#I also assumed it was gonna be a romance thing | Explore Tumblr posts and blogs

joemama-2 · 2 months ago

Text

velvet lies

pairing: gojo x fem reader synopsis: crippling debt and possible evictions have ruined you. working two jobs with no downtime, and a five-year-old son, you really don't know the meaning of taking a break. after continuous questions about his father, you have decided to finally let your son meet his dad. only thing is, he has no idea said son exists. and to top it off, you have not a single clue about what kinds of things will transpire from this sudden revelation. wc: 8564 tags/warnings: 18+ MDNI, smut, fluff, romance, alcohol, classism, mom! reader, lying, abuse, MAJOR angst, slow burn, exes to lovers, (mentions of) cheating, scandals, death, blood, drugs, drama, family drama, miscommunication, blackmail, unhealthy coping mechanisms , depression, manipulation a/n: longer chapter woohoo, was gonna write after break but had so much inspo. wrote on my phone, so if there’s any typos, please ignore 🥹 series masterlist < previous chapter < next chapter

The nights haven’t been easy in the past couple of days. Mingled with a growing sense of anxiety added on top of your already heightened stress, your brain just can’t seem to shut off. You’ve tried melatonin and no more caffeine, but caffeine is ultimately getting you through the day and keeping you up when needed. In all honesty, you’ve already been struggling with sleep, but with the surprise meet with Suguru, dread’s been pooling in your stomach.

You have no doubt he spilled the beans. Hell, you would too if that was your best friend. You can only hope he somehow didn’t, though. A small part of you would be a little annoyed if he did, because again, he has no role in this. At least not a big one.

A sudden banging on your door jolts you upright, checking the clock and it’s not even 7:30 yet. Only one person could be demanding your presence so early. A heavy sigh leaves you, forcing your stiff muscles out of bed, wrapping yourself in a robe before trudging to the front door. When you peek through the peephole, your landlord stands there with an annoyed expression on his old face, foot tapping the ground in impatience.

“Bastard,�� you mumble to yourself before opening the door. “Good morning, Mr. Sato.”

Seems he doesn’t have time for fake pleasantries, “Y/N, I’m assuming you saw the eviction note I left on your door yesterday morning.”

Unfortunately. “Yes, sir. I did.”

His arms cross, scratching at his greying mustache, “So, is it also safe to to assume you’ll have the money by next Friday?”

You sigh heavily, hand running through your hair. This is not how you wanted to start your morning. He was already making your life hell by suddenly raising your rent out of nowhere three months ago for so-called “renovations”. But you’ve yet to see any actual renovations being done. Not to mention, you’ve been bugging about your heater no longer working, and during this time of year, you and Koji are practically freezing to death. You had to buy a portable heater, small, but it gets the job done. Although it’s mainly in Koji’s room because you’d rather freeze than let him. “Look, Mr. Sato, I’m really trying here. I’m working hard to get the money, but please understand that—”

“Understand? I’ve been understanding, Y/N. I even applied last month’s rent to this month, just ‘cause of you.”

Of course, he’s gonna throw that in your face. Landlords seem to take their title so literally that if he didn’t have this much control over your space of safety, you would’ve ripped him a new one. Also, how could you forget that to even get him to agree to that plea deal, you were forced through an hour and a half of an uncomfortable, infuriating dinner with the man. Really, he’s not giving you much to work with here, but then again, you shouldn’t have had such high hopes. “I know, I know,” you reply, scratching at your roots. “I’ll have the money, okay?”

“You better,” he says gruffly. “Or I’m renting this unit to someone who can actually afford it. I’m hurting here too, you know?”

You huff. “Yeah, thanks.”

Without another word, you close the door in the man’s face, locking it. Leaning your back up against the hard surface, you close your eyes and will yourself to stay calm and positive. Counting back from ten and then back, a small tip your therapist showed you before your insurance no longer covered it. It’s okay. It’s only the start of the day, you have 20 something hours left. Now’s not the time to throw yourself a pity party and play woe is me. Now’s the time to just pick yourself up and move on. You’ll find a solution for the money, you always do.

Though this time, you can’t help but feel you’re really fucked.

I mean, you honestly have no idea how you’re going to come up with almost four thousand dollars in just a week. That sounds quite literally impossible in every single way. You get paid next week, but with taxes, you’re going home with maybe three thousand, so how will you get that extra thousand?

Unless some miracle decides to hit you, which almost never seems to happen. You used to think someone hoaxed you, or you were just born with the most unluckiest luck ever. Or, the more cynical thought you tend to have, you were fated to live a life in strict financial management, and hardships are constantly thrown at you left and right.

But hey, you’ve made it this far, right?

“No, I haven’t.”

“You what?!”

“I haven’t told him.”

“Y/N, what the fu–”

“Jesus Christ, I know, Hana. You don’t have to make me feel even more like shit.”

Your friend stops mid-way, eyeing your very displeased expression. She sighs and relents, slumping back in the small chair in the backroom of the cafe. She doesn’t say anything for a few seconds, letting your confession simmer and process. When she does, it’s an honest question. “But…why?”

Why. You feel like you’re staring to hate that damn word. “A lot of reasons, I know it’s not really justified, but I just…need someone to understand me for once. Not come at me for my dumb decisions.”

Your words feel bare and raw, not completely exposing the extent of the emotions you’ve been harboring, but enough to make her stop. Hana regards you with pursed lips, a hint of sadness in her eyes. Finally, she nods. “Okay, I won’t question you anymore. You have your reasons, and your reasons are always valid. So, I’m behind you on this. We stick together, remember?”

A hint of a smile forms on your lips, quietly thanking her. She comes forward to give you a hug, one you immediately reciprocate. Her auburn hair tickling your nostrils, arms seemingly tightening. “Don’t go holding things in anymore, I told you that. I’m here, to talk, listen, whatever.”

You and Hana met three years ago. She was just your co-worker at the time, now promoted to your manager. Although she’s two years younger than you, you two relate to a lot of things. Whether that be movies, food, what guys are hot, or alcohol. If anything, Hana might be your only friend in general. It’s a little sad, maybe, but at least you have someone to come to when you need to talk about adult issues your five-year-old wouldn’t be able to comprehend.

“I love you.” You find yourself muttering.

“I love you too, girl. Now, get out there, your break’s up.”

Jokingly scoffing and nudging her, you stand from the seat and do a quick stretch. Preparing yourself for yet another few hours of dreaded customer service and fake smiles, you walk out of the backroom, pushing the small curtains aside that separate the back from the counter, and clock back in.

“Cash or card?”

“Hello, how can I help you today?”

“Would that be all?”

“Have a nice day.”

Are all phrases any retail or customer service worker finds a little annoying, if not a lot. It’s so draining. And when the customers don’t greet you back, your pettiness shines through and you won’t even say have a good day to them when they’re leaving. Although, the job does have some upsides to it. For example, you get to make free coffees, take whatever pastries are left at the end of the day home, and the customers are never really bad. Of course, you have had a couple experiences, but nothing compared to a chain store. You’re even starting to use your customer service voice throughout the day, even when you’re not at work. Honestly, that’s not very good.

As you’re wiping up the counter, you feel a buzzing in your pocket. Taking your phone out, you see a set of numbers, an unsaved contact. You give Hana a quick glance, muttering a “just a sec”, before going back to the back to answer. “Hello?”

“Y/N?”

God, it’s gonna take some time getting used to his voice on the regular now. “Oh, Suguru. hey…uh–what’s up?”

There’s some shuffle on the other side like he’s adjusting the phone. “Are you busy right now?”

“Well, yes. I’m on the clock.”

He sighs, phone switching to his car output. “Where do you work? I’ll come now.”

“What?” you splutter out, head shaking. “No, Suguru, you can’t just pop out at my job. I’m busy, just tell me what you need right now.”

“I’m not sure I should.”

That statement alone scares you a bit. His cynicism always got on your nerves, but it also worried you from time to time. Most of the time, he didn’t mean any harm because that’s just how Suguru was, but it still did its job. Contemplation strikes through you. “Is it bad?”

He hesitates, which only further skyrockets your anticipation. “Honestly, it’s not too bad. But still, I need to talk to you.”

A breath emits from your lips, one you didn’t know you were holding. Eyes meeting the ceiling, you ponder over your decisions. Eventually, you come to a conclusion. “Fine, but it can’t be too long. I’m at Deja Brew, the cafe on–”

“On Express, got it. Be there in a bit.”

He’s hanging up before you even get a chance to question that he knew the cafe you worked at. If he did, surely he would have visited at least once, but you’ve never seen him come in. And you’re every day. Unless he usually comes when you’re not clocked in anymore. Anywho, you steel yourself for the inevitable conversation. Anticipating whatever bad or not-so-good news he'll give you.

“So.”

“Mm, this is good.” Suguru nods appreciatively, sipping from his coffee. You made it for him before he arrived, as a weird sort of gift to him. You two have situated yourself in a booth in the corner. Hana was a little confused as to why you were taking a break while you were on the clock, even regarding you with an almost scolding look. But the second she saw Suguru follow, her expression changed.

You practically saw the heart eyes form, smiling in a bashful way. That’s one thing you forgot about. The way girls would magnetize themselves towards the man, his best friend too. The two together were an almost deadly duo.

“Suguru,” you say, a hint of exasperation in your tone. “Please just…don’t stall anymore. Why did you want to see me?”

“Right,” he clears his throat, sitting up straighter. Once more, his steely gaze meets yours, you have to hold back the sudden urge to look away. “Like I said, it’s not terrible news, but not very good either.”

You nod, wanting him to just stop with the extraness and get to the point. “Okay, say it.”

“Satoru.” is the first thing he says, gauging your automatic grimace to his name. “He knows.”

Figures. “And you told him?”

He nods in response. You exhale, rubbing your face. “Suguru, why? I didn’t say you could.”

“I mean, I didn’t think I needed permission to tell my best friend he has a secret love child he hasn’t known about for five years, Y/N.” You hate when his voice gets like that, like you’re a school child who’s just been caught by her teacher for doing something she wasn’t supposed to. “Anywho, he knows. He wasn’t…very happy.”

You slowly ask, unsure if you’re ready to hear the answer. “What did he say?”

“More so what he did than said,” he pushes a stray strand of black hair out his eye and behind his ear, arms crossing. “He’s been quite easy to anger. I mean, I haven’t really talked to him because he’s not answering my calls, but I’ve been hearing from people at the office. He also kicked my ass out right after I told him. But that’s all I know at least, Nanami says he’s like a ticking time bomb.”

Jesus Christ. You don’t know what else you were expecting, you’re surprised he hasn’t done worse, but like Suguru said, that’s all he knows. His state is most likely a hundred times worse than what’s being thrown at you right now. You feel an intense guilt pool, mixing with a slight fear. “Did he…do anything else? Say anything?”

“I don’t know, he’s not talking to me right now.” Suguru concedes, leaning closer to you, brows furrowing in a seriousness. “Look, I’m not telling you this because I want you to feel worse, but I should let you know. He’s going to try and seek you out now that he knows about his son. You know that, right?”

Of course, you fucking know that. That’s what makes you scared, the possibility of somehow running across him in the most unsuspecting of places makes you want to stay holed up in your shitty apartment. “Yeah,” you gulp. “I figured.”

“I don’t know how he’ll react if–when–he does see you.” he honestly admits. “I just think you should reach out to him first, before he does it. I have his number, you should ca—”

“Stop.” you hold a hand up, eyes closing. “No more, I don’t want to be told what to do. I just…need some time processing everything right now.”

“Y/N–”

“Suguru,” your eyes open, staring at him dead on. “You seriously can’t expect me to jump from one thing to the next. I need fucking time to figure out what I’m gonna do. I’m already stressed as it is, now I have to worry about my son’s father possibly trying to reach out and that just sets me more on fucking edge. You come to my work, spring this on me, and I–” you’re rambling. Cutting yourself off in the middle of a sentence, choosing not to finish it. The last thing you need to do is rant to him. Besides, you’re just starting to see him again after five years, that would absolutely put him in a weird place between comforting someone who was once his friend, and backing up his life-long best friend.

You jolt a bit when you feel a warm palm envelope your hand, his thumb gently rubbing across your knuckles. Looking back at him, he gives you an all too familiar look. One that can make you just pour out everything you’re feeling right at that second. It’s a horrifying technique he has. “I’m sorry. Really, I’m sorry. The last thing I want to do is make you feel like shit. I should’ve been more considerate. I’m sorry.” He apologizes with a soothing intonation. Again, it’s making you feel warm. “It’s a hard situation, I could never know exactly what you’re going through. but…I care about you, Y/N. I always have, even without Satoru’s involvement. So, I’ll do better and not overwhelm you.”

Damn it, Suguru. Now you’re making me feel bad! Not trusting yourself with words, you meekly nod, slowly pulling your hand out his grasp. You miss the way his eyes dart down to his now empty grip, a small downward twitch to his lip that he expertly hides. “I should go back to work, I’m assuming you do too.” You stand on wobbly feet, giving him one last lingering gaze. “On the house, by the way….yeah, bye.”

Suguru watches you disappear behind the curtains, a small pit expanding in his gut. He pushes it away without thought, sighing to himself as he stands and exits the cafe. He walks down the sidewalk to his blacked out 2025 Mustang GT parked on the street. Getting in with a heavy head that’s full of all kinds of emotions. Some he doesn’t try to acknowledge, but the ones he does, it’s all worry and concern. He really doesn’t see how this situation can somehow turn around. Maybe you two will have a very mature and calm conversation when you cross paths.

He almost laughs to himself when he begins driving. Calm? Mature? Yeah, right. How do you have a calm conversation about hiding a kid for five years? Not to mention, you and Satoru are equally stubborn; it used to be so infuriating for him.

Suguru had patience, a lot of it actually. But you two tended to test that. Although, he would always forgive one of you the quickest. Cough, cough. You. It was like you had this weird thing about you that made the people around you just…like you.

His grip tightens on the wheel, biting his lip. He gets to a red light, thumb tapping on the material. Damn it all.

There’s a ringing that emits from the car’s speakers, looking at his touch screen to see the familiar name. Using this as a distraction, he answers. “Hey.”

“Hey,” Shoko’s voice sounds out. “Where are you? Thought you were paying for my lunch.”

He huffs, eyes rolling, and moving the car forward once the light turns green. “I never agreed to that.”

“Sure you did,” Shoko replies, exhaling a breath. She must be smoking. “Anyway, hurry up. I’m already waiting outside. I thought Satoru was coming, is he gonna be late again?”

Yeah, no. “I don’t think he’s coming anymore.”

“Why not?” Shoko asks.

Suguru exhales heavily, turning the street towards the meet-up spot with his friend. “Some shit happened, I don’t think he’s doing good.”

Shoko pauses, adjusting her phone in hand. “What happened?”

Suguru too stops, completely forgetting how Shoko has no idea about what has transpired in the past couple of days. “I’ll tell you when I see you.”

Satoru has never been surprised before, not technically. He’s a smart man with quick instincts and a good foresight, it’s like he can always tell when something is going to happen, before it happens. Even for birthday parties, his perception and people reading skills are great, he knows when someone’s lying or not telling the full truth.

In short, he knows a lot of things.

But, what he didn’t expect was for 1) even hearing your name ever again after the breakup, and 2) you have a son, his son. A son he had not one goddamn clue about. The only person who’s ever been able to throw him off his game is you.

Even back when you two dated, there were moments where you’d either say or do things that would make him pause for a second and think how unlikely that was of you. He knew you’d lie sometimes, small white lies weren’t foreign to him because he did it too. But, he never thought you’d deliberately keep something like this from him.

And to top it off, if Suguru never saw you by chance that day, would you have ever even told him?

Now that really fucking pisses him off.

When Satoru is mad, everyone else’s day is ruined. When he’s mad, you can see it in his face, his body, how he’s just barely holding himself back. It’s even more scary when Satoru is known as the laid-back, playful and unserious type of man. So when he’s mad, almost no one in the office wants to make him even angrier, let alone be around him.

He’s barely slept a total of ten hours within the past two days, mind keeping him awake. He’s trying to not imagine the image of you holding a boy who looks like him because he’s already broken one too many pairs of glasses and the thought alone makes him infuriated. He sees a blinding white flash of betrayal, hurt, confusion, and anger.

He doesn’t mean to take it out on his employees, but their feelings are not on his list of priorities.

He has a son.

A son who’s five, apparently.

Five whole years of being kept in the dark, not even being blessed with a smidge of information about his offspring. While he was off fucking women, having fun, dreading about taking over his father’s business, you were god knows where, changing fucking diapers and losing sleep. And for what? Were you that fucking scared to tell him?

Oh, he’s so going to rip you a new one when he sees you.

But, he’s still not sure if he wants to do that. Afraid of what might happen, he’d rather not blow up on you, but can you blame him if he does?

He just found out he has a secret love child from a woman he knew years ago and know he’s expected to act like everything is normal in this boring fucking meeting?

Not to mention, if his father finds out, he’s not sure what will happen. If anyone else finds out, for that matter. If anything, he needs to get a reign over this messy situation before he’s allowing anyone to know.

“Mr. Gojo? What do you think?”

At the sudden mention of his name, he snaps back into focus. Eyes flickering over to the bald-headed man who currently stands in front of the table of other withering men, the screen projector displaying a multitude of different statistical data. The man falters slightly, his grip tightening on the laser pointer as Gojo’s eyes land on him

Shit. He has no idea what they were even talking about. “About?” He clears his throat, appearing nonchalant, though the tight hold on the ballpoint pen says otherwise, the faint click of it opening and closing the only indication of his simmering irritation

The room feels colder, quieter.

The man clears his throat nervously. “The expansion plan... into the Asia-Pacific region. Whether you think it’s viable in the current climate.”

Gojo leans back in his chair, his posture relaxed, though his pen continues its faint, rhythmic clicks. His expression is unreadable, a faint smile tugging at his lips as he lets the silence stretch a moment too long. “And you need my opinion on this?” he says finally, his tone polite but tinged with condescension.

The bald man shifts on his feet, adjusting his glasses. “W-We... wanted your insight, given your, uh, experience overseeing the European division.”

“Right,” Gojo says, dragging the word out just enough to make the man squirm. He tilts his head, his icy blue eyes narrowing slightly. “Well, if I’d been paying attention, I’d probably say something about how overly cautious you all seem to be. But that’s just a guess.”

The bald man blanches, stammering, “O-Overly cautious? We’ve taken every factor into account—”

“I didn’t say it was a bad thing,” Gojo cuts in smoothly, his voice softening just enough to disarm the growing panic in the man’s voice. “I’m just wondering if maybe all those ‘factors’ are holding you back. Are we leaders, or are we playing it safe like everyone else?” His eyes flicker briefly over the rest of the table, daring anyone to challenge him.

The bald man hesitates, then nods quickly, his nervous energy palpable. “Of course. You’re absolutely right, Mr. Gojo. I’ll revisit the projections to—”

“No need,” Gojo interrupts again, flashing a faint, humorless smile. “I trust you’ll figure it out. Unless you think I shouldn’t.”

The man practically trips over his words in an effort to assure him. “No, no, of course not. I’ll make the adjustments immediately.”

“Perfect,” Gojo says, the finality in his tone dismissing the topic entirely. He shifts his attention to the projector screen, the numbers and graphs blurring together as his thoughts drift.

The room eventually moves on, the hum of conversation resuming. But Gojo doesn’t miss the quick glances from across the table, the subtle unease lingering in the air.

He taps the pen against the table, his jaw tightening. It’s taking everything in him not to snap, not to let the weight of the fact that his ex-girlfriend is a filthy fucking person seep through the cracks.

Let them sweat. It’s the only thing keeping him entertained today.

The minute the awful meeting of ifs and hesitant decisions is over, he’s pushing out his chair, being the first one to leave the haunted room. It’s a bad mistake on his end, because his secretary, Aiko, is on his ass. “Mr. Gojo, your father is waiting for you in your office.”

Great, as if things couldn’t get any fucking better. He holds back a remark, gruffing out. “For?”

“He didn’t say, sir. He just wanted me to tell you to see him as soon as the meeting finished.”

He really, really doesn’t want to see his father right now. The two were too alike, constantly butting heads which only ended in a harsh set of insults being tossed around, mingled with occasional threats of “never passing the company down to someone as idiotic as you”. His father is bluffing, of course. He has no other person to pass it down to, with Satoru being the oldest and only son of his father’s. His long legs easily lead him to the doors of his office, to which he hesitates. Taking in a big breath, before opening the doors and closing them soon after. “What is it?” he asks, walking over to sit in his chair, leaning back comfortably.

