#I already have stuff written for it actually

[uyallstars]

Tumblr indexes the first 30 tags in the general tumblr search and the first 20 tags in the in-blog search. Remember to add your edit tag in the first 20 tags or they wont show up in your blog.

For anime I’d add the -graphics suffix (opgraphics for One Piece) and consider the acronym instead of the full name (dbedit for Dragon Ball), the manga/japanese name (ensedit for En'en no shōbōtai for Fire Force) or the colloquial name before -edit (kodochaedit for Kodomo no omocha).

Because this is the far west you will have a combination of all or some of the above because you don’t know which tags people may actually check out. If they do at all.

You can always search for more than one tag.

so i've noticed a trend recently with maybe new gifmakers or tumblr users where they only tag gifsets with the name of the media and not [media]edit and i just want to remind everyone that the [media]edit tag system emerged because it is impossible to properly filter tumblr searches and having an unfiltered mess of text posts, gifsets, fanfic, spam etc all in the general media tags makes it REALLY hard to find gifsets to reblog which is WHY the [media]edit tagging system was implemented in the first place, like that was a grassroots tumblr creator movement and it was the best thing we ever did as a collective and we need to keep doing it please i am begging y'all i cannot go back to scouring the general tags for gifsets like it's 2011 please please please keep using [media]edit for your gifsets

[thewistlingbadger]

Not only did the Firelight tree get completely forgotten about AND it was only used as a shitty way to get Ekko and heimerdinger to team up with Jayce so they could get written off the show for an entire act, it was also NEVER SAID WHAT WAS WRONG WITH THE TREE!!

Was the tree really acting up because of the hexgates? If it was then why? The hexgates have been there for years without malfunction and allegedly it is far away enough from Zaun for there to be no negative side effects. Remember, Viktor was also in charge of the hexgates and I don't think he would have allowed the hexgates to be in any situation where it would compromise Zaun. It would be really weird if the hexgates are what's responsible for the tree dying, especially when there's so much stuff going on. For example, by the time the tree starts to act strangely, Viktor is already in the underground. He is part hexcore and he is using his magic, so it's possible that his presence could be what's changing the tree. By this time in the story, Caitlyn has begun to unleash the gray in zaun. Even though the markings on the leaf look like some byproduct of the arcane, it could also be a byproduct of the gray.

There's literally tons of reasons why the tree could be acting up and not only are we never told what was actually causing the tree to die, but we're also expected to not care because the tree was just a plot device to remove ekko and heimerdinger from the story.

[venomwrites]

Despite the fluff this is a ficlet written purely because I 100% believe Vi would leave lipstick prints on Caitlyn before Caitlyn would leave them on Vi. Also on Ao3

“Violet.”

Vi is caught off guard enough at the sight of Tobias standing in the doorframe. The two of them have a fragile sort of truce going. One she’s happy to keep going. It’s centered around Caitlyn, who needs them both. Usually when he comes to get her, it’s for something Caitlyn needs. Tobias looks at her with that tight, sad expression he always makes. Vi is stunned he doesn’t ask her about her intentions with Caitlyn. But she guesses it’s pretty clear what those are since she’s here. She’s given up the expectation he’s going to tell her to get out again. It’s become clear that he actually didn’t have the right to do anything more than question her presence. The house isn’t his. It’s Caitlyn’s. But he doesn’t ask anymore, he just nods when she helps Caitlyn in a way he can’t and she does the same when the tables are turned. But now it’s just the two of them staring at each other. 

“There’s talk of rationing electricity,” he says, “we need to preserve the candles.”

Heat creeps up her neck but she refuses to give into it. She opens her mouth to point out the rations definitely wouldn’t apply to the Kirammans. And besides she’s been rationing candles for seven years. She knows how to get soot from her eyes and not ruin them. When they start rationing matches they can talk. Tobias’s throat works and then he shoves a bag at her. 

“Cassandra always kept a supply. Caitlyn needs something more specialized now,” when she doesn’t move he puts it in her fingers, “goodnight.”

