#I am not normal about any of that

[sixteenthtry]

There's no cure for me but that doesn't mean she can't try!!

[egophiliac]

(looks at upcoming card releases)

I'm in danger :)

[gremnda]

i watched last life a few days ago from bdubs' pov and please take this drawing from my hands. they are insane. they're both cold blooded murderers. they love each other so much. i can't think about them too long or i'll perish

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[dreamsy990]

drew some of my fav ody designs! wasnt originally meant to be also replicating the styles but thats sort of just how my brain works. except i didnt copy the lineart styles of anyone here so its DEFINITELY a bit uncanny for a couple of these (LOOKING AT YOU QINNY IM SO SORRY) but whatever

the designs featured here (from left to right) belong to: me, @gigizetz, @neal-illustrator, @irunaki, @bigidiotenergytm, @qinnyanimation, and @foopsie-daisy

[aphel1on]

the longer i look at this panel the more deranged i feel about it. this is environmental storytelling at its finest.

the eodio stand-in doll in particular makes me crazy. where did it come from? did thistle just pop into the village like "hey ungrateful wretches, one of you needs to make me a life-sized mannequin, For Reasons". did he make it himself? seems quite unlikely, yet the possibility haunts me. i mean, i guess there could've been one just lying around the dungeon somewhere. it's the act of replacement itself that really gets to me. (edit: it's been pointed out to me that the eodio doll also could have been left behind as part of delgal's escape plan. slightly different kind of madness but tbh, just as funny-sad to me if that happened and thistle went Ok, Guess That's Eodio Now.)

both the wives are there too. we know very little about them, which makes me tend to assume thistle wasn't all that close to them, but they're still included. when did they end up here? did he kick their souls out of their bodies at some point, or were they among those who left their bodies voluntarily to try and escape? when did yaad become an effective orphan, delgal an effective widower? women in the margins of the narrative, tell me your stories!

and the fact that they're surrounded with the living paintings, which thistle habitually wanders through to relive the past. this truly is his inner sanctum, his place of utmost comfort... and it may as well be a tomb.

that panel is so creepy when you first see it. just a sense of "ohh jeez, there's a lot to unpack there".

and actually, yeah, it remains creepy from pretty much any angle, but the more you think about it the more it's also tragic.

this is where many of thistle's happiest moments took place. everything he had in that picture is now gone. first he lost their warm regard, then one-by-one their bodies became hollow shells. before the end, none of the people here needed or enjoyed food anymore. the dinner table, as a center of both family life and nutrition, became obsolete.

a line from someone else's excellent post about thistle has stuck in my head ever since i read it: "to eat is to live, but to eat together is to be loved". to me, this is the sentiment and symbolism at the core of everything that happens in dungeon meshi.

it makes this bit all the sadder and more disturbing.

there's several things to note here:

thistle has gone from seated and eating with them as part of the family, to a lonely and ominous figure hovering over delgal's shoulder

eodio is conspicuously absent from view, and his body would have been a husk by now, but yaad says parents, which forces me to assume that they are sitting at the table with eodio's soulless body, hidden under yaad's speech bubble

they're not actually eating anything.

those plates are empty. you could assume that they've already finished eating, maybe, but yaad refers to it as sitting around the dinner table. in fact, he compares it to what he's currently doing; sitting at the dinner table watching the touden party eat, not eating anything himself.

it paints a pretty grim picture. for some time even after the fantasy had fallen apart, even after there was no need or desire to eat, they kept gathering around the dinner table. at that point, i'd guess only so as not to provoke thistle's wrath.

but even that last happened a long, long time ago.

this is a callback to what senshi said in the golden kingdom: the reason the people keep maintaining their fields and silverware and so forth is that they need to do so in order to stay sane.

paradoxically, the dinner table is the most striking evidence of thistle's insanity, and at the same time, it's the only anchor to sanity he has left.

he kept enforcing the ritual of dinner together long after it lost significance. when even that was impossible- because almost everyone's souls were gone- he kept their bodies at the table anyway. it's fine. it's fine! he's protected them, physically, just like he set out to. they're all still breathing. at a glance it looks like they could wake up and resume dinner at any moment. like this, it's easy to pretend.

isn't that what being a dungeon lord is, at the core of it? rejecting reality, staying in the prison of one's impossible desires. it's just one long game of pretend.

thistle did all this to protect his loved ones. no matter how obsessive and twisted he became in pursuit of that over the years, his core motivation never changed. this is all he has left of that dream: his loved ones' bodies gathered around the locus of their happiest memories together. like this, he can tell himself he's succeeded.

when eodio's body vanished with delgal's soul in it- when he couldn't even have that anymore... well.

