willing you would be to apologize though.”
“You are such a bastard,” you smacked his chest and bit his neck, making him wiggle and wince underneath you. “Now you have to apologize to me.”
“If you accept apologies delivered while laying on my stomach, I am willing,” he stated with a shit-eating grin. His expression softened, when he asked, “How are you feeling?”
“Well, tricked!” you exclaimed, narrowing your eyes at him. “I’m alright. Pleasantly full, I might add,” you added with a smirk and placed a peck on his lips. “You?”
“Eh, quite alright myself. Pleasantly devoured, though slightly hungry,” he mused, nipping at your lip, before deepening the kiss. You felt breathless again, his hands sneaking under your shirt, when you mustered some strength to pull away and breathe into his mouth, “I might have something to eat for you when we get home.”
“Or—” Viktor cocked his head, eyeing your knees with a knowing smile.
“Or… what?” You arched your brow, knowing exactly where this was going. Viktor licked his lips.
“What if I am too hungry to wait? Would you accept my apology now?” He asked and his smirk deepened as he tapped your hip three times signalling you to stand up. “And maybe lock the door? For a good measure. Unless, of course, it was a part of your little plan.” His eyes feigned innocence as he played idly with the hem of your skirt, and you could feel your face flush red. Of course, the door was still ajar.
“R-right,” you stuttered sheepishly and went to lock it, your legs wonky. You almost skipped coming back to where Viktor’s finger was pointing on the desk. He let you in between him on a chair and the edge of the wood and pushed his palms flat underneath your skirt to yank your knickers down to your ankles. You shuddered at the sensation of the material ungluing itself from you.
“Up,” he commanded and once you were seated, he leaned down to pick up your underwear, sniff it obscenely to finally put it in his pocket. Your eyes were so transfixed on the action, that the touch of his hands under your knees startled you, as he scooted the chair closer to the desk and hooked them over his shoulders.
And then he paused, eyes staring at your weeping cunt, his breaths deep and steady as he inhaled your scent. “To think you would let this waste and make me wait until we get home deserves a punishment in itself, I might say,” he murmured and the hot air coming from his mouth fanned your skin. His flat palm travelled up from your navel to your stomach, pressing you to lay down.
He didn’t wait for your spine to meet the desk fully, so when he dived in, the back of your head hit the wood with a quiet thump. His tongue stroke a rapid lick along your seam before coming to your clit with a chuckled hum of approval. A very vocal moan pushed itself past your mouth and you were grateful to your past self for closing that door. Soon your voice pitched higher as you breathed an incomprehensive, “Ah, Viktor,” while trying to bring your hips closer to his face, but his grip on you rendered it utterly impossible. His licks, fast and precise, caused your thighs to shake on his shoulders.
His hand slid from pressing on your stomach down to your navel, his thumb brushing your clit, when he asked hoarsely, “And what do we say to a Gregory, next time we meet him, hm?”
Completely confused and frustrated at the sudden change you managed to rasp, “Who?” and Viktor chuckled warmly, straight into you. “Good girl.”
His tongue slid down to your entrance, giving you shallow thrusts, while his thumb rubbed even circles on your clit, keeping the previous pace. Another thump of your head, fingers whitening at the edge of the desk as you tried desperately to move underneath him.
He began to deepen his movements, pressing his face hungrily into your cunt. Feeling your walls closing down on his tongue and mouth, his thumb picked up the pace. And you felt it so strongly, the orgasm wrenched out of you, built up by the last hour of apologizing on your knees. You felt it down to your toes, your heels digging into Viktor’s ribs as he hummed into you, drinking you all up, and keeping your thighs hooked with his arms. Only when you patted his shoulders blindly, he released you, placing one last kiss on your pubic bone.
You pressed the heels of your palms into your eyes, exhaling shakily, your chest heaving. You heard him getting up, allowing your legs to hang limply from the edge of the desk, as he circled around it, and took your jaw in his hand. He leaned in to give you a sweet kiss on the mouth and asked, “Am I forgiven?”
“Yes. Am I?” you murmured against his lips, and he smiled again.
“Not sure. You might want to check again at home.”
#viktor arcane#viktor x reader#viktor fanfic#viktor x reader smut#viktor x f!reader#arcane#viktor smut#arcane fanfic#my writing#ao3#ao3 fanfic#viktor x oc#viktor nation#request
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since the tiktok ban, i've been seeing a lot of stuff where people blame americans for jegulus and i can't stop thinking about it. i don't know why people feel this way, but i am prepared to make an argument. so please allow me to make my case.
