#I am not sure how accurate that theory would be

[karniss-bg3]

Where do you think Kar’niss got his sword? It’s a very nice sword. Not just some off the rack gear. And named as well—-

*drags palms over face* This effin’ SWOOOORD! It has haunted my nightmares since Kar’niss’ corpse first dumped it into my Tav’s lap. I’ve dug and dug and dug and I’m left with more questions than answers. Knowing my luck there is some obscure text or throwaway dialogue somewhere I’ve missed that might lend me a better clue. Damn you Baldur’s Gate 3, you’re too bloody big.

So, I began to write out this big blob of text going into the history of drow weaponry, hues of metals, in-game model comparisons, the stats on the damn thing, and so forth. I was out here looking like this guy for two hours.

Truth is, it’s really difficult to pinpoint the source of Kar’niss’ weapon. Not because there aren’t clues, but because Larian reuses longsword models so much that looking at the weapon alone isn’t solid enough. I almost came to the conclusion that it was an original drowcraft sword pre-1370’s DR until I discovered another sword model that was identical and not tied to drow at all. That and if it was truly a drowcraft weapon forged via faerzress methods then Larian would’ve changed the rules on how they worked. Which makes sense. It’s a fun bit of lore, but it would be a pain in the ass for a game mechanic. Who wants their badass weapons destroyed or losing all magical abilities when you leave the Underdark?

“ME ME ME,” said no one.

The only thing I can say for certain is that it is a drow forged weapon because it carries a buff that only activates if a drow elf is wielding it. It also seems to be perfect for a drider since it also has ensnaring strands, an attack that does 1d10 slashing damage and possibly enwebs the target. This works in conjunction with the added 1d4 poison damage to restrained targets. The swords description may hold the best clue of its origin:

“The trauma of becoming a drider is quickly set aside with a cold arachnid dispassion. This sword follows that disturbing trend - a replenishing poison gland is built within, deployed only against trapped opponents.”

This description and the name, Cruel Sting, lead me to believe the weapon...was a gift.

Imagine Kar’niss fresh from his transformation. He’s dazed, in pain, lost and alone. He’s been exiled from the only home he’s ever known and has lost favor with the Goddess he’s worshiped from birth. His future is uncertain and how long he has left to live is even less so. His mind is shattered, the incoherent thoughts his only remaining company. He hears frantic footsteps approaching from behind him and his already broken heart shrivels more. His kin have come to finish the job, to put him down, so enraged by the offense he caused Lolth. Weak and struggling to keep himself upright he turns to make a last stand, to show strength in his final moments, to die with some level of honor.

His resolve melts into confusion when he sees who is sprinting toward him. The individual would be unknown to us, but well known to him. A childhood friend? A lover? A confidant? Or perhaps someone he fought alongside faithfully for many years. Regardless of whom has arrived a strong bond is present between them. They approach and peer at what Kar’niss has become. Their face twists, a brief flash of sorrow betraying their features. Yet they cannot let it remain, nor are they able to stay with him for too long. Instead, they unsheathe a sword they brought with them, hurriedly holding it up to Kar’niss. Naturally he flinches at first, expecting the blade to pierce his flesh. The strike never comes, rather the new comer pushes it toward him with urgency, expecting him to take it.

Hesitantly Kar’niss complies, taking the hilt in hand and admiring the beautiful drow craftsmanship. He frowns, his eyes lingering on the one who brought it to him, too stunned to speak.

“It will protect you, Kar’niss,” they said in a hushed tone. “...Goodbye, and good luck.”

Kar’niss could do no more than stand there as their former companion darted off quick as a shot, not willing to run further risk of being seen with the newly transformed abomination. He clutched the sword close to him, the last connection he had to the life he lived before. It would forever act as a reminder of everything he has lost, the cruelest sting of them all.

[sso-maev]

Ok so remember this map?

A complete map of Jorvik, with a semi-accurate scale to measure any distance on the island. I’m really proud of it! There is, however, one glaring problem with this map.

WHY IS JORVIK CITY SO SMALL????

I’m sorry but Jorviks capital should not be smaller than middle-of-nowhere ranger town Dundull. The generally accepted minimum population requirements for a city are 50 000 residents. Following the canon map, Jorvik city would need to fit at least 50 000 people in what looks like 2,25 square miles. That would mean Jorvik city houses 22 222 people per square mile, making it the 24th most densely populated city in the WORLD.

Possible? Sure. Likely? Considering the clear inspiration from the way less dense Stockholm, the lack of giant apartment complexes or slum neigbourhoods, which would imply that people live closely together, I’m gonna have to say no.

So how big should Jorvik city be, if the map size is inaccurate? Kind of hard to tell since we can’t see places like Governors Fall or Aideens Plaza on the map.

But there is one place we CAN see.

And if we can use this map, we can measure how long it takes to cross it.

I am very normal about the horse game.

From the barracks to the pier, it takes 38 seconds to cross the map. On a similarly flat surface on Jorvik, we can measure how long Pier 13 actually is, giving us this comparison.

Now, I’m going to show two theories on how big Jorvik City is based on these measurements.

The first one is the most canon-compliant, but also the most ridiculous. By comparing pier 13 to the area outside jorvik stables, we know that pier 13 is ~1 km long. Yes, this is an absolutely massive pier don’t worry about it. Looking at the jorvik city map, we can see that this smaller pier is meant to be to represent Pier 13, and we can do the math from there. Jorvik gets an area of 340 square km, and if we use Stockholms population density as a guide, Jorvik City has about 1,8 million citizens. Cool! One problem though.

You can’t fit it on the map. A city this big would take up almost one fourth of Jorvik, and you’d need to redraw the entire map to make it fit.

So my other option shifts the canon a bit to make the maps fit together. If we go against canon and assume that Pier 13 is actually the larger pier, that downsizes Jorvik City to ~47,5 square kilometres, with a population of around 250 000. This makes Jorvik more comparable to a more densely populated Reykjavik; smaller in area but with double the amount of people. And while it still messes with the coastline a bit, it at least fits into Central Bay.

Personally I think both theories work, but for consistency’s sake, I’m leaning more towards the second theory.

[weirdmageddon]

why i think aradia and john work so well

(with some stuff i’ve been wanting to yap about for ages)

have you guys ever given arajohn / johnradia (idk if its popular enough to even have a standardized ship name) any thought …? i know it seems kind of out of left field. i’ve considered it and i think its. really really good. i have a bunch of thoughts to unpack. come join me. and maybe grab a snack or something because i didn’t realize how much i'd actually have to say about this

(fantastic art by skeletood)

the other day i made a tweet that did rather well where i said, “john and aradia shouldve talked more. its so simple but i like how she actually earnestly answers his questions. so many characters in this comic are so mean to john for just wanting to know more give him a break”

putting it out there now im not big about shipping for the sake of shipping. there needs to be real chemistry. i need to sense that as a reason why two characters would potentially be a good influence on each other. i never knew why i was always so obstinate about this because it’s fictional and not materially hurting anyone, but i think it might be because i’m not sure how to justify it or explain it if not.

i strongly believe john and aradia would have had it made out for them if circumstances allowed it. (what i mean by “ship” or “johnradia” extends to any kind of interpersonal dynamic, even if just a good friendship. it doesnt even have to be romantic, just some sort of dynamic with them.)

unfortunately aradia originally committed herself to staying out of trolling the kids over their timelines, so john and aradia never talked until year 3 on the ship in the dream bubbles but they never had a truly proper one-on-one without outside meddling. i think if john knew aradia better and her story beforehand, she had more time to explain herself and her history, he wouldnt have been unsettled. and also of course if his experience with the trolls didn’t suck so bad because he already had expectations for how antagonizing most of them were.

i found people’s sentiments about johnradia elsewhere too. i remembered that they were both on the song art for ascend, and searched ao3 to see how many fics have been written to gauge how substaintial it’s been in the homestuck fandom. only 17 of them turned up. but the people who do talk about it are either curious about it or really do like it, and that interested me.

clearly it’s pretty niche character relationship to be depicted in any fanwork and i can understand why. despite being so small, from what ive seen it seems universally agreed upon to be nice. i haven’t seen a single person object to it. what ive seen falls into two categories: “wow i didnt think about this before but i actually dig it” or “(starving) finally some good fucking food”

the pattern im seeing is that people think it’s “random”, but i disagree. there is something there substantiating it even if they’re unable to articulate it.

the fanfic these comments are from is chronology of wind. that fic is really, really good, and sadly unfinished. i have more abstract reasons to believe why aradia and john would be good in theory, so actually seeing someone else actually make something with them helped me read it in action, to get a more tangible feel of the dynamic beyond what we have in canon.

i wouldn’t normally make claims about a relationship with regard to homestuck canon by looking at their relationship in a fanfic, because i think you all know by now i am very nitpicky about accurate characterization, and it does not go unnoticed by me when people get it right because for some reason it feels like a one in a million thing (even though it really shouldn’t be?). so this was a special case. the tone was completely consistent with canon. this fic is so in-character i’d basically consider it an extension of canon. to me it’s like they took the same characters and plopped them into this scenario to see how they’d interact. guys… i love that stuff so much. i love fanfiction or fanworks that depict realistic extensions of canon and stays true to the energy and tone of the source, but deepens it. there isn’t enough of it imo. i want to see more of it.

anyway, what i read of their conversations in that fic basically aligned with what i was thinking in my head about what i’d expect it to be like. i was able to compare how aradia and john talked to how aradia and the other characters interacted, their comparative attitudes towards each other—how they’re treated by others compared to how they treat each other.

have you noticed john and aradia’s communication values are both based on sincerity, being in the proper know, treating people fairly, and thanklessly taking on the necessary work that “must be done” in order to have what they really want — a good time that feels meaningful? and they accomplish this without any adjustment in how they talk to each other.

john is always subtly (or not-so-subtly) asking the people around him to answer him soberly and to the point so he knows whats going on and what that means for what his options are. he needs to know to what end he will be applying his absurd energetic drive into making shit happen. aradia honors his time before john can even become uncomfortable with the amount of time being eaten up by conversation. contrast this with rose, who seems to go on for a while with prose-like conversational adornments. in dire situations that need rapid explanation and definitive answers so he knows what to do, this is really the last thing he needs. aradia doesnt waste john’s time. she answers all his questions, and does it politely to boot. his time talking to her doesn't feel wasted.

john's impatience with this sort of nonsense is also why i can’t see something like dirkjohn working out, for example. to me it feels like @entropicbias also deeply understands this on some level because i literally couldn’t have demonstrated what i mean by it any better myself than that. i'm gonna have to to hit him up about how much i genuinely respect that like tbh hes one of the few i absolutely trust to handle writing and depicting these characters in situations and their interpersonal dynamics. and also care about doing their characterization justice as much as me.

of course people are still entitled to like whatever they like, ship whatever they want to. i dont care. but i just don’t think it would work from the perspective of the minds of the canon characters, how they generally think and approach situations. and i can already tell people might ask me how do i know this? what makes me an expert? i’m not more than anyone else is (although i have been called a "characterization expert" from my friends), but i do know that i can pick up on the energetic chemistry between people, including characters, honestly precognitively, without even thinking? like if it’s stiff or tense or awkward, if people aren’t free to express themselves uninhibitedly, if they feel unsafe or uncomfortable. i can sense this almost instantly. it’s something that’s a visceral feeling in my body i cant express and i have to rationalize it after the fact. like i’m doing now in fact writing this big analysis.

> listen to me talk about my special interest boy

for the next section to make sense, you probably want to read this post. i initially started writing it within this post to explain but there was so much brewing i had to explain the context that it turned into something i wanted to post on its own terms.

> okaaaaaayyyyy i read all that

thank you, really. my main point is using the conceptual tools provided by this system to expIain why aradia and john feel nice together and why i’ve seen people positively perceive the idea of a relationship between them even if it seems “random”.

framing them in this system, it wouldn’t be random! there’s a good reason they seem to fit nicely. this is because john and aradia have complementary forms of information metabolism. information metabolism is talked about in this section.

Jung’s psychic types are the types of cognition, or intelligence. But it would probably be easiest to call them types of IM [information metabolism], since the main difference between the types of people lies in their exchange of information with the external world.

Aushra Augusta, Commentary on Jung’s Typology and Introduction to Information Metabolism

aradia megido’s type of information metabolism (otherwise known as a TIM) is LII. john egbert’s TIM is ESE.

aradia and john’s types are duals. you can read more about what that entails here. in theory, their interactions would reflect the duality dynamic. reading chronology of wind, that one really in-character fic that explored their dynamic made me excited because they do!

michael pierce gave an overview of his impression of the characteristics of this intertype dynamic. despite only rough knowledge in socionics while he wrote this, his understanding of duality was spot on to me from my experience and others and i wanted to share it here. (fittingly, i believe he is also LII.)

Now we have the famous duality relationship: in a nutshell, this role is characterized by two traits: 1) a very close psychological distance or intimacy, and 2) a great ease of interacting with each other. It is sometimes described how meeting one's dual can be the event of a lifetime, because it inspires aspects in each party's character that they had never expressed before: the pair may even drop out of society for a time in order to focus on just each other, and to explore themselves through interaction with each other. The curious thing in this relationship is that these parties are rather different in outlook, and when they are not actually interacting as potential friends it's probably more likely for them to dislike or mistrust each other because of how different they are. […] However, when they are able to interact normally, it is a strange and wonderful discovery to realize that the interaction is unexpectedly smooth and invigorating. It's hard for people to describe, but as I understand it: while both parties recognize their differences on the surface, these differences are created by a root structure that coincides perfectly with each other, so that the differences on the surface are entirely complementary and cause no friction at all.

it’s also meaningful to consider that the structure of my own psyche is LII as well. so i’ve got a bit of a bias towards aradia and john.. not in the sense that what i actually say about them is personally biased, but that the bias is moreso my personal attention to people and characters of these two types in particular to see how my own experiences are reflected in them. i really do feel of a reflection of my own thought and work process in aradia and in the more abstract sense she is like an extension of myself. when people say they like aradia as a character i get secondhand joy from that because shares certain specific traits with me. of course i am still my own person though.

these are some of the most apt profiles i've found for these types at a glance. again, think about these characters as you read these descriptions. [from here (ESE / LII)]

ESE (Ethical-sensory extrovert) - john

The trademark quality of this type is a focus on socializing and guiding social situations and interactions so that the people involved can have fun and enjoy themselves. ESEs are typically in the middle of what is happening socially and know about the latest events and what people think and feel about them. They are skilled at bringing people together in fun and interesting ways and making everyone feel actively involved. Their friends know them as people who love life and feel most at home in social situations surrounded by other fun people. In their pursuit of fun-oriented and stimulating social interactions, ESEs typically neglect to structure their own thought processes and views in a way that would help them know exactly what they think and why. They are receptive to others’ attempts to help them introduce more structure and logical consistency in their life and thinking processes. They gravitate most to people who open up to fun and emotional interaction easily, yet are also skilled at systematizing thoughts and views and explaining ideological matters.

