#I also love how I can empathize with characters that I don't like

[aokuro-san]

Regarding chapter 293 of Blue Lock… (Comment/Personal opinion)

Okay, I think… I have some things to say about this chapter ending because I see that, in general, the vast majority of fans are quite disappointed. However, I don't think that it's the author's fault (or the authors, in this case). The problem is our own emotionality (which is not a bad thing, but we have already seen that the author leans towards rational and logical decisions when playing a game). We have the point of view of ALL THE PLAYERS, and that, whether you like it or not, provokes a certain empathy in you (if you have it). But the authors DON'T GIVE A DAMN about this. It is said from the beginning: HERE THE IMPORTANT THING IS TO WIN. Nothing else matters (although for us IT IS NOT LIKE THAT, okay).

But going to the chapter…

Without a doubt, I would say that it is one of the most consistent mangas that I have read in a long time. And the mangakas know their characters perfectly and how they are going to act.

Oh, yes, I also wanted Ness to score. Or Kunigami. BUT BECAUSE I EMPATHIZE WITH WHAT THEY HAVE SUFFERED (especially Kaiser's mockery of Ness in front of Isagi… Ugh. I get pissed off just thinking about it. And look at how Kaiser has suffered too! But he is such a son of a bitch, that he doesn't deserve to win right now, honestly. Of the two, I think that Kaiser is a much worse player than Ness, honestly, and I think that Ness, without him, has more chances of getting ahead).

However, CHANGING IS NOT THAT EASY FOR EVERYONE. Isagi is the KING OF ADAPTABILITY, just as he has been defined in some panels (and he also loves to win -like Ego, haha- and he is quite a fighter and impulsive; a guy determined in his objective). And it is NATURAL that HE is the one who can most easily intercept a goal. Especially because, even though Ness tries, IT IS NOT THAT EASY TO GET OUT OF A CONTROL AND MANIPULATION THAT HAS LASTED FOR YEARS (from the beginning, Kaiser went after him to turn him into his subject…). But we EMPATHIZE, we feel BAD (I confess that I cried my eyes out -this is very hard for me, okay?- with the end of the U-20 because I wished with all my might that Rin would score… But it didn't happen. And it hurt like hell, haha, and I scored volume 17 with one point less just because of that, hahaha). That makes Isagi's goal take away from us, rather than add to us. Although it is LOGICAL and COHERENT that HE IS THE ONE TO SCORE THE GOAL OF ALL THOSE PRESENT (how this boy has improved, haha) due to his ALREADY DEMONSTRATED SKILLS (oh, and he is also quite manipulative -although I don't think he is one hundred percent aware of it-…).

Regarding PxG vs. Bastard München being the worst game of the League, blah blah… I don't agree at all. For me, this one and the one vs. Machine City HAVE BEEN AWESOME. I think the problem lies in the fact that reading the manga in one go is not the same as reading a chapter every X time. So you always have to keep that in mind when reading something published weekly in my opinion. Because if you read the game in one go, I'm pretty sure you'll see the epic battle that was created here, honestly (which is also logical, because we're facing the two best teams in the league and, whether you like it or not, that has influenced why it lasted so long: we're facing very good players (in general) who will give anything for the game… And it has been proven in spades).

On the other hand… I think that sometimes we forget that at one point in the game THERE WERE SEVERAL PEOPLE, including MYSELF, who wished ISAGI TO SCORE (which hadn't happened to me for a long time). And now that he's here… It tastes bitter. Like most of his goals. Because we can't stop thinking about the ones we thought deserved to score; because we have feelings, at the end of the day. But… would we win any game thinking like that? Would we score any goal? Let's think about it seriously, because that's what it poses. Sometimes the objectives of one, unintentionally (or not) crush the objectives of others. Because we can't all be the best. And that's what Blue Lock offers us. A great manga in my eyes.

Anyway… That's what I think, I hope there's PEACE in the comments, because the last time I said something about a manga here on Tumblr they got down on me a bit, hahaha.

Have a nice day!

[scarlettfevor]

When I wrote this I was barely done with the girl a section and now I'm writing THIS when I'm barely done with girl b, and I just want to say that I am REALLY enjoying this novel. I was a little confused about the characters and I don't like judging the books I've read when I'm barely into them and/or there's still lots of stuff that I don't understand so I went back and reread the entire girl a section (bc I was a bit unclear on things thanks to the audiobook) and I'm proud to say that now I completely get whats going on and whos who. Lastly, I really fucking love this book. It was so bizarre to hear the narrator describe tumblr and the sims 4 to me, like I don't like how similar I am to Violet. But thankfully even though I'm interested in true crime I don't consider myself to be a true crime buff or armchair detective, and I definitely don't have a "favorite serial killer" jfc Violet. But when I first started this novel it was looking like 4 stars and now that I'm nearly 2/3rd of the way through it still is!! I'm so happy because like I've said before, most popular thrillers are trash but this has a level of detail to not only the characters and the relationships but the side characters and the history of the town that you NEVER see in thrillers. I'm kind of obsessed with this book and will probably finish it today, and I want to read boy parts after this because I am also mildly obsessed with Eliza Clark

Finally got ahold of the audiobook of Penance by Eliza Clark and I have mixed emotions about it. On one hand I love the premise and I feel like it's written well enough to where I feel like the author isn't going to clumsily stumble through her own story and fall on her face at the end like the majority of popular thrillers. But also this story suffers from having someone who hasn't been in school for a long time attempting to write teenagers. The funny thing is that whenever I see a horrible portrayal of teenagers, specifically of zoomers its never like, inaccurate portrayals of slang and trends that most teenagers cringe at, it's extremely unnatural dialogue that I don't understand how even a 30 or 40 year old can't see how awkward and cringe and flat out bad of a portrayal they're doing. You can claim that it's regional differences, even if we were all teenagers once I still don't know what it's like to be a popular mean British girl, but I'm fairly certain that actual popular mean British girls don't go around describing themselves as popular mean girls. The funny thing is that they've mentioned several times that these girls (ok it was actually like one girl but she introduced too many characters and I got confused so I can't even remember the name of the girl who said it) are trying to imitate the mean girls in popular American shows/movies. But I think that it's SO funny how instead of going for the obvious Regina George or maybe the more posh Blair Waldorf, they chose Sharpay Evans....I'm very familiar with the popular mean girl trope because I always love the girls who fall into this category and I can say with 100% certainty that none of these girls act like this either. I don't know what the author is going for but it's very painful to listen to.

[the-knight-of-the-stars]

Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?

Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?

Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.

Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.

Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?

Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????

Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.

I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.

Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.

Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.

My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.

That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.

Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.

And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.

The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.

And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.

I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.

What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.

Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.

None of that gets any meaningful resolution.

I am glad if you liked it, or got something from it, you are entitled to your opinion.

I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.

That's all I have to say about that.

[possessiveandobsessive]

🚨🔥 Hot Take Alert 🔥🚨

Neve and Bellara would've been a WAY better match than Neve and Lucanis.

Neve is so patient with Bellara's dreamy, scatterbrained tendencies. She never gets frustrated or irritated even when Bellara is rambling about things that no one except her really cares to know that much detail about. She calmly calls her attention back to the matter at hand and reminds her where she is. Neve knows how to focus Bellara without killing her spark. Exactly like Bellara said Cyrian did for her.

Neve is also very grounded. She knows what she believes and what she wants and isn't afraid to tell anyone. Bellara is the opposite. She's flighty, distractable, and doesn't seem sure of herself and what she's looking for. Outside of finding the Nadas Dirthalen, she's directionless mostly. Neve is the perfect grounding counterpart that Bellara is missing.

Neve is cynical and jaded, even if Minrathous doesn't fall to the dragon. And if it does, she's colder and hardened on top of that. She needs someone who carries light and love, not someone exactly like herself. Bellara is much lighter and freer. Yes, she's had tragedy strike, she's dealt with loss and pain, but it hasn't made her cold. It's made her more caring and empathetic. She can relate to and empathize with Neve's pain, without bringing more darkness and negativity into the mix.

Plus, they get along great as friends. Neve is Bellara's only real friend it seems from my own playthroughs. Emmerich is kind to Bellara but he's a mentor. The others aren't mean to her, but she seems awkward and unable to relate to most of them. Neve goes out of her way to make Bellara comfortable. She gives her a NICKNAME.

Now, to my thoughts on Lucanis and Neve.

I can understand why the writers made the decision to have them be a couple if they are both unromanced. They have many things in common, and their banter is good and natural. HOWEVER. I think they're too alike to make each other happy in the long term. They both have a more cynical, pessimistic mindset, and wear their pain as armor. They both struggle to be vulnerable and honest about the things that hurt, the things that matter. I feel like rather than encourage growth in each other, they hold each other back from change. Lucanis won't learn to trust anyone because NEVE doesn't. Neve won't learn to have any kind of optimism because LUCANIS doesn't. Yes, they have many things in common, and I think they could realistically be good friends. As romantic partners though? I feel that they could both have so much more character development and growth if they take different paths.

I also personally don't think Lucanis is likely to develop a romantic relationship with anyone in the Veilguard outside of Rook because he's so determined to be closed off and alone, but that's a whole other rant in and of itself. (Let me know if anyone is interested 😁)

[loverboy-radio]

Hello! I was wondering if I could make a request of the Dorm-leaders reacting to a male reader with the Unique Magic of a Empathic Healer? This Unique Magic can allow the reader to heal any and all wounds on the person. However, the wounds are not removed, but rather transferred to the reader instead, acting as if he was the one who got injured. Despite the risks his magic would bring him, the reader can't help himself but use it if it means to help others who are hurting.

Thank you!

thank you for the request it seems to be a very interesting concept. so i'll give it a try. now i don't know if you wanted this romantic or not so i will try to make it both in a way.

Characters: riddle, malleus, vil.

Reader: Male

i have only done some of them as the rest i have no idea what to write for them as the reaction would be the same

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RIDDLE

when he found out your UM he was like "ok he can do that"

until realization kicked in about the fact you hate to see people in pain and have just transferred a broken hand with bone sticking out to yourself.

so now he is making sure people don't take advantage of this and make his boyfriend take their injury for them.

which will get anyone collared even if it was trey.

and thats saying something.

he does at times feel guilty when you decided to use it one him one day. and gave you a lecture about 2 hours long about how these kinds of thing can become very bad over time ect ect.