His father, Yamato Gojo, the current CEO of the Gojo Group, who sits leisurely on the black leather coach stands up to position himself across from his son. Arms crossed and the permanently etched frown on his face. “Why didn’t you come to the dinner yesterday? There were very important people there you needed to meet. I texted and called you.”

Why didn’t he go? Can he really just say “sorry dad, I was stressing about this shithole I’ve found myself in”. No, he can’t. Instead, he shrugs and brushes his father off. “I was already busy.”

“Busy with what? What’s more important than networking?”

“A lot of things, actually.”

Yamato dislikes that answer quite a lot, frown seemingly deepening, regarding his son with another usual disapproving look. “Satoru, this is serious. They were expecting you and you embarrassed me. I won’t let this happen again, when I say you need to be somewhere, you be there. No if, ands, or buts. You’re pissing me off.”

How ironic of him to say that considering he’s having the exact same effect of Satoru. He isn’t scared of his father, hell no. But he does know to pick and choose his battles. And with the way his mind is completely scrambled right now, he forces himself to intake a huge breath of air. “Yeah, yeah. Fine, I’ll be there next time. Happy?”

“Only after you prove it.” Like father, like son. Satoru hates how his father always seems to want to get the last word in. But his father hates how he does the exact same.

Throughout the entirety of his shift, up until he clocks out of work and walks to his designated parking spot which houses his white 2025 Mercedes-Benz SL-Class. Driving back to his high rise penthouse on autopilot, his thoughts zeroed in on one person only. Or well, two people.

Satoru wasn’t ever sure he wanted to be a father. He knew it was expected of him, but so many people had such high expectations of him, it became exhausting. Too exhausting. Does he even have a right to call himself a father to a child he never knew, a child who probably doesn’t even know him?

His right hand reaches for his phone, calling a number without taking his eyes off the road. It answers on the first ring, but Satoru doesn’t give him the chance to respond. “Do you know where she lives?”

There’s a falter, hearing Suguru’s deep breath come out on the other end. “No, I don’t. And nice to hear from you too.”

“I don’t have time for your sarcasm right now.” He stops at a red light, using his left hand to rub the crease between his furrowed brows. “Do you know anything? Her number? Where she works? Where did you see her so I can go over?”

“Satoru, I’m not sure it’s a good idea for you to go meet up with her again. You’re obviously not in the right mind space and I don’t want you two to—“

“I’ll argue with her all I want, I have that goddamn right to.” Satoru grits out, interrupting his friend before he has the chance to spew out more shit he’d rather not listen to right now. “Answer me.”

In Suguru’s mind, he knows if he gives Satoru even the tiniest bit of information regarding your whereabouts, he’ll storm over there and probably say things he doesn’t mean. Satoru tends to think emotionally in very dire situations, a bad habit of his. Still, although he knows his best friend should be angered by this situation, Suguru doesn’t want to involve himself. More than he has. After speaking with you, he’s come to the conclusion that you’ll reach out to Satoru soon. Considering the fact that he already knows. “I don’t know, I saw her at a grocery store, but she was just shopping.”

“Fuck,” Satoru groans, moving his car forward again. “Well how the hell do I—“

He’s cut off by a small vibrate to his phone, a message. When he looks down, the screen is overtaken by a new call coming in from Himari. Honestly, she’s the last person he wants to talk to right now.

“What’s wrong?” Suguru asks, after noticing the small beat of silence from the other end of the phone.

What isn’t wrong? “Gotta go, call you later.”

“Sat—“

Satoru ends the call, picking up the new one. “Hey.”

“Baby,” Himari’s light voice fills his ears, sighing in relief. “Can you come pick me up? I’m at the mall but the tires of my driver’s car popped.”

He’d rather not, but Satoru has found out that it’s been quite difficult to say no to his girlfriend. So, he puts his own internal and external battles to the side, making a right turn and exhaling. “The mall?”

“Yes, baby. Thank you so much.”

He hums back in response. “Be there in ten, wait outside.” Once again, he hangs up and a suffocating silence fills his car. Hands tightening around the wheel, he reels himself in with a big inhale, then exhales. He can’t show these sorts of emotions in front of the woman, for she’ll no doubt question and question about what’s wrong, which will then lead to an argument. He doesn’t need arguments.

As Satoru sees the mall in the distance, he’s overrun by the sudden determination. The determination to find you and meet his son.

“Just one more question, Koji. Then let’s eat dinner, how does that sound?”

The young boy groans in annoyance, the math work of simple addition problems laid out in front of him. He hates math, almost as much as you, excelling in other subjects like English and Art. “But Mama……” he drags the words out in a childish manner.

Plating two plates of tonkatsu chicken with curry, one plate smaller than the other, you turn to your son who now has a pout on his face. You resist the urge to pinch his cheeks. “You can do it, you did the other ones so well.”

Sitting next to him, you look over at his workbook. Just one more problem. It’s a problem consisting of three numbers, 5, 23, and 6. Simple in your eyes, but a disastrous monstrosity in the eyes of a five-year-old. “Mama will help you, okay?”

“Okay, Mama.” Koji grumbles, reluctantly grabbing his red pencil again.

Times like these you cherish. Sure, it’s mundane and not very exciting. But it’s the little things that matter most to you. Helping your kids with homework, helping them learn to ride a bike, tie their laces, it’s all wonderful experiences from your perspective. Proof of the fact that your chubby little baby isn’t very little anymore, growing into his own person. Although, the more he grows, the more he’s starting to resemble his father. It’s scary at times, when he looks at you and you get random flashbacks.

Eating dinner and washing up is another thing you love. After such a hectic day, you just want to unwind with your son. You had put in your PTO for the convenience store a month in advance; after a particularly hard month. Finishing at 5:00pm, like most people do, is a breath of fresh air.

You let Koji tire himself out in the tub, then the living room, to which he has Cars playing (his favorite movie at the time). He plays with his own small set of matching cars, while you sweep the kitchen. Your eyes flicker over to your phone that lays face up on the island, a bubbling sensation forming in your being, one of contemplation. You wonder to yourself, would you call Satoru? You know his number by heart, he most likely hasn’t changed it.

After the breakup, you cut off all contact with him and his friends, even choosing to get a new phone and new number, just to avoid any possibly drives of texting him, or to avoid him texting you. You quite literally wanted to erase every memory about him.

Kinda hard to do that when you’re raising his carbon copy.

After another blind minute, you pause your sweeping and grab your cellular device. You’re about to grab Suguru’s business card from your purse when a sudden question hits you.

How was he able to call you earlier at work if you had never given your number to him in the first place?

Your brows knit together while you come up with any possible solutions and reasoning to that thought, coming up blank. Seriously, how did he call you? Without thinking, you go to your recent calls, pressing the first one, and raising your phone to your ear.

It rings for about a second, before Suguru’s coaxing voice follows. “Hello?”

“How did you get my number?”

“What?”

“How did you get my number? I didn’t give it to you at the store.”

You can practically hear the way he’s trying to formulate an answer. Coming up with a shitty one. “I just…guessed.”

You say nothing, your eyes narrowing on a certain spot on the blank white walls of your kitchen.

Another second passes before he gives in, too easily. “Okay, okay. Look, I don’t want to sound creepy or anything but—“

“Were you stalking me?”

“What?! No! Of course not, Y/N. I’d never do that.”

“Then tell me how you got my number without me telling you.”

He sighs. “…I have a friend. He’s in the law enforcement and I…may have asked around. But before you get any ideas, I was worried. You just fell off the face of the Earth and I wanted to make sure you were okay.”

You can’t stop the huff that leaves you. Should you feel complimented that he went out of his own way to do all this or invaded? Maybe both. Honestly, you did that all for a reason. And he blatantly went behind yours, probably everyone’s, back to get some information on you in a shady way. Isn’t that illegal or something? “Suguru, when people do that, it doesn’t mean they want to be found.”

“I know, Y/N. But I was worried, so was Shoko and Satoru—“

“Does he know my number too?” You ask, already feeling your panic run up your veins, boy straightening into a stiff position.

“No, no, he doesn’t. Just me.” He quickly relieves you.

You guess that’s somewhat better. Although you still feel mildly annoyed at Suguru for what he did. “Is that all you know?” The way he doesn’t respond immediately makes you feel even more frustrated, jaw clenching.

“I….” He lets out a heavy breath. “No, it’s not.”

“What else do you fucking know?”

He winces at your now harsh tone of voice, though he knows it’s all expected. “It wasn’t on purpose, I just wanted your number, I swear. But when you’re looking for that kind of stuff, other things pop up like…address and…yeah.”

If only he could see your expression right now. “You know where I fucking live?”

“Yes, Y/N….”

Okay, now your privacy is very invaded. You have never really gotten angry with Suguru, let alone get into an argument. He always knew when to stop, what not to say to make someone else feel worse, but did he just get fucking dumb after all these years? “…are you serious?” You know he is, not even giving him the chance to answer your rhetorical question. “Fuck you, Suguru. I can’t believe you—you completely—I don’t even know what to tell you right now.”

You can hear the guilt in his voice, tone softening. “Y/N, I’m sorry. I had the best intentions, I was never going to visit you or call you without your specific permission to.”

“Did I give you permission to call me earlier?”

“No, you didn’t.”

“Exactly.” With another scoff, you bite your lip, picking the correct words to voice out. You wouldn’t say you’re a word vomit person, usually. But right now, you just feel…slightly weirded out. All this time, you thought you had solitude. But Suguru knew where you were this entire time? “Goodbye, Suguru.”

“Y/N, wai—“

“Don’t. If I need you, I’ll tell you. But right now I don’t want to speak to you.”

He pauses, feeling his gut tighten. Nonetheless, he nods and mutters. “Okay, I’ll give you space. Just please know I’m sorry and I really didn’t have bad intentions.”

Seems like this is the second time today he’s apologizing to you. You don’t like it. Without another word, you end the call, putting your phone back on the hard surface of the island. Jesus Christ. What the hell is going on, seriously?

One minute you’re stressing about getting evicted, then you have to worry about Satoru somehow running into you, and now you find out Suguru has just casually known your address all these years. Why is all of this deciding to be sprung on you all at once? Out of no where? The world must be punishing you for every unholy deed you’ve done in your life; it really doesn’t seem fair. At all. Can’t things just go right for once in your life? You just want to go at least a day without external stressors fucking you over in every way possible.

Of course, you’re unlucky. That’s just how things have always been for you. The universe has a twisted sense of humor, and you’re the punchline to every cruel joke. The thought of Suguru knowing your address sends a cold, uncomfortable shiver down your spine. What else does he know? What else has he been hiding?

The questions swirl in your mind, each one more suffocating than the last. You sit down heavily on the edge of your worn-out couch, its cushions sagging beneath you as though they, too, are tired of carrying your weight. You bury your face in your hands, the skin of your palms rough against your cheeks, and take a deep, shaky breath.

Satoru (and Suguru). Their names alone bring up a storm of emotions you can barely keep bottled up. You’ve worked so hard to keep them, and everything they represent, in the past. Yet here they are, forcing their way back into your life like unwelcome ghosts.

You glance at the stack of overdue bills on the coffee table, mocking you with their bold red lettering. As if you didn’t already know you were drowning. Maybe it’s time to stop fighting the tide.

You watch Koji focus on the bright screen, moving his toy cars in unison with the movie. Willing yourself to worry about the now, to convince yourself that you’re not done, that there’s still some fight left in you.

However, that seems to be proving harder each and every single day.

It’s a chilly, but sunny winter day. The sidewalk filled with other people going about their day. You’re wearing a black trenchcoat, along with a scarf. Hands stuffed into the pockets of your coat as little puffs of white air leave your mouth, a stark piece of evidence of how cold it is today. The heels of your shoes clacking down the concrete, making your way to the familiar cafe of Latte Lounge.

Saturdays are supposed to be happy days, a final breath of fresh air after the business of the weekdays prior. The day where people enjoy Mother Nature and what she has to offer, a day of sleeping in, a day of no responsibilities.

A woman like you has no Saturdays. It’s like every day is a cold, hard Monday.

You finally spot the cafe, its large, glass windows giving you a sneak peek to the liveliness that resides inside. Of course, most people do choose to go to cafes on Saturdays. Especially this early in the morning. Walking in, the small bell above the door dings. The workers behind the counter greet you; while you give them a half greeting back, your eyes scan the environment. It takes a few seconds, but you see Mr. Ito sitting at a table for two in the corner.

You prepare yourself with a heavy sigh, forcing your feet to maneuver you over to the man who smiles and stands once he sees you approaching. “Ms. Y/N, good morning.”

“Good morning.” You’re a little caught off guard when he takes the empty seat from across from him and pulls it out, a silent move of help. Sitting down, he pushes your chair in then walks back over to his own. He laces his fingers together on top of the table. “Get whatever you’d like, on me, remember?”

“Oh, I’m not very thirsty right now.”

“No, please. It’s my pleasure, especially for meeting with me so early this morning.”

A part of you wants to deny his niceness. But, he did cause you to lose money you could’ve still had to spare if you didn’t have to call in Sana to watch Koji. And well, coffee always makes you feel better. “Just an iced vanilla latte.”

He nods and stands up. “Great, I’ll be back.”

Watching him go up to the counter and order, you look back down at your lap. Koji misbehaving sounds odd, he’s always been an obedient kid. Of course he has his moments, but he understands when to listen and when to goof around. A few minutes later, Mr. Ito sits back down with two cups of coffee, sliding yours over to you. You thank him and sip. Hm, not too bad.

There’s a small silence that flows over you two as you taste your coffees, but you wait for him to speak first. He did schedule this little meeting, after all. He clears his throat. “So, Ms. Y/N, again thank you for meeting with me.”

You nod. “Of course, Mr. Ito. Anything for Koji.”

Mr. Ito smiles, his hand waving you off. “Oh please, call me Haruto.”

Already trying to get on a first name basis. Simply nodding again, you raise an eyebrow for him to continue.

“Anywho, like I said earlier this week, I have concerns about Koji’s behavior. You see, he’s had about six instances where he doesn’t listen to me when I say it’s time for silent reading time. I understand he’s a talkative child, but he usually does not act out like this. Would you happen to have any idea as to why he is behaving this way so suddenly?”

“No, I don’t. Koji listens well, and he hasn’t come to me specifically about getting in trouble.” You respond, lips pursing.

Mr. Ito nods in understanding. “I can assume so, but his behavior has started affecting his peers, as well.”

You sit up straighter in your chair. “In what way?”

“Well,” Mr. Ito tilts his head, seemingly recounting the times Koji has misbehaved. “The students who sit around him have started coming to me, complaining about how Koji doesn’t leave them alone. They feel as if he’s taking away from their learning.”

What? Not to mention that that sounds quite…interesting for other five year olds to say, but no way Koji has been that bad. Maybe it’s your bias as his parent, but this is brand new to you, very brand new. Even when he’s home, Koji always insists on doing his homework before playing or eating dinner. So really, you’re not sure how to react to this surge of new information about your own child. “I really don’t know, Mr. Ito. I mean, Koji is a great boy, he listens very well to me and the other adults in his life. I’m just as shocked as you are right now.”

Mr. Ito leans back in his chair, his lips curving into a faint, knowing smile. “I’m not doubting your parenting skills. Koji’s clearly a bright and energetic boy. Maybe too energetic for some of his classmates to handle.” His tone is light, but there’s an undercurrent there, something you can’t quite place. “It’s possible he’s just seeking attention in ways that might not be obvious at home.”

You nod slowly, though his words don’t sit right with you. Koji doesn’t come across as attention-seeking at all. If anything, he’s a bit reserved until he’s comfortable around someone. “I’ll talk to him tonight and see if I can figure out what’s going on. Maybe there’s more to this than meets the eye.”

“I’m sure you will,” Mr. Ito says, his smile deepening as he leans forward slightly, resting his elbows on the desk. The movement feels deliberate, like he’s closing some invisible gap between the two of you. “You’ve always struck me as a very attentive parent.”

The compliment lands awkwardly, and you find yourself straightening your back again, instinctively pulling away from his lingering gaze. “Thank you, Mr. Ito,” you say curtly, steering the conversation back to its purpose. “I just want to make sure Koji’s doing well and that his behavior isn’t affecting his classmates.”

“Of course,” he says smoothly, not missing a beat. “And I’m here to help however I can. We could even set up regular meetings if you’d like, to make sure we stay on the same page about Koji’s progress.”

“That won’t be necessary,” you say, your polite tone edging into firmness. “But I do appreciate the offer.”

His smile falters for a brief moment, but he quickly recovers, leaning back in his chair as though he hadn’t just been testing the waters. “Understood. Please, don’t hesitate to reach out if you ever need anything. My door is always open.”

You nod, feeling a distinct shift in the atmosphere—one you’re eager to step away from. “Well, are there any other concerns I should know about, Mr. Ito?”

He looks like he wants to say more, but decides against it. “No, Ms. Y/N. None at all, thank you for coming out.”

“Thank you for the coffee, have a nice day.” You reply, wasting no time in standing up, grabbing your drink in one hand and bag in the other. Though, his voice speaking again causes you to stop.

“Ms. Y/N,” Mr. Ito’s voice stops you just as you push your chair back. You glance at him over your shoulder, and there’s a flicker of something unreadable in his gaze. “I really hope I didn’t come across as too forward earlier. I’m just...invested in making sure Koji has everything he needs to thrive.”

You offer a polite smile, settling the strap of your bag on your shoulder. “Of course, Mr. Ito. I appreciate that.”

He smiles, but there’s a pause before he continues. “It’s rare, you know, to see a parent as involved as you are. It’s refreshing.”

The compliment makes you pause, and you clutch your coffee cup a little tighter. “Well, Koji’s my world,” you reply simply, brushing off the remark.

“As he should be.” Mr. Ito leans back in his seat, his fingers lightly tapping the side of his own drink. “But I imagine that must get exhausting sometimes, especially since you seem to handle everything on your own.” His tone is casual, but there’s a softness to it, as if he’s inviting you to confide in him.

You blink, his words catching you off guard. Is he fishing for something? “It’s not always easy,” you admit cautiously, “but that’s just part of being a parent.”

“True,” he says with a small nod, his eyes lingering on you a moment too long. “Still, you shouldn’t hesitate to lean on the people around you when you need to. It’s not a sign of weakness, you know.”

You stiffen slightly, unsure how to interpret his words. They seem innocuous enough, but the way his gaze flickers toward you feels... calculated. “I manage just fine, thank you,” you reply, keeping your tone light but firm.

“Of course,” he says smoothly, raising his hands slightly as if to placate you. “You strike me as someone who handles things with grace. It’s admirable.”

You glance at your watch, eager to end the conversation. “Well, I should get going. I’ll talk to Koji about everything we discussed.”

“Of course.” Mr. Ito stands as you do, his smile as steady as ever. “Thank you again for meeting me. And...if you ever want to talk more, even just about life in general, I’d be happy to listen.”

His words hang in the air for a moment, and you force another polite smile. “Thank you, Mr. Ito. Have a good day.”

“I can walk you to your car, I’m heading out as well.” He quickly suggests.

You shake your head almost instantly, smile feeling more narrow. “No need, thank you.”

“Are you sure?”

“Quite sure.”

“But I—“

“Thank you again, but I really must go.” You cut him off, feeling your patience run thin and the desire to be cordial and polite stretching too much. You nod stiffly and turn around to briskly walk out the cafe. However, just as you do so, you collide into something, or someone.

Your open-lidded coffee fumbles a bit in your hand, quickly steadying it. Though it does manage to stain the white shirt of the person you just bumped into. Just great. You hold back a wince and apologize. “I’m really sorry, I wasn’t—“

Your words leave you, your breath feeling like it’s been stolen straight from your chest. Every hair on your body stands up straight, your heart falling straight to your ass like you’ve just hit the biggest drop on a rollercoaster. You know that feeling when you question if something is real or not, pleading with yourself and every deity watching that it’s not? Well, that’s exactly how you feel right now.

It feels like a spotlight has been shone on you without your consent and you suddenly want to throw up. Because as your eyes have moved up to profusely apologize to the stranger, a bucket of water filled with nostalgia and past memories drowns you.

The bright blue, unmistakable irides stare back down at you. A million memories play on repeat, but one thing’s for certain.