LII (Logical-intuitive introvert) - aradia

The trademark quality of this type is a focus on logical, structured thought and generating true assertions and views. LIIs are typically strict thinkers who are concerned that everything fits together in a logical way. They are skilled at understanding, generating, and criticizing logical arguments and instilling their views in the people around them. Their friends know them as people with well-organized thoughts and opinions who know what they think and can elucidate their ideas to others. In their pursuit of logical understanding, LIIs typically neglect their external social interactions and activities that would help them lighten up and experience a connection with other people. They are receptive to others’ attempts to create these fun and lighthearted situations for them. They gravitate most to people who are interested in their opinions and understanding of things, but are also skilled at organizing social interactions and creating a sense of emotional unity.

ive recently consciously experienced the feeling of duality for the first time since i've been communicating with my mom's high school classmate, and it is definitely a real thing. i even remember mom pointing out she noticed when we were all talking on the phone over a year ago that i perked up whenever he said stuff. here is how i explained it:

its bonkers how only once i experience something for myself i’m able to explain in detail what makes it so great based on what my impressions about it were because i tend to have a peculiar way of describing the qualities of an experience. my specialty is deep precision in my analogies for what it’s like. so now i can tell you how conversations with your dual feel… heres the status report. it’s weightless. its so strange. like the topic conversation stretches into infinity that you can pick right back up at any time. it’s hazy and unfocused but still pleasant (unless you’re particularly self-conscious and need to unlearn hiding your true self). but the best parts of it come when you have a specific issue or insecurity that comes with being your most natural self that the world seems to misunderstand about you, or just not give you what you don't even know you’ve been looking for. i think you might mutually intimidate each other at first because you're lowkey both expecting to be made fun of for your inadequacy with certain types of information that the other is nuanced with (and you’re not), but it never comes. you don't feel like what your dual wants in life is wrong. your dual seems so talented in all the ways you hope to shine but you’re always unsure of. for the introvert (me) wishing they felt their own active presence as an object (Se, Ne, Te, Fe) like the extravert does. for the extravert, wishing they felt their own relationships with other objects (Si, Ni, Ti, Fi) like the introvert does. any other intertype relationship (ITR) vs. duality is like the difference between 99% and 100% totality of a solar eclipse, except it’s the level of understanding with another person, like the eclipsing of your own information metabolism with theirs. of course there are other things that influence how well your relationship with this person goes, but i am talking strictly about when it comes to basic communication, the level of understanding you share. sometimes it might feel like you dont have much to talk about or the topic is unfocused, because you two ARE opposites in many ways after all, especially at a glance (domain of interests usually come with specific macroelements. theories about thought structures—like socionics, for instance—are in the domain of intuition, while physical interests and experiences are in the domain of sensorics.) i’m LII in the NT club (researchers) and my dual ESE in the SF club (social-communicative). so they’re constantly providing you with information from their own niche in life that you may be entirely unfamiliar with, but for some reason still interests and relaxes you to hear. you might not feel like you have a lot to say about the topic since but you are fully amazed by this person’s activity. it also makes you feel more sure of yourself and more confident that people truly appreciate and need your natural abilities.

> let’s break it down

here’s some lightly modified descriptions of the information blocks in LII and ESE's information metabolism models from pyatnitsky so you can get an overarching impression of how their type contributes to the informational sphere. i added some of my own adjustments and borrowed some sentences from stratiyevskaya's descriptions. additionally, you can click on the name of the block for an explanation of the role it plays.

i put about a week’s work into these collages but my goal with them was to actually show where i think these information blocks are most pertinent in these characters specifically and where they apply so it’s not just some abstract thing, just as supplementary examples as needed. (for the meaning of these information elements individually you can refer to cysia’s document.)

LII (Logical-intuitive introvert)

EGO (-Ti? -> -Ne!). Analytical thinking. They are well aware of the interrelationships of some objects or phenomena with others, and what laws are in effect or not in effect. On the basis of a comprehensive analysis, they put forward insights about the global essence of specific objects and phenomena, their possibilities. They acutely charge the situation with potential energy. For every situation, there is an archetype.

Super-EGO (-Fi? -> -Se!). Normative ideas about relationships between people and ways to get out of unpleasant ethical situations. Understands ethics as founded on the principles of fairness; to do to one side of the equation that you do to the other. Volitional manifestations in order to protect their living space are carried out only on the basis of personal experience. Because of the limited opportunities to fight back, they react painfully to attempts of any interference in his life. Does not respond to any arbitrary crudeness or volitional pressuring. Does not compromise goals, stubbornly clings to them. Avoids direct confrontation if possible, would rather talk civilly and earnestly. Uses their naturally strong sense of the conditioning of objects over time to avoid collisions with their material interests. Due to this, they may appear as someone with very little weaknesses.

Super-ID (+Fe -> +Si?) Attracts information about a good mood, a specific positive state, or a feeling. They would like to think that they can eliminate serious inconveniences, make the environment around them more comfortable. This skill needs to be evaluated. They are unconsciously activated when there is a need to make the environment more comfortable, which should lead to a better state, raise the mood at least in the immediate environment. In friendly, comfortable, and informal company, their cool exterior thaws and they start lighting up with joviality.

ID (+Te! → +Ni?). Has developed guidelines and methods that relate to specific practical activities, technological effectiveness, and resource use. Spontaneously feels the correct allocation of resources over time, which allows them to effectively solve tasks at an unhurried pace. This pace is deeply rational in nature.

ESE (Ethical-sensory extrovert)

EGO (+Fe! -> +Si?). Perception of the world is fundamentally emotional. Feels the emotional atmosphere well in any situation, knows the relevance of the way of expression, the place and weight (importance) of the internal state in each situation. Flexible approach to solving problems of managing and expressing emotions. They show bright emotionality both negative and positive. Creatively produces around themself comfort, coziness, conveniently arranges space, surrounds others with beautiful things, changing thereby the general condition and mood. Usually opinionated about their tastes.

(wow i really went all out on that this one that tumblr wont even display it in full resolution, so here. john just has so many more lines to choose from, sorry!)

Super-EGO (+Te! -> +Ni?). Practical and technological thinking is tightly based on acquired knowledge and patterns of solving similar problems. Methods of business activity in both general and specific areas are selected based on the opinion of reputable sources, or adjusted to one of the mastered templates. Predicting specific changes in the sphere of their interests is carried out only on the basis of personal experience. He is not able to compare his own method of forecasting with others, so he is sensitive to criticism of poor timing or deadlines, does not like situations that feel like a waste of his time; he is lost in connection with negative events. Guided by purely personal experience, he chooses specific times and deadlines for various tasks with a normative understanding of business activity in general.

Super-ID (-Ti? -> -Ne!). Attracts information about the order, specific logical relationships in the field of activity or interests. Needs someone to suggest specific ways to make connections between phenomena, patterns, and rules. Tries to be reasonable himself, even though he knows that this is not characteristic of him. Sometimes he openly talks of his actions that were poorly reasoned through, as if inviting other people to laugh at his thoughtlessness. The ordering and systematization of thought opens up a new way of understanding of events that are happening around him, as well as new prospects, potential, and capabilities. He likes to think that he understands the essence of a situation and lights up with new ideas. This skill needs to be evaluated. It is unconsciously activated when it is necessary to create order, clear consistency and clarity on a particular issue, especially if their abilities are recognized.

ID (-Fi? -> -Se!). Involuntarily keeps track of communications in their social circle. Without hesitation, they use a variety of ways to establish and maintain relationships that have been developed in his personal practice. Good relationships are important for personal inner confidence in a situation. To prevent unfavorable relationships, they are inclined, often without even realizing it, to act with pressure, forcing a showdown, forcing the partner to change the relationship for the better. Frequently demonstrates his resoluteness, persistence, and purposefulness, as if proposing his behavior as a model for imitation. Usually tells in much detail what obstacles were created before him, and how he overcame them, what he was told in response, and what he replied with, and so on and in the like.

(full res)

you might be able to see already how they would complement each other's thought process nicely. here are some descriptions of what the communication between these types is like:

+Fe! : program function of ESE and dual-seeking function of LII

The ESE periodically tells emotionally charged "program" function stories, telling of how somebody has acted and what they have done. The main orientation of ESE's leading ethical program is: "No one should be offended." The LII carefully listens to these statements, and, demonstrating a full understanding of these issues, develops logical basis for them, e.g. in calm persuasive voice he explains how the ESE has acted justly and fairly. The effusion of turbulent emotions coming from the ESE is counterbalanced by their absorption by the LII, who breaks them down into fragments by asking clarifying questions of the ESE.

-Ti? : dual-seeking function of ESE and program function of LII

The ESE is tuned to accepting information when it's relayed in clear logical form. He issues requests for logical explanations delivered from a point of view of generalized rules underpinning specific life events, which he receives from the LII, who delivers clear unambiguous interpretations, places the dots over all "i's", and demonstrates good understanding of problems that are of concern to the ESE. Not receiving information of this kind, the ESE begins making demands of those around him to be "intelligent" and understand the reasons of his actions.

-Ne! : activating function of ESE and creative function of LII

The ESE feels uncomfortable if he doesn't extend his help to people who are in need of it. His subconscious orientation is: "care and guard the talented", be kind and attentive towards other people. The LII usually meets such criteria by proving in action his aptitude at uncovering hidden capabilities, winning trust, passing on the knowledge. The ESE creates supportive conditions for people who are capable but lacking in assertive "push-through" qualities, among whom the LII finds himself, and a special work regime that protects such individuals from overloads on sensing functions. Newly discovered possibilities inspire and promote the pragmatic and business-oriented activities of the ESE. He can support a new undertaking or initiative with an enormous amount of energy and enthusiasm, light up by new ideas. Only the LII is able to, even having a vague general notion about the subject, construct a developed theory or idea of any issue. This theory shows to be promising in the process of its concrete application within its field.

+Si? : creative function of ESE and activating function of LII

LII tries to take care of their well-being, but may gravitate towards demonstrative asceticism, exhaust himself with work, studies, or exercise. The ESE periodically takes care of creating an environment that "charges" the LII with pleasant sensations: a reception of guests, a good meal, a visit to a theater or a concert, an interesting trip, and so on. At the same time the ESE takes pleasure in this himself.

+Te! : role function of ESE and observing function of LII

The role function of the ESE manifests as business-oriented activity and initiative, supplying interesting information, provision with material assistance to those who are in need, general restlessness and fussy busyness. This function is normative, i.e. the ESE seeks to comply with the norms and accepted ways of doing things. The nuancing of the understanding of these norms, i.e. introduction of activities that go beyond them, is possible only by considering LII's advice and recommendations. The LII serves as a director of this function, adjusting its workings by advocating the necessity of practical application of some beneficial ideas, rejection of useless though spectacular ideas, and the need to ensure standards of life not below average by rejection of equalization.

+Ni? : vulnerable function of ESE and demonstrative function of LII

The ESE poorly feels the flow of time, both physical, which manifests as running late and poor distribution of his strengths over time, and historical, which manifests as poor ability to anticipate consequences of actions and tendency for traditional ways of solving problems. The ESE finds it difficult to make radical choices. The LII fully takes this aspect onto his shoulders. He has an unconscious ability to distribute activities in time, thereby avoiding work stress and overloads, and is capable of making a radical choice. The LII is able to calmly wait and in the necessary moment get to work when the wasteful fussiness of the ESE reaches its critical point.

-Fi? : ignoring function of ESE and role function of LII

On this function the ESE gives advice and makes demands concerning the creation of appropriate psychological distances in form of proper behavior, courtesy and politeness, denouncing rudeness and boorishness. In this manner, the ESE adjusts LII's role function, which in itself contains a set of large psychological distances: a sullen stubborn look, unsociability, etc. With such fine-tuning it becomes easier for the LII to come into contact with people, whereby he becomes more animated, resolves many of his ethical problems that previously frightened him, gains greater insight into human relationships and a more accurate understanding as to whose side to take in situations of conflict.

-Se! : demonstrative function of ESE and vulnerable function of LII

The LII finds it very difficult to exert pressure on other people from his own will and initiative, especially in cases when he needs to attain something for himself. He finds this difficult to do - to press ahead in certain situations, to gather all the required paperwork, to stand in lines and queues, to petition for his own interests, even the ones that are of vital importance to him. He finds it difficult to push a person away, to sharply refuse someone, to quarrel loudly and defend his rights, to put an end to relations that have exhausted themselves. The ESE doesn't directly affect this function, i.e. he doesn't verbally criticize and teach the LII on this aspect, but takes over its functioning completely. The ESE exerts a constant, sometimes intrusive and imposing pressure on other people if there is a need to achieve something, to defend justice and demand fair treatment, to protect interests of those who are close and dear to him. The ESE goes to the right jurisdictions, inspires people around him and directs them towards work and purposeful activity, keeps up a high pace of life himself, and breaks off relations with those who don't deserve trust.

and some miscellaneous excerpts from literature i liked a lot. (i can't remember the sources i used since i've been working on this on and off, for the past week and i was just spilling things onto the post. i think stratiyevskaya?):

Mood - that’s what matters in this dyad - emotions and feelings. Anything that suppresses and overshadows good mood is considered unethical in this dyad and is strongly condemned.

The ESE does not allow the LII to limit him in the possibilities of consuming the amount of pleasures and joys, which he considers to be necessary and sufficient. Fortunately, both partners in the dyad - LII and ESE - are obstinate and unyielding. Both are demanding, unwilling (and not allowing anyone else) to lower the bar of their requirements, unable to give in and make concessions (especially in anything that is of principle for themselves). Both know how to make their partner reckon with their interests and insist on the fulfillment of their demands.

LII is impressed by the emotional generosity of ESE and his spiritual responsiveness. All this finds the deepest understanding in LII, since he is tuned to the same priorities and values. For his part, ESE admires the ability of LII to speak clearly and definitely on every issue. ESE is struck by the harmony of the reasoning of LII, the amazing clarity, accuracy and laconicism of his statements. To ESE it seems that for LII, there is nothing incomprehensible in this world; he can give a comprehensive explanation on every issue. And everything that ESE thought about before is gradually being built into a definite and clear system of views, which he can now very freely and naturally present. Confusion and chaos in his worldview gradually gives way to a stable logical order, as if someone patient and careful was sorting all his thoughts into shelves. Such clarity inspires and activates ESE; he begins to see some prospects for himself, new opportunities. His energy and activity, in addition to emotional and ethical expression, also receives sensory realization: ESE begins to take care of LII and carefully looks after him. If LII is a colleague with whom ESE is especially pleasant to communicate with, he begins to treat him with something tasty, homemade; will make some small, but beautiful and necessary gift (for example: new cologne or a warm scarf).

> okay that's great and all but when are we talking about john and aradia specifically?

yes, that was the point of this post. i just had to build all that up first so i could walk you through my thoughts in a fully substantiated way.

considering chronology of wind again, john doesnt realize it but he needs aradias frankness and insight. even if she’s unable to explicate on vague things, she states the reason why instead of making him feel stupid (it would create a doomed timeline) but thats all john needs to hear. she is self-effacing and only tells him the truth, and we know other people can take advantage of john’s suggestibility in this way. aradia tells john who is or isnt trustworthy, what actions would be useful/necessary and which ones wont, without any selfish personal motive a la vriska or terezi.