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VIL

now he is one that would only allow you to use it if he somehow managed to get a bruise.

or if you give him a hickey

anything else he will not allow.

he is very interested about it as it would be something useful to a point.

vil would also make sure no one tries to make you take a really bad injury from anyone like a deep cut, or broken bone.

he would even make sure rook kept an eye on you so you don't do something like that EVER.

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MALLEUS

once he finds out you can do this he will never allow you to use it EVER.

he knows how fragile human can be and as much as he loves and respects your decision. he will do everything in his power to make sure you are never hurt.

and if he finds out you did it without him knowing he feels betrayed.

cause you just did something that will bring you injury on purpose.

and whoever you took the injury from might not be seen again.

but please don't do this you are his boyfriend, his future husband. he will never be able to live with himself if you took an injury that you could never recover from.

[celestialworlds]

sometimes i have byler doubt (scarred by voltron) until i realize the duffers went to one of the best film schools in the united states and know damn well how to make everything obvious but not obvious.

everything in that show is hidden under a thick layer of subtext, just like how will's sexuality was built up from season one to season 4 using basically ONLY subtext and trusting people could see what was happening. that's why i think some people get so worked up about people pointing out stuff about mike's storyline. because they're not paying attention to the subtext. it's not supposed to be in your face. the whole point of subtext is to read into it

the duffers have previously said they dont like anything to be "too on the nose," which is exactly, almost by definition, what subtext helps get rid of. it's supposed to be up in the air because its not in your face. you're supposed to ask questions. that's what makes the reveal of it so fun, and why the show garners so many viewers despite its wicked gap between seasons.

they also love trope subversions:

— the first victim trope: the first person to die in a horror film is usually the "hot one" or the "sexually promiscuous" one to "punish them" in a sense, stranger things subverts this trope by instead having nancy live, and barb die. (not saying barb's ugly shes a beautiful woman)

— the final girl trope: the final girl in horror is usually the one who somehow makes it out alive despite not really being a fighter, being innocent and essentially using whatever they have to fend off the "bad guy". stranger things subverts this trope by explicitly making nancy confrontational, a fighter and just a badass overall.

— the madman in the asylum: subverted the trope of the "bad guy" in the asylum being the villain by instead making victor creel wholly and completely innocent. he's there not because of his own doing, but of his son's.

anyways, i think its kind of expected to doubt it, actually. you're supposed to expect one thing and then be absolutely shocked when that gets flipped on its head. but i could be wrong so who knows!

all i know is that at this point almost everyone is supposed to be empathizing with will, and we know the painting lie pays off in season 5. i don't think they can easily backpedal with will's feelings this late into the series, and even if they wanted to theyve backed themselves into a very cramped corner by making will say that he needs mike and he always will. he's not going to just move on. its mike or nothing for him, and i don't think the duffers are going to pretty much break the one character theyve consistently put through hell and back every single season.

for all my non film major friends on here <3 this is what subtext is and how it works in the narrative

[raven-at-the-writing-desk]

i feel like if ace's UM does end up just allowing him to copy other's UM, it would solve a potential problem which is malleus putting everyone into a state of sleep. like they told us that it would only be lifted if malleus either lifts it up on his own or if he dies and idt twst would kill off a major and VERY popular character. but if they give ace that ability as his UM it would solve that in a way?

but if they do give that to ace as his UM i hope that ace would struggle to copy people's abilities, or at least kinda go through the emotions the original spell caster felt when theyre using their UM or when they first awoken it. maybe like a price to pay to use other's abilities but thats just me HAHAHHA

Yeeeah, that's what I was thinking too. I can't imagine Ace's UM being anything but a UM borrowing/mimicry spell right now (due to his own propensity to easily learn new skills and do vocal impressions)... It would also just be really useful for the end of book 7, since the briar barrier can only be taken down with Malleus's death or with Malleus willingly removing his magic. Given Malleus's stubbornness and being in such an emotional state, I really doubt he'd be able to come to his senses even all these hundreds of parts later. I really doubt whether all of our powers combined can take him down either, given his track record of being so stupidly OP. And it for sure wouldn't be a good move on the Twst devs' part to kill off such a money maker and significant part of their marketing for their series. (I do want to point out, however, that Malleus's insane popularity is exclusive to the international/English-speaking part of the fandom; he is not a top contender in JP and I would say has more of a middling status.) Having someone else reproduce his UM could very easily resolve this issue, but I guess that's also highly dependent on if Ace can get a grip on his UM that fast, or if he can even feasibly iron out the kinks of controlling what is probably a very complex spell. Epel, who got his UM most recently in book 6, still seems to have only a 70-80% success rate with his, so it's possible that Ace doesn't fully master his UM even if he gets it as soon as his own dream. I definitely don't think Ace would be able to use his (theoretical) copying UM to its full extent ASAP, as then we could just cut the dreams short right then and there. I feel like it'd become more relevant during the actual OB Malleus showdown or something. In general, there'd have to be come kind of drawback or limitations to his UM even if he got used to casting it at some point (just for power balancing reasons). Maybe there's a cooldown period, or he can only use the UM as much as his imagination will allow, or maybe it requires that he be able to empathize with the feelings of the original mage.

... Oh, you know what??? That might actually tie book 7 up quite nicely! If Ace's UM allows him to copy the UMs of other mages but only with the stipulation that he must empathize or relate to how they were acting when the original mage used their UM... Wouldn't that mean that Ace has to understand Malleus's loneliness and the fear of being left behind by his loved ones??? ACE CAN ACTUALLY PERFECTLY RELATE TO THAT because he was in denial mode that Yuu would be going home earlier in book 7. On top of that, he's probably also harboring shame for making fun of Deuce so much, only to be the one who doesn't have his UM yet. Ace can totally relate to what Malleus is going through 👀 He'd be forced to confront his denial of his own emotional vulnerability because he sees Malleus displaying the very same behaviors.

Maybe Ace gets his UM early on but has no idea how to use it properly until it comes in clutch in the final battle because he realizes (at last) how Malleus is feeling. Then it’s Ace who becomes the trump card that lets us triumph…! And that brings us full-circle—the final boss being beaten by the first student that we met, our first friend… Ace Trappola 🫶

[slowcatsisland]

Hey, i love your stories, can you do how the warlords (specifically Mihawk, Jinbei, and Crocodile) would react to finding out the reader is a former slave, but the reader is also a warlord themself, it can be platonic or romantic, I don't mind either way.

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Warlords; Involved With A Warlord That’s A Former Slave

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A/N: established romantic relationship (well as romantic as u can get with some of these guys..) Takes place before the Warlord system was abolished. I had a hard time writing this without it sounding too ooc so if u have a different thought abt how some of these warlords would react pls comment and lemme know! I was gonna include Blackbeard but lowkey idek how he’s react I don’t understand him that well and I have free will to not write abt that lil hoe

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Dracule Mihawk: Mihawk was approached by you initially before the two of you became involved with each other. Your abilities and admirable Haki gained you some respect from Mihawk. Particularly your fighting style was something that stood out to him, and he was interested to understand your potential more throughly.

Mihawk’s stoicism and general lack of public presence fit your needs well. Due to Mihawk’s perceptive nature, I’d wager he had suspicions that something happened between you and the World Government because of your obvious aversion to them. Though, lots of people don’t like the World Government, especially pirates so I don’t see him bringing it up unless he was too curious.

Assuming you keep the slave branding covered, Mihawk would only ever see it if you willingly present it to him. I don’t really think that the dynamic between you two will change once he knows. He would probably be more accommodating for you at Muggy Kingdom and understands your character better than he did previously. He himself has his own issues with the World Government and for his partner to be a victim of the conditions that they set up definitely increases his loathing of the world government.

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Bartholomew Kuma: (small disclaimer I’m not too familiar with Kuma’s character either..) Kuma was probably hesitant to become involved with you due to his own enslavement to the World Government both previously and in terms of being a pacifista cyborg as well as being a revolutionary member. Though through small, private interactions over the course of numerous years the two of you had developed a bond.

Once Kuma put his trust in you and knew that while you were a Warlord and pirate; you were also a rare, good person, he was willing to risk confiding in you. He didn’t tell you everything, just a little bit about himself so you were aware of his mixed life. It prompted you to reveal your own checkered past and sorta showed him how similar people become after being affected by the World Government.

You had told him about your previous status as a slave. I feel like Kuma would be disheartened to hear about another’s enslavement, but he would also be able to empathize with you more than most anyone else in the world (as well as he can for a cyborg..) At most I feel like he can only offer you words and wouldn’t be able to take any action for you. Though his tender empathy, even at a distance, is comforting to you.

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Donxuiquote Doflamingo: (literally the worst reaction you could ever hope for. I’m sorry but to me I feel like telling him this is the equivalent to saying that you have a D middle initial in your name. He WILL tweak I promise)

Your relationship with Doflamingo is akin to a give and take rather than an actual companionship. Though there might be what he thinks is love present on his side, it only ever harms you and even others at times. His love is more reflective of a child roughly playing with his favorite toy no matter how tattered it gets. You’re his favorite yes, but for how long? When will he notice the cracks in your paint coating? Or the chipped pieces of your frame?

He was attracted to your abilities and wanted to form an alliance. This alliance did benefit your crew, and granted you more political influence in the world. (Though, I feel like Doflamingo would try to make it physical between the two of you.)

Doflamingo figuring out that you were a former slave wasn’t intended by you. You had wanted to keep that a secret from him as long as you could. You didn’t know how he would react, but you didn’t think it would be good. And it wasn’t good, when he saw the burn seared into your back. The whole world stopped for a moment, nothing heard except your shaky breaths. I feel like this would go either two ways.

Doflamingo would be disgusted. He would feel cheated. How dare you be branded by something other than him, is what he would ask himself. He used to own slaves. He technically still does with his citizens of Dressrosa. He knows their lack of worth, their use to him and his mind would clash that version of inferiority with you instantly. To him, you were less than before but now you’re just a fake pretending to be human and pretending to be stronger than you really are. I feel like his reaction would be violent towards you and he would call off the progression of your alliance immediately.

The other way I see it going (and it’s kinda sick in my mind) is that Doflamingo would feel a new type of ownership over you. He used to authorize people to get that branding on your back. He’d feel like you were reminiscent of his past and his former birth right. I feel like he might try to coax you into becoming a slave for him under the pretense of sympathy and understanding. This would be him playing the long game, trying to break you down enough mentally for you to be dependent on him and he would be able to use you however he wanted. He would also use this information against you too, threatening to reveal it to the public or the government officials. Even worse, the celestial dragons so they could come and take you back.