[also this is completely based on generalizations. i know americans that hate jegulus and love jily, and i know british people who hate jily and love jegulus]
so i've never been a jily girl. even years before i found jegulus, i never cared about that ship. i straight up didn't even know that people wrote fics about them specifically. (i actually still don't know if people do write fics about only them because i would never seek out something like that).
originally, i'd thought it was just because i only cared about the golden trio characters and occasionally sirius and remus, but the more i got into the marauders era, the more i realized that james and lily together were the standouts, i just really didn't care for them.
it got to the point where i only read fics that referenced jily if they were extremely background to the story (which they almost always were bc there is just not that much to say about them) or preferably if both of them were already dead and it was just remus, sirius, and harry who remained.
shortly after i really started getting into the fandom and writing for jegulus, i spoke to someone who hated jegulus and loved jily, and i told them that i'd always felt like james and lily were on the road to divorce before they died. this person was SCANDALIZED. they could not understand why'd said that.
now granted, this person was in their early twenties and in my experience, if you haven't lived long enough to see a lot of your friends go through divorces, then the idea that james and lily might divorce may seem crazy.
however, and this is where the american thing really comes in, i realized after this conversation why i felt that there was no way that james and lily were going to make it and that was specifically because of growing up a conservative christian bible belt ass place.
do you know how many couples i knew in high school who started dating their senior year even though they seemingly had nothing in common, had sex one time and didn't use protection because sex education is extremely limited down there, got pregnant, and had to have shotgun wedding?
so. fucking. many.
do you know how many of them are still married?
only one.
so when i see jily, two characters who have nothing in common beyond being gryffindors, get together, have a kid, and get married (not necessarily in that order) all within like two years, i know that the odds are not in their favor. those two aren't staying together. don't play with me.
now i don't know how people feel about young marriages in other parts of the world, especially in the uk, but i've spoken to a lot of americans, especially ones from the south, and so many of them have had the exact same experiences with their peers. i just can't help but wonder if that lends itself to less people being interested in jily.
i have other arguments to this, like that jily is not as entertaining as almost every other ship that james or lily could be involved in and americans being partial to entertainment above all else, or the american (and christian) obsession with the concept of redemption and self sacrifice making regulus a more compelling character than one that lived and died good (lily and james), but this was the one i wanted to focus on today.
#this is so long but i need to get it out of my head#i did not proof read this so im sorry if there are a ton of typos#jegulus#regulus black#james potter#american marauders fans#marauders#this is not jily friendly#just so you know
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You know what? I just had this conversation and I am sharing it with the wider world so that a bunch more of you will either embrace the get hoped lifestyle or get more comfortable getting hoped because here is a bit of truth for you.
As your friend, I WANT to hear about your hyperfixations. I might not always be able to follow you as far as all that but that doesn't mean I want you to stop telling me about them. Tell me, dammit. Enjoy yourself. The thing about it isn't that I will become equally enamoured with your special interest, but that I enjoy hearing someone I care about talk about something with excitement and passion.
And yes, that means all the other things too. You're allowed to have emotions that range. You are allowed to cry. You are allowed to be forgetful and excited and happy and miserable and you are allowed to do all those things in the comfort of a friendship that doesn't dissolve the second that you show someone you are human. Too many of us grew up on transactional values and relationships. It's true that you probably shouldn't overwhelm someone you just met with all your emotional tides, but that isn't necessarily because they are taboo and weird to feel them. It's because you don't know that you aren't offering a torrent of emotional labour to someone who is currently barely head above water and while you might be able to relate to each other, maybe they need help too. Maybe they need a break before they can help you. Or maybe they are in need and it's time that you can be generous and offer a hand, knowing that all your problems will still be there to solve once they are on even ground again. And chances are, if they are a good friend, they want to give you those things too.
Being friends is enjoying the best, most insufferable and messy parts of a person because this is who they are and you wouldn't want them to be otherwise.
i am actually insufferable once I get comfortable with someone
#now let me introduce you to my Hozier obsession#but seriously you should be able to be you around your friends#they're the people you choose to hang out with
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hi and welcome to tdp callbacks that would actually send me
"if i am the king then you have to let me go"
"i'm corvus, i was specifically requested"
"i don't believe in locks"
"haha nice one callum, he deserves it"
"lady justice came to me in a dream"
"don't get yourself killed."