^ (juuuust the record my nitpicky ass doesn’t agree with the truth of the classpect interpretation on behalf of the author in the last bit BUT that is beside the point here. the point is that she is answering john’s question in a way that is meaningful for him)

aradia doesnt realize it but she needs john’s friendy goofiness to brighten her up because she is surrounded by people who antagonize her when she’s literally not even trying to get under anyones skin. everybody gets frustrated at her “spooky nonsense” because theyre afraid of their own mortality, basically telling her to put a lid on it because thinking about hard truths makes THEM personally uncomfortable. but to her it’s always just been a fact of life. plugging your ears to reality is ignorance, but at the same time that doesn’t mean there’s no meaning in anything. she wants to help people see this and she dedicates herself to becoming a psychopomp for the deceased and earnestly trying to make people feel emotionally and physically comfortable in their situation through exploring their memories.

john isn’t hostile towards her. by being herself she is immediately able to earn john’s trust when they initially talk. this is also true in canon; the one time they talked when john initially comes up to her, saying “can i ask you something? seem reasonable, and pretty nice.” unfortunately he asked her the one question she didn’t have much to say about, and i can’t blame him for expecting all the troll girls to be basically insane at that point. but i don’t think aradia is insane. yes she is odd, but i think it’s evident that she has a good head on her shoulders with knowledge of the way the universe around her works, and in the end wants to simply bask in watching it play out. i think she deserves to get childishly excited about it, especially considering she was dead for most of her developmental years.

aside from getting his answers answered, john shows curiosity about her and her species and even care about her well-being and state. this naturally comes from their conversation’s ebb and flow. aradia tells this straightforwardly, without bells and whistles and without trying to trick him, unlike the other trolls who seem keen on well..trolling him.. and providing him with unclear answers to those sorts things. maybe aside from vriska, but she did have a little bit of an attitude about it wherein her and john’s dynamic felt uneven or off-rhythm, with a large psychological distance. it’s a different feeling with aradia, however. they exchange information on the same rhythm and so are able to achieve a closer psychological distance in communication.

there are no judgments coming from aradia about john being “stupid”. she doesn’t underestimate him. it’s not just that john wants to understand (although he does), but he needs to understand what he is doing. aradia compliments john about the traits he possesses that allow him to be effective. i guess in a way i’m doing the same thing with john right now.

john is so mobile and strung along by being the action hero going from place to place as a can-do deliveryboy that he never has time to reflect on his losses, think through them, and accept them.

literally who else is more qualified in all of homestuck than aradia for talking to john about these things?

on top of all of this, they have objectively significant connections beyond just mutual self-realization in a way i think could've been fleshed out. there is potential here.

for a story, i can think of a way that a conversation between them could plausibly happen using the systems established in homestuck's mythology. in canon, we see that john never met aradia until year 3 on the golden battleship in the dream bubbles when he goes to sleep.

but john still dreamt out in the furthest ring. that means during those 3 years it was possible for john to have had a dream with her in it, or at least aradiabot. i know john didn't know aradia's name beforehand but let's just explore the possibility that they could have had met before that. remember that all these aradiabots were once this person.

aradia had obtained john's crosbytop, his dads hat, and his wallet quite a while before their sgrub session. theres your entry

imagine john seeing that

memories of dear old dad get stirred up through the link of seeing those items

the dream bubble transforms

john is forced to stand in his memories and explore grief and the meaning of life with aradia

physically being in the space around him would definitely help john reflect easier i think because it will force him to actually exist within the space and talk to someone, taking some time out for this. he wanted to know if anything could've been done or if he was just too late to save them. i know aradia would be able help him slow down and introspect. don't forget the opportunities created by the properties of these spaces that are glubbed out in the furthest ring by the horrorterrors that meld the labyrinthine time and space of their surroundings to the memories of the people and finding others through common points in memory. i would imagine that objects known by multiple people would provide a common point in memory to bring them together.

The bubbles allow the players of Sburb/Sgrub who have lost a life to continue dreaming. The reality constructed in the bubbles is a combination of the memories of everyone inside the bubble accessible to any who has learned the bubble's nature. According to Aradia, it would be quite difficult to exit a bubble to get into a new one, however someone inside a bubble can travel to another one through common points in memory, taking their own memories with them to be integrated into the new bubble. These memories mix and combine, but in general, no new memories are created. Additionally, the bubbles store the consciousness of a player who has lost their dream selves and their original selves, making them double as a form of afterlife; the player is then capable of accessing the memory of anyone else who has gained access to the bubbles. Living players, who have lost or become their dream selves, appear in the dream bubbles when they are asleep. It is in this fashion that the bubbles can be used as meeting places between the dead and the living; even those from alternate universes and doomed timelines can be found in a bubble. Furthermore, in addition to memories, the bubbles can to some extent reflect the thoughts of a player. Beyond that, the bubbles can also behave similarly to Skaia's clouds, showing things that are in some way relevant to the player - such as when coin-flip Dave saw alpha Dave grieving over Bro's corpse - something he was not aware of before being shown it by a bubble.

physically reflect the thoughts of the player…… rubs hands

john and aradia share points in memory related to those objects, and to top it all of they are directly related to john's dad on the same day he died, while aradia grew up with them as bizarre alien artifacts from an archeological dig. the memories are more emotionally charged for john, and i think that distinction would probably be relevant to them both.

to be honest i think after speaking with him for a bit she would readily tell john that she regrets not talking to the kids from the universe her team created sooner before she died, but is glad that she can in the afterlife. in canon, alpha aradia told a doomed dave, "i think its absurd i never introduced myself to you in all that time i spent moping around the lab. guess i wasnt in a very good mood".

now not all the aradiabots would know who john is, because the trolls only found out about the humans once they created the genesis frog and hid out in the lab in the veil from jack who infiltrated their session. the aradiabot in the lab was the last one that survived. so if any one of them would know who john is, it would be the aradiabot that exploded. aradia's dream self ascended to god tier in jack noir's rampage on trolls' derse and took those memories with her which we can assume is what made the last aradiabot explode. its known that any original copy that dies when another rises up becomes a ghost and lives on in the dream bubbles, which would include her. a doomed aradiabot we see in the comic, which was the one that originally landed to alternia in the past, becomes more lighthearted after she dies, a bit more like her alive counterpart.

oh yeah, and the more obvious surface-level connections to top it off? ghostbusters? john ain't afraid of no ghost girl. john would be genuinely interested in what aradia living as a ghost irl on her planet and not as a gaming abstraction in the furthest ring would be like. i imagine she would be able to explain the subjective experience and that she had to prototype herself into the kernelsprite order for her server player to see her. there's also no way john hasn't seen a movie as classic as indiana jones and judging from her poster i can imagine he probably thinks it's sweet that aradia's strife specibus whipkind is a reflection of her own personal tastes, interests and hobbies.

so yeah i've just been chewing on all of this and thinking about it but i know i needed to just get this out there somehow. obviously since i spent two weeks putting this post together i'd be happy to hear your thoughts

[yomogi-mogi-mochi]

Unnecessarily Convoluted Analysis of TWST Dorm Architecture

Putting that Art History degree to use 💪 I am getting my Masters in art history, so I am like semi qualified?? to do this. Tried my best with some of the dorms since some don't have an explicit cultural/architectural parallel irl. And obviously lots of liberties taken since I'm sure the people at Disney were not going for historical accuracy

Masterlist here

Much of this analysis can from my Spolia fic (Malleus x Light Fae MC)

Diasmonia: Early Gothic

Gothic- but early gothic. It's got a few flying buttresses, indicative of technology in later gothic movements- but in combination to the lower ceilings (lower than later gothic), fewer levels (celestory, triforium, doric columns, and shorter windows makes me think it's early gothic (more towards Norman architecture/Sens Cathedral), because it's a lot simpler and less technologically developed than high gothic (larger windows, rose windows, higher and pointier style, flying buttresses, more decorative stuff like Corinthian columns and stained glass). Still, I think the Fae would be been more concerned with its structural integrity against the waves of time- therefore gargoyles become a very prominent symbol in protecting this eternity and preservation of architecture since it basically prevents rain/weather from eating away at the building.

There's some interesting symbolism with Malleus' fixation with gargoyles, but I'm sure you can make that connection on your own based on what's out in Chapter 7 and how he reacts to both Lilia's and MC'S impending goodbyes.

Gothic was actually a term used by the French to demean the style, since it was seen as more 'savage' and 'lower' than classical architecture- which is symmetrical, solid, and values very literal and realistic (albeit idealized) characterization. Gothic architecture in contrast is a lot more airy, focuses on light and windows, and values more allegorical representations, which is why it resonated so well with the religious ruler and monarchies because they were able to not-so-subtly point to their influence and power in every single way without it being in your face all the time.

Because of this very stank contrast, it was labeled as "gothic" because people were criticizing it to be "savage" and "unkept". The goths were painted this way because they were mainly responsible for Rome's downfall, leading to the dark ages. Regardless of the French ruthlessly roasting the goths, this type of design flourished after the dark ages because technology was beginning to be advanced once more, and materials were more readily available.

My theory would be that the fae began to first develop this architecture because they had the advantage of magic, but then the humans were influenced by it- which leads them to high gothic (Noble Bell College), as well as Baroque and Rococo architecture (like the Pomefiore dorm). The Fae kept their style of early gothic since they didn't really see a point in changing much- maybe just more decorative gargoyles called grotesque as a symbol of the Fae's gratitude in their protection against time.

Also the hallways have what are almost like ribbed vaults which was one of the primary and first symbols of gothic architecture because they allowed more weight to be distributed to the vaults, and therefore allow for bigger windows.

Another distict characteristics in gothic architecture are clearly defined elevations.

Traditionally, they will have the celestial at the top, then gallery, then the main arcade (especially as we get into the later gothic periods and buildings get even taller and taller). Of course Disney isn't completely accurate with these things, but it seems that they're sort of going for that vibe, as many things end up being as our contemporary notions of historical design often creates a vague iconography of things that is often a copy of a copy of a copy of the original medium.

However I do think the intention to mimic the original design is still there overall, and combined with many of the other elements such as the prevalence of pointed arches that are a symbol of gothic architecture, and the sheer number of windows that were allowed originally due to the technological advances of the gothic era (and of course Malleus' own obsession with gargoyles), I think it would make sense to categorize this is like "gothic adjacent".

If I were to redesign the diasmonia dorm however, I would definitely begin by fixing the exterior- but I think they were referencing Malificent's tower in the Disney movie than any sort of historical accuracy lol. You win some, you lose some.

Pomefiore: Rococo with a touch of Art Noveau

Very obviously modeled after French Rococo architecture- the illustration of the hallways of Pomefiore dorm are almost exactly like the Palace of Versailles

It is definitely a toned down version- but pretty spot on, right? When I first saw the Pomefiore dorm I immediately Googled a picture of the Palace of Versailles cause I knew I saw it somewhere. Autistic spidey senses at it again.

Honestly wish they went more all out with the chandeliers, and had painted ceilings on the dorm colors- but I feel like they got the general vibes right. It feels closer to Romanesque with its simplicity but it still holds an aura of decadence and frivolity that I like. Very rich, extravagant like it's members (maybe not so much Epel lol)

Elements of Art noveau in the furniture (the peacock chair) and the embroidery of the uniforms.

Also, the peacock chair sort of reminds me of James McNeill Whistler's Peacock Room. He was an American impressionist that was sort of the forefront of art nouveau, since impressionism was one of the mainstream movements that really began the explosion of Japanese inspired design that is also used in Art Nouveau aesthetic.

(Vil would definitely have this room if he could)

The carpet in the room reminds me of William Morris' designs, and just art nouveau in general.

As far as I can tell, the exterior is based on a variety of German castle styles from 13th century Romanesque styles, to 18th century Neo-Gothic styles. Which is coincidentally what a lot of the castles on Disneyland are based off of.

Everything is very florial, Corinthian, and extravagant. I love it. It's very baroque, I dig it.

Scarabia

Please don't come for me I'm not as well versed in Non-Asian and Non-Western architecture except for religious architecture in Turkey and Jerusalem so I'm gonna try my best with this one

So I think it mixes a lot of the icons we think of in association to Arabic architecture like domes, pointed/ogee (rounded, then pointed)/multifoil (multiple curves) arches, and ornate floral designs that derive from the use of calligraphy in Islamic structures (as iconography, or pictures depicting the faces and bodies of religious figures were not allowed).

And I think all those tiny buildings resemble Minarets, or tall towers built adjacent to mosques where the muezzin can issue the call to prayer. But the artists were probably like "hm. Not enough. How do we make it more arabic??" And of course the contemporary orientalist perspectives that dominate the artistic realm made they go "quick just add a bunch of domes"

I think Kalim's room and the lounge in particular best shows the general "airiness" that parallels Islamic acthicture (ie the Sheikh Zayed Grand Mosque on UAE)

Open air courtyards are also a characteristic element of Islam architecture, which you can see with the areal view of the dorm, and also makes sense with Kalim's unique magic.

Jali window designs (the intricate gold metal covers on the arches) are also popular on Islamic architecture

The Haga Sophia in particular has been described to have a dome "suspended by the heavens", as the section connecting the building and the dome is made entirely of arches that allows the sunlight from the heavens to pour inside the building. Though the haga Sophia is a very special case, as it was occupied by varying religions with different architectural styles at certain periods- I think it's also a good representation of our contemporary prototype of Arabian architecture that makes up the final design of the dorm.

Ignihyde: Classical Greek

Looks like it's modeled after the Parthenon, which was built during the Classical period on Greece where Athens was flourishing as a center of mathematics, technology, and architecture. These are sentiments which becomes reflected in the Renaissance afterwards, such as symmetry and a very systemic way of approaching things. I think it fits perfectly with this dorm, since they're the "tech geeks" of NRC

It's got your pediment, your doric columns (would have preferred ionic columns but whatever Disney), your arcades. Pretty straight forward unlike the actual movie it's based off of lol (Hercules has so so many mythological inconsistencies. Like why are you talking about Achilles in the movie??? Trojan was hasn't even happened babe stop manifesting that shit)

I think the symmetry and order of Classical Greek design goes well with the overall futuristic look Ignihyde and the Island of Woe are going for. Pretty clever, Disney.

Heartslabyul: Tudor Revival Style

Though Alice in Wonderland is set in the later 19th century, I think the Tudorian Revival style than began in the beginning of the 20th century just shortly later fits best.

Turdorian revival style is characterized through half timbering, which is like the timber panels you see on the surface of the building; oriel windows (windows that jut out); mock battlements; and courtyards.

The Tudorian revival style also takes elements from Elizabethan era architecture and perpendicular gothic architecture, hence the long gallery and the tudorian four point arch)

The glass panes in the lounge leaves me to believe it's sort of like a glass house where part of the house is sort of like a greenhouse. This is characteristic of Victorian glasshouses that rose with the availability of timber, paint, and brick and the popularity of botany in the Victorian era propelled by botanical imports from British colonies. Architecrs like Joseph Paxton were also known for his opus magnum- the Crystal Palace, which held the Great Exhibition of 1851 (kind of like a world expo with the theme of industry and art) also popularize the movement- and was a significant sign of wealth, as glass and window taxes were especially high. But in the later century when iron and steel frame construction was advanced, people could be built out of iron and window panes, so they could be assembled easily, and also afforded by middle class citizens.

So it's basically a mix of Elizabethan and Victorian revival styles (tudorian and gothic), which is in theme with the Victorian period the original media is set in, albeit taking inspiration from styles little later in the period.