Disgusting bird this one is

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Hancock Boa: (lowkey I feel like she’s incapable of falling for someone other than Luffy presently but we can ignore that) Boa would only ever try to pursuit a relationship if you had treated her the same way Luffy treated her. If you had shown her a lack of lust and instead genuine affection or kindness, she would be down so bad.

One big milestone in the development of your relationship with Boa was her revealing her own personal enslavement. She told you in desperation of a connection of trust and to try to prove that she wasn’t worthy of you. She was utterly shocked when you turned around and bared your own identical marking to her.

It would cause the two of you to have an intimate bond beyond anything sexual. You validated her and her sisters’ worth and existence. You also showed her that the mark didn’t have to be something to fear and that she could rely on you. I think she would fall in love with you like how she did with Luffy and would defy the World Government not just for herself and her empire anymore, but for you as well.

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Jimbei: I feel like Jimbei would pursue someone with a clear moral scale and have ideals that align with him. (Though he’d probably prefer fishmen so like if you’re human he might not be looking at you like that..) You were an honorable pirate and someone that Jimbei was able to communicate with beyond Warlord meetings. The Sun Pirates would most likely notice the chances of an alliance forming between them and your crew given the praises Jimbei has given you.

It was on an island of neutral ground for the two of you, enjoying the isolation and conversing with one another when it happened. You told Jimbei of your previous enslavement and showed him your branding. It wasn’t really prompted, maybe you wished for Jimbei to talk of the important history of the Sun Pirates and Fisher Tiger. The slavery of fishmen was woven between the threads of the creation of the Sun Pirates. It was a safe space, Jimbei makes you feel safe, so once Jimbei was done talking, you opened up.

Jimbei would feel sympathy for your mark and your story. But he’s also someone who would be quick to acknowledge your strength to overcome it and persevere to the status of Warlord of your own pirate crew. Jimbei ran a hand over the mark softly before thinking of something. He offered to give you the Sun Pirates’ marking over it.

•••••••••••••••••••••••••••••••••••••••••••••

Trafalgar Law: Law wouldn’t be looking for a relationship until possibly after he is able to complete his goal of avenging Corazon by defeating Doflamingo. Plus you were a warlord with your own crew, so the trust he gave you was scarce if he gave you any at all.

Though, if he did align with your pirate crew and you helped him in his goal he’d have a considerable amount of trust and loyalty towards you for the duration of the alliance. Through this, the two of you gradually became a little closer to each other, divulging in stories of the past and history in the small free time you had. Though you weren’t together and neither of you would mention the kindles of what could perhaps be something more between the two of you.

One late night, you let it slip that you were a former slave. Law paused momentarily before acting unaffected. A silence fell over you two for a couple moments before he mentioned that you were free now. To which you responded with a smile. It wasn’t brought up again, and your alliance ended after the events of Dressrosa.

•••••••••••••••••••••••••••••••••••••••••••••

Gecko Moria: (guys I don’t like him) Hm. I feel like he would approach you first. Especially in his youth because he was more of a confident pirate before he faced off with Kaido. He had taken a liking to your appearance and your abilities were well suited for tasks in his opinion. I feel like he would propose an alliance with an ultimate goal of obtaining your power for his motives.

I thinks relationship with him would be another one based on mutual contentment, you scratch his big back, he scratches yours. Though, over time I think he would become loyal to you and care for you of his own will, not for the sake of the alliance.

He found out about your enslavement through one of his nosy underlings, maybe Perona. It would reason that you and her were at least acquaintances. I don’t think this would change much for Moria, though he might try to express sympathy for you. Perhaps he might bring it up in hopes you talk about your past to him so he can know more about you and what you’ve endured. He is caring to those who he considers family, and he would be willing to consider you that.

•••••••••••••••••••••••••••••••••••••••••••••

Crocodile: Crocodile was most likely approached by you. Though being the business man that he is, the only form of entanglement he would engage in would be through a mutual alliance of some sort.

Time may change the context of your alliance with him, and your relationship could grow into something that loosely resembles a carrying couple. Yet while Crocodile has his own secrets you aren’t privy to, he doesn’t enjoy you hiding ones from him, especially if it affects business.

You told him you would tell him a secret if he told you what happened to his hand. It was the amount of whiskey you had earlier in the evening talking, but Crocodile always became rather amused with your drunken ramblings. He made you go first.

He was rather surprised when you told him that you used to be a slave. You had covered your past so well. You were always dressed luxuriously, you surrounded yourself and your crew with powerful people, and you had this air of unassailable confidence that he always wanted to control. It just didn’t fit you, being a slave. When he asked about the marking, you replied that you got surgery to remove it and replace the skin graft of the area it was covering. He could tell you hated that part of your past, and hated the World Government and Celestial Dragons even more. You told him you would wring his neck if he publicized it. Puffing his cigar in your face, he mused before taking a deep sigh and told you about the story of his hand.

•••••••••••••••••••••••••••••••••••••••••••••

Kinda a long one, I really had to think abt this one but it was fun to write

Mwah 😽

[dontlookatmytmntcollection]

SOCIAL BATTERIES

Do the boys REALLY like people that much?

Character studies.

Going from the most Extroverted to the least.

- 🟠 -

Mikey is THE definition of an extrovert

Suprise, suprise.

I keep thinking about him making fun of Casey constantly, and his fist bump with Vern, or him working the crowd on Halloween. And his eye rolls at Raph and Leo

Can be annoying af and play dumb, but half the time he knows way more than he let's on. And it's SUPER hard to get him angry.

Would be in a fraternity tbh. And like, seven sport teams.

The world is a lesser place with him cooped up away from it.

He's a HUGE teaser and talker. Loves to flirt and prank and play the vibes.

He's a NATRUAL at it

Give him ONE conversation. ONE chance, and he can get literally anyone out of their shell.

Loves having April or Casey or Vern around. Loves teasing them or harassing them tbh.

The bigger his social circle, the better his life.

Is usually a HUGE buffer between humans and his grumpy, tired brothers.

He would be the LIFE of the party. Would be an excellent host of an event, because he'd be everywhere talking to everyone. Remembering everyone by name and face, introducing people to one another, so on and so forth.

He would have multiple friend groups everywhere he goes, with all sorts of different types of people.

Out of his brothers, I see Mikey having the body count tbh

Also probably jumped into a relationship too soon and got hurt early on. He'll be way more ready for the next one.

He has SO MUCH TEXTING TO DO.

His favorite is snap chat.

The BEST out of all his brothers at reading social cues and body language. By FAR.

Can find something to talk about with ANYONE

He's been wishing to socialize his WHOLE LIFE. So he DO!

Probably the only one that can confront and process trauma in a healthy manner.

Not at all afraid of deeper, more meaningful conversations.

Often finds himself the one initiating deep conversations with people who need it the most (his brothers).

He knows there is a time and place for problem solving. And sometimes you just gotta sit with your feels.

Something his brothers STRUGGLE WITH

- 🟣 -

Donatello might not be EXTROVERTED but he is outgoing.

Second to Mikey, everyone in his family has a close relationship with Donnie.

Super caring and fun and inquisitive with everyone he meets.

He'll be down for ANYTHING. Sports, games, cooking, drives, crafts, working out, adventures or pranks or geeky movie nights.

He might not always be good at INICIATING these with strangers but he loves going along with stuff.

Loves showing people his projects and stuff and letting people use them or have them.

Will be there for his friends the instant they ask.

At a party he'd be in another room having a conversation with two or three people.

But I also see him hanging around girls a little more than guys. Finds the girlies to be easier company than guys.

He's been on discord for YEARS. He had human friends before even Mikey did.

But.

He's HYPERVIGALANT of the vibe

Extreme empath.

He does NOT like confrontation.

A HUGE people pleaser.

Feels he's stepping on eggshells around his loved ones and friends. In an effort to keep them happy.

He's a sensitive guy.

If he's told to shut up or be quiet, especially if he's excited or talking outloud- he's modified. He WILL shut up. For a while.

His brothers know this. While they get exasperated sometimes, they rarely interrupt him.

Does NOT like gossip. Don't gossip with him, he hates it

Makes him feel gross and mean.

Hates when people are upset or sad in any way.

When vibes get rough he does not cope well. Often chooses to avoid or straight up leave.

When things get heated he gets overstimulated quickly.

If he can't leave, he shuts down. He won't talk and if he does it's very quiet

Doesn't know how to help or address emotional things either. He prefers to let it go and just move on, leaving stuff unaddressed.

He's an outgoing and pleasant guy, but he definitely doesn't mix with everyone.

- 🔴 -

Meeting Raphael is a terrifying experience.

Because he talks and looks at you like he hates you already.

But he doesn't hate people.

He just sucks at them.

Raph wants a normal life just as badly as Mikey does.

Raphs love language is harassment???

He shows his love by annoying his loved ones. Or through teasing and banter. Or wrestling his bros to the ground or pull them into rough hugs.

However

When he meets new people he isn't there to make FRIENDS.

He's there to let you know that if you bullshit with his family you're gonna get whooped.

So he will posture and glare and tower and maybe even roll his neck or crack knuckles to anyone.

Literally anyone.

Remember how rude he was to April?

So when he can't do any of that- no banter, no pranks, no wrestling and no INTIMIDATING-

He is COMPLETELY at everyone's mercy

Put him in a group of girls, or take him to a party or a bar. ANYTHING out of his comfort zone.

He's very awkward.

Only because he's kinda quiet

And honestly SUPER shy.

Wants to be liked SUPER badly.

He doesn't know how to make friends. At all

Flirt with Raph. I dare you.

You'd terrify him

Is the type of guy at a party to stick to the side of someone he knows and never. Leave. It.

But he finds out he gets along with blue collar guys the most.

And Raph has this super power

He can detect if you're a good or bad character super quickly. Much quicker than everyone else in his family. Like, one conversation in.

Not that he really believes himself. He thinks everyone's out to get him. or his family

If he's not making fun of you, you know he doesn't like you.

Is the type of guy to have quality over quantity relationships.

Hates texting. Honestly hates social media and technology beyond like...insta reels or something. He doesn't like sitting on his phone or video games all the much. Half because he breaks things easily or gets easily frustrated at leaning how to work it.

Rather be doing something active or working on a car or build something or carve stuff.

Might not be as outgoing as Donnie or Mikey, but if people manage to ACTIALLY get him to do something fun, he is ALL IN and having a BLAST.

The kinda guy to crash at his friends house and just chill.

He recharges when he's in proximity of his loved ones. Not always SOCIALIZING but having his people close.