"strength isn't always about weapons"
"shhh, nobody likes a noisy mage"
"tell me she wasn't your world"
"you're just like your grandmother"
"she’s not my friend, she is my prisoner"
"rickety snickers"
"wasn’t the horse~"
"i am a storm dragon. i certainly hope it's working."
"in the name of love, you may perform acts so unforgivable… you will never forgive yourself."
"we could travel the countryside and try the seven cakes of xadia!"
"i am prepared to do anything to protect the king. anything. i hope you will understand"
"i guess it wouldn't be the first time i accidentally on purpose ruined a super rare magical artifact."
"don't do this. i will kill you" "probably"
"anyone know any adventuring songs?"
"we can find more practical uses for this one"
"well, i think about it like this, why see myself as chained down, when i can be chained up?" "i admire your tenacity"
"just the three of us"
"watch, he'll come back reciting an epic poem about his adventuring. he's probably late because he's stuck thinking of a rhyme for 'legendary heroics.'"
"the world just isn't ready for what we have. "
"i have been doing research!" "yes, i can see that"
"i do not understand girls"
"i thought you disapproved" "i disagree. but i stand by you anyway"
"you know what? in a few years, when you’re older, buddy, we’ll sit down and have a heart-to-heart talk about sandwiches."
"i would rather die a king, than live as a coward."
"edge-frazzled"
"soren is a doof but he's my doof!"
"it doesn't matter what happens to me. live or die, this dragon goes home."
"the kingdom of duren has been suffering from a terrible famine for nearly seven years. "
"you big dumb human."
"even if you were wearing the rarest legendary armor, forged by sunfire elves... super dead."
"fool me once, shame on you. fool me twice, shame on me. fool me three times, back to you again." "that's not how it goes." "shame on you."
#“i thought you disapproved” “i disagree. but i stand by you anyway” is SO rayllum coded like the harrai parallels are PARALLELING#and the 'you keep calling it a monster' parallel between rayla and sarai#there's probably more that i've missed but also add more!!!#something about duren's famine for seven years and aaravos returning in seven years i dunno but theres something there#hear me out#“if i am the king then you have to let me go”#but ezran says it to runaan#the vision?#lacking a little but still!-#still waiting for the sandwiches conversation between ez and callum PLEASE#if we don't have callum try and promise rayla that they'll be fine and can “travel the countryside and try the seven cakes of xadia”#paralleling viren#i will riot#rayla and her self sacrificing BUT it comes back because of her nature and 'rayla is a hero' not because of the moonshadow culture#ezran lady justice truthers RISE#please i want the LORE#i keep making up my own this isn't good i'll get too attached and then canon will just muck it up#'strength isn't always about weapons' says ezran as he hoists a nuke onto his shoulder 'but it is right now'#my personal headcanon is that he uses a staff to fight - a like his mum and b because it's not a sword and like#he forged the crown SPECIFICALLY so it wasn't a sword#tdp musical episode when#like they could go full subspace rhapsody (from star trek strange new worlds)#OR like in she ra where they randomly had like a sea shanty battle?? and scorpia singing i'm a spy#in the same way they've had rayla singing the lullaby and the dark eyed sailor shanty with finnegrin#someone stop me spamming the tags#oh wait theyre my tags#nevermind :)))#the dragon prince#giveusthesaga#continuethesaga
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This is a trend I've noticed too (and am not immune from myself lol -- my motto coming into 2025 has been to 'let my art be uglier/weirder/less polished') and I absolutely believe this is the result of social media algorithms and the importance people put on numbers. It's the commodification of one's art style to be as widely mass-marketable and appealing as possible, imo.
And this can happen subconsciously, I think. It's basically impossible to escape the way social media rewards and encourages a specific style of art. It's impossible to escape the videos and tutorials and articles and write-ups of people giving homogenized art advice, and when you're already wishing people would pay attention to your art it can be really hard not to take that advice to heart, and sacrifice personal style for marketability and mass appeal.
And then that homogenized art style is what gets popular, and people see that it gets popular, and they think, 'That. that's the height of artistic skill right there -- it MUST be, because it's doing numbers and the artist has a patreon that's doing numbers and/or a job in [insert art-related industry here] and/or is getting sponsors from art companies, etc. That's what I should strive for.'