Savanaclaw:

Again- I am blind when it comes to Non-Asian/Non-Western architecture- but this one was kinda confusing cause it really doesn't have any architectural cohesivity??? Like it's just got a general "jungle vibe" which I'm not surprised at because Disney is infamous for glossing over non-white cultures and kind of just simplifying them into a "general vibe" which wow yikes my guy

Kind of reminds me of Mese Verde, which are structures made directly within a cliffside, or the Great Mosque of Djenné and the African Heritage house in Kenya which have very smoothed, natural designs that blend into the environment

What I could gather from my research and my juicy autistic brain, savannas are regularly subjected to wild fires- so a lot of the heavy, rocky architecture and interior style makes sense, opposed to one made of wood (which are mostly in the inside of the structure, besides the roof which I imagine is less likely to catch on fire). Much of the building seems also to be directly carved within natural rock formations- a very functional use of the resources around you- very savannaclaw!

The textiles in each of the dorm members' rooms resemble Kente fabric, a style of hand weaving from Ghana, originally reserved for royalty but now commonly worn for ceremonial occasions and such. Also unlike other African textiles styles, it's strictly a male practice. I think it would make sense for Sunset Savanna, a place where women are highly respected and perhaps take on more political and military positions- leaving largely men to the practice of textile making (both are honorable acts- not comparing the two). There aren't distinguished aesthetic styles of textiles that differentiate each weaving from another- rather, it is divided by technique and region- so this is not like a definite connection, just thought it was interesting to includle

Textiles seem to occupy the only decorative role in the entire dorm- so perhaps there is significant cultural significance? Maybe there is a certain region that's known for their practices? Or is weaving a symbol of adulthood or growth and therefore is why they're hung up in each of the dorm member's rooms with the exception of Ruggie, who may not have had the socioeconomic privilege of making one? Or does the practice vary across species? Much to speculate 🤔

Octavinelle: Art Deco and Art Nouveau

Saved this one for last because oh boy I don't even know where to start with this. Obviously the design is very creative and I love it, but there's a lot less historical elements I can use to analyze the style, kind of like the Savanah claw exterior.

But it leans towards the art deco style, which is most fitting for the business dorm I think.

Elements of Art deco like geometric aspects of design, thematic and aesthetic consistency, and decorative/geometric windows are seen throughout the dorm interior and exterior

But I think the art nouveau elements are also there too, with the cheeky sea-themed elements that use natural shapes and icons into the architecture, design, and surfaces of the dorm.

Otherwise, not much else to say about this dorm 🤷 it's not really based in anything historical but there are bits and pieces of art nouveau and art deco in there, but I definitely wish they would lean more into the art deco elements since I think it would go well with the general themes of the dorm values.

So uh, yeah. Told you it would be convoluted.

Feel free to add and or correct!

[genericpuff]

I've been seeing you say/speculate Rachel Smythe has been cut loose from webtoon, could you elaborate what you mean by that?

It's only a tinfoil hat theory that people should take with MOUNTAINS of salt (seriously, I'm more likely to believe that Rachel really is just done with LO), but there's a general suspicion that LO wasn't meant to end here and that Webtoons decided to cut the cord. I've made a post about it before but some new stuff has surfaced since then.

1.) The announcement the series was ending was made quietly at NYCC and not shared to either Webtoons' socials or Rachel's socials.

The only way fans initially knew about the series ending was through a screencap from the Discord where someone else who had been attending NYCC passed on the info from a Q&A that LO would be entering its final arc.

For a good while the only other way to know the series was ending was through the Discord, a Cosmopolitan article, and my own post.

Though it sounds odd for a series to get cancelled halfway through its third season, it's not uncommon for Webtoons to suddenly axe series while they're on their midseason hiatuses, it's happened before. So there's a general suspicion that Rachel may have found out during NYCC that LO would only be given one more arc.

2.) The actual finale announcement was made in a text post on Instagram that suddenly announced it would be ending on May 11th, despite the fact that there was still lots to wrap up in the story.

What this implies is that Rachel was given one more arc, with no concrete end date... until Webtoons told her to wrap it up in a limited number of episodes, hence why despite us knowing it was in its final arc, the end date still felt too soon. This is also supported by the fact that her initial announcement was vaguely "early/mid 2024" - she couldn't give a more accurate end date because she didn't plan for the actual ending.

3.) Things that Rachel has said implies that she was either hoping for the final arc to go on longer, or that she didn't think LO was going to be ending now.

(that "nothing is set in stone" quote further supports the theory that she may have been hoping to get renewed in spite of the lukewarm ending announcement - that the only reason the announcement was so quiet was because WT hadn't fully committed to it yet and wanted to see how the series would do upon its return; now that they see it falling behind to other series, it might mean WT became more sure in their decision to cut it and gave her an actual deadline to wrap it up by.)

4.) Webtoons has stopped promoting Lore Olympus despite it ending.

Any promotional spots that it has gotten have been stuffed into the dead zone of the banner reels (seriously, anything past the 3rd spot is practically useless because it takes actual committed scrolling to get there vs. the first 1-3 banner spots which can be seen as soon as you open the app/site) and the banner art itself does not in any way advertise the series being in its final arc. These banners also only seem to be appearing for a day at most, compared to the days upwards of weeks they used to get.

Webtoons also hasn't been doing any sort of promoting on their socials for it. Considering The Mafia Nanny has been consistently beating out LO in the top rankings for weeks now, and that LO's rating and view count is still dropping, it appears that Webtoons has finally given up on shoving it down people's throats and put their focus elsewhere.

Again, this is all tinfoil hat speculation, so take it with massive doses of salt. Considering this is Webtoons, I wouldn't be surprised if they finally decided to put LO out of its misery, but this is also Rachel and I wouldn't blame her in the slightest if she finally wanted to be done with it after the past two years of people clowning on it. And I say that knowing I, myself, am a clown LOL

Either way, I feel like either outcome is plausible in its own ways, but whatever is the true reason, it doesn't change the fact that LO is ending and has 3 episodes left to wrap itself up. And whatever comes after will likely involve the launch of Inklore which was estimated for the spring.

[crispyanonart]

I gotta ask... what do you think timeskip!Abby is up to these days? She still talking to her boys? Wannabe goth or maybe she mellowed out? Witchy bisexual disaster? Cat lady? I'm curious to hear your thoughts on how she fits into the mix (or not) :D

Thank you for the ask 🖤 aaand there you go, future Abigail!

+ one more little brick to be added to the sdv timeskip cinematic universe lol

Abby, my princess, my babygirl, I fear she's not physically capable of mellowing out. If anything I imagine her growing even bolder and more into her interests once she moves out! And she would be the coolest 40-something years old you've ever met, getting more tattoos, dressing however she wants, truly healing her inner teen.

Regarding her job I actually had a bit of an internal struggle: I could totally picture her hosting a true crime/supernatural/conspiracy theories podcast, or even a YouTube channel where she goes vlogging in haunted homes (& the vibe would be close to whatever Garrett Watts is doing, which I love) BUT in my personal vision I like to imagine that current SDV takes place around the late 80s (I know it's not accurate to the canon but idc), and in this case the whole content creation thing wouldn't add up, so the alternative is her being a radio host! I imagine a late night radio program where she entertains listeners with spooky stories, curious facts, and some good music too. This said, I myself am not always faithful to this timeline so pick your favorite - Podcaster/Blogger Abby or Radio host Abby. Either way, she's a great story teller!

And lastly - she's definitely still friends with Sam and Sebastian, even if their band shenanigans are a thing of the past. Especially because in my timeskip headcanon Abigail and Maru are married, so technically now they are family eheh // and imagine the implications!! lol holiday dinner with Pierre, Kent and Demetrius at the same table 💀💀💀 the guys and the gals would definitely prefer to spend family time just among themselves as couples/siblings and their own kids. On this topic: Abby and Maru also have a daughter! And while Abby is definitely not the more responsible parent in the couple, she always makes sure that her little girl feels supported and free to be unapologetically herself ✨

[yuurei20]

Idk if you've talked about it before, but have you seen the voice lines for Crowley's card? At the end people were saying he implies HE'S the one who brought the MC to Twisted Wonderland👀

Hello hello!! Thank you for this question! ^^

I am not sure that that is how I would interpret his line!

The original Japanese is 「貴方みたいな勤勉で優秀な生徒がいてくれて助かっています。これからも問題児を“監督”してくださいね」

The form of the verb "help" makes this difficult to put into English...literally translated it may be something close to, "It's proving helpful to have diligent, excellent students like you available. Please do continue to ‘supervise’ the troublemakers."?

A vaguer translation might be "It helps to have diligent, excellent students like you," and I can see how that could be interpreted into the implication that he arranged for students like the prefect to be on hand for assistance.

But given the form of "help," I don't think there is that much depth to read into! :> There is nothing to insinuate that he is glad he brought the prefect here, or that he was involved in their being here at all.

Of course there is a lot that is still unknown about Crowley, and the theory that he intentionally brought the prefect over to make something happen (or to keep something from happening 👀) is a popular one (and very fun to think about!).

But if I were attempting to champion that theory, I personally would not use this particular line as proof! It could, of course, be setting a foundation so that a future reveal does not blindside the players 👀 But the line by itself is vague, which is probably by design!

And there were two more Crowley lines that I found interesting!

「私の全力を知りたい？随分と怖いもの知らずですねえ……学園長として心配になってしまいます」

"You want to know the full extent of my power? You certainly know no fear…as headmage, that worries me."

Crowley is not the first character to comment on the audaciousness/fearlessness of the prefect: Malleus has a very similar line but their phrasing is different, with Crowley saying 怖いもの知らず, while Malleus says 恐れを知らな��. Malleus repeats this same phrasing at least twice in the original game, though it it written in two different ways on EN.

Both Crowley and Malleus' phrasings are two ways of saying something that could be localized as the same thing in English, but subtle turns of phrase are proving to be very important in the original game.

For example, when you set Crowley to the homescreen he will say, "私をお呼びですか？"

And this is an interesting parallel to Malleus', "僕を呼んだ?"

Malleus’ phrase tends to be rewritten as various different expressions on EN such as “You called?,” “Was it you who called me?” and “Did you need something?”

But in the original game he always uses the exact same phrase, which is different from Crowley’s “私をお呼びですか？” while meaning the same thing.

While it would normally not be an issue for a localizer to take something that seems repetitive in one language and give it more flair in the other, it seems that this repetition was intentional and maybe should have been kept consistent to the original game?

Especially because English does not have things like different words for "I" like Japanese does (Crowley uses "watashi" while Malleus uses "boku") to help tell one person's phrasing apart from another's.

EN experienced a similarly unfortunate problem with Idia’s, “Leave it to your big bro,” with the phrase getting rewritten into "I'll get you trilling like a canary" and "I got this!" on EN, presumably before Aniplex USA realized that it was being repeated word-for-word for a reason.

Is it possible that the information that Aniplex USA receives in advance is limited, so they just do not know which of these phrases are safe to change and which need to be kept accurate to the original game?

With all the variations to Malleus' "You called for me?" on EN, Crowley has the potential to be localized with a phrase that is identical to at least one of Malleus' multiple English-language interpretations. In the original game, however, Malleus' phrasing is consistent, and completely different from the phrasing used by Crowley, while meaning the same thing! (and the "same but different" pattern has the potential to be very significant 👀)

[moons-honies]

**just a disclaimer, I did this for fun. It’s just a theory on his canon height and I know it’s not the most accurate and there are probably easier ways to find his height. I just thought it would be fun**

So I was on Twitter and saw someone post this photo of Arthur, and they said his hands were big. I agree, they are big and I was wondering just how big they were. I looked closely at the image and saw he’s eating apricots.

So I found this image and confirmed that he IS holding apricots. In order to find out the size of this hand, I looked up the true size of the can from that time period.

So on www.size.com, it referenced this book made in 1890. I did check the book to confirm the measurements for cans during that time period and it looks like the standard size for fruit cans was No. 3. The sizes listed are the can sizes that were made available at the time, but as of recent years the variety has expanded. (The book is called The Secrets of Canning by Ernest F. Schwab.)

I also checked the label sizes during that time period to see if it would be similar/ reflect the No. 3 size cans.

So I went ahead and took my own reference photo of Arthur to use. You can see I listed the size of the can on the left. I copy/pasted with a ruler to get an estimation of his palm size. I also measured his head separately as a reference to measure his body. I made sure to subtract the space where his mouth is open.

His wrist to palm length came out to:

3 15/16 inch or 3.93 inch

His head came out to be:

8 1/16 inch or 8.06 inch

Eventually I did measure his body, again, I know it doesn’t look very accurate. But I used his head size as reference. So I took that size and brought it down about 9 times. The total ended up being: 72.56 inch.

Height: 6’0”ft or 6.04ft.

But yeah, that’s pretty much it. I did do it wrong the first time, so I redid it and got the amount above. I am sorry if this is confusing, thank you for reading :0 !!

[vintagemulti]

shards and splinters

parings: marc spector x reader , steven grant x reader

desc: apparently what doesn’t kill you makes you stronger. now you’ve died and returned alive, perhaps it’s time to test that theory; or risk losing your life once and for all.

warnings: blood, angst, swearing, fighting, guns and gun violence, death descriptions, long as fuck, sex mentions i guess(? if you squint), hurt/comfort, gory i guess (jake🤷🏻‍♀️) writers note: idk how accurate these are bc i’ve been writing this on and off for years but cover all bases i guess xx

a/n: psa to pls reblog anyway she’s BAAAAAACKKK did you miss me ?? i missed youse … if there’s even a moonknight fandom anymore 🫣 i’m so sorry for the 2 years gone from the face of tumblr, i’ve quite honestly had two years from hell and insane writers block so. can anyone even remember this series?? idk maybe you should all reread the first parts 👀👀 anyways. there’ll be one more part to this (will it come this year? next? 2026? who knows…) bc i HATED my original ending and just had to change it. also sorry if this feels rushed or like it jumps around a lot, it’s been written over YEARS, but i’ve tried my best for continuity. also, i know there’s a lot missing in like fight scenes but they are BORING and i hate writing em so i’m not doing it. tried, got half way thru then didn’t touch this for 7 months so.. it’s no fight scene or no part at all. but my last part is pretty much done so hopefully it’ll be posted soon! ill let youse savour this for a while tho lol. on a real note thank you all SO much for all the love, even two years later. it means the world. all my love, all the time x

series masterlist

masterlist

the air felt different now. it was funny; you and marc had been apart hundreds, if not thousands of times, but he had never felt your absence. not like this. no, never like this. it was different now because he knew he could look for you everywhere and you would still be in that room, not breathing, not living.

he could see it all so clearly now. all of what? all of it. everything; life, your life, his life, where everything went wrong, what he should have done, should have said, how he could have saved you.

there was nothing you could have done, marc.

“that’s easy for you to say.” he mumbled, looking down at his hands. “you’re not the one who was halfway through a fucking argument when harrow took her. and if you can remember, harrow took her because of me.”

steven sighed, and went quiet.

“i should’ve died on that fucking alter.”

marc said it over and over, like a prayer, to go back in time and pull the trigger. he was fuck knows where, it looked like the middle of the desert but marc didn’t care enough to question it.

he had walked out of that pyramid and kept on walking - for hours. the hot egyptian sun had began to set, casting a rosy hue on everything. the humidity make marc’s head ache.

steven had gone silent - a small hum of anger in the back of marc’s head. it usually would have surprised marc, for steven to be the angry one. but he wasn’t sure he would never feel surprised again.

are you going to wallow here forever?

marc looked up, low sun glinting in his eyes, making him squint. but he could tell exactly who it was - crescent staff in his peripheral.

“fuck off.”

khonshu laughed. that’s one way to talk to a god.

“fuck off.” he repeated.

and why should i, mortal? why should i listen to you?