-🔵-

Our REAL introvert

He struggles to socialize even with his BROTHERS

Who are the only people in the world he allows himself to be even semi relaxed around

A conversation with anyone other than his dad and brothers is the opposite of a relaxing/easy activity.

He's honorable, polite, and formal.

But Leo is and EXTREMLY cold character.

Sometimes even a bit cruel and scary to strangers.

Has a weird habit of wrapping his arm kindly around someone he's about to hurt

Struggles to see even April as more than an 'asset' or 'person dad holds dear'

Doesn't see Vern as a friend. Doesn't see Casey as a friend.

Leo is the only turtle April doesn't have a strong connection to. Not out of lack of trying.

Tolerates social situations only if he falls into a leading (controlling) role.

Doesn't like large groups of people.

Very quiet otherwise.

Struggles to initiate activities with his brothers.

He sucks at it.

He is always receptive to when they reach out to him though

And kinda has a fear of getting turned down. Getting turned down by his brothers makes him sick to his stomach.

Not that he admits it.

He also doesn't handle rejection with any grace. Gets just a LITTLE pushy to make you either feel bad or like he's in charge

His brothers still gotta tolerate him being a little bossy and stuck up and a fun-sucker while they hang out with him. They know he can't help it.

But Leo is super relieved every single time they invite him to do something.

What would Leo be like at a party? Leo never WENT to the party. And if he DID, he'd be outside, trying to soak in the quiet. Listening to the party from out here.

or hug him, or just express somehow they still want him around or like him. Or love him. Because those moments are getting rarer and rarer the older they get.

He's completely alone other than his dad. At least he's thought so his whole life

Would be the one petting the cat. Or dog. Not the type to go LOOKING for it, but if it came to him, he would.

Yes, he texts, but never outside of absolute necessity. Or if his brothers remind him of April's birthday.

He likes to read

Even if Donnie, Mikey and Raph are together in the lair having fun, Leo is often by himself somewhere else.

He recharges alone. He does calligraphy and he sketches SOMETIMES. Little stick figures fighting with space guns or something.

But a lot of what he reads are super geeky stuff. Like star wars novels or manga.

But don't tell anyone.

Splinter is his preferred company. He adores time with his dad. He'll spar and train and talk with his dad often.

Doesn't care about having friends but he wants a girlfriend SUPER badly. More than all three of his brothers combined

Being alone with him sucks if you like to talk. He gives you a LOOK that SCREAMS shut the fuck up.

It takes EXTREMLY specific personalities to get Leo a little soft for them. A quiet person with a good sense of humor.

And the likely hood he'll ever get out to find and meet them is next to none existent.

But hey

Even after like, ALL OF THIS

It's not hard to get Leo to smile

[screamofdespair]

Director 出﨑 統 Osamu Dezaki talks about Oniisama E... (2016)

Oniisama E... was the first project I worked on at Tezuka Productions. At that time, I had left my work at Tokyo Movie Shinsha and was focusing on OVA projects like B.B. and Sō Ryū Den. One day, a producer named Kuniharu Nagayama, with whom I had worked since my time at Mushi Production and who later joined Tezuka Productions, approached me with an offer. He said: "Why don't you direct it?" I replied, "I always wanted to work on Tezuka Osamu’s original works, but at Mushi Production, I was working on Ashita no Joe" Even after joining Tezuka Productions, they still wouldn’t let me handle Tezuka-sensei’s works. That dream was eventually fulfilled with Black Jack later.

Since I directed the second half of The Rose of Versailles, which is also a work by Ikeda-san, she apparently remembered me, and I imagine there was a conversation suggesting: 'If we’re going to adapt Oniisama E… into an anime, it should be done by that person."

I don’t usually read shoujo manga a lot. The only ones I’ve read are The Rose of Versailles and Aim for the Ace!, which I personally adapted into anime. I feel embarrassed to admit that I didn’t know anything about Oniisama E..., so I quickly read the original work. I found it very interesting. It’s a story full of selfish characters, and I really love that kind of thing.

Some may think this work differs from my past projects, but even with series like Ashita no Joe and Aim for the Ace!, which are often categorized as “sports dramas,” what I truly want to focus on isn’t the sports themselves but the human relationships and drama behind them. I’m someone who wants to portray drama, so I thought, “Oniisama E... is exactly the kind of drama I’m talking about!” (laughs).

“This is a world completely unknown to me. How fascinating!” I thought. As men, we don’t understand women, do we? There are times I find them amazing, and other times, scary. They are truly an unknown world. Throughout my life, I’ve had relationships with a few women, but that’s just a small part of the overall picture. In that sense, i just let my imagination run wild and thought, 'It would be amazing if such creatures existed!'. But as I read and tried to understand the original work, I also thought, They are just human beings like us.

Before starting the anime adaptation, I met with Ikeda-san to discuss about it. She didn’t provide any detailed requests or instructions regarding the creative direction, she simply said, 'I’ll leave it in your hands.' However, she made one exception: she specifically asked that Kaoru no Kimi, who dies in the original work ending, remain alive in the anime.

Ikeda-san's charm as a writer lies in how every character is desperately trying to live. Their actions make sense as you read, and you can empathize with them. They end up this way because they are trying their best. They end up this way because they’re hurt. They are people who, in regard to what they’ve done, somehow try to take personal responsibility, aren't they? In that sense, I really "understand" them.

The first character to catch my attention was Rei Asaka, or Saint-Juste. First, I just loved the name “Saint-Juste.” It left a strong impression on me because the name appeared in the The Rose of Versailles as the alias of an assassin. The powerful imagery of that story stayed with me. I thought, “This guy is really fascinating.” However, in the anime, we only managed to explore his character for one or two episodes. Because of that, I wanted to portray Saint-Juste in Oniisama E... as if she were someone transcending time and space. She’s such a poetic and deeply complex character, isn’t she? That's why I had her take pills from the very first episode.

Since it was broadcast on satellite TV, I was told we could push boundaries... This story focuses on adolescents peeking into the adult world, right? So, I figured that kind of portrayal was fitting. All the characters in the story bear emotional scars, don’t they? Whether it’s Saint-Juste or Kaoru no Kimi. Nanako was the only one who didn’t, which made her think, “I want scars too”. That’s essentially what the story is about, right?

Mariko Shinobu was also a fascinating character to depict. Her lipstick left a strong impression. When she made her vibrant entrance in the first episode, I remember thinking, “Ah, this series might really work.” Every project has a moment where a certain image feels like it's the “starting point,” and for Oniisama E, that was Mariko. Even in the original work, she’s very impactful. The way her wavering emotions as a young girl are portrayed is truly compelling.

For instance, the way her father’s story unfolds feels incredibly realistic. And the way she quickly bonds with Nanako, that kind of behavior feels uniquely feminine, doesn’t it? Between men it’s difficult to overcome emotional barriers, and relationships tend to be much more detached. But between women, they can form extraordinarily close bonds, which might later transform into hatred.

If the other person is just a little more attractive or possesses something you lack, you may initially admire them and try to discover what makes them so special. But the moment you realize that quality can never truly be yours, they become your enemy. On the surface, you might get along, but if something sets it off, everything falls apart. You don’t even want to see them or hear their voice. You might even go so far as to steal the guy they’re dating. It can escalate to that level.

Men, I think, suppress those raw emotional instincts to some degree. On the other hand, women live constantly in that kind of emotional tension... That must be exhausting. Well, this is just from my imagination, of course (laughs).

Kaoru no Kimi has a masculine purity, yet she is bound by the fate of being a woman. She is more manly than any man. In a story like this, which features only women, the contrast might raise the question: 'What should a man be like?'

I created a scene where Kaoru no Kimi and Saint-Juste end up in bed together, but this wasn’t about homosexuality or anything like that. It was a manifestation of tenderness between two souls, each burdened with their own profound wounds. It was meant to show that something like this could happen. I wanted to portray it beautifully. However, those who saw it may have interpreted it differently (laughs).

As I was working on it, I came to realize that the one carrying the deepest emotional scars was actually Fukiko. When I realized that, she started to resemble to Reika Ryuzaki, aka Madame Butterfly, from Aim for the Ace! I portrayed Madame Butterfly as a woman so exemplary, so beautiful, and so strong that it inevitably leads people to wonder if such perfection hides deep inner struggles. My basic premise is that "the more beautiful a person is, the heavier the burdens they must bear." "The more beautiful they are, the more they must suffer." Of course, it's not always like that in real life. So, I decided to portray Fukiko's past and inner thoughts, as if looking through a magnifying glass. I even started imagining things that weren’t in the original work. Especially in the latter half of the series. Fukiko was particularly well-developed.

In terms of expanding the original story, which only consisted of two volumes, into 39 episodes, the writers really worked hard. At that time, Masami Mori also wrote the script for the OVA Black Jack that I directed, she was around 20 years old. Tomoko Komparu was in her 30s, and Chifude Asakura was in her 40s, so we had three female scriptwriters from different generations, and they all worked really hard. I would often ask them things like, "Isn’t this really how women are?" or "You must be thinking this, right?" and try to get them to open up their true feelings. Even so, it was hard to get them to reveal their true feelings, but when women write, sometimes there would be lines that would make me think, "Huh?", "A man could never have written this." I’m not the kind of director who always follows the script to make the storyboard but i used those impactful lines as a starting point, and then I explored the characters complexities. It was a really interesting and stimulating process. Every time I met Ikeda-san, she would ask me, "How do you understand women so well, Dezaki-san?" I would reply, "Eh? I don’t understand them at all" (laughs). It’s all just from my imagination. I’m sure in reality it’s different, but that’s how I portrayed it.

I think Akio Sugino probably enjoyed drawing women like Fukiko. Her grace was something only he could depict. Without that grace, her strength wouldn’t have been conveyed. That sense of elegance in his artwork was something he must have been born with. Well, that’s how it is with all of his works, but that quality really contributed strongly to the drama.

For the cast, I had the late sound director Etsuji Yamada think through a lot of things. We had a truly luxurious cast. Among so many experienced professionals, I had Hiroko Kasahara play Nanako. After listening to her audition tape, I felt something from it. However, I believe it was one of her first lead roles in a series. For that, her character was a bit too heavy, don’t you think?. She struggled at first, but gradually, she got better. In a way, I think she probably synced well with the character of Nanako, who was gradually growing and developing. For the dubbing, the first episode had the colors already added to the animation, but after that, we mostly recorded with just the finished drawings. Of course, this wasn’t something to be praised, but for this particular work, I think it might have actually worked well. The idea was that, by not focusing on synchronizing the voice with the lip movements, the voice actors were able to pour more energy into their performances. There were a lot of heavy lines, after all. Recording authentic, raw dialogue and then matching the animation’s lip movements to it. I think this approach worked well for the piece in the end. There was one time when the animation’s mouth movements and the voice didn’t quite match. It was in episode 17, where Fukiko found the letter Nanako wrote to her older brother and scolded Nanako for it. I decided to darken the scene at that moment. The line "Now, rip it in front of me" was a very striking one, so I secretly thought it turned out to be a good effect.