The past has never felt so close, and you suddenly want to erase it all and scream.

a/n: the dreaded reunion is here! thank you for reading and the tremendous support! <3 stay tuned for next chap, sorry if yall thought these two were boring, chapter 3 will be getting more into it

taglist: @celestialforce @theclassbookworm @tbzzluvr @uhenivid @ofkilljoysandslytherins @sadmonke @bunheadusa @shartnart1 @lady-of-blossoms @itsinherited @duooy @ari-sa @dakotali @mew4-ever18 @iv-vee @devils-blackrose @a-girl-with-thoughts

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niuxita21 · 2 years ago

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ClassofO7 really had a chance to do something interesting in terms of romantic pairings with so many complex f/f relationships to explore if they didn’t want to forego having a “main slow-burn ship” with an all-female cast (Zoe/Amelia obviousy but also Genevieve/Saskia and even Phoebe/Renee) and yet they went with the laziest option possible in terms of representayshun by making the one lesbian character the comic relief side character whom it’s clear they never had any intention of giving a romantic storyline to

#and whom tbh I probably would have a hard time taking seriously in any attempt at a romantic storyline #it's like characters like jason mendoza or rogelio villanueva or orla from derry girls who are great for comic relief #but who stretch the limits of suspension of disbelief when trying to sell them as capable of sustaining a romantic relationship #with someone who is actually a fully formed 3-dimensional character #le sigh #a few episodes back I was gonna make a post about how my investment in this show and desire for a second season #were contingent on how they resolved the saskia thing because my GOD she was a monster in the first half of the season #I assumed that at worst there wouldn't be any lesbian characters and that was actually something I could get past #turns out the saskia thing was resolved in a pretty stellar way (episode 5 was FANTASTIC) so I thought we were in the clear #and now I'm questioning my attachment again for the ONE reason I didn't even consider lol #I understand that not everything needs to be about romance and that a show about female relationships such as this one is good enough #I just think this was a case in which an overarching serious romantic storyline would have really worked #and now I kinda don't want to continue getting invested in all these relationships where there's SUCH great buildup #only to know it's not gonna amount to anything (and now also with the possibility of dudes being added to a potential season 2)#(I still have one episode left to watch but it's a pretty safe assumption I think)#such is life you win some you lose some I guess #thoughts no one cares about

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neocitylights · 2 months ago

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SUMMARY: Giving in to your boss relentless matchmaking attempts, you’re not sure what to expect upon agreeing to finally meet her son, Donghyuck, at the company’s upcoming Halloween party. Unsure if you’re even ready for a relationship, you also might still be a little too caught up by Haechan, an insufferable but charming one-night fling that keeps asking you out despite your refusals. There’s one thing you’re sure about—life is a funny thing, but yours definitely feels like a cosmic joke sometimes. GENRE: Romance, fluff, non-idol au, one night stand au, strangers to lovers WORD COUNT: 12k WARNINGS: Cursing, suggestive themes, implied sexual content

NOTES: Omg hi neocitylights second fic!! Please let me know what you think!! It’s gonna make my day!!

At first, it reads off as a simple, innocent email from your boss.

As you’d volunteered to help Mrs. Lee organize the company’s annual Halloween party, the first few paragraphs seem harmless enough—reading through the details of potential venues, catering options and decoration palettes selected by her, it truly is a simple, innocent email from your boss… until it isn’t.

Scanning the words for one last time, a sigh escapes from your lips as you hit her last lines.

Also, don’t forget that I can’t wait for you to finally meet my son at the party! I’m sure that he’ll be delighted to meet you.

You’ve been working for Mrs. Lee for a little over a year by now and for the best part of it, her persistent matchmaking attempts for her son, Donghyuck, have been targeting you. It’s become a running joke around the small office, especially since every other week Mrs. Lee makes it a point to note how ‘absolutely perfect’ her son would be for you, and how he ‘knows all about you already’.

Though you’ve always taken it with stride, laughing it off whenever she mentions him, Mrs. Lee never wavered from her scheme.

Besides the fact that Donghyuck is absolutely adored by his mother, you don’t know much about him other than his name and a few bits and pieces of information very purposefully provided by your boss.

Oh, he’s a very smart boy. Yes, Donghyuck is a little ambitious, you know. He’s been single for a while.

Admittedly, the idea of dating your boss’ son seems like a ticking bomb waiting to explode, but since Mrs. Lee is one of the sweetest people you’ve met in life, it’s only fair to at least assume that she’s raised a decent guy.

Now that the party’s coming up, there’s no real way out of it.

If you’re being honest, your love life has been a little lacking lately. Given work and your busy routine, there hasn’t been much time to think about anything but crossing off the next item of your daily to-do list. Apart from the monthly team meeting with your co-workers and an occasional dinner out with your roommate or uni friends, the most action you’ve gotten recently is Haechan’s casual, annoyingly charming texts.

It’s funny to think about it now—the guy was supposed to be a one-time thing, just a night to blow off some steam after a long week.

In a way, he still is.

You hadn’t expected much after exchanging numbers at the doorstep of his apartment the next morning.

Not being a stranger as to how one night stands work, you couldn’t help the surprise when his first text came through just a few hours later. Haechan still is a one-time thing, but he’d somehow turned out to be funny and entertaining enough to convince you to stay in touch with him despite the casualness of your encounter.

Toying with each other in a flirty, playful game, sometimes Haechan leaves you a little intrigued and maybe too willing for a second round… if only you didn’t have your work life to worry about, that is.

So for now, your work and love life are on completely separate tracks, even if Mrs. Lee’s been working a little too hard to blur the lines in between.

As you get home a few hours later than usual, brain scrambled in a mess of food menus and guest names, you give in to collapsing on the couch with Alia, who’s already halfway through a pint of ice cream and an episode of Sex Lives of College Girls.

“How was work?” Alia asks, a smirk creeping onto her face. “No offense, but you kinda look… rough.”

“No more than usual, I guess,” you sigh, side-eyeing your roommate for a second as you kick your heels off. “I mean, other than Mrs. Lee being over the moon that her son’s finally meeting me, it was just another day.”

Alia raises her eyebrows, a spoonful of ice cream hovering midway through her mouth. “Wait, is this really a thing? I thought you were joking whenever you mentioned her hyping up her son for you.”

“Donghyuck is very real, very single and apparently the perfect match for me.” You roll your eyes, a chuckle escaping from your lips. “He’s going to the party and she’s been mentioning it every single time she spots me around the office.”

“Damn,” Alia snorts, her eyes twinkling with mischief as she playfully nudges you. “Who would’ve thought you’d be your own boss’ daughter-in-law, huh?”

“Shut up,” you groan, cheeks instantly warming up at your roommate’s laugh. “I love Mrs. Lee to bits but I don’t even know the guy.”

“But you will,” Alia says, giving you a knowing look. “It could be fun, you know? Maybe he is all she’s made him up to be and he’ll be your soulmate or something.”

You sigh, offering a pat to your friend’s thigh with an amused smile growing on your lips. “You’ve been reading too much booktok literature, Alia.”

As she grins in return, little did you know how stupidly right your roommate’s next words were.

“And you’ll live one, trust me.”

The following weeks flew by, keeping you busy enough with last minute plan changes and impromptu hunts for a work function appropriate Halloween costume. Much to your concern and Alia’s amusement, Mrs. Lee’s enthusiasm over your potential meeting with her son didn’t falter, instead leaving all of your co-workers in a similar buzz as the party approached.

Now, as you adjust the pink vest of your Barbie costume under the orange lights currently decorating the venue, you can’t help but feel a little antsy.

Especially after Mrs. Lee’s voice cuts through the crowd when calling your name.

Bracing yourself, you turn to find your boss striding towards you with a very familiar, eager gleam in her eyes. “Oh, there you are! Come on, I want to introduce you to someone!”

Mrs. Lee—who’s adorably dressed as Princess Leia—takes your arm, walking you through the crowd with such firm steps that you’d think that she’s waited her entire life for this exact moment. As fast as she guides you, your boss quickly comes to a stop by a group of her personal guests, who greet both of you with amused smiles.

“Darling, he’s just over there speaking with a few family friends,” Mrs. Lee murmurs, her arm still intertwined with yours. “Go grab yourself a drink and I’ll bring him over in a moment, hm?”

“Sure thing,” you say, trying to sound casual enough to mask how dazed you are watching her disappear into the crowd again.

A glass of wine later, the knot of expectation still sits in your stomach as you wait for them at the bar. Your eyes have been discreetly drifting over the room, anxiously anticipating the whirlwind that your boss will probably create for Donghyuck as soon as you’re within their sight.

On top of the bar’s counter, your phone buzzes.

Haechan 9:34PM Tonight is the naughtiest night of the year Don’t tell me you wouldn’t want to see me today

Reading the texts, you couldn’t help laughing at his cheekiness. Sometimes it feels like Haechan has a knack for knowing the exact, most inappropriate moment to make himself known. Being as insufferable as he is, it’s truly a wonder how the guy still manages to be so attractive even through texts that can rival a frat boy.

Momentarily ignoring your nerves, you start typing a quick response.

As you’re about to hit send, Mrs. Lee laugh hits your ears and you look up—

You blink, fingers hovering over the screen of your phone.

He’s standing right next to your boss, who has her arm around his and a smile as big as the sun on her face, clearly introducing him with an adoration you could feel from across the room.

He as in freaking Haechan, the guy you were just about to text and the guy you have been texting ever since a one-night at his place months ago. Haechan as in Mrs. Lee’s infamous, perfect for you, son.

Mrs. Lee finally catches your eyes, her face lighting up as she excitedly waves you over, the thrill of the moment thankfully leaving her oblivious to any signs of distress on your face. Heart drumming against your ears, you walk towards them with hesitant steps, still in disbelief over how absurd the entire situation is.

With a hand on your back, Mrs. Lee pulls you closer with an expression that can only be described as triumphant. “Oh darling, I’d like you to meet my son, Donghyuck.”

Donghyuck finally turns to you, his eyes immediately flickering in recognition as he takes in your entire figure, from the stupid white cowboy hat on your head to the high-heeled pointed boots.

His face shifts, the brief flicker of surprise quickly getting replaced with amusement as he steps to stand by his mother’s side.

“So this is my Donghyuck, like I told you all about,” your boss continues, a hand on his shoulder as she tells him your name, positively beaming. “You two will get along wonderfully, I just know it.”

Unbeknownst to Mrs. Lee, Donghyuck is clearly suppressing his own reaction as extends a hand out, lips twitching and eyes alight with mischief upon you. “It’s a pleasure to finally meet you,” he starts smoothly. “I’ve heard a lot about you from Mrs. Lee here.”

“Oh, likewise,” you respond, gaze narrowed as you take his hand in a firm shake. “Nice to meet you, Donghyuck.”

Despite the clear amusement on his face as you discreetly stress his apparent real name, Haechan still doesn’t seem to give any other reaction away to your boss. It’s infuriating how good he seems to be at… whatever ridiculous situation this is. Poor Mrs. Lee, still riding on the high of her most awaited matchmaking accomplishment, stays unaware of the simmering tension between you and her son.

“I’ll leave you two to know each other, then,” she says, offering a cute wink before swiftly disappearing into the crowd as she’s done all night.

As soon as his mother is out of earshot, Haechan drops the act, his face instantly breaking into a slow grin as he steps closer. “So my mom was right about knowing a girl who’s just perfect for me.”

“And of course that out of billions of people on this Earth, you’d be my boss’ son.” You roll your eyes, arms crossing over your chest as a scoff escapes from your lips. “Because this is exactly how insane my life actually is.”

Donghyuck just laughs, clearly enjoying the situation despite your indignation. “Well, this isn’t exactly how I pictured seeing you again but you don’t see me complaining, do you?”

At the implication of your first and last meeting, you can’t help taking a second to actually see him.

It actually hasn’t been long, so Haechan still looks pretty much the same… and maybe that’s the problem. The racer jacket he’s wearing as costume makes him look so effortlessly cool, suiting him in a way that feels almost too fitting. From the black hair, now purple tipped and perfectly styled, to the tan skin and endearing moles on his cheeks, you realize that you might’ve daydreamed about him more than you’d like to admit.

It’s only when Haechan clears his throat, looking nothing but pleased, that you snap out of your trance.

You feel warmth creeping up on your neck but refuse to give him the satisfaction, frowning at his smug expression. “Don’t get too comfortable. You’re still just a random guy who’s been obnoxiously texting me weird stuff.”

“That’s mean, Barbie,” he teases, voice lowering just enough that only you can hear. “If I remember correctly, you were the one who gave me your number.”

“Because you asked,” you scoff, rolling your eyes. “I didn’t exactly plan on seeing you again.”

“Are you sure about that?” Haechan leans closer, the playful glint in his eyes growing stronger as he clicks his tongue. “Ah, it didn’t seem like it when you were begging—”

As your pulse quickens, body growing even warmer, you don’t think twice before impulsively covering his mouth with your hand. “I’m technically at work and your mother is my boss, so please shut your mouth.”

Haechan smiles against your palm, pressing his lips to your hand before you pull it away in panic, dreadfully searching the room for Mrs. Lee’s potential prying eyes. If you know your boss as well as you think, then you’d bet that she’s been watching every second of your interaction with her son with laser focus attention.

Quick to catch you, his grin only widens. “If you don’t want her to see then let’s get out of here.”

If you were to suddenly disappear with her son, Mrs. Lee sure wouldn’t mind.

Truthfully, you are ridiculously taken by the guy. After all, you have slept with him and it was one of the best nights you’d had in a long while. Haechan is witty, fun to talk to, and he doesn’t seem to hide who he really is. Unfortunately, he just also happens to be your boss’ son.

No matter how attractive and good at sex Haechan might be, you’re most definitely staying away from the ticking bomb.

You must stay away from the ticking bomb.

“Only in your dreams,” you finally retort, hoping that your face doesn’t expose your agitation as you finally turn around to leave.

Just as you move past him, Haechan leans over your shoulder, the whisper as loud as a scream to your ears.

“That’s exactly where I’ve been seeing you.”

You’d spent the rest of the party in a daze.

Trying your best to steer clear of both Mrs. Lee and her beloved son, you thoroughly focused on supervising every little corner of the venue. Maneuvering your way through the guests, you’d quietly made your escape a few hours later so nobody would notice your sudden absence.

If only Mrs. Lee hadn’t texted about your whereabouts halfway through your Uber ride, it’d have been a win.

Now finally at home, you barely step through the door before Alia appears from the kitchen, a mug in her hands as she snickers at your frazzled expression.

“I can’t tell if the party was a bust or not,” she says, taking a sip from her tea as she raises a curious eyebrow. “I’m scared of your answer but how was Mrs. Lee’s long-awaited party?”

Taking a few steps to slump onto the couch, you drop the cowboy hat and your bag to the floor, pressing a hand to your aching forehead as a sigh escapes from your mouth.

“The party itself was great, everything went according to the plan,” you start, pausing for a moment to brace yourself. “I also finally met Donghyuck.”

Alia’s eyes immediately light up with interest, fully invested in your ongoing drama. “The Donghyuck? Mrs. Lee’s son Donghyuck?”

You hum. As the exhaustion catches on, you can’t help a deadpan summary of your night. “You can also call him Haechan, I guess.”

Alia almost chokes on her tea, scrambling to put the mug down before she spills it rushing to sit beside you on the couch. “You’ve got to be shitting me!” she exclaims, eyes wide with disbelief. “Haechan as in that cute little guy you’ve been texting since that rooftop bar?”

“The one and only.” You sigh in exasperation, glaring at your friend as she suddenly bursts into a laugh. “I can’t believe you’re laughing. The universe is playing a cosmic sick joke on me and you’re laughing.”

“This is totally your booktok plot!” she beams, voice laced with amusement. “Turns out Mrs. Lee was right about you being perfect for her son.”

“Oh my God, don’t even start,” you groan, feeling your cheeks warm up for the millionth time of the day. “It was embarrassing. I had to pretend that we didn’t know each other while he was looking at me like this is the funniest thing in the world.”

“Are you for real?” Alia scoffs, frowning as if you’d grown two heads. “You were so into him that night. The fact that he has your number right now gives you away, girl.”

“I didn’t think I’d see him again,” you protest, still timid over the memory of your first meeting. “Besides, he’s my boss’ son, and—”

Your phone buzzes on the coffee table, Haechan’s name bright and clear on the screen.

You hate his impeccable timing. You hate it so much.

Before you can even think, Alia quickly grabs the phone instead, mischief all over her face as she stands up to keep it away from you.

“I’m on my knees, Barbie—” She starts reading, comically pausing as she shoots you a wide-eyed look. “Oh my God, what the fuck—”

You sink further into the couch, feeling as if your body is ready to combust. “Stop it!”

“I’m on my knees, Barbie,” Alia repeats, purposefully highlighting every word as she continues with a grin curling on her lips. “Where am I taking you for our date? I’m free when you’re free.”

As your roommate drops the phone on your lap, you block the screen with a glare at her. “Don’t say a word.”

“I don’t know what’s going on in that head of yours but this guy is down bad for you,” she points out, her face softening before she sits by your side again. “And you like him, so what’s up with the long face?”

There’s a brief pause in the conversation before you sigh, firmly shaking your head. “It’s too complicated,” you say, offering a meek shrug under Alia’s knowing eyes. “Plus, I really like my job. If anything happens, it might fuck things up, you know.”

Alia watches you for a second that feels way too long, then only nods in response with a quiet chuckle. “Alright. If you’re convinced.”

The thing is, you’re not convinced.

Something tells you that your friend knows that too.

It starts on a Monday after the fateful Halloween party.

Arriving at the office in the aftermath of your meeting with Haechan—or Donghyuck, as you know now—had your nerves hyping up the most dreadful scenarios that played in your head during the weekend.

While it’s true that Mrs. Lee is one of the kindest humans you’ve met, you’d be lying if her reaction to your interaction with her son didn’t worry you a little. Though she was none the wiser back at the party, you did wonder if Haechan actually told her anything or even if she noticed how absurd the conversation played out to be after the very polite introduction.

On top of that, you… kinda also left Haechan on read.

After an internal battle on whether you should simply reply and decline his invitation or downright just ignore him, you’d postponed an answer long enough to make it useless by now.

So it’s no wonder that you’re at the edge of your seat now, annoyingly aware of every person that passes by your little corner office, even after a few of your nosy co-workers stop by to ask if you really did meet Mrs. Lee’s handsome and smart son, Donghyuck.

Still, nothing could’ve prepared you to see Haechan in your office, leather jacket, black thick-rimmed glasses and a coffee tray in hand, entering the place as if he’s always been around.

“Good morning, Barbie,” he greets, flashing a cheeky smile at the apparent surprise on your face. “Don’t look so shocked. I’m just passing by to drop a little pick-me-up.”

Haechan hands one of the coffee cups and you cautiously accept with a sheepish nod, clearly taken aback by the gesture. “Thank you?”

As quick as he gets in, he’s immediately turning around to leave. You’re taking it as a secret to your grave, but you can’t help but feel a tip of disappointment as he walks to exit your office, though not without a last lingering glance over his shoulder.

You silently pray to every deity existent that Haechan doesn’t realize how feverish you suddenly feel.

Just before he leaves, a small laugh escapes from his lips as he shakes his head, an expression you can’t quite read on his face. “You’re really fucking cute, Barbie.”

On Wednesday, he does it again.

You’re conveniently on your way to drop a few documents for Mrs. Lee to sign when you catch sight of Haechan in the hallway, chatting animatedly with his mom as she’s returning from a business lunch with a few investors. It takes you a second to swiftly turn around, ready to rush back into your office when he spots you, calling out your name loud enough that half of the office must’ve heard.

“Finally a familiar face around here, huh?” He smiles, subtly taunting you despite the friendly facade. “You’ve got the best people working here, don’t you, Mrs. Lee?”

Mrs. Lee’s eyes immediately sparkled, glancing between the both of you with interest. “Oh, I certainly do.”

The interaction feels awfully similar to your meeting at the party. Standing beside your boss with the same mischievous gaze, Haechan’s eyes run through every little detail of your figure, visibly pleased with the turn of events.

“It's nice to see you again, Donghyuck,” you start, politely nodding at them as you hesitantly approach. “I’ve got some papers for you to sign, Mrs. Lee. I'll leave them on your desk, if you want?”

“No need, darling! Hand it over to Donghyuck, please,” your boss says, oblivious to your confusion if her grin is anything to go by.

Once with the folder in hands, Haechan flashes you a quick wink. “Thank you.”

You’re already racking your brain for a getaway excuse when Mrs. Lee huffs, playfully slapping her son’s arm. “You’re going to scare her away,” she chides, turning her attention to you as she sighs. “I know you’re always busy, darling, so we’ll let you go.”

“Right.” You smile tentatively, briefly clearing your throat. “Let me know if you need anything else, Mrs. Lee.”