“you did this.” it was stiff, cold, a definite statement. “you did this to us.”

khonshu groaned, moving to block the sun from marc’s eyes so he could see him properly. aren’t you going to question how i am here?

“no.”

perhaps you should.

marc could never cope with khonshu’s riddles. they had always infuriated him - never getting a straight answer. but this one, he could tolerate.

“fuck does that mean?” he was looking directly into khonshu’s eyes now - something he had readily avoided for years. “and don’t give me any of your goddamn riddles.”

if you must be so blunt, it would seem like osiris has taken a liking to your poor lady wife. hathor isn’t half fond of her, either. maybe you ought to go back to the pyramid, something tells me your needed.

and he was gone. disappeared with a gust of wind, leaving marc alone in the saharan sunset, shaking and still covered in his wife’s blood.

she’s alive?

“i-” marc looked around. “i don’t-”

his eyes slipped into the back of his head.

steven took a deep breath, swallowing hard. he set off in a run - towards the pyramid.

-

“this feels so fucking weird.”

you were pressed flat against the wall, peeking around every few seconds to make sure one of harrow’s followers wasn’t coming your way.

i must admit, it’s been a while since i’ve had an avatar.

you let out a breathy laugh. was that your first ever laugh since being revived? you supposed it must be. oh, you wished it was one of steven’s jokes you were laughing at instead.

you didn’t think you’d ever find one of his jokes unfunny again.

“where is he?”

it’s hard to tell. i can’t check, unless i’d like ammit to spot me.

humming, you looked around the corner once again, breath hitching when you saw a shadow come closer.

what made your breath stop completely, however, was the slow, melodic tapping of a cane, following every footstep the person took.

harrow was less than two feet away from you.

swallowing hard, you pushed yourself against the wall even harder, back cold against the concrete. you hoped - prayed with your newfound faith in osiris and his mercy - that harrow would turn back the other way, not hearing your thumping heart.

but your luck had ran out for this lifetime.

the tapping of the cane became louder, until you could see the tip of it in your peripheral, crunching glass finally becoming audible. he was about to come around the corner, and see you. you would be impossible to miss, even the bright red of your new outfit making you stand out.

it seemed like it was impossible to escape harrow, and the tapping of his cane. he had killed you once, what would stop him from doing it again?

apparently, a guardian angel. someone spoke, making harrow turn to look behind him.

this was your chance - to slip away and turn the opposite corner, escape harrow in your new life as you couldn’t in your last.

his voice made you flinch. cool, charming, low. like a snake - exactly like a snake, now you thought about it. the way he slid through life, from the bar all those years ago, to now, awakening a centuries old god, aiming to destroy the world.

you could slither away too, though.

still holding your breath, you sidestepped along the wall, making sure to watch your step over any lose stones, until the wall fell away behind you and led you into another corridor.

as soon as the light from the hall had faded, you let out your breath, hands coming to your forehead and rubbing your eyes.

we have to keep moving. ammit is almost ready to begin.

nodding - although it felt like your brain was rattling around your skull - you looked back up and saw hathor, still looking as beautiful as ever.

this hallway was much dimmer than the last. colder, too. it was like all the light had been blocked, the only thing keeping your vision was the small, fading candles lining the walls every meter or so.

perhaps it was your natural instinct, or a new given sense as an avatar, but you could tell - something wasn’t right. something in the air had shifted, on top of the hot, sticky, egyptian heat, there was something sinister.

your years as a mercenary had taught you to recognise something - blood in the air. and there was certainly blood in the air around you.

“what is harrow’s plan?”

he wants to judge people. through ammit, he believes he can rid the world of everyone bad, even if they aren’t already bad.

“so he’s playing god?” the corridor seemed to go on forever.

he would never admit it, but yes. and ammit is the perfect enabler for him, she’ll know exactly what he’s up to, but because he can give her her power back, she’ll play along.

you scoffed lightly. “harrow isn’t stupid either. he’ll know what she thinks.”

hathor shrugged, a few paces in front of you. only time will tell, my dear.

for a few minutes, the walk along the corridor was silent. the tap of your shoes echoed down the hall, breeze from your passing flickering the candles on the wall.

why did you marry him?

it stopped you in your tracks, hathor stopping too.

“what?”

marc. why did you marry him?

you stuttered for a moment, looking around as if someone would come and help you.

i don’t mean it in a rude way. i’m the goddess of love, it’s natural for me to want to know.

“well,” you paused for a moment and began walking again, slower this time. “we were young when we met, i was coming up for 18 and he was 19.”

and?

“and i knew what i had done to him.” you swallowed. “i felt fucking awful, i thought, maybe if i get to know the guy, and he’s not as much of an ass as everyone makes him out to be, it’ll make it easier for me to forgive myself.”

the corridor kept on, as if it were never ending.

“as you can tell, it didn’t work.”

he wasn’t as much of an asshole as everyone thought?

“no, he was,” you gave a dry smile. “it just so happened that assholes are my type, and i think he worked it out pretty quickly. so after only about two months of knowing each other, he asked me on a date. a real date. it was my first ever date too, god knows anton never took me out. but god, he was such a gentleman.

he picked me up, gave me flowers, wore a fucking tie. and he payed for everything, too. dinner at a four star restaurant, a movie, then out to a bar for drinks.

i knew i had fucked up when he kissed me that night.”

you regret it?

“not for a day. and that’s my mistake- i mean, i was supposed to hate him. i told myself i would hate him. so i wouldn’t feel bad about telling someone to kill him. i didn’t even know how he got out alive- he didn’t tell me about the khonshu shit until after we got married.

oh, our wedding,” you smiled again, a real one. “it was perfect. i was twenty one, marc was twenty three. we were so young. it was a small wedding, just some friends, neither of us invited our family. it was the best night of my life.

it was the night i met steven, too. i think the stress of the day must have triggered it. and that was it- there was marc, and there was steven.”

didn’t it take a while to get used to?

the corridor began to open up, getting slightly wider by the meter. still - there was no end to it in sight.

“it did and it didn’t. i knew for a while there was something happening to him, he would disappear, look confused all the time. i knew it was a matter of time until something changed. and then came steven, perfect steven.

he changed so much- it was like dating all over again. he was even more perfect than marc, stupid english accent included. but, naturally, abuthing that’s perfect must come to an end.”

hathor sighed. and it gave you the impression, just for a moment, that she already knew the whole story. that she was humouring you by letting you tell it. her sigh, sad and resigned, almost confirmed that she knew what was coming.

“the-” you stopped. your voice had broken, and your feet no longer moved. hathor continued for a few paces before looking back at you.

i understand, but if there’s any time you need to tell this, it’s now.

“you know?” you voiced your suspicions.

take into account which god i am, my dear. there is no one else i could chose, but you.

you swallowed. “what’s the point of talking about it if you already know?”

you have been born again. revived. would you like to carry this, this horrible vendetta against someone who has done nothing but love you, for the rest of your new life?

“no.”

then voice it. i can take this pain from you, if you only ask me too. i can help you.

you bit your tongue, looking down at your feet and kicking around a few of the loose rocks. hathor waited.

“the baby was supposed to be born just after my twenty-third birthday.”

a beat. hathor didn’t reply.

“but he didn’t live past twelve weeks.”

you looked back up at hathor, anxious for a reply. she didn’t give you one, only nodding.

“i don’t- i don’t know what i did. i was waiting until i could get a scan, tell marc, have it done properly, you know? but when i went to my appointment, i knew. she didn’t say anything, she just looked. then she left, got the doctor to come in.

he said that the baby had died, that they weren’t sure of the cause, but it was a boy. that my baby boy had died.”

tears threatened your eyes. never - never - had you spoken about this before. not even with marc.

“i went home, with a hatred in my heart. the next few days were the worst. i was grieving a child no one knew i even had. the blood was horrible, it hurt so badly. i told marc i was on my period. fuck, for all he knew i was.

and then my baby was gone. and i hated marc.”

why did you hate him?

you shrugged. “i have no idea. i needed someone to blame and marc was the easiest. that’s when it all went downhill, you know? i wanted him to be there for me, for something he didn’t even know happened. and when he wasn’t, i blew up at him. and he blew up at me.

and that was it, for three years. this horrible hatred towards each other, me hating marc for something he knew nothing about, and marc hating me for every other reason.

he hated me the most for making him stay a mercenary. he wanted out, he wanted a normal life in the suburbs with a dog and a big house and maybe, one day, a child.

but i can’t have that. i don’t want that kind of normal - not when i was so close to it and lost it. so i pushed him into this world. i made him take jobs and work himself to death, even when i found out about khonshu. i made him do it.

and that’s why we’re here. because i told him to follow khonshu here. and now look what i’ve done.”

hathor took two, wide steps towards you, and cradled your face in her hands.

you have done nothing that makes you inhumane. none of this mess is you fault. khonshu would have gotten marc here one way or another. anyone in your shoes would be the same.

her hands were warm. you felt a tear fall, running underneath her fingers. “but i’ve been so horrible. i’m a monster - if not for this, for everything else.”

hathor shook her head. you are a human being.

there was silence as you cried and hathor wiped your tears. at least two minutes passed - but it didn’t matter to you. harrow could come running around the corner and you wouldn’t bat an eyelash.

hathor took a deep breath, looking to her left along the corridor. she opened her mouth to speak, but before she could, another figure appeared.

is now a bad time, human?

you flinched at the rough edge in khonshu’s voice. “what do you want?”

what do i want? there’s a long list.

even through your tears, your patience thinned. “seriously?”

hathor took her hands from your face, turning to look at khonshu. enough of your riddles. just tell her.

the unmistakable sound of footsteps, running, drew your attention. they were getting closer.

i don’t think i have to say a word, actually.

just as khonshu had finished, a figure appeared, coming around the twists and turns of the corridor.

your heart stopped.

marc looked around in a daze, eyes falling first on khonshu, then on hathor, then…

“y/n!”

just as he had stopped running, he started again, coming towards you like a lion out of his cage, wrapping his arms around you and lifting you off of your feet.

“oh baby,” he mumbled into your neck.

you had just reached - wrapping your arms around him in equal tightness, hands flying into his hair. oh, god. his hair - his curls, his skin - you’d never take it for granted again.

he pulled back, hands on your cheeks in a mirror image to hathor. his eyes locked into yours, brown irises melting into his pupils, filling with tears.

marc stuttered, trying to get several sentences out at once, before you hushed him.

“please, marc, we don’t have much time. harrow is gonna-”

“i know,” he nodded, eyes still not breaking from yours. “i know- baby, i know. please- please, just give me a minute. i never- i thought i’d never- oh, baby.”

he leaned in, moving his hands out of the way to rest his forehead against yours. he was hot - sticky with sweat and dirt and, although you didnt want to think about it, your blood.

“i know,” you whispered, closing your eyes. “marc, i know.”

barely having finished your sentence, he leaned in and kissed you.

it was like the first kiss all over again, and you supposed it was. hot, needy, passionate, desperate. you could live in this moment.

but the unmistakable sound of khonshu clearing his throat broke your kiss.

if you wouldn’t mind, harrow is about to release ammit. i’m sure your couples catch-up can wait another hour.

“yeah,” you nodded, breaking away, but marc was far more hesitant to let go.

“i can’t-” he looked around, paranoid. “i can’t do this, y/n. i just lost you, i can’t run the risk of losing you again, i’ve never- y/n, i can’t let you go, you’re everything to me, and if harrow- oh god, what did harrow do to you? i swear to god, the minute i see him, i’m gonna-”

he blinked. a beat.

“paranoid git never did know when to be quiet, did he?”

“oh, steven,” you threw your arms around him again. “fucking hell.”

steven, unlike marc, seemed far more willing to let you go. “love, i know, but if we don’t go now, we’re all gonna end up dead. please, we can do this all after, yeah?”

he took your hands in his, stilling your shaking fingers. he was so warm - always so warm.

“okay,” you nodded, looking between him and the gods beside you. “okay.”

-

you had severely underestimated how far harrow was willing to go. it had been what felt like hours, an unrelenting fight. you weren’t even sure when layla showed up, hoping to help you in any way she could.

but her attempts were futile; ammit was huge. really - huge, bigger than the pyramid behind her. khonshu had, as usual, gotten involved too, so that meant he was the same size, almost trampling you with every step he took.

you had tried. really, you had. you’d tried to use your new found avatar abilities to at least land something on harrow, but truth be told, you were failing. he’d hit you far more times that you’d even aimed for him, you were covered in cuts and rapidly forming bruises, you were sure your shoulder was dislocated.

but worst of all? your head wasn’t right. you weren’t sure what was wrong with it - it seemed fine every time you focused on identifying the issue, but every time you weren’t paying attention, it was there again. dizzy, a ringing in your eyes, everything a second or two behind; your vision lagging and cloudy. but just as you’d notice it, it was gone.

it was getting worse, too. you could see marc out of the corner of your eye; he was one to one with harrow. it would have made you anxious if you could properly focus on what was going on. but you couldn’t - your thought were scattered, a ringing back tenfold in your ears, the world had gone distant and hazy.

the doctors told you it was a concussion the next morning. layla had actually came in very handy, able to translate the man’s arabic into english for you.

he had told you that you’d sustained a massive head injury - you figured it would have been investigated, if you hadn’t been one of the people there last night.

‘there’ was all people could talk about. first the sky had gone backwards (you’d missed that part, thanks to being dead), then, out of nowhere, two ancient egyptian gods had appeared, destroying all the buildings in their wake, pyramids too.

it wasn’t that you couldn’t remember it. you could - it was clear in every aspect. it just didn’t feel like you’d been there at all. even the build up to it, every moment from when you’d stepped out of that pyramid, hand in hand with steven, hot air hitting your face;

it wasn’t you.

well, obviously it was you. but it wasn’t the same you. everything felt different, you didn’t have the same emotions you did before. the same key ones, yes, like how you felt about marc, and steven, and who you are as a person, but basic thing, like fear, and compassion? it was gone.

you’d have voiced this to a doctor if you could put ‘i died and got brought back to like by an ancient god, but not the same one who destroyed half of your city last night, sorry about that, by the way’ into layman’s terms.

trauma induced dissociation was enough of a label for you. it fit - everything just felt a little hazy, was all. not that you’d asked your doctor, a google search (excluding the resurrection part) had taken you to pages and pages about dissociation and how it’s normal to feel it after a traumatic event. you were pretty sure dying was a traumatic event.

and yes, you could bring it up to your doctor, he was payed to help you, after all. but there was a strange gnawing in the back of your head: that if you voiced this feeling, it would only get worse, and the happy ending you and your husband currently had would be shred in two because you couldn’t feel properly.

so instead, you listened to his professional diagnosis; a severe concussion, fractured rib, dislocated shoulder, several cosmetic wounds, and mental trauma that would be discovered at a later point, if you ever got around to voicing it to a doctor.

what a lovely shopping list, you thought.