Source: Oniisama E... Blu-Ray BOX SET Booklet.

Note : The translation might not be the most accurate word-for-word, but i did my best to make it coherent.

[linkspooky]

SUKUNA, YOU ARE ME

Now that we're in the last few chapters of Jujutsu Kaisen it's time to do a deep dive into Yuji and Sukuna's relationship. Is what Yuji showing Sukuna here truly empathy? Does Sukuna's death and Yuji's attempt to reach out mean Sukuna was human all along? We'll discuss that, the parallels between this and Mahito, and what Sukuna's exit means for both himself and Yuji as characters underneath the cut.

I AM YOU

While this post is about the connection between Yuji and Sukuna, I'm going to say the majority of this post will be about Yuji. I stated this in a previous post, I don't believe Yuji's showing Sukuna empathy here. While his offer to let Sukuna live inside of him may be genuine, it doesn't come from a place of genuine understanding. Sukuna himself isn't written as a character to be understood or empathized with.

Look at the words Yuji said. "You are me." He's not saying he's like Sukuna, he's saying Sukuna is like him. He is projecting himself onto Sukuna. Everyone in the story does, even Kashimo and Gojo who both considers themselves the strongest of their time and who naturally should have been able to understand the isolation of being someone as incomprehensibly strong as Sukuna were just projecting their own personal experiences on them in the end.

Of course we could dig a little deeper on the topic.

How much can one person truly understand another? It doesn't have to be a curser, or a borderline incomprehensible deity like Sukuna. How much do you understand your own best friend?

Gojo mentions that he felt loved by everyone, but also that he was so beyond their understanding that they may as well have been plants in comparison to him.

Of course, Shoko herself says that Shoko was always right there next to Gojo trying to offer him support and Gojo just chose to keep her at an arm's length. Gojo also believed that only someone as equally as powerful as him like Sukuna could understand him. Only to find that Sukuna didn't care about Gojo's feelings of isolation at all, nor was he troubled by love in the least.

Gojo makes himself out to be someone so superior to other human beings that he's beyond their comprehension, but that's Sukuna. Gojo did feel understood once, by Geto in his youth. The thing was that Gojo assumed that Geto could understand him because they were both euqal in power level. However, years after the fact when Gojo has long surpassed Geto, their friendship remains exactly the same.

The one that Gojo pictures patting him on the back is adult Geto, not teenage Geto. The one who Gojo truly would have been satisfied by in the end was Geto, not Sukuna.

So maybe what makes Sukuna so impossible to understand by others is that same reason why Shoko can't be close to Geto. Sukuna can't be understood by others because he doesn't care to be understood by them.

Perhaps, understanding isn't the end all be all of human connection. Gojo accepted Geto, and he didn't accept Shoko. Maybe Shoko would have been able to understand Gojo if Gojo ever tried to be emotionally open with her the ever way he was with Geto then he might have felt understood.

Then there's Ryomen Sukuna who rejects love and every notion of humanity along with it.

Therefore empathy means nothing to Sukuna. Yuji's empathy in particular. No, Yuji's attempt to save Sukuna is more about himself than Sukuna. It's a reflection of a change of Yuji's state of mind that he's willing to accept living with a curse like Sukuna. That he'd even try to understand Sukuna. Curses that Yuji previously dismissed as not even being worth understanding.

The first time Yuji said these words was when Yuji tried to make an offer to Sukuna to let him take control of his body in order to heal Junpei, in order to be laughed at by Sukuna. It was the last time Yuji ever asked anything of Sukuna.

Remember, in the very beginning of the manga Sukuna seemed like a standard inner demon character like the nine tails, or hollow ichigo. Yuji even thinks he can use Sukuna to switch out to help fight for him like against the special grade cursed spirit. However, we and the audience quickly learns that not only is Sukuna not just some evil half of Yuji, or a convenient power up, he's an actively malevolent entity with a will that will do anything to escape.

When Yuji realizes that Mahito and Sukuna are both curses, he starts to see Sukuna as an enemy trapped within him. Something he's reminded of again and again, especially after the Shibuya Massacre. From that moment Sukuna and Mahito become like villainous foils to Yuji, the dark to his light, the enemy for him to kill.

Yuji defines Mahito and Sukuna as his opposites and his enemies By killing them, he also gives himself a role. It's Sukuna and Mahito's actions in taunting is the first time Yuji uses the language "kill" when dealing with curses.

Mahito compared himself to Yuji and by saying as a curse he mindlessly kills humans. The same way that Yuji as a sorcerer, mindlessly kills curses. They are on the opposite side of the same cycle with no end in sight.

Yuji decides to embrace this violent cycle because it at least gives him a role to play. If curses are the shadow of humanity, if they're a reflection of humanity then what exactly is you saying here?

Yuji says he is Mahito, and then immediately that he's going to kill Mahito. It's not a statement of self acceptance, or accepting your shadow, but rather a statement of self destruction. Even though Mahito is a chaotic evil curse who enjoys killing humans, Yuji's decision to throw away his humanity just for the sake of killing him isn't a healthy way.

When Mahito said "You are me" he was attempting to drag Yuji down to his level. Yuji then willfully descends to Mahito's level as long as it gives him the strength to kill Mahito. It's character regression on his part. Yuji once said he didn't want to kill because then the value of life might become vague to him.

In a way it did, because Yuji began to devalue his own life. Yuji wasn't able to see any meaning in his life besides a "role' that someone else assigned him. Not only was he willing to throw it away at the drop of a hat, but he also didn't feel like he had permission to live.

Unlike Yuta who actively sought affirmation from others, Yuji rejected that affirmation and tried to push everyone including people like Megumi and Choso away. They were right next to him, but Yuji became unable to accept their love and support.

Yuji is a strange paradox because he presents himself as an all-loving hero who just wants to save as many people as possible, but then you read his dialogue and he's like "I'm just a cog in the machine, I will continue to kill curses until one day I die. Then I'll just be replaced by another cog. There's no meaning at all to this sequence. Life is an endless nightmare."

I'm exaggerating, but underneath Yuji's sweet nature and goofing around, there's this very bleak attitude that his life means nothing except for the labor that he produces, and one day he'll be tossed aside and that's fine because it's what he deserves.

If Yuta seeks self-affirmation, then Yuji is seeking self-destruction. His self-loathing leads him to practically lay his head down on the chopping block and offer his neck up for execution by Higuruma's domain during the fight with Higuruma, even when Higuruma himself points out that Yuji isn't the one at fault because he wans't in control of his own body. Yuji will still take the blame, anything to punish himself further.

So, the words Yuji uses in his triumph against Mahito also signify the destruction of his own ego. That is what Yuji does when he adapts his cog mentality, he denies his own sense of self.

What Yuji experiences is basically a prolonged ego-death.

Ego death is a "complete loss of subjective self-identity".[1] The term is used in various intertwined contexts, with related meanings. The 19th-century philosopher and psychologist William James uses the synonymous term "self-surrender" and Jungian psychology uses the synonymous term psychic death, referring to a fundamental transformation of the psyche.

I brung up Ego-Death in the Jungian context, but in Yuji's case, resigning himself to being a cog is also an act of self-surrender. Yuji basically moves away from all of his previous ideals. He only sees himself as a tool to kill curses. Saving others, or helping guide others to a natural death, those things get put on the back burner as a tool doesn't need ideals.

He's abandoned all kinds of idealism and higher reasoning. In fact that is what Mahito wanted him to do, to abandon the higher reasoning that belongs to human beings and act on instinct like a curse. Mahito successfully pushed Yuji to abandon human reason and become an unthinking cog.

Jung defines the Ego-Death as the stripping away of everything else to revert to your natural self. According to Ventegodt and Merrick, the Jungian term "psychic death" is a synonym for "ego death":

In order to radically improve global quality of life, it seems necessary to have a fundamental transformation of the psyche. Such a shift in personality has been labeled an "ego death" in Buddhism or a psychic death by Jung, because it implies a shift back to the existential position of the natural self, i.e., living the true purpose of life. 

Megumi also experiences an ego-death over the course of the manga that mirrors Yuji's own when Sukuna takes over his body, soaks his soul to bring Megumi near evil, and then kills Tsumiki. At this point both Yuji and Megumi both lose what were their reasons for fighting. The so-called "dignity obtained by human reason" is lost. After having those reasons stripped away from them and experiencing their ego-deaths both of them surrender control. Megumi becomes helpless and stops trying to fight Sukuna. While Yuji may not seem like he's given up on anything since he keeps trucking along, he too has given up on thinking for himself. Yuji has essentially given up as much as Megumi has, there's just less plot consequences for it.

Either way they are both brought to their lowest point by ego-death, in order to bring them to their lowest point, and make them experience a rebirth of sorts.

The persona in Jung is the face you show the outside world. it's one part of personality, with the other being the shadow. The shadow is the repressed part of peresonality. Just like curses are made up of repressed human emotions that leak out from our collective subconscious. Curses serve as the shadow of humanity collectively, especially Mahito who is made up of everything humans hate and fear about other humans. The physical embodiment of human cruelty.

However, a person can't live without their shadow. There's no such thing as a human without flaws after all, and you don't become a better person just by ignoring your own flaws. The kinds of people who are unaware of their own flaws tend to unconsciously repeat the same mistakes again and again and again.

Yuji despises curses as inhuman monsters that he can slaughter like they're enemies in a video game, but they're like... made of human vices. They are the product of humanity's emotions. Yuji's habit of only looking at the good makes him unaware of both his own shadow, his own shortcomings, and also the darker shades of grey in the world around him.

Megumi and Yuji both are characters who, need to be dragged down to the darkest point of the shadow and forced to confront their own flaws in order to learn about themselves. It's not a coincidence thaT Yuji who puts humanity on such a pedestal is a human and curse hybrid. That his older brother who's shown to be a source of overflowing unconditional love is also a human / curse hybrid, and who Yuji nearly killed because he blindly, obediently decided to kill curses. That Yuji killed two of his other curse / human hybrid brothers in spite of noticing they were different from other curses and had a family bond with each other.