Feeling his eyes on your back as you hurry back to the safety of your office, you secretly battle against a sudden need to reciprocate his attitude.

By Thursday, you’re kind of already expecting him.

Since his excuses have been a little too convenient to be coincidences, it doesn’t really surprise you to spot Haechan lingering around the office again, especially as he casually happens to bump into you at your lunchtime.

He manages to follow right behind you on the elevator, his cordial demeanor visibly shifting to the usual sassy one as soon as the doors close. With the thick-rimmed glasses and messy hair adding a nerdy touch to his confidence, you might have watched him a little more attentively today—at least, enough to notice that he’s wearing the same denim jacket from the night you met.

As he steps by your side, shoulders brushing against yours, Haechan sighs. “You haven’t told me where we’re going yet, Barbie,” he starts, a touch dramatic. “I’m in the mood for some sushi but I’ll go wherever you wanna go.”

You glance up at him, eyebrows raised in confusion. “What are you talking about?”

“Our date,” Haechan argues, clearly holding back a grin despite the deadpan tone lacing his voice. “You can pick the restaurant, I don’t mind.”

Feeling the proximity a little too much, his words send your brain into haywire. You’re still… very much aware of the unanswered texts on your phone, especially the most recent one sent just the night before.

“I didn’t expect to see you here again,” you lie, trying to appear as nonchalant as possible by rolling your eyes. “What brings you around this time?”

“I may or may not have left my laptop in Mrs. Lee’s office.” He shrugs, face breaking to a smirk. “Can you believe it? Good thing that I remembered about it.”

Taken by his casualness, you can’t hold back a chuckle. “Very convenient, if you ask me.”

“Are you implying something here, Barbie?” Haechan gasps, giving you a wide-eyed look as he leans over you. “I’m offended, you know. You make it sound like I’m taking advantage of the situation just to see you.”

You scoff, giving in to his attitude as a small smile breaks into your face. “That sounds unlikely.”

“Why didn’t you answer me last night, hm?” he mumbles, close enough that you can clearly see the little dots on his neck.

Your brain takes a turn at the sight, immediately betraying you with very vivid memories of your lips trailing through Haechan’s moles, all the way down to his chest—

The elevator’s chime saves you from a spiral.

As the smallest sigh leaves your mouth, Haechan’s question hangs in the air as you take a step back from him, now ready to hurry out of the cubicle. There’s a satisfied glint in his eyes, almost as if he knows exactly the effect he’s having on you, most definitely aware that he’s probably wearing you down.

Once the doors slide open, you’re quick to rush ahead of him, completely missing the weight of his gaze following you.

Almost as if to trick you, he makes a rather late appearance on Friday.

You spent most of the day sneaking glances around the office, frustration growing in your chest by each passing hour.

In a brief lapse of your sanity, you almost texted him during your lunch break, having briefly convinced yourself that it’d be mostly out of worry than anything else. Then, as Mrs. Lee bid you an early goodbye before leaving for one of her high-end club reunions, you had to bite your tongue to stop yourself from asking about him.

Too focused on giving Yangyang a detailed explanation of his next errand, you don’t even notice when Haechan finally stops by your office, an entire box of your favorite bakery in hands as he waits for your attention.

As your intern recognizes him first, he briefly glances between you and Haechan with a knowing look before hurriedly making an escape with a lousy excuse.

“I think he knows something I don’t,” Haechan teases, casually taking your co-worker’s seat with a feigned innocent smile. “What’s up with the face, Barbie? Did you miss me?”

“You’re late,” you huff, a tip of irritation lacing your voice. “I thought you weren’t coming today.”

Faltering for a second as he processes your words, Haechan blinks in surprise. “Oh, you did miss me,” he says amusedly, leaning forward as his typical grin returns. “I bet you were waiting for me all day, weren’t you?”

Curiously pointing at the box to avoid the question, a smile slips through despite your efforts to keep it cool. “If this is not for me then you can leave right now.”

“I’m hurt you think I’d do this for anyone else but you.” He frowns, glaring at you in feigned offense. “You’re the only one for me, Barbie, you know that.”

You give him a playful eye roll, finally opening the lid to find an array of cupcakes that conveniently also happen to be your favorite flavors. “Who told you I liked these?” you ask, picking one up in delight. “I don’t think anyone here would know my usual bakery order.”

“I don’t know what you mean.” Haechan scoffs, watching a little too attentively as you take a bite of a chocolate fudge cupcake. “I just happened to pass by this place and thought I could bring you a treat after a busy week.”

Raising an eyebrow, you pause in between a second bite. “The bakery is all the way across town.”

“I don’t see how that’s relevant,” he argues, a smirk soon growing on his face again. “We have more important things to discuss right now. How does tomorrow night sound for our date?”

“Tomorrow’s good,” you answer promptly, trying to sound as nonchalant as possible waiting for his reaction.

With his usual confidence flickering to genuine surprise, Haechan stares at you for a moment, looking so stunned that you can’t help but find pleasure in finally catching him off guard. Reaching out for another cupcake, you swipe a finger at the strawberry frosting, bringing it to your mouth with a knowing smile at him.

Haechan just laughs, a hint of disbelief in his eyes as he closes them in feigned agony. “You’re really driving me crazy, Barbie.”

“If that’s all you came here for, you can go now.” You gesture towards the door, avoiding his gaze as you mindlessly shuffle through some papers on your desk. “I still have work to do and you already scared my intern away.”

“I love it when you’re mean to me,” he sighs, grinning at your exasperated scoff with a hand over his heart. “I’ll only leave because you can’t seem to concentrate if I’m around.”

Sneaking a glance at him as he stands up, you can’t suppress a small smile. “Thank you for the cupcakes.”

“Promise me you’ll reply when I text you later,” Haechan presses, his playful demeanor sobering just enough to feel distinctively stubborn. “If you don’t, I’ll keep calling you until you pick up.”

You feign a tired sigh, trying to play off your amusement. “I promise, Donghyuck.”

For a second, Haechan doesn’t move, still standing in front of your desk—and over you—as the cheeky glint returns to his eyes. “I love it when you say my name.”

The remark makes your chest tighten, heart speeding up because you know exactly what he means with that. Shaking your head, you shoo him away with a frown. “Just go already!”

Walking backwards towards the exit of your office, Haechan laughs, pausing just at the doorway to shoot you one last wink. “See you tomorrow, Barbie.”

Once he’s gone, you take a breath and reach out for another cupcake.

Yeah, apparently staying away from the ticking bomb doesn’t seem like a solid plan anymore, you guess.

Haechan’s restaurant choice isn’t what you expect for a first date.

Tucked deep into a quiet street, the hole-in-the-wall place is cozy and small enough to feel oddly intimate. There’s a nice handful of people around and as soon as you step in, a grandma quickly ushers you to a corner table, a glimmer of recognition taking over her eyes when Haechan greets her with a warm smile.

Wearing a black shirt that fits him ridiculously nice, you can’t help your gaze from lingering on his frame for a little longer than usual today.

As Haechan talks animatedly with the restaurant’s grandma, the only thing you can seem to focus on is the three little open buttons over his chest—

The click of his tongue calls your attention, your eyes finally meeting as Haechan leans closer to your ear, a cheeky grin tugging at his mouth. “I said you should introduce yourself, Barbie.”

“Oh, I’m so sorry,” you apologize, offering the grandma a regretful look before you bow politely, giving her your name. “I’m… Donghyuck’s date. It’s nice to meet you, grandma.”

The older woman hums, a hand reaching for your chin while thoroughly regarding you with curious eyes. “She’s really pretty, oh my,” she mutters after a second, soon offering Haechan a pointed look with a smile on her face. “Alright, I believe you now, Haechannie.”

Confused by their interaction as she leaves, you can only obey her orders to sit down. When Haechan picks up the worn-out menu, you blink. “What… was that?”

“Don’t worry your pretty little head about it,” he says smoothly, shaking his head as he winks. “I’ve been here a lot, do you trust me to order for you?”

At your agreement, Haechan waves for a waiter, smartly starting to list a rather hefty order while you take a second look around the place.

Aesthetically speaking, the restaurant doesn’t feel very promising. Despite being obviously family-owned with a very homey vibe to it, it does look a little run down with the faded pictures on the walls, peeled painting and worn-out, outdated furniture. Still, given its location and appearance, it’s surprisingly pretty packed with all kinds of people—and you do spot a few couples here and there too.

Choosing to trust Haechan either way, you’re still intrigued about how he’s become a regular in a place so off-the-grid.

“You just listed half of the menu without a single look,” you start, staring at him with a funny look once the waiter leaves. “You really must come here a lot.”

“I’d say at least a couple of times a month,” he answers, resting his forearms on the small table as he leans forward. “This grandma’s kimchi stew really changed my life.”

Amused by the sincerity of his voice, you chuckle. “Is that why she seems to love you so much? She was so happy to see you.”

Haechan grins, shrugging casually. “I used to work around this neighborhood, so she’s known me for a long time,” he explains, eyes narrowing playfully as he notes the sudden change on your face. “What’s with the look, Barbie?”

You shake your head, resting your chin on a hand as you study him with newfound attentiveness. “I’m just realizing that I’ve heard a lot about you, but I don’t know what you do for a living.”

“Wow, I thought Mrs. Lee did a better job pitching me to you,” he says, feigning indignation as you roll your eyes. “I own a record label with my friends. It’s an independent thing and not super big but we’re really good, so…”

Your eyebrows shoot up in surprise, most definitely not expecting such an unusual answer. “Oh, that’s… actually very cool,” you admit, leaning just a tiny bit forward with a curious smile at him. “Any artist that I might know?”

As a dramatic sigh escapes from his mouth, Haechan locks a steady gaze on you, his voice genuine despite a playful touch. “I sincerely hope not because if you know him then I don’t stand a single chance with you.”

You can’t help bursting into a laugh at how serious he looks, leaning back against your seat as you shoot him a look. “Aren’t we on a date?”

“We are.” He nods, a soft but unmistakable intensity flickering on his face. “This is probably a good time to let you know that I’m not giving up on this, alright? Now that you’re in, you can’t get out.”

Your lips twitch, a smirk soon tugging at the corner of your mouth. “That sounds terrifying,” you tease, amused. “I think I’ll take my chances this time, though.”

The food arrives just in time to interrupt him, though the smirk that grows on his face is enough of an answer to you.

As the waiter unloads a loaded tray onto your table, dishes looking as delicious as it smells, your excitement grows with the warmth that fills the space between you. Haechan is quick to reach around the plates once the waiter’s gone, relying on your vote of confidence as he places a few dishes for you.

“Alright,” he says, seemingly satisfied with the full table. “We’ve got this, Barbie.”

“I don’t think we do,” you counter, eyes taking one last curious glance around before focusing on him. “Which one should I go for first?”

“Is that even a question?” Haechan clicks his tongue, offering you a bowl of rice before pointing to the biggest pot on the table. “The kimchi stew, baby. Go ahead and take a few bites with the rice.”

Following his instructions, you don’t know if the heat spreading through your body is solely from the food’s spiciness, the casualness of his new nickname for you or the deliberate, effortless confidence laced to his rather gentle command.

With his expectant eyes watching for a reaction, you pause in between a second bite, grinning fondly at him. “Don’t look so worried, it’s really good.”

“You’re really a woman after my own heart,” he says, sounding as if he’d just had an epiphany. “Oh, my mom really knew what she was doing…”

“Considering we already knew each other, I think we can take the credit for this.” You shrug, feeling suddenly shy over the whole ordeal with Mrs. Lee. “Have you ever told her? That we’ve met before the party?”

“No, but I have a feeling that she knows. My mom always knows everything.” Haechan chuckles, eyes shining with mischief as he raises an eyebrow, leaning back on his seat. “Have you told her?”

“Are you kidding me?” you ask, voice dropping into a whisper as if the entire restaurant might overhear. “How am I supposed to tell my boss that I had a one night stand with her son without knowing it was actually her son?”

Giving a full laugh, there’s a hint of delight on his face as he smirks. “I mean, it was only a one night stand because you wanted it to be,” Haechan argues, a little too smug. “I have been trying, you know.”

“Let’s just not talk about that,” you cut off, refusing to give him the satisfaction of a flustered reaction as you chuckle nervously. “Since you already know what I do, you should tell me more about your label, please.”

Despite Haechan’s playful glare, making sure you know that he’s aware of your not-so-subtle deflection, the conversation quickly shifts to his job. Much like the night you first met at the bar, you’re completely entertained by his little anecdotes, taken by the humorous way he recounts his friendship stories and work mishaps with Mark, Johnny and Jaehyun.

It almost feels like he’s cracking the edges of your hesitance, his personality disarming you so easily that you can’t help but wonder why you’ve spent so much time keeping him at arm’s length—or if you ever did in the first place.

As the evening flies by, only leftovers forgotten around the table now, silence lulls between you for a moment.

Maybe you’re a little too aware of him, but noticing the sleeves of Haechan’s shirt starting to slide down his arms as he piles up a few empty bowls, you act before your brain can stop you.

“Wait,” you call softly, reaching out to hold his forearm. “Hold still for me?”

Haechan freezes mid-reach, something you can’t quite read in his eyes as he watches you push one sleeve back up, your fingers brushing against his skin by folding the fabric neatly into place. He willingly extends his arm when you move to the other sleeve, straightening it with the same care as you try to disregard his steady gaze locked on your figure.

When you let him go, Haechan slumps into his seat with a bemused chuckle. “You’re really making things harder for me, Barbie.”

As grandma’s loud and cheerful voice suddenly cuts through the restaurant, you’re saved by the bell seeing her approach your table, her face shifting to a frown as she looks between both of you. “Why did you eat so little?”

Though she doesn’t seem to notice the weirdly tense mood, your cheeks are still burning over his words as Haechan silently nods at you to lead the conversation.

“I ate quite a lot, grandma,” you start, reassuring her with a timid smile. “It was really, really delicious. The best food I’ve ever had.”

She coos at you for a second, quickly moving on to playfully swat Haechan’s shoulder with a glare. “Why did you take so long to bring your girlfriend here? That’s not something a nice boy like you should do.”

A grin takes over his face, Haechan giving you a knowing look before he nods eagerly at the older woman. “I promise to bring my girlfriend more often now, grandma.”

“You should leave if you’re done already,” she reprimands lightly, starting to set the empty dishes on a tray with a click of her tongue. “Don’t keep hogging my table like you always do with those friends of yours.”

After resisting your several attempts of help, the restaurant’s grandma soon walks you to the door, bidding goodbye with a kiss to both yours and Haechan’s cheeks as she makes him promise to come back soon again.

Stepping outside, the silence between you is filled with a strange mix of both ease and anticipation.

Save from a few partygoers coming and going, the street is mostly quiet, lights casting a warm glow around you despite the evening’s chill. With the realization that the night’s finally over, you aren’t quite sure what to expect of Haechan now—given that most of your interactions were built through a game of push-and-pull, it almost feels like you’ve reached the climax of a story that’s just started.

Completely unaware of your skepticism, he falls into step beside you with a dramatic sigh. “I think you should let me take you home.”

“You’re walking me to my car right now,” you say, rolling your eyes as an amused smile grows on your face. “I already told you a million times that I drove here.”

Haechan sighs again, his shoulders slumping for added effect. “Actually, I think you should take me to your home.”

You give him a look, ignoring the warmth spreading through your neck by feigning exasperation. “You also drove here, Donghyuck.”

“You’re really missing the big picture here, Barbie,” he groans, throwing his head back in feigned frustration. “Are you really going to reject me again? When are you going to stop pretending you don’t like me?”

As you shake your head, a smirk threatens to break your facade. “You said you like it when I’m mean to you.”

“I do,” Haechan says without missing a beat, sobering up to a serious expression despite the mischievous glint in his eyes. “I like it so much you can be the mean one this time.”

The implication behind his words make you pause for a second, feeling a little flustered despite the scoff that escapes from your mouth. “You’re unbelievable.”

Approaching your car soon enough, Haechan just watches as you unlock the doors and slide into the driver’s seat, quickly stepping forward to block you from closing yet. Looking up at him, you hope that the dim lights of the parking spot are enough to disguise your agitation.

With a hand on the roof of the car, he leans down just enough to meet your eyes. “Remember you promised to reply to my texts now,” Haechan insists, a smug smile growing on his face. “What’s gonna happen if you don’t reply?”

You give him a small, challenging grin. “You’re going to keep calling me until I pick up.”

“That’s right.” He nods, giving a satisfied chuckle. “You’ll let me know when you get home safe, won’t you?”

With a half-hearted snort, you nod back. “Yes, Donghyuck.”

Instead of answering, Haechan regards you for a second before extending a hand out, pushing the fallen strap of your top back in place with a feather-like touch to your upper arm.

As quick as it happens, he taps the roof of the car and closes the door for you, offering one last grin. “I’ll talk to you later, Barbie.”

Well, he did try to—which didn’t mean you let him.

At home, you reveled in watching Haechan’s name blowing up your phone, just for the sake of keeping him on his toes.

Barbie 10:44AM If you’re in a meeting then STOP texting me

Haechan grins at your message, his attention completely absorbed by his phone while Johnny and Mark debate something about winter releases in the back of his mind.

Gathered in Johnny’s office for a monthly meeting, the scene was familiar enough to allow him to zone out in your favor—while Mark was running his mouth away about a few potential songs, Johnny occasionally interjecting every now and then, Haechan quietly focused on pestering a few texts out of you.

In the following days of your date, he couldn’t seem to get enough of the familiar sharp, flirty back-and-forth between you, especially now knowing that you secretly enjoy it. So much that he takes a backseat in his friends’ conversation, unaware of his oldest friend’s reprimand until Mark waves a hand to his face, snapping his fingers as to pull him back to reality.

Haechan looks around Johnny’s office for a second, putting his phone down with a dismayed sigh. “I already said I’ll agree with whatever you guys decide.”

Mark and Johnny exchange amused looks, the latter raising an eyebrow at his friend with a mischievous chuckle. “Sure, so you do agree to leaving the higher percentage to Mark and I, right?”

At the youngest’s guilty grimace, Mark bursts a laugh before swatting his shoulder. “Dude, you’ve been grinning at your phone like an idiot for like, 30 minutes now,” he teases, a hint of confusion laced to his humorous tone. “You never shut up during our meetings, what’s going on?”

With a dramatic pause, Haechan looks between his two friends, a smirk soon growing on his face. “Alright, if you guys want to know so badly—”

Johnny snorts, immediately cutting him off with a playful look. “I didn’t ask anything.”

“If you guys want to know so badly,” he repeats pointedly, rolling his eyes at Johnny’s laugh. “You know that girl from the bar I’ve been talking to? Well, she’s the girl my mom tried to set me up with at the Halloween party.”

Haechan can’t help laughing at his friends’ reactions, both of them visibly puzzled by the half-assed burst of information. Johnny’s the one to break the silence first, an amused scoff escaping from his mouth.

“One of these days your mouth’s gonna get you in trouble,” he says, seemingly processing his friend’s words before leaning forward on his desk. “Let me see if I got this right—the girl from the bar is your mother’s employee… is that it?”

Mark raises an eyebrow, pausing for a second before his jaw drops. “Wait—what?”

“Ding ding ding! Points for Johnny!” Haechan jokes, unable to hide the amusement in his voice. “Turns out she works for my mom all this time and I just didn’t know.”

Johnny chuckles, shaking his head at the youngest’s antics. “You know what? That does sound like something that would only happen to you.”

“So basically, you’re telling us you hooked up with your mom’s employee?” Mark insists, a mix of amazement and shock on his face as Haechan proudly grins in response. “Man, that’s crazy. What are the odds?”

“How did she take it?” Johnny asks, narrowing his eyes. “Knowing you, I bet you were insufferable and freaked her out.”

Trying to play it cool with a nonchalant shrug, a very clear image of your Barbie dressed self pops in his mind as he chuckles. “I mean, she did pretend to not know me, but it was fun.”

The oldest hums, his curiosity peaked despite the careful approach. “So… what now? You guys are dating or what?”

Haechan falters, the smile on his face slipping for a second before catching himself. “We’re not dating… yet,” he admits, dragging out the words as if to make them believable. “We went on a date a few days ago but she’s still… a little skeptical, you know.”

Mark snorts, rolling his eyes. “Skeptical of you? What a surprise.”

“Shut up, she’s just figuring out if I’m serious or just messing around,” Haechan groans, shooting his friend a peeved look. “I mean, I’m obviously serious but she might think I’m just playing games or something.”

