#I always get so happy when they fit the original theme song into the episodes
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jazzandpizazz · 2 years ago
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acacia-may · 2 years ago
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What are your songs for Finral x Finesse (FinFin is their shipname, right)?
Hi anon! Thank you so much for this ask! I'm still getting to know all the ship names, but, yes, I think FinFin is the name for Finral x Finesse! I am so excited that you've asked me about them because their ship playlist is actually my favourite to listen to (linked here if you're interested. Though I will warn you it does contain some angsty songs and a few songs that are mainly (affectionate) jokes at Finral's expense).
My most listened to song on Spotify this year "Line Without a Hook" by Ricky Montgomery and mxmtoon is actually from my FinFin playlist, but since I already made a post about it and talked about two of my other favourite Finral x Finesse songs "Little Wanderer" by Death Cab for Cutie and "Candle on the Water" (one of my favourite Disney songs) in my post about them for the ship bingo game, I've decided to choose some other favourites for this ask!
"Oceans Between Us" by The Icarus Account
"Make You Mine" by PUBLIC
"Only Us" by Carrie Underwood and Dan + Shay (originally from the musical "Dear Evan Hansen" but I like this version a lot)
"I Wanna Make You Happy" by Victory
"The Long and Winding Road" by The Beatles
"It Only Takes A Moment" by Kate Baldwin and Gavin Creel (from the musical "Hello Dolly")
"Maybe Don't" by Maisie Peters and JP Saxe
Bonuses:
A Bit Angsty: "Nicest Thing" by Kate Nash
A Bit Cheeky: "Two Princes" by Spin Doctors, "You're the One" by the Vogues, and "Honey, I'm Good" by Andy Grammer
The song "Oceans Between Us" by The Icarus Account could have been written for this ship. The lovely, overarching theme of this song is just so fitting for Finral and Finesse. Though the singer is traveling far away (with "miles and miles that [he's] yet to go" he hasn't forgotten his beloved who is waiting for him to return ("But tell me you love me and tell me again/ You wait for forever, you wait till the end"). If that isn't enough, there are also lines like "You're the only reason I come home/ My love" and a whole section of "You're the only one"s. It's an incredibly sweet song (for an incredibly sweet ship), and I think it really suits them. The ending, "You're mine forever and I'm yours/ Yours till the end" always brings a smile to my face.
The Icarus Account - Oceans Between Us (official audio) - YouTube
"Make You Mine" by PUBLIC was my fifth most listened to song of 2021 (probably because it was on my Finral x Finesse playlist). Every time the line "put your hand in mine" comes up I always think of Finesse grabbing his hand when he's dropping the letter out of the spatial portal in Episode 154 (one of my all-time favourite Black Clover episodes). While I don't see them hurting each other all that much and there are a few bittersweet moments in this song, I mainly disregard those and focus on the bits I think are very fitting to this ship given that "You know that I want to be with you all the time/ You know that I won't stop until I make you mine" is a pretty good way to summarize all of Finral's newfound motivation to become a man worthy of Finesse's love.
PUBLIC - Make You Mine (Official Lyric Video) - YouTube
"Only Us" was originally from the musical "Dear Evan Hansen," but I've linked the version by Carrie Underwood and Dan + Shay. I'm not sure where to even begin with this one since I'd really like to just copy and paste all of the lyrics into this post. The opening of the song just screams Finesse to me. She recognizes that Finral is insecure, but she loves him anyway and encourages him that he doesn't have to convince her that he is enough for her (i.e. "I don't need you to sell me on reasons to want you/ I don't need you to search for the proof that I should/ You don't have to convince me/ You don't have to be scared you're not enough"). She knows that the past is painful, but she wants to move forward from that into something better, brighter, and happier together ("And what came before won't count anymore or matter").
Then the second verse just perfectly captures how I think Finral feels in this relationship. Finesse is his first love, but he never could have imagined that she would actually love him in return (i.e. "I never thought there'll be someone like you who would want me"). I think one of Finral's biggest motivations as a character is that he is starving for the unconditional love he didn't receive as a child, and when we meet him in the canon, we see that he is looking for it in all the wrong places (i.e. by practically throwing himself at every woman he sees). On a certain deep level, he really feels like he doesn't deserve to be loved, especially to be loved unconditionally, on the merits of just being Finral, but that doesn't stop him from wishing for it. I think the lines ""But if you really see me/ If you like me for me and nothing else/ Well, that's all that I've wanted for longer than you could possibly know" really speak to that.
What's so beautiful about Finral and Finesse as a ship is that she does see him for who he is and loves him for that, and I think that this song really captures that (especially the lines "You and me/ That's all that we needed to be/ And the rest of the world falls away"). That "'Til you're the only one, I still know how to see" line is just an added bonus.
Carrie Underwood & Dan +Shay - Only Us (Lyrics) - YouTube
"I Wanna Make You Happy" by Victory is a little on the nose given Finral's vow to "be the one to make Lady Finesse happy." However, it's a cute song full of warm and fuzzies for a cute ship full of warm and fuzzies.
Victory Boyd - I Wanna Make You Happy (Official Lyric Video) - YouTube
"The Long and Winding Road" is a Beatles classic, and one of my favourite songs of all time. I think it fits the context of this ship extremely well because even though Finral has left Finesse to find his own way in the world, he is coming to realise that "the long and winding road" of his life's journey will eventually lead back to her. It's almost as if his heart has been with her all along, he just didn't know it.
"The long and winding road/ That leads to your door/ Will never disappear/ I've seen that road before/ It always leads me here/ Lead me to you door"
The Long And Winding Road (Remastered 2009) - YouTube
I know "It Only Takes a Moment" is a showtune (from the musical "Hello Dolly") so it's a little out of the box, but it was just too perfect to pass up. I mean, if anyone is going to believe that "It only takes a moment/ To be loved a whole life long," it's Finral. This kind of hopeless romanticism just fits him so well, and I imagine that if he was to tell the story of how he fell in love with Finesse if would very much be a love at first sight kind of thing (on his side. I think it was a slow burn thing on her side). She was his first love, and, yes, I might be teasing him a bit with this song choice but it's pretty undeniable that he really was taken with her from the first time he saw her. When I listen to this song, I like to think of Finral explaining to his squad that he loves Finesse and has since the very beginning. These lines: "It only takes a moment/ For your eyes to meet and then/ Your heart knows in a moment/ You will never be alone again" especially just feel so much like him and his attitude towards his relationship.
Not to mention the fact that the line "I held her for an instant/But my arms felt sure and strong" always makes me think of this:
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It Only Takes a Moment - YouTube
"Maybe Don't" by Maisie Peters and JP Saxe was a big inspiration for my Finral x Finesse story, "I'll Be Waiting," (especially the lines "We should never speak again/ Because I like you/ And lately it's been only getting worse/ So we should never speak again/ Because I want to/ I've run through every outcome and in every one I'm hurt.") I think this song as a whole really captures Finral's conflicted feelings in trying to reconcile the fact that he loves Finesse with the fact that she is probably going to marry his brother (which, I think, he knows will leave him heartbroken if he doesn't emotionally distance himself). Meanwhile, Finesse cares about him and is trying to gently suggest that maybe he doesn't have to do that. (The gentleness and almost shyness of that "maybe don't" sentiment feels a lot like her to me). I especially love the line: "I should always be alone/ You said maybe don't" and think the line "'Cause I run from the things that I want the most/ You said I get that's what you do but, maybe don't" is particularly fitting for these two.
Maisie Peters - Maybe Don't [feat. JP Saxe] [Lyric Video] - YouTube
Bonuses:
If you want something angsty, there's the song "Nicest Thing" by Kate Nash (YouTube Link Here). I like to imagine Finral as the singer and Finesse as the "you", and I especially like the line: "I wish you'd never forget/ The look on my face when we first met" since it always brings up a mental image of this:
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He looks like he’s been whacked on the back of the head, bless his heart. 😂🥺💕 I really think the opening lines of this song sum up how he feels about her too (even if he knows (or thinks he knows) that it’s nothing more than a pipedream to imagine they’d end up together):
"All I know is that you're so nice/ You're the nicest thing I've seen/ I wish that we could give it a go/ See if we could be something."
If you're feeling a bit cheeky and want something that's more about poking fun at the situation there's always "Two Princes" by Spin Doctors (YouTube Link Here). No offense to Langris intended. The song is nice enough to admit that they're both "princes who adore [her]," after all.
"Marry him, or marry me/ I'm the one that loves you, baby, can't you see?/ I ain't got no future or family tree/ But I know what a prince and lover ought to be"
Or if you'd rather the song poke fun at Finral (in the most good-natured and affectionate way, of course), there's "You're The One" by the Vogues (YouTube Link Here; Spotify link here since Tumblr won't let me embed more than 10 songs). Don't get me wrong, I love Finral and am rooting for him and Finesse, but he can be a little too insistent with his "I want you only, you must believe me"s for my taste, so this song is poking fun at that a little.
"Honey I'm Good" by Andy Grammer (YouTube Link Here) is also good for poking fun at Finral for the same reason. Plus, it has this great (and very catchy) refrain:
"So nah, nah, honey, I'm good/ I could have another, but I probably should not/ I've got somebody at home, and if I stay I might not leave alone/ No, honey, I'm good, I could have another, but I probably should not/ I've gotta bid you adieu, to another I will stay true"
(Warning: there's one bad word in this song)
Thank you so much again for the ask and for indulging me (and bearing with me to the end of what turned into a very long post)! Cheers!!
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jdrizzle15 · 4 years ago
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Her Second Return
Just like all of you, and especially my fellow Penny fans, I am absolutely devastated by the Volume 8 finale. I had been in quite a state these last few days, utterly heartbroken, and actually nauseous at times. It feels strange to me to be legitimately grieving a fictional character, but it’s not a bad thing to feel this way. To me, this just shows that CRWBY loves her just as much as us to have written her so well that we connect so completely with her, that it feels like we lost an actual piece of ourselves when she’s gone.
But as you can probably tell by the title, this mega post isn’t gonna be about accepting this end, not in the slightest! Today I want to share canon evidence that can point towards another return of our beloved quirky red headed cinnamon bun! I’m here to spread this hope that I and others in the Nuts & Dolts dolts Discord server have!
I have this separated into many different sections to keep these thoughts organized. With that said, here goes…
A Father’s Words:
In Episode 7 of Volume 7, ‘Worst Case Scenario’ we learn the origins of Penny’s aura, and thus her soul. We also learn that it takes more aura each time she’s brought back. This leaves open an option that could be used at a later point.
Many people theorized that Pietro could indeed revive Penny one more time, which he would absolutely do. But there also lies the possibility that someone else could donate some of theirs, I’m not sure about this as I feel like it’s akin to blood donation where compatibility matters or there's a high risk of altering her, but the possibility is definitely there.
Now, the conversation in Chapter 5 of Volume 8, ‘Amity’ that Pietro and Penny have is an important moment for both Father and Daughter. It was there to show how her death in PvP all that time ago really did have a heavy impact on him and is still affecting him to this day.
Instead of continuing to pretend that everything is A-okay, like he had done for most of Volume 7, he finally lets his true feelings about how it come out to Penny for what is quite likely the first time. Even going so far as to say "Are you asking me to go through that again?" when she offers to take the risk of trying to lift Amity with her power. He wants Penny to be able to live her life.
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This entire scene with Pietro established “this is what will likely happen” even if circumstances are much different now, it doesn’t negate the fact that this is a key part of Penny’s story. Scenes like these have a purpose beyond simply making an eventual death all the more heart wrenching. Her never actually getting to live her life makes those scenes basically moot. It makes them effectively pointless from narrative point of view. Unless there's more to it.
Building Relationship:
The build up between Ruby and Penny the last two volumes has been absolutely phenomenal with a definite destination in mind, and this doesn’t feel like that destination. So much of the arc of this season was to help Penny. This girl that our main protagonist absolutely adores and treasures, it would just be awful to throw all of that out for what amounts to an avoidable end. Why use so much of their precious and very limited runtime on deliberately building up this relationship only to end it abruptly, and permanently, when they’re separated?
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In my opinion, RT is definitely smarter now than to intentionally set up what was really looking like a budding gay relationship only to kill one of them for good. If N&D wasn't actually going in a romantic direction, why would they leave in all of the romance-adjacent stuff that they got, that's not how ‘just friends’ act. And that is not something you use such valuable time building up for absolutely no pay off whatsoever...
Representation of Hope:
At its core, RWBY has always been about hope. It’s not at the forefront the whole time, but there's been an underlying theme of hopefulness that has persisted since it began. Some describe the show as a Hopepunk, I personally find this to describe RWBY really well. This genre of storytelling is about caring for things deeply and the courage and strength it takes to do so. It’s about never submitting or accepting the way things are. Fighting for what you believe in and standing up for others. RWBY fits all of this extremely well. How does this relate to Penny? She has been shown to be a sign of hope for everyone, but especially for Ruby, the main main protagonist. A prerequisite for a Hopepunk story is the hope.
Her first death in V3 was something that fundamentally changed Ruby. For the first time in the series, we see our main character all but broken by this event. With the loss of Penny, immediately afterwards, Ruby’s hope followed. She made up for it through determination and force of will. We see it affect her multiple times throughout the journey to Volume 7. But upon her return in V7, Hope reached a high point for everyone, the sheer relief on Ruby’s face is plain to see!
In V8 chapter 5 ‘Amity’, Penny literally raises hope by lifting the arena into the sky so Ruby could spread her message. And when she falls, and Amity with her, the connection is lost and hope plummets again. From there things take a very negative turn with the hack begins to take Penny’s agency.
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In chapter 11 ’Risk’ is the point in the arc where everyone is reunited for the moment, so two separate hero stories are no longer a thing at that point in time. For the time being focus seemed to be shifted to care about the characters and how they’re going to solve the current problems. This is also where Ruby reaches her lowest emotional point in the season.
It’s not huge, but it’s interesting how connected this is. Before Ruby and Yang share a good cry over learning the possible fate of Summer, Yang brings up restoring optimism and hope to Ruby after the younger sister storms out of the room in frustration. This is where Penny’s scenes take up the rest of the episode. Getting Penny back in control of her own body and safe again is what makes the ending of the episode much brighter, when just 5 minutes before Ruby had been distraught and scared. This then spills over into the group coming up with the plan to use the staff, putting the main group in a much better mood. Of all the things to go right, it’s interesting that it’s Penny.
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Things go wrong with the plan in the end and Penny dies. I find it interesting that once again, Penny got them hopeful in their chances of doing something right. Given said plan succeeded but at the cost of Penny of all people, Penny is shown to be the beginning and end of hope for them
The highest and lowest points for hope seem to directly correlate to when Penny’s around. When she comes back again, hope will return too, just like it had before. And because she’ll likely be back for good this time, the second return will probably be close to when Ruby is nearing the complete abandonment of hope. This would be pretty par for the course of the show honestly.
A little aside, but in a sense, Penny also represents Unity. The CCT in Vale fell after her first death, knocking out global communications and the unifying connection it gave. When it was restored for the briefest moment, she was there. Her body connected so she could allow for its launch, her soul lighting the night to hold up Amity with every ounce of her strength. So of course when the Hack succeeds and she falls, she takes global comms down again with her. At a smaller scale - even at the Hack's second last attempt to control her, she draws everyone in the Schnee Manor together. At the start of the volume, Yang states the one thing that they all agree on is not surrendering Penny.
Unity seems appropriate for one whose first song and wish was for but one friend, who would go on to find so many more in the process, and permit for a moment the possibility of all Remnant becoming friends once more. Where she first died, the name of the episode devoted to her story - Amity, "friendship", from the Latin root amicus, "friend" - she almost lives and dies with the very possibility of a united Remnant. It's no wonder she's a priority target for Salem, the great divider, and it seems natural that her next restoration may very well allow the next bid to bring the world together.
The Void Screams:
Moments after Penny's death, we hear a weird scream in the void space. It was a guttural, pained, angry scream, almost like the void space itself was crying out. All the portals shuddered and flickered when it happened.
Some think that this scream was Salem returning, but that happens earlier than Penny’s death, her return is signaled with cinder's arm acting up. We know this because after the arm finished flailing uncontrollably, Cinder said triumphantly "she's back." If it were Salem screaming, it would have happened after she fixed herself, but it didn't.
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And I doubt Cinder would have been surprised or unsettled by it considering she was happy Salem returned not long before it. And why would a Salem scream affect the portals anyway, she has no connection to the staff or it's magic.
Another thing to consider is the fact sound is not transmitted through the portals. Otherwise, they would've heard Oscar and the rest calling for them, or the screams of the citizens of Mantle and Atlas. This lowers the possibility of that scream being from Salem even further.
The sound really seems to be coming from something else entirely within the void, and that something is not at all happy. There’s also the fact that Penny was the only person who died in the void space, everyone else was just thrown out of it like Ruby and Co. The only logical cause to me is Penny. Her body was a product (or byproduct) of the same creation magic that made the void space, her blood seems to have been a trigger.
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Now I can't be sure about it, but this makes me feel like Penny is almost a part of creation itself? For whatever this thing is to be so angry, that is the only explanation I can think of currently. But all of this could possibly relate to the Narnia allusion of 'the willing victim killed in a traitor's stead' that others have brought up, which will be covered next.
Narnia Parallels:
Atlas has several parallels and references to fictional places (putting aside real world ones like the United States). One of those is that of Narnia, both on the surface and on a deeper level. It is a land of winter year round, where people struggle to survive and there is a present divide between those loyal to the current Monarch and those who are not. James is a parallel to Jadis, the White Witch, a ruler whose thoughts and cares aren’t exactly centered around the actual well being of the people. The hologram table in Ironwood’s office is designed to look like stone, like the Stone Table which features prominently in the Lion, the Witch, and the Wardrobe. He has a handpicked cadre of special agents/secret police, like how Maugrim and his wolves served Jadis. Another key parallel is how Jadis’s winter sets in to oppress and kill everyone in Narnia, but the Witch provides aid and protection to her loyal followers. She has all the power to spare harm to others, and uses it only for the loyal. As soon as Mantle splits from James and Atlas, no care is taken to protect them from the cold of Solitas even though he has every ability to turn the heating grid back on. His protection is only for the loyal.
Now that the parallel is established, let's look into the details. Starting with how James plays the role of Jadis.
"I had forgotten that you are only a common boy. How should you understand reasons of State? You must learn, child, that what would be wrong for you or for any of the common people is not wrong in a great Queen such as I. The weight of the world is on our shoulders. We must be freed from all rules. Ours is a high and lonely destiny." These are the words Jadis says in the Magician’s Nephew to justify the blood civil war she and her sister had waged for rulership of Charn, before she came to Narnia. She won that war, technically, but only after the last battle had been lost and her sister had marched right up to her so that they were face to face. Jadis’s troops were dead, her followers had surrendered, and the capital was under full control of her sister. But, she still had one card, one ultimate play to win and prove the throne of Charn was rightfully her. The Deplorable Word, a piece of old magic that killed everyone and everything except for her on Charn. It was monstrous, senseless, cruel beyond measure. But it got her that hollow victory. This mindset, the disregard for the people except as tools for her own will, the ultimate ‘aoe’ destructive move that no one had even considered her using, the unwillingness to stop even when by all practical measures the war is over, is a shocking parallel to James. In many ways, he is Jadis in mindset and deed.
Then there is the shared desire for A Thing that both James and Jadis have. For James it’s the Winter Maiden and control over her. For Jadis it’s the Silver Apples from the Tree of Youth. And funnily enough, the Maiden Powers parallel the Apples quiet well. These apples grant power and a life of eternal beauty, but should not be taken or eaten on one’s own initiative. They must be given, a gift granted by another, or only suffering will come from obtaining them. "For the fruit always works — it must work — but it does not work happily for any who pluck it at their own will. If any Narnian, unbidden, had stolen an apple and planted it here to protect Narnia, it would have protected Narnia. But it would have done so by making Narnia into another strong and cruel empire like Charn, not the kindly land I mean it to be.” Jadis’s immortality, and some of her power, come from the fact that she ate an Apple of her own will after stealing her way into the garden where the Tree of Youth had been planted. She gained the eternal life she had wanted and the power along with it, but she did so by taking it and was cursed because of it. Her skin turned pale and her lips blackened as if she were a frozen corpse given life. She will be trapped in a life of misery and hate according to Aslan- oh hey Cinder, how’s having stolen the Power you always wanted working out for you? Cinder had the power she wanted, but she only got hungrier, eager to claim more and increase her might. But in her pursuit she was defeated and humiliated by Raven, had to steal her way out of Mistral, and then suffered defeat after defeat while in Atlas. Only in the end, when she didn’t keep pursuing the Maiden Power, did she get any kind of victory.
The reason these parallels to Narnia are so important is one of the most famous events of the series. The cracking of the Stone Table and the rebirth of Aslan after his death. ‘When a willing victim who had committed no treachery was killed in a traitor's stead, the Table would crack and Death itself would start working backward.’ Well, the ‘Stone Table’ in James’s office has cracked, and Penny strikes me as a pretty willing victim. She has never actually committed any actual treachery or harm, as she was the Protector of Mantle, and fought for its and Atlas’s people until the very end. And because of her death, the actual traitor, Winter, who loyally served James until he had gone too far, was saved. Through Penny’s self sacrifice, Winter was saved. So now Death itself will start working backward.
(Major props to my friend @catontheweb for writing this section, I was getting nowhere with it, if they weren't there this part wouldn't exist!)
Norse Mythology:
The tree we see in the post credit scene gives off some serious Yggdrasil vibes. Also called the World Tree, it is essentially all of creation in Norse Mythology. It connects all nine realms, including the God realms of Asgard, the human realm of Midgard, and the underworld of Hel.
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Humans are born from the branches of Yggdrasil. The web of Wyrd is woven for every person once they're born, and their path is set from there regardless of how many times the souls cycle over. But at the end, they're destined to end up in one of the worlds, for a myriad of reasons.
I believe Penny landed closest to this giant tree. She was on the center platform in the void space, so if that space is directly above the island(?) the tree is on, it makes sense for her to fall by the center nearest to the tree. This would not only open up all kinds of possibilities for the volume in general, but it would also create options for Penny.
The whole of Yggdrasil’s representations fit well into Penny’s story. Birth, growth, death and rebirth. We can count Penny’s appearance in V7 as birth for now, her growth is all her development in leaving =the military and becoming a Maiden, her death just happened, and her rebirth would be her revival. And this is a cycle she’s gone through before.
The Norse god Odin and Yggdrasil have quite a connection. In one story, Odin cut out one of his own eyes to gain knowledge from a pool underneath Yggdrasil. The only one that fell whose eyes alone are incredibly significant to the story was Ruby. So, they could choose to have her allude to Odin by having Ruby make some kind of deal with whatever entity likely rules over this magical place. An eye for Penny’s life.
There’s another story about Odin, Yggdrasil and the pursuit of knowledge. Odin so loved knowledge, that he sacrificed himself in a quest to learn the deeper magic of runes. It was believed one could only learn the magic spells from runes in death. So, Odin hung himself on Yggdrasil for nine days as an offering, and teetered between life and death. After he mastered the last spell on the ninth night, he ritually died and all light was extinguished from the world. Odin’s death lasted until midnight, when he was reborn and light returned to the world.
This story doesn’t fit Penny perfectly, but allusions often don’t. So If she really did land near the tree, she could be another loose representation of Odin’s story here. What she did wasn’t for knowledge, but to save her friends and keep Cinder from getting the Winter Maiden power. She believed it necessary that she sacrifice herself to achieve this end. As we established, Penny represents Hope, so her death means the loss of hope. This parallels Odin’s story of his death meaning the loss of light itself. So if this theory holds up, it would make this death temporary, until her rebirth and the return of Hope with her once again.
Alternatively, Ruby has the potential of loosely representing Odin in this story as well. Odin later uses the knowledge of the runes to do many things, but the most relevant one right now is awakening the dead. Both of these stories are about making a personal sacrifice to gain something that is desired. Ruby would absolutely make such sacrifices if it meant saving Penny.
It is said that Odin lived “according to his highest will unconditionally, accepting whatever hardships arise from that pursuit, and allowing nothing, not even death, to stand between him and the attainment of his goals." This sounds like Penny's arc of accepting the WM powers. This is more just a general connection between Penny and Odin, but I found it interesting.
Side Note: I encourage anyone who’s interested to look into RWBY connections to Norse Myth, there’s a surprising amount of things that feel eerily similar to the show. Likely just coincidental, but it’s fun to think about!