Then he vanishes as quickly as he came leaving Vi standing there with a bag, a blush and not much of an idea of what to do with either. Behind her there’s a shift of weight as Caitlyn tries to see what’s happening. She’s condemned to the right side of the bed where the IV hook was already set up from Vi’s own time there. But that puts most of the room out of her field of vision unless she turns her head. It’s uncomfortable on the best days right now so Vi tries to do everything in her field of vision. She walks over to where Caitlyn is laying and watches something flicker in her visible eye at the sight of the bag. 

“Your dad—“ Vi says holding it up, “said it was your moms.”

Caitlyn offers an almost mischievous curve of her lips and Vi looks down to see the bag is full of that fancy tissue paper stores up here use. Caitlyn taps the side of the bed and Vi walks over. Of all the injuries, the jaw might be the worst for Caitlyn. Vi looks over at the pad as she scribbles what the wires won’t allow her to say. 

Sorry. Didn’t think you’d take it otherwise. 

Vi shakes her head at the apology. Only Caitlyn would feel the need to apologize for something like this. She nods and Vi moves away the paper. Inside are a ton of small boxes. She’s quickly learning nothing in Piltover just comes in its natural state. Especially not stuff you buy. Caitlyn is looking hopeful so Vi tries to smile and tips one of the boxes into her hand. She has a feeling she knows what it is. The candle scolding was kind of a give-away. She braces the black box against her casted arm and slips her thumb under the top flap. There’s a sticker on the bottom of a pinkish red that makes Vi’s heart skip even though it shouldn’t. The world ended. This seems so irrelevant. But her fingers in the cast itch as she tips the container over and the silvery tube spills out. It’s heavy with a band of gold denoting the seam. When she pushes with her thumb, it slides up to reveal a bullet of color. 

One of us needs two eyes.

Vi laughs. The sound strange after all the grief in this room. But it’s the first joke she’s seen on the pages and when she looks back, Caitlyn actually looks pleased. She nudges the bag closer and even though Vi wants to say one is enough. That she doesn’t even need one, she doesn’t want to do anything to take away the pleased look on Caitlyn’s face. Caitlyn motions for the bag and extracts a black case that expands like magic. There are hooks for a mirror, but someone has thought to tuck it away. She opens box after box until the bag is full of them and the case is full of tubes and compacts. Vi wonders if there are any cosmetics left in Piltover, but she’s learned there is always more up here. These are hers. It’s a dizzying array of colors, ones that exist in paintings. Not ones you cobble together out of whatever pigments you can find. The feeling in her chest is strange as she looks at them. Not bad, but not one she’s used to. 

“Thanks, Cupcake,” she says touching the tubes. She goes to close the case but Caitlyn stops her. Strokes her thumb across Vi’s knuckle and looks at the case, “later,” Vi promises. 

Caitlyn gives her a look that needs no words and with more strength than Vi thought she had, she tugs the case towards her hip. Vi watches as she flips it open. Her fingers move towards the mirror and Vi darts forward. They’e not there yet. Caitlyn’s not there yet. But she’ll put herself through it to help Vi. And Vi can’t stand the thought. She tries for something confident as she looks back at the endless array of tubes. 

“Come on, Cupcake, you think we had mirrors in Stillwater?” She says, “I could do this blindfolded.”

Caitlyn gives her a half exasperated look as Vi looks between a forgiving nude and a deep berry. Opting for the latter she thumbs the tube open and glides the color along her lips. She’s known she could do it blindfolded, but there’s still something satisfying about running her thumb under her lip and it coming away clean.

“What do you think?” She asks. 

Beautiful.