-

it was three days before they let you out, and marc wasn’t getting out for another two after that. you’d had to beg him to even go to the hospital in the first place, but now he was getting the medical attention he’d needed for years, he seemed content in his hospital bed. not that he’d ever admit it.

with two days to yourself (not nights, you’d go back to the hospital and stay with marc), you decided to have the egyptian holiday you had come for.

the first stop was obvious; buy clothes. all of the ones you had were either covered in blood or halfway shredded. once you’d achieved this, in a new white linen sundress (cut below the knees to hide the still raw scars), you felt just slightly lost.

of course, you weren’t lost, you were always quick to get your bearings in new places - mercenary years had left you with a few skills, after all - and you kept yourself in a fairly small area, close to the hospital in case you got an emergency call.

no - the feeling of being lost came from deep down. ever since you’d come back to life it was the same, a strange longing for something you couldn’t quite put your finger on. something you felt you just had to have, maybe not right now, but in the near future. the hazy feeling had already begun to pass, you were sure google had served you well. but it left behind this in its wake, a new, even stranger feeling.

a breeze blew your hair lightly as you looked down the street in front of you. it was picturesque, all kinds of small shops and cafes as far as you could see. you could hear kids playing somewhere, a baby crying in the distance.

the lost-longing feeling piqued at this.

“oh.” you breathed. “oh.”

beside you, hathor, dressed in a golden, floor length dress and looking beautiful as ever, laughed.

oh, indeed. did you forget which god i am?

[lu-is-not-ok]

Lu's Guide to Sin Analysis

Welp, since my brain is too focused on having K Corp Hong Lu go full unga bunga in Mirror Dungeons to write full analyses, I decided I might as well give something else to all the people starving for Limbus Theory content.

So, here we are. A basic guide on how I approach the Sin Analysis portion of my analyses, covering my personal interpretations for each Sin, as well as how to use those when analysing both E.G.Os and Identities.

That way, ya'll can dabble in doing some of this on your own when I'm too busy grinding my way to 400 hours of play time on Limbus to write up full analyses.

Sounds good? Awesome. Under the cut we go, wheeeee!

Sin Interpretations

Let's start with the most important part - the Sins themselves.

I want you to take a moment and think about your own associations with those Sins. Perhaps your immediate thought is to take the words used literally. Maybe you immediately think back to the Biblical ideas of the Seven Deadly Sins. Mayhaps there's some other media you know that also uses Sins in some way, which you subconsciously default to when thinking about them.

Whatever those associations are, I want you to throw them away.

That's right. Whatever is telling you that Lust = Horny, Wrath = Angry, Envy = Jealous, etc, etc? Throw all of those preconcieved notions away.

This is the biggest mistake I see people make when trying to analyse Identities and E.G.O based on their Sins - they assume that those Sins have the same meanings in the context of Limbus as the popular, more common interpretations of them.

And while, sure, some of them can definitely overlap with what one would expect them to be, I think relying on those during analysis instead of trying to understand what the game itself is trying to tell us by using those Sins as symbols is doing its storytelling a massive disservice.

Do I think my personal interpretations of the Sins are a 100% accurate reading? No, of course not. I can't see into the mind of Kim Ji-Hoon or whoever else at Project Moon might have been the mastermind behind deciding what Sins connect to what. I have no way of knowing what exactly they intended here.

However, I do wish to believe that my interpretations not only strive to meet the game's storytelling on its own terms, but also hopefully make further analysis based on those interpretations a bit easier to wrap one's head around.

...God I really need to stop writing massive preambles and just get to the fucking point.

So let's actually get to The Fucking Point. Sin Interpretations, one by one. Let's fucking do it.

Wrath

The flames of revolution burn bright in the face of cold winds.

Wrath is the Sin of self-righteousness and defiance. To act with Wrath is to decide that one deserves better, that things around then should bend to their will, and then take matters into their own hands. It's the Sin of deciding one has the right to change something simply because they don't like the current state of things.

There are many ways one can act because of Wrath. It can show through trying to rebel against authority, to subvert one's fate, to escape one's unfavorable circumstances, or to even reject one's own true nature. To act with Wrath is to stand up for oneself and tell reality "No, I refuse!" loud and clear.

A common misconception of Wrath is the idea that anger is an inherent part of it. While it's true that those feelings often coincide with defiance, they're not required for one's acts to be fueled by Wrath. Some can be Wrathful while being completely calm and collected, as their acts of defiance could be more on the quiet and simmering side.

Likewise, being quick to anger isn't always a sign of Wrath. It's very possible for someone to have a short temper, while also being fully accepting of the reality they live in (Ryoshu, I am looking directly at you), thus lacking Wrath.

Lust

One's base insticts go all the way back to that genetic code.

Lust is the Sin of self-indulgence. It's the Sin of letting one's own desires and whims dictate one's actions. It's also the Sin of seeking personal fulfillment above all else. To act with Lust is to give up one's self-control and let one's instincts and wants guide them.

Unlike what the name and symbol might initially imply, Lust can include many different types of desires, not just the carnal.

Likewise, acts of Lust can be just as varied as one's desires. Satisfying one's most basic of needs, searching for a form of spiritual enlightenment, or even just saying the first thing that comes to mind because one feels like it are just a few examples.

Sloth

A stone will not care for what happens to it, nor the world around it.

Sloth is the Sin of apathy and resignation. Unlike other Sins, which mostly show through one's direct actions, Sloth can also show through inaction.

To act with Sloth is to ignore reality, to let oneself go along with whatever is happening with barely any complaints. As such, Sloth is commonly associated with blind obedience or unwillingness to act out.

Due to its nature as a Sin of resignation, Sloth can be seen as the direct opposite of Wrath, the Sin of defiance. This creates a unique situation where the inclusion of one can drastically shift the context of the other if both are a part of the same Identity or E.G.O.

Gluttony

Plants never stop waging wars, always wanting just a little bit more.

Gluttony is the Sin of hunger, and it's unique from the other Sins in that it equally represents two different ideas of that hunger, which can appear together just as often as they can be completely seperated.

The first type of Gluttony is one of the starving hunger of survival. In this context, to act with Gluttony is to do anything for the sake of scraping by and living to see another day.

The second type of Gluttony is the hunger for more, or in other words: greed. In this context, to act with Gluttony is to do everything for the sake of this idea of "more". To gain more wealth, to find more recognition, to make more progress.

Both of these types of Gluttony are unified in one main point - they are, by definition, endless. The struggle for survival never ends, unless one fails to survive. Likewise, there is no finite "more" that greed is reaching towards, it's a neverending process of one-upmanship.

Gloom

When a wave of emotion rises, many will be swept away in its wake.

Gloom is the Sin of dwelling on feelings. To act with Gloom is to be guided by one's negative emotions, to buckle under stress and let it control one's mind and actions.

While sadness, grief, and depression are the states of mind most commonly associated with Gloom, and are often a part of it, they're not inherent to it. The only "requirement" here is the experience of severe emotional duress, and acting out in direct response to it.

In a way, Gloom is the Sin of losing control over oneself, not dissimilar to Lust. However, the main difference here is the cause of losing that control. Gloom is the loss of self-control due to being overwhelmed by negative experiences, while Lust is the loss of self-control due to seeking out positive experiences.

Pride

Be careful, for that double-edged sword may cut you as well.

Pride is the Sin of ignoring consequences. Acts of Pride are all actions taken because of the belief that their benefits outweigh the cost in some way. While the most common way this can present is through actions that benefit oneself at the cost of others, it's not the only way Pride can manifest.

One can be Prideful when believing the benefit to many outweighs the consequences. Likewise, refusing to acknowledge the harm one brings to themself because their actions benefit them in some other way also counts as Pride.

The idea that Pride is inherently tied to selfishness or self-confidence is another common misconception. In fact, Prideful acts can manifest just as often from a lack of self-confidence or a misguided selflessness. Rather, one could interpret Pride as a form of willful ignorance, in a way.

Envy

Thorns don't go out of their way to harm, they merely react to your touch.

Envy is the Sin of reaction and retribution. It's the idea of doing something because of what someone else has done. By definition, one cannot act with Envy without some form of provocation.

Like is the case with many other Sins, acts of Envy can take many forms, from taking revenge to following orders. The main connecting idea here is letting oneself be influenced by another person, whether it's being coerced, provoked, ordered, or otherwise manipulated.

Out of all of the Sin misconceptions, seeing Envy as inherently tied to jealousy might be the worst one of all. While acts done out of jealousy would likely count as acts of Envy, they are but a miniscule part of the sheer scope that Envy represents.

...

Alright, so you know what each of those Sins means. Now it's time to figure out how to Actually Apply Them.

Sin Affinities in the context of Identities

The main way Sins play a role in a given Sinner's Identity is through their Sin Affinities. Mechanically, these are the Sins attributed to each of their skills, signifying both their type of Sin damage and what Sin resource they generate upon being used.

However, this is Project Moon we're talking about, and these fuckers can't keep their gameplay mechanics seperate from the story to save their lives.

So, this begs the question: what can we learn about a Sinner's given Identity through their Sin Affinities?

Here is the method that I believe works best in my experience:

The Sin affinities of each of an Identity's skills represent a different layer of their psyche and motivations. I'm going to try to show what I mean by using base Identities of the four Sinners who already had their own Canto.

Skill 1's Sin Affinity is the surface level motivation of the Sinner's actions. This is the most obvious and "shallow" reading of them and their actions, and also likely the one the Sinners themselves are most aware of.

Gregor's Skill 1 is Gloom due to him being constatly haunted by his trauma, with much of his cynicism and dark-ish sense of humor being shaped by his war experiences. Rodya's Skill 1 is Gluttony due to her tendency to value material goods and love for food, which are signs of her greed and will to survive respectively. Sinclair's Skill 1 is Pride due to him taking many actions (such as sharing his father's secrets or giving Kromer his basement key) for their immediate benefits, without considering the consequences. Yi Sang's Skill 1 is Gloom due to him falling into deep depression and letting the trauma of the past shape his current actions.

Skill 2's Sin Affinity is a deeper motivation of the Sinner's actions. It's delving deeper into their psyche to see what guides them in less obvious ways. This Sin Affinity can also have noticeably closer ties to the Sinner's background in one way or another.

Gregor's Skill 2 is Gluttony due to him being driven by the will to survive, most notably expressed by him leaving the rest of the veterans to escape the war and try to live after it ended. Rodya's Skill 2 is Pride due to her fully believing in what she does working out in her favor, completely ignoring consequences on the way. Her killing the pawnbroker is the biggest example of an act of Pride, as she fully believed that it would help her neighbourhood despite the consequences that murder would bring. Sinclair's Skill 2 is Wrath due to him not accepting his circumstances. His want to defy his future prosthetics procedure is what eventually led him to agreeing with Kromer, and his will to defy her is what drove him through the events of his chapter. Yi Sang's Skill 2 is Envy due to his passive nature and how easily he lets other people dictate his actions. It's especially notable in how after the League fell apart, he would have been willing to do anything Gubo told him at that moment.

Skill 3's Sin Affinity is what I would like to call a Sinner's Core Sin. It's the true main reason behind their actions, and has a much closer and direct tie into their past than the other Sin Affinities. In a way, this is the deepest layer of their psyche.

Gregor's Skill 3 is Sloth as his resignation to his circumstances is what colors much of his past. He learned that resistance is futile early in life, and it shows. Though he didn't want to fight in the war, he felt like he had no choice but to. All of his life, he simply listened to orders without complaint, unable to see a way to change his situation. Rodya's Skill 3 is Wrath as her self-righteousness and defiance is what drove her actions at the deepest level. She first joined the Yurodiviye because she wanted to bring change the state of her neighbourhood, and likewise left them when she no longer agreed with how they did things. Her murder of the pawnbroker was her biggest act of defiance, of taking matters into her own hands and trying to bring change to her reality at all cost. Sinclair's Skill 3 is Envy as much of his actions were dictated by other people. Social pressure was what led to him first breaching the trust of his family, and Kromer's coercion and manipulation is what then led to his family's death. In a way, you could also interpret Sinclair's arc in Canto III as one big act of Envy, as he finally tries to take revenge on Kromer for what she has done. Yi Sang's Skill 3 is Sloth as his apathy to the reality around him is what led to him ignoring the warnings signs of the League falling apart, and the resignation that followed could have resulted in him helping Gubo and the New League out with their horrible plans had there not been an intervention. It's only by the end of Canto IV that he finally manages to break out of this state for long enough to stand up for himself and decide to keep on living.

So, that's the basics of Sin Affinities when it comes to Identities! Now, some of you might be asking, "Hey Lu, what about Sin resources needed for Passives?", and my answer to that is...

Honestly, I don't entirely know! I do think there probably is some reason beyond pure gameplay mechanics... Buuuuut I don't think their importance is as major as the main Sin Affinities of a given Identity, especially since there isn't a single Passive that is activated by a Sin that the given Identity doesn't have any Affinity to.

Sin Affinities in the context of E.G.Os

Alright, so, when it comes to E.G.O, we run into some additional complexities. Unlike Identities, which can usually have their Sins Analysed with minimal additional context, E.G.O Sin Analysis has to be done under a specific angle.

This is because while Identities represent the Sinner as a whole person, E.G.Os represent a specific singular part of that Sinner.

Base E.G.Os usually seem to tie back to a specific event or action or some other thing in that Sinner's past. Likewise, E.G.Os derived from Abnormalities represent the ways that Sinner connects to that Abnormality's own themes.

In a way, the game's worldbuilding even acknowledges the fact that a Sinner can only use the E.G.O of an Abnormality they relate to in some way, as Dante's Notes describe the process of the Sinners using E.G.O as trying to make the Abnormality's emotions and identity their own.

That little tangent aside, there are two main things to analyze sin-wise when it comes to E.G.O - the Sin Affinity, and the Sin Resources necessary to use that E.G.O.

An E.G.O Sin Affinity works similarly to an Identity's Sin Affinities - for a Base E.G.O, it's the main Sin that action manifests as. For an Abno-derived E.G.O, it's the Sin that contextulizes the way the Abno's themes connect to the Sinner in question.

The Sin Resources an E.G.O needs is where things get fun. These are what a Sinner needs to be able to use the E.G.O, both mechanically AND story-wise. The Sins here represent what a Sinner has as their motivation and drive to fully reflect what that E.G.O represents. For Base E.G.Os, it's why they took the actions they did. For Abno E.G.Os, it's why they connect to that Abno's themes and why they're able to relate to it.

Now... There is one more thing about E.G.Os that I don't really talk about.

Sin Resistances.

The reason why I don't talk about them... Is because I have No Fucking Clue how to interpret them. There has to be some importance to them (Hong Lu being weak to Wrath in all of his E.G.O thus far, I am looking at you), I just don't know what it is. In fact, I doubt we even have enough information available to us right now to be able to say for sure.

I don't know how to end these posts dear fucking lord-

So uh. Yeah. That's. Everything that I think is important to mention on the topic of Sin Analysis and how I do it. If I ever change my mind on something or have an epiphany regarding one of the things I currently have no idea about, I'll probably reblog this post with an addendum or something, but until then...

Uh. Yeah. Hope this helps the people who wanna get into analyzing Limbus stuff but don't know where to begin. Or just people who wanna understand the method to my madness a little bit better.

I'm gonna go to sleep now, cause it's 4 AM already and I spent like the whole fucking night writing this post.

[skania]

OnK 153 or all the ways I can tie this back to Akane and Aquakane

I won't try and write any theories about the Revenge Plot™ because, like I always say, Aka will just do whatever he wants however he wants to do it 😂

As the Akane Fan that I am though, I must say that a lot of what Kamiki said this chapter felt like it could've been said by Aqua after Chapter 97 if Akane hadn't caught onto it. So that's what I'll be focusing on below!

I am SO glad we're getting a flashback from the actual Kamiki rather than from Aqua's movie. I'm sure that Ai's feelings were portrayed more accurately in the movie than in Kamiki's self-loathing, skewed view — but it's still nice that we will get to hear Kamiki's thoughts straight from the source.