And thus the cycle continues
It's partly why I dislike twitter and other places industry professionals hang out, everything looks the fucking same and feels incredibly insular lol. And like, idk, obviously everyone is allowed to like what they want, no shade (even though it probably seems very much like shade), and again I'm not immune from this phenomenon myself, AND ALSO to be clear I think this is a problem that pretty much only exists in online art spaces -- but I absolutely do think there's a conversation worth having about this. It feels very much like capitalism brainrot creeping in.
nothing sadder to me than when an online artist posts a side by side of the same picture from 5 years ago / redrawn this year, and the first one is fluid and energetic and full of character, and the second one is flat and static and clean to the point of sterility
#art#art discourse#it's also the celebration of realism as the ultimate goal that can be achieved#especially with non-artists...... they see hyperrealism and they go fuckin bananas for it#when there are so many other art styles out there besides realism that are worth celebrating!!!!!!!#and even among the art world... so much art advice is just 'study anatomy' and the like#but like why is getting better recreating reality seen as inherent improvement in the first place?#why do we hold the recreation of reality up as the ultimate goal of being an artist?
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Hello, I have anxiety and rotate what happened at work in the morning almost all night and I am still fixated on the interaction I had that was just. Me: (walking to my next task) Coworker: your anxiety bad today? Me: .....no? (concerned now that maybe it WAS bad and /I/ didn't know??? did I mess up?)
Then she just left! SHE LEFT WORK! I had another coworker ask me if I had seen her lately and I'm like ???? NO?????? DID SHE LEAVE? WHAT?
What would have happened if I just said "yeah it's real bad today" would she have stayed? Was this a "well since you're NOT suffering, peace out!" or a "well that's good since I need to leave early but I'm not telling you nor anyone else". What did it MEAN to be asked that.......... what was the goal................ please I can't stop thinking about how we passed each other like five times with no words and then suddenly "yo hows that anxiety goin?" and then leaving work entirely.
#moe talks a lot#not art#to delete later fosho#honestly insane tactics i do NOT understand at all#this coming from the worker who found out i had real bad anxiety on a shift she wasnt there#bc i had lingering anxiety the next day when she was working#and when i was like yeah man shaking hands and ive dropped shit and my brain is messed up and -#and she told me anxiety was my excuse yesterday i cant keep using that#??????????????????????????????????????????????? HELLO?????????????????????????????#people that dont suffer anxiety are so lucky but also somehow so unhinged wHAT DOES THAT MEAN?#i wouldnt wish anxiety on anyone !!!! but what! the hell ! does You Used That Excuse Yesterday ?????????? whuh????#hows that anxiety goin for ya today? oh not bad? WELL HOW ABOUT NOW (disappears)#i am so baffled by these occurances ok#there was once a coworker at my last job who was like aight ive seen salmon cry a bit at work but seems chill enough#and then she had a panic attack for the first time in her LIFE and when i found out im like oh dang sorry :c that sucks#and she was like how the hell you livin every day like that ??? that sucks more ! i thought i was having a heart attack#and it was wild that i got the reputation of being an anxiety whisperer for Welcome to the Club of Anxiety#where people who didnt know they were suffering panic or anxiety bc it wasnt a thing#would be isolating themselves and a coworker would find me and say hey can you go talk em down#but this job is ??????????????? not the same what the hell do you mean you start a conversation with#is your anxiety bad today#adsasdfasdfasdf SCREAMING INTERNALLY WHAT#truly wouldnt wish anxiety on anyone its awful its bad its humiliating to you personally and no one else 99% of the time
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fuck it friday
not tagged lol, just enjoying this bit of dialogue between combative besties sal and tommy
"I knew she was the one when Nash shit-canned me and I was acting like an asshole because that podunk hick stole my job."
Tommy raises his eyebrows and Sal waves his hand. They've had this conversation enough times that they've boiled it down to gestures.
"Yeah, yeah, whatever. She sat me down and said 'look. I wanna love you. Stop making it so fucking difficult'."
Tommy laughs, because yeah. That sounds like Gina.
"She saw me at my worst, or. I dunno. One of my worsts. And she wanted to love me anyway."
"Aw."
"Shut the fuck up, man, you were at the wedding, you heard the fuckin' vows, you know I think she's the best person on the fuckin' planet, you don't gotta be - "
Tommy pulls out his best-worst east coast accent. "Ey, I'm cursin' here!"
"Oh, go fuck yourself, Kinard."
i am vibrating with excitement for fluffebruary to staaaaart (and not just because i don't get paid til the last day of jan lol) (is it fluff if every third word is fuck?)