The word stings but Vi lets it. The lipstick feels nice against her lips. Better than anything she’s come up with. Definitely better than the greasepaint she was using in the pits. Her lips feel softer than they have in a long time. It’s strange to think that in the life ahead of her, they can be soft and colored whenever she wants. Without her having to barter or decide what she’s willing to sacrifice for a bit of comfort and autonomy. It’s just there. She doesn’t know how to voice that in a way that doesn’t make her sound insane. Or, worse, would make Caitlyn try to push herself to help Vi feel better. It’s a good feeling. Jus not one she’s used to. But Caitlyn is Caitlyn, so Vi is only mildly surprised when a tissue is handed to her and the notepad comes into view. 

Another?

“Oh I see,” Vi says, “you just want a preview for when we’re both better.”

Caitlyn flashes the thumbs down that means no but Vi ignores the insidious voice that says she’s being honest. Vi waves her away and Caitlyn frowns. Vi gets it, she has no idea how any of this will work when they’re more whole. It should be the last thing either of them are thinking about. But she wants to figure that out with Caitlyn. She wants to figure out a lot of things with her. Maybe it’s not fair to put that on her, on their bond, but in her worst moments when she can’t hug Caitlyn it’s the only bright spot that keeps her going. Caitlyn still looks a bit perturbed but it’s in that fond way she seems to reserve for Vi. So Vi finds the darkest color she can and draws it across her lips. Caitlyn swallows but her eye focuses only on the dark bruise of Vi’s lips. 

“Too oil slick?” Vi offers. 

It takes Caitlyn a moment to respond.

Thumbs down. 

No.

Caitlyn taps on the paper. 

Beautiful.

“You can’t say that with every one,” Vi says, “then you’re just being—“

Hot

Vi swallows the word nice as Caitlyn holds the pad up. She’s not as pale as she was, but the flush of color on her cheekbones still makes something warm start in Vi’s belly. Fortunately the smart little case has several pockets in the lid. Vi takes the tube and tucks it into one of them. By the end of the night it’s joined by a nude rose color and a berry tone. Caitlyn falls asleep with a faint smile on her lips as Vi looks down at the case in her hands. It’s hard to wrap her head around it. There’s a dark part of her that points out the frivolousness of the products. How the money could be better spent elsewhere. How no lipstick was going to remove the cast from her arm or bring back anything she had lost. But the rest of her feels something much closer to happiness. Something like when she woke up wrapped in Caitlyn’s embrace before they both fell apart. When she kissed her and Caitlyn kissed back. This was orchestrated by her, but there’s something profoundly selfish in the tubes laid out in front of her. 

They are just for her. 

Even though it’s late, Vi finds herself rifling through for one of the longer sticks. She eases the cap off and drags it across her eyes. She uses the edge of a finger to find the places she wants the pigment to go and then drags it along her waterline. That part is always the easiest. She figured it out first, taught by another prisoner who showed her how to make sure things were clean enough. The pigments now glide smoothly along her flesh, so smoothly she nearly jams the point into the side of her nose. She drags the line across the other with more care. The usual stinging is lessened by the quality of what she’s been given. But it makes her feel better when she presses her eyes shut and feels the slight tack as the lines come together. 

Before she can overthink, her fingers flip open one of the compacts. 

It’s an odd thing to be excited by your own face. To be excited you recognize your own face. She feels impossibly different, but she knows the features that look back at her. More importantly she sees the choice on her face. She’s chosen what to put on her eyes. What color to make her lips. That was the advice of the other prisoner who showed her the matches. The world would take most of your choices, but if you could choose what you put on your face it was a good day. This feels like the start of one. Somehow it feels easier to crawl up to the pillows and lay down next to Caitlyn. There’s a pillow between them to help Caitlyn sleep straight, but her hand usually drapes on it. An invitation Vi hasn’t known how to respond to. This time she picks up Caitlyn’s hand and brings it to her lips, pressing a kiss to her knuckles. 