But that's the first key thing here, I feel: Kamiki's self-loathing. The way he talks about himself and of his relationship with Ai, completely downplaying Ai's side of the equation to make it sound like he was the one one-sidedly clinging to her reminds me a whole lot of Aqua with Akane.

Kamiki felt like he was the only one relying on Ai because he is convinced that Ai never loved him. Similarly, we once saw Aqua feeling guilty for relying on Akane and questioning whether or not she even harbored any romantic feelings towards him.

Granted, Aqua is the one who breaks up with Akane (to protect her), while Ai is the one who "dumps" Kamiki (for unknown reasons). But... all of the things Kamiki says here feel like things Aqua could've said about Akane if she had allowed things to get to that point.

After all, Aqua tried very, very hard to shoulder his burden on his own, but as of Chapter 97 he was breaking under it. Meanwhile, here Kamiki was breaking under it and keeping himself together thanks to Ai and Ai alone.

Kamiki hasn't put it into such words yet, but it's very obvious here that he felt saved by Ai and by his connection with her. Just like Aqua felt saved by Akane.

Even the way Kamiki talks about the burden he carries automatically evokes Aqua/Akane because... that's exactly how Akane has always referred to what Aqua was going through. As a burden that he was trying very hard to shoulder alone, one she wanted to help him carry.

@meruk0 in the Akane server even pointed out that these two panels are framed very similarly, so I wouldn't be surprised if Ai once said the same words — or something close to them — to Kamiki.

The ingredients were all there. So it feels like in Chapter 97, Aqua was well on his way to grow as emotionally dependent on Akane as Kamiki was on Ai. Thankfully, Akane realized it and gently encouraged Aqua to make his own choices, reminding him that if they were to grow dependant on each other, it wouldn't be a healthy relationship.

In all honesty, I can't help but wonder if Ai unceremoniously dumping Kamiki may have been her very, very clumsy way of trying to protect him from being so emotionally reliant on her (if Ai couldn't even be sure that she loved him, I could see her fearing that staying with Kamiki may eventually break him). It's hard to say because we have sadly gotten very little insight into the real Ai and into her relationship with Kamiki, but if Aka pulls that, then that would confirm that all of these parallels are very much intentional.

Regardless of Aka's intentions and of where this may be leading though, it's very very hard to read this and not notice that this chapter contrasts two different kinds of romantic attachment. Those based on superficial aspects like the person's looks, and those based on deeper things like feeling understood and seen by that person. And like I've been saying over and over again, it's also kind of very very hard to not contrast the way Aka has been writing Aqua and Kan@ with the way he wrote Aqua and Akane. But I digress!

One possibly plot-related thing that caught my eye though was the color of Kamiki's stars.

They were white before Kindaichi's words triggered his trauma and changed his view of the world into something much more suffocating, and then they become black and seemingly stay that way. His stars were black during the break-up and he kept talking about wanting Ai to help him carry the burden, so when exactly did he and Ai actually stop seeing each other? Because I believe most of us have been assuming that Ai and Kamiki were already over by the time the twins were born, but they were already born when that funeral took place.

Oh well, no point thinking too hard about it since Aka may answer that next week 😂

All in all, the anon who called that Kamiki/Ai would have parallels to Aqua/Akane exactly a year ago may have been right on the money. I hope you see this, anon!!

[devnmon]

dating dutch van der linde hcs

a/n: i am on such a dutch kick these days. my writing inspo has come back and somehow i'm even more down bad for dutch van der linde these days so... here you go!!!! enjoy xx

sfw and nsfw below the cut <3

SFW

Contrary to popular belief that Dutch is all rough around the edges, I firmly believe he'd have a soft spot for his partner. Sure, he shows his kindness to folks who need it, but for you he has a special place in his heart.

He melts when you smile, when you laugh, when you look his way or walk past his tent. His dark eyes can't help but lock onto you like magnets. He's entranced by you- by everything you do.

Dutch learns what you like very quickly; your favorite book, meal, color, favorite spots in the local towns... like the back of his hand. He's very observant.

Though he speaks well and often, there's nothing to him like sitting and letting you rant about anything you'd like. Your voice is a river of honey and he'd gladly dive head first just to enjoy the time spent with you.

Like I said, Dutch pays attention; it's no wonder when he returns from the city with a new outfit for you, specially made with the highest quality fabrics and production he could find. He knows what flatters your figure but also keeps in mind what you like to wear.

So when you walk into camp wearing it, just for him, he's speechless. Hand on his chest, out of breath speechless.

Dutch lives for your compliments and flirting. Absolutely lives for it. From you, oh it's absolute heaven. He feels like a god being fed bread and wine while sat on a throne. There's nothing like it to him. Nothing compares to your praises.

You'd allow him to recite his favorite passages from Evelyn Miller whenever he was feeling up to it; you loved hearing him talk about absolutely anything as long as he was speaking to you. And he makes philosophy seem so much more intriguing with that gruff voice of his. If I had to give it a scent/taste, dark chocolate or whiskey would be most accurate.

Dutch is the typical gentleman: making sure you're safely escorted around if he cannot accompany you, and when he does, it's with a hand on the small of your back or while your hands are interlocked. He must be maintaining contact with you whenever possible... it's his guilty pleasure.

The more time you spend with him, the more your routines intertwine and line up perfectly, making the days seem ages longer than they are. From waking up and sharing warm coffee to winding down and resting together, he makes sure to share quality time with you.

Dutch has a habit of cradling your head when you're hugging or lying in his arms. It's his protective instincts kicking in whenever you're around him.

When you're tired after getting back from a long trip, he'll carry you bridal style to his tent, undressing you while you sit upright, half asleep. He does so with multiple kisses on your cheeks and forehead, delicately helping you wind down with his soft touches.

Kissing Dutch is a joy in itself because he knows exactly what he's doing with his tongue, nevermind when his hands come into play. He's such a lovesick fool whispering "I could kiss you forever..." in your ear like that wouldn't just make you want to test that theory.

You love running little errands for Dutch or with him, stocking up on extra bullets and hair pomade so he can look his best. Making sure his shirts are always spotless and ironed. You also take pride in being the one polishing his gold chains adorned on his favorite vest (and think they compliment his waist and proportions very well).

I can also imagine him letting you run your hands through his hair while you lay together, something that relaxes him after however long and hard a day he might have had.

Sometimes when you're kissing and talking, he'll chuckle into the kiss and that'll just draw you into him even more, arms wrapped around his neck with his around your waist.

Dutch doesn't know how you pull the brightest and biggest of smiles from him, but he's damn sure he doesn't want to stop. Not even when his cheeks hurt. He holds you very dear to him.

There are days where you just want to listen to his voice, so you ask him to read you his favorite passages from the American Inferno or another philosophy book he keeps around. "Forgive me if I fall asleep, your voice is just so calming." and he wouldn't take offense to it, he'd only maintain his voice at a certain volume so you could rest peacefully.

NSFW

Dutch van der Linde is a man who draws everythingggg out. Sometimes he likes to make it worse by whispering in your ear while he touches you. (Or taunting you throughout the day with not so subtle touches)

He loves it when you disobey him because it just gives him the excuse to be rough with you. He'll make you suck him off, pushing you down on his cock before fucking you roughly.

Honorable mention: making you kiss his rings before using that very hand to deal you a spanking punishment. The cold metal makes it hurt a little more but if you've been disobedient, he won't hold back.

Dutch is a slut for pet names; in fact he will only use your first name when you've made him mad, otherwise it's "darling, miss, dearest, my love" etc.

On the other hand, you call him sir out of respect, not knowing how it absolutely wrecks him. You have to be careful lest he get all worked up and have to drag you away from your chores. Sometimes he does, whispering to you "Do you know what that does to me?" "It's out of respect sir I-" "Hush. You shouldn't address me as anything but. I just... god, you make me crazy."

Absolutely takes advantage of the clear power dynamic the two of you have, him being the leader of a very powerful gang definitely gives him that ego boost.

Loves to give and give and give. He would spend hours between your legs making you come multiple times on his tongue, just because he loves how you taste.

He's not into somno per say... but if you're exhausted and he has pent up energy, he'll take out his frustrations on you. That is, as long as you were feeling up for it.

When you sit on his lap it's only a matter of time before he gets touchy and his hands start roaming your body, exploring which spots are more sensitive than usual and taking note of your favorites.

Imagine him letting his rings get cold and fingering you so that the metal is extra stimulating on your skin. He especially loves letting them run over your nipples to watch them harden.

His morning voice is gruff and gravelly but that wouldn't stop you from dragging your hand down his broad, hair ridden chest to get him off early in the mornings. Say he had an issue he had to deal with that he put off from the night before, and he's dreading getting up and to his duties, but first you give him just a piece of heaven before he gets up to start his day.

If one day he comes back with a crick in his neck or some kind of back pain, you're the one to suggest you massage him. At first it's harmless touches that bring him such relief, but then you get carried away, dragging your hands up and down his sides as if to rile him up purposely. It's not long after you're whispering for him to relax while you take care of him, sucking him off or just simply worshiping his body with your mouth.

Loves to praise you as easy as breathing. Things like "always so ready for me, my sweetest," and "there you go darlin', taking me so well".

One night he comes back to his tent with you dressed in only his vest, your cleavage on display for him while he spots the amount of arousal between your legs. He buries himself inside you, letting you know how alluring you look for him.

You can't walk away from being in bed with Dutch without any new marks. The minute you jump his bones his mouth is all over you, placing mark after mark on your neck and down your chest. You try and convince him to not leave marks where the gang can see them, but he doesn't care. He has the power and he'll do as he wishes.

His favorite punishment for you is having you over his lap and a. either spanking you until you can't sit correctly for a week, or b. making you come over and over until you plead for him to stop. It's only then he finds whatever lotion or oil he has and massages the skin he's just bruised. Dutch may take pleasure in seeing you cry for him, but he'll be damned if he doesn't clean you up and wipe your tears before lying his head down to rest.

Aftercare consists of him still being a little cocky if he's gotten you to come multiple times, but you also see the sweet side of him while helping you clean up and making sure he didn't push you too far. Though he loves the power, he has enough self control to know when you need a little comforting touch or a bath afterwards. He'll gladly carry you there himself and help relax you for the night.

[lukolabrainrot]

Hey there, what do we think about Nicola’s IG post for Camilla’s bday. It’s a collage of 4 pictures taken by paparazzi of her and Camilla last year and in the caption she said something like remember when the paparazzi took photos and you protected me by covering my face. I feel like that is for sure throwing shade at a certain someone. Like she could’ve chosen any photo with Camilla. She has sooo many, why that one and why this caption. Also the way the photos were stacked looked like A’s recent soho house photos with her friends.

I feel like Nicola’s being very cryptic and sending messages through her posts recently including the scrabble board. I don’t know what that was about exactly but I feel like she posted it for a purpose and the person who that was aimed at would understand. I dunno I might be over analyzing but I think we should paying closer attention to her posts.

I also feel like that means we are headed in a positive direction because it means she cares about Luke and feels protective over him and is letting everyone know, even if there is currently a bit of tension between them. Not saying there is tension but just a feeling that she’s not very happy with how he’s handling things at the moment.

What do we all think?

Ok I just reblogged a post about this, but I am going to add this (and a lot of this is just based on my gut feelings/opinions based off of everything I've seen, so these are all just THEORIES):

First, I want to start by saying we will NEVER know exactly what anyone's SPECIFIC intentions are on SM posts unless the publisher publicly clarifies it.

HOWEVER, N is VERY intentional on SM. So is A. L... not so much (I've known a lot of dudes like him who just don't really care to put a lot of energy/thought into SM, EVEN if they have it and utilize it). So I get the impression this might be the case for him as well. Intentionality takes thought and energy, so I do agree that N and A's recent SM posts are VERY intentional, but what those exact intentions are, again, we will probably never EXACTLY know. What/who is the common denominator between these two women though? L. Sooooo, I feel pretty confident that he is at the root of most of these more "cryptic" posts/stories on N and A's SM.

Now, normally, I would say WTH is a 37 y/o woman doing playing petty and shady SM games with a 23 y/o woman that wants the attention?? Well... I think SM is the only way for them to communicate with each other, and these two women have a LOTT to say to each other (which totally makes sense if ANY of our theories on L/N or the PR tour/papgate/A are accurate). Which is why I do think a lot of N's recent SM activity has been shade, but more directly towards A. Since the London premiere, I personally think L/N are dealing with their complex feelings over everything in private mainly because people are analyzing EVERYTHING they do.

If you have read my other theories on this blog, I don't think L/N are in a terrible place rn (but are very likely having to work through a LOT of complex things in private). I am sure they BOTH aren't happy about how this all publicly played out. And as I have mentioned, I think EVERYONE in this situation has made some mistakes (some more than others though). Please look through my "timelines" posts if you have any more questions on my thoughts on this.

I have also said this before, but I will say it again. N AND A WILL NEVER, NEVERRR BE FRIENDS. Based off of everything I have seen and know about these two women, they have VERY little in common (and A is very insecure and envious of N). Therefore, these two women are probably NEVER going to talk alone face-to-face (I personally don't think A has the cajones to address anything with N to her face). A (based on her public image and actions and everything else we know about her) seems like such a selfish, two-faced mean girl (just my opinion). N appears to be the opposite of that, and I believe would be more inclined to address things with A face-to-face. Since that is not an option though, N has utilized SM to share her real opinions/feelings with A. And yes, I do believe N is protective of L (BECAUSE THEY REALLY LOVE EACH OTHER). I don't have any solid proof on this, it is just a gut feeling, but I think a lot of N's most recent "cryptic" posts/stories are hinting that L/N's connection is not going to be ruptured by immature, selfish, and insecure behavior from A. And I think that is a really good sign for us Lukola fans.

Lastly, who again is the common denominator here? L! Could he have handled this WHOLE situation better? Yes! I've mentioned before though, he got ANNIHILATED on SM after Papgate. And he has been getting hate on SM from people in the fandom for years (him AND N already had to leave Twitter because of all the hate they were receiving). Therefore, I believe he is FED UP, but also TRYING to stay engaged just a LITTLE bit on SM. Yes, N has also gotten a lot of hate on SM, but she and L are very different people, and I get the sense that she is able to navigate the hate a little better than L. Therefore, L has taken a major step back from his public engagement online, and to be really honest, I don't believe he will be returning to his typical public SM activity anytime soon. Now, what other people AROUND him post on SM, I think that has a lot more to do with THOSE INDIVIDUALS than L himself (again, just my opinion). How aware/involved L is with any of these posts/stories that adjacent people in his life are posting, we will probably never know. L is a chronic people pleaser though, and I got the sense from what I have seen that he is not very good at setting firm boundaries with people in his life (which likely played a role in SOME of the SM activity we have seen recently from adjacent people in his life). I think there is a lot of self-reflection going on for him at the moment in terms of determining HOW he wants to move forward in his career and HOW he wants the public to see him. I think he is still figuring it out...

Anywhooo, like I have mentioned multiple times, the whole situation seems to be REALLY messy (and I am almost certain that both L/N didn't want all of this to play out on such a public stage). And we will never know the full story of what was/is going on BTS for everyone. However, a lot of the recent posts/stories from N have been very interestingggg 🤔

[certifieddilfenjoyer]

Why is Haarlep so different from Raphael - a theory

Hello! Welcome to another theory of mine.