“She’s not wrong, though,” Johnny points, a teasing smirk on his face. “Again, if I know you, you are probably playing games.”

“Yeah, but not like that!” he whines, huffing loudly as he slumps against the chair. “This is just me being charming. There’s a difference.”

Mark raises an eyebrow, grimacing. “Is there, though?”

Haechan pauses, opening his mouth to reply but quickly closing it again as a comeback escapes him. For a brief moment, he feels and looks genuinely dumbfounded, which is definitely a rare and mildly entertaining sight for his two older friends. Though he’d never admit it, there’s no denying that Mark and Johnny planted a little seed of uncertainty in his head.

Crossing his arms, Johnny can’t help but laugh at his sullen expression. “Have we finally broken you?”

“No, you haven’t,” he fires back, voice remarkably resembling a bratty child. “I’m just… plotting.”

“Can I give you one last word of advice?” Johnny asks, toning the conversation down to a more serious note with a knowing glance at the youngest. “You should probably put yourself in her shoes. I know it must’ve been fun for you to find out who she is, but she does work for your mom. Do you get it?”

After a brief moment of silence between them, Mark lets out a low whistle, visibly impressed at the words. “Damn, that was a good thought.”

“Ugh, alright, I get it,” Haechan concedes, the corner of his mouth threatening a grin. “I’ll try to play it cool… for her.”

The conversation is cut short by the buzz of his phone against the desk, drawing everyone’s attention as it lights up with a familiar nickname.

Barbie 10:56AM I can’t believe you actually listened to what I said

Mark and Johnny exchange a second look watching Haechan’s grin widen, a look on his face that’s enough to tell them that he’s far from playing it cool like promised.

It just happens to be one of those weeks.

As you walk through the lobby, leaving the office much later than usual for a Friday, you feel your shoulders heavy with exhaustion. After days of nonstop meetings, tight deadlines and constant phone calls due to an unexpected slip of your co-workers, all you want is to go home, kick your heels off and forget about the existence of numbers and currencies for a while.

Still, despite how worn-out you feel, the sight of Haechan standing by his car just outside the building rises a hint of excitement in your chest.

With your surprise taken by anticipation—especially after the few days where your interaction had been limited to his insufferable messages—you can’t help but feel relieved to see him. Though there hadn’t been time for much else, you’d still caught yourself thinking about him more often than you cared to admit.

You’re also not admitting any time soon that Haechan’s the easiest, most fun part of your routine too.

In the stupor of your fatigue, you take in his fluffy brown jacket and the squared glasses on his face, making him look so warm and cuddly that you don’t even think twice before throwing your arms around his shoulders in a hug.

Feeling Haechan’s confusion through his hesitation to hold you back, a sigh escapes from your mouth as you tighten the hold and bury your face against his neck, seemingly enough to tell him something.

“You’re being too nice to me, I’m worried,” he jokes lightheartedly, a contrast to his frown as he attempts a look at your face. “Come look at me, please?”

His hands are still running up and down your back in the gentle embrace as you glance up, pulling back just enough to meet his eyes. “Hi.”

“Hey,” Haechan greets, his usual teasing tone softened with concern. “What’s wrong? I was expecting a long face and maybe an insult, not the best hug I’ve had in my entire life.”

“I’m just… really tired.” You chuckle humorlessly, too quiet. “This week was hell and my brain’s completely fried, I’m sorry.”

As his face shifts to something you can’t read, Haechan hums. “I was thinking about putting some food in you,” he starts, his hands moving to your arms almost soothingly. “But if you’re too tired, then I can take you ho—”

“No,” you interrupt right away, shaking your head as a familiar warmth heats your cheeks. “I’m starving and… I wanted to see you.”

He blinks, a slow grin growing on his face as he clutches his chest in the usual dramatic fashion. “The things I’d do for you, Barbie…” Haechan groans, back to his playful nature. “I know just the place. Do you trust me?”

You watch as he extends a hand, huffing a laugh before taking his hold. “Yeah.”

There’s something unexpectedly tender in the way Haechan takes the lead then, effortlessly building the conversation with a touch of softness you hadn’t witnessed before with him. Though the drive is fairly quick, his smart quips slipping every now and then to still tease you, the feeling that maybe this moment holds a whole different meaning to your heart doesn’t escape you.

The ramen stand is nestled just by the river, people scattered around under the yellow lights as the buzz of conversation and clinking glasses mingles with the faint rush of water nearby.

As both of you weave through the crowd, Haechan still holding tight to your hand as he leads the way, the air gets warmer enough to make you salivate at the lingering aroma of broth and grilled meat. With a perfect view of the river, he’s quick to spot an empty table, moving around before gesturing for you to take the stool first.

Eyeing the table for a second, you hesitate for a second before speaking up. “Can’t I sit beside you?”

Haechan pauses, still holding the stool as he glances up at you, his furrowed eyebrows instantly melting to a knowing smile. “You love me, don’t you?”

You scoff, brushing past him to take the seat with a grin betraying you. “Don’t bother, then.”

“No, no, no,” he counters, quickly sliding his own stool next to yours before dropping into the seat with a chuckle. “Are you kidding? Who am I to deny you something?”

As you pretend to ignore him, focusing on the vendor for the moment, Haechan doesn’t seem phased by it as he leans closer, sneaking glances at you while casually placing the order under another vote of confidence.

Once you’re alone again, he sighs with a feigned glare at your direction. “So… do I have to talk with Mrs. Lee for overworking you?”

You laugh, the sound coming off a little worn out despite your amusement. “It’s not your mother’s fault,” you reply, shaking your head with a deep breath. “I don’t think she even knows what happened. If she did, she’d definitely scold me for working so late.”

“As she should,” Haechan argues, eyes suddenly turning a little too serious. “If whatever’s happening is giving you too much trouble, you should tell her.”

Tilting your head as you lean forward, a smile tugs at your mouth. “Are you worried about me?”

“Yeah, actually,” he admits, grinning mischievously unlike his deadpan tone. “I am obsessed with you for a reason, after all.”

“You really are crazy,” you joke, not resisting a laugh as you quickly place a finger over his mouth just as he’s about to speak. “Please, don’t say you’re crazy for me.”

With a dramatic sigh, Haechan pulls back from you with a dirty look. “Are you calling me a liar?”

“I know you’re not.” You smile, faltering for a second as the moment seems to suddenly shift with the softness laced to your voice. “I mean, I’m starting to believe you’re not. I… hope you’re not, so…”

A mix of emotions seem to flicker through his face at your words, enough to visibly leave Haechan a little floored while the vendor approaches with the food, the timing for an answer lost as the man places the steaming bowls of ramen and grilled skewers between you.

He clears his throat as the vendor leaves, shifting his attention to the food for a second. “Let’s make a bet,” Haechan suddenly starts, resting his elbows on the table as he leans forward. “This is going to be the best ramen you’ve ever had so you’ll let me take you as my plus one to my mom’s Holiday dinner.”

You frown confusedly at his impromptu offer, unsure if he’s actually serious about it. “What?”

“You heard me,” he counters, sounding firmer now as a mischievous smile brightens his face. “If this is the best ramen you’ve ever had, we’ll go to Mrs. Lee’s Holiday dinner together.”

If Mrs. Lee’s annual Halloween party is already highly anticipated by her employees and associates alike, you can safely say that Mrs. Lee’s annual Holiday dinner is an experience of its own. Having attended your first one the year before, just a few months after you’d been hired, it made you wonder if you’d actually last in the job.

First, because it officially marked the start of your boss’ matchmaking attempts—specifically after Haechan bailed on her at the last minute—and second, because it’s kind of… a big deal.

The Holiday dinner is quite fancy, packed with the corporate A-list Mrs. Lee works with.

So you can’t help but hesitate, raising a doubtful eyebrow at him. “That’s silly! Aren’t you going either way?”

Haechan clicks his tongue, voice flat as if he’s stating the obvious. “If it’s not with you, not really.”

“Well, considering you bailed last year, you should probably attend this one,” you argue, pursing your lips to hold back a smile. “Besides, what makes you think I wouldn’t lie just to get out of this?”

“You wouldn’t dare.” Haechan grins, leaning closer with a challenging look at your direction. “If you truly want me at this boring dinner, you won’t lie.”

As you shake your head, a laugh escapes before you can stop it. “Are you really placing your cards on a bowl of ramen right now?”

“This is not just a bowl of ramen, Barbie,” he says, gesturing dramatically at the bowl. “It’s the bowl of ramen. You should’ve learned by now that I don’t mess around with good food.”

You pick up the chopsticks, the corner of your mouth twitching from holding back your amusement. “I’ll try it with one condition,” you offer, narrowing your eyes. “If I don’t like it, you owe me something.”

Haechan snorts, eyes gleaming with anticipation. “Just name it and I’ll do it even if you like it.”

“I’ll tell you later,” you reply, pausing before you take a first bite, dragging the moment out just to spite him.

Even if you were a good liar, it most definitely wouldn’t be worth it—it almost feels like the taste explodes in your mouth and if Haechan’s reaction says anything, a smirk slowly growing on his face by each second, your expression is probably gives you away.

As he chuckles to himself, Haechan looks nothing but satisfied while stirring his own bowl. “I told you so, baby.”

The river’s gentle waves sound like background music as the conversation eases between you, the meal wrapping up in no time with Haechan feeding a few remaining pieces of meat to a curious kitty that sneaks around your feet under the table.

Taken by the warmth of a full stomach and the exhaustion of your hellish week, you scoot closer to him, enough to lean against Haechan’s side as your head falls on his shoulder.

Quick to welcome you, he wraps an arm around your back before pulling you even closer. “Tired?”

“A little,” you mumble, closing your eyes for a second before chuckling. “Can I ask you a stupid question?”

He nods, hands running up and down your back now. “Yeah, baby.”

“How come you’ve got two names?” you ask, giving him a funny look as he laughs. “I mean, if your real name is Donghyuck, where did Haechan come from?”

“When we started the label, I used to sing some of the guide tracks of our projects,” Haechan explains, smiling at the surprise on your face. “I didn’t want to use my real name if someone ended up using it, so I made one up.”

“It fits you,” you say, sighing as you close your eyes again. “I love your real name, too.”

Despite the small grin curling his lips, there’s a flicker of something more serious in Haechan’s eyes. “You love me too?”

Instead of indulging his teasing, you glance up at him with a knowing smile. “Thank you for tonight, Donghyuck,” you start, using his real name with a touch of softness that feels a little different. “I really needed this.”

Haechan regards you for a second, quietly watching for a second before he chuckles fondly. “Anytime, Barbie,” he murmurs, squeezing you against his side with a hum. “You know that, don’t you?”

As you look out at the river, cozy and warm in his hold as the yellow lights shimmer against the water, the answer comes as quickly as the waves crashing nearby.

You know now.

Barbie 9:26PM Are you busy?

9:26PM Look who it is Never busy for you What do I owe the pleasure baby

Barbie 9:27PM Hi Hyuck I hope I’m not interrupting anything

9:27PM I’m Hyuck now??? 😀

Barbie 9:27PM Don’t be insufferable about it I was just wondering if you’re free tomorrow night?

9:29PM Are you asking me on a date? Am I dreaming right now??

Barbie 9:29PM You should probably pinch yourself then Maybe you could come over for dinner? I’ll even cook for you this time

9:30PM You’re so lucky my schedule is clear baby I’m all yours if you want it

Barbie 9:30PM I do want it

9:30PM You do??

9:31PM I’ll call until you pick up Barbie

9:35PM You want me???

Outside your apartment, Haechan doesn’t realize how antsy he feels until the bottle of wine nearly slips from his fingers, fidgeting impatiently while waiting for you to open the door. With the faint sound of music slipping through, a song he doesn’t really recognize playing inside, the entire situation feels like a ridiculous, senseless fever dream.

At this point, he doesn’t know what to expect.

Thinking back from the first night you’d spent together to the absurd twist of events that followed at his mother’s Halloween party, he’s strangely unsure of… well, whatever today can possibly mean.

So much that Haechan swears his brain short-circuits as soon as the door opens—wearing a dress he’s very much familiar with, looking like the perfect picture of his wildest, most vivid memories, you smile knowingly at him, taking the surprise on his face with a hint of satisfaction.

“You must take pleasure in my suffering,” he starts solemnly, his dramatic sigh earning a laugh from you. “I’m having full flashbacks right now.”

Rolling your eyes, you step aside to let him in. “Good evening, Donghyuck.”

A few steps into your apartment, he looks over his shoulder as you follow him to the living room. “Are you trying to tell me something?” Haechan pauses, the question soon followed by a coy smile. “Baby, all you need to do is ask. I’ve told you—”

“Get your mind off the gutter,” you cut off, attempting to hide your amusement with a scoff. “I invited you for dinner, didn’t I?”

He chuckles, setting the wine bottle on the coffee table with a quick glance around your place. “You didn’t specify what kind of dinner, though.”

At the subtle suggestion in his voice, you shoot him a withering look. “The kind that involves food, Donghyuck,” you argue, a snicker escaping from your lips. “Unless you want to starve tonight, then I can—”

“Alright, alright,” Haechan interrupts, holding his hands up in surrender with a smirk. “I promise to behave from now on.”

You huff, raising an eyebrow at him. “I’ll believe it when I see it.”

While you head into the kitchen, Haechan lingers around your living room for a moment, taking in the little details of your apartment. From a collection of candles by the TV, packed bookshelves to an array of pictures on the walls, the small place feels very cozy, somehow so unmistakably you.

It’s only when he follows you into the kitchen, leaning against the counter, that Haechan remembers your roommate—eyes immediately spotting a polaroid glued to the fridge, the image showing you in a birthday hat, squeezed in a hug between the girl and a lanky, tall guy.

He chuckles at the picture, your name paired with a + Alia & Jungwoo on the bottom. “Where’s your roommate, by the way?”

“She’s in Vegas with her boyfriend,” you explain, glancing over your shoulder with an amused laugh. “Apparently they got married by Elvis last night? They sent me pictures and everything.”

Haechan gapes for a second, a playful whistle following. “Damn, we’ll have to step up the game in our wedding, then.”

“I’d have to accept it first, which I’m not planning to do,” you snort, giving him a look. “Set the table for me, would you? The plates are in the cabinet on your right.”

As you finally sit down to eat, settled at the coffee table instead in a similar set-up to your ramen date, Haechan can’t help stealing a few glances at you. There’s something about the moment that feels too natural, an ease between you that sends his mind to places he still isn’t sure you’re at.

Watching you take a sip of the wine a little too attentively, a hum pleased hum escaping from your lips, the words slip before Haechan can stop them. “I told my mom that we already knew each other before the Halloween party.”

You choke with the wine, falling into a coughing fit as your eyes widen at him. “What? Why would you do that?”

“She’s known for a while,” Haechan continues, smiling lightly at your reaction. “Remember the day I started visiting the office to see you?”

“You’ve got to be kidding me,” you scoff, somehow looking caught between confusion and shock. “It’s been like… almost a month by now. Are you telling me she’s known this entire time?”

He chuckles, taking a sip of his own glass. “You’re so clueless, Barbie,” Haechan teases, bumping his shoulder against yours. “I thought you’d notice the day you met both of us at the office. She wasn’t being very subtle about it.”

With a defeated groan, you shoot him a timid glance. “How much does she know?”

“Who do you think I am? I’m not disclosing my sex life to my mother,” he protests, frowning dreadfully as you burst into a laugh. “I only told her we met at a bar, exchanged numbers, and that we talked every once in a while.”

“She didn’t mention anything,” you start, looking a little apprehensive. “Like, she tried to set me up with you for so long. I would’ve thought she’d say something about it knowing that we… you know.”

“That might have been on me? I asked her to not say anything,” Haechan answers hesitantly, a half apologetic smile curling on his lips. “I didn’t want to put you in trouble at work because we had something going on—and I know you were a little hesitant because of it, so…”

You watch him for a brief second, long enough for his mind to overdrive. “We should eat before the food gets cold.”

Despite feeling completely enamored by your sudden little spiel, Haechan swallows a groan of frustration when you start listing the impromptu menu, the moment now broken as the conversation takes another route.

The food’s cleared when the mood subtly shifts again, half of the wine bottle gone while your playlist comes down to softer, slower songs.

As you shift closer to him, both still sitting on the floor of your living room, he can’t help but savor how shy you look. “So… how did you like it?”

Haechan tilts his head to take a better look at your face, his grin widening at your eye roll at his antics. “I was wondering if you’re open for breakfast tomorrow morning.”

“It depends,” you answer, voice a tone cheekier despite how quiet it sounds. “I’ve got tomorrow off. Are you staying or leaving after breakfast?”

He exhales a laugh, running a hand through his hair. “You’re driving me crazy for real, Barbie.”

On your knees, you move closer just enough to cup Haechan’s face, pressing a tentative, soft kiss to his lips. Taken by surprise, it takes a second for the pin to drop in his brain, warmth spreading through his body like wildfire as soon his arms close around your waist, pulling you closer until you’re settled on his lap.

As he leans into your touch, breaking the kiss with a sigh from you, Haechan can’t help a grin. Catching your breath with your forehead resting against his, you laugh at his dazed expression, pressing a smooch to his cheek.

With a blink, he groans playfully. “Oh, I’m definitely staying for breakfast now.”

You smile softly, shaking your head but not pulling away from him. “You’re impossible.”

“You love it,” Haechan murmurs, hands brushing down your back as he tilts his head up, lips just barely touching yours. “Another one, please?”

Giving him another quick kiss, you smile against his mouth, lingering closer for a second. “I think Jungwoo’s got a few t-shirts here that should fit you.”

“You have another man’s clothes in your home?” he asks, feigning an irked frown as his head falls back in a dramatic fashion. “Oh, I’m going to be sick.”

Though the smile on your face gives you away, you still don’t resist rolling your eyes at his antics. “Are you done?”

Shaking his head, Haechan offers you his habitual grin. “I’m never done.”

When you don’t immediately respond, the silence shifts the atmosphere for a bit. Watching as your gaze softens, you take him by surprise brushing your fingers against his cheek, purposefully over the moles on his face.

Your voice is quieter now, almost warm with sincerity as you speak up. “Thank you for coming over, Hyuck.”

Trying to play it off as best as he can, heart pounding against his chest, Haechan chuckles fondly. “I guess that means you’re stuck with me now.”

“I guess so.” You laugh, eyes sparkling at the unspoken promise. “You don’t seem too upset about it, though.”

As he tightens the hold around your frame, bringing you closer again, Haechan feels you relax into his embrace. The agreement settles between you as easily as the evening ends, his lips pressing a final kiss to your forehead without much words—just your shared understanding and quiet certainty.

“Can’t be upset when I’m exactly where I want to be, Barbie.”

The car rolls to a stop outside the beautifully decorated venue, Christmas lights casting a soft glow at the grand entrance of Mrs. Lee’s lavish Holiday dinner.

As he turns off the engine, Hyuck still seems a little taken by the vibrant pink of your gown, glancing over at you with a very familiar look.

“Once we walk through that door, it’s over for you,” he jokes, though a hint of something else betrays the playfulness of his voice. “Are you sure about this?”

Leaning over the console, you kiss him a little too forcefully, a sound of protest escaping from Haechan’s lips when you pull back. “I’m sure, Hyuckie,” you answer, giggling at the look on his face. “We should go before someone thinks we’re doing something in here.”

A grin takes over his face, looking a little too invested in your scenario. “Baby, that’s the greatest idea you’ve had—” Haechan stops himself at the slap on his arm, laughing as he unlocks the doors. “Alright, I got it, I’m sorry.”

Outside, he helps you adjust the straps at the back of your dress, pressing a last kiss to your shoulder before sliding his hand into yours. “Let’s go, Barbie.”

Together, you head towards whatever surprises the night might hold.

EXTRA: SCREENTIME

MASTERLIST

#lee haechan #haechan #lee haechan x reader #haechan x reader #nct #nct 127 #nct dream #nct fanfic #haechan fanfic #lee haechan fanfic #neocitylights

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dalliancekay · 2 months ago

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Aziraphale, misogyny and the female character treatment

I don't know if anyone wrote a post about this but I see from time to time comments to this end - that Aziraphale is treated like the female leads in films often are, obviously especially romantic films. So I'm gonna try to point how I see this. I welcome further insights of course.

Say we take a basic premise of a romantic film: A girl is wooed by a bad boy for example. And she is a good girl, from a good, proper family and everything so she refuses his advances. This goes on through his various ploys to entertain and romance her, do things for her etc etc and frustrates us as the audience because we can see the bad boy is actually good, her family is oppressive and holding her back and that she (deep down) cares for him (if only she was brave enough to admit it to herself) and so we want her to open her eyes and say she is actually in love with him cos her life will be so much better should she (finally) give in and run away with him.