It's not a coincidence that Yuji who puts humanity on such a pedestal devoured the corpses of all of his other brothers the same way that Sukuna ate his own twin in the womb to gain the power to defeat Sukuna.

Yuiji lacks a lot of self-awareness. That's why I've always said he doesn't quite live up to the "all-loving hero" he sees himself as. Savior is just a role that Yuji has adopted in order to give himself a purpose in life, but he falls short of that. The reason that he falls short is ironically that Yuji tries so hard to be superhuman, that he can't forgive himself for having basic human flaws.

It's why "Being a child is not a sin" is such a meaningful line coming from Nanami. In Yuji's eyes being a child is a sin. He constantly blames himself for not being able to hold the weight of the world on his shoulders, for not being able to save everyone by himself even though he's only been a jujutsu sorcerer for a few months.

It's why Yuji gets excited for a moment when Kusakabe mentions that Yuji is developing very fast by sorcerer standards, because he wants to be someone monstrously talented like Higuruma or Gojo - and why he immediately looks so disappointed when Kusakabe says it's not because Yuji is talented it's just because of Sukuna.

Yuji feels an overwhelming amount of responsibility and wants to be a special person who is strong enough to actually carry all that responsibility on his shoulders. That's why I say Yuji isn't a true all-loving hero, because it's more about Yuji's own feelings than the act of saving others. His guilt complex over Sukuna.

His desires to be someone special and meaningful. Yuji wants to be a good person who saves others because it gives YUJI and purpose and it gives YUJI a sense of fulfillment. If you've read Tokyo Ghoul it's like Kaneki's reason for participating in the Anteiku Raid. Not because he genuinely wanted to save others, but because he "was tired of not being able to do a thing."

(I'm keeping the meme panel because it's funny)-

Yuji wants to be strong and wants to be a savior because Yuji feels insecure in himself and loathes himself for his own weakness. However, this pushes Yuji farther away from his goal of saving others and making connections with other people so he can die surrounded by people BECAUSE people empathize with each other over their weaknesses.

Yuji wants to become someone strong and unbreakable who will never falter, never feel pain, and most of all never lose. He basically wants to become Satoru Gojo, but if Yuji were to ever rise to Gojo's level like that just by getting rid of all of his weaknesses he'd fundamentally lose his ability to connect with people the way Gojo and Sukuna have.

Yuji defines himself in strength, and suffering, and always overcoming, but then what is his heart for? He strives to become someone stronger than Gojo or Sukuna to protect his friends, but if he loses his heart that loves and cherishes those friends in the process then what even is the point?

Yuji walks a dangerous road from the culling games up until the Shinjuku incident, into nearly becoming like Mahito or Sukuna in his attempts to be stronger than them. I don't think he was ever in danger of going on a murder spree, but I do think he was risking becoming someone like Gojo.

Gojo made himself a tool for Jujutsu Society for the greater good and look what happened to him in the end. Not only did he die in the line of duty, his corpse was turned into a puppet to use as a weapon against the enemy. He made himself into a monster even when people like Yuta were begging Gojo not to. Yuji was on a similiar path of cutting off all the people who loved him and just becoming a person exploited in both life and death for the greater good.

So what stopped him?

Megumi.

YOU ARE ME.

A few people said that Yuji's abandoning the cog mentality suddenly happened too fast, or felt unearned but I think if you look at the culling games arc from higiruma's fight onwards as a whole it's actually a natural progression.

It all starts with Higuruma and Yuji's conversation:

Higuruma: "You're innocent. You didn't commit that crime." Yuji: "Even so, it's my fault." Higuruma: "Why?" Yuji: "...I see. Itaodri, there still may be a lot of people who are weak like you."

Yuji is someone who loevs humans, but puts humanity as a whole on a pedestal. He loves humanity but hates human weakness, especially his own weakness. Ironic because Higuruma is also someone who became jaded by having to work in the corrupt justice system and was forced to look at human ugliness day after day after day even though he wanted to be someone who valued people for their weaknesses.

Yuji doesn't learn to empathize with human weakness until Megumi's weaknesses are the one he's forced to confront. He doesn't abandon his notion of roles until he's robbed of his roles by Sukuna when Megumi becomes the possessed one instead of him.

Yuji is fine with being a sacrifice for the greater good, but he is not fine with sacrificing Megumi. By knowing exactly what Megumi is going through and wanting to save Megumi from Sukuna's possession, Yuji is in an odd way forced to empathize with himself. Like, it's a double standard on his part that's being challenged. Yuji blames himself for all the people he hurt as Sukuna, but he'd never blame Megumi for letting Sukuna kill tsumuki while possessing his body.

In his refusal to sacrifice Megumi for the greater good, even when Megumi is begging him to do so he rejects the common Ethos that sorcerer's are expendable cogs who are expected to sacrifice themselves and their comrades in the eternal fight against curses for the sake of public safety.

Yuji carries with him this grandiose notion of saving as many people as possible. However, when the option comes to make a sacrifice that would save hundreds of thousands of people from the merger by fighting to kill Megumi instead of save him from Sukuna's clutches Yuji can't do it. Even though Megumi at that point would be a completely willing sacrifice.

Yuji has to abandon his cog mentality to save Megumi, because an unthinking cog wouldn't put Megumi's life over the lives of everyone in Shibuya. A cog, especially a sorcerer would kill that one kid in order to save thousands of lives. Heck, Kusakabe more conservative sorcerer even brings up that argument that everything would have been avoided if Yuji was executed to begin with.

In order to save Megumi, Yuji must also reclaim his own humanity. There's a reason that Nanami, and Nobara, die right before Yuji adopts his cog mentality. Nanami, the most ethical of the first grade sorcerers who tried to teach Yuji to value his own life because he was a child, and Nobara the only kid in the main trio who was a normal person are both representatives of Yuji's humanity.

After losing both Yuji becomes reckless, he stops valuing his own life. As I said far, far bove, Yuji never listened to the advice Nanami gave him that it wasn't a sin to be a child. Yuji has this entire time thought it was a sin just to be weak, just to need the help of other people, just to not be able to accomplish everything on his own.

After Yuji starts reconciling with his own humanity though, he regains his connections to both Nanami and Nobara. Nanami comes back symbolically in the form of Higuruma, someone Yuji tries to encourage to live instead of taking the same suicidal path that Yuji was bent on. Whereas, Nobara herself actually comes back from the dead in time to land the final blow, the same way she reminded Yuji of her presence and that she wasn't alone in the Mahito fight.

Yuji also regains these connections when he's processed the grief for both people. He remembers Nanami and what Nanami left him in a more positive light. In my interpretation the line "I am a sorcerer" refers to Yuji developing a more healthy version of being a sorcerer. That instead of Yuji seeing sorcerers as slaves who have to sacrifice themselves for the greater good like Geto did, Yuji can see the camraderie between sorcerers who fight and put their lives on the line together.

Either way, I think the moment Yuji truly reconciled with the grief of death is sadly enough with Choso's death. If you want proof that Yuji's revelation wasn't rushed, that he didn't skip from point a to point b, then it's right here.

Choso apologizes to Yuji for leaving him ahead of time, and Yuji tells him not to, because Choso was always by his side when he was at his lowest point and that brief time they had together was enough for him.

Yuji's relationships so far have been defined by his fear of losing people. He wants to have a natural death, he wants the other people around him to have good deaths, he doesn't want people to die too early. By focusing on the fear of losing people, he hasn't yet been able to enjoy the time that they were around. However, in this moment he realizes how much Choso meant to him, even if their relationship was brief, and even if it came to an end. Yuji learned you can still love someone even if you inevitably lose them.

This is when Yuji finally accepts mortality and fragility as a part of life.

This is also what Sukuna can't accept. That life is fragile. That life is weak. That life comes to an end. Sukuna's entire goal is to maximize pleasure and live as long as possible, and therefore he's rejected all of the unpleasant parts of reality. Sukuna doesn't want to live in the real world like a human being, he wants to exist only in the world of Jujutsu where he's a god.

This is what Yuji represents to Sukuna, The human vulnerability, and mundanity that he threw away, by literally cannabilizing his own twin and throwing away part of his soul. The part of his soul that Sukuna threw away was taken by Kenjaku, and used as a science experiment to create Yuji. Technically, Sukuna is Yuji's uncle but symbolically Yuji is the twin that Sukuna cast aside. Especially since in this world cursed energy treats identical twins like they are the same person.

Yuji for the longest time tried to do what Sukuna did. Tried to throw his own humanity away so he could be as strong as Sukuna. He literally even ate the corpses of his own brothers.

Yuji and Sukuna are symbolically twins, but Yuji learns to embrace the things that Sukuna threw away. Sukuna threw away his own soul's twin in order to grow strong. He became all powerful in the jujutsu world because he ate his twin and gained an extra pair of arms and a mouth. He's like if Maki chose to kill Mai instead of Mai sacrificing herself for Maki's sake.

Yuji chose companionship with others over power. Sukuna doesn't need others people to satisfy him, and Yuji begs Megumi to come back from the dead because his life would be lonely without him. Yuji doesn't have some noble reason for going this far for Megumi's sake. He's not saving Megumi for the greater good, but because his connection to Megumi is important to him. Because he doesn't want to go through life without Megumi.

Yuji loathes weakness like Sukuna. Yuji desires to be someone special like Sukuna. Yuji has a grandiose sense of self importance like Sukuna. Yuji desires power like Sukuna. Yuji looks down on weak people like Sukuna does, he just condescendingly wants to save them instead of Sukuna who just wants to stomp on them like ants.

Yuji is also literally Sukuna. He was created by an offshoot of his soul. The same way that Sukuna was born with a body perfect for Jujutsu, Yuji was born stronger than anyone his age, and develops at an extreme rate as a sorcerer BECAUSE he was Kenjaku's science project to make the perfect vessel for Sukuna.

They are totally twinsies in so many ways, the only difference in the end is that Yuji learns to value human connection. In Sukuna's book there is no meaning to life, except for the pleasures he pursues as an individual. Therefore Sukuna is the only real person that matters or even exists. The narrator says as much he alone is the honored one, all that exists is his pleasures and displeasures.

In Buberian terms Sukuna only experiences existence and I and It relationships.

Buber's main proposition is that we may address existence in two ways:

The attitude of the "I" towards an "It", towards an object that is separate in itself, which we either use or experience.

The attitude of the "I" towards "Thou", in a relationship in which the other is not separated by discrete bounds.