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this love of mine (trafalgar law x reader) [pt1]
summary: Trafalgar Law’s sudden discovery of your past ties to Straw Hat Luffy and Fire Fist Ace leaves his emotions in shambles
a/n: it’s my first time writing for Law and i’m a bit nervous but imma try my best!! i’m basing my interpretation of his personality on his appearance so far in punk hazard + some fics i’ve read of him before ;;0;; i’ve been struggling with this for like almost 3 days now so imma split this into 2 parts and hope the second part isn’t as tough to write :’D
contents: set during Sabaody Archipelago arc w/ spoilers (?) from Luffy’s childhood, Luffy’s older sister!reader, Law has to deal with his feelings and is a Mess, Ace is causing trouble without even being physically present, jealousy, insecurity, angst
wc. 1.5k
wanna be on my taglist?
part 2
i.
as Trafalgar Law watches the infamous Straw Hat captain sucker punch a Celestial Dragon, the very last thing he expects to hear is you shouting the boy’s name.
“Luffy?!” you nearly scream, jumping out of your seat beside your captain. all of the eyes that were initially glued to the ruckus now turn to you, including that of Monkey D. Luffy; and it isn’t lost on Law how the furious scowl on the younger man’s face almost instantly morphs into a giant smile.
“(Y/N)!” Luffy yells in return as he waves his arms around wildly. “i can’t believe you’re here! you made it, too!!”
Law is vaguely aware of Shachi and Penguin whispering animatedly to each other behind him but he can’t really be bothered to listen to them right now, not when you so recklessly leap into action once the fighting begins.
he and Bepo watch silently as you strike guard after guard with your signature weapon–a long metal pipe–while you move in tandem with Straw Hat Luffy. it’s almost seamless, the way he and you work around each other’s moves, as if the other’s fighting pattern is almost engraved into your very muscles.
“woah, what the hell?” Shachi comments aloud. “i never knew (Y/N) was friends with Straw Hat. did you, captain?” Law only manages a loose shake of his head, a million thoughts running through his mind as he continues to observe how different you seem as you fight beside Luffy.
in all the years Law has known you, you’ve always struck him as a level-headed fighter and an overall extremely calm and collected person–it’s one of the many reasons he fell for you to begin with. and yet here you are, having leapt into action seemingly without a second thought, all for a boy Law didn’t even know you were associated with until right now.
“you guys don’t think she hid this from us on purpose, right?” Penguin suggests in a tone tinged with slight embarrassment, as though uncomfortable at the idea of even thinking you’d been wilfully hiding something from everyone.
“no… she must’ve had a reason…” Bepo replies, idly hugging Law’s sword as his eyes continue to trace your movements at the front of the auction house. he winces when you land a particularly harsh blow against one of the Celestial Dragon’s guards.
as the conversation awkwardly dies out, Law can’t help but feel the eyes of his crewmates looking his way almost expectedly. he doesn’t blame them, after all, it’s no secret you’ve been dating for quite a while now. if anyone was to be the most shocked at this discovery, it’d have to be him.
“and here i was thinking you were never gonna wake up,” an unfamiliar voice spoke as Law’s eyes fluttered open. head spinning, he groaned and tried to rub his face with his hands, only to wince when a sharp pain bloomed over his palms. “your hands got burned a bit. i don’t think they’ll scar but you shouldn’t try to move them so much for now.”
“who are you?” he croaked as he blinked away the blurriness in his vision and was greeted by the sight of an unfamiliar room. “where am i?”
“i’m (Y/N) and i don’t know where we are,” you replied simply. “all i know is that you almost died and i saved your life.”
“why?”
“do i need a reason?”
the sudden sound of a gunshot tears across the auditorium and is followed by a cacophony of gasps as all eyes turn to the stage where just mere seconds ago, one of the Celestial Dragons stood with a gun pointed at a mermaid.
Law feels his heart sink when he realises what you’ve done.
standing on wobbly knees, you let your pipe fall to the ground with a loud clang. before you lies the unconscious body of a lady Celestial Dragon with her gun now sitting a few metres away from her unmoving hand.
you’d moved without thinking after seeing the way Luffy and his crewmates shouted when the mermaid’s life was put in danger. the dots connected in your head and it gave you all the reason you needed to risk it all for his friend.
he is, after all, your beloved baby brother.