(If I got any of this wrong, I sincerely apologize by the way. I researched as best I could, but I admit it could have been lacking.)
Ambrosius and the Staff:
Ruby told Ambrosius "we kinda wanna keep her around longer than that" as part of her very specific instructions. Then Penny died about ten to fifteen minutes, at the absolute most thirty minutes later in-universe. I don’t know about you, but to me that seems very short to be considered ‘longer than that’. Technically it is, but when writing a story and a character says something like that, you typically don’t just kill the character they were referring to basically right away. It makes sense for a week-by-week watch, but in a volume binge, which many viewers do, it becomes ironic how fast Penny dies after being removed from her robotic body.
The first time we see the staff of creation being used, it's to save Penny. Using the staff of creation to help Penny is a sign of how incredibly important she is.
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They’ve even got this entire transformation sequence for her, so it wouldn’t make sense for them to throw all that away two episodes later. In a meta context, it’s a massive waste of time and budget considering the asset creation for Penny.
Penny is a character who has already hopped bodies two times. And now we're supposed to just believe that this time it really is a final death? Just two episodes after we were explicitly told her body isn't what matters, that "Her soul is who she is" and that "the mechanical parts are just extra"? From a writing perspective, it feels strange, like your breaking a promise right after making it. And frankly, CRWBY is better than that, which makes me think this is not the actual end for her.
A possible connection between Penny, Ruby, and the Staff (thus Creation) can be seen in the intro. As Ruby is falling and being dragged down into the darkness, she is shown reaching for the staff. In the void space, Penny is the one with the relic. So with Penny having this strong connection to Creation, and the lyrics “fight for every life” playing as Ruby reaches for the staff, it’s a safe assumption to make, with the knowledge we now have, that the Staff of Creation represents Penny in this particular moment. Which could mean that V9 will be about, at least partially, fighting for Penny’s life.
Musical Hints:
In terms of music, Friend, as a song for Penny, is very dissonant from the episode itself. The song is oddly cheerful for Penny’s recent untimely death, and it overall highlights the wrong parts of death. It’s simply too happy to be a song about losing one of the most, if not the most joyous characters in the entire show. The song also abruptly ends. There’s no outro, and while this could symbolize the fact that Penny died young, it could be that the song itself is unfinished in a story sense.
What do we hear just before the song finishes, though? A progression of notes that sounds eerily similar to the last line of the opening of Volume 8. The notes for “Fight for ev’ry life” and “Who fin’lly felt alive'' share a similar melodic structure, they aren’t perfect clones of each other, but they are incredibly similar, to the point where it seems intentional. Penny may very well be the life that the opening song is fighting for. It is also worth noting that the line “Fight for every life” comes just after “Sometimes it’s worth it all to risk the fall,” which is the exact wording used for the description in the Volume 8 finale. Team RWBY risked the fall, yet, strangely the opposite of fighting for every life happened with Penny’s sacrifice. Perhaps the time to fight for every life has yet to happen, and we will see it come Volume 9.
For another thing, the lyrics for Friend are entirely centered on Penny’s feelings for Ruby, to the point where they read very much like a bittersweet love song. The music itself is incredibly cheerful, as mentioned previously, creating a mood whiplash with the end of the volume. Why would we hear a song about Penny’s feelings for Ruby, sounding like a love song, if her death is supposed to be a tragic sacrifice akin to Pyrrha’s? The song may very well be giving a clue into its future use in the show proper.
If this was meant to be a good bye song, why make it so cheerful and romantic sounding? There's only one part about her dying and even then, it's just too accepting and goes right back into cheerfulness. The song is also pretty hopeful, telling Penny's story in a fairly chronological order. And the part where she talks about sacrifice is quite pointedly followed up by one about feeling alive. It also ends with the super cheerful chorus, the word "alive" being the last... (Remember the episode title: The Final Word)
(I want to thank my friend @shadow-0f-x for writing the majority of this section! I was struggling to choose how to tackle it as I am not well versed in music theory.)
What We Didn’t See:
It is likely that Penny understood Jaune's semblance better than him and figured something out about it’s abilities in the same way that she understood Ruby's semblance better than her. She had plenty of time to observe his semblance up close as he boosted her aura to stave off the virus. Because of that intentionally timed cutaway in the finale, we don’t get to hear her explain herself after her strained “Trust me.” All of that seems really suspicious to me.
Pyrrha Parallel:
Pyrrha and Penny both sacrificed themselves to stop or stall Cinder. Jaune tried to convince the both of them to stop. With Pyrrha, he failed, while with Penny he actively helped her sacrifice herself. Doesn’t make sense for the guy who was determined not to let anyone else do what Pyrrha did, unless of course Penny assured him she’d be alright.
The Moment:
RT including the suicide hotline in the description shows that they're aware that Penny basically committed assisted suicide, seeing it as a noble sacrifice worth doing to save her friends. They're aware, and I believe they're smart enough to condemn that decision to hell and back.
The best way to do that in my opinion is to pull her back into the land of the living and let her witness first hand the consequences of throwing her life away so freely. This would show Penny how her actions affected others so maybe she could learn to truly value herself. To not think herself expendable. It would be bold and unwise to portray this choice as something good, unless it was going to be called upon later and be pointed out for how horrible it really is.
On top of this, Penny was way too content with her death, happy even. There's no way team RWBY is letting her stay content with it. It’s almost as though we're supposed to join Ruby and Co. in calling bullshit on what Penny is saying and doing because no, Penny, this is not how things are meant to work. It's as if Penny was basically saying "I want to die for my friends" because most of the volume had been about everyone else making sure she didn't die. She knows it will hurt them. She knows.
At the peak of it all, a choice like this will totally destroy Ruby. It may very well be her breaking point for Volume 9. Curiously, the moment itself is written like it’s the first choice Penny’s ever made, yet the entire Volume shows this isn’t the case. However, this is the first choice that Penny’s made solely independently and it’s rather pertinent that the choice she makes is a mistake. Outside of giving Winter the Maiden gift and saving the day temporarily, this sacrifice will not have any lasting positive effects. Jaune will be saddled with the grief of killing Penny. Ruby will have to live with losing her best friend and not being able to protect her a second time, and Winter now has the burden of the Winter Maiden abilities, making her a target of Cinder. This is a bad thing, and Penny needs to see the long term consequences.
Transfer of Power:
As we all know, colors in RWBY are really important and get a lot of focus in the show. That means the yellow we see as Penny gives Winter the Maiden Powers was intentional and likely important, no matter how insignificant it may seem. It’s possible that the transfer effect being yellow could have something to do with Jaune’s semblance. When Fria gave the power to Penny, the effect was very much blue, so this transfer should have been green since she was the one giving it this time. The weirdness of this transfer and the focus on color in RWBY really makes it look like something’s up with how that went down.
A little off topic, but Penny saying "I won't be gone, I'll be part of you." makes me think... Winter is smart, so when she gets time to think about what Penny said, maybe she'll arrive at the same question many in the audience came to; if she's literally part of Winter, can they be separated again? If Winter starts questioning that, the possibility of Penny coming back just skyrockets.
Fria actually tells Penny "I'll be gone" before giving her powers up, which is an interesting contrast to Penny telling Winter "I won't be gone". She may have gotten that line from Winter be all philosophical in V7, saying Fria was now a part of Penny, but it hits differently coming from an actual Maiden. S5o it’s possible that Maidens usually actually will be gone, but Jaune's semblance did something to change that.
This could go well with the theory that they won't need to find an aura transfer machine, or build another one, because Jaune will have a semblance evolution allowing him to do the transfer instead. It might actually be that this evolution already happened and the golden light we saw was Jaune transferring penny's aura to Winter in some way?
An observation that I find interesting is when Penny gives winter the powers, not only is the aura yellow but penny completely glows yellow too, and she obviously starts to disappear, but she doesn’t seem to fully disappear, she just glows.
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It's possibly a fading out effect and she does fully fade but animation makes bright light easier, and so we don't actually see her disappear because she's dead and not gone. But it does once again emphasize the color yellow here!
And the color is coming from Penny, it does go up Winter's arm a bit, but Penny is clearly the source. This transfer is so weird and I’m not really sure how to interpret it. There's just actually no reason that we are aware of to make the effect yellow here is the thing. Unless it has something to do with either Jaune or Ambrosius, or potentially a combination of both...
Jaune’s Aura:
The way we see Jaune's aura break in the finale is strange. His aura shouldn't be breaking here. It had been long enough since he was boosting Penny, he's had time to recharge, and it didn't look like it was a strain on him at all. Plus, we know he has a lot of aura, so there probably wasn't too much to recharge in the first place.
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He has a massive amount of aura, it has never broken before as far as I remember. Even if it has though, that doesn’t make this occurrence any less odd. It should absolutely never be a one-hit KO. We didn't see anything that would've drained it, that should not have been enough to break his aura. Unless he did something - something that would require a huge amount of aura - that we just didn't see. That amount of aura drain is far more than just an attempt at healing would do, Jaune absolutely did something with his semblance that took up almost all of his aura.
Pinocchio Allusion:
As any Penny fan knows, her character allusion is Pinocchio, the puppet who became a real boy. Penny deviates from the allusion by having always been a real girl, as Ruby is quick to point out, but she shares many story beats with her original story including multiple deaths. In the original story, Pinocchio dies from being hung by his own strings due to his poor decision making and he dies. Sounds a little familiar, does it not? This is where his tale originally ended. Readers were unsatisfied with this ending however, so the author decided to change the story by reviving Pinocchio and teaching him to be more careful.
Unlike Pinocchio making all the wrong decisions, Penny often makes the right ones, or ones she thinks is right, when concerning others. While usually a good thing, this has meant Penny almost giving herself up multiple times during V8, her last attempt being successful. This is where Penny and Pinocchio begin to share similarities again. They are both very reckless when it concerns themselves. This carelessness comes from different places, but it ends with the same result of them endangering their lives and even sometimes losing them.
In the Disney movie, Pinocchio dies by drowning after going to rescue Geppetto and washes up on the shore (like the beach in V8’s post credit scene). His father is devastated and takes him home to grieve, but as a reward for his selflessness in rescuing his father, the Blue Fairy returns and brings him back to life, as well as granting him humanity. Penny sacrificed her life as well, and it stands to reason that she should be rewarded for it, much like her allusion was.
Penny got her maiden powers from someone with blue aura and then gave her powers to someone with blue aura. So it could be that not only Ambrosius, but Fria and Winter as well represent the Blue Fairy. It could be set up for Winter helping to bring Penny back to life once more. It’s an out there theory I admit, but it’s not outright impossible either. The Blue Fairy in Pinocchio saved him three times that I know of, so RWBY having three representations does make sense.
Geppetto wished for him to live as a real boy, but it depended on what path Pinocchio took. This is very reminiscent of Penny and Pietro. Pietro wants to see her live her life, and surely with him absent in V8C14 that didn't work, despite Penny choosing. Her father did not see her happy enough to live her life, and will only be able to learn her death through others. But Pinocchio's themes were life and being alive. So the likelihood that this is not her end yet is quite high!
A Girl That Fell Through the World:
Penny could be the girl who fell through the world. The girl in the story fled the consequences of a choice. The only person who chose her ultimate fate was Penny. The others were pushed into the void, but she chose to die. The consequence of her choice is Ruby’s grief first and foremost, which Penny won’t see. The girl who fell through the world does come back though, and the world will be changed severely with Penny’s absence. Alternatively, it could also be Penny coming back to Wonderland or wherever they currently are, as long as it’s unrecognizable to her.
What Returning Brings:
Others might say another return would have no story relevant purpose, but I wholeheartedly disagree. Penny gives a profoundly youthful, joyous, and wondrous outlook on the world and story that we hadn't seen since Ruby in Volumes 1-3(not the end), Penny returning would bring a much needed levity back in after the despair they will undoubtedly be going through. While not necessarily a huge thing in most other shows, for RWBY, a show largely about keeping up hope, an ounce of such relief is a necessity.
As much as I hate saying it, Penny’s death does actually make some narrative sense because she had to pass on the Maiden powers. (They could have done this in a number of ways, and I personally think they chose rather poorly, but I digress.) Throughout this whole volume, we can see Penny seemingly being set up to join the main cast, but would have been too strong with the powers. This also accomplishes ridding her of the burden of responsibility that comes with being a Maiden and lets her obtain the freedom that’s so important to her character.
Once she returns, seeing this grief that her actions caused, particularly to Ruby, will get her to realize more that her actions can have serious repercussions. She made a choice, but that choice hurt the people she loves. She must have known that it would but I’m not sure she ever realized just how much.
I didn’t want this post to be heavy in the shipping department, so I largely left it out, but I am going to say this one thing that could have an impact. If Nuts & Dolts is on its way to being canon, which this volume makes it feel highly likely, this could be a catalyst.
It could prompt an arc for the both of them in which Penny learns to live her life fighting for her loved ones, rather than sacrificing it for them. A relationship could potentially start from there. And Ruby seeing Penny learn these things may also help her to stop doing the occasional but very dangerous and reckless things she does. Ruby witnessing Penny coming to terms with what she did to the people that care about her would actually make her stop to think “wait, is this how everyone else would feel if I got myself killed?” That would be a very important moment of character growth for her.
I’m certain there are other significant things that Penny returning can bring to the show. And there are definitely more sections I could add to this. At this point though, assuming anyone even made it this far, I think I’ve been going long enough already. So let’s just roll into the outro!
As painful and hopeless as it seems, I'm choosing to trust them with this because there is absolutely no way they didn't see backlash coming. The way this finale went makes me think that they calculated for backlash and aren’t jumping into something they don’t have a plan to recover from. Whether this trust is unfounded or not remains to be seen, but I don’t think it is currently. I do think, however, that the cause of this backlash was a major misstep. Now that it has happened though, they have a chance to do something good with it.
I know for a lot of you, trust in CRWBY has been damaged, some even irreparably so. And for those that feel this way, I don’t blame you. My trust in them took a hit too, but isn’t broken completely yet. There are many ways that they can bring her back that would make sense with the narrative, they have the ability to make it right, and after going over all of the hints and general weirdness of things many times, I think they will.
I'm feeling pretty confident now and I really didn't expect that to happen at all to be honest. But discussing and theorizing with the discord server seriously helped get my hopes back up surprisingly fast! It’s actually thanks to all of them that this gigantic post even happened! So thanks a ton my fellow Dolts! And a special thanks to!!
@arcana-amicus
@catontheweb
@cosmokyrin
@gaydontmesswithme224
@jammatown919
@shadow-0f-x
They really helped get this thing across the finish line!
And thank YOU for reading all~ of this! I sincerely wish it gave you some of the hope and confidence that I now have!
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moonahstone · 3 years ago
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So CBS ghosts!
I’ve watched the episodes that are out and I thought I’d say my thoughts so ya know spoiler warning from here on.
I don’t think a spoiler warning is necessarily needed because it is very much a remake but it’s better to be safe.
Well I enjoyed it. It wasn’t as good as the original series at all but it was still a lot better than I thought considering I had very low expectations. I would probably watch it if I hadn’t watched the original but I wouldn’t have gotten quite as fixated or interested. I liked a few of the characters, particularly Hetty and Thornfin, both were similar to their counterparts and stayed like the character whilst still having a fair few differences which was nice to see. The familiarity of having a character you know but also as a new character. Twas’ nice. Sasappis was also quite a fun character and considering he’s a new character, pretty good! I also was very relieved to find out that the basement ghosts didn’t die of the plague as that was one of my mine issues originally, the plague didn’t reach America till much later then Europe so they shouldn’t dress similar to the Europeans if they were plague victims. They were cholera though which made me very happy. The theme song was short but what 2 seconds there was ABSOLUTELY SLAPPED. I wish the theme song was longer cause that was awesome. The new characters were quite cool too. I thought the house was a really good choice as it was very pretty and had the right kind of vibe fitting in with the premise of the show. It felt a lot more upbeat then the original show which I wasn’t expecting really and I think it worked well honestly, playing more into the comedy side then using the horror troupes. Whilst a lot of the script was the same or very very similar, there were some new sections of jokes which I thought were quite funny and there were a few times when I had a little giggle at an American Joke. So yeah good.
I do however have to point out a few things that were not so good personally. I was not keen on a few of the characters, I thought Samantha and Jay felt almost stifled and their relationship was definitely different to Alison's and Mikes. There was something quite off putting about it but I can’t be sure if that is to do with the scripting style or the characterisation of them. The scripting style is probably my next point but this is definitely more of a personal preference kind of thing. I think sitcoms, particularly in the states, have this habit of scripting things so characters always over explain events. Often they add extra unnecessary detail which freezes conversations and to me this makes it feel quite unnatural. I know that this is just a way some people write and many people probably prefer it like that, it gets the mystery out of the way and explores the character straight away, but I personally am not a fan of it and didn’t like that we immediately knew almost all of the ghosts deaths, it takes away some of the fun of theorising. I don’t know why but people saying fart just feels so weird to me. It’s a word that exists but I hate when people say it for no reason. So thought I should add that? One thing that made me almost uncomfortable was just how much they upped the gay for Isaac. He obviously had a few traits from the captain crossed with a few things from Thomas which is great and all but it just felt like they had taken the captain, made him from a different era and then made him a gay character instead of a character who is gay. The captain being a character who just is gay is really important to me as it makes him human and normal and it is not his only character trait, it’s just a fact about him that they reference. It already feels like Isaac will be just one long gay joke which whilst I enjoy briefly, for a full fledged character it feel wrong and very uncomfortable. My final thing would just be an issue with Trevor just cause he’s Julian but genuinely very creepy. The only thing that stops me from disliking Julian is that he’s just a bit slutty, he’s not creepy, he just pushes his jokes right to the bone. Trevor is creepy. I’m not keen.
So yeah, that’s my negatives and positives highlighted from the first ep, over all I would say I enjoyed it and I will continue watching though it is not perfect.
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luminecho · 3 years ago
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Hello Echo, question. Do you still have Four brainrot? Follow up question. Do you have any songs that you associate with Four? Thanks bestie <3
Answer 1: Steel, I ALWAYS have Four brainrot <3
Answer 2: I am literally SO FUCKING GLAD you asked, you have no idea how excited I got seeing this holy shit. HELL YEAH I do!! Take a few songs from my playlist
If I include more than 3 Sleeping At Last, Of Monsters And Men, or The Oh Hellos songs on any given playlist or list of songs you may be entitled to financial compensatio-- *looks at this list* oh whoops
1) Crystals - Of Monsters And Men - this might as well be Four’s theme song for all I associate it with him. It’s so good. So so so good.
2) Call Them Brothers - Regina Spektor - Obligatory Call Them Brothers mention. This is not original at all I've seen so many other people talk about this song with Four and-- yeah they're right this song is about Four JKHEHBFDEKF.
3) Bad Blood - Sleeping At Last - I'm biased. If you know me then expect way too many SAL songs from me in any list of songs ever because I will never shut up about SAL and they have a lot of songs I like. So there's 4 SAL songs on this list, deal with it jhkwewjkwjkfh. Anyway Bad Blood gives me so many Four feels. 11/10
3) Soap - The Oh Hellos - THIS SONNGG. Ouugghh. I could probably dissect this song if I wanted to go over every little thing in it that makes me think of Four & why but I already exhausted my song infodumping capacity on the last song on this list so perhaps some other time HDEGJDDEKF. Just. The vibes AND the lyrics. Mannn
4) Forgive Me Friend - Smith & Thell - I have both the original and the acoustic version saved to my Four playlist because I really like both versions hwdfjefke but. There's so many ways this song could be interpreted w/ Four and tbh I'm just gonna leave it up to everyone else because every time I listen to it I think of something else lol.
5) Meteor Shower - Cavetown - I don't have much to say about this one other than thinking about this song gives me a LOT of emotions jhqkdhwbefjk. Just,,, it has a lot of self-acceptance vibes to me when I listen to it in this context and I think I'm drawing those comfort vibes from the melody? Idk but they're there for me lol
6) Glitter & Gold - Barns Courtney - Someone did a mini AMV to this song w/ Four a while back for the LU zine and I've associated the song with him ever since hwdkjgefhkfev. I like the vibes. Reminds me of the forge.
7) Lakehouse - Of Monsters And Men - Idk what it is about this song. It has a mix of homesickness feels and storytelling feels and something about that makes me think of Four. Also there's a line about breaking trust in here somewhere heehee hoohoo Vio go brr.
8) I Dare You - Bea Miller - my brain can't decide if I actually like this song or not for some reason buuuut it has big Four vibes regardless lmao. Mostly in the lyrics. Definitely in the lyrics
9) No Light, No Light - Florence + The Machine - based more off the vibes of the song than the lyrics. i don't really have an explanation for this one, it's just always given me Four vibes for no reason hdwkjfgeh. Shadow too. I have it one both playlists
10) I Have Made Mistakes - The Oh Hellos - probably self-indulgent but this one has the self-acceptance and self-forgiveness vibes than go hand and hand with Four as a character so <3
11) From The Ground Up - Sleeping At Last - something about the line "in an effort to remember what being mended feels like" shakes me to my core. Am I allowed to slap the "self-acceptance" label on this song and call it a day? Cause,,, yeah the self love in this song. Ough. Also the themes of growth and being somewhere that's truly home.
12) Overture III / Awake - Sleeping At Last - Bestie this one's so self-indulgent. This song is pretty new and when I tell you that I latched onto it the DAY I first heard it FTHDGHWJKEFG. I connect so deeply with this song and I can and will project every emotion I experience ever onto Four which means he gets this song too. <3 Also it once again has themes of self-acceptance
13) September 15, 2017: Cassini - The Grand Finale - Sleeping At Last - OH MY GOD *VIBRATES INTO THE FIFTH DIMENSION*
Alright alright alright. Listen. This song is entirely instrumental. So why do I associate it with Four, you may ask?
WELLLLLLLL.
First of all, happy anniversary to the event this song was written about! Or-- well, it was the anniversary when this ask was sent djwhfkhjdewjhke. I took a while to answer it. BUT still. Happy anniversary!
Second of all, strap in cause I’m about to infodump the hell out of this song on my way to explaining my reasoning behind why I associate it with Four. It might seem irrelevant at first but trust me, I’ll get there.
(All the stuff I mention here is all explained in a much better fashion by the artist behind Sleeping At Last on his podcast episode about the song here. I'd absolutely recommend giving it a listen if you're interested!)
Cassini was written about a satellite with the same name that was built with the intention of exploring Saturn. On September 15, 2017, its journey was complete and its course was set to crash into Saturn in a brilliant grand finale. Hence the name of the song.
This song is a medley of four of Sleeping At Last’s songs, written as a mirror of the exact flight path of the Cassini satellite. (SAL has songs about each of the 9 planets + our moon.)
The song starts and ends with Saturn. The beginning is a chorus singing the tune of SAL's "Saturn" and the ending is that the song on the "Astronomy, Vol. 1" album leads straight into SAL’s "Saturn" to symbolize Cassini crashing into the planet. Cool, right?
After the opening the song crescendos with SAL’s "Earth" to represent Cassini’s launch. Cassini passed by Venus twice in its flight, so the part of the song immediately after that is from SAL's "Venus". The next part of the song (and ofc the next part of Cassini’s flight) is Jupiter! It’s very faint and distant since Cassini only passed by the planet. Aaand then finally it reaches Saturn.
Now what does any of this have to do with Four?
Welllllll, it's all a bit of a stretch but LET ME HAVE THIS hdgjhkjdwef.
I mentioned that Cassini is a medley of 4 different SAL songs.
Venus could easily be associated with Red! It’s a love song and love of course comes from the heart and all that. But it’s also a song that reflects wonder and awe and I feel like that’s a very Red feeling.
Jupiter is a song I associate a lot with Green, not only because of the song itself but also because of the planet and Green’s wind element. Jupiter is well-known for its storms! So it seems fitting for Green. Jupiter is one of the songs I have on my separate playlist for Green too. It has vibes of instinct and wanting to make things count and make a difference which I feel like fits him.
I feel like Saturn and Earth are interchangeable with Blue and Vio. I’d probably tentatively assign Blue to Earth and Vio to Saturn for now despite Earth being Vio’s element and me generally associating that song with him a lot more than Blue anyway. Saturn is a song about loss and trying to move on and I think Vio encompasses that feeling and experience. It’s very melancholy and slower-paced too, which fits Vio more. Whereas Earth is a very powerful, somewhat explosive song (which fits Blue’s vibe) about ignorance and possibly arrogance. ALSO if you go with Blue as Earth then it works even nicer because Earth and Venus are woven together very closely in Cassini. Which could represent how Blue & Red are both the "heart" of Four compared to Vio's mind and Green's instinct.