When she wakes, Caitlyn is smiling at the back of her hand in a way that sends a warm feeling though Vi’s core. She keeps her breathing even and closes her eyes as Caitlyn very carefully puts her hand back on top of hers. When she truly wakes up, it’s time for bandages changes, liquified breakfasts and all the things that keep them going. Well, mostly keep Caitlyn going. After the latest bandage change Caitlyn goes distant, like usual. But unlike usual, Vi has an idea of how to reach her. She fiddles with the darker tube before swiping it across her lips, picking up Caitlyn’s hand and pressing them to it. It shocks Caitlyn out of her stupor as Vi considers the lip print. Caitlyn stares at her, eyes wide. Vi rifles though the case and picks a different tube. She paints her lips and then presses them to the base of Caitlyn’s thumb. Caitlyn swallows tightly as their gazes lock. Vi nods towards the notepad and Caitlyn gives the barest shake of her head. So Vi picks up another tube and this time kisses her fingertips, brushing something pink and sweet to them. 

By the time she’s done she has no idea what color her lips might be, but Caitlyn’s hand is covered in color. Everything except red. She can guess there’s enough red in Caitlyn’s head when she looks at her hand. So Vi kisses every other color there instead. When she lets Caitlyn’s hand go, Caitlyn brings it against her chest and cradles it close. There’s no scribbled note, but there doesn’t need to be. The soft look on Caitlyn’s face tells Vi everything she needs. And for the first time in a while, Vi feels like she can hear it. 

So she keeps it up. 

Sometimes just the one. 

Sometimes the whole rainbow. 

But there is always a print somewhere on Caitlyn’s hand. It seems to make things better in a way Vi can’t quite explain. But it’s working, so she doesn’t care about anything else. Even though it’s the longest few weeks, it’s still hard to wrap her head around helping Caitlyn into a paper bonnet so her jaw can be freed. They can’t jostle anything else so they want her to be out. She looks at Vi who smiles encouragingly and presses a kiss to her knuckles. Caitlyn pulls her hand to her chest and nods, relaxing as they take her away. Vi sits with her after. Her face is still puffy, but when she shifts her head and her lips part, Vi can see her tongue move. 

“Hey,” she whispers, coaxing Caitlyn back into the waking world. Caitlyn looks at her hazily and smiles.

“Beautiful,” she whispers, sleepily raising her hand to inspect her clean skin. A soft thing she would hate to call a pout comes across her lips, “Vi?”

She has to be gentle as fuck, but Vi leans over and finally gets to brush their lips together. Caitlyn inhales softly into the kiss, her hand steadying Vi’s cheek. When she pulls back, she touches her fingertips to her lip and smiles at the pigment that clings to them. 

“I was hoping you’d do that,” she murmurs but still holds up her knuckles. 

Vi is only too happy to press a kiss there as well.

[kathleenkatmary]

I will say it over and over again until I have no voice to say it with... FRAMING. MATTERS.

EDIT: Okay, I'm going to expand on this because I remembered that there have been multiple times when I've said this that someone truly did not know what I'm talking about.

Framing matters. The way a narrative frames a character and their actions matters. In so many different ways. It matters to the message the writers are trying to send. It matter to the message that is actually sent. It matter to what the character and their actions end up meaning or representing with in the narrative. And it matters to how the audience perceives and feels about the character.

Obviously, that last bit is what matters here. The way a character and their actions are framed within the narrative can be consistent with the things they do and say, or it can be inconsistent with the things they do and say. And Spike and Xander actually serve as a really good demonstration of this. As has already been pointed out, when Spike does something bad and toxic and fucked up, more often than not it's framed as such. Yes, from pretty early on he was written to be far more complex than just the unambiguous bad guy, and from season 4 on in particular he's given an arc that gives him more and more chances to do good things and to do the right thing, and for increasingly less selfish reasons. But the narrative never treats those things as some sort of get out of jail free card that frames everything he does as good and not selfish. His toxic bullshit is still framed as toxic bullshit. Are there a few moments here and there where things he does aren't appropriately framed? Sure, probably. But you're going to find that in a pretty much any show, because no show is perfect.