“(Y/N)!” two distinct voices cry your name at the same time as blood begins to pour out of your stomach, the warm red liquid seeping through your fingers as you clutch your wound in vain. out of the corner of your eye, you can see Luffy sprinting towards you but out of instinct, you scan the scattering crowd in search of your captain.
the moment your eyes meet, you’re shambled into his arms.
“what’s the matter with you?!” Law hisses under his breath before he lays you down carefully on the ground. “you’re never this reckless. why’d you–”
“hey! you!” Luffy barks, pointing a finger in your partner’s direction. in true Luffy-fashion, he completely ignores the countless guards and marines as they continue to charge towards him, only to get beaten down by his crewmates before they can even get close. “give me my big sister back!”
“SISTER?!” exclaims a chorus of voices, a combination of his crew and your own.
you can only manage a sheepish smile when Law glances down at you with a flabbergasted look on his face.
ii.
“you should join my crew.” he’d spoken so casually, as though such a proposition wasn’t potentially life-changing for a lone wolf like yourself.
after you managed to find his crew mates and lead them back to your temporary hideout, you’d been invited onto their submarine with the offer to drop you off anywhere you’d like. unable to think of any place in particular, you decided to stick around for a bit and before you knew it almost six months had passed by.
“i mean, you’ve stuck around this long,” Law continued after realising you weren’t going to respond any time soon, “you must trust us to some capacity, right?”
he’d hit the bullseye without even trying.
you liked the Heart Pirates, you really did, but your journey from the very day you departed from your home island was wrought with hurt and betrayal. after countless encounters with scummy captains and their shitty crews, you swore you’d go solo until you could find one of your brothers again. it didn’t matter which: Ace, Sabo or Luffy.
they were the only ones you could trust, after all.
the commotion dies down after a strong wave of Haki washes over the room, followed by the thuds of countless unconscious bodies unceremoniously hitting the ground. everyone turns their attention to the culprit–everyone except you and the man currently patching you up.
kneeling over you, Law silently sanitises and bandages your gunshot wound after ensuring there wasn’t any fragments left in your flesh. he’d been deadly quiet after Luffy announced to the world his ties to you as your brother and you aren’t entirely sure if this is the regular Law kind of quiet or the bad kind of quiet. something in you heart says it’s the latter and yet your boyfriend tends to your wounds so tenderly, as if he isn’t upset in the slightest.
once he’s done, he even helps you to your feet slowly and carefully, though still not saying a single word.
after a while of watching the Straw Hats speak to an old man who showed up out of nowhere, Luffy comes running your way. it isn’t lost on you how Law’s shoulders tense up in response as he inches closer towards you until the back of his hands brushes against yours.
“(Y/N)!” he laughs before throwing himself against you and pulling you into a tight hug. although it really hurts your wound, you can’t help but smile as he nuzzles his cheek affectionately against yours. “i’ve missed you so much! i can’t believe you’re here of all places! did you see my wanted poster? i have a super awesome crew now, you should meet them–”
Law observes as the Straw Hat captain yaps endlessly whilst you gaze down at him with a softness in your eyes your boyfriend foolishly thought had always been reserved solely for him.
“oh! and i met Ace in Alabasta and he told me to give this to you if i ever see you,” Luffy says as he rummages through his pockets before pulling out a ring strung on a chain. “Ace also told me to tell you that he misses you lots and hopes to see you again soon!”
Ace? surely it’s not Fire Fist Ace? what connection do you have with him, of all people? what else have you been keeping from me?
though, now that he thinks about it, Law never would’ve expected you to be siblings with Straw Hat Luffy, who’s to say you aren’t associated with other infamous pirates? since the day you agreed to be his girlfriend, he’d been under the impression he knows who you are, as you do with him, but now he’s not so sure anymore.
gen taglist: @irethepotato @i-reblog-fics-i-like @grierpilots @appalost @hyper-fic-ation @dressycobra7 @38lyra38 @chaseyui @paraparakiss @krooschl @teewon @olliesoxenfree @misstraffy @riftmage27 @aletch @somatchajade
#one piece#one piece x reader#one piece x you#one piece x yn#op#op x reader#trafalgar d water law#trafalgar d law x reader#trafalgar law x reader#trafalgar law#angst#imagine#fanfic
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Depending on your repertoire with a person, I agree, announcing your intent genuinely does help.
To add to your good points OP, some advice for others from my own experience: phrasing and approach can go a long way toward making it a constructive conversation and not just an 'attack'.
Gentle nudges in the right direction are good for people potentially perpetuating misconceptions or stereotypes but aren't really entrenched in it. Providing different, even contradictory perspectives in a thoughtful way can foster empathy and humanization.