And ALL of these songs are packed into Cassini into a convenient little medley. Four songs blending seamlessly into one another creating a whole song that makes me want to throw my hands in the air and weep.
And how perfect that the day Steel sent this ask is coincidentally the anniversary of the day the song is about. jhkqdwfgehf. It was meant to be :>
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miyuskye · 4 years ago
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Today I stumbled on old posts from people reacting to the sk8 finale. I want to make a premise and say that I also felt mixed emotions after it and I was sure that there was something wrong with it. After two months and a half I can say with certainty that the only thing that felt wrong was the lack of episode time, but oh well. Thinking back about sk8, I feel that the writers and the director did the best they could with the time they had.
I think that the main source of confusion stemmed from people misunderstanding the point of the plot. I'm putting myself also among these people because I was so sad that Tadashi forfeited his match vs Langa, but after thinking calmly about that I realized that I just wanted to see Tadashi skate because I am this whipped for him XD and, in reality, even if he had a match with Langa, it would have probably ended the same way -- with Tadashi forfeiting the race midway and letting Langa win (since it's hinted that he's a skating god and Langa beat Adam because he was lucky). This is coherent with the small number of available episodes and Tadashi's arc.
Back to the general public confusion. I'm sure a lot of people were blinded by Renga and totally missed the point the staff wanted to make. It was confirmed in an interview that "sk8 is the story of Adam's search for his Eve", whatever this means (it could be Adam finding his Eve in either Tadashi or Langa, i.e. finding his Eve through the concept that skating is fun). The point is that the focus is on Adam and always has been on Adam. The fandom gave into a collective thinking that Adam was a pedophile and an abuser, but that's clearly not how the staff wanted to portray him. He is obsessed with Langa because he finds in him a worthy and, most importantly, equal partner, he adores Langa and given how loudly he expresses his feelings (i.e. painting a pierced heart over red chrysanthemum to shout out his feelings for Tadashi) his attitude toward him is just the embodiment of that. He isn't interested in Langa because of the power imbalance between them (again, he sees Langa as his equal); he just doesn't want to be alone.
And, yes, the final episodes clearly fit into the narrative of "skating should be fun" because Langa understands (through Reki) that skating with friends is fun and makes Adam remember that (meanwhile he realizes that Tadashi, his friend, was by his side all of this time). Langa, at the beginning, thought that skating was all about the thrill and the adrenaline. He didn't understand that it was fun and amazing to do it with friends/ the people you care about (paralleling to how he didn't realize why he stopped snowboarding when his father died). That's why from ep 7 to 10 he doesn't feel anything. It's because it was all about being with someone you care about, both in skating and snowboarding. He understands that through his relationship with Reki, but my point (and prolly the point a lot of people missed) is that it's general and it doesn't limit itself to Reki and Reki only. I don't want to invalidate Renga, of course not, I like the pairing and the ending makes it clear that Langa's happiness is skating with Reki especially. But the fun experience that comes from skating is a general thing and him going against Adam is just a consequence of that. He wants to make Adam understand that you should have fun while skating, and he wants to have fun with him because he admires him. He was never scared of Adam, and he generally looked pretty chill even when he smashed Cherry with his board. The only thing that mattered to him before his race against Adam was 'why did he start skating?' and 'he looks like he's not having fun' instead of 'i'm going to make this guy pay for his imaginary crimes with my board'. It was like a argument but between friends, the one that gets you in a fight (idk like Rin taking Haru by his collar in Free lmao) because you both want to stand your ground but still care about the other. Also, Utsumi also confirmed that she wanted them to fight with fists in the last ep XD
So, yeah, sk8's ending falls perfectly in the 'skating should be fun' trope. Moving on, let's talk about Kamata. She's, once again, a target for the fandom collective hysteria and she became like this because they projected their hate for Adam into her. Or into Tadashi sometimes, again completely missing the point that the show is about Adam. A lot of people wanted the police to raid S, but that couldn't be realistically attainable because Adam made sure to take off S from the patrol route again and I'm p sure he took additional measures so it wasn't believable for those measures to be shattered in less than a week (when S has been up and running for 7 years). Let's pretend she somehow managed to search Shindo's house. What would she have found? Nothing accusing Adam of Takano's crime. I understand that Takano's crime wasn't very well detailed but I'm thinking that it was something on the line of being bribed to making a certain kind of contract (when he talks about receiving illegal fundings it's the only thing that came to mind). And, on another note, Adam was the one leaking info to the police in the first place XD first, because he wanted to raise to the top of his party (and just standing in Takano's shade isn't his way to roll) and he wanted to have a leverage on the police, so that he could use that leverage to hide his borderline illegal skateboarding races. But they are two different crimes. Kamata wouldn't have found anything useful for the Takano investigation and, even if she managed to find proofs of S (and that's a big if because I'm sure that Adam and Tadashi go out of their way to hide the S screens also from aunties and the household staff), what can she do with those? They're not related to the investigation at hand and can't be used in that specific trial (which is about Takano receiving illegal fundings). A new trial should have been made and Adam wouldn't surely go to prison in one day XD furthermore, it's clear that Kamata belonged to a subplot and that she was a supporting character. She was never meant to be something more than that. I have a long history of elevating supporting character to something they're clearly not so I'm used not to feel 'betrayed' when this doesn't happen, but probably other people don't.
I don't know if I want to talk about Tadaai AGAIN because I feel like we said plenty about them. TL;DR the relationship is not abusive so the point doesn't stand. Tadashi has agency, and chooses to stay by Adam's side because he wants to (and not because he has... Stockholm syndrome... I cringed while writing that XD)
The last point should be the fact that people felt betrayed that Renga wasn't more canon. which I think stemmed from the fact that Utsumi can't decide what to ship XD she had the same problem in Free because she was torn between MakoHaru and RinHaru, but here?? I'm so sure she ships Renga and Tadaai but she definitely likes Eden too. (She wouldn't have had a whole ass theme song for them if she didn't 😊) and so she couldn't decide what route to take and she ended up taking all of them. Bless her, i love a multi shipping queen 🙏
On this note, I saw also some posts about Adam being a homophobic example of queer villain except for the fact that he's not. The authors have made it clear that they love him to no ends. He's not supposed to be Evil and Unredeemable. I don't know why people are so bent on labelling him with things he's not. My roommate told me that he gave off the creepy vibe at the beginning but she confirmed me that after ep 4 it's clear that he's not meant to be dangerous like the other villains he's compared to. I don't personally like people comparing Adam to Hisoka, for example, because I feel that there are very different intentions behind them. Also, I have a feeling people have never watched a media representation of actual grooming (or something that is closely related to this). There's no grooming in sk8. There are fanfics when people describe Adam this way (and while it's interesting to read them, I feel that he's/very/ OOC there), but he's not like this in the original canon.
Thank you for reading this 🙏
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thoughts-on-bangtan · 4 years ago
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a poem for small things
by Admin 1 & 2
The time has come, the first proper post for this segment we’ve settled on calling a poem for small things, a nod toward BWL and its Korean title. Like we said in our call for submission post, this is supposed to be something like a place full of positivity for vminnies (and perhaps the occasional namjinist) where you (and us) can share whatever we’d like in connection to vmin, both as vmin and as Jimin and Tae the individuals, and have something to raise our mood and also strengthen our vminnie confidence. We’ve gotten several wonderful submissions and quickly realized that for this first post the theme is mostly how I became a vminnie, even if three submissions talk more about vmin moments they enjoy instead.
I think it’s a really interesting theme, especially since everyone’s story is different, and everyone seems to find something else about vmin that captured their attention and hearts so sharing these memories and experiences is a great way to start off this segment. We’ve said it many times before, though I don’t think you can say it enough times, but this bond that Jimin and Tae share is truly special and so one of a kind, it’s wonderful to see how we all relate to and resonate with it in our own way and find something in it that makes us fall in love with their loves, regardless if we see it as platonic or romantic love. Love is love after all. 95z is love.
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For the order of these submissions, we’ll simply go in the order in which we’ve received them. Most of them came from anons, which is more than okay. We’ve also opened the possibility of submitting posts for those who would like to submit wordier posts/asks, should we do another edition of this. It all depends on how much you’ll enjoy it and if you’ll come through with more submissions that could be gathered for future posts.
Anyway, enough talking from our side, let’s dive into these submissions below the cut, shall we? Like we said in the original post (and demonstrated in the preview post), we’ll add some of our commentary and observations along the way, too.
From anon: This is going to be long winded story but Vmin is like a Serendipity to me. I've heard of BTS mainly from my hubby when he complains that times sq is packed because of BTS (when they’re in town and doing their rounds of morning shows). I knew they were very popular but it was a great surprise that i discovered them after watching ILand during lockdown. Their songs were great and i started playing their classics like Fire, DNA Fake Love etc. Then they did an appearance in the show...
I love how you heard about BTS because of your husband and Time Square being packed, this is honestly the most original and unique version of how I’ve come across BTS I’ve read over the years. Amazing!
I was drawn to Taehyung's beauty during their appearance in Iland. And my first Vmin ? moment was when Tae commented about being handsome and attractive are 2 things and being attractive weighs more - along those lines... then JM made a comment that its unfair that he's both and Tae was like Im talking about you... I went like ok he thinks JM is attractive- theyre good friends.... then Jimin did the FakeLove choreo and the camera focused on Tae and he had this wide smile...The Iland Tae/Jimin clips made me do a double take but I dismissed it since it was just only a few seconds worth of screen time but still...
I-Land vmin was really something else in both episodes. 
Fun fact: I-Land was the first Korean survival show I’ve ever watched, mostly because it had something to do with BH and since it was streamed online with subs in real time. Unfortunately, my faves—Daniel and Taki—didn’t make it into ENHYPEN, though I’m happy that Taki will be in a future Japanese BH group.
But, going back to vmin, that moment with Jimin dancing FAKE LOVE and Tae looking at him with that boxy smile as though Jimin hung the stars in the sky? I melted, even if it was just one of those brief moments, yet still it’s so cute! And it was all over sns being shared by vminnies and non-vminnies alike. What a great time that was.
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Then VMAs Dynamite perf happened- both Vmin looking good. I saw a lot of their promos especially the Jimmy Fallon interviews... and I noticed in hindsight how JF was so careful when referring to Jimin ... Since Tae was my first bias, I searched YT for Tae related content eventually saw in my YT feed Vmin moments. Theres a lot of Vmin content in YT or maybe the T*ek*ok ones didnt really register as extraordinary to me. But defo the Vmin moments were extraordinary to me,,,the BV4 sleeping together, kitchen role play & BV3 JM excited to see Tae and them holding hands and then Tae crying and then Tae's busking with Jimin cheering him on were all amazing to see. Up to this day this specific YT vid stood out to me first 
I actually went to check what video this is, and also looked at the comments where my favorite was this one: The staff member went straight to Jimin to tell him V was crying. That's all you need to know. They’re not wrong with that one, are they? That is pretty telling. BV3 vmin were a work of wonder, truly. Jimin watching Tae sing that Sam Smith song during the dinner in the sky looking all soft and endlessly fond?
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Jimin encouraging Tae to busk and gently petting his hair was just such a pure moment and showed how much Jimin appreciates Tae and the talent he has, how in moments when Tae might brush aside wanting to do something, is a little hesitant and unsure, Jimin will stand up for him and give him strength/encouragement, which reminds me of Tae’s vlive in April 2020 and the fact that Jimin had told him that he wants to be his source of strength. Beautiful. And it shows that it wasn’t just pretty yet empty words, but something he truly meant. They both do.
Then i came across vid trans of Friends & cried first time hearing it especially when it got to the part "One day when the cheer dies down, stay hey.." It felt raw and honest to me. Then there's MOT:E concert and that part in Dynamite where they bumped their heads seemed bizaare to me - i was like were they fighting? because JM looked really fierce(or maybe emotional) then i saw the close up. i couldnt remember the exact moment I became a Vminie but it made quarantine easier...
This, I’ve noticed, seems to be a recurring theme among quarantine ARMY and vminnies, the fact that becoming ARMY and vminnies made it easier, and it fits with what we’ve been saying about BTS for years: they will find you when you’ll need them most. And in these trying and uncertain times, it’s certainly proven true once again.
Thank you of much for your submission and sharing your story with us, and I’m glad they could make quarantine a little easier for you.
From anon: I've been following BTS on and off since BST, but only really consider myself a true fan late 2019. I can't recall having a bias at first, but I was captivated by Jimin's everything when I binge-watched all their content. I must admit, my first OTP is T*e/k*ok, where I fell down the route of considering Jimin 'an interfering 3rd party' in their relationship, and it shamed me. Since then I've been cycling through Jimin ships, namely yo*n/m*n, j*n/m*n, m*ni/m*ni, and I even thought that j*/k*ok was real at some point. Strangely, Vmin never struck me as something extraordinary. I don't want to blame anyone, but Vmin caught my eye after I watched official BTS content without filter (presumed bias/judgement) all in their glory. I realized that while other ships may go up-and-down as in one day there's a frenzy and another day quiet af, Vmin has been and is still going constant. That's what makes me love Vmin, and for the first time in my fandom life, I have no qualms about whether they are real or not. Their bond, whatever it is, is already precious and something to be cherished forever. Thank you for providing us vminies a special corner to speak up about our experience 💜
You’re very welcome! I hope you’ll like how this turned out as well. Thank you for sharing your story with us and personally I find it fascinating how, despite Jimin being the one who captivated you most at first, you still fell into the “he’s an interference for my ship” trap that’s quite popular with that particular ship. I’m glad though that that never ruined your love for Jimin. It’s also really interesting for me how you went through different Jimin ships yet it took you the longest time to notice vmin. I feel like, because vmin and vminnies are more “low key” than the other bigger and louder ships, as well as Tae and Jimin simply being quieter in their interactions (not always but you get the point) as compared to, for example, Jimin’s interactions with Hobi, Jungkook, or even Namjoon, it takes people a while to really notice them.
This is my favorite part of what you wrote, and I think it’s a great way to describe vmin in general and what makes them different from other ships in the grand scheme of things: I realized that while other ships may go up-and-down as in one day there's a frenzy and another day quiet af, Vmin has been and is still going constant.
From vminot7: So i fell into BTS hole after watching blood sweat and tears mv casually on youtube. Jimin immediately stole my attention with his unique voice, graceful moves and handsome features even though i didn’t know their names at that time. I watched more MVs and jimin continued to hold my attention but i was also extremely drawn to taehyung's voice and facial expressions. So i started looking for more content such as RUN BTS and other compilations and realized my love for all 7 of them. I also noticed how jimin always had a soft spot for taehyung and was curious about their dynamics. I started looking at more of vmin content and i was really surprised to see how in the early days they were nowhere near as soft with each other as they are now. I think they have a unique bond and i have never come across anything quite similar. Now vmin are both my biases and my bias wrecker is hoseok.
I admire jimin for being a hardworking, passionate perfectionist but also a caring soul who is always ready to offer love and comfort to people in need. I love taehyung for how he looks at the world in his unique ways and how he has a childlike awe for things and how he is so passionate over the things he loves. The thing i love about vmin together is how they are so different yet work so hard on their relationship when it would be easier to just not try that hard.
Ah, another mention of the queen that is Blood, Sweat and Tears. The MV truly is such a masterpiece so I’m not surprised that it caught your attention, and especially Jimin since he was…something else in that MV, or like Tae said, his eyes were temptation (this boy, I swear). Since you mentioned how in the first years they were nowhere near as soft with each other as they are now, I think watching their dynamic and relationship change and evolve over time showcases the one thing I think a lot of people (as well as movies and TV shows) forget or gloss over, despite it being so incredibly important: in order to make a relationship of any kind work, especially in order for it to grow as deep and strong as the one between all members and especially vmin, you need to put in the emotional work to make that happen. You have to make an effort, have to learn to understand the other person and teach them to understand you as well, learn to appreciate and love their little quirks and how to accept others. And it’s so clear that that’s what vmin did, continue to do, and it more than paid off in the long run. I’m glad you highlighted that in general but also as something you love about them.
While the overall bond between the members is a class of its own, I think especially what vmin have achieved is a whole masterclass in relationships and fostering strong ones, in and of itself. There is a lot I think we can learn from them and I’m so happy that people recognize how special they are.
Thank you so much for your submission!
From anon: There’s this small moments in Dear Class of 2020 that i just adore! I’ve watched it at least 20 times this past month
It starts with “Spring Day”- tae and jimin laugh and look at each other and it’s just so sweet!
Also, maybe it’s my delusional mind but after tae’s and jin’s small and adorable moment- it seemed that jimin did the same with junkook right after maybe out of i duuno if jealousy but like “pay attention to me too” kinda way- dont know really and maybe it’s me being extra🤷🏻‍♀️
I agree partially, in that Jimin watched Tae’s and Seokjin’s adorable moment, obviously must’ve thought of it as cute just like we did, and thought he could do the same with JK. I don’t think it had anything to do with jealousy, especially if we work off of the idea that vmin are a thing, but also because it’s a performance and these things primarily serve the purpose of being cute and entertaining use, in other words, it’s fanservice (which isn’t the evil word some portray it as). Also, within that same performance, Tae and Jimin actually sang some of the lyrics toward each other, therefore they, too, had a cute moment they shared with big smiles and everything, just like you mentioned.
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But we’ve gotten to see much more of Tae’s friendship with Seokjin in 2020, and especially the second half, so it was really sweet to see them interact during that song. Their friendship and dynamic is really a beautiful one, just like JKs bond with Seokjin, which I feel we’ve also gotten to see more of in recent months. Part of me (and that part can very well be wrong) feels that perhaps once the members caught on to Seokjin feeling the way he said he did/does, they decided to give him an extra dose of love and affection, off camera but also on where we can see it. That isn’t to say that they didn’t show him any of that before, but maybe they increased the intensity a little, a reminder that Seokjin truly is loved, that he deserves all of this, that it’s just his imposter syndrome (or at least what sounds like it) lying to him.
I’m still so touched and moved by the fact that he trusted us enough to share his feelings with us, to gift us Abyss and how it came to be, and that Bang PD was on his side and coaxed him into pouring his feelings into music, even if it would be “bad”, that the fear of it potentially being “bad” shouldn’t hold him back (and Namjoon helping in even if just a tiny bit with the lyrics). It was one of those times where I feel like we were all reminded that regardless of our opinions of BH and their doings, the members are surrounded by kind people who have their best interest in mind. After all what’s good for Bangtan is also good for the company, a win-win for everyone.
…wow, okay, I kind of went off on a tangent, I’m sorry…
Either way , then we have “Mikrokosmos” where we have a sweet moment at their part and towards the end where they switch mic and hear each other
I love this performance overall and especially “spring day”- jin’s and j-hope’s lovely voices and of course tae’s!! This song fits them so well and all the members of course
Well this is my rent , i love your blog and always wait for another post! Also i love the new idea and look forward to it!
Thank you so much for your submission and for bringing up their Dear Class 2020 performance. It was a truly magical one, and after reading this the first time, I did go and watch it again. To this day I’d still very much like to know how and when and why the mic switch between vmin happened, and I kind of hope that we might get a Bangtan B*mb or EPISODE about this eventually and it might shine some light on that question. Overall it was one of my favorite performances on 2020.
From Sky: While I enjoy cute, physical moments with VMIN, I really do value how emotionally attached they are to each other. For example (I don’t know if it fits as vmin moment but), I love how Jimin asked V to take the Promise cover photo, and how he ended up putting V’s name for credits on the cover. (Special Thanks to V, Best Photographer) This really shows a lot. Coz he can easily choose any Bighit photographer to take it. He could have chosen JK because we know how he takes good pics and vids too (and also apparently alot of people say that vmin had a falling out and that Jimin and JK were much more closer, lol). Or he could’ve asked Suga too bec he’s into cameras too. But he didn’t. He chose V, and chose to shout it out to the world how thankful he is for V’s help. RM co-wrote Promise, and maybe had offered more help in this project, but he didn’t put it in the cover. I’m not saying Jimin is ungrateful for not crediting RM in the cover. The difference is that he and RM had a vlive regarding the making of this song, a lot of people already know RM’s participation, he was officially credited as co-writer and Jimin really showed how thankful he is to RM. But no one knows of V’s participation (except for a snippet in that Run ep), so Jimin felt the need to tell it to everyone. I’m sure it’s not only the photos, I think he wanted to acknowledge how V helped him through the process, whether directly or indirectly. Also, remember this is Jimin’s first non-album solo single. By putting V’s name in it, he is sharing this very special song with his soulmate. How endearing it is! V also included Jimin in his first full English song. He used the two bears given by Jimin as Winter Bear’s cover photo and he included the photo Jimin took (sleeping V in the plane) in the MV. Like, seriously, they are trying to consciously imprint each other in their life’s milestones, openly or subtly. I’m crying. 😭
This was lovely, and yes, Jimin could’ve asked whoever to take those pictures, could’ve chosen any other ones, and yet he wanted Tae to be the one to take them, wanted those specific ones as covers. It’s very sweet and creates this subtle connection between Jimin, the song, and Tae. Sure, it isn’t the first time a picture Tae took is the cover for a SoundCloud song (the picture of JK on the 2U cover was also taken by Tae if I remember correctly), but it’s the fact that Promise is Jimin’s first non-BTS song, his first solo release, that makes it that much more special. Even more so when you think about how meaningful that song is to Jimin, and by having Tae as cover picture photographer, he’s in a way forever attached memory wise to that song as well, right?
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The same also goes with Winter Bear and the two ceramic bears. Remember how excited Tae looked when I kinda spoiled that gift being a thing happening in an upcoming RUN episode during Jimin’s vlive during the summer 2019? Adorable. It’s also curious how though the title is singular—winter bear not winter bears—there’s two ceramic bears. One for Tae, one for Jimin? Maybe, or maybe I’m reading too much into it. Either way, it’s really cute, and it was a very thoughtful gift, even more when we think about just how much Jimin loves that song.
From anon: Love this idea it's super cute!! 1st thing that came to my mind is a rather simple moment, jimin bopping taehyung's nose and making a lil game out of it
Taehyung asking for more and that dazed smile 🥺 he had the same expression in that concert when jimin placed his face just above him, tae's smile afterward... it was so pure u could almost read "love" in his eyes lol
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What a lovely note to end this post at, thank you for that. I don’t know what got into them during that photoshoot for Season’s Greetings 2020 but this was so disarmingly adorable. I remember when that moment appeared all over every sns and everyone just melted, myself included. Their smiles, the cute clothes, Tae’s head on Jimin’s chest, the softness and innocence of it, just all of it. It truly was so pure and like this sweet visualization of ‘love’.
And with that, we’ve reached the end. Did you like this? I had a great time reading your submissions and adding my little comments to them. If you’d like for us to continue this, same rules as last time, send in a submission marked with “VMC” and once we’ll have enough of them gathered, we’ll do this again, if you’re interested in more, that is. Send in whatever positive vmin you have, a thought, a moment, a memory, whatever you’d like.
Thank you once again to everyone who participated! :)
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niji-translated · 4 years ago
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Link to original interview
Translation: - 
“Hold Your Breath” Interview – Awesome Mag
 When you read the script, what kind of feeling did you have?
-       Even though each episode is only 30 minutes long, I was amazed that changes of the characters feelings were well depicted. Actually I’ve known, the director, Nakagawa Ryutaro, a long time, we’re really close but this is the first time working together. But, that’s why it was really interesting to be give a role like that this time.
How did you and director Nakagawa become friends?
-       That was so long ago I can’t remember. He had a very clear idea of ‘I want to make a piece of art like this’. He’s written many plots for me in the past. Only, all of them are epic works that cost a lot of money. (laughs). So, we haven’t been able to get to that point until now. Now, getting to work together for the first time, I’m really happy.
In this work you play Miyashita Shinpei, a part time worker moving from one place to another, currently working as a rubbish collector. What did you think of the character?
-       The director really knows me well. I thought Shinpei’s sarcastic and slightly subservient side is like mine. The drama doesn’t depict this, but the role of Shinpei has a backstory. He grew up in a town with a lot of delinquents around him, and he’s been in juvenile detention for hurting someone because of his sense of justice. In the drama there’s no word of that, but that’s why he’s so subservient. But he’s not a gloomy person, so he had a girlfriend. He’s not violent at all. Shinpei’s distance from society in general, I think he’s not that far from me? I thought that.