Familiar? Reasons Aziraphale is not her and the analogy does not fit (but that I so often see in metas and takes about her):

Aziraphale always knew her family is shit. Or at least longer than Crowley did. She was already anxious in Before the Beginning about what she thought Angel!Crowley could and could not say or do without getting into trouble.

She knows Crowley is good. She never doubted him. Whatever he says or does or pretends to do or must do for his job. Aziraphale knows he's inherently good and would always do good if he can.

She knows she's in love - I mean we can argue about when each realised this and also when each realised the other loves them back just as fiercely, but they both know. And they both love. And they both long to be together. Aziraphale is not ashamed of her feelings nor hiding or suppressing them for fear they are wrong or immoral or other BS like that.

Aziraphale doesn't need to overcome her love for her family/employer and finally make the leap to be with Crowley. They simply can't leave their bosses without punishment. Neither of them. They live in a dictatorship with nowhere to go. And just because Crowley experienced both sides, doesn't give him some huge insight that Aziraphale completely lacks. Both places are awful. Their separation isn’t about fear of societal judgment (or Aziraphale's unwillingness to give up Heaven, being seen as good, being an angel - and to what end, to Fall? I really don't know what takes like this want from her, it would not work anyway), it’s about survival in a system that won’t let them be together.

Aziraphale doesn't want to change Crowley. She never did. She asked for Crowley to come to Heaven as an angel because that was THE ONLY option she had for them to be together in any capacity at that point. It was NOT an attempt to “fix” him—it was a desperate bid for a way they could be together at all.

One thing I don't see as much anymore is the call for Aziraphale to change. Obviously she's pretty but she would be prettier if she lost those century old clothes maybe and started listening to something made after 1950? Be more cool to match Crowley? Less stuffy?

These kind of film premises are already pointless, offensive and make me roll my eyes, but to stick them all over Aziraphale and huff cos she doesn't do what the clever sexy man in dark clothes and sunglasses says she should - well that makes me angry.

And so do takes and mischaracterisations that ignore Aziraphale as silly, her worries as pointless, sometimes excessive - maybe she's just hysterical, you know? The one time she shows more emotion, in F15, she is so often completely ignored in her obvious distress just because Crowley is trying to confess his love at the same time and seemingly 'not getting through,' because Aziraphale is not reacting the way everyone expects. So many takes that always assume Crowley is right, no matter what. Even when he calls Aziraphale an idiot. If Crowley says that, it must be true. No matter that the book spells out in Terry's voice that the angel is extremely clever.

Aziraphale’s charm lies in her kindness, her love for books and knowledge, her whimsy, and her quiet courage. These qualities don’t make her naive—they make her resilient. She often hides how she truly feels, hides her grief, her pain, her true desires, hides what she really thinks; always always to protect herself and her beloved. She is often forced to say stuff she doesn't mean. Again. To keep the one she loves and their fragile relationship safe. But where people seem to catch on with that on Crowley's side, they don't with Aziraphale. She is fierce when pushed and will defend the defenceless (humans) and the ones she loves (Crowley) to her last breath (whether she needs to breathe is irrelevant right now okay).

She loves her bookshop. She built this home, full of knowledge for herself and her demon and you can take this HC from my cold hands. That she was forced to leave it, only emphasises how little choice she had in Final 15. Good Omens has two main, equal characters; who are both gorgeous and complex and deep and neither is right or wrong or in need of saving or learning some huge lesson to get to their goal and be together. What needs to change is the world, the system they live in. And they will change it.

Just look at her!! Anyway. I love her. P.S. Just to add, many, many (if not all) bad takes on Aziraphale are also bad takes on Crowley. They mischaracterise and misunderstand just how deeply and unconditionally he loves Aziraphale. How he adores her and understands and accepts her just as she is. He does not expect or want Aziraphale to change in any way. He knows why they are not together. And it's not Aziraphale's fault, it's because of circumstances, not because of her choices. Crowley would never ever want Aziraphale to suffer, he wouldn't expect her to come back from Heaven saying how sorry she is for what happened, how stupid and blind she was and how he was always right. That's just not going to happen. ------------------------------------------ @tenok I simply must highlight the awesomeness you put in hashtags!! EVERYBODY please read:

Thank you sm for this!!

#good omens #aziraphale #crowley #ineffable husbands #good omens thoughts #female characters #aziraphale my beloved #aziraphale defence squad #kaypost

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indecisivemuch · 1 year ago

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Cupids in Converses

Pairing: Luke Castellan x Reader

Summary: Valentine's was rolling up. You and Luke played Cupid on Percy and Annabeth. But what if playing matchmakers gave both you guys and your unspoken feelings the nudge that you guys have always needed? (Fluff, friends to lovers, happy ending)

Warning: sort of cliché, but it's Valentines so.

Note: Valentines got me in the mood of writing something rom-com-ish. Let's just assume Luke wears red converses that looks like Maia in the show. Also, I've been incredibly busy so I kinda rushed through this one to post it on time for Valentines.

Word count: 4.1k (whoops)

February has always filled the air with some sort of sugary chemical. Everything seemed sweeter like a pink filter had been put over the world. Some may dislike the upcoming February holiday, but it was perhaps one of your favorite times of the year.

Why? You were somehow blessed with the skills of getting people together and nudging them just enough to cross the line they needed to. So far, you have managed to help six couples get together. With Valentine’s right around the corner, the urge to play cupid grew to the point it was itching your hands.

“Well, compared to the Chimera on Monday, Medusa on Sunday, could have been a lot worse,” Percy was quickly interrupted by Annabeth.

“Medusa was Saturday.”

“I thought Sunday?”

“No monsters on Sunday. Monday, you died in a river.” You squint your eyes at the conversation that Percy and Annabeth were having. The familiar bells rang in your head; you could practically hear them roaring at you.

“Right, so Medusa on Saturday…”

“Woah, guys, what’s this?” Luke interrupted. “When did you turn into an old married couple?” Percy and Annabeth both grew slightly flustered at the Hermes counselor’s words. Muttering a few things here and there, the two kids quickly excused themselves and walked off from you and Luke just to avoid the topic in general. You slowly turned towards Luke and peered up at him.

“Surely…” you spoke cryptically.

“Surely what?”

“Them!” you gestured to the direction that Percy and Annabeth had headed off to. You kicked a small rock with your Converse and watched it tumble away. “Surely we can give a little nudge?” you trailed off, bumping into Luke’s shoulder.

“You’re not seriously gonna play Cupid on them, right?”

“No, I’m not…because we are,” Luke let out a loud breath, hands on his hips as he peered down at you. However, you could see a glimmer of amusement in his eyes.

“Sweet girl, I adore you, but why not let things run their course?” you hope he did not see the physical reaction over that nickname because, internally, your heart skipped a beat.

“Oh? And you’re telling me those six couples from before would have gotten together without me? You know I’m right about this kind of stuff. I can usually sense it. Besides, it’ll be fun, I promise.”

“What’s in it for me?”

“Uhm…you get to spend time with me?” you decided to answer, grinning up at Luke when he gave you a feigned unimpressed look. “Please, besides, you and Percy are close, so it would help a lot. I already have a plan and I need your help for it.”

One look into your eyes, and Luke knew he was doomed. For some reason, you just can make him do anything you ask. Luke could feel the hands on his hips slowly slipping as he looked into your eyes.

“Fine.”

Stage 1: Get Percy to realize his feelings cause he’s blind as hell

It was midnight and everybody else was asleep except for you and Luke. The two of you were in the kitchen, trying to be as quiet as possible.

The two of you were making some fortune cookies for your plan. However, there was a tiny twist to the treat you two were making. You had personally printed out a couple of prompts that you wrote yourself in hopes they would nudge Percy into realizing his feelings.

“Really?’“Romance is in the air. What you’re looking for is right in front of you’?” Luke read out the small piece of paper that you printed. You pulled the cookies out of the oven when they were ready.

“It’s cliche and sort of obvious, but hey! It’ll work because it’s Percy I’m working with,” you quickly pulled the paper out of his hand to put it in the fortune cookie before folding it into shape and letting it cool down.

“Mhm. He’s gonna realize you’re trying to play cupid.”

“Are we talking about the same person? I doubt Percy would realize. Annabeth would, hence why I’m not trying this on her.”

Luke helped you out with a couple of other spare fortune cookies that you two intended to keep for yourselves.

“Alright, finally done,” you muttered, washing your hands. However, you were caught off guard when Luke dipped his hand in the bag of flour on the counter and smeared some on your cheek. Your mouth hung slightly at this, and you looked up at him challengingly. You wiped your hands with a hand towel, “Oh? Is that how we’re playing it?”

“...No…” Luke sheepishly replied, a grin growing on his face when he saw the look of mischief creeping on your face.

“Game on, Castellan,” with that, you dipped both of your hands in flour and chased after the tall boy, who was sprinting around the counter. You caught up with Luke and compromised by smearing flour onto the back of his shirt first. At your attack, he turned around and smeared some more across your face from your other cheek to the top of your nose. You immediately did it back to him.

“Ok, ok, I surrender,” he coughed in between quiet waves of laughter after you smeared some from his cheek down his neck, marking your last attack.

For a moment, Luke and you stood in silence, but when you two let the state of one another sink in, laughs echoed throughout the room again. Luke was able to stop his laughter first, though he was still wearing a wide grin. He washed the flour off his face and dried it with kitchen tissues as you muttered: “Oh, I wish I had a camera. I could practically blackmail you with that photo.”

“I have no doubt you would have never let me live that down,” while replying, Luke also approached you and started wiping the flour off your nose before moving to your cheeks. Your laughter slowly faded as your cheeks heated at the feeling of his hand on your skin. He was looking at you so tentatively. Callous hands - a reflection of his remarkable title as best swordsman - delicately holding your face as if you were the rarest diamond to exist.

Something about this moment felt so domestic. Luke allowed himself to indulge in the fantasy that this is how it would feel like to be with you and share cute moments like these together. Luke unbeknownstly let out a breath he didn’t know he was keeping in as he made eye contact with you.

However, the moment was interrupted by another camper who yelped upon seeing you two in the kitchen. The presence of another person caused you two to spring apart. “I’m so sorry, I’ll leave,” the camper muttered, clearly abandoning their plan of stealing food and sweets in the middle of the night. Luke coughed to break the silence.

“So what’s the plan after giving it to Percy?” Luke asked, looking down at the fortune cookies before picking one up and munching on it.

“Hopefully, he’ll finally realize his feelings, and when he does…Percy will come to you, for sure.”

Stage 2: Romantic gesture

You were right, Percy came to Luke for dating advice. As you planned, Luke suggested that Percy make a flower crown for Annabeth. Hence, here the Hermes counselor was - with Percy as he picked out flowers for Annabeth.

"I'm gonna need you to guide me on this 'cause I've never made flower crowns before," Percy muttered as he picked out California Poppins, Annabeth's favorite. Luke grinned at this. He found it interesting how the young boy already knew. "Maybe you could make one for someone special too?" Percy said, his voice somewhat unsure.

At the young boy's words, Luke froze. The first person that seemed to pop into his mind when Percy said that was you.

"I mean, might as well, right? It's for Valentine's. Maybe you could give it to someone who means a lot to you and makes you happy?" Percy spoke, though there was something instigative about his tone.

Happy. The word bounced in between the walls of Luke's mind. Once again, the first thing that flashed in his head was you. Then, a surge of images came running from memories of you two. He almost could not remember happiness before you. A warm feeling embedded in his chest as he pictured your smile. Just seeing you happy seemed to do it for him, like you could spread happiness to him by just looking at him. You were like the first glimmer of daylight after a cold night. He subconsciously smiled at that thought.

You have always made him feel loved, even though he knew you were probably doing it platonically. However, he would gladly take any form of love that he could receive from you. Every day, waking up and knowing he had you in his life was good enough for him. Maybe he should try giving you more hints. Maybe you'll finally see it. Perhaps Percy was right with the flower crown idea.

“Uhm, sure,” with that, Luke decided to take some of your favorite flowers into his hand and went to a nearby table, where he started guiding Percy on how to make a flower crown. However, ever so often, his mind would trail to its own thoughts whenever he focused on making this flower crown for you.

Percy watched Luke as the older boy started intensely working on his own flower crown, crafting it with so much care as if it was an artwork intended for a national museum. If Percy didn’t know better, he would think Luke was a perfectionist.

Meanwhile, you were sitting with Annabeth near the ocean where she had previously pushed Percy into the waters, leading to Poseidon claiming him. You asked, “Any plans for Valentine’s Day?”

“No, you?”

“Nope.”

“Oh?” she replied, though you tilted your head at the tone of her voice. “I’m just surprised,” Annabeth explained as she looked out at the ocean instead of at you. “I mean…I thought you and Luke…”

“Huh?—”

“Well, I mean, you two are together all the time, and there seems to be something going on —”

“What do you mea—”

“It always seems like you two would gravitate to one another. I just assumed you two were together already—”

“We’re…just friends,” you settled on saying, though you could hear your heart beating loudly, seemingly echoing near your chest and neck. Of course, you knew you had feelings for Luke. However, you have always ruled it as a silly little crush.

“...You sure? You sound really unsure,” Annabeth challenged, making you sigh.

“I mean, he’s really sweet, and nice…”

“Uh-huh”

“And he makes me laugh all the time…”

“That’s good,” Annabeth’s words echoed as you sunk into silence and started reflecting on who Luke was to you. He has always made you feel cared for. Out of everybody at camp, perhaps he was the one you were most comfortable with, never having to be afraid of being yourself. Almost all of your favorite memories at camp included him in them.

You remember the night you told him about your minor fear of the darkness and how he promised to always protect you in it. In a way, since then, he has become your light. You always felt lit up when he made his way to you. Your eyes are always drawn to him like a moth to its flame. Then, it finally dawned on you how serious your feelings were. You realized how most of the time you seemed to be mindless about the existence of your heart until Luke was around because it was only then that your heart would tug or race to run you breathless. You gulped as your eyes darted around slightly.

“I mean…maybe…” you started but snapped out of your thoughts when you heard Luke’s voice. And there it was again, the silly familiar tug your heart was doing just from his voice. “Hey…” you greeted Luke and Percy before noticing Percy with a flower crown in his hand.

“Annabeth, can I speak to you privately?” Annabeth stood up and gestured for Percy to lead the way, presumably somewhere, so the young boy could give her the flower crown and ask her out on Valentine’s Day. You remained seated, still pondering at your feelings and wondering when they had exponentially grown that much.

“I actually have something for you as well,” you finally looked up at Luke when he said this. You noticed he had his hands behind his back. Something about the way he looked now seemed so shy and timid, which was unlike the outgoing and confident boy you always knew.

Your mouth fell agape when he pulled out a flower crown made of your favorite flower. “Luke…” you said his name and stood up when you saw the item.

However, because your eyes were on his gift, you didn’t notice the way Luke’s breath hitched at the sound of your voice calling out his name. He never thought it was anything special until November two years ago when you said his name while laughing at one of his jokes by the campfire. It was probably a moment you did not remember, but ever since then, he felt so sure that he was named so because the name sounded like it was born just for the sole purpose of being sounded from your lips.

“I made this for you,” he muttered, though it sounded almost like a whisper. His eyes shifted to both of your Converses instead of at you. Something about this made him so nervous as if he was handing you his heart instead of a simple gift. He almost scowled at himself for acting like a boy in kindergarten, confessing to his crush.

If only Luke was looking at you because you were looking at him and the item in awe. Your cheeks flushed from his gesture. Though, you were somewhat glad he was not looking at you because you were sure one look at you right now would tell Luke exactly everything about your feelings. You were a blushing mess. “Luke, thank you so much. This is beautiful. I can’t believe you made one for me.”

You touched Luke’s hand that was holding the crown, and he almost grew an even deeper shade of red. “Put it on my head,” you instructed, and he obliged just like everything else you would ask. He was sure he must have caught a sickness or something for wanting to follow you this blindly. But you were perhaps the only one with the power to get him to do absolutely anything. Just as the crown touched your hair, you peered up at him, and the sight alone made Luke swallow nervously.

You looked breathtaking.

And he meant this literally because Luke felt like he stopped breathing for a second. He could not look away. That was until you wrapped your arms around his waist and hugged him. His arms wrapped around your neck almost immediately to return the hug as if they existed to only hold you.

However, unlike the hundreds of hugs before, this one felt different. It was as if something had shifted and was bound to unfold.

Final Stage: Valentine’s Day

Annabeth had said yes.

You were ecstatic to learn that the young girl had agreed to go on a Valentine’s date with Percy. Even though you didn’t want to intrude, you and Luke decided to just have a peep to see what Percy had planned. You were not planning to stay long. It was just a sort of reward or a way to see your plan grow into fruition. You smiled when you spot the cute picnic date near the shore.

“See, I told you the plan was going to work,” you muttered as you tiptoed up in your converses to peer at the kids through the tall bushes nearby. You almost lost balance and step onto Luke's shoes that were similar to yours, except his was red.

The boy quickly steadied you with his hand on your waist. You muttered a quick thank you before turning back to the kids, trying to ignore the blush that was slowly decorating your cheeks. But you were quickly caught off guard at the sight of Percy and Annabeth pushing a small boat off the shore and hopping on it.

“Uhm…that is not what I expected. Where are they going?” Luke looked over your shoulder when you said that. Your eyes fluttered at his warm breath hitting your neck.

However, you noticed the two kids looking like they were in trouble and panicking as they quickly started rowing away. You turned your head towards Luke, forgetting he was very close to you. Your voice faltered as you were about to utter your next sentence. Noticing this, Luke turned to you, only causing the two of you to come face to face with little distance in between. You gulped and forced yourself not to glance down at his lips, “Do you think they’re okay? Should we follow them? I mean…what if they’re in trouble?”

Seeing the worried look on your face, Luke frowned. He deeply disliked anything that caused that kind of expression on your face. Hence, he decided to go over to the second boat there and started pushing it towards the water. “Come on,” you hopped onto the small boat with him and started rowing after Percy and Annabeth, hoping to help them from whatever trouble they were seeming to have.

After a few minutes of rowing behind them, you saw Percy and Annabeth rowing into a small tunnel. Luke and you quickly followed in, rowing your boat, only to be engulfed by darkness upon entering the tunnel.

The wind blew much harder in there, causing goosebumps on your arm as your hand gripped your oar tightly. To make matters worse, it was your most hated type of darkness - utter pitch black. Even with your eyes adjusted to the darkness, you could see nothing, not even Luke.

You were fine with darkness in familiar places like your cabin, where you knew at least there were other campers around and you were safe. You were also mostly fine with darkness where you could see as your eyes adjusted to it. But here, you were in a tunnel you’ve never been in, where there were possibly monsters that could attack you at any moment.

You were slightly startled by the hand that softly touched yours that, unbeknownst to you, was crushing the wooden oar. You immediately recognize it was Luke’s hand from the warmth and familiar touch. He soothingly ran his thumb across your hand. His actions were proven effective at calming you down when you could feel your grip loosen around the tool.

“Breathe, sweet girl,” his words somehow made you release the breath you were subconsciously holding.

A few seconds later, the lights were turned on. You were met with one of the most beautiful sights you’ve ever seen. Lights were decorating the path throughout the tunnel. There were also plants and trees with extended branches and leaves that softly brushed past the boat Luke and you were on.

Suddenly, you both heard a tune start playing quietly in the background, almost quiet enough to make you two think you were imagining it:

“There you see her, sitting there across the way.

She don’t got a lot to say, but there’s something about her”

His thumb hasn’t stopped rubbing over your knuckles even though the darkness was no longer casting over the both of you. His eyes were absorbing how you looked at that moment, embracing it. You were absolutely stunning and he was hopelessly infatuated with you.

“And you don’t know why, but you’re dying to try

You wanna kiss the girl.”

The lyrics made Luke subconsciously lick his lips as he pictured himself kissing you. Gods, he wondered if his heart would even survive doing so and whether anything would ever surpass getting to kiss you. Your eyes flickered to Luke's lips, and he noticed it. He also noticed how your cheeks flushed as you gulped at his actions.

“Luke.”

“Y/N,” you almost melted at the way Luke was saying your name as if it was an honor or privilege to do so. The tone he used was sweeter than any dessert you have ever had. Gods, it was as if your name was a sacred passage he lived by.