i want to reach through the screen and shake him. no, they're not, thistle. THISTLE, NO, THEY'RE NOT! the doll of eodio is the closest thing to him in this panel, underlining the point. when that final illusion was shattered, he became completely unable to cope with reality.

therefore casually forgetting the creepy eodio doll isn't real.

thistle isn't stupid. eodio's body vanished at the same time as delgal's soul. shortly after, more adventurers came pouring in than ever before. deep down, he knows what happened. if he didn't, being confronted with the truth by mithrun wouldn't have made him panic so hard he summoned chimera falin to the first floor.

yet still...

he absolutely can't admit that to himself. he is clinging to the last scraps of the illusion with everything he has.

this is a dungeon lord at the end of desire. this is a lotus-eater machine left running long after its conclusion. this is mithrun lying listlessly in his bed, his replica lover having given up any pretense of being human. the illusion is all that's left. (an illusion is all it ever was.) thistle and the citizens of the golden kingdom- they're ghosts just as much as the ones who wander the dungeon floors. and if it weren't for thistle sealing the lion away, he would've been eaten by it long ago.

all of this encapsulated by that single panel of the dinner table.

[biggest-gaudiest-patronuses]

finally at that age where i'm thinking i should get a tattoo. not bc i feel strongly about it, just seems like a waste not to. i've got so much skin i'm not using

[melioristicbeast]

Was going through my likes to make a playlist of 'no rhyme or reason in genres' songs for stiles and I came across this and I will not listen to any other contenders, this is the sterek song (from stiles' side of things) for me forever:

Derek vetos it for first dance at their wedding but they dance to it later in the evening back home

It's so stiles 'staring/not staring respectfully' stilinski it HURTS

[to-be-a-dreamer]

I finally got around to watching Top Gun: Maverick and I cannot stop thinking about wtf could have happened between Rooster and Hangman to make them Like That. Like there's no way Rooster got into Top Gun by playing things as safe as he does in the film (bro was a full minute late on an exercise that was supposed to last three minutes max come on now) so clearly something happened to him after Top Gun that has him spooked. And Hangman is definitely an asshole to everyone but something truly bizarre happens to him whenever Rooster is around in that he says words in an order that have never been spoken by another human being like the guy fully forgets how to be a person the second Rooster walks into the room. Also Rooster's first words to this man after presumably years apart are "You look good" with just so much tension so clearly there's some kind of history there and if the movie refuses to tell me I can only assume they had a rivals to lovers arc during their Top Gun era that ended horribly after a mission went wrong and then they pulled a Parent Trap where Rooster got Phoenix in the divorce and Hangman got Coyote

[xxplastic-cubexx]

anyone else get cuteness aggression whenever they see james mcavoys charles….. like i have to pace around the room everytime i see him (your art is not helping. /pos)

i can think of one (1) mate who also gets cuteness aggression

[egophiliac]

Final manifestations for Book 7?

I'm trying REALLY hard not to build up any solid expectations, because I wanna go in ~fresh~! they're already so far away from anything I thought would happen (not in a bad way, I'm just accepting that I'm on Miss Yana's Wild Ride at this point and we're seeing this thing through 'til the end, by gum). so it's nothing too major, but:

they've been handing new crying expressions out like candy lately, I want to see some delicious Malleus tears.

honestly I want everyone to cry buckets. their tears sustain me. the more Silver angst specifically I get the happier I am.

SILVER!!!! 👏 VANROUGE!!!! 👏

just let him have this. the poor boy's been through so much. let him have his big "I'm proud of you, son" moment with Lilia.

I'm 100% expecting Grim's arc (and probably whatever's going on with Crowley) to be its own episode, but a nice hook to leave us hanging on would be good!

a nice hook though, please, I don't think I can take another "Grim is attacking us! now wait eight months to find out what happens :)" cliffhanger...

some Meleanor? as a treat? just a little bit, a tiny quick flashback or something, please Twst I just, I just want to see her again. let her have a little ghost cameo like Dawnathan Knight got. Lilia and his kids are all having their big group hug or whatever and she can gently fade in to be all like

(turning asks off until I'm done playing, SEE YOU ON THE OTHER SIDE Y'ALL)

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[pastelpaperplanes]

99% sure I’ve drawn this pose w them before, but as to old proverb goes: two cakes are better than one

[scintillatingshortgirl19]

wow i can't believe they were actually allowed to show gay sex onscreen in 2011

[ryllen]

color coded affection

[shizunification]

Terror friends do u know about Tobias Menzies in a deep cut ugly ass white dress with hot pink lipstick playing hamlet in Northampton in 2005… do u know