In just 30 minutes, I felt that the changes in the human heart were expressed well.
-       Yes, that’s right. In that short space of time, it’s great that’s where the focus is.
In this work you co-star with Adachi Yumi, how was it to work together?
-       I thought she was a very mature person. Even if our skin made physical contact, there was a certain distance between us.
At first glance, it seems that the two have nothing in common, but actually they are very similar in their loneliness and their need for humanity. I felt a tightness in my chest watching it.
-       The character Adachi-san played is facing conflicts that Shinpei doesn’t know about and Shinpei can’t understand her, and he also has his own conflicts, this relationship is very strange, isn’t it? But, when you watch, it opens up the imagination. I think that’s really good. By the way, for me, I’m not very good with feature length films.
If that’s so, this is a very suitable film!
-       It’s really great. I’m sure people will be able to watch in their spare time, I’d be happy if everyone could see it.
Well, now that you’ve depicted the world of the ‘Corona disaster’, Murakami-san, what kind of change of heart did this have on you?
-       Actually, I didn’t have much of a change of heart. Of course, I saw other actors around me starting to send out messages and make moves, and it’s not that I didn’t feel a sense of crisis. Instead, I’m the type who always has a sense of crisis. Not just at this time, Japan is also an earthquake country, I believe it can happen at any time.
During the STAY HOME period, what did you do?
-       I’ve only been watching foreign dramas. I thought I’d take the opportunity to read some plays and stuff, but no. (laughs). As expected, I had to stick with what fit for me.
Ahaha, but that’s the truth isn’t it?
-       I think so. Also, after the corona disaster, I wanted to make sure to put some care into what’s been difficult. Even if it’s useless to do so, I want to put in that time. That’s because, lately, I’ve been desperately focused on what is in front of me, I don’t feel like I’m looking far enough. And while there’s merit to this, only facing the task at hand has it’s disadvantages. Of course, that’s not wrong either.
You need to have an open mind*, you mean?
-       I think so. It’s gone a bit. I think that’s a very bad thing, so I want to be aware of that in my life.
Now, you’ve had the pleasure to work with director Nakagawa, is there anything you’d like to do in the future?
-       I’ve received many love letters from director Nakagawa. They’re on letterheads, and they’re full of my good points, and about what he wants to make. There are a lot of things that seem difficult to achieve, but if there’s a director who wants that much from me, I hope we can achieve this together.
(Additional question)
Common theme music column: A song to wake up to in the morning
-       Utada Hikaru: ‘Beautiful World’
-       I’ve never properly listened to Utada Hikaru before. But, when I watched the film ‘Shin Evangelion’ I was hooked. Since it’s newly written, it has a very strong world view of the film, but it’s a lovely song, it’s very good to listen to in the morning, I think.
/-/ 
*Translation note:  Here I struggled with the correct wording to use, and after receiving some advice, I’ve discovered the best way to describe this is more like ‘space/luxury to look ahead’, as in the time to pause allowed for some space to think.  I’ve kept ‘open mind’ in the wording here, but I think Nijiro’s answer makes more sense if you also take the full context into consideration. 
[If you wish to use any of my translations, please ask!]
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lenarish · 4 years ago
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Chef kiss to Mikami’s soundtrack.
I really like to analyse music in anime when there's no musicals around catching my attention. Sometimes, it speaks to me more than the words itself and the images I’m seeing. To me it’s almost like...easter eggs or trivia. So I’m going to babble right now like a crazy theorist.
Be well prepared.
I could talk about the entire ost in Death Note right now, but honestly, it’s not so complex in structure to the point where I can take liberty to define a deep hiden meaning. It’s simple  - and somewhat boring for me in particular  - but I believe that was the intention. Not that it’s bad, of course! Yoshihisa Hirano and Hideki Taniuchi, the composers, did a pretty damn good job setting the tone(ok, done with the bad jokes, but that one was inevitable) and I couldn't expect less of them. The thing is, Death Note is an anime that focus on the suspense more than real action, so naturally there’s not really much space to be revolutionary about the music, or it would turn out too dramatic and destroy the original intentions of the work.
The most dramatic the music gets is when adorning people dying by the death note or Kira, with the Dies Irae everywhere(it's a motif that overall appears when people are about to die or surrounded by death, you can see examples here). The theme songs and motifs in Death Note are mainly for covering and highlighing their minds and thinking than their heart and feelings. That’s the focus. Except for characters like Misa(she gets more themes for herself, because emotion is a stronger point in her character).
See? Simples to explain in a nutshell. That’s not the main point of this post, anyway. What I want to address here is how creative I found the choices for Mikami, considering it all. I’ll basically just talk about episode 32, haha...
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Let's begin saying that Mikami is a very, very, very strict, serious and professional man. He seems to live to be the pure definition of these words and nothing more, just that satisfy him. He doesn't have hobbies, he has a routine that he follows every single day, he wants to be functional, he doesn’t need a personality, if this man was an abstract figure, he would be a straight line. You get the point.
So how does one use music for characters like him? Well, in Death Note, they chose to use pieces that are not composed for him, classical music pieces, it gives an air of distance. Mikami fits a very specific definition of person, but that definition is not his, it’s not him. He only has one original theme that played solely on his very introduction and I'll talk about it later, but for now, let me focus on the said choice that adorns Mikami the way he is;
Baroque, the pieces we hear playing when he is on the focus are always baroque, except for the moment where his mother and bullies die. That style itself was a very obvious choice when coming to think how to represent Mikami, it's deeply religious and strict to the rules and harmony. While the screen show us his life and habits, and while his lines tell us how he thinks, the music is there to assure the nature of the character even more. How the music is created/selected defines what nature, what...''vibe'' the character will truly have. That's why sometimes the anime feels different from the manga. Well, for Mikami, it doesn't add much more than we already know, because he isn't that nuanced in the end. What gives him complexity is that he is simple.
So when we see him as a kid, more specifically where he was in middle school, we hear La Lumagne, by Blavet. Before that the music playing is one of Misa's themes so I won't enter in detail(I don't know why the heck it's one of her themes, though. I don't remember seeing it playing before ep. 32. Help).
It's in minor, there's this general unnintentional assimilation that our brains do that music pieces sound sad when it's in minor and happy when it's in major. So we have his backstory where it started to get really brutal, and yet the music is strangely soft. That sonata playing...doesn't show anger. But I doubt that he didn't feel it back there. Now please read closely what I will say because the rest of the post will go very much along it;
These flutes play while Mikami is being bullied in the flashbacks and while he is living his daily life. So I believe the music is adorning only the narration, and since it’s Mikami who is narrating, I believe it’s telling us that that's how he feels now, the music is pointing out how he unconsciously feels about the things he is telling us. And again; it’s not an original soundtrack, so even more distancianing from how he is exactly feeling. Just a sad, kind of nostalgic distant sound, and a bonus that may be me overthinking, bUT, the flutes generally are used to convey the image of innocence; simplicity, rural life, birds. It varies from composer to composer. Tchaikovsky used the flute a lot, and it gives his pieces those dreamy feelings. It feels kind of odd on Mikami as an serious adult, because the flute for him isn’t even used in a intense way, but is it really odd?
He is not childish, but I would call it a straight up fantasy; 
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Don't you agree?...  He has a mentality that I would define as a religious chuunibyou syndrome, more or less. So the flute is there to show us the part of him that still has the immature or delusional way of thinking.
I hope I'm still making sense until now.
However, like I said, that's not the only piece that plays. There's also Mozart's Fugue in C minor. And this is very important.
The fugue plays when Mikami gets traumatized. Now, why not another baroque piece? Because there's nothing steady about the accident. Remember what I told? Baroque = order, harmony. I mean, they could use baroque again, it’s not like all pieces are perfectly classy, but I guess the detail was intentional, to show that he is out of himself. What this Mozart's Fugue has that is most noticiable is a thing called dissonance. It's these combinations of sounds that gives an unconfortable feeling, that something is out of it's place.
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That's what's happening to Mikami. He is breaking inside. He still is broken, because using the previous logic, the music is following his present narration. That's the terrible sound of the most extreme side of his views, that he gained on that triggering moment.  There’s no longer flutes, there’s strings. Now I’ll take a bit of liberty with that statement, but it’s not uncommon in the world of classical composers using strings, or the violin mainly, to express heavy feelings, it’s one hell of an expressive instrument. Let’s say...since the flutes hint his delusions, the strings hint his responses to reality.
Then it just proceeds again with the soft flute. And then the osts we already know. Notice that the flute stop appearing after he reads the newspaper and saw that his God has come.
The next important piece that appears on the episode is Vivaldi’s Concerto for Two Violins & Cello. And we know it’s for Mikami specifically because it begins exactly when he calls, and ends fading when Light returns his focus to Takada. Again strings, but this time it’s not dissonating, now it’s classy and baroque again, but intense(see? An example of not perfectly classy). Because now Mikami is a steady adult. He is directly talking with his O’so admired God when it plays, there’s no need for the flutes, the delusion is now reality. 
That’s it. 
I loved it. I love how his own theme was not even necessary. I feel like I’m making conspiracy theories crazily, but all of it would fit perfectly with his original soundtrack... That’s his concertino.  Now, be honest, would anyone really imagine anything even similar to these super cute flutes at all when looking at a man that wears this f*cking face constantly?
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Because I don’t think so.  The style is baroque. And the strings and flutes are finally together, I can’t find another explanation for his ost being the way it is, and connecting so well with the other 3 songs. The big irony is that his original theme only appeared when he was not the one talking about himself, poor soul... Amazing. Cahen, now if I may appear even more insane, I dare to theorize that it’s also to show he is one of the Kiras. JUST... LOOK;...
Misa and Mikami are the only ones having an orchestral ost(at least that I know of), and aside from these two, orchestral music only plays when the Death Note is involved. Light has two themes, and neighter are orchetral, it doesn’t even has violins or flutes, only Kira’s osts have.
But I will end it here before I start to say even more nonsense. 
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twdmusicboxmystery · 4 years ago
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10x18: Find Me: Bethyl Template - Part 2
CLICK HERE TO READ PART 1 FIRST
***As always, spoilers for 10x18 abound below. Don’t read until you’ve watched! You’ve been warned!***
Then one year later, when he met Dog as an adult and then Leah, he didn't have the eye scar yet, and he does still have the wing. At this point, six months later, this is where the eye scar shows up. So, third flashback. Then we see it. It's very red and swollen, so it's obviously fresh. It hasn't actually scarred yet.
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I honestly couldn't tell if he had the wing here because he was wearing a poncho. I watched the whole thing and it never shows a shot of his vest. So, I don't know whether the wing was there or not.
But during this flashback, we see him sitting alone at his camp and he's setting out his knife. The fact that it shows the knife is probably important, but all we see him do is set it on a stump in front of him. He hears rustling behind him, and it startles him. He picks up the knife to defend himself, but it's just Dog coming to see him.
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As soon as he sees Dog, he kind of smiles and gets happy. He says, "hey. Where have you been?" Guys. I honestly think this represents him reuniting with Beth. He hasn't seen dog in a long time, and he's pleased to see him. The camera pans outward when he starts playing with Dog and we get this massive shot of the sun. It's almost washing everything out. I think it’s super-significant that the eye scar shows up during this representation of him being reunited with Beth. Because a scar over the eye is a Sirius symbol. Return. Reunion. Resurrection.
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So, I’ve seen people complaining that they didn’t show us how he got the scar. I hear ya. I want to know, too. And maybe they’ll still show us at some point. I kinda think they will. But what’s important here is WHEN it shows up. In conjunction with his and Beth’s reunion.
Then he takes Dog back to Leah. This is kind of where the romance part starts and I also think it's where the symbolism gets really, really complicated. Daryl and Leah have this back-and-forth banter that's kinda cute. And we definitely see Daryl looking happier. So, she says thanks for bringing them back and she says, "he likes you.” Daryl smiles and says, "he's just a dog. He doesn’t know any better," which is both self-deprecating and endearing. And Leah says, "yeah, well." Which I take to mean that she likes him too. This is where he asks her what the dog's name is and she tells him that it's Dog. He razzes her about it, and she says, "you got anything better?" He says no, but then he says, "at least you won't forget what he is." I feel like that’s a really on-the-nose way of pointing to Dog and telling us to notice the symbol.
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Now, the reason I say it's complicated here is because I feel like the symbols start to mesh and it's really hard to disentangle them from here on out. Because I still think the Dog = Beth, but to some extent, Leah also = Beth. I mean, obviously this doesn’t point to Daryl having a romantic relationship with Leah while Beth (Dog) sits in the corner slobbering, right?
So, I think both of them represent Beth, but in different ways. I think at this point, the Leah and Daryl stuff become both a foreshadow of what’s to come, in terms of the CRM and the spinoff, but also a foreshadow of Daryl’s eventual relationship with Beth. And it’s also retelling some of Beth and Daryl’s arc from S4/S5. So yeah, it’s complicated.
But let’s look at the sequence so far. Daryl meets baby Dog. Daryl loses Beth, storm like Them. Then Daryl meets Dog again and he’s much older. Dog lead him to Leah, who also symbolically represents Beth. Then we see a second representation of him reuniting with Beth/Dog, and then this romance blossoms. So Leah is just a stand in for Beth and Daryl’s romance with Beth.
Much of the time, Leah represents Daryl and Daryl represents Beth, at least in the retellings. In the foreshadows, Leah more often represents Beth.
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So, we get another eight-month time jump. This is when Daryl is surrounded by walkers and Leah helps save him. They both hide in the copse of trees. Okay, this is a replay of Beth and Daryl being in the trunk in Still. I get that this is gonna freak people out a little bit because they’ll think it's taking the symbolism from Beth and giving it to Leah. But that's looking at it backwards. It's not that Still was pointing to Leah. It's that this is a replay of Beth. It’s a template for Daryl’s arc. 
So on TTD, they described this scene with Leah in a way that you could also describe Beth and Daryl being in the trunk in Still. They say it's sort of this forced intimacy where they’re thrown together to hide from the walkers, much like in Still. And because they are pressed up against a bunch of trees, we get actual tree trunks instead of the trunk of the car. Interestingly, Daryl actually rejects Leah at this point.
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You can tell Daryl felt the sexual tension between them and it freaked him out, so he basically told her to go away and leave him alone. This is a defense mechanism for Daryl. 
Originally, I told my fellow theorists that obviously Daryl wasn’t that harsh with Beth when they got out of the trunk in Still, but he was still emotionally unavailable. They disagreed with me, saying, “The thing about that scene with the trunk and they made note of this on TTD, that they never spoke to one another, not a sentence was said between them, there were nods and indications but no dialogue. And when the next day when they're ready to leave Daryl looks at Beth as if not seeing her, "you looked at me like I'm a dead girl." He walked away as if she wasn't even there there's a long pause and then she follows at a distance. I always thought that was about him leaving her behind at Grady, thinking she was dead. So I think you could compare that to him walking away from Beth just like he walked away from Leah. Another comparison with Beth from the episodes Still and Leah.”
I hadn’t thought about it that way, but I agree. I think they’re spot on about that.
So yeah. Callback to Still.
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We have another three-month time jump. And this time, we clearly see that the wing is gone from his vest. He goes back to Leah and throws the fish at her door. The joke on TTD that this is his idea of a first date. To throw a dead fish at the girl’s door.
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It took me a while to pin this one down, and actually it was my fellow theorists who did it, remembering details I didn’t. Daryl doesn’t throw a fish at Beth, but he does throw a bottle of water when she says she wants a drink. He’s very flippant about it. She gets mad and throws it back at him, saying “not that. I mean a real drink.”
Here, he throws a fish at Leah’s door. She gets salty and comes to his camp and throws it back at him, saying she doesn’t need him to fish for her. That parallels to Beth’s, “I can take care of myself,” and “get my own damn drink.”
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Are we seeing the replay?
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In the scene, Daryl is warming his fingers by the fire and Leah recognizes that he has frost nip. This a “frosty cola” sort of symbol. Leah takes him back to her cabin where it's warmer. We might see it as her healing him or sort of giving him medical treatment. Not really treatment so much as just a building where it's warm, but it did sort of cure his frost nip.
He sleeping and wakes up because he hears glass breaking (broken glass theme). She accidentally dropped the picture of her son in the glass frame broke. This is where she opens up to him and tells him about her son and her past.
Here, we have more Beth-related details. She’s thinking about her son, Matthew (biblical name) because today is his birthday. Birthday mentions are a Beth/Still thing. Leah talks about how she found the family after the apocalypse first happened. They fought together and gave her hope. This could very easily be Daryl talking about finding Rick's group.
Here’s the thing: The story Leah told tells Daryl is a major head cannon I've had for Beth. I've often thought that because of the child and baby symbolism we see around her, Beth will have either a child or children with her when she returns. I've always kind of wondered if it would be a matter of her taking on the children of other people who have died. So, I can see her having had a best friend, a surrogate sister (just as Maggie and Kelly are surrogate sisters now, Beth finds one as well) and she's taking care of that woman's baby. (The whole Jocelyn/Scars template plays into this as well.)
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But that's exactly what Leah says here. But her best friend or sister had a baby and she started taking care of him because the sister died. I 100% think this is a foreshadow of Beth when she reappears. She’ll tell Daryl a very similar story. More evidence? Leah says, "this doesn't matter. He's gone."
She then said that she got separated from her family and ran. And eventually ended up at the cabin where she realized her son had been bitten.
Okay this is going to sound really weird, but I do think it’s a thing. @frangipanilove​ picked up on the fact that Leah says Dog was born on the same day her son Matthew died. That’s a major resurrection symbol, guys.
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I had to sit and think about how this all fit together. I'm kind of thinking that in this scenario, Leah represents Daryl and both Matthew and Dog represent Beth. It's a little weird is because it suggests that Beth is Daryl’s daughter, which we obviously don’t believe. Just in terms of the sequence, we had that the group scattered and Daryl ran from the prison with Beth, just like Leah ran with her son. The boy was bitten. A lot of us believe Beth was bitten on her way to Grady. And then, the boy died just as the Dog/Sirius character was born. So we have a representation of the young, weak character dying and the stronger one being reborn. Meanwhile, Matthew was very young when he died. And we’re back to Emily’s “I’m a baby” post.
It also put me in mind of the song Beth sings to baby Judith at the prison in 4a. It has lines like, "I don't want to grow up," and, "I wish that I could be a dog."
Leah says she’s been alone ever since then, until Daryl showed up. Well, Daryl’s been alone ever since leaving Beth, until he met Leah. (Who symbolically, is Beth.)
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Then we see Leah fishing just as Carol did, and she's good at it and we see them smiling at each other. This is where they’re actually kind of happy and where the romance happens. Again, I feel like this is just indicative of Beth and Daryl. Her being good at fishing is a whole lot like Beth being good at the crossbow. Daryl kind of teaches Leah to fish as he taught Beth to use the crossbow. And he’s impressed at her immediate skill.
We also see him walking away from her with the map and with Dog, presumably to look for Rick. So, the suggestion is there that he continued to look for Rick while he was with her. We also get the sex implication here. Again, a foreshadow of Beth and Daryl. And I honestly think the reason we didn’t see more of a sex scene is specifically because this isn’t his major, true love relationship. They didn’t want to put that much importance or emphasis on it. We’ll probably see a lot more when it’s really him and Beth. More on that in tomorrow’s post, because the writers actually do (kind of) confirm this on TTD.
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During this part, we also see them lying on the refrigerator watching the eclipse. I’m not going to go into tons of detail about this right now, but just know that it’s an important Beth symbol for two reasons. 
1) Gimple once used the word “penumbra” to talk about Beth and Coda. Check out the post about it HERE. The penumbra is literally one part of the shadow cast by an eclipse. That’s a very simplified definition, but just know that we have it from Gimple’s own lips back in S5 that eclipse = Beth. It also ties to Maggie in Them saying, “this is just the dark part.” I always knew that line had more meaning.
2) There are a lot of symbols from Alone going on here. They’re lying on a fridge. In Alone, Beth peers into an empty fridge in the kitchen. The eclipse represents a cosmic/solar event. The one-eyed dog in Alone represents Sirius, the returning Dog Star. Here we have Daryl and Leah cuddling. In Alone, we have the “Oh” moment. See what I mean?
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Then it says 10 months later. The two of them are sitting at the table eating. Lots of details here. This parallels the Alone dinner scene. One major difference is that Daryl and Leah sit across the table from each other rather than side by side. Why is that important. Because side by side they assume the positioning of the Holy Grail. This is really complex symbolism, but think The Da Vinci Code. The angle between Beth and Daryl here is the same angle between Christ and Mary Madeline in the famous Last Supper painting. (Remember how Daryl looked at that in Gabe’s church in 5x02?). This represents true love or soulmates. And since Leah and Daryl sit across from each other, on a macro level, it simply shows she’s not his true love.
By now, I hope you’ve accepted that. But @frangipanilove​ found way more detail on this scene. In Alone, Daryl suggests they stay at the funeral home and make a life together. So, it’s equal but opposite here. Leah wants him to stay with her full time, and he doesn’t want to. In Alone, there’s no question of where he belongs. He belongs with Beth. Here, when Leah asks him where he belongs, he gets teary-eyed and says he doesn’t know.
But think about that answer as well. She asks him a question, and the answer is, “I don’t know.” In Alone, Beth: “What changed your mind.” Daryl: “I don’t know.” (Indistinctly mumbled).
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Are we seeing the parallels and anti-parallels? In all the important ways (Daryl doesn’t love Leah like he did Beth) they’re anti-parallels. But they’re also a complete replay of Beth and Daryl’s arc. And we constantly see Daryl trudging along the river. Along the pathway that will eventually lead him toward peace.
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That’s another big theme here. Carol wants him to find peace. He says he’s glad she found peace. Guess what’s at the end of Daryl’s river, folks? Beth. All roads lead to Beth.
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So let’s repeat, because it bears repeating, that when Leah gives him an ultimatum, he very obviously doesn’t choose her. Then we see Daryl back at his camp by the river. When Carol shows up to talk to him, he doesn't seem at all upset or lonely or teary-eyed. It's like he's made a decision and he's at peace with it. Is he in love with Leah? Not so much.
So, we really thought that Carol telling him she wouldn’t be back for a while would be what spurs him to go back to Leah and leave the note. Because he’d feel lonely and abandoned, but that’s clearly not the case. He leaves Carol with calm resolve and determination. Not despair or loneliness.
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And the next part makes no sense at all. At least, within the episode, it doesn’t. He’s walking through the woods and, for no apparent reason, he suddenly stops and his face changes. It’s like he had some sudden epiphany and realization. And that sends him running back to Leah’s cabin.
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So, of course people are going to interpret that as Daryl suddenly “realizing” he’s in love with Leah. But I promise that’s not what this is about. 
Okay, I’m about to get super abstract on you. Deep breath. Here goes.
Because the first thing I thought of here was 6x03. Anyone who’s followed me very long has heard me harp on The Weirdness of Daryl in 6x03. You can read my (super old) original post HERE. In that episode, he’s with Sasha and Abe, leading the walkers away, and he hears Rick get attacked by the wolves. He freaks out and leaves them to go look for Rick and help him. So we literally have him on his motorcycle, feverishly searching for Rick.
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At one point, he stops the bike and puts his head down, looking super-conflicted. Then, at the end, we see him calmly return to Sasha and Abraham, with no explanation for why he stopped looking for Rick or what his thought process was.
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Yeah, that’s weird. Almost out of character for Daryl.
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 But I always thought that, whatever that represented, would lead to Beth, because the next episode we see about Daryl is 6x06, which we all know is chalk full of Beth symbolism. And CRM symbolism. And is a representation of him finding Beth.
Well, we have the exact same foreshadow here. Think about it. Daryl is looking for Rick, along the river. Some mysterious epiphany pulls him away from that search, and he goes to Leah’s cabin. When he gets there, he finds Dog (Beth).
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So, here’s what I’m almost certain this is telling us. 
1) When Daryl and Carol hop on his bike at the end of S11 to kick us into the spinoff, they’ll be looking for Rick. I don’t know how/why. They’ll hear some rumor or possibility of him being alive. I even think it may just be a rumor, and Daryl won’t know if it’s true. But that won’t matter to Daryl. If there’s any chance at all, he’s gone. Looking for Rick. And Carol will be like, “Scoot. I’m coming.”
(Side note: Every time they say the spinoff is going to be a road-trip, monster-of-the-week Daryl and Carol romp, that’s absolute bullshit. That’s not what it’s going to be. It’s going to continue the story from the main show, and they’ll be searching for Rick. They’re just describing it the other way right now because they don’t want to give spoilers.)