Sukuna is the "i" and everyone else is an "it." Sukuna is the only real person who exists, and everyone else is just an object for their amusement.

Whereas, Yuji experiences "I" and "Thou" relationships. Yuji learns to see other people as different from himself. Yuji appreciates people as separate entities. While Sukuna gets amusement from his life by treating other people like toys, for Yuji the value in his life comes from the people who have entered into his life in some form. He appreciates the relationships he's formed with people and the memories they've left behind, no matter how brief the time they spent together was.

This is why Yuji's words reach Megumi, because he respects that Megumi feels differently than he does. He doesn't tell Megumi to just suck it up and keep fighting because that's what Yuji would do. He understands that he's a different person than Megumi, and he can't say he understands the grief and pain Megumi is going through right now.

That's Yuji's big revelation, in just a few short months as a sorcerer he's met so many people who left an impact on him. Some of those relationships came to an end early, but that painful ending doesn't negate what they meant to him.

The few months he spent with Choso have value even if it's not the same as the one hudnred and fifty years Choso spent with the rest of his brothers, because Choso supported Yuji when he was at his lowest point. Yuji finally sees that what gave his life meaning was the memories he made with other people while they were alive together. Not the way that they died.

So Yuji is finally willing to let himself exist outside of a role.

That's what he's offering to Sukuna as well. Maybe not empathy or understanding, because if Yuji had truly learned empathy maybe Sukuna might have accepted his offer. No, Yuji is simply willing to offer Sukuna the chance to live alongside him.

Sukuna rejects bonds of all kinds and Yuji is now embracing them. Yuji no longer seeks to annihilate curses because they're a fundamental part of life. Yuji wants to live on with his curses and burdens. He's also willing to give Sukuna a chance to keep living too.

Even Yuji points out that both of them are totally twinsies. Sukuna was born as a curse because he devoured his twin brother in the womb. Yuji was born as a curse because he was created to be Sukuna's vessel. The only way that Yuji is the way that he is is because he was raised as a normal child by his grandfather. If Yuji hadn't then he would have turned out entirely different. It's the same way that Choso became human because of his love for his brothers, even though he was born as a curse human hybrid and tossed aside by Kenjaku as a failed experience.

Yuji acknowledges both his capacity to have turned out like Sukuna if not for his grandfather's sake. This time when he says You are me, he's not saying it to threaten and destroy the person he sees as his shadow. This time Yuji is trying to reconcile with his shadow. He's looking at the person who represents the absolute worst of humanity, and the things he hates about himself and is still willing to give them the chance to keep on living together with him.

When Yuji says "I am you, so I'll kill you" to Mahito, that signals his first step on the road to self destruction.

When Yuji says, "I am you, so I'll save you" to Sukuna, that signals his first step on the road to self-acceptance.

It's Yuji allowing himself for the first time to just exist as a normal person not as the hero of some epic story. He even gave Sukuna that chance too, to just continue living alongisde him, but sukuna rejected it to keep on living as a curse until the end.

So, while Yuji saying "You are me" to Sukuna isn't true empathy, it is Yuji learning to accept himself and his flaws. . Because if Yuji is willing to forgive someone like Sukuna, then perhaps he might just learn to forgive himself.

[goresuki]

my thoughts on Charlastor and Alastor calling Charlie "the daughter he never had"

this will be a very long rant/vent/whatever. also, a kind of... agressive one. if u wanna read, read it, if u don't, don't, idc and idm. I don't know if some antis take things for convenience (that way) or if they really are naive, because the fact that a manipulative guy like Alastor, whose intentions are unknown, tells Charlie that he sees her as "the daughter he never had" DOES NOT SOUND as CUTE to me as many DO seem to think it does.

I don't know if they don't realize the relationship Charlie has with her parents and how Alastor seems to take advantage of her.

From the pilot we realize that Charlie has no contact with her mother. In the series it is established that they have not seen each other for 7 years.

The first episode JUST talks about Charlie having so called "daddy issues" as her father, Lucifer, is an absentee father.

Charlie appears to NOT have had a close relationship with ANY of the two for some time (or quite some time).

The only person Charlie has is Vaggie, to protect and care for her (here's why Vaggie is so "boring", as some people call her, as she is acting as a guide/parental figure for Charlie, even though their relationship is romantic).

Where am I going with these points? That I think it's complete nonsense for people to take super-literally what Alastor has said: "you're like the daughter I always wanted to have".

Isn't it convenient for the most feared overlord (not the strongest) to approach Charlie and find that she's not as vulnerable as he thought (because Vaggie is there)? Isn't it convenient for Alastor to make a very absolute polarity between Vaggie and him in the pilot, where Vaggie comes off as the "bitter one" and he as the "fun guy"? Isn't it convenient for Alastor to PROVE to Charlie over and over again that HE knows what SHE NEEDS by pulling his tricks? And, oh, surprise… Isn't it even more convenient that when Lucifer arrives, who has a lousy relationship with his daughter, Charlie, Alastor rubs it in his face that he is doing everything that he (Lucifer) is responsible for, and furthermore, hits him right where it hurts, manipulating Charlie so that she seriously BELIEVES that Alastor REALLY sees her that way, and thus making her STILL not have a GUIDE other than HIMSELF?

I'll make it simple for you. You know how narcissists work? They will make you believe that YOU are special, and at the same time, they will ALIENATE you from your loved ones to keep gaining whatever they need from you. Charlie is, literally, his supply.

Alastor is a psychopath and narcissist. Do you really think that someone who can't genuinely empathize and love is literally going to feel affection for a grown woman who is very naive and doesn't even have power over her kingdom because she is so immature? Don't you think it is VERY OBVIOUS that he has literally said to her face: "I'm going to manipulate you in my favor because thanks to me you have all these upgrades in your stupid hotel"?

Alastor hasn't as such made a deal with Charlie, but he's winning her over in HIS way.

And I don't know who's crazier: charlastor shippers like me, who don't give a damn about canon and want to enjoy shipping WITHOUT bothering ANYONE (and don't come out with the stupidity that it's a "proship". Proshipper doesn't even mean "problematic ship", it means that you are FOR shipping whatever you want, living and letting live, without HARASSING others. Let's remember that Hazbin Hotel characters DON'T. FUCKING. EXIST. Alastor is not going to come out of the screen to say: "omg, user, thanks for defending me from those evil shippers uwu", or Charlie to say: "thanks for defending me, you're so good, user…. You're such a good person". Pro: "in favor of", shipper: "shipper, ship", however you want to call it. Don't modify terms to suit yourselves because you can tell that many don't even know how suffixes and prefixes work in words. Neither Charlie nor Alastor are going to die because someone shipped them. They are FICTITIOUS characters. The FANON is not going to change the CANON. Learn to sepparate stuff, ffs. Go out and touch grass once in a while) or antis who put on a pedestal what Alastor said, believing it as a justification to ATTACK people in the fandom who shipped something different, according to them, "problematic".

There they do forget that Alastor is a manipulator, that he is a person with a LOT of arsenal to get his way. There they forget that he IS a guy Charlie should NOT trust. There it DOES count because IT CONVENIENTS THEM. That's when the canon MATTERS to them. There it COUNTS. It doesn't matter if Charlie gets hurt because of trusting Alastor, they only see what they want to see. If you guys are going to humanize this fucking characters, at least be a little bit logical. Got me? Remember what Viv said?: "ship whatever you want, JUST DON'T HARASS ANYONE". These people say: "fuck what Viv says", but on this occasion, since she DID say something convenient for them, it DOES matter what Viv says now, doesn't it? Hypocrites.

Charlie has no one beyond Alastor, and I don't remember where I read that theory, whether it was here or elsewhere, where they talked about Alastor looking for a way to alienate the hotel itself in one way or another. That's why he doesn't use very flashy technology (Vox can travel through the latest electronics, and the hotel has an old box TV), nor does he go out of his way to provide anything of good quality (like the video camera). The hotel has its own power supply (we see this when the blackout occurs during the song between Alastor and Vox).

Alastor DOES NOT WANT Charlie as his daughter, he's just taking advantage of her to get whatever he needs to get out of her.

Charlie doesn't even seem to know exactly how her powers work, and the only person who can teach her is Lucifer, her father. And if Lucifer is out of the equation, Alastor can do whatever he wants.

He's hit Lucifer right in the jugular, and Lucifer knows that all the power in the world can't make up for the wrong he did to Charlie.

Anyway, if a real anti thinks Charlastor is problematic because "AlASTor AlreADy SaiD hE sEES hEr As a DauGhtER," I remind them that they are not dealing with a character who cares about others beyond maintaining his own status, and ffs... they're not even real. KEEP SHIPPING. KEEP DRAWING. KEEP MAKING FANFICS. FUCK THESE PEOPLE THAT TRY TO HARASS YOU, FUCK THESE PEOPLE THAT TRY TO MAKE EVERYTHING "PURE" ON A SHOW ABOUT DEMONS AND HELL. FUCK THESE PEOPLE TRYING TO MAKE A FANDOM THEIR OWN FUCKING WAY BECAUSE THEY CAN'T HANDLE THERE'S A LOT OF DIFFERENT VIEWS. FUCK THEIR SAVIOR COMPLEX, JUST COMING AROUND WHEN IT'S ALL ABOUT CHARACTERS THAT DON'T EXIST, FEEL, OR THINK FOR THEMSELVES, BUT DISAPPEARS ANYTIME SOMEONE REAL COMES, HARASSING AND SENDING DEATH THREATS TO THEM. FUCK THESE PEOPLE, GIVING PSYCHOLOGICAL DIAGNOSES OVER A FUCKING TIKTOK VIDEO OTHER ANTI MADE JUST BASING THEIR THEORIES ON THEIR FIST RESULT ON GOOGLE. FUCK YALL, CAUSE YOU'RE THE REASON YOU WHINE ABOUT THIS FANDOM. JUST AS WE SAY IN SPANISH: O LA BEBES, O LA DERRAMAS.

[thegaybyler]

A rant about Mike Wheeler because this has been on my mind lately

I think the actor to character age gap is why so many people get confused by Mike's decisions and the way he interacts with the world. The GA can easily look at Mike and see him as this guy who's just being a dumbass and a jerk, when in reality it's just a little boy who has a lot going on. Finn wolfhard was 19 playing Mike in season 4. Mike isn't even 15 yet. If Mike looked like this in season 4

I bet a lot more people would empathize with him because it would be easier to comprehend that this is just a little kid going through a tough time. I'm not saying there's anything wrong with an actor playing a younger character, but I think it does sort of make a typical viewer forget how old he is. Especially when I point out to someone that he's only a teenager and they're like "well he should at least know how to deal with these situations, he's just being a jerk"

Like honey what?? Would you ever expect THIS kid to deal with monsters, family problems, mental health and relationship problems and NOT come off as being kind of a jerk because he doesn't know how to deal with it?? Would you?