Xander, on the other hand, is pretty regularly (as the poster above says, at least 50% of the time) framed in a way that is not consistent with the way he behaves. Not only is he framed as the loveable loser harmless best friend, he's also more than once framed in ways that treat him doing the literal bare minimum of not being a horrible person as though he's some kind of ultimate good guy hero (him not taking advantage of Buffy when she was under the love spell and the way he's treated for that is a great example) or that treat his really gross and toxic ideas and attitudes as being completely correct (the bullshit he spouted when Riley gave Buffy the ultimatum). Even when his attitudes or behavior is framed appropriately, it's usually stuff that's brushed off pretty easily, even when it has dire consequences (like him not telling Buffy that Willow was going to do the spell to give Angel his soul back).

Now, of course, framing isn't the only thing that determines how an audience will react to characters. For one thing, there are plenty of instances of fans just going crazy over characters who are framed as being heroes or desirable romantic leads even though that framing is inconsistent with how they actually behave and the things they actually do. And there are plenty of other things that go into how an audience reacts to a character. There are certain character traits, from aspects of their personality to just bits of their design, that will make a character more appealing. Especially when it comes to online audiences.

So yeah, Spike as a character hitting a lot of those "fandom favorite" boxes almost certainly contributes to people favoring him to at least some extent. But I think the framing really is the big thing here that makes people so much more likely to favor Spike, and so much more likely to call out Xander. The narrative is pretty regularly calling out Spike. His behavior is weird and creepy and the narrative points that out regularly. So it's not really something the fandom needs to do. Going online and being like "so, Spike kidnapping Buffy, tying her up, and telling her he's going to kill his ex girlfriend in front of her to prove his love is so creepy and toxic, right?" isn't really necessary because... yeah. The narrative knows it, and therefor so does the vast majority of the audience. But with Xander that is not something the narrative usually does. When he, for example, condescendingly corrects Anya, the narrative doesn't treat that critically, it treats it as a funny thing that Xander is probably right to do. When he agrees with everything Riley said when he gave Buffy that ultimatum and treats Buffy like she's the problem in that relationship, it doesn't frame him as wrong, or as projecting so many of his own issues with women and with Buffy in particular onto the situation. He's framed as the man talking sense into Buffy. So it does fall on the audience to call it out, and to call the show out for not doing it.

Like I said, inconsistent framing isn't something that an audience always notices, but with a show like Buffy, where a lot of - really, I would even say most of - the characters are usually appropriately framed, and where you do have an instance of a guy's creepy, toxic behavior appropriately framed, I think that makes it easier for viewers to clock it when there's a character that isn't being appropriately framed. Even if viewers doing consciously realize it's why they're reacting negatively to a character. Personally, I think that's also at least part of the reason a lot of people don't react well to Riley. It's not because he's 'boring' or because they ship Buffy with someone else and he 'gets in the way', or whatever. At least, not completely. I really think the way his character was framed, especially in season 5, was often not really in line with what was actually happening with the character, and people could feel that.

Are there Spike fans who just completely ignore it all, ignore the framing and all the shitty, creepy, toxic shit Spike has done so that they can feel like they're allowed to like him 'guilt free', or so they can engage with the character completely uncritically? Sure. Of course. Any character with any amount of fanbase is going to have people who do that. It's just a part of fandom. And I'm not going to act like Spike doesn't check a lot of boxes of typical "fandom favorite" types, and that is going to make people more likely to be drawn to him as a character. But there's a lot of critical analysis of Buffy that happens, even just in online fandom spaces, analysis that goes far deeper than just that kind of more surface level fandom engagement. And even then, so much of what you see is incredibly critical of Xander and the way he's written while being much more favorable to Spike and the way he's written. That's not just fangirls ignoring the bad stuff their fav does while dogpiling on another character. That's people recognizing the problems with Xander's writing and the very stark difference in the framing between Xander and Spike.

At the end of the day, fictional characters are not real people. The way they're written and how audiences react to them is about a lot more than just the way a character behaves and the things they say and do. There's a lot more that goes into it, and framing is a big part of it.

ok I’m only on season 5 but can someone explain to me how Xander is the universally hated one for, from what I can tell, some bad choices and worse jokes, while Spike, the fandom’s babygirl and beloved heartthrob, literally stalks Buffy, holds her captive, and then commissions a robot version of her when it’s made clear he’ll never have her. like someone please explain it because the math is not mathing.