2) Daryl and Carol will part ways at some point. Daryl will want to continue looking for Rick, and Carol will want him to come with her, probably to go find Ezekiel. (So Daryl and Carol’s arguments in the flashbacks are also foreshadows. She wants him to stop looking for Rick and find some peace. She’ll probably say something similar to that to him in the spinoff, but like he does in 10x18, he’ll tell her to go find her peace (Zeke) but he’s going to keep searching for Rick.
3) For the whole epiphany part, I was thinking that whatever Leah represents (let’s say the CRM, just as an example) that will pull him away from his search for Rick. And the reason we don’t get his thought process, the reason it doesn’t make sense here, is because it foreshadows what’s happening in the spinoff, and they aren’t going to give us too many clues about that. But whatever it is that pulls him away from his search for Rick (i.e. going to Leah’s cabin), he’ll meet Dog (Beth) along the way.
But then, while I was writing this, another powerful parallel leapt to mind. While thinking about this, I started phrasing it in my head as Daryl changing his mind. Something will change Daryl’s mind about looking for Rick.
And then it clicked.
Where have we heard that before? At the Alone dinner.
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 Beth: What changed your mind?
Daryl: I don't know.
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Beth: Don't mm-mmm. What changed your mind?
So, this is going to be a HUGE moment in the arc. For the spinoff, Daryl and Carol will be looking for Rick on his bike. (Incidentally-but-not-so-much, he's looking for Rick on his bike in 6x03.) He’s going to have to change his mind about looking for Rick before he can find Beth. And we have the answer laid out for us during the Alone dinner. Gimple is seriously a freaking genius.
It made me realize I was overcomplicating what I thought would happen in the spinoff. I said Daryl would be searching for Rick, but something would pull him away from that search and when he left it, he'd run into Beth. (My logic was that he went to see Leah, and met Dog. So whatever Leah represents, it will pull him away from his search for Rick, and THEN he'll find Beth.) 
But again, that was overcomplicating it. Because symbolically, Leah IS Beth. And think about his answer to Beth's question. "What changed your mind?" And he just STARES at her. Because the answer is Beth. It's always Beth. She is literally the only thing that would pull him away from his search for Rick. The ONLY thing. So, it all amounts to the same thing. And that's why it doesn't make sense in 10x18 or 6x03. Because they can't tell us it's Beth and they can't come up with anything compelling enough to pull him away from searching for Rick that wouldn't be completely contradictory to Daryl's character. It's just...Beth. It always is.
So we pretty much have the entire dinner scene from Alone replayed. The dinner, the questions, What made you change your mind? I don’t know. Beth wanted to leave a note in case they came back. Daryl left Leah a note in case she came back....
But to come back to 10x18, it’s also important that Dog stayed behind when Leah disappeared. Because Dog = Beth, and Beth said, “I’m not gonna leave you.”
Here are some rapid fire details I forgot to include:
There’s a small game trap hanging on Leah’s cabin, like the one Beth stepped on in Alone.
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Leah’s cabin is built to look like the moonshine shack. Look at the windows and the porch. At first, I thought they’d used the same structure. But then my peeps reminded me that they actually burnt down the moonshine shack while filming Still. So this isn’t the same one. It’s just meant to look like it.
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He speaks to Leah of his brother (Rick) in this episode. In Still, he spoke to Beth about his brother Merle.
At the end, Carol says losing Leah “is not on you.” Which is exactly what Rick said to Daryl in 4x16, when they talked about the Claimers and then Beth.
Leah says, “beautiful, isn’t it?” of the eclipse, which equates to Beth saying, “Don’t you think that’s beautiful?” in Alone.
At the end, after leaving the note, Daryl says to Dog, “we’re gonna get her back.” Which he doesn’t. Daryl said that same thing to Carol in Consumed about Beth. So that’s a bit of replay of Consumed. And he didn’t get Beth back like he wanted, either.
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Other random but relevant things AK said: She said this episode is very much about incompleteness and longing, about memory and things left unresolved. Obviously that applies to Leah, but it also very much applies to Beth.
She also says flat out that Dog is an important tie between Daryl and Leah. She's hinting at the symbolism there. She Daryl wanted to find peace with Leah and he goes back but it's already too late and she's gone. If nothing else, Leah is definitely a proxy for Beth in that way. Because we believe that when he went back, Beth’s body was gone and he probably searched for her. Same thing happened with Leah, but it doesn't look like his search was nearly as expansive for her.
AK also says that Daryl’s time on the mountain with Leah is over. He has turned his back on it. So I think if Leah showed up again in the present, he would be drawn to her little bit just because there's a history there, but he wouldn't want to go off somewhere and live with her either. Angela said he's accepted that he needs now to be at home. He has people he cares about and they’re his responsibility now. She said that's one of the reasons he gets so angry with Carol. He wants her to choose that as well. To choose to be at home helping take care of people. But she keeps trying to run away. So, he's calling her out on that.
Do you see? Do you see why I’m perfectly okay with this episode? Do you see why, even though I don’t like Leah or her relationship to Daryl, I actually feel better about TD after watching this episode than I ever have?
 Once again, this episode shows us Daryl’s entire arc toward Beth, from when they left the prison together in S4 to how they’ll reunite. It shows his path and how it’s always moved him slowly but consistently toward his peace, which is with Beth. It replays their arc together with these beautiful aerial shots. All while Daryl trudges with his bow along the river.
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popculturebuffet · 4 years ago
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Ducktales: Woo-oo! Review! or From the Top
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Hello all you happy people! And to those of you just joining this blog, welcome I review ducks, other animated shows and comics... and today’s review is special for me. For a number of reasons. For starters it’s a reminder how far i’ve come. See I always wanted to be a reviewer, ever since high school when a friend showed me a certain online reviewer whose now dead to me, and opened me up to a world of much better reviewers who i’m still fans of to this day, and ones who came after them , and after that and so on and so on. I so badly wanted a community to belong to I struggled to be a youtube reviewer but frankly lacked the talent or self confidence back then to try, so my attempts over the decade were a series of stops and starts. Of me starting to find my niche writing only to stop because I hated myself so much, and still struggle with that, i’d tell myself I could never do it, I wasn’t good enough, I wasn’t funny enough and no one cared. I kept shutting myself down AGAIN AND AGAIN, for far too long. 
But that all changed a year ago next month: I’d long been a fan of the Ducktales Reboot. I was caustiously optimistic when it was announced. The optimism came from a deep abiding love of scrooge as a character despite not having dove into his comics that deep, I didn’t have an easy way at the time, thanks to life and times and what comics I had read, and was excited to see a fresh reboot closer to the comics with my eternal boy Donald Duck back in the main character. The caution.. came from the fact that at the time we’d gotten a string of bad to medicore reboots: Teen Titans GO, Powerpuff Girl, and Ben 10 which started pretty meh but has turned into alirght from some of the later episodes I saw. I wanted to be hyped to all hell but I had no proof this wasn’t going to be another dumbed down reboot. Then comic con came, the first teaser poster dropped, and my skepticism died.
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It was perfect: a barksian art style with it’s own twists! Donald full on display! And best of all the triplets FINALLY had not only unique outfits but personalities! I’ve long went on in my reviews about how much that annoyed me and while it worked for the barks comics ever since then it’s just felt like a waste to have three characters there.. and not even the SLIGHTEST difference. 
My anticipation only grew with the full trailer, the promo posters as more and more info showed how good this series would be, how unique it’d be, and how much tw as taking what made the comics great, giving us a better distalation of that while still being very much it’s own beast. And once this episode dropped.. that faith was unfounded. Woo-oo! is without hyperbole, one of the best pilots i’ve seen, one that introduced the entire main cast perfectly, gets the series tone and mission statment out just right and in general set the stage for one of the best shows of the 2010′s (and 2020′s, even if it only lasted a year and some change). Wheras Teen Titans GO actively tried to take a dump on it’s source material, they thankfully have stopped that but it dosent’ make those early years any less grating, Ducktales was a breath of fresh air that honored the past while making i’ts own future. I tried talking about it but it was all in other failed attempts at reviewing: solo podcasts, my breif second video review career.. stuff no one rightly cared about and I just couldn’t get the hang of. 
So this is where we loop back to last year: I decided to finally try and cover it one more time, not realizing this would be my last chance as it came out anyway, and since I was doing text reviews but my output had slid in the new year, I decided to review Season 3 as it came out. If it bottomed out I could always stop.... and I just never did. I kept going, eventually finding new fans, a patreon (The other one’s an old friend of mine), and not only got paid doing what I love.. but found some peace.  I reviewed other shows as they came out, covered things i’d wanted to cover for years like life and times, scott pilgrim and x-men,. I covered other shows as they came out, found people willing to talk over my opinions and found my niche at long last. 
So that’s why the long speech folks: After almost a year of reviewing i’m properly covering the start of something that made me happier than I had been in a long time and gave me hope during one of the worst periods of ALL our lives. Something i’ve wanted to cover since I finally got started last year, and something truly amazing. So i’d be honored if you’d join me under the cut as I talk about the genesis of one of the best series Disney has ever put out. 
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Behind the Scenes Stuff:  Most details I could find were sparse. it took going back to the first month the show came out and looking at a LOT of unrelated questions to finally find out Frank and Matt outright pitched the show. This dosen’t suprise me as both are huge ducktales fans with Matt having drawn his own duck comics as a kid and Frank taking it an extra mile having sang the theme song in his first grade talent show, worked it into his vows and got his first daughter’s first word to be “Woo-oo”. It’s very clear this show as a labor of love for them something they dreamed of Disney made possible. 
Otherwise I don’t have much on the genisis of the show: It was in the earliest ideas going to be a revivial but Frank and Matt both decided against it , deciding it’d be unfair to expect kids from 30 years after the original to know the source material, and instead just starting it over outright, which was the right call especailly with Alan Young’s passing. 
Design wise I found quite a bit of concept art thanks to one website, and it’s incredibly intresting. This is why i’ve really gotten into art books: I like seeing this early stuff what characters used to be, figuring out or outright hearing from the creators mouths why they changed it that sort of thing. 
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Starting off we have some early designs for Donald, with him wearing the sailor suit as a kid but his Quackshot outfit as an adult, something I honestly wish they’d kept but get why they changed it: The iconic sailor suit both helps contrast him with della and fits his reluctance to adventure in season 1 more. I still wish that they worked the Quackshot outfit in somewhere, but they worked in so damn much, it’s hard to complain> Though I probably will make a list of “things I wished they’d worked” in at some point and i’d be lying inf I siad my mind wasn’t currently turning the gears to figure out how to work this into a fanfic. Oohhh maybe as Dewey’s outfit as an adult but blue, obviously. 
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Next we have Donald settled more into his final apperance as well as the boy’s first outfits.  As you can tell from both of these the show originally went more with the classic art style before getting the one we’re familiar with now, one I love by the way and was made to combine a classic cartoon style with the visual of the comics. Donald originally had his classic outfit before they transitioned to the more barks style one, a good call.  
The interesting bit though is obviously the boys original outfits which i’m honestly bummed didn’t make it for Huey and Louie, not so much Dewey minus the visor. I do get the changes though: The hoodie Dewey had fit WAY beter on Louie, and the lumberjack shirt didn’t quite fit the nerdier huey. Still look nice. Dewey’s is okay, but only the visor is something I really gregret them removing same with louie’s fedora. It would’ve been neat ot keep the hat thing, but have each hat be unique. Likely they simplified things to make animation easier and simply removed the hats for some reason, but it’s nice ot see these more detailed original drafts and it is VERY interesting to find that differentiating the triplets was something planned from the earliest concept art. Though given Matt and Frank said in interviews they wanted a more natural family feel, it’s not a huge surprise. 
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Scrooge like everyone BUT the boys thus far, naturally also had his original outfit at first, but like he ended up doing in the series rotated a bit, if not as much in the final product. We also see a protoype for his final design, the old coat but with a jacket over it in the last image. I also notice Donald seemed a lot more like his old comics self in the concept art with quackshot!donald. 
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Like everyone else, Webby and Launchapd were originally their 87 deisgns, though Launchpad’s slightly diffrent jacket and green scarf were changed from the start. Webby is the closest to her 87 design, and as shown in the previous Lena concept art from my “Spies Like Us and Dime after Dime” double feature, she still had her new personality. More on that in a bit. 
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Finally we have Flintheart, whose design is a bit diffrent from 87: He was a chub from day one it appears, though they’d exagerate it, and his beard was a bit longer at first like his other incarnations. 
Beakly is largely unchanged form 87, only given a coat, which would gradually be mofidied, much liekt he boys into her current outfit. 
As you can tell Beakly, Webby and Launchpad were all there from day one as they wanted them from the original ducktales just updated. 
Production wise they wanted to go handrawn, chose the style they did to have something close to the comics that felt classicly aniamteda t the same time, I feel they succeeded and wanted a show that felt like the original. I do think this show has it’s own feel but it does feel ducktales. I badly hope for an artbook at some point though as this show probably hada  LOT more intresting concept art. Seriously Disney I will PAY YOU to look at your neat art. Please. 
So they created a fully formed world and put the characters in it, wanting it to feel like the world had existed before and had throughly been explored and letting our young heroes be the watson to Donald and Scrooge’s holmes. 
Finally Della was indeed part of the initial pitch and a core idea from day one as every family has secrets and Della felt like one that had been lurking around the fringes of the story for 80 years. The rest of the production stuff i’ll weave in as we go but first one last stop, the STELLAR voice cast, none of whom outsideo f Tony i’ve talked about before sooooo...
The All Star Cast
The casting was outstanding here, with Matt admitting the cast brought a LOT to the characters, especially Ben Schwartz whose taken on Dewey was so unique and intresting they actually rewrote some of his dialouge for the pilot to fit this version better. This is far and away one of the best casts in western animation, most coming from comedy backgrounds and one or two coming from a voice acting background, but all bringing their absolute best. And since our main 8 are all in the pilot let’s run them down along with Keith Ferguson shall we?
Playing everyone’s faviorite billionare scotsman  and one of the very few to ever do so, we have David Fucking Tennant. David was their “First and only choice” and for good reason: David is a talented actor with a MASSIVE amount of stage, tv and audio drama credits. His biggest and best known role is playing the 10th Doctor on Doctor Who, which while not my faviorite (That’d be matt smith, as he’s both the one I came in on and hte one who got me hooked) he’s still  VERY close second and damn talented and I need to watch more of his tenure. Outside of that just to condense it to his ongoing roles on stuff and bigger roles: Filmwise he’s had starring roles in the Fright Night remake, You, Me and Him, Fish Without Bicycles and Bad Samartains, and is set to do a voice for the upcoming Loud House Movie, which excites me to no end. 
TV wise where most of his roles have been he got his first big starring role on the Telly with the BBC Mini series Taking Over the Asylum in the late 90′s. He’d go on to make a career out of doing mini’s for a while, also taking part in He Knew He Was Right, The Quatermass Experiment Remake, Casanova, Secret Smile.. and Blackpool. I saved Blackpool for last before we move into the Who era as if you’ve never heard of it.. it’s REALY fucking weird. It’s a jukebox musical about a man who wants to make Blackpool, a real city, into the new vegas and Tennat plays a cop investigating a case around the guy and also trying to get with his wife because they used to date and because our lead is philandering jackass. That’s already kinda nuts.. but then you get to the fact the songs are sung OVER the original songs instead of making a new version of them. It’s surreal to be sure but if you can find it it’s worth it for the handful of good numbers and how weird it looks and you can find clips of the songs on youtube if your intrested. Here’s a starter. 
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Your also welcome. He’d go on to play Detective Alec Hardy in Broadchurch to critical aclaim as well as be a part of it’s short lived american remake, would play the Fugitoid in tmnt 2007, Kilgrave in Jessica Jones, one of his few post who roles i’ve seen or heard besides Scrooge and easily some of his best work he NAILS that purple bastard perfectly, would make his own show Staged about a fictional version of himself putting on a Stage play that’s still ongoing, and is currently , along with Ducktales as it wraps up, the voice of Lord Commander on Final Space, with the character returning this season judging by the trailers to fan delight and terror. He’s a VERY talented actor and voice actor and I do hope he goes on to do more and more voice work in years to come as, with his background in radio, he was born for it. 
He was also born for this roll, playing Scrooge perfectly and easily matching Alan Young in quality, not a small feat and i’ts VERY obvious why he was their one and only choice. 
Next up is another legend, Tony Anselmo who we’ve talked about before when I covered legend of the Three Cablleros: He’s been Donald’s voice since shortly before Ducktales, hasn’t done much else but given he’s THE voice for the character and this show let him show off one hell of a range with teh voice, he dosen’t really need other credits. The man is a treasure and I fear loosing him one day and fear for whoever replaces him as they have a LOT to live up to. 
Getting into the triplets, we’re going by age so starting off we have Huey, voiced by Danny Pudi. Like most of this cast aside from Toks Ogladyve and Beck Bennet (Who I probably HAD seen on SNL but didn’t really know or look out for him on there till after Ducktales), I not only knew Danny but was a huge fan of his going in. This is due to his breakout role on the glorious sitcom Community, which sadly only had a handful of i’ts cast show up on this show. I mean you got Lin Manuel Miranda I’m sure Donald Glover would’ve said yes too. He grew up with Ducktales. Regardless his role as meta guy Abed was easily the best of the cast on that show, with Glover as troy a very close second and the two working at their best as a duo. Outside of that he’s had a few roles being a regular on Powerless, which I forgot existed and currently on Mythic Quest: Raven’s Banquet, and shockingly hasn’t done a ton of voice work. And given his performance as huey was one of the best parts of this show he REALLY, REALLY SHOULD. Please Danny. He’s also a loving husband, father and surprisingly a marathon runner. Never would’ve guessed.
Next up is SNL Alumn of 9 years, Bobby Monynihan. Bobby is naturally best known for that, my faviorite role of his being Ass Dan. That’s right bitch you know he’s going to live fore..
ASS DAN 1981-2021
He’ll be back. Outside of SNL he’s done a bunch of minor roles. He’s currently on the tragically mediocre sitcom Mr. Mayor, and voiced Panda on We Bare Bears. Hopefully he keeps up the good work as he deserves better than he’s gotten and Ducktales proves it. 
Finally for the triplets we have a rising star in voice acting, Ben Schrwartz. At the time Ducktales launched, I was a fan of his from his roll on parks and Rec as Jen Ralphio, aka older scummier Dewey. 
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Outside of his historic recurring role here he played a main role on House of Lies, a show I need to go back to, and has done other live action rolls but has REALLY hit his stride in voice acting. He started with voicing Randy Cunningham in Randy Cunningham 9th grade ninja and since then has hit the ground running: He was Rutabega on Bojack, Josh on Bob’s Burgers, and went on to complete the trifecta of blue nostalgic characters after voicing dewey by voicing Leo in Rise of the TMNT (and having one of the most unique and intresting versions of the character to play) and reprised the roll for the upcoming film. And of course he hit it HUGE by playing Sonic in the suprsingly fantastic Sonic the Hedgehog movie, and will do so again for the sequel and might even take up the roll for the games now Roger Craig Smith has retired. We shall see. Point is this guy’s at the top of his game and Dewey is part of that. Like with his brothers I can’t picture anyone else playing him. 
Rounding out the kids is Webby, played by the wonderous Kate Micucci. Kate is a lovely talented woman who mostly showed up in smaller parts, was part of the musical duo garfunkel and oates which even got their own tv show, and is currently a fairly prolific voice actor with this being her best known roll. I also had a bit of a crush on her once can you tell? Regardless besides absolutely nailing it as Webby she’s voiced Julie Kane in the crimnally short and even more crimnally not on Disney+ Motorcity, “Irma” in the 2012 TMNT cartoon, and the fact that “Irma” is in quotes should tell you how big a waste I felt it was having her NOT actually be Irma, despite Kate’s massive talent, the fact that Irma hadn’t been in anything since the 87 cartoon, and the fact that for added “Fuck you audience points” her krang form was voiced by Gilbert Godfried, who I love but whose casting feels like they wanted to make the twist as grating as possible. Good job there. 
Anyways her second biggest voice gig was as Sadie on Steven Universe, which took WAY too long to show off her absolutely tremendous singing voice. She started voicing Velma Dinkley in the mid-2010′s and has since, voiced Milo’s sister Sarah on Milo Murphy’s Law, Dr. Fox on Unikitty, and most recently voiced a sentient present on close enough who did this. 
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So yeah quite the career and like Ben she probably has a long and storied career in Voice Acting ahead. 
Next up is Beck Bennet as everyone’s friend Launchpad where he excels. He’s best known as a castmember on SNL outside of this, and shockingly hasn’t done a ton of voice work. The only other time i’ve caught him is in the same season of Close Enough as Luc, aka dude-bro satan. But like eveyrone else here who hasn’t done a lot of voice work so far or has been more selective I defintely hope he keeps going with it as he’s amazing. He and Ben will be co-starring on MODOK in May so i’m excited for that. 
Last up for the main cast is Beakly, voiced by  Toks Olagundoye, who I hadn’t heard of before this show and hasn’t done a lot outside of the two season sitcom the neighbors, the aliens one not the really terrible looking one, and a stint on Castle, but like everyone here deserves much more and if Beakly is any indication, really should stick with voice acting. 
Last up is Keith Ferguson as only he could as FLINTHEART GLOMGOLD, whose a staple in the voice acting community ever since 2000, and has had a TON of roles some of which I was unaware with him. Given Frank worked with him on Wonder Over Yonder, where he voiced Lord Hater to perfection, the two clearly have a close working relationship. He also has a close working relationship with Wonder creator Craig McCracken and has worked on all of his post-powerpuff girls show, voicing Bloo as his first major role, something I never would’ve guessed, and currently voicing Papa G on Kid Cosmic. 
Outside of Craig and Frank, he played both Karate Kid and Nemisis Kid on Legion of Super Heroes (Which really needs to come to HBO Max), Deputy Durland on Gravity Falls,  and Thunderbolt Ross on Avengers Earth’s Mighteist Heroes. He’s damn good and deserves the world for Glomgold alone and i’m glad Craig rung him up again as so far through my watch of Kid Cosmic he’s great. 
So with our cast in place, our past in place and you all likely ready to get on with it already let’s dive into the episode:
THE EPISODE: Part one Woo-Ooo!
We begin with a shot of a seagull flying overseagulls, a nice way to establish how this world works and how it bends expectations. They’d have to wait till season 3 to get a duck next to ducks but given that gag is one of the best of the series, it was worth it. 
Inside a house boat we meet Donald, Huey and Louie and get a sense of their personalities: Donald is panicked trying to get to a job interview and insists the boys wear life vests, showing his overprotectiveness and responsibility exclusive to this version. Louie stresses that Donald wear a suit instead of his normal clothes to properly impress the interviewer, showing his skill at people reading and manipulation, and Huey is making a nice, if messy, breakfast with a heartwarming message showing his heart and dedication. After finding out said Babysitter was sent to the wrong address, the boys TRY to hustle him out to stay alone.. only for Dewey to blow the scheme by starting the boat too early, letting Donald know he’s been had. Huey’s attempt to lie about it is of course the classic “Who’s Dewey?” Dewey’s caught wiring the boat and Donald throws them in the car, with Donald livid and the boys upset as their chafing at his constant overprotectiveness. 
Both sides aren’t wrong. tThe boys DID do something reckless, putting an old woman in the desert and risking their home just to go on a joyride. What they did was wrong.. but the boys AREN’T wrong for getting annoyed that he won’t let them DO anything and overly hovering over them when they CAN handle themselves as we’ll see. WE now know why: he lost their mother and his sister to her and scrooge’s recklesness. While he got therapy for his anger it’s clear he never properly got help about Della, and thus overcompensates by trying to keep what he has left of her alive. He means well.. but to them it comes off as him being manically overprotective with no good reason. They get into trouble because it’s the only way to DO anything away from him. He’s trying so hard not to loose them he almost has by the time hte series starts, and it’s telling that when they get context in Last Crash, they appricate him more from then on. They do love him, but their frustration is understandable even if what their doing is pretty damn stupid. But their also 10 and Donald’s the grown adult in therapy who should’ve dealt with this or tried to at least by now.