I try to pose questions a lot because it makes people think about their actions and is less likely to be perceived as an attack.
Also, knowing when to shelve a difficult topic to let it absorb is a difficult but important skill to learn. Sometimes stuff doesn't sink in the first time; confrontation panic and brain locking can halt a topic and prevent constructive conversation to which trying to brute force doesn't help. Often when given space they can return to the topic with a much more constructive perspective and you can get into greater complexities of the topic much more easily. It can sometimes feel like you're letting it slide or giving up when it comes to more pressing topics, but it's worth it.
It also helps to not assume the worst of the other before getting into it. (something people are more likely to need to remind themselves when dealing with those they might not be friends with)
Confrontation doesn't have to be antagonistic, it's about providing another perspective that the other might not have encountered or correcting misinformation telephone, and giving the grace necessary for the other to absorb it. I believe on the whole people really do want to understand one another.
(and I'm speaking as someone with social anxiety who gets huge anxiety spikes with confrontation. I am no stranger to confrontation anxiety, believe me. I do it because I know I have to because it will be worse if I let it sit and do nothing it'll only get worse)
im not gonna sit here and say "if youre conflict averse youre a huge pussy fuck you" because i recognize generally people avoid conflict because of fear, anxiety, and past negative experiences - but i really would encourage people to start learning how to call their friends out on things without it being some horrible, drama-starting, friendship-ending ordeal. anyone who is friends with me will tell you i have an ability to swiftly correct or point out something somebody has said as being bigoted, hurtful, or incorrect - and they will also tell you i do not hold a grudge nor do i make the exchange hostile or accusatory! it's a skill, sure, but it's genuinely a much easier skill than i think a lot of people realize. but i think it's one of, if not the most, important interpersonal skill anyone can ever have.
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Prev // Next
Transcript below the cut:
[Rach: Why didn’t you get his number?] Iris: The entire conversation was five minutes. He was gone before I even thought about it. Besides, I spent half the time talking to his dog. He probably thought I was a weirdo.
[Rach: If he’s a dog person, he probably loved it.] Iris: Who knows. [Rach: Do you think you’ll run into him again?] Iris: Doubt it. I’m here almost every morning and I’ve never seen him before. He was just in the area for the vet clinic.
[Rach: Hmm. So, in theory, if you do see him again, it’s because he’s hoping to run into you.] Iris: [scoffs] Yeah, I’m not gonna hold my breath.
Iris: Shit. [Rach: What?] Iris: He’s here. What do I do? [Rach: Um, hang up the phone and go say hi?] Iris: Right. Okay. I’ll see you soon. Bye.
Iris: Hi. Ezra: Good morning. Iris: How’d Milo’s appointment go? Ezra: Great, he got a clean bill of health. More importantly, you were right about the biscuits, he was very happy. Iris: [smiles] Good.
Barista: What can I get for you? Ezra: An oat milk latte… and whatever she’s having. Iris: Oh, um, a macchiato.
Iris: Why did you do that? Ezra: It’s just a thing I do sometimes, buying coffee for the person behind me. Iris: [skeptical] Why?
Ezra: [shrugs] To brighten their day, and hope they’ll pay it forward. Iris: Making the world a better place, one coffee at a time? Ezra: Something like that.
Iris: You should be careful about that. Ezra: How so? Iris: You might give someone the wrong impression. You don’t want them thinking you’re interested if you’re not.
Ezra: I’ll admit, I am usually more discreet about it than I was today. Iris: Oh? Ezra: I have some time before I have to be to work. I was thinking about grabbing a table outside and enjoying the nice weather if you’d like to join me. Iris: Um… sure. I have about thirty minutes to spare. Ezra: I’ll take it.
--
Iris: So, what do you do, Ezra? Ezra: I’m a teacher. Brindleton Bay High. Iris: [sarcastic] Go Huskies. Ezra: [laughs] Right.
Iris: Did you go to that school? Ezra: No, I just moved here a few years ago. Iris: That’s good. I don’t trust people who choose to work at the same high school they went to. Ezra: Why’s that?
Iris: Too many memories. Seems you’d be haunted by the past every time you walked down the halls. Personally, I don’t think I could ever step foot in that building again. Ezra: You were a husky? Iris: [nods] Born and raised in the Bay. Ezra: There are worse places. Iris: I suppose.