[frenchkanna1808]

Why chapter 3 was a enormous let down and the possible negative impact it might have on the rest of the game

I remember after finishing chapter three one how exicted I was, how deeply impressed I was with the banquet and the qtaro development. And I mean I wasn't the only one, again and again I had seen so much praise about chapter three and how awesome it was. How great midori was as a villain (my like idk how many words analysis about him is very much explicit of that), How amazing qtaro development was, and mainly how great the banquet was, and I had seen the claim around that 3-1 was as great or even better than 2-2. And so I had decided after the hype fell down a little to play yttd again with friends, and that when I realized, god , wait, chapter three is like, extremely mid. I played the entire chapter 1a and it only got to the heights of 1b. I at first couldn’t tell what was wrong with the game, why did it feel so disappointing? And after a while I have finally looked back at the chapter, and yes this chapter is not only extremely lackluster but also a very bad prediction for the future of yttd if 3-2 is written the same. So here in this long french analysis I will discuss the main problem of chapter three the absolute shit characterization of almost all the characters. But also the destruction of emotion route and the crazy pacing

Hi like always, I’m frenchgremlim, I’m the french kanna fan I write stupid essays on yttd from time to time, this one will be compared to some of my others quite negative. But I will try as hard as possible to be an objective critic. This isnt meant to attack any fan of any character no any fan of yttd 3-2, I just want to discuss a possible problem in yttd writing that personally scares me for the future, this topic was one I brought up a lot in many post, if you have seen any of them then well you will already know some of my grievances with chapter 3. So with all my love thank you for reading this, lets start!

THE GOOD STUFF

Chapter Three 1 definitely has many great points. First off, the plot progression is pretty great, we get ton of infos on asunaro, on ways to escape and clues about the hades incident. Midori was a blast and bullying him became my favorite pastime. The dummies were an amazing concept (remember the word concept it will be important for the rest). Despite me disliking ranmaru deepy his development was interresting. THE QTARO DEVELOPMENT WAS CRAZY GOOD, for the first time I got to be justified for being a qtaro fan since chapter 2. Keiji had ton of development in this chapter??? that is very rare considering how much of a stable character he is troughout the game, his relationship with sara is really highlighted and I think thats great. Gin stays the most consistent character in yttd and despite normally being something I dislike in a game I think it makes sense considering gin is pretty much sara anchor in reality in both routes. The obstructors were an amazing idea and I think, adding new mechanics like that truly freshen up the game. Also shin ai is litteraly one of the best idea ever and maple too. And of course the banquet was a thrilling nerve wrecking experience with so many twist and turns that truly got your blood pumping……. Thats my praise for chapter three, the thing that doesn’t make it outright bad but correct. See how I mentioned a few characters by name, but not all, you can pretty much count any of the other either barely present or useless to the narrative. Which will lead me to my first point, the absolute character waste that genuinely every single yttd character going from the least worst to the worst (if you know me you know who will be last).