So with no other options Donald sets a course for McDuck manor which excites the boys who have heard of Scrooge McDuck and his exploits, each rattling off something they heard him do that fits their personality (Dewey picks him fighting a stone monster, Huey picks him uncovering a hoax and Louie picks his swimming in money. ) As Donald tries to get them to simmer down, they wonder what he’s up to
He’s up toooo.. depression. He’s in a room with his board, watching them with utter hate and sadness as they talk about cutting the invention and aviation departments. This scene plays ENTIRELY differently after the final two episodes of the season. Before it still plays well as Scrooge clearly resenting being stuck in a boring board meeting, having lost everything that made him him and just having lost his passion for life. Now? It plays as a man utterly disdainful of the men who made him give up on his daughter. While as far as he knows they did it to save his employees from his company collapsing, we know better now... and seriously where IS the rest of the board they just vanished after the Season 3 premiere.
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I don’t mind only one being fleshed out, unlike the triplets we only NEED the one I mind that they just never explained it and still haven’t. Hopefully the finale will. 
But back on the plot, it now plays as Scooge just full of hatred for them, knowing they had to do what they did, even if they weren’t emebzlling but still hating them and himself. He’s likely not even paying attention anymore because he just dosen’t CARE: he has all the money int he world.. and it couldn’t bring him his daughter back. As he sadly puts the coins he was fiddling with back and says see you tommorow he can’t even close the vault without a struggle. As we’ll see later the strength never left, it’s not like he stopped execrising.. but he has nothing left to fight for. Nothing left to care about. He could adventure agian so far.. but without Della or Donald, as we’d learn two seasons later the reason he enjoyed it again... what’s the point? He has nothing left except his money. 
This is also a nice parallel to the final Chapter of LIfe and Times. I always felt the first half of woo-ooo was a spiritual adaptation of chapter 12 of that: Scrooge meets the boys for the first time and with their help, and Donalds in the story< Webby and Launchpad here, he regains his passion and more importantly his family after driving them away> The how is very different: he did in life and times due to sinking to his lowest point morally, then cruelly dismissing his family when they tried to welcome him home and bury the hatchet despite what he’d done. Here.. he made a HORRIBLE mistake, one that wasn’t entirely on him but still cost him everything and spent the decade instead of stewing or making more money trying desperately to undo it. The end result is the same, a dried out husk of a man with nothing left to loose and no will to gain anything.
This husk has launchpad though whose introduced as his driver and while good with subs and planes.. isn’t great on the road. After that though Donald pulls up hoping to drop the kids off before Scrooge arrives. Naturally this being a cartoon and Donald having tempted fate with that Scrooge shows up telling him to jettison that Jallopy at once. And finding out who it is, apart from asking how Donald is and Donald doing the same, dosen’t sway him. The boys however freak out after finding out Scrooge is Donald’s and there uncle, with my faivriote bit of that being Dewey exiting the car via a window and rolling across the roof back in. Amazing bit of animation. Wish I had a gif of that. 
Donald makes the situation plane and angry and asks “Can you do that without LOOSING THEM”. And scrooge is so painfully disarmed by his reminder of his past mistakes and the fact his surrogate son still resents him, that he agrees before realizing “Shit I have to watch children now don’t I” as Donald drives off. As you probably guessed, this is another scene that plays differently in hindsight, if not by much: It still plays as two men too stubborn and bitter to reconcile.. but now we know the why behind both their rages it feels even sadder. They both lost the person they cared about most but as it sadly happens in real life both have dug in their heels to reconcile, both feeling their right when neither completely is. While Donald was right to be upset at scrooge and della for what happened, and is mostly taking it out on scrooge because he’s the one left... he’s held onto his anger for 10 years instead of going to help when he’s unemployed, living in a dilapidated houseboat and trying ot raise three children alone and could’ve used what help scrooge would give. Scrooge is right to be upset that Donald is just selectively ignoring everything he’s done to save Della, but is too stubborn and prideful to apologize for what he DID do wrong and feels that’s enough to make up for it when , while it is enough that donald should forgive him, still dosen’t mean he dosen’t have a lot to apologize for. Both are just too angry and too much alike, as much as it woudln’t seem so, to settle with each other and see too much of what they lost. 
So the kids follow Scrooge.. who forgets to open the door, and Beakly lets them in. It’s a nice subtle bit. After some silence, Bentina TRIES to get her old friend and now employer to talk to them, but he naturally refuses and they do the talking, asking tons of questions.. and Dewey ends the conversation by accidently pressing the “imply he USED to be something rather than is something right now “ button
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So Scrooge throws them in the twins old room, and Beakly gives them some marbles. You will give them b ack they will be counted. But another subtle touch I missed the first time is there... her sad look. She clearly doesn’t want to do this, but she has to play this carefully or else he might get mad and fire her on the spur of the moment. He’d obviously hire her back, where else is he going to get an ex spy who will both clean for him AND be his bodyguard and security. It’s a very small pool. Mostly because Beakly probably killed most of the other people who’d of fit that description during her spy days. 
Scrooge meanwhile is still rattled by Dewey’s statment, wondering if he really is a “used to be” instead of a “never left”. The fire is starting to spark again.. he just needs more kindling. And more kin. 
Meanwhile Louie and Huey marvel at Dewey’s “Brilliant’ breakout plan: hit the door knob with the sack of marbles til lit breaks. To be fair, they’ve known dewey as long as they’ve been alive and even by season 3 after he’s taken several levels in badass and cunning.. he still crashed a plane because his brother well-meaningly called him basic, and thought being nearly sacrificed the most times was an accomplishment. This is the best he could do and you all know it. It also works, so they can’t fault him for that... though he’s quickly kidnapped as are they. They wake up after the commerical break in a room with pure darkness, hung from the celing with a mystery person asking who they are and who they work for before Louie calls out for “uncle scrooge”... so she claps the lights back on and..
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Well close. But it is Webby, who cuts them down, fangirls over meeting the nephews and asks who the evil triplet is. They all point to Louie who shrugs it off. I mean it was funny enough the first time but at this point I know he’s running several fradulent charites, almost all scamming his uncle. He’s earned that title. Webby puts them on the big board and then when asked they find out she’s Webby, her granny Beakly is housekeeper.  She then asks the big questons “Are we friends now?” “If we say yes will you let us live?” “Ha good one new best friend”
She then explains she dosen’t get to leave or anything even eat a hamburger. The boys are moved by this and Louie asks what she does for fun. She leads them to the vents and while Huey and Louie are a bit relcutant, Dewey naturally goes first pointing out it’s better than the marble room. They agree and are on their way. 
Okay unpinning that pin, the crew conciously updated Webby and Beakly as neither really had a lot of purpose in the original. It was also to conciously add more actiony females to the main family lineup, as both creators, both being fathers, preferred someone their daughters could look up to and would enjoy watching. Not someone perfect but someone intresting instead of someone who often got Kidnapped and whose main charactrisitcs were “Sweet and GIRL STEROTYPE” So cleverly they KEPT her being girly, having a skirt, liking ponies. .but also gave her all the training and skill of one Cassandra Cain, a sheltered background and an adorable personality that kept the sweetness but added her probably having killed a man at some point. It worked as Webby is one of the best parts of the show. 
Likewise Beakly was upgraded from fuddy duddy housekeeper, to badass former secret agent whose also a housekeeper, and bodyguard and confidant to scrooge. Demonstrated by her talk with him as he tries to put on his diving suit and go after the jewel of atlantis, having spotted the signs to go after it in the paper.. and wanting to prove a child wrong. Beakly points out the flaws in this, and tries to get him to connect to his family. Having lost hers, it’s easy to see why.. though the how’s a mystery.. for now i’m guess. We’ll see in the finale. But she’s Scrooge’s concisence and the one who can easiest reign him in, to the point two episodes directly have our heroes have to NOT call her or else the plot was end, but have that worked into the plot so it works. She’s the calm in his storm and hte one person he needs more than anyone else even if he dosen’t always realize it. He calls family “nothing but trouble” just as Dewey passes overhead. 
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So naturally as Webby shows off Scrooge’s old treasures in a mysterious room, while the other Siblings are rightfully impressed, Dewey dismisses it as “fake” because he’s being a little shit, and they agree after seeing Donald, not knowing his reputation. The cutaway to him struggling with a stapler does not help> it’s only when Webby accidnetly uneleashes Captain Peghook, a vengeful ghost after scrooge, who gets his hand on a ghostly sword do they realize this time the monsters are real. Huey also accidently wakes up Manny, the headless manhorse! 
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Things somehow get WORSE as Scrooge finds them.. but is in no state to argue and as our heroes duck and Huey tries to divise a plan.. Scrooge get’s his spark back once agian.. it’s starting to become an ember now... and he charges in despite Dewey’s cries of “No come back your old!”. It then gets VERY badass Scrooge: Oi! Beastie! What's it gonna take to shuffle you off to the afterlife? Captain Peg-Hook: The head of Scrooge McDuck! Scrooge: [cracks his neck, flips his cane around to wield like a sword] Would you settle for his hat?
Now that is how you show how badass Scrooge is in a few lines and gestures. HE proceeds to take both out, as they’ve now teamed up, easily, tricking peghook into cutting off the head of a statue of him in the area, throwinng it at him and finsihing the ghosts buisnesss (”I should’ve been more specifiiiicccccc”) and then giving Manny the head, earning him a loyal employee for life. So our days saved, the kids have faith.. and Scrooge is still pissed. He also reveals this isn’t a treasure room but the garage in what’s easily the best gag of the first half, possibly the whole special but one iconic moment is very close in that one. Webby concedes what about the stack of old magazines or the hose or.. okay he’s probably right. He berates them only for the kids to fire back, pointing out he threw them in a room, they just wanted to spend time with him... but it’s only Dewey throwing his words back in his face that pisses him off. Scrooge bellows at them to get out, clearly having internalized everything with donald into rage and trying to justify pushing eveyrone away instead of working at it... but this dosen’t have time to actually work, nor would Beakly actually throw three children out on the curb, as he hits a mystic gong.. the third time it’s been hit. And after realizing it’s already been hit twice Scrooge is faced with Pixu, the gold hutning dragon! And guess who has a giant bin of it wanting to snack on? Scrooge naturally climbs on the thing and the kids naturally want to follow, with Webby getting her first development by proudly announcing “I’m going to eat a hamburger” then explains the metaphor. They just need a pilto.. and as Launchpad has been saying but I forgot to add in “I’m a pilot”
So we get a GORGEOUS bit of Scrooge riding the dragon over the city, getting banged up as he does before finally being thrown off.. only for the kids to catch him with the planes help and try and come up with a plan. Scrooge overcomes his anger at them not staying put, especailly since Webby brings up the right weakness: as a wise man once said...
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So they need some.. like say the Medusa Gauntlet Scrooge had in the garage.. that Louie naturally stole. Huey and Webby eyeroll him but they have what they need.. and Huey brought the hose and quickly comes up with a plan, tying scrooge in, and swinging him to Pixu. The kids hold on tight, Dewey calls his family awesome and our heroes win the day as Scrooge turns the dragon to stone, slips and falls.. and then GRACEFULLY dives into hte bin, showing off his diving skills and his badassery. The day is saved, the gauntlet and the dragon go in the bin for safe keeping and Scrooge calls the kids trouble.. and chuckles fondly. “Curse me kilts how i’ve missed trouble”
He’s impressed: Huey’s quick thinking, Louie’s pickpocketing, Dewey’s drive, and Webby’s magical knowledge all saved them. For once. .he’s happy again. And for the second time in life it took his family to remind him why he does this and show him the true fun of adventure: Getting to share it with those he love. And he finally has people to love again. He has family back, kids who look up to him and want to learn from him again, a REASON to adventure. Money and treasure and eveyrthig couldn’t bring della back.. but he at least sees now that whiel they certianly couldn’t.. they can bring him closely with what he has left. She’s gone, for now.. but she left behind three great kids who could use a mentor and Beakly brought him a fourth. And he just found out he has a pilot. The ember.. is now a raging flame. Scrooge is back. Because i’ts not the money or the glory.. it’s the thrill of it, the discovery.. and the family that makes adventuring worth while and he’s learned that lesson again. So he calls Beakly to clear his schedule.. forgetting she you know PUT A FUCKING PIN INTHE WALL the last time he asked her to play scretary and the onlyr eason she dind’t drive over the choke him to death, is that she’s probably happy he’s back on track.
Back at the interview Donald is stapled to the wall and gets the job.. not as an accountant mind but his employer needs a sailor.. and his employer is FLINTHEART GLOMGOLD. Oh boy. 
Part 2: Escape To/From Atlantis First the last bit of background I saved: Originally, Fenton and Gyro were supposed to show up here, starting a gag of Fenton showing up but not being named until “Beware the B.U.D.D.Y. System!”, setting up the sub. But the crew decided this took too much away from the focus on the duck family. The not naming him gag was also dropped, and I have two reasons why: Their given reason, which is it’d take up too much time and a logistical reason: While they gave a heartfelt pitch to Lin-Manuel Miranda, as frank wanted a strong Latino superhero to combat the lack of them on film, Frank and Matt probably thought they woudln’t get such a huge name or at least prepared for it.. and were delightfully suprised when Lin happily and tearfully agreed. So they likely scrapped it so they could properly promote the biggest name in their voice cast. Honestly it was for the best and they still go to do the idea with Drake in “The Duck Knight Returns!”, where it worked much better than it probably would have with Fenton. 
We open with the Glomgold Industries Employee Training Video! Encourging IP Theft, making things cheaper and general scumbaggery, and claming your the world’s most beloved scottish billionare. IN short the perfect introduction to everyone’s favorite insane, fake-scottish, scheming, egotistical , short sighted billionaire. As i’ve made transparent before, I fucking love the reboot version of Glomgold and he’s easily one of my favorite parts of the reboot. They clearly needded to find a new place for Glomgold in the grand scheme of things as the show was more about globetrotting adventure and family and less about getting contracts or bets about whose bigger money and more about family. While they DID do a classic bet storyline with season 2, it’s clear the old glomgold was just a bit too stiff to properly fit into this new zanier and deeper universe. 
So they instead remolded him as a half insane, knockoff scrooge, someone who PURPOSFULLY modeled himself after the guy to try and one up him, and instead of being a fairly low pitched schemer, was a bombastic idiot whose schemes were half baked, whose name was on everything he made, and whose only thing bigger than scrooge was his glorious ego. In short he was perfect for this series and perfect to show up way more often as a bumbling thorn in Scrooge’s side.. but one who COULD be effective in the right circumstances, as to not make him completely pointless. Keith was likewise the only person I could see in the roll now as with Hater he had a history of playing bombastic, egosticial morons, and made Glomgold into the enjoyable ball of ego, bombs, sharks and shouting we know and love. Some people didn’t take to this version after a while... I’m not one of those. I loved him here, I love him now, and he’s every bit as good in season 3 as he was at the start. He’s also wearing a kilt mcduck A KILT. A bit that’st STILL funny four years and 70 some episodes later. 
So we meet Gabby McStabberson and the Smashnikovs as they and Donald file in, though Donald is busy wrapping up a call with Scrooge, who assures them he has a low key day planned.. while in the sub getting ready to go to atlantis. And nearly drowning when Dewey tells Launchpad to dive while he and Scrooge are still up top. Cue credits. 
So on the sub we get our setup for the two main plots for the episode: While the main thrust of everything is Scrooge taking them to Atlantis, each leads to a diffrent plot. Louie talks to Donald and lies entirely about their day, worrying Webby.. who then reveals she just didn’t tell Beakly she took off or where she was going and encourages her to call and lie. To save time, i’m going to cover this subplot now minus the conclusion as it’s pretty simple and this review is already a day behind. Louie wants her to lie so she dosen’t worry, which is oddly sweet.. still a bit greasy, but it’s clear he means well and it shows in his own way the boy cares about Donald: Sure he’ll lie to the guy, and set up a fradulent charity to scam him.. but he also knows not to worry his dad-uncle and kows Donald is better off thinking their safe than knowing the truth. Granted it also prevents consequences for Louie.. but he’s not playing here here. He gets nothing out of Beakly not knowing the truth or helping some girl he just met, he’s just being NICE in his own twisty way. It’s a nice show of his depths: While louie will lie, cheat and steal Eddie Gurrero style, he does have a caring side underneath hit. He can read people well and while he primarily uses it to manipulate people, we’ll see time and time again that he can use it for good too and to help those he cares about. He’s nothing but supportive the whole plot, and even when he says “you can’t back that up” it’s more worrying about her and having a bit of crack than actually being a dick. 
So Webby tries lying, but is about as good as Huey is at it, saying “I’m at a friends house nothing, then makes up a clearly fake name, then says their only talking in swedish for a grandpa. Launchpad DOES help, but only by accident and snake venom. We’ll get to that. As I said this wasn’t the most complex plot. 
The main plot is our focus episode for dewey. In theory each of the kids was supposed to have one in the first five episodes: Dewey here, Webby in Daytrip of Doom, Louie in Great Dime Chase and Huey in Impossible Summit of Mt. Nevverest!. Given the last one was horribly delayed, he instead got Terror of the Terra Firmians, which in hindsight wasn’t the best spotlight episode for him. But it’s a good system; Introduce them all in the first half of the pilot then slowly focus on each one.  So now Idoloizing Scrooge, Dewey is desperate to be his sidekick and be seen as an equal and is in deep denial as scrooge instead has them all buckle up for a 17 hour ride and when Dewey questions the route, which skips the direct path.. but is clearly marked with monsters, Scrooge just snaps at him and shuts him down and disapoints the boy who only wants to prove himself to Scrooge. 
Naturally though, telling someone with that kind of need for attention and validation to wait goes poorly as he redirects the map while Launchapd is distracted.. and we find out WHY the trip is 17 hours as the direct route nearly gets them killed by mer-ducks, krakens and some sort of storm elemental. Dewey is bummed it didn’t work and annoyed to realize he’s just lumping them all together like Huey pointed out earlier. Huey is also delightful here, having brought travel bingo and sea shanties, clearly used to trips with his other uncle. And adorably taking after him. 
But Dewey’s deversion has done more than make him even MORE determined to prove himself to Scrooge whose just trying to NOT loose the son of the daughter he lost...
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The Merducks have taken up residence in the bathroom, so they have to make a pitstop. Scrooge, CLEARLY forgetting how to take a trip with children, wasn’t prepared for this but they find a frieghter and make a stop. Naturally it’s GLOMGOLD’S freighter, where his sub took off from, and he and his minons including Donald find Scrooge using the bathroom.. and the boys to Donald’s rage. Unfortunately saying ‘I’ll kill him” to a raging sociopath who takes that as a sign to kill ALL of them, isn’t a smart move. 
So while Donald tries to plan to keep his family alive, said family arrives in Atlantis with a great bit of Scrooge trying to give a big speech only for them to see it first and ooh and ah. They touch down in the city.. which is flip turned upside down. Scrooge notes hti is odd but is able to read the hieroglypchs even upside downa nd notes there’s tones of deadly traps and that they shoudl stay back and..
Huey: Dewey ran in as soon as you said traps. 
So while Scrooge tries to prevent dewey loosing his head, Donald prevents launchpad loosing his and makes up an excuse about “if their dead now we can’t tourture them later” to cover his ass. Glomgold is impressed.  Dewey is Dewcipointed that the traps are upside down, though he does trigger some snakes that get launchpad. He’s fine just delirious. And possibly slowly dying but the fact he’s lived this long is a miracle. Maybe that’s why he’s missing for most of season 3 part 2, the snake venom caught up to him and drake and fenton need to find the cure. Anyways the rest of the party stays behind while Scrooge chases after Dewey, who naturally runs ahead AGAIN. 
Donald ducks out to use the bathroom, as Dewey tries the old dance through the laser grid routine.. but forgets the part where your supposed to actually avoid it, leaving it to an unseen Donald to stop the fire traps from barbqueing his boy. IT’s a really awesome sequence that shows off Donald’s still got it even if he dosen’t want it.  Scrooge naturally works smarter not harder and simply ziplines above like a badass and berates Dewey when he tells him he took “The easy way”
“Why would you want to take the hard way?” The argument that’s been brewing all episode bubbles up and once again both sides have a point: Scrooge rightfully points out Dewey’s being reckless, has no experince and needs to listen to Scrooge and learn something. Dewey claps back that Scrooge isn’t TEACHING them, just teling them to get behind him while he does things instead of trying to actively mentor them. He outright told them he was going to teach them so while Dewey’s been a wee bit overbearing, he’s right in being disappointed that Scrooge instead just wants them to be safe. I see it as his subconscious acting up: He wants and needs the kids along and is right ot keep them safe.. but is too scared to properly mentor them after what happened to Della and is just trying not to loose anybody. His methods have been right, to keep them safe.. he’s just been so determined to save them, he can’t properly TEACH them so he won’t have to forever or explain WHY. And given the First Adventure shows that while protective he did eventually let Della and Donald pull their weight.. but here he lost so much between adventures.. he just can’e bear loosing them. Dewey also rightfully points out he just lumps them together which in any other version wouldn’t be an issue, until the reboot I had no idea which one was which here? They have distinct outfits and personalities and you had 17 hours to actually get to know them. Probably less given the shortcut but still, several hours at a minimum. It’s things like this that make the series work: while there’s plenty of internal conflicts, at their best their nuanced ones, where if one character is clearly in the wrong they have a reason, and if both are right both are also a bit wrong, versus the original where it’d be scrooge or the boys grabbing the asshole ball at times (Not always mind you but when they did it was insufferable. 
However they don’t have time to argue as the bridge goes out and Glomgold finds donald.. and another way around as a result and gets to the treasure first. Scrooge notices they have donald but once again Dewey charges in 
“Unhand my uncle” “No” “Okay wasn’t prepared for that”
Naturally both sides are a bit livid, Donald for dragging his boys into danger after being part of the reason his sister is on the moon right now, and Scrooge for working with one of his greatest eneimies.. though Scrooge has less ground to stand on because as Donald points out “I can’t keep track of ALL of your sworn enemies” I mean he has lived like .. 200 years. That’s a long enemies list and Glomgold, while the most persistent, isn’t exactly the most dangerous they probably encountered. Given the guy’s an artist with Bombs and Sharks that does say a lot about how badass Scrooge is.. and how incompitent glomgold usually is. He’s just having an on day today I guess. 
Glomgold naturally holds Donald hostage, takes what is suppsidley the jewel and leaves them to drown to death, hitting a wall to let it start leaking. HIs minons run into the rest of the heroes and a fight breaks out while naturally Donald, after even more naturally getting his ass stuck in a hole, literally, rails out at Scrooge for doing this telling him “I knew I couldn’t trust you and” “This is the spear of selene all over again”
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Scrooge’s only response is “I was not responsible for the Spear of Selene!”
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Dude you still paid for the rocket. While Della shoulders most of the blame, SHE choose to take an untested rocket, SHE choose not to come back during the turbulence YOU still built it and hid it from donald and didn’t make sure she couldn’t just take off in it. Your both to blame. And as I mentioned earlier to the least extent but still an extent, so was Donald telling his grown, adult sister whose as stubborn as she is what she could and couldn’t do. He had the right idea and was the only person trying to be an adult here in this situation.. but he still took the wrong approach with stopping her. Still he got far more ground to stand on than Scrooge, who also took his nephews out. Dewey stops both by pointing out that while yes Scrooge took them on an adventure he’s been doing NTOHING but keeping him safe and most of it was his fault which disarms donald a bit. Though Dewey is quickly distracted.. but for once by an obersvation: the gem glowing above thaem that glowed when they entered... and since the city got flipped turned upside down.. THAT’S the real jewel. Dewey asks Donald ot let it flood so they can get it and begs his uncle to trust him despite his doubts which he does. They get it and everyone’s okay and even more when they reunite with the others they find they’ve handily beaten them. To me this is where donalds walls go down a bit: he realizes he’s been smothering the kids, and that while he may hate his uncle for good reason... he’s not going to make the same mistake with them and while he lied.. Don probably realized if Scrooge had been honest Donald would never have let them go. He can trust him.. and he can trust his kids will be alright without him. 
So Glomgold naturally leaves his minions to die, but our heroes manage to make it to the sub, and Gabby asks if they can bum a ride. Not wanting to do any murders they agree. On the surface Glomgold is showing off his jewel, only for Scrooge to upstage him second’s later with the real jewel, and point out his is “nice but defintly cursed”... and right on cue Glomgold gets dragged off with an octopus and let’s off his first “Curse you mcduck!”. Scrooge offers clean water and power thorugh it, for a price because of course he does, and has offically made his grand comeback. 