Iris: What do you teach? Ezra: Biology. Tenth Grade. Iris: Yikes. Must be awful. Ezra: You’d think so, but I love it.
Iris: Hm. Tell me, do you still make kids dissect frogs? Ezra: Every year. Iris: Horrific. Ezra: Let me guess, you were one of the students that refused, taking a moral stance?
Iris: Oh, I didn’t just refuse, I organized a protest. Got half the school to walk out. We were on the local news. Ezra: You were quite the activist. Iris: Hardly. I was just bored. And I was trying to get the attention of a boy I liked who happened to be vegan.
Ezra: Did it work? Iris: It did, for a while. Ezra: What happened? Iris: He caught me devouring a hamburger at the mall with my friends. Turns out I’m not cut out for the long con.
Ezra: I’d say that’s a good thing. Unless you’ve improved since then? Iris: No. I gave up on lying. It’s exhausting. If anything, I’m too honest. People don’t like it, but [shrugs]. Ezra: I like honesty. Iris: Me too.
Iris: Shit, you get oat milk in your latte. You’re not vegan, are you? Ezra: No, just lactose intolerant. Iris: Thank god. Not that I’d care if you were, but I have a habit of saying the wrong thing and I worried I’d embarrassed myself. Ezra: No no, not at all.
Iris: Good. Well, um, thank you for the coffee. I have to go or I’m going to be late for work. Ezra: Wait, you didn’t tell me what you do. Iris: I guess we’ll have to do this again tomorrow then. That is, unless you’re secretly married, in which case, I’m not interested in some weird coffeeshop affair. Ezra: [laughs] No. Divorced, and very much single.
Iris: In that case, if tomorrow goes well, I might let you ask me out on a proper date.
#ts4#ts4 simblr#ts4 story#sims 4#sims 4 storytelling#the goode life#sims 4 challenge#starsignchallenge#starsignlegacychallenge#gen1 aries#aries pt5#iris goode#ezra jacobson
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If I can tell a personal story that echoes this sentiment.
My boss was like Alex's doctor for me. There was one point where she told that it was an option to put our pronouns in our email signature. At this time, I was still completely in the closet at work, but upon this invitation, I felt... safer than I really had anywhere outside of my closest circles.
I ended up putting my pronouns down as they/them. My boss immediately started using they/them for all of their communication with me, correcting others if they ever used he/him, and overall just being an incredible ally.
One day I showed up with a newly acquired "she/they" pin on my lanyard. She IMMEDIATELY shifted to using she and they interchangeably and my heart fluttered a bit. She then reached out first to me to say "Hey friend. Is there a name you would like to be called?" and for the my heart skipped a beat. I felt. So safe.
So I told her "My fiance calls me Lily" and she gave me a little thumbs up before saying "sounds perfect, Lily". From there she starts conversations with " hey girl" and other affirming feminine ways, giving me extra nail polish, and hair styling equipment.
She treated me with such respect. And I cannot even begin to talk about HOW MUCH she has helped me in my social transition. She really helped me feel like I could truly be who I was in public. And I just. Have so much love in my heart for all of this.
So now. I try to be that person for others. Just be that positive person that people can look at and see safety and love in. Because that's who I am. It's who I've always wanted to be.
When I started my transition and began to come out to a few more folks than the tiny few that knew about me, there was something I kept saying as a part of my spiel…
“This is what I am, not who I am.”
I think I believed it fully at the time.
But then the interaction in the comic above occurred this past summer and completely changed my mind. Sure, being trans is something that I just am, but it’s also something that can be part of who I am as well.
Seeing that kid completely light up the way they did sparked in me a desire that I really didn’t think I’d ever have. Suddenly, that kid made me want to be visible.
Like the comic says, I wasn’t ready to be publicly out so I felt safer lying about myself at the time, but I truly hope that the next time I’m up there they have the opportunity to see me…
…a transgender person who’s included and having fun, just like we all should be.
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i think something that is often overlooked in conversations about platonic and romantic relationships in media and the argument that “two people can just be friends” is that a big part of being queer, for me personally at least, is that i am deeply in love with my friends and would do absolutely anything for them and this sentiment alone opposes the heteronormative idea that your friends are supposed to play a secondary role in your life after a certain point. my friends are not just my friends. they’re not just anything. they’re my friends.
#my friends have fixed my bathroom sink and helped me move and made me food when i’m too tired to do it myself#destroy the idea that friendship is secondary to a romantic partnership in your brain#i know what a qpr is by the way
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