"I am Haarlep. Raphael's personal incubus. Glamoured and transfigured to look like him. I'm a perfect copy(...)"

Hold your horses, sir Wait, they are nonbinary: Hold your horses, noble.

Haarlep states that they are a perfect copy, however there are some major differences in their appearance that could not be caused simply by the visual age difference.*

Haarlep's face has a few major differences:

Lack of darkened skin around the facial hair area (they appear a lot smoother).

The nose is straight and while the tip is shaped similarly, there is no bump across the bridge. They don't even have the cute-angry wrinkles in between the eyes! (Female form has them wrinkles, but the bump is softer)

Maybe it's just me but I was thinking that the upper lip appears to be a bit plumpier.

The face is shorter and because of that, the cheekbones are a lot sharper, Haarlep looks like they had some botox done 💀

The ears appear to be less sharp and shorter (aging hits ears quite hard, but they usually sag and the difference here is with the tip.

Archduchess form does have the roman nose, however the lips are plumpier.

See for yourself below:

And in comparison to Raphael (even to his EA model that has the famous bald spot):

But where is this leading, you may ask?

Well, I am proposing two different perspectives on that:

Haarlep's 'tweaks' point to Raphael's insecurities (a version of theory that my friend @shutexco proposed)

Raphael's devil form resembles MEPHISTOPHELES and he can't stand looking at the actual accurate depiction of his cambion form. Also, if that's the case, take a moment to consider how F-ed up it really is to have Haarlep gifted to him if his father was completely aware of the resemblence. But it would make sense, wouldn't it? Raphael left Cania at some point, but his father made sure he will haunt him all the time.

Have you noticed how Raphael has two portraits of himself that also don't look like him at all?

The second portrait has two horns, so it could be made during the EA, but there is no other similarity.

The first portrait looks like it's wearing some kind of variation of the Helldusk Armor, you can spot the 'Teeth' across the chest, but apart from that and 4 horns, it doesn't look like Raphael at all.

To sum up: the portraits are some kind of a 'vision' of Raphael. For a narcissist he really seems to be avoiding an actual perfect (as in 1to1 accurate) copy of himself.

Also, a few fun facts/smaller theories I'd like to include!

I think he made his own portraits. There are two easels in House of Hope. One behind the Archive (with brushes and cup at the ready and some paint stain spilled below them) and second is on the right hand side of the bed in the boudoir.

Now, the paintings on both easels can be found across Faerun, but the devil portraits are exclusive to HoH and I believe (please fact-check me if you know) that the painting inside Raphael's safe, right above the hoarded treasure, is also exclusive. Raphael is very talented. His diaries are like poetry, full of symbolism, bro is literally a composer, so why not an artist as well? I wouldn't put it past him. And because HoH was made by the head of Mason's Guild, then I guess he had the major influence on the design and I've heard someone say that it's Italian baroque and it's just beautiful.

Here's the Magic the Gathering card of Raphael (I think it was issued in 2022??). It looks more similar to the Statues at House of Hope than the portraits or Haarlep. Oh, btw, I've seen many people saying (mainly on YT and tiktok) that House of Hope is full of Raphael's statues. Not true, those are just cambions

Statues are present not just in HoH but inside Devil's Fee (yes, with both the belt and kneepads)

That's it! Thank you for reading all the way over here, appreciate it so much <3 <3

*Some aging research, specifically for bone structure changes: "As we age we all lose some bone which means that our cheeks flatten, our jaw bone shrinks and our eye sockets get larger. The structure of the face changes so the tissues above the bones will sit differently and so look different." Source "Facial bone loss can lead to retraction of the jawline, which emphasizes jowls and an unstructured neck. Widening eye sockets give your eyes a more sunken appearance and make you look tired. The angle of the bones beneath the eyebrows decreases, which contributes to frown lines on the forehead, droopy eyelids and crow’s feet at the corner of the eyes." Source

So as we can see, Raphael doesn't really suffer from any of those, besides the crow's feet that are imo so gorgeous that I lose my shit, AHFAIHFAJDSKSHA

[bucksdaffy]

Oliver Stark's Social Media Activity

I’m not sure why I’m writing this. I’m not even certain if I’m supposed to think about it in such detail. My goal is not to psychoanalyze Oliver (though I’m aware that this is what I am going to be doing in some way). I don’t know him personally, and I don’t know his thoughts. I’m missing a lot of crucial information that is necessary to explain the way things are, so ultimately, I’m going to make many assumptions.

That being said, I’m not here to excuse or condemn Oliver’s behavior. I’m not here to tell you how you’re supposed to feel regarding his social media activity. I’m here to offer a perspective—a perspective that is ultimately my personal view and makes sense to me, but can have no bearing on Oliver’s reality.

This is going to be a long post. I wanted to gather my thoughts before the premiere because I feel that quite a few of my assumptions will be proven either right or wrong as season 8 progresses. I want to return to this post and see how accurate I was about certain things, so this post is mostly for my future self. You don’t have to read it!

Preliminary context

Oliver Stark is an actor portraying a character named Evan “Buck” Buckley on the TV series 9-1-1. As of Season 7, Buck was confirmed to be bisexual after experiencing his first same-sex kiss with Tommy Kinard (played by Lou Ferrigno Jr.). After the episode aired, Oliver expressed excitement and pride in portraying a bisexual character on several occasions, both in interviews and on his official Instagram account.

(x. x. x. x.)

Oliver has also spoken positively about (Buck)Tommy and Lou in his interviews.

(x. x.)

Oliver also recently uploaded a video to his Instagram story, reiterating how proud he is to be part of bisexual representation on TV. (x.)

So, what's the problem?

Many supporters of Buck’s current storyline with Tommy feel that Oliver is not as enthusiastic about it as he previously claimed, due to his silence on the matter on his official Instagram account.

After episode 7x04 aired, Oliver made an effort to like a couple of BuckTommy fan arts on Instagram. He also vaguely mentioned in a comment section that his favorite scene with Bobby in Season 7 was the one where Bobby, among other things, approved of Tommy as Buck’s partner, and he only interacted once with official BuckTommy content. Beyond that, there hasn’t been much else. At the same time, he seemed more engaged in sharing stills of Buddie (the fan-favorite pairing of Buck and his heterosexual friend Eddie) and liking some Buddie-related posts. I want to stress, though, that this, too, wasn’t a frequent occurrence.

As filming for Season 8 continues, Oliver hasn’t posted, shared, or liked anything related to (Buck)Tommy or Lou, even though it is known that Buck and Tommy will continue their relationship into Season 8. Fans have found this especially upsetting, as Buddie shippers use it as ammunition to suggest that Oliver doesn’t enjoy this storyline and would rather it finish quickly, projecting their personal feelings onto an actor because it’s easier that way. After months of constant harassment from Buddie shippers towards anyone showing support for Buck and Tommy’s relationship, it is quite disheartening for fans to realize they are on their own and that the actor involved doesn’t care to call out the problematic behavior of such a vocal portion of the fandom.

Oliver's history with the fandom

In the past, Oliver was active on Twitter, interacting with fans, reading their theories, and replying to their tweets. However, that is no longer the case. Oliver deactivated his Twitter account on May 22, 2021, following this series of tweets:

Here is some further explanation for why that happened.

Okay, what are you getting at?

Well, I guess here’s my perspective on this.

I think Oliver has spoken beautifully about Buck’s storyline, which began in Season 7. Although he has primarily emphasized Buck’s bisexuality (which is great—Buck’s sexuality isn’t tied to one person), he has also spoken positively about (Buck)Tommy and Lou, as mentioned earlier. He has never spoken ill of them, either officially or casually. We can also see how smiley and comfortable he appears around Lou in the Access Hollywood interview they did together. Overall, there’s no indication that Oliver harbors any negative feelings toward Buck’s current love interest or the actor portraying him.

I do, however, share the fans’ frustrations regarding his silence on Instagram. It is certainly disheartening to see Buddie shippers “rewarded” for their absolutely vile behavior toward anyone enjoying Buck and Tommy’s relationship. It’s especially frustrating that their behavior is not being actively called out; they continue to be unabashedly cruel because, aside from fellow fans, no one is there to criticize them. No message is a message, and Buddie shippers interpret this as an endorsement of their behavior, allowing them to feel comfortable spreading homophobic rhetoric.

This was particularly evident when, just last night, Oliver spoke out against people shipping him with Ryan. It reinforces the notion that he is aware of the comments being made on his Instagram and that of the show, yet he chooses not to comment on certain topics. I believe fans of Buck and Tommy's relationship have every right to be upset about this. Being selective about what you choose to call out sends a message, whether intended or not.

That being said, I personally think it’s still too early to jump to conclusions. I believe there are several factors at play regarding why Oliver doesn’t speak up about Buck and Tommy on his Instagram. During Season 7, he wasn’t even sure if Lou would extend his contract for the next season. It’s possible he didn’t want to make any kind of statement on something he wasn’t sure would last—which, in my mind, is completely fair. Given his concern about being accused of leading fans on, I’m not surprised he would choose to remain silent.

Additionally, as 7x06 ended with Buck and Tommy still together, and 7x09 opened with them still in a relationship—much to the disappointment of Buddie shippers—Lou began receiving a significant amount of hate online. Not only was he threatened, but his family was targeted as well. Following the end of Season 7, he withdrew from social media, and as of the premiere date, he still hasn’t returned. The filming of Season 8, particularly the big opener disaster that is about to unfold, has also been kept very hush-hush, along with the main characters’ personal storylines. Only recently did we receive official confirmation that Tommy would be back.

To me, it’s a no-brainer why he didn’t address Buck and Tommy’s relationship until the new Season 8 interviews. Furthermore, I believe he’s being respectful of Lou’s decision to stay away from social media (at least during this hiatus), just as everyone else working on the show has respected it. We’ll see if anything changes as Season 8 continues to air.

I also wouldn’t disregard the possibility that he might be protective of Lou, especially given the hate that all of Buck’s past love interests’ actresses have received. He may want to avoid exposing Lou to that kind of negativity—at least on their official Instagrams—keeping things relatively hate-free (though I won’t comment on whether I think that’s effective, but you can probably guess my stance). I believe this is also a valid reason for not promoting Buck and Tommy’s relationship much on his social media.

There’s also the point that Oliver is not responsible for the fandom’s behavior. Yes, his silence on the matter may encourage cruelty from the Buddie side, but Oliver has repeatedly tried to talk sense into them during interviews and while he was still active on Twitter. Unfortunately, those efforts didn’t help. Just like Tim Minear calling them out for sending him death threats didn’t yield any results. Sometimes, speaking up isn’t enough.

But hey! What better way to convey his perspective than through how the storyline of Season 8 unfolds? The fact that Oliver does not object to acting alongside Lou and that Buck and Tommy’s relationship continues into Season 8 should serve as sufficient proof that he’s fine with it. Yes, actors don’t decide on storylines, but they do have a say in them, and we know that Tim Minear doesn’t force anyone to do something they don’t want to do. I’m also confident that Oliver will continue to positively discuss Buck and Tommy’s relationship in his interviews. What he does on his Instagram account doesn’t and shouldn’t matter; it has no bearing on the show.

If my assumptions are correct, I believe that as Season 8 progresses, we will see Oliver becoming a bit more open to interacting with Buck and Tommy content on Instagram. To be honest, I don’t see any reason not to, unless things eventually go sideways or he truly doesn’t care about the Buddies’ hate (in which case, yikes). However, if he cares but still doesn’t speak up in one way or another, I can’t lie—personally, I would feel a little disappointed. I value authenticity and the importance of speaking your mind while not allowing others to trample on your boundaries, and, it's probably my fault, but I currently hold Oliver to a high standard. It would be disappointing to me, to say the least, if someone didn’t adhere to these values. I do acknowledge that this is just my perspective, though; I don’t speak for the entirety of the fandom—I speak for myself.

That said, I wouldn’t blame him if he decided to turn off or limit the comments or even got a social media manager and stopped engaging with any content, whether it be Buddie or BuckTommy. Honestly, for his peace of mind, I actually wish he would. I’d prefer any approach over being selective in favor of a loud portion of the fandom that engages in harmful behaviors.

All in all, the prospect of Season 8 makes me hopeful that we will see a change. However, if we don’t, let’s remember what matters most: the show itself. Ultimately, that’s how we, BuckTommy fans, are being rewarded—by having canon. That's what truly counts.

[carriesthewind]

Since I have wadded into the discourse, a few clarifications (below the cut b/c I've taken up enough of people's dashes):

I am not on the side of the publishers in this case. They suck too; in general, the IA is a good organization and the big publishers are the bad guys! In fact, the publishers are also (a) bad guy in this case - they are and will ABSOLUTELY try to use this case to increase the limits on libraries and digital lending. They are profit driven monsters who would destroy every library on earth if they could.

That's actually part of why I'm so mad about how this case is being talked about! Because by their own actions, the IA has put this case in a position where the IA literally cannot win unless their "National Emergency Library" (aka just stealing books) is held to be legal. That doesn't mean it's worse case scenario if they lose their appeal - for example, an appeals court could issue a narrow ruling on the facts of the case. It just means there is no good scenario where they outright win. But, if they appeal their very bad case with its very bad facts, that increases the risk of creating precedent that limits libraries and digital lending. If you think it's worth the risk, that's fine - but ignoring the actual risks and likelihood of success isn't "supporting libraries;" it's acting based on ignorance (at best).

Digital publishing and lending, as it currently legally exists, really really sucks. There is a reason why, although many authors and author organizations dislike the IA's "Open Library," other authors like it and have written in support of it!* There is a reason why, although I have linked to author criticism of IA and of its "Controlled Digital Lending" and stated that I think it clearly violates existing copyright law, I have not stated (and will not state) a personal opinion on whether I think CDL (as it exists in the one-to-one, owned to loaned theory, rather than how it was implemented in practice) is less undesirable as a copyright schema than existing digital copyright law. The IA and its supporters are right that current copyright law doesn't allow for the real ownership or preservation of e-books! They are right that publishers greedily limit libraries' and patrons' access to e-books, and they are right about how bad the current system is! (I do not endorse any praise for library e-reader apps and lenders in the notes of my posts. While I enjoy and support using them, from a library perspective, they also suck - specifically, the predatory charges for e-books lending suck libraries dry.) The IA is broadly on the right(er) side of this issue: but they still did a shitty, dumb thing, and they are deliberately misrepresenting the situation in an extremely offensive and potentially harmful way!

I already emphasized this in the original post, but just in case: I do not hate the IA. I do not want them to go away. I very much like a lot of the things they do and want them to keep existing! (Although I would add: if they actually believe their principles they should absolutely have set things up to preserve - at minimum - their archival functions as much as possible if they - as an organization - cease to exist.) But! I would also like, at a minimum, for them to stop deliberately misrepresenting the situation. Their stated mission is "universal access to all knowledge." If they cared about that mission - or if they really see themselves as librarians, and not just a database of products - they should maybe start making sure the public is getting accurate, useful, and meaningful knowledge about this case, instead of propaganda to inflate their own egos.

*Although I would be VERY curious to know what kind of briefing of the actual factual and legal situation some of the authors who signed onto that open letter received. Based on the snippets I read, some were clearly well-informed; many were just talking broadly about how great libraries are; and some indicated a serious factual misunderstanding of how both libraries, the IA, and digital lending in general work.