We get back to Webby’s subplot, as she’s confronted by Beakly.. who naturally being a former spy easily figured it out immieditely but is only upset her grandaughter lied to her. And even at that she dosen’t raise her voice or anything about the matter, knowing it’d only make her feel worse and getting that her grandaughter needs to see the world and that much like donald, she walled her up to prevent loosing what little she had left. And since being with Scrooge is safe as with her, she can go with him anytime just tell her first kay? They hug. Awwww. 
Donald likewise apologizes, admitting that whatever has passed, he misjudged his uncle here and while not forgiving him yet, is at least willing to let him back into his life and into the boys.. on holidays and stuff at least. But fate forces his hand.. or rather his 10 year old nephew-son having left the engine on and neither having turned it off, meaning his boat goes boom and is in no liveable condition. But Scrooge has the space in his heart and mansion for them.
So as we close the kids help move the artifacts all around the house instead of just the garage while Launchapd drops the boat. While clearing out Dewey notices the painting from earlier.. and finds part of it was flipped over...
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“Mom?!” 
Now keep in mind, while nowadays Della’s inclusion in the show is one of the most famous and treasured parts of the show.. back then this was a fucking shock. Disney never really cared about the boys mother and outside of one comics story never really went into what happened. So the fact she was not only an actual important part of the plot but we’d find out was a HUGE wham moment and left my jaw dropped after seeing the episode. Like I would with the finales I had read no spoilers and had no idea this was coming but damn was it a huge and welcome suprise and how far they’d take it and how much they’d flesh her out was an even bigger one. Easily one of the best big reveals i’ve ever seen. The only better one I can think of from this series itself... is the end of season 2. But that’s for another time. 
Final Thoughts on Woo-Ooo!:
This two parter/hour long special.. is still one of the episodes best and easily one of the best pilots. It does slow down a bit in pacing in the second half, but otherwise is just an immaculate , beautiful pilot movie that introduces and fleshes out all 8 main characters, maybe Launchpad the least but enough to still work, gives us some big mysteries to work out, and even throws in Glomgold’s first apperance. It sets the tone, reverent and adventuerous but also with it’s own weird and wacky sense of humor and world building, and universe perfectly. I .. don’t have much else to say really it’s just THAT good and really worth checking out. If you somehow haven’t seen it go watch it and if you haven’t seen it in a while might be worth a rewatch before the finale. The absolutely perfect start to an amazing ride. 
Next on the Della Arc: Dewey and Webby try to figure out where Della is while Louie learns a valuable life lesson and  pisses off a killer robot along the way.
Next on the Blog: Amphibia Season 2 is back! 
Until then if you liked this review follow for more and if you could please support me on patreon. Even a buck a month helps and juicy stretch goals give you na incentive to contirbute. We’re 5 bucks away from 20 dollars a month which means a review of super ducktales and a Darkwing Duck review EVERY. MONTH. So contribute now! Until the next rainbow it’s been a pleasure. 
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dennou-translations · 4 years ago
Text
Tokushima Shinbun Interview with Yano Shougo
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Interviewing Yano Shougo-san, who has starred for the first time in the topical anime “Given” and is originally from Tokushima. “I wanted to be an actor that would make people go, ‘I’m glad I entrusted the role to him’.”
Yano Shougo-san (30), who is from Tokushima and belongs to the troupe Super Eccentric Theater (SET), played a starring role for the first time as a voice actor in the anime “Given”, which aired from July to September on Fuji TV. “Given” is a heartrending story that centers itself around a romance between men from the same rock band. Having received high evaluations for his acting and singing voice, which portrayed with excellence the delicate emotions of the protagonist, Satou Mafuyu, Yano-san has told us about the feelings he put into the role and about his future goals.
Raw || Index || Ko-fi/PayPal ( ╹◡╹)っ’・*
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——Good job on your first starring. Please tell us again about your impressions from when you were entrusted with the leading role.
Thank you very much. Playing a leading role in an anime series was my goal for 2019, so when my manager contacted me saying that I had passed the audition, I was happy to the point of shedding tears, but at the same time, I was also relieved. I could not sleep a wink the day before the recording of episode one, and at any rate, I was nervous. On the recording day, I was thinking as I headed to the studio, “It’d be great if the recording were tomorrow”, but I got over it a little by the moment that I thought, “If this anxiety would continue until tomorrow, then it’s actually better for it to be today!” and I remember relaxing straight away at it
——Yano-san, your fragile voice was a perfect fit for Mafuyu. What did you keep in mind when performing him? Were there any points that differed greatly in comparison to the roles you have been playing until now?
Mafuyu has an extremely painful past, unable to move a single step from where he was, as he bore a huge wound. Still, he has proper thoughts and feelings of his own, as well as a stubborn side, and though he has a mild and introverted personality, I figured that he was someone who had a strong core.
Other than that, when I saw him playing basketball with his friends, smiling and earnestly absorbing himself completely in music, I had the impression that he was a “high school boy that you can find anywhere”. This was something I always cherished when performing.
I have played uke roles before, but this was the first one where so many of my lines were “...” (laughs).
——What parts of Mafuyu do you think you have in common, Yano-san, and what parts are the total opposite of you?
I think we are just a little bit alike in that we are greedy about the things we like, and we are unable to concentrate on anything else when there is something that we need to do our best in order to achieve. What I feel to be the opposite is that Mafuyu gives off the impression that he is a big shot in some way, even without speaking much, while I am talkative and shy (laughs).
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——You were also in charge of singing the insert song and ending theme song.
I knew ever since the audition phase just how essential Mafuyu’s song was for the series, so rather than my being happy about singing, the pressure was much more prominent. As a matter of course, the frequency of my voice training soon increased, and learned the basics and techniques of singing as much as time allowed me to. When I was first told about the composition, I thought, “This song was made for Mafuyu’s sake”. That is exactly why, rather than the technique, I reflected about why and how Mafuyu would be singing those lyrics, as well as the emotions that would be overflowing from him, and I thought I should sing it with care, without sugarcoating it.
——What did you keep in mind when singing as Mafuyu?
The song that Mafuyu sings bears his definite resolve to face his past and live in the present, thus I believed that I had to make it into something like a love confession, so to say - a song that could be sung because Mafuyu was the one doing it. For this, of course, technique was important, but I kept in mind that it would be okay even if it was rough-hewn or even if my voice faltered, as long as I sang in a way that would spit out everything Mafuyu had been shouldering.
——Although Noitamina has produced countless master piece animes, this has been their first Boys Love (BL), a series that depicts romance between males, so was there anything you were particularly conscious of when performing?
There was not. Just as I do when performing roles from other series, I performed while keeping in mind that I was going to live in the world of “Given” as Mafuyu with all my might.
——I believe there was such a huge response to “Given” due to its painful content, but did it get to your ears?
There are many fans of the original work not only in Japan but also overseas, so I became aware once again of the popularity of “Given”. That is just how high the expectations were for the anime adaptation, and I wanted people to like it even more when watching the anime, so I was truly happy when I actually did get evaluations like that on Twitter, etc.
——The airing of the anime “Given” is over, but a movie adaptation was green-lit. Please leave a message for the fans.
The story of “Given” will continue from now on too. I hope everyone can watch over what kind of sounds will come from Mafuyu’s song, Given’s (as in the band that Mafuyu and the others formed in the show) music and their romance from now onward.
——From here on out, Yano-san, I want to ask you about yourself. It seems you wanted to be an announcer at first.
I had the vague desire to move into the television business, and from yet another vague motive of wanting to become an announcer and engage with my favorite variety show, I started thinking in my third year of high school that I wanted to be an announcer.
——Why did you aim for voice actor from there?
After graduating from high school, I took a gap year in order to attend university, and during that time, I watched “Neon Genesis Evangelion” as per a friend’s recommendation, so with this as the trigger, I became interested in anime. I had almost never watched anime until then and was unfamiliar with voice actors, so I was shocked when I read in the end roll that Ogata Megumi-san was the one who played the role of Ikari Shinji, a boy, thus I became interested in them.
——Was there anything you put effort into in order to become a voice actor?
During my gap year, I watched many animes, looked up the voice actors that piqued my curiosity and imitated their acting, and performed lines from anime and manga with as much emotion as I could. I also bought a training book for becoming a voice actor and practiced enunciation while keeping it a secret from my family.
——What are the details of your joining SET?
I was was part of a the theater research association in university, but when I was in my fourth year, I once gave up the way of an actor and went job hunting. Even so, I wanted to have a job that was related to acting, so I took the recruitment test of a major production company hoping to become a manager, but during the individual interview, the person in charge told me, “Are you really all right with giving up on becoming an actor? If you want to be a voice actor, then go study theatre”.
And so, I began wanting to challenge myself one more time, so I stopped job hunting and after looking into audition magazines, I took an audition to become a research student of SET, where I could learn the essentials for musical, action and comedic theatre. I became a research student at 23, and after about a year of lessons and a graduation performance, I became an official member at the age of 24.
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——Please tell us about the works and roles you did before your voice actor debut.
During my first year in becoming a troupe member, I played the role of Saburou, the protagonist of the TV anime “Nobunaga Kyousoukyoku”, as a motion actor - the kind of actor who does the gestures that are used as base for the characters’ movements.
I also participated in the troupe’s own public performance. It was a role where I had to drink coffee and say only one phrase, “It’s sweet”. It was a sentence that connected with a funny punchline, so I had been thinking all along about how I should act it out in order to induce laughter, and even during the performance, I did many attempts.
——After that, you debuted as a voice actor in the anime “Yu-Gi-Oh! ARC-V”.
When I was selected, I was really happy to be able to take the voice acting job that I had once given up on. I was brimming with confidence for some reason, even though I had no experience points. But when I went to the studio, I was no good at all; I would get nervous every week and had to stay overtime a lot, so I honestly hated going to the studio (laughs). Even so, thanks to the director and all the co-stars not throwing away someone like me, who did not know left and right, and instead nurturing me during the three years of “Yu-Gi-Oh! ARC-V”, I changed my thinking and posture in regards of acting.
——Afterward, you became capable of being entrusted with important roles, such as in “iDOLM@STER SideM” and “Tsurune —Kazemai Koukou Kyuudoubu—“, but were there any parts of them where you could feel your own growth?
In that I started thinking it was fun to perform. Even now, I still get nervous when going on-site, but as I would read the script, think about the role and create a foundation for my acting, I feel like I have become able to perform in front of the mic by responding to the acting of the person playing the other role, without thinking about unnecessary things, little by little. The moment I feel that the air has set to motion and it has turned into a drama is, if nothing else, enjoyable. I started having challenges, aspirations and goals for myself, such as, “I want to perform like this more” or, “I could bring this role into life more if I performed like that”.
——What are the fun and difficult parts of voice acting? Please tell us about your future goals too.
I believe the fun in being a voice actor is that we can perform roles that would be difficult in filming or on a stage.
There are many things that you can only learn in a recording site. When I go to them, I find a whole lot of people who are better at acting than I am, so I have to earn a role for myself. I fail most of my auditions and get depressed each time. Even so, I want to keep showing up in those series and play a role that moves the story. I always strongly think that I want to become an actor who can make people go, “I want to use Yano for this” and, “I’m glad I entrusted this role to Yano”.
——From now on, between actor and voice actor, which one to you plan to put more strength into?
Voice actor. That being said, in order to broaden my ranges as an actor too, I think I have to take on all kinds of jobs that require technique for different facial expressions on-stage. For us voice actors, charming people are mostly those who are also charismatic on the stage, so I think I also want to become a charming actor.
——Are you able to return to Tokushima regularly even now?
I make sure to go back as often as I can during summer vacation and New Years.
——Are there any parts of your life in Tokushima that have been put to good use in your acting jobs?
I seldom have any chance to come in contact with anything related to acting in Tokushima. Even if I had interest in voice actors and acting, wanted to attend a training school or thought about going to watch a play, they were all things that could not come true if I stayed in Tokushima. That is why I created many opportunities to come in contact with acting after moving to Tokyo, such as joining my university’s theatre research association and attending a school where I could study voice acting. I think I could cultivate something like a hungry spirit exactly because I used to live in Tokushima.
——If there is anything or any place in Tokushima that you like, please tell us.
Awa Dance, I guess. I did not like it that much when I was little, but after I became an adult, the group dance I watched from a box seat was stunning, and it made me so emotional that I started crying.
Also, the park that my grandfather often took me to when I was a child, though I don’t know if it still exists. I would put rice balls and pickled horseradish in a big plastic container and go there. I have memories of eating them with cold tea from a polyethylene teapot with my grandfather, after playing badminton. I want to do the same with my children and grandchildren when I become a parent and a grandpa.
——Yano-san, since you have made your dream come true, please leave a message to the young people who are chasing their dreams in Tokushima.
Time passes in a flash. For now, please do what you can with all your might. It can be anything, like classes, club activities, cultural festivals, sports festivals or romance.
If there is anything you can work your hardest in over there, please try facing it with all you have. It will certainly become a sustenance for your life from this point onward. I believe that it is better to do something and regret it than to regret not having done it.
Should there be anyone aiming to become an actor, please take action while constantly thinking about how you can get closer to the future that you have as your goal. I think there are surely many things you can do even if you are in Tokushima.
If you do not know what you should do after doing a research and reflecting on it, have courage and go consult someone who can give advice. Nothing is in vain, but rather than spending time not thinking about anything, I believe that spending time thinking about whatever is more worthwhile.
Please do your best. I will do my best too.
——Please leave a message for the fans who are cheering for you from Tokushima.
Thank you so very much for supporting me. The other day, when I took part in a recital play being held in Tokushima, I was able to show my acting to my family for the first time. They were very pleased.
Most events are held in the Tokyo Metropolitan Area, so I believe that people cannot go watch them even if they want to. My wish for more and more people to experience an event in Tokushima and see me working has become even stronger.
I will be doing my best from now on too in order to be able to take part in more series, play all kinds of roles, get to do an event in Tokushima again someday and have people come talk to me. I will be counting with your continued support from this point onward too.
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queen-of-my-goofball-army · 4 years ago
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Animaniacs Reboot Episode 2
Welcome back to my ramblings about this incredible reboot!! I love this show so much but I wanted to just enjoy it my first time around. So without any further rambling let’s get right to it!!
-The doctor’s name is hypocrites and I love that!! I’ve had way too many bad doctors over the course of my life and to me that line was gold both in delivery and in word usage. 
-YAKKO AND DOT’S LITTLE HUG!!
-The tropical version of the opening!!
-Dot calling the shots and telling them what to do is one of my favorite things. I love a bossy version of my favorite best girl. 
“I don’t know what she said but this tastes like soap.” My baby I love you so much!! 
-”It’s funny cause they’re wet and they don’t want to be.” A lot of the time Ralph’s lines get a genuine laugh out of me and that was one of my favorites. 
-”I’ll show you a sick burn!!” You go girl, I’ve always been a stan for “feral\angry Dot and this sketch gives me everything that I wanted from her. Also the cartoony bonk sound effect that happens to Wakko baby are you okay?
-”Forget work life balance, time to lean in!!” The octopus in Yakko’s mouth forcing it into a smile- I love him so much. 
-”Yeah and set up a power lunch with Aries cause this means war!!” I love the little nods to Greek Mythology in this sketch!! As somebody with a best friend that is as she puts it a massive greek freak she would love this sketch and after there’s a vaccine I really want to show it to her. 
-”A gradual series of monsters that strip him down one mental and emotional layer at a time?” Dot with a feral smirk is everything that I need in my life. I love how Yakko encourages this side of her though something that most people would be all that’s not very ladylike he seems genuinely happy about. 
-The fact that a monster comes with a boy band-Dot I love you so much
-I legitimately love the fact that Oydsius thinks that everything is kind of a game. Like him thinking that the underworld is based of a show that he loves. It shows his cockiness. 
-“Doesn’t he understand Hades is timeless it’s eternal suffering!!” I love Wakko so much in this segment, love Wakko in general but he’s especially adorable here. 
-”Don’t worry I’ve got one more trick up my toga” 
-WE GOT OUR FIRST OF SEVERAL GOODNIGHT EVERYBODY’S I’M SO HAPPY I LOVED THIS RUNNING JOKE IN THE ORIGINAL SHOW
-I don’t know who’s voicing the Trump cyclops I have a feeling in my soul that it’s Moe though he’s one of their best boys for voice impressions. 
Pinky and the Brain time
-This was one of my favorite segments with the new Pinky and The Brain. I still stan this baller opening theme it’s amazing!! They obviously worked really hard on it. 
-I thought at first that Egbert was voiced by one of my heroes Corey Burton but I was wrong as I found on a different episode. 
-Mouse Kabobs that is so freaking dark. 
-He trains a dragon with treats I can’t-
-”You’re a father?! Egad you look great for someone who’s had kids!!” “Stop heckling my fantasy” “Aye I was watching that!!” 
-”Yay Minstrels!!” “Ugh Minstrels” I love the relationship between these two and how different they are. 
-LEROY JEKINS I’M DEAD
-I ALSO LOVE BENEDICT 
-”Come Pinky perhaps we should hold auditions for the next Edgwind.” 
“Certainly not me why you’d be hard-pressed to find a bigger  supporter of the arts than Sir Brain of Art...isa?” “But you hate the arts Brain you always say that the Renaissance is French for bull-” LET PINKY CURSE PLEASE I LOVE HIM
-I love that the fierce Benedict thinks is the sexy kind of fierce. 
-”I don’t want your tears I want your fury!!” I LOVE BENEDICT SO MUCH HE IS BABEY
-”Your majesty I the Brain will slay this dragon only in the case of your kingdom.” Does anybody ever get classic Grinch vibes from Brain sometimes or is it just me. 
-Also Pinky with his little drum set
-THE FACT THAT BENEDICT SPOILS BRAIN’S PLANS BY DYING TOO MANY TIMES AND BEING AN ABSOLUTE DRAMA DRAGON IS SOMETHING THAT I FOUND ABSOLUTELY HYSTERICAL MHY FIRST WATCH
-I literally knew people like him in drama class the peak of over dramatic 
-”Knowing you Pinky is it’s own kind of medieval torture.” BRAIN I CAN’T BELIEVE YOU SOMETIMES 
-Him hitting Pinky over the head with the drum set and the ending being a medieval style of their opening theme.  The little things in this show. 
Dot’s Song
-”We’re celebrating something woman should have had long ago.” Dot you freaking tell the people-I love her so much
-”No animation without representation!!” I love this new Dot so much I know some people had problems with her but she needed to be updated in order to fit the new audience just being cute wouldn’t fly anymore. I relate more with this new version of her character. 
-Wakko and Yakko playing cards in the bathtub was @hc-175 right this entire time?!
-ALSO WILL E WAS ALWAYS ONE OF MY FAVORITE SIDE CHARACTERS IN LOONEY TOONS 
-”I think I speak for everyone when I say God help us” “I’m Dot Warner and I approve this message.” I love her so much!! Tress still killing it 22 years later as one of my childhood favorite characters of the female variety 
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holocene-days · 4 years ago
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what are your favorite jonas and martha scenes in season3?
oh my god they KILLED me this season!! i always loved jonas and og martha (moreso on my rewatch before s3) but the way jonas and alt-martha interact kills me because like.. she’s the person he loves most in the world but isn’t at the same time and she has no idea who he is but they’re literal soulmates, the origin of everything, adam and eve, and then the angels at the end who save everything and everyone.. s3 for them was just... a lot lol
as far as moments go, one that majorly stands out to me is when they’re in martha’s room after visiting the middle aged version of her and the interaction they have right before they kiss and then have sex is so perfect... like the way she’s like “when you walked in the door i swear i knew you like i had seen you in a dream before” WHICH SHE HAD WHEN SHE WAS A KID BUT IT WASN’T A DREAM!!! and then she gets sad and insecure and upset and is like “the martha in your world.. what was she like? was she like me?” because she knows he loved that martha and she starts crying and then he puts his nasty ass gross dirty fingernails hand on her face to comfort her and then HE starts crying and she also strokes his cheek and UGH THE WAH THEY LOOK AT EACH OTHER AND THE VULNERABILITY OF THAT MOMENT IS INCREDIBLE THE CHEMISTRY IS INSANE like the moment is so delicate and quiet and there’s barely any dialogue for the whole like 2 minutes or so of that moment besides her lines but it’s so so vulnerable and you can tell they’re both scared and confused because they’ve just been told they have to save the world in like 2 days and they both need comfort and he loves the other version of her but not her and she knows that but she needs him in that moment and they’re both crying and ugh i could go on forever about that moment (AND THEN HOW LABRYNTH SONG PLAYS LATER DURING THE MONTAGE WHEN THEYRE HAVING SEX.. THE L Y R I C S like genuinely fits them and the show so perfectly and i’ve thought about making a lyric analysis breakdown of that song in relation to them and the show lol)
and the scene in front of the cave where jonas is explain the suicide mission they have to go on to alt martha and is like “we’re the problem.. we’re the glitch in the matrix”... which is a direct callback to the scene og martha and jonas share in the very first episode where they’re like “déjà vu is a glitch in the matrix” “or a message from the other side”.. THE TWO DIFFEFENT WORLDS ahskdhajs the whole show was in front of us the entire time and i have a post explaining this moment in detail (and other ones that i’m describing here that i’ll link when i’m not on mobile) but oh my goodness realizing that the theme of glitch in the matrix was actually THEM the whole time.. incredible
oh my god wait and speaking of the cave the moment earlier on in the season after she cuts her face and they go to visit eva and he’s like “this is wrong, i’m wrong here” and she’s like “this is wrong??” (they literally just had sex the night before) and kisses him passionately and then just walks away and how that’s a DIRECT parallel to the scene of them in the rain in 1x9.. THE WRITING IN THIS SHOW
oh my god and then later in the cave when he returns the question (after having just met alt martha again for the first time) and is like “the jonas in your world.. what was he like..?” and they’re both crying and THE LOOK ON HER FACE BECAUSE HE DOESNT KNOW WHAT THEY DID TOGETHER AND THAT THEY HAD THAT NIGHT AND THAT THEY KIND OF FELL IN LOVE AND THAT THERE IS NO JONAS IN HER WORLD OH MY GOD UGH and then the blue glitter starts twirling through the air and they both look at it in awe and sadness with tears cascading down their faces because they both know this is their fate, they’re about to sacrifice themselves and not exist anymore and it’s so beautifully filmed and they know it’s what they have to do but they’re about to die so it’s so sad ugh
and then the FUCKING LIGHT TUNNEL SCENE and how he and alt martha have known of each other their entire lives despite living in different worlds and not realizing it until they’re on a suicide mission to save the world.. GOD and the way when they meet up they just looK at each other and know that this is the moment they have to go and jonas sets up the time machine and they walk forwards into the light, hand in hand, leaving their fates of becoming adam and eva behind and instead becoming the angels that save everyone
and then their death scene... the way they realize seeing themselves as children wasn’t a dream, it was a MEMORY!! and martha is like “is that all we’ll be now, a dream?” and they’re both crying AGAIN BECAUSE THEY BOTH CRIED THE ENTIRE SEASON TOGETHER and they start glitter fading away into gold and jonas looks at her, finally peaceful because he’s completed his hero’s journey of stopping his own existence despite he’s about to die, and he says THE LINE to martha one last time “we’re a perfect match” and reaches out his hand for her to hold and she holds it back and he steps closer and says “never believe anything else” and they they both fade away together... i just.. it was the most perfect ending to their story ever and i’m so so happy with the way that scene was done.. the fact that as he’s dying he reminds her that he loves her and that they’re soulmates despite that not being HIS martha or his alt-martha that he spent all that time with.... and they both have no idea that martha is pregnant with their child....just leave me in a puddle of tears
anyways jonas x martha 4ever i love them (og and alt) and their dynamic is just incredible and the way they interacted and pieced together what they had to do in season 3.. so incredible and beautiful and bittersweet and heartbreaking.. also yeah anytime there was any sense of parallel to something earlier that was then repeated between them drives me CRAZY and gets me SO emotional bc the show is all about repetition and time and so the parallels are all symbolic and the creators of this show are pure genuines for the way they craft this and lisa vicari and louis hofmann are just so brilliant and their performances as martha and jonas and the chemistry they have and the strength and vulnerability and complexity they bring to both of their characters.. just incredible i can’t say enough wonderful things i love them and this show so much <3
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extraordinarilyextreme · 4 years ago
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finally watched Guardian (2018) and i need to talk
Warning: contains MASSIVE SPOILERS, probably too much music/song analysis, my poor translations from Chinese to English, and some references to the original novel (disclaimer: my novel-reading was mostly jumping around because i have a problem where I’m not fluent enough to read the original Chinese novel and I don’t usually like English translations)
1. the freakin opening theme: We Won’t Be Falling by Chen Xueran... (also I see you Tina Guo on the cello thank you queen)
the amount of chills i get every time an episode starts,,, fantastic! marvelous! the lyrics are very VERY apt to the story of Guardian, esp this drama adaptation
(“We are the one/We will be holding on/For the promise we held for life/For the people we love are leaving” ... “And the story will keep on going”)
1.1. the promise? may i direct you to novel chapter 75? 