AN ENSEMBLE CAST IS AN ENSEMBLE NOT SARA AND HER MINIONS NANKIDAI

MAI AND KURUMADA

okay so I will start with them because funny enough new characters have better characterization, than actual character we knew since chapter 1. If I had a word to describe both ami and kurumada it would be good but lacking. Let’s start with mai, I think mai concept of her starting has a sort of traitor and then becoming a true ally is very good, same for kurumada startinga s a heartless asshole only caring about himself to him literally on the ground crying that keiji doesn’t cause the doom of the other dummies. Overall Mai and Kurumada have the strongest character out of all the dumies and are truly multi layered characters. Mai is depicted as a fake idol like girl who hides herself behing the pop like smilling persona (inverse of shin) to hide the fact that she is terrified but can also be a cunning manipulative person too. She truly wants the best for others but is terrified that she might die and would do anything to survive. Kurumada is a brute, he acts like a bully toward the others, act heartless and values himself over others, he has a sort of superiority complex and rejects affection. But trough the power of the bucket, kurumada starts to warm up, and he starts truly caring about the others. He starts devaluing his life after getting destroyed by maple. But in the end he was the only one of the surviving dummies wishing not to be brought back but avenged. Both have interesting dynamic with their pairs and overall importance on the narrative, something that can’t be said about all dummies. Why lacking then. I think kurumada and mai still suffer from what I will call the dummies problem, they feel like there is so much like missed potential its crazy. Seriously we had like one scene where kurumada learns to warm up to kanna, thats it, it feels like we had the basics but it was very rushed. Which is a shame considering THIS IS THE THING THAT MAKES KURUMADA CHANGE AS A PERSON. Mai has less of this problem I think, but still she has no relationship with like anyone in the group except qtaro ( I still think in logic route we should have had the obvious parralele between her actions and like keiji/shin actions it feels like wasted potential) But again this is a flaw that is ommitable since reminder the characters are well written despite being rushed. What isnt forgivable is that kurumada has no relationship at all with shin in logic route, its clear that nankidai envisioned emotion route kurumada before logic route kurumada. Overall I think the pairing system was terribly done for some characters, which is apart of the overrall dummies syndrome.

But lets take a look at the other dummies where my praise will quickly end.

ANZU AND HAYASAKA:

I am deeply sorry for anyone who is a fan of those characters, but I need to be objective, anzu and hayasaka are the most nonexistent characters in yttd. I complain about the lack of kanna content, but the absolute uselessness of those two is crazy disappointing. Remember how I described mai and kurumada, full rich descriptions, what is anzu character. She is a dumb clown girl, thats it there is nothing more. And the problem isnt that she is a simple character on paper, because for example mishima is quite a simple character, its how nankidai decided to utilize them. Lets start with anzu because I think she shows off well the problem, what does anzu do during the narrative, when is she useful, not even like talking about like puzzles or stuff like that kanna also doesn’t help that much, I mean overrall, what is the goal of this character. A character can be a bit flater personaility wise but he has to HAVE A REASON TO EXIST EXCEPT FILLING IN THE BLANKS.

Why was she paired with the yabusames, because reminder all the dummies were paired with a human for a reason, sara with ranmaru because of joe, keiji and hinako because they are edgy emo dyed hair dodgy person, kurumada with greenbling because he has one of the highest percentages while they have some of the lowest, hayasaka because he is similar to mishima with gin. Anzu was paired up with the yabusame, because she had to be paired up with someone, she has NO relationship with them, isnt a contrast isnt anything. My problem with anzu is that she is a a boring character because they did NOTHING WITH HER, she feels like an C rated anime girl in the fucking cast of death note. And no I’m not saying a nice person is boring not at all kanna is my favourite character of fiction, what I’m saying Is that creating just a nice girl is a problem. If we go to hayasaka its the same, which is even worse because hayasaka IS TIED TO THE NARRATIVE. I would say haysaka is more plot interresting but his personality is so boring that it doesn’t help at all. He is just clone non chad mishima. They can die and it will genuinely almost affect nothing at all(which is also a problem the death problem). You get surprised when they actually talk because you had forgotten they existed. Thats how I will define the dummies problem, it feels like the characters were added but had very limited impact in the end, because while it makes sense for asunaro it doesn’t make sense for the cast, why add characters if they have no meaning, thats just bad writing.And why does that piss me off, because you could have done so much more. Remember the mishima comparaison? Mishima is the most good guy ever made but how does he shine, by his interractions, he is a light of joy and good and shines from how kind he is towards others. He’s a bit silly but his unwaring kindness and undertsanding is what makes him a compelling character. Especially I contrast with brooding characters in the cast. ANZU COULD HAVE BEEN THAT. I think especially in logic route, anzu isnt the brightest light bulb, but she can shine in her unwaring compassion, her passion is making others laugh as a clown. While she isnt the best and can sound awkard she tries her best for others, because thats whats right to do, despite how much she is scared. After keiji gets coffined, anzu goes to see keiji in the coffin and tries to cheer him up with the worst joke ever and it makes him truly laughs from how bad it is. Reko see nao painting and gets depressed about it,feeling like she was able to save nobody whether her brother or lover, anzu decides to show her some epic clown skills and absolutely fails, reko laughs finding the kiddo endearing. After alice discovers that midori had hanged out with reko, he wants to destroy him and get filled with rage but anzu tells him to do the breathing exercises she used to do before any performance. Anzu could be used as this idea of childlike kindness a little light in the dark of the group especially in logic route. She can still be a fail girl clown make her bicker with kurumada more, make her be so impressed by how calm mai is, make her despize ranmaru in logic route, make her a dumb kid with tehir cool aunt/uncle with the yabusames. MAKE HER EXIST. SAME FOR HAYASAKA, hayasaka is supposed to be a straight man type character make him even more of a loser, make him silently judge the crazy ass people he is with, do his development litteraly not Five minutes before his death. A character being simple isnt a problem, what is a problem is not using them to their fullest, and for me in the state that they are in currently anzu and hayasaka are bad characters in term of the narrative.