“Yes, you want her

Look at her, you know you do”

Indeed he was looking at you, and it felt almost like he was spellbound because he could not take his eyes off you. Right then, you could see it all - he was utterly smitten. He was giving you a soft smile. The lights decorating the tunnel shimmered in his eyes, illuminating just enough to display his pupils and how they almost completely overtook the usual dark brown color that you love. Before you knew it, he was leaning closer to you on the small boat and you mirrored his action.

“Possible she wants you too, there is one way to ask her…”

Just when Luke was inches from your face, he stopped. His eyes longingly stare at your lips like a long-awaited dream that was within his grasp but not quite within his grip yet. You noticed how he took a deep breath as if mustering all the drops of courage he had. His eyes fluttered shut for a second before he opened them again.

“Can I?” he uttered only two words, but somehow, his voice conveyed enough the yearning coursing through every inch of his body. Luke gulped as he restrained himself from closing the distance and waited for your consent.

You nodded wordlessly.

“It don’t take a word, not a single word

Go on and kiss the girl.”

Almost instantly, he caressed both sides of your face and sealed the deal.

All the glory Luke has gained throughout the years seemed trivial compared to kissing you. It almost convinced him that everything he had gone through to get here today was worth it. He hummed against your lips as you wrapped your arms around his neck, pulling him even closer. Kissing you felt like the best gift he had ever gotten in his entire life. Luke knew he was forever screwed from the way it felt. He could not fathom the idea of his lips ever touching anyone else’s. Maybe they were made for you, but his heart and mind do not seem to oppose that idea.

You slowly slid your arms down, allowing your hands to caress his jawline and the sides of his face. However, your hands slightly jolted at the pace of his heartbeat along the side of his neck. It was as if his heart was trying to break out of his body. Your own heart started replicating the same rhythm. It had you flustered that you had such an effect on him.

Luke broke away from the kiss breathlessly. For a second, he hated the idea of needing air to live because if he could, he would not have stopped showing you how much his lips belonged to you. His forehead leaned against yours while his hands rested on your hips. He looked at you endearingly as if he could not fathom that he just got to kiss you. You smiled at the sight of him.

“I know I’m a tad bit late, but will you be my Valentine?” he sweetly asked.

“Of course, Luke.” Luke grinned at your answer. He drew you in for another kiss as giggles escaped your lips and echoed through the tunnel that now marked an important memory for the two of you.

You truly must be Cupid because your plan not only worked for Percy and Annabeth, but somehow also indirectly gave Luke and you the nudge you both needed.

14th February marked the day when two Cupids wearing Converses got their happy ending.

Bonus:

“I told you that would work,” Annabeth whispered to Percy as the two hopped back onto their boat with a speaker in hand, rowing away hastily to be out of sight from the older couple.

Little did you know, Annabeth had orchestrated the whole thing, including the conversation between her and Percy about their mission in front of Luke and you. Annabeth’s plan of getting Luke and you together through playing cupid together had seemingly worked just like she had planned.

Who said you were the only cupid at Camp Half-Blood?

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masterlist

join my Luke Castellan taglist

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#luke castellan x reader #luke castellan imagine #luke castellan x y/n #luke castellan x you #luke castellan oneshot #luke castellan #luke castellan fanfiction #pjo fic #pjo #charlie bushnell #pjo imagine #percy jackson and the olympians #pjo tv show #pjo series #best friends to lovers #fluff

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semisasseater · 11 days ago

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I'll give you my lo lo lo love

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flirty!bestfriend se-mi x fem!reader

Summary: still half asleep you just pick up whatever you could wear, so what happens when you walk out your room and go to your shared dorm kitchen where your best friend se-mi is just for her to say “is that my shirt?”

Tw: fluff, wuh luh wuh, flirty se-mi, reader just being a flustered embarrassed mess, light romance, slight suggestive themes, lmk if i missed anything!

authors note: RAGHH i feel better now and better enough to write this but its lowkey ass, also yall i miss my wife </3 (gabby) literally im gonna crash out i need to text her 24/7 (¬`‸´¬)

Not proofread!

Word count: 527

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The sun streamed through the thin curtains of the small dorm room you shared with Se-Mi, your best friend since high school. You were curled up in bed under a mountain of pink blankets, the subtle scent of strawberries lingering in the air thanks to your diffuser. In the room across from yours, Se-mi’s bed was neatly made, her black and white bedding perfectly arranged, a stark contrast to the chaos on your side.

It was an average morning—at least, you thought it was. Half-asleep, you shuffled to the closet to grab a shirt, not paying much attention as you slipped into one that was lying on the back of a chair. It felt a little loose, but comfort was all that mattered at the moment.

You yawned, stumbling into the kitchenette to grab some water. Se-Mi was already there, dressed in her usual black t-shirt and grey sweatpants, her short black hair perfectly in place. She looked up from her coffee mug, her sharp eyes narrowing slightly.

“Is that my shirt?” she asked, a small smirk tugging at her lips.

You froze mid-step, looking down at yourself. Your cheeks instantly flushed as you realized you’d put on her oversized black t-shirt—the one with a minimalist design you often teased her for being so “edgy” or something.

“Oh my god!” you squeaked, your face heating up. “I-I’m so sorry! I didn’t realize—I thought it was mine!” You scrambled to tug at the hem as if to cover your mistake, avoiding her gaze. “I’ll go take it off right now!”

Se-Mi leaned back against the counter, sipping her coffee calmly, her smirk growing into a teasing grin. “No don’t” she said, her voice softer now, almost playful. “It’s cute seeing you wear my things.”

You blinked, your brain short-circuiting at her words. Before you could even form a coherent response, she set her mug down and stepped closer. Her fingers brushed a stray strand of hair away from your face, and then, without warning, she leaned in and pressed a gentle kiss to your cheek.

Your face went up in red flames. “S-Se-mi!!!” you stammered, completely flustered.

“What?” she said, her tone casual, though the corner of her lips twitched upward. “You’re adorable when your like this”

You buried your face in your hands, unable to handle the intensity of her gaze or the warmth spreading through you. “Y-You’re impossible!”

Se-Mi chuckled. “And you’re the one walking around in my shirt.” She said with cocky grin.

You peeked at her through your fingers, still red-faced but unable to hold back a small, shy smile. “Maybe you shouldn’t have your clothes in my room” you muttered.

“Or” she said, tilting her head, “maybe you should just wear them.”

The dynamic between you two—her effortlessly confident, you hopelessly flustered—wasn’t new, but somehow, this moment felt different. More charged. Maybe the people who always assumed you were a couple weren’t so far off, after all.

You were too shy to say anything more, so you just stood there, feeling your heart race as she grabbed her coffee and walked back to her room, leaving you in her shirt and your thoughts.

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@semisasseater

#se mi x reader #semi x reader #se mi squid game #player 380 #player 380 x reader #squid game fanfic #squid games fanfiction #lgbtq #lesbian #wlw #squid games #squid games 2 #x reader #squid games fluff #fluff #wonjian #won ji an #🫐𓏵﹕ 𝐌𝐄𝐈 ˎˊ˗₊˚ 𝐟𝐢𝐜𝐬

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theweirdoinurhouse · 10 months ago

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I genuinely have a strong hatred for people who romance Shane then divorce him due to his room. Hi, welcome to my Ted Talk.

It's also not just his room, but also people who say "I thought he got help!" or "It's clashing with my style!" or "I thought I could fix him!" and what not. Like yes, I know this is a video game character, but honestly peoples' reactions to Shane speaks about them as a person.

We don't get him help, he gets it himself. Harvey suggests it, and Shane decides he is. We just help him along the way. We don't "fix him", he fixes himself and we are there to be by his side. And even though he does go see a counselor, that isn't going to fix everything. Honestly those type of people don't know how addictions work make mad. I can't say I know 100%, but I do understand you aren't going to get fixed right away.

I saw this tiktok of someone assuming they were being cheated on by Shane, without seeing the full cut scene. It just shows the absolute mistrust people have in him. And yes, I know he's fictional, but still it speaks about people's true colors.

Stepping away from the alcoholic part, let's talk about the depression part. IT. IS. NOT. EASY. TO. BECOME. UNDEPRESSED! Shane literally tried/wants to kill himself, he isn't going to get out of that mental state easily! I myself struggle with some mild depression. And it isn't easy to just "be happy." OF COURSE his room isn't going to be absolutely 100% perfect! Depression is a serious thing, especially for Shane.

Don't get me started on people with the "His room doesn't match my vibe" mentality. Everyone has an unique room that fits to them. Everyone is complicated (maybe, I don't know much about some of the candidates). Shane is a very complicated person, and his room speaks to that. Sorry that his depression and struggles don't match your cutesy cabin in the woods aesthetic. (That's somewhat sarcastic).

One of my biggest problems is this: You went through ALL his heart events. You know what he's struggled with, and still is struggling with. You stayed with him till marriage. And you divorce him for his ROOM?! I may be overreacting, but people with these mentalites make me mad. If this is how they react to a fictional character with alcoholism and depression,how are they gonna react to someone they might like irl that has these problems?

Anyways I'm a Shane defender for life, fight me.

#sdv shane #stardew valley #shane stardew valley #shane sdv #i will defend him with my life

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ravengards-rogue · 3 months ago

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bright as the morning, soft as the rain

sebastian (stardew valley) x reader

✧ tags : gender neutral reader, canon divergence, a lot of author liberties, alcohol, fluffy, pre-relationship, mildly suggestive but sooo mildly lol.

✧ wc : 3.4k (this is ridiculous lol)

✧ a/n : the thing to get me out of my writing slump being sdv fanfiction is hilarious.

hi! this is the first part to a silly little alternative first kiss series i have planned for the stardew romanceable characters. i think the other ones will be shorter (hopefully but lol).

i will link the rest of them as they get posted. i hope u like. rbs appreciated. also tagging @antique-remains (hi this is fang on my side blog lol)

✧ synopsis : sebastian wants to do anything but think of you. he's failing miserably on that front. sam and abigail are not helping.

.𖥔 ݁ ˖˚☽˚｡⋆

“Earth to Sebastian,” Sam snaps his fingers in front of Sebastian’s face. Sebastian jumps in his skin. “What’s with you today? If you’re not gonna take our pool playing tradition seriously, I’m not playing.”

He swipes a hand over his face, cursing under his breath. Half-empty Joja-Cola can sits directly besides his pool stick, the faint air of smoke and liquor in the air. Right. He’s here to play pool.

He pinches the bridge of his nose with exasperation, shaking off the feeling before scratching the back of his neck.

“No, sorry. I wanna play, just…give me a sec.”

“Got something on your mind Seb?” Abigail prods, unfortunately intuitive. Sebastian scowls at her. She stands to her feet to get closer, sitting on the edge of the pool table with her cheek turned just enough to look at him. Her smile is coy. “A certain someone, maybe?”

His scowl deepens, lip curled in distaste. “No. Move. You’re in my way.”

“You’re a bad liar.” Abigail says with a resigned sigh, arms crossed. “You weren’t this spacey last time you dated someone. ”

“Fuck off,” Sebastian sighs. “It’s not like that yet.”

Abigail grins before Sebastian can correct the slip up. “Yet. Yet, he says.”

Sebastian feels himself blush. “Ugh.”

He sighs as he stands back up, leaning against his pool stick. Sam stops whatever he was doing (messing with the pool table deliberately, Sebastian assumes), taking newfound interest in the conversation.

“Oh, you two talking about our new neighbor?”

“Not really new. It’s been like… what a year or two almost?” Abigail adds. Sam shrugs.

“That’s true. But it feels new to me anyway.” Sam says. He gives up on pool it seems like, abandoning his stick on the table in favor of navigating to the box pizza balancing on another table nearby and his drink. Sebastian watches him shimmy a slice of the pie, not bothering to blow on it as he eats. “Oh is that why your heads in the clouds? Figures.”

“I didn’t say that. Abigail said that.”

“And you’re saying she’s wrong?”

Sebastian huffs. “…Yes.”

Sam laughs good-naturedly. “Pfft. Uh-huh, yeah. I super believe you.”

“Fuck you both.”

“Come on, Seb. It’s not like everyone in town doesn’t know.”

Sebastian’s frown deepens. “Not everyone.”

Sam seats himself on the couch again and Abigail joins him. It creaks under the weight of them as they get comfortable together. Sebastian stays where he is, sitting on the tables edge with a drink in his hand and an itch for a cigarette.

Sam counts on his fingers. “Your mom knows. My mom knows. Abby’s mom knows. If they all know then our dads definitely also know. Who else does that leave? Our towns tiny dude. Like I’d say Elliot doesn’t, but he’s here on Friday’s and he catches up with gossip all the time. So basically everyone.”

“…Shit.”

“See? Told you.”

Sebastian doesn’t need everyone to know what’s going on between you. He doesn’t even know what’s going on between you. It’s taken him longer than he cares to admit to even acknowledge that there was something there. And he didn’t know it was mutual until recently when Abigail came dropped by to tell him she overheard her dad explaining old Pelican Town traditions on dating and romance.

(Abigail always describes things in excruciating detail, adding all the bells and whistles. This makes her great to play the Solarion Chronicles with.

It also makes her good at artfully recounting interactions. He can easily picture you the way she said she saw you, overalls half unbuttoned, dirt covered and leaning over the counter just slightly giving Pierre your rapt attention.

The thought of it is enough to trigger some sense of affection he’s never entirely felt before.)

It’s not like Sebastian is against the idea of dating you, it’s just—

“I think you should go out with them Seb. I like ‘em a lot more than your exes.”

Sebastian sighs. “You guys know why I’m on the fence.”

Sam shrugs. “Does they even count though? They’re not actually from here. They live here sure but they didn’t grow up here.”

“Right? That’s what I think too. Might as well go for it.” Abigail shrugs, glancing at Sebastian. “I really don’t get why you’re hesitating. Something else has to bugging you.”

“I thought that too.” Sam adds.

A faint blush creeps up his neck. He loves his friends and sometimes, he appreciates how well they know him. Times like this, he thinks it wouldn’t kill them to be a little less perceptive.

They’re not wrong. It is something of a flimsy excuse to try not to think about you. Sebastian has always had a not dating policy about people he grew up with. He nearly dated Abigail in highschool and it was a shitshow. So he’s vowed to never do it again.

But that’s not the real reason he’s been rejecting the possibility in his head. He uses it more for himself than anyone else. It’s not like he can give them the real answer because he thinks it’s one hundred times more embarrassing.

How the fuck is he meant to tell them the reason he keeps hesitating to define your relationship is because he feels like he likes you too much?

That’s the real reason he’s going in circles about it. It’s so cringe it makes him want to break out in hives but well, it is true. Sebastian likes you—like really fucking likes you—and it’s freaking him out because he thinks it’s the first time he’s really liked anyone.

Dating has never been all that fun for Sebastian. It wasn’t something that felt meaningful. He dated mostly in college and only one of those relationships lasted a significant amount of time. And even then the relationship was never all that genuine. They ultimately broke up because Sebastian realized they were fundamentally incompatible. As bad as it sounds, there wasn’t a real sense of attachment there, not once. It was just convenient for both of them. He realized at that point he should probably just focus on himself.

That was about when he moved back home to the valley to live with his family in his post graduation.

And he had honestly expected it to be another few mundane years, akin to his early adolescence. He was so sure that he would spend it with the same restless feeling in his stomach, the same longing to be somewhere else. If he could never feel any belonging, at least he wanted to be somewhere he could blend in. He thought for sure moving back to Pelican Town was going to be nothing but dreadful and boring and existential. That he would come back and remember why he wanted to leave in the first place.

Until one day, someone from the city moved into the old, overgrown farm and turned the entirety of the valley upside down.

When you met for the first time, Sebastian honestly didn’t care. Nothing goes on in Pelican Town, so he figured you’d be the main subject of gossip for a few weeks before ultimately blending into the background of his life just like everyone else. He also didn’t think you’d last long living here. You were part of the corporate rat race he so detests and you didn’t grow up in the valley. It’s a hard place to get used to after living somewhere more populated.

Against all odds though - you did stay. And you’ve integrated yourself so much with the people living—himself included here it kind of baffles him. He doesn’t entirely remember what it was like before you came here.

Sebastian couldn’t have predicted in a million years that that stupid help wanted sign in front of Pierre’s store would start actually being useful. But lo and behold, at least three times a week he finds you with full pockets - jogging after whomever last posted to give them what they need. And you do that without anyone really asking you too.

You’re just so… helpful. And social in a way he can’t describe. Everyone in town has nothing but nice things to say about you. You’ve given everyone a gift on their birthday thus far. You’re keeping the entire economy afloat with your farm right now and you regularly clear those mines out for monsters. You even paid for the bus to get repaired, too - so now it’s up and running again.

You’re full of surprises. And easy to adore, himself included.

What surprises him most often is how easy it is for him to be around you. He doesn’t turn you away even when you visit his room sharply at 9am and hover over him in bed. He doesn’t get even the slightest bit upset when you have a mundane and disruptive conversation hours before he usually gets up. He keeps everything you’ve ever gifted him, and he often thinks of inviting you to things he does with his friends. He smiles when he sees you running around doing some chore, frantic and covered in muck - all mess and sunlight.

You’re… nice. Honest, hard-working, and cheerful. Kind. Sincere in wanting to know him. You should completely and utterly exhaust him given those are your main characteristics. You should be someone he’s simply fundamentally incompatible with.

But more than anything, you’re thoughtful. And it disarms him so utterly he feels overwhelmed by the thought. From the start, you put in a lot of effort into maintaining connections and he was no different. It’s just impacted him so much more than he thought it would. If he lets himself think too far on it, he really won’t stop thinking about you.

To the point he’s been picturing what it’s like to live on the farm. He’s in deep.

Despite all of your idiosyncrasies, you really seem to give a shit about things in a way that feels utterly foreign to him. This extends to anything and everything. It extends to Sebastian, and it shows in the ways you don’t undermine him. Little things. You take his work seriously and apologize for disturbing him, you don’t immediately take the side of his family when he talks about them despite being friends with them too, you don’t interrogate him about what he is or is not comfortable with. You show up and linger in his life, and then you go off to your own thing.

More and more, he gets the urge to stop you before you go. It’s too much. It makes him act…lame and he’s not too fond of it. He’s never really felt this strongly about anyone before and he’s a little bit of a wreck about what it does to him. So it’s not that he doesn’t want to date you, but more that he does so bad he doesn’t even want to admit it.

But well.. He isn’t sure it’s even working. As soon as you walk into a room it’s like—

He’s lost in his thoughts for a while, only to get pulled out of them by some big commotion happening in the main part of the saloon.

“Ah, you’re here. What perfect timing kid,”

Shit. Shit

Only somewhat obscured by the distance and wall separating their space from the bar - Sebastian catches a glimpse of you and feels something uncomfortably warm in his chest. His friends both make little oooh sounds, no doubt planning to do something stupid. He should intervene but he gets too caught up in pretending he doesn’t see you. Turning away stiffly, he pretends to be looking at something else while he listens on your conversation. It’s not too hard to hear, anyway.

“Hi, Pam.” He can practically hear the smile in your voice. “Here’s your ale. Managed to grow a hops plant indoors this season so the brew is pretty fresh. It’s strong, fair warning.”

A beat of muffle conversations follows up with a a loud sigh. “That’s exactly what I needed. Your pretty good with your liquor and spirits, huh kid? Thanks for the drink. Here’s what I owe ya.”

“Selling alcohol under the table at my establishment? Tsk tsk.” Gus adds.

It’s at this point Sebastian lets himself look at you properly. You lean with your elbows against the counter. You look a mess like usual, but you’ve got on a cowboy hat today that Sebastian finds ridiculously cute. You smile at Gus sheepishly.

“Sorry. Can I buy myself a drink to make up for it?” You offer.

“I’ll do you one better and give it to you on the house.”

“Aw, what? Can’t let you do that Gus.”

“You can and you will. You’re always looking out for everyone. Here, it’s a nice imported IPA. Nice and cold. Have a drink and go relax. Some of your friends are here too tonight I think.”

“Oh?”

On cue, you turn your head to the group of them. When you and Sebastian meet eyes, you brighten visbly - all smiles. He’s so caught up in it, he doesn’t even catch Sam next to him until he throw an arm around his shoulder and waves you over.

You weave through the tables until you cross the threshold of their little hide-out. Abigail greets you first with a short sidehug before you go over to him and Sam.

“Hey,”

“Hi Sam.” You pause, tilting your head. “Did you cut your hair? It’s shorter than usual.”

Sam beams. “I did! And you’re the first one to notice, other than my mom. Goes to show who my real friends are,”

Sebastian nudges him, pulling away from his grip. “I see enough of your face everyday. There’s nothing for me to observe.”