Shen Wei: “Sometimes I think if one day you can remember everything, then I will be able to say to you: look, I did it, I did all that I had promised you; not one bit did I miss, not one word did I go back on.”
they promise to keep the peace, to protect both Haixing and Dixing; and in the show, it’s a promise they keep with their lives
2. Zhu Yilong plays THREE characters and is able to differentiate them perfectly with particular microexpressions
-Ye Zun (literally, “Respect the Night”; “Lord/Master of the Night” would be a better title) sets off my fight-or-flight instincts even though i think his name tries a little too hard to be edgy; the way he sneers, the smiles that don’t reach his eyes, also that infamous tongue flick when Zhao Yunlan sees through the act... i think it’s both great and sad that Yunlan could differentiate the twins because, why, Shen Wei would never be so openly flirtatious (and wear a deep-cut shirt like that lol)... the delivery of “Xiao Yunlan” disturbed me so much—wonderful, stellar acting
-Black Cloaked Envoy: does his best to bend the rules where he can for the Dixingren because he’s just so fundamentally GOOD; he’s empathetic despite how stern and strict he seems to be, and how much he claims to enforce the clearly-cut laws... he’s an absolute babie ten thousand years ago (Yunlan, doesn’t it hurt your conscience to flirt with such a babie?)
-Shen Wei: in the novel, his name (both surname and first name) are given to him by Kun Lun’s incarnations—there’s a lot of power in naming something, in naming someone; he’s good-natured and gentle, always polite... he pushes up the glasses [that he doesn’t need] a lot, perhaps because he’s used to pushing up his mask as the Envoy
2.1. i find it very striking that Shen Wei dies without his glasses; he doesn’t die as the Envoy, he doesn’t die as the Professor; he dies as a person, as the person who loves Yunlan the most and has loved Yunlan for ten thousand years
2.2. the other notable moments we see Shen Wei without his glasses are where he apologizes to Yunlan [and Yunlan apologizes at the same time because they’re pining idiots] for not noticing the camera in his office, where he sets aside all his pride as Envoy and Professor and kneels in the rain for the man he loves (lwj kneeling after visiting the Burial Mounds, yea?), and of course after he slices up an orange [cuz food = love] only to find Yunlan asleep and drapes his jacket over the silly silly man... anyway, Yunlan is indeed the only person Shen Wei is comfortable enough to reveal everything to, all defenses and masks (literal and figurative) lowered
2.3. that last instance (ep 26) is when Shen Wei pulls out his necklace and reminisces as he gazes fondly at Yunlan; the song that plays during this is 《乱心曲》or “Chaotic Heart Song”... may I direct you to novel chapter 65 where Yunlan finds all the paintings and pictures his Xiao Wei has kept from the centuries?
“邓林之阴初见昆仑君,惊鸿一瞥,乱我心曲。” which translates to “In the shade of the woods I first saw Kunlun-jun; a glimpse of his grace wrought chaos in my heart’s song”
2.4. but also let’s not forget the [in]famous cut wrist scene of ep 23, where our dear Shen Wei, without glasses, as a person who loves Yunlan—not the aloof Envoy or the well-spoken Professor—is reduced to two words: “Worth it.” Yunlan is worth everything to him; this goes without question, without a second thought. Kun Lun (Yunlan) told him not to regret whatever decisions he’ll make, and Ye Zun scolds and laughs at his brother for giving up his life for a human/Haixingren, but of course Shen Wei doesn’t regret dying to protect Yunlan, dying to protect Haixing. (also, peep the behind-the-scenes where Shen Wei grabs Yunlan’s hand for a moment as he blocks the attack from Ye Zun)
2.5. on this same train of thought, Da Qing brings up a line from ten thousand years ago where Shen Wei claimed he would never kill unless it was for the world... and, well, he kills for Yunlan doesn’t he?
3. Bai Yu plays our charismatic Chief Zhao Yunlan/Kun Lun and hoo boy does he do an excellent job; the found family vibes of the SIU are spectacular and the way he flirts with tries to recruit Professor Shen is endearing and touching
3.1. there’s another piece from the OST called 《一点真心》, translated to “A Little Sincerity” though I would use “A Bit of a Sincere Heart” because it too references the novel
Kun Lun’s confession to Xiao Wei: “我富有天下名山大川,想起来也没什么稀奇的,不过就是一堆烂石头野河水,浑身上下,大概也就只有这几分真心能上秤卖上两斤,你要?拿去。” [I’m rich with famed mountains and endless rivers under heaven, but none of it feels rare when I think about it. It’s all just a pile of broken stones and uncultivated streams. From head to toe, there is probably only this bit of my sincere heart that is worth anything weighed on a scale. You want it? Take it.]
Zhao Yunlan’s confession to Shen Wei: “我别的东西也有���只是你可能大多都看不上,只有这一点真心……你要是不接着,那就算了吧。” [I have other things, only you probably would not think much of them. There’s only this bit of my sincere heart... If you don’t want to catch it, then forget it.)
And Shen Wei’s reply to Yunlan’s confession is of course “我接住了。” [I’ve caught it.]
3.2. the novel is a happy ending because Xiao Guo’s important role actually plays a part (i literally don’t understand why the show couldn’t do that after they built up so many expectations about his good character/merit/inability to be corrupted but ANYWAY)... Shen Wei, Xiao Wei, the little Ghost King has a soul and wow isn’t that just beautiful after everything he did to become worthy/deserving of Kun Lun’s attention and love
4. the Zhang Ruonnan and Wang Yike (death-touch Dixingren) case in ep 3 is an obvious parallel to the “brotherly” relationship of WeiLan... Shen Wei’s line of “Many tragedies were destined from the start” references the show of course but also the paradoxical precognition that marks the drama version of WeiLan; in both of their “first meetings”, one of them was always already in love with the other—Yunlan, as Kun Lun, knew he would have to return to his own time at some point and thus doom this impressionable young Envoy to ten thousand years of waiting and Shen Wei (honestly in a Code Geass Lelouch kinda style) knew he would have to die to defeat his brother
4.1. the importance of “touch” in this case alludes to novel WeiLan, where of course Shen Wei watched over all of Kun Lun’s incarnations but wasn’t allowed to get close to him because hungry ghosts would inevitably devour the essence of the people around them; similarly Yike was terrified of touching Ruonnan all this time... but Ruonnan accepted her (just like how novel Kun Lun lets this intriguing little Ghost King trail after him)
4.2. speaking of Shen Wei’s grand plans and the idea of “knowing”, Yunlan reminds him that “You are not a weapon/blade, you are a person.” and wow once again, only Yunlan can pull the humanity from Shen Wei, who has carefully crafted his disguise and personality to fit what people expect of the Envoy and the Professor... but alas, Shen Wei fulfills his promise by in fact making himself a weapon; he poisons himself to become a bomb that will take down his brother
4.3. as many qualms and complaints as I have with Chinese censorship, much in the case of WangXian, i think i prefer the drama version of WeiLan to the novel version; the plot of the Guardian novel is a lot better in my opinion (with references to mythology and legends, as opposed to, what, aliens?? mutants from X-Men? quirks in My Hero Academia??) and yea the relationship of Kun Lun with Xiao Wei is built up a lot better and makes more sense than the time-travel of Yunlan masquerading as Kun Lun with Shen Wei... but there’s an unadulterated, unconditional kind of love that runs through the drama, whereas the novel had some darker (though probably more realistic) vibes of near-possessiveness and ulterior motives... Kun Lun/Yunlan in the novel can be, well, cruel, which is not necessarily out of character; it’s just seems a little wrong to me that you could threaten your partner in a relationship (if you keep things from me again, i really will turn against you + had i known xyz would happen, i really should have killed you)... plus i’m always a sucker for love without an “i love you”, a love that’s conveyed entirely through actions and gazes
5. Yunlan asks Zhou Weiwei (the mirror case) where her jacket was bought because he “wants to get one for [his] girlfriend” and lo and behold, what similarly-styled and colored coat does our Shen Wei show up in a few episodes later? (also the fact that Shen Wei dies wearing this jade-ish-blue-ish coat)
6. boyfriend jacket during the Moutain-River Awl case... boyfriend jacket!!!! Shen Wei claims he doesn’t need it and well he still wears it anyway because Yunlan’s love is unstoppable
6.1. the way Shen Wei grabs Yunlan’s elbow before running down the hill
6.2. Shen Wei being so freaking fine-tuned to Yunlan’s discomfort/pain as always that he drinks wine for him (and passes out immediately—heroics/bde of yllz! wwx and the alcohol tolerance of our dear lwj)
6.2.1. when Minister Gao brings up Yunlan’s dad and the Chief’s hands tighten... and of course nothing can go by Shen Wei, so he changes the topic of the conversation; also the way he leans forward as if to shield Yunlan
6.2.2. Yunlan is similarly Aware of his boyfriend’s boundaries; cue him politely excusing themselves from the dinner with Vice-Minister Guo when Shen Wei (of all people!) fumbles with his chopsticks
6.2.3. Yunlan also blocks Shen Wei from Minister Gao’s sight (subconsciously?) after that wedding showdown... even though he’s unhappy that Shen Wei has kept the identity of the Envoy from him, he trusts the other man enough to recognize there must be a reason; thus he doesn’t want other people to pry into the possibility that Shen Wei is a Dixingren
6.3. also, also that Shen Wei lets Yunlan have his way and use him as a pillow in the car once again (he also adjusts the actual pillow beneath Yunlan’s head to make it more comfortable)
6.3.1 the other Shen-Wei-is-Yunlan’s-pillow scene is when the professor picks up the poor hurting Chief off the road and in the taxi ride home... apparently this was an improvised scene from Bai Yu who just wanted to mess with Long-ge and our great Zhu Yilong just stayed in character and ran with it
6.3.2. the other notable improvised scene is the cute “Black Cloaked gege~ please be careful~ there’s someone is waiting for you at home~” [sorry that i don’t remember the exact line] but once again our great leading actors just stay perfectly in character
6.4. after Shen Wei wakes up from a night of being drunk (lol) Yunlan has left a note for him “I’ve gone back first, stay in touch. -Zhao” and what’s that on the corner of the note? why it’s a winky face
7. when Yunlan grabs the fake Zhang Danni’s wrist to confirm his suspicions, Shen Wei narrows his eyes... (lol is our Black Cloaked gege jealous)
8. when Yunlan claims he can swallow the painkillers dry, Shen Wei clenches his jaw in his anger at this idiot of a man for not taking better care of himself... you’ll find that a lot of Shen Wei’s anger is directed toward his husband being a self-sacrificial fool
8.1. after Yunlan uses the Hallows again and his nose begins to bleed, Zhu Yilong in all his acting glory has Shen Wei furious to the point that his lips tremble (cue Shen Wei angrily shoving a handkerchief into his husband’s face) [i really want to know if they ever broke character during this scene due to their proximity lol]
8.1.1. Shen Wei all but invades Yunlan’s personal space (he really does stand there between Yunlan’s legs guys) and he’s so careful even though he’s angry as he tries to stop the nosebleed; he’s aware the force might tip Yunlan backwards, so he immediately rests his hands on Yunlan’s thighs/knees to steady him
9. Yunlan has claimed that he doesn’t do things for the sake of gaining anything in return and yet every time he’s wanted things from dear Shen Wei... “take off your mask and smile for me”, “join the SID”... the sexual tension is Unreal during these scenes lol, you can see Shen Wei swallow visibly in anticipation + babie Shen Wei of ten thousand years prior all but chokes on his words when he promises to do ANYTHING Kun Lun wants him to do (honey where is your mind GOING???)
9.1. Bai Yu does have a bruise on his knee after the scene where Yunlan asks Shen Wei for something... dunno if it’s the actor’s bruise or the character’s bruise, but if it’s the character’s bruise—how did he get it? what exactly did WeiLan do that evening lol
9.2. also peep the fact that Yunlan almost always has a lollipop in his mouth when talking to Shen Wei... oral fixation much? (also the whole sequence where he tries to explain how to eat a lollipop to babie Shen Wei, wow the amount of homoerotic tension)
9.3. babie Shen Wei’s ears and cheeks are SO RED when Yunlan snatches the mask off his face
10. Yunlan’s hairstyle changes after Shen Wei joins the SIU (joins his family), much like how a bride would change her hairstyle after marriage in China ¯\_(ツ)_/¯ (random note but CQL WangXian does this too when lwj puts his hair down/styled over the front of his shoulders when wwx wakes up 16 years later)
11. the first time we see Shen Wei spit up blood, there’s an echo of “Xiao Wei” faintly and Shen Wei mutters to himself “Xiao Lan” before looking up and saying louder “Zhao Yunlan” (nicknames/pet names/names only your family or lover can call you... this trope is good)
11.1. i also think a lot about how in the novel Kun Lun muses before he dies that it’s a shame he won’t see this Little Beauty [Xiao Wei] grow up to be a Great Beauty 
12. Shen Wei’s funny little eyebrow raise when Yunlan accidentally reveals he broke into the professor’s apartment once ( “riiiiiiiiight i definitely believe you”)
12.1. though the ep 23 scene is angsty, the fact Yunlan says “It’s the middle of the night, were you hungry?” seems to imply their relationship is a lot closer than just neighbors... they’re probably used to sharing an apartment/room at this point :)
13. when Yunlan is hurt, Zhu Hong looks to him but he only has eyes for Shen Wei
13.1. after Yunlan is blinded, Zhu Hong is the one cradling him but he calls for Shen Wei first and reaches for his hand; Shen Wei of course responds immediately “it’s me”
13.1.1. both times after Yunlan gets his eyesight back, the first thing he sees is the person who loves him the most
14. Shen Wei warms up the congee in the morning with his magic after he watches over Yunlan when his stomach pain acts up (domestic use of magic? yes please)
15. the bomb defusing scene in the hospital (video game -> reality case) really is framed like a wedding proposal... also the way that Shen Wei smirks lol he’s so proud of his husband
16. after his Envoy identity is revealed, Shen Wei all but abuses his Black Cloaked Envoy voice to stop his stupid husband from doing stupid things that will hurt himself and every time Yunlan is properly sh00k by it
16.1. we really go from Chief Zhao remarking in the Mountain-River Awl case that he’s used to ordering people around, not receiving orders to married bickering with Shen Wei to then agreeing to everything Shen Wei tells him to do
17. the fact that “Shen Wei, ah, Shen Wei... You are such a good person, how could I bear to let you go?” is an actual line from the censored DRAMA astounds me, nevermind that Shen Wei just made breakfast for his man and Yunlan is basically pouting up at him from the bed
17.1. the way Yunlan’s dad warns him to stay away from Shen Wei and Yunlan responds with something like “he’s sincerely good to me, I want to be with him”... “be with him”???? [inhales deeply] yea this is definitely a “brotherly relationship”
18. Yunlan’s “WOW” after the Envoy kills the monsters in the cave of the Mountain-River Awl case is hilarious and i dont understand how such a noise is physically possible,,, it sounds like a growl?????
18.1. Zhu Yilong was asked to mimic it during an interview (which he did not do and only half-heartedly gave a “wow”) and then Bai Yu did it again
19. also i inevitably got attached to the side ship of Lao Chu and Xiao Guo... they have so much skinship for a censored “brotherly relationship” lmao
the amount of face-touching and hand-holding that they do is unreal... they’re more canon than WeiLan in the drama adaptation methinks 
20. 《时间飞行》or “Flying Across Time” sounds like Yunlan’s reply to Shen Wei’s《只是太在意》or “Just Cared Too Much”
20.1. the lyrics of both these songs really cements this idea that both of WeiLan believe the other to be too good... Kun Lun was a god in the novel, and Xiao Wei was just a soulless little Ghost King... and then we have the incorrigible Chief Zhao pining after the beautiful and kind Professor Shen... i just have a lot of feelings about them becoming better people for each other, that their love really does make each other stronger
21. my favorite two pieces from the OST are Shen Wei’s theme (arranged by Kun Luo) and Kun Lun’s theme (arranged by Chen Xueran)
head’s up: it’s been like four years since i last even glanced at music theory so a lot of this might just make no sense to an actual professional
-Shen Wei: written in 4/4 time, Ab Major, melody is primarily carried by piano + strings; the piano almost sticks exclusively to triplets whereas the strings are in steady whole, quarter, and eighth notes—which creates in interesting impressionistic effect, kind of like hazy smoke or the ripples across the surface of a lake; every single measure uses decrescendo, so the first triplet is always the loudest and the three that follow get progressively softer (mimicking an echo)... the piece ends on the seventh note of the scale, which is usually a pretty awkward place to end and yet it doesn’t feel wrong it all; the piece uses a ritardando in the last three measures, and we simply drift off with that last G... i think it’s a beautifully written piece that perfectly portrays such a complex character as Shen Wei, someone who loved with everything he had, and was just so overwhelmingly good... and then he simply disappears as if the dream has ended. it makes me think of how he guarded over Kun Lun/Zhao Yunlan for thousands of years in the novel, never ever ever daring to meet him... and yet the other man always felt like he was waiting for someone
-Kun Lun: written in 3/4 time, a minor, there’s no real complex shift in the melody although there’s brief modulation into E major (dominant/fifth note); it’s a fairly somber piece, especially when the strings join in... it’s a steady waltz, and it finishes with the scale (second to last major is g, last major is a), like a circle coming back around [like their love story perhaps?]... there’s a finality to it, a completeness, a wholeness, which makes sense in the drama-verse because the moment Yunlan takes up the name of Kun Lun is when his love story with Shen Wei all fits together. the piece feels a little lonely in its minor key and all, a little sad, indeed as if you were standing at the top of a mountain surrounded by clouds and mist... the constant meter also reminds me of like the steady drip of water, the perpetual and inevitable passage of the days and time
-i don’t really understand how because the keys of the two pieces don’t fit together easily, but somehow it doesn’t feel wrong to play the pieces back to back; the melodies of both seem to call upon each other despite the differences in key and time signature, so it actually feels right. a circle without a beginning or an ending, wouldn’t you want your love to be so infinite?
-when yunlan finds shen wei in their bubble outside of time, when shen wei is about to leave him, shen wei is wearing the outfit of their first meeting. and the lyrics go “Across time, I am in the same place”... surely, they will find each other again.
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crdenhart · 4 years ago
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10 Movies You Should Watch This Halloween 2020
It’s the first full week of October, so Halloween is in full swing! This year, I continue my tradition of recommending some excellent films to watch during the Halloween season but with a COVID-19 twist for many of the movies on this list. Here are the 10 movies you should check out this Halloween:
The Texas Chain Saw Massacre (1974)
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“My family’s always been in meat.”
This movie recently got a 4K remaster making it look even more gruesome than ever! The film feels so real compared many other slasher horror films with the deaths coming out of nowhere and the killings being hyper-realistic. They even used real skeletons for the making of some of the scenes! The sound design also is something so terrifying; you’ll never want to listen to the sound of a chainsaw ever again!
The Rocky Horror Picture Show (1975)
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“Let’s do the Time Warp again”
One of the most fun horror movies of all time celebrates its 45th anniversary this Halloween! I like how the film satirizes the B-movie mad scientist genre and Tim Curry gives a stellar performance as Dr. Frankenfurter. Also the songs are so fun and catchy and will get stuck in your head forever! My favorite songs in the movie are “Science Fiction Double Feature” and “Hot Patootie - Bless My Soul.”
Hausu (1977)
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“My fingers are gone!”
“House” is the title in English. This trippy Japanese haunted-house movie is a real treat for the eyes! The film is so mesmerizingly weird with its flashy colors and cartoon-like special effects. Definitely one worth checking out if you are looking to feel terrified and strange at the same time!
The Hunger (1983)
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“Forever and ever!”
David Bowie as a vampire... yes please! The makeup and effects are really good in the movie especially in the scenes as Bowie’s vampire character ages rapidly from lack of drinking blood. The film has some creepy sequences, including some intense scenes in which it seems as though Bowie’s vampire is going to claim another victim and a scene in which Susan Sarandon’s character comes across several coffins of vampires. Definitely one of the scariest vampire movies of the last 40 years!
Ghostbusters (1984)
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“Who you gonna call?”
We didn’t get the highly-anticipated Ghostbusters: Afterlife this year because of the pandemic, so to tide us over until it comes out, this Halloween would be a good time to revisit the original horror-comedy classic. Bill Murray, Dan Aykroyd, Harold Ramis and the rest of the cast give some of their most memorable performances in this movie. Growing up I used to watch this and its sequel in the ooze-green boxset that included a couple animated episodes; highly recommend tracking a copy down if you want the best Halloween viewing experience.
The Exorcist III (1990)
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“I have dreams… of a rose, and then falling down a long flight of steps.”
This movie might be one of the best horror sequels ever made! George C. Scott gives a fantastic performance in the lead role as do Jason Miller (returning as his role of Father Karris from the original Exorcist) and Brad Dourif as the Gemini Killer. I saw many of the filming locations when I visited DC back in 2015. A majority of the movie takes place in a hospital, which is usually scary enough on its own. There is an especially frightening scene involving a possessed patient and surgical scissors! This year marks its 30th anniversary, so this Halloween would be a good time to check it out if you haven’t seen it in a long time or are a fan of the original and never saw this one (you can actually skip the second one as this film makes no direct references to that movie). There is a director’s cut that was released a few years that provides some good deleted scenes and extra dialogue, though overall I prefer the theatrical cut.
Halloween: The Curse of Michael Myers (1995)
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“Michael Myers is my business!”
This 6th entry in the Halloween series celebrates its 25th anniversary this year. Lots of fans consider this the “worst” of the Halloween movies, but I find lots of good merits in the film, especially the producer’s cut released 2014 which features several extended and alternate scenes. I really like the Halloween (holiday) scenery of the film making it feel like it really takes place on October 31st unlike most of the series particularly in the scenes taking place at the Halloween carnival (the “red rain” scene being a highlight). The cinematography and suspense also are superior compared to many of the sequels, probably the closest the series has ever come to capture the style of the first two films. I also like how the film explores the mystery of Michael Myers more so than the other ones giving him a reason for his killing nature other than he is just “evil.” This movie is the last time Michael Myers is actually scary and not just a “killing machine” or some dummy for Busta Rhymes to kong-fu fight (ie Halloween: Resurrection). This also marked the final appearance of Donald Pleasance as Dr. Sam Loomis as he died in real life shortly after filming his scenes. Definitely check out the producer’s cut if you have never seen the film or you have only seen the theatrical cut as it makes it one of the best Halloween films.
Goosebumps: “The Haunted Mask II” (1996)
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“That’s no mask! That’s your face!”
Everyone is wearing masks these days, so what a fitting episode of Goosebumps to watch this Halloween! This is one of my favorite episodes along with the first one from 1995 (which was on my 2018 Halloween watch list). The scenes set in the basement of the costume shop are so creepy; something about abandoned places, especially in the dark, have always frightfully fascinated me. I used to watch the VHS of this movie every Halloween at my grandparents’ house and always hope they would do a 3rd one. Maybe someday!
Cabin Fever (2002)
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“I don’t want any of us getting sick!”
Everyone is worried about coronavirus right now, so this Halloween would be the ideal time to check out this slasher in which a deadly virus is the killer. Really creepy shots of people getting infected and dying from the virus; the movie will make you a germaphobe! Interesting note that David Lynch was originally going to produce the movie but backed out during production, however Lynch’s frequent composer Angelo Badalamenti provides some of the music for the film.
Doctor Sleep (2019)
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“We’re all dying. The world’s just one big hospice with fresh air.”
This sequel to The Shining was released last November nearly 40 years after the original, but it was well worth the wait! The film visually maintains the same style and tone of Kubrick’s original film while expanding upon some of its themes but without giving too much information as to ruin the mysteries surrounding the original. Like some of the other films on this list, there is a director’s cut which fleshes out scenes and characters; highly recommend it!
As a Halloween treat, here is a shot from my new spiritual horror film Sister, which should be released sometime this coming year! Happy Halloween everyone!
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