I've had this on my mind a lot more recently, the way the GA sees Mike as someone who should be able to deal with this, it's just annoying that they don't look at the bigger picture, that this is a 14 year old kid who's dealing with monsters from another dimension, his poor mental health, trying to hold a relationship he feels insecure in, parents who don't love each other, and also trying to grapple with how he feels about Will. I don't even know if an ADULT could handle all that, let alone a child with little to no guidance

[growling]

*average self-proclaimed safe space tumblr blog voice* I soooooo support people with schizophrenia that must be so hard to you anyway I just saw some weird looking woman talking to herself right outside my house im fearing for my life should I call the cops. Yeah dude I support all the adhd havers in the chat just try to pay attention when I talk to you it's not that hard it's like the least you could do to show some regard for the other human being in front of you. Like it's fine to have memory problems but why did you forget this one thing in particular that was important to me do you like not care or anything you should try harder. I am one of the only real mental health advocates to still exist in this world I hear your struggles that being said I hope I never get to meet one of those irl sociopaths or people with aspd whatever they call them now they're so freaky and they can blend into society so well you might never know if you're actually face to face with an actual socio i mean person with aspd in the store absolutely one of my biggest fears what if they torture me in their basement. I absolutely empathize with all the people in here suffering from delusions as long as they like, don't actually show it or have one concerning me that'd be highkey uncomfy leave me out of this dude im not talking to you until you get help, anyway my fav character from my anime just presumably died but i still think they actually survived im sooo delulu lol. We should push for more wheelchair accessibility in our cities I agree but like it's so difficult to tell how many people are actually disabled and who are actually faking it, like, ummm why did that "wheelchair" "user" guy stand up just now cover blown lmaoo…. Yeah I support people with facial differences but I still have a right to be disgusted you can't control my emotions anyway can you tag your selfies as #body horror this deeply triggering to me. Speaking of triggering can you also pleaseee hide your scars or at least warn us beforehand jesus do you know how many people genuinely do not want to see it. Here is my extremely fast strobing lights and flashing gifset #epilepsy. Yeah I loveee girls with bpd beautiful princess disorder am i right they're so interesting the stigma sucksssss i'd love to get to be one's favourite person as long as they don't actually have any of those weird or violent symptoms or don't go into any of their "episodes" near me like that's a bit dramatic….. I deeply feel for those who had underwent narcissistic abuse from the hands of an npd I think my shitty ex boyfriend was a narcissist too tbh #surviving narcissism here are 10 signs you are dealing with a narcissist and here's a tutorial on how to trigger a narc crash to epically own them anyway does anyone else think we should start enforcing mandatory castration of all the newly diagnosed narcs like you know what happens when they reproduce right. But I am willing to support them as long as they go to therapy to get that fixed it's just you know. Anyway sometimes hospitalisation is fine if they're genuinely a danger to themselves like what do you want them to go live on the streets or actually get help?? I support all the people dealing with being a professionally diagnosed disordered system and I think it's sooooo terrible how literally 99% of the youth population nowadays is purposefully faking it for attention I did my research (1 minute google search, 2 minute r/fakedisordercringe scrolling session and consulting a single system that agrees with me). It's just not believable to me that there's really that many people with it isn't it supposed to be rare… Also are we really sure all those alleged people in their heads are really real or just their imagination maybe all of them are actually faking it huh food for thought. I am very uncomfortable with nonverbal high support needs ppl actually having sex like consent is supposed to be explicitly verbal only and, are we really sure they can even consent arent they like basically children. You can't call me ableist I'm literally autistic

[clementineofmine]

I'm sitting here rewatching Tua S3 for reasons, and one interesting thing I picked up is that the entire season is really just each of the Umbrellas struggling to define and searching for family in their own way. Here's me laying down some thoughts for y'all:

Luther - For him, family has always been about the team. That's part of the reason he's so drawn to the Sparrows, bc at first they seem to have the cohesiveness that the Umbrellas lacked. Remember, Luther was the last one left at the Academy, then Reginald sent him to the moon alone. So of course seeing a "functional" team is going to be compelling for him, and he desperately wants to be part of it. And then he and Sloane quickly fall in love and for the first time in his entire life, someone wants him for him. It's intoxicating and utterly consuming NRE that is more powerful than anything he's ever felt.

Diego and Lila - For these two, it's about figuring out how to be a family. Both together, but also a little bit with the other Umbrellas. Diego looking out for Allison and Klaus and Lila and Five coming to a truce are part of this - more about Lila and Five in a sec.

Allison - In her mind, her family is Claire and Ray. This one is obvious, but I also think that the writers did us a disservice by not letting us into Allison's perspective. If you think about it, it's completely normal for a parent to put their child above all. While I don't defend her actions, her motivation could have been more compelling and it would have strengthened her character. But sadly she's the character on the show that is most "othered" (which is bad for many reasons)

Klaus - he really dug deep into individual relationships w family, starting with Five (e2 and 5 Five and Klaus bonding are still some of the best bits of the season imo), Diego, Reginald, Sparrow Ben, and then Luther in the afterlife.

Five - Five remains a pragmatist. His bar for family is very low - success for him means the Umbrellas being alive, no matter what the personal cost or sacrifice to him or to some extent others. It is somewhat depressingly delightful to see how he makes his peace with the end of the world as the season progresses. Before that, however, I'd like to meander back to e3 and 4 where Lila convinces him to electrocute himself and then they go on the Commission mission. Both of the actors do a fine job here bouncing back and forth between witty banter and genuine emotion and I love it. It's a quick and subtle piece of dialogue when Five explains how he saved Lila from the Handler. The undertone is that they were both abused by that woman in a similar way - ultimately, she developed and kept them both as pawns in her own game. And I think Five, starting in S2E10 and fleshed out through S3, develops genuine empathy for and eventually acceptance of Lila as family, as one of them, because of this shared experience.

Viktor - Like Viktor in all seasons, he continues to feel out of place with the Umbrellas and compensates by over-prioritizing his relationships with others. Don't get me wrong, I do empathize with him that he lost real love with Sissy and Halan, but I also think Allison was 100% valid to call him out on his lying in E6, and it was on point to verbalize how the constant focus on Viktors pain minimizes her (and everyone else's) experience. (Edit to add: Viktor finally seems to get the message on this, after being called out by Allison, then subsequently both Sparrow Ben and Five, and spends the last few episodes trying to make amends. Real character development here and I like to see it)

Reginald - Well, his overarching motivation since S1 has always been bringing back his dead wife, so I won't belabor that, but also it's interesting to see how he interacted with Klaus particularly - esp in E7 when he sobers up it seems he is experimenting with remembering his role as a father. Now we don't get a ton about his internal motivation here, but you can tell there is some mild curiosity, if not affection, for Klaus, despite the fact that he ultimately is cool with sacrificing him.

Some of these are more obvious than others, but when you tie them all together, the idea that they are all desperately looking for family and the blind spots that that creates for them, some of the messiness of S3 starts to make a bit more sense.

[bonefall]

the worst parent poll made me realize just how many ppl in the fandom are willing to jump straight into abuse apologia. bc on one hand you have ppl dumbing down crow's abuse to "him just being mean" and on the other end you have ppl saying that curlfeather didnt abuse frostpaw because she sacrificed herself and frost + her siblings love her so she couldnt possibly be an abuser. truly mindboggling stuff take these serious topics away from the fandom asap.

Part of me feels like it's because many in this fandom have a feeling that if a character's actions are abusive, it means you're "not allowed" to like them. Like there's an impulse where if you liked a character, it MUST mean they weren't THAT bad, because you'd personally never like "an abuser."

As if it reflects poorly on your own morality, as a person, that you connected with An Abuser. Understood them, even. Even if it was just a character.

If it's immoral to Like Abusive Characters, of course your reaction is going to end up being abuse apologia. To enjoy something isn't logical, it's emotional, so you will get defensive about it when questioned. When you do, it's not going to be based on logic because you didn't reason yourself into that position in the first place. It's an attack on you as a person.

I feel like that's often the root of abuse apologia in this fandom, and sometimes the world at large; "If I admit that this character/person IS abusive, it means I was doing something bad by liking them, so I have to prove to everyone else that they weren't or it means I'm bad too."

And to that I say... That's a BAD impulse! Grow up and admit you resonated with a character that did a bad thing! If that's an uncomfortable thought, sit with it!

Sometimes abusers are likeable! They usually DO think they're justified in their actions, or doing it for "a good reason," or were just too preoccupied to care. MOST of the time, people who commit abusive actions are also hurt or traumatized in some way. You might even empathize with them. None of this means their actions have to be excused or downplayed.

"Abusers" aren't a type of goddamn yokai, they're people just like you and me. You don't help victims of abuse by putting the people who hurt us in an "untouchable" category.

In fact, all it does is make you less likely to recognize your own controlling behavior. You're capable of abuse. People you love are capable of it, too. People who love YOU can still hurt you.

In spite of how often people regurgitate "It's Ok To Like A Character As Long As You're Critical Of Their Actions," every day it is proven to me further and further that no one who says it actually understands what that means.

All that said; I think it's no contest which one's a worse parent, imo.

They both mistreated their children, but Curlfeather did it through manipulation without verbal or physical abuse. She politically groomed her into a position of power so that she could use her as a pawn. It can be argued if this counts as child abuse-- but it's firmly still under the broad category childhood maltreatment, which is damaging.

(though anon I'm with you 100% at seeing RED when "but she sacrificed herself" is used as an excuse. Curlfeather's death does NOT CHANGE what she did to Frostpaw in life. I think it's a valid point to bring up when comparing her to another terrible parent for judgement purposes, such as in the context of this poll, but I really hate the implication that redemption deaths "make up" for maltreatment.)

Crowfeather, meanwhile, is textually responsible for putting Breezepaw through verbal AND physical abuse, as well as child neglect. His motivations include embarrassment from a hurt ego, revenge on his ex, and being sad because of a dead girlfriend. This abuse drives Breezepelt towards radicalization in the Dark Forest.

You could argue Curlfeather is a worse person for Reedwhisker's murder, but as a parent? It's not even a question to me. Crowfeather's one of the worst dads in WC.