“It looks nice,” You add. Charming and genuine. Sam smiles at you.

“Thanks,”

Sebastian is weirdly jealous until you address him in conversation. “Hey to you too Sebastian.”

His heart thumps. This is ridiculous. He swallows. “Hey. Uh. How have you been?”

Awkward. So awkward. You smile a little and lean on the pool table besides him with your drink, taking a sip. “Good. Busy as usually getting ready for Winter. Renovated our coop recently so I’ve got a whole bunch of baby bunnies I gotta take care of. Went and bought another heater, some extra hay. Just farm stuff. Not very interesting,”

“I find it interesting,” He replies quickly. You lip twitches in a smile.

“I’m glad.”

“Baby bunnies sound so cute,” Abigail adds. Sebastian glances at her as she joins the rest of them. “What else have you got in there?”

“A little of everything. Chickens, ducks. I’ve got a void chicken too, kinda freaky. Oh and these little dino looking guys.”

Abigail looks bright eyed. “Would it be like… weird if I asked to go over? I kinda wanna see them?”

You laugh. “Not at all. I don’t mind. You could honestly go over whenever but it’s hard to navigate the farm if I’m not there, though I’m trying to fix that this upcoming winter.”

You glance then at Sebastian, eyes almost sparkling. “You should come over sometime, too. You’d like the void chicken I think. And I’ve got a slime hutch.”

Sebastian sputters at the obvious invitation only barely managing to cover up the shock to his system. You don’t seem put off, but it’s obvious you know what you’re doing. He’s going to explode.

Abigail and Sam make not-so-subtle eye contact before Sam clears his throat.

“Well, uh, me and Abi are gonna head out. We’ve got some stuff to catch up on, but there’s still a few hours until the saloon closes so you two should stay here and finish up our drinks and stuff. Uh… yeah. See you again,”

Sam nods, quickly rifling for his things. Abigail follows in his foot steps.

“Mhm, yep. See you,”

Sam gives him one last encouraging look before turning around and leaving. The two of them scurry off in a blink of an eye, before Sebastian can get a single word in about the situation or tell them to stay. And now he’s alone with you, quietly wondering if it’s as awkward as it feels.

You’re the one to break the ice. “Do you have anywhere you need to be tomorrow?”

Sebastian blinks. “Uh no. Not really.”

“Me either. We should stay back then, for a little while.” You offer with a shrug. “Why not, right?”

Right. Sebastian is being really chill about this entire interaction. “Right.”

“I’m glad I got to see you tonight,” You say, out of the blue. Sebastian nearly jumps in his skin at the admission. “I’ve been pretty busy with the growing season ending so I haven’t been you know, able to come by as often. I don’t know if it made a huge difference to you but—“

“It did.” He blurts out. Your mouth opens then closes again, a blush crawling up his neck as he tucks his chin in embarrassment. “It was uh, weird for me. I know you’re busy and I like my alone time but I did… miss you.”

“Yeah?”

He’s almost too afraid to meet your eyes. When he manages - you’re smiling fondly, sweetly with a sense of amusement. It rolls off of you in waves and it becomes clear to him in that split second that you don’t really intend to hide how you feel despite him being so hellbent on making sure he does. You’re not hiding that you like him. It feels stupidly warm and fuzzy.

You look like you’ve been working all day and you smell a little like grass and rain in a way that makes him want to draw that much closer to you. So he does, leaving into your space.

“Yeah.” He manages, barely getting the words out without being a complete wreck. “It’s new for me.”

“Absence makes the heart grow fonder or whatever they say.” And then, even more sweetly. “I missed you too.”

Fuck. You’re… fuck.

Sebastian pretends to wipe something from his face just to cover it and make his blush less obvious. This is embarrassing. He likes you so much and for what.

There’s a million things he wants to tell you but he can’t find the words for any of them. So he tucks in on himself and wonders how the fuck he would ever go about actually dating you.

You inch closer to him. Tentative, until your thighs are touching. He doesn’t move away.

Suddenly, you’re close to him than you’ve ever been. Looking from the corner of your eye, Sebastian turns his head to meet your gaze. You’re an inch apart, and he’s looking at your lips - slightly chapped from the weather. The faint scent of alcohol on your breath makes him dizzy. Your smile is what does him in ultimately. A subtle tug at the corners of your mouth, a little teeth. Something about it precious.

“Hey,” You mutter.

“Hm,”

“Can I kiss you?”

He responds with leaning forward to do it first. It’s chaste and easy, and he does it because you’ve already taken so many first steps and he should, at least, take this one. So he leans into kiss you and it feels like his whole body is melting. It’s brief and light and he pulls away before it feels like it should be over.

You part for a breath, a single heartbeat - before your hands go up to cradle the side of his face. You kiss him deeper that time. A real kiss where he can taste you enough to know that you drank - one he would only want to do in the privacy of this confined spaced. He feels you in your entirety - returns your gesture with a careful hand on your waist that you don’t pull away from.

And it doesn’t stop. Like neither of you want it too, despite everything else. Despite the fact he’s doing this in the bar of his hometown where everyone will gossip about it without doubt, and despite knowing that - the drive to kiss you is stronger than his usual sensibilities. So you kiss and kiss and kiss, short presses followed by long, firm ones. A slight brush of tongue, the soft nip of teeth as you tease and tug. All mirth and amusement and fondness and bravery and god he is so into you it’s ridiculous.

You manage to pull away from each other after a while. His lips are tingly. And there’s a sheepishness to you both that makes it hard for him to look your way.

“Hey, Sebastian.”

He clears his throat.

“Uh. Yeah?”

“I’m gonna ask you out tomorrow. Properly.”

He blushes. “…I’d be cool with that.”

You grin. “Yeah?”

Shit he’s happy. He is not gonna get a lick of sleep tonight. He smiles a little to himself.

“Yeah.”

.𖥔 ݁ ˖˚☽˚｡⋆

#sdv x reader #sebastian sdv x reader #sdv fluff #sebastian sdv fluff #rogues love letters

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musicalmoritz · 4 months ago

Note

It’s canon Mitsuba’s gay?

I’m gonna use this as an excuse to yap because Mitsuba’s queercoding is either weirdly downplayed by fans or used solely for BL shipping purposes so I want to talk about it through the lens of what it means for his character, role in the story, and relationship with Kou

Yes, Mitsuba is canonically gay

Things don’t have to be explicitly stated in order to be canon, subtext is a major part of media analysis. This is something a lot of fans miss which leads to a misunderstanding of the source material. I do have some credentials for this, I’ve taken two undergrad college literature classes in which the subject of queercoding did come up multiple times. Meaning analyzing queercoding has literally gone towards my degree so I feel like my opinion holds some weight (not as much as that of an actual English major but yk I assume I’ve had more education on it than the general TBHK fandom)

There are multiple ways to queercode a character, sometimes it can be as simple as feminizing a man or masculinizing a woman. Though that method might be a bit outdated nowadays with gender roles becoming less strict, it’s still worth keeping in mind when analyzing queer characters. Another way is through romantically colored scenes with characters of the same sex, or by having them hint at disinterest in the opposite sex. Mitsuba checks off all three of these boxes and then some

First off, Mitsuba is attracted to men. This is made extremely obvious through his relationship with Kou but I’m gonna explain it anyways because unfortunately I’ve seen a lot of fans say they’re just platonic

Mitsuba and Kou went on a date. When this is brought up, fans typically jump to the excuse of “but Kou said it wasn’t a date,” which is where my American Lit class is going to come in handy. One of the major things we learned is that authors have to understand that everything they write has some sort of real world connotation. If you write a scene with a doctor, you have to understand that your readers already have preconceived notions of what doctors represent. You can choose to either lean into that or subvert it, but you have to be aware that as soon as a doctor enters the scene, readers have already made assumptions about that character

The word “date” is clearly being used in a romantic context here. When Kou texts his friends and brother about it, they all assume he’s talking about a romantic date. While in the actual context of the scene, Mitsuba and Kou aren’t quite ready to use such a strong label yet, the romantic wording here is still very intentional. AidaIro would not have labeled this moment as a date if they didn’t want readers to view it in a romantic light, because they understand that their readers are going to associate dates with romance. Japanese censorship is really strict, it’s hard to publish stories with explicitly queer characters unless the series is labeled as a BL or GL. And so Japanese manga writers often have to find roundabout ways to express that characters are gay without outright stating it- such as suggesting that they’re going on a date with a character of the same sex

In the printed volume for Vol.20, there’s an editor’s note that mentions that when Kou and Mitsuba are making plans to hang out at the school festival, it holds a romantic implication for the Japanese audience. Cultural differences are important to keep in mind, to western fans this scene might not raise any eyebrows but for its primary audience, it is confirmation that Mitsuba and Kou are romantic. I also find it interesting that the editor felt this context was important enough to warrant clarification

And frankly, their relationship doesn’t make a lot of sense if it’s solely platonic. Male friendship is something TBHK writes very realistically, the male characters aren’t as touchy-feely with their friends as they are with their female love interests. Yokoo and Satou don’t directly ask Kou how he’s feeling when they notice he’s upset, instead they give him a task to distract him- similar to how men in real life cheer their friends up through quality time rather than talking through their emotions like women do (not every man ofc but a good majority of them). When Teru is down, Akane doesn’t hold him and reassure him the way he does with Aoi. There are no grand declarations of ultimate “friendship” the way you see in fan servicy series like Haikyuu. Instead, he used his and Teru’s rivalry to indirectly motivate him to get his head back in the game. When Hanako is sad, Kou cheers him up by making donuts for him and then giving them to Nene so she can pretend she’s the one who made them. This is a very healthy portrayal of male friendship, and Mitsuba and Kou are nothing like this

Mitsuba and Kou both cry and vent to each other multiple times (the Mitsuba Arc, the Picture Perfect Arc, the Nightlife Arc), and instead of comforting each other indirectly they do things like offering to die for each other. You would never see Akane offer to die to make Teru feel better, nor would you Aoi and Nene or Kou and Hanako. It stands out so much from other friendships in the series, even Kou’s friendships with other characters. That is a conscious writing decision, AidaIro make a point to show Mitsuba as an exception for Kou. It’s worth noting that in the same chapter where Yokoo and Satou cheer Kou up indirectly, Mitsuba attempts to directly have him talk about his feelings

They’re also incredibly possessive over one another, in a way friends usually aren’t. When Kou was in the Red House, he was shown his greatest desires, and Mitsuba appeared in one of these. Kou said he knew Mitsuba would appear, which is interesting because at that point he had already picked up on the house showing him what he wanted. But what does he want? He wants Mitsuba to rely on him entirely, to be completely useless without him. He wants Mitsuba to be “no good without him,” to need him so badly that he begs him to die so they can be together. I’m not exaggerating, these are lines pulled straight from the chapter (paraphrased but still). Later on in the Nightlife arc, Kou breaks down when he discovers Mitsuba has been relying on Tsukasa for life-saving help. As for Mitsuba, he wants to die by Kou’s hands. He says it wouldn’t be satisfying if anyone else killed him, and that he would be happy if Kou were to be the last person he spent time with before he died. He tries to trap Kou in a picture perfect world just like Hanako does with Nene, because he wants to live a normal life with him. It’s also shown in one of the extras that Mitsuba cries when Kou ignores him

They’re also drawn very romantically, again we don’t see Teru and Akane this intimate with one another unless they’re fighting. We especially don’t see Kou this intimate with anyone other than Mitsuba, and while Mitsuba is sometimes clingy with Tsukasa we certainly never see him posed romantically with a woman. This comes back to authorial intent and real world connotations, AidaIro know that male friends aren’t typically this close, and therefore casual affection like this will be interpreted in a romantic light. We see them hold hands/wrists multiple times too, Kou gives Mitsuba a piggyback ride in one scene, and in ASHK they had a classic “pinned against the wall” page

I’ll also mention the AUs, because those indicate a lot about the characters as well. In Hanako-Kun of the Opera, Kou poisoned Mitsuba so he could take him away from the opera house and protect him from Tsukasa. He basically kidnapped him. He also stayed with Mitsuba at the opera house for a seemingly long period of time despite hating opera. Aaaaand they’re childhood best friends in this au and Kou took care of Mitsuba while he was sick

Then there’s the Ghost Hotel, where Kou is a werewolf who takes bites out of mummy Mitsuba during full moons. Despite this, the two appear to be friends and Mitsuba helps Kou out around the kitchen. Cannibalism is consistently tied to romance throughout TBHK, most notably with Hakubo and Sumire but other romantic pairings have cannibalistic moments or official arts. During the zombie mokke chapter, Nene panicked when Akane tries to eat her because she assumed it would put her in a love triangle with Aoi. So yeah, cannibalism in TBHK is directly tied to romance and we see that with Mitsukou both in canon and in this au. Speaking of which, I’m not even gonna get into the symbolism of Kou holding a heart out to Mitsuba. Connect the dots for yourselves

Now that we’ve got Mitsukou out of the way, let’s talk about Mitsuba’s disinterest in women

Remember how I said one of the ways queercoding is done is by having a character hint at disinterest in the opposite sex? Yeah, very rarely are we going to see a queercoded male character outright say “I have no attraction to women.” Instead they say they just never saw the appeal in dating, or that they never had time to settle down. In more obvious cases, we have scenes like Reiner from AOT joking that Ymir isn’t all that into guys

I couldn’t find the second scene but there are TWO extras where the subject of Mitsuba’s disinterest in women comes up. C’mon guys I’m trying not to be mean here but you have to be blind, oblivious, or in denial to not pick up on that. Whyyyyy would they mention Mitsuba not having a crush on any girls twice if it weren’t to suggest something about his preference?? Coupled with his appearance (which I’ll get to later) and relationship with Kou, these scenes carry a lot of weight. Even if those other aspects weren’t included, scenes like this would still indicate he has no interest in women (which would make him gay or aroace, though due to his relationship with Kou the aroace thing is kind of ruled out)

Compare this to a scene where Mitsuba thinks he’s being asked out by a man. He doesn’t say “hmmm nope no guys, I’m cuter than all of them~” he specifically says “I’m not interested in guys with lame earrings.” The way this is worded implies that Mitsuba is discussing a type, though it’s v much a comedic scene and we know from everything else that he absolutely does like guys with lame earrings, it’s still worded in a way that makes him appear queer. If he were straight, they would have had him say he’s not interested in guys at all (like Dazai from Bungou Stray Dogs, John Watson from BBC Sherlock, Finn Hudson from Glee, idk there are a lot of male characters that are explicit straight sorry for the crazy random list). Also note how he teases Kou about it, he knows that Kou is fond of him and doesn’t hesitate to use that against him (like when he was comforting him during the Nightlife arc)

They don’t go overboard with Mitsuba’s disinterest in women because, well, that’s not really necessary. Two scenes is already a lot, and he doesn’t have any romantic relationships with women in canon (even as a crush/a joke scene). It’s rare for TBHK characters to have absolutely no scenes expressing interest in the opposite sex, since the series is partially a romance. But Mitsuba consistently only ever shows interest in one man, and when girls are brought up he’s quick to brush it off. His mom did think Nene was his girlfriend when they met, but this was depicted as a very awkward and comedic scene. Because the premise of Mitsuba having a girlfriend is objectively hilarious

(Due to Sousuke’s young age it’s reasonable to assume he wasn’t out to his mom yet, he’s around the age where most kids are closeted. It’s even possible that Sousuke hadn’t come to terms with his sexuality yet, though it’s still a prevalent part of both his character and No.3’s)

Now let’s move onto appearances. I want to give a quick disclaimer, not all gay men are feminine and not all feminine men are gay. Androgyny is also very common in anime and doesn’t automatically mean a character is gay, but there are cases when it’s used for queercoding. Mitsuba is one of these cases

Mitsuba is a very feminine character, this is addressed as soon as he shows up in the manga. He was bullied for his appearance (and personality), but unlike his personality he never tried to change his feminine appearance. He kept his hair long, continues to wear scarves and cardigans and earrings. No.3 wears these things as well, and I would argue has a more feminine personality since he seems to be more open about his emotions and idk. I struggle to categorize feminine and masculine traits because imo that’s subjective but there are things society deems feminine vs. masculine. The problem is that I really dislike the whole “men are strong and women are emotional” thing but ehhhh I guess I have to talk about it for this. Hmph. But yeah although Mitsuba isn’t exactly the biggest sweetheart ever, he does act somewhat feminine compared to the other male characters (as I’ve said he’s p much the only man in the series who attempts to work through emotional conflicts directly)

Once again we circle back to intent, AidaIro know that a male character dressed in pink with pink eyes and long pink hair is going to raise some eyebrows. Even by androgynous anime standards, it’s a bit much. And good for him, although not all gay men are feminine, some are and that’s also fine. I can’t speak on how well he represents feminine gay men because I’m a lesbian but he does dress similar to some of the feminine gay men I’ve known irl (or slightly less feminine in some cases…I knew this one dude in high school who used to wear corsets to class and he was so badass I hope he’s doing well)

I could get into how Kou is a bit feminized too with the whole housework thing but this ain’t abt him. I will say that Kou is still a very masculine character but despite this his character is feminized in some ways compared to the other men. I’m not really here to discuss whether that’s good or bad, I’m just stating the evidence as it is, you can make your own conclusions as to how you feel about it

So how does being queer impact Mitsuba’s character arc?

When I get around to writing my analyses of all the TBHK characters I WILL be talking more in depth about the queer allegories with Mitsuba’s character but for now I’ll give ya’ll a quick summary. Supernatural characters have been used for years to represent queerness, the same could be said for villains and any character trope that represents a feeling of “otherness.” Sometimes it’s more broad like X-Men, where the superpowered characters are used to represent all types of minorities (though I believe X-Men is more closely tied to race, there are rampant queer themes as well). Then there’s books like Interview with the Vampire that get more specific with it, where Louis denying his “true nature” as a vampire is used as an allegory for him denying his queerness. Well I’m here to tell you that Mitsuba and Louis de Pointe du Lac are in the same boat

Mitsuba differs from the other supernaturals because he desperately tries to hold on to feelings of normalcy. He wants to be a normal human and live a normal human life. He doesn’t want to be othered, to be outcasted from society for something he can’t control. We don’t see Hanako, Tsuchigomori, Mei, or any of the other supernatural characters struggle with this. You could argue that Akane does but his situation is more related to learning to empathize with others than any internal battles within himself. Hanako may have moments of wishing him and Nene could have something more, but that’s more about romance than his identity.

This desire to be “normal” is unique to Mitsuba’s character, and it’s a very queer desire. Being an angsty teenager who hasn’t fully accepted themself yet and hasn’t realized that being queer is not only normal, but a beautiful experience. It’s also so interesting to me that as he’s trying so hard to be normal, it creates a push and pull between him and Kou. He wants to be normal for Kou but he also feels that he’s hurting Kou just by existing, that this could only end bad for him. Oh the inherent guilt of having your first gay crush and feeling like you're corrupting them hist for pining from afar

So, can you ship him with women? Technically you can do anything, shipping isn’t illegal and we all have free will. Should you ship him with women is more subjective, I personally think no!! Queerness is not just a sexuality, it’s an identity that deeply impacts who you are as a person. It shapes your experiences and your view of yourself, and in an allegorical way it has certainly done this for Mitsuba. Yes, bi people are queer as well and this is still true for them, but bisexuality is not Mitsuba’s experience. Mono-attraction exists and that specification is very important to gay men and lesbians. For some people sexuality is fluid and that’s beautiful, but it doesn’t work that way for everyone

Some queer fans don’t care if gay characters are shipped with members of the opposite sex, and they’re entitled to their own opinions. It makes me immensely uncomfortable tho, so please block me if you ship Mitsuba with women. That goes for any ships between canon gay/lesbian characters and the opposite sex. I respect people’s right to have opinions but that doesn’t mean I have to like the opinions themselves, and I don’t have to engage with anything that makes me uneasy. That goes for all of you btw, never let people convince you that you have to put up with shit you hate on the internet lmao, this is not real life babes. Block and move on

TL;DR

Mitsuba is too gay to function

#ask #ask me anything #tbhk #toilet bound hanako kun #jibaku shounen hanako kun #jshk #analysis #queer coding #mitsukou #sousuke mitsuba #kou minamoto #soukou #kousuke #queer analysis #gay #mlm

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linkspooky · 8 months ago

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DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive.

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil.

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it. Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

#bnha meta #mha meta #atla meta #azula meta #azula #princess azula #dabi #toya todoroki #shoto todoroki #azula redemption

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