SHIN

Okay so shin isnt a character in chapter three, he’s just there, I’m putting that low because he is a main character. The problem with shin being a bot, is that we just left one of the craziest chapters for him to do nothing, I understand him being stunned by midori and stuff. But I still think this is quite a letdown, especially for the obvious parralels between him and maple almost never being utilized. You can tell nankidai didn’t have the time or want to do much with the guy, which is bonkers considering THIS IS THE CHAPTER WE MEET HIS ABUSER. Then why isnt shin lower? Because shin is the type of character to have development throughout the story, who has a continuous storyline etc, which means that even though he didn’t get anything special this chapter next chapter he will get it. Its not a case of actual waste of character ,its more so, putting the character in the drawer for now. I am not scared for shin writing because he will always get something and always had something. Which makes is non importance in chapter 3-1 not that bad

KANNA

OKAY SO I WILL TRY TO NOT BE BIASED. Kanna characterization disappointing me In 3-1. As the biggest kanna fan, I think nankidai doesn’t care that much about her character as an actual protagonist. This one will be a bit longer but to explain why it was bad I need to do some sidenotes.

Sara is the protagonist of yttd, and keiji and gin are deutarogonist (idk how its written forgive me I’m french, please tell me if its badly written). Sara throughout the story goes trough many changes and developments, while characters like gin and keiji stay pretty much the same the whole story before 3-1. Sara main development is her living with the grief of losing joe and her importance in the group. While keiji is this morally grey, in the end bad person because of his actions guy, that still deeply cares and wants the best for sara, but what he does for her like putting so much responsibility isnt good for her in the end, it creates this codependent dynamic where keiji wishes to protect sara but in the teaches her how to be like him despite him wishing the inverse. Is keiji a good influence? A bad one ? I would say a bad one, but does he care for her? He sures do, and would do anything to protect her. Why am I going a tangent you might say, because shin and kanna are the mirror to keiji and sara. They are in the end the same. Kanna is a direct parralel to sara story wise, which is why I think if the story was twisted the point of view would be either shin or kanna. Kanna is the emotional core of the game, the soul I would say even, her development has a character is the deepest and most complex. Going trough hell, wishing to die to then deciding to live not herself yet but for the people that loved her, Kanna went trough some of the worst events out of the cast, litteraly everyone she even remotely liked or was friends with dies. And yet she decided to stand, for them, for their wishes, that makes kanna the most emotionally strong character in all of yttd. Because compared to sara she had almost no help and was left to her suicidal tendencies. Kanna represents hope and bravery in its purest sense. Thats why kanna is the soul of yttd, she litteraly made shin realised that he could care about others again. But despite all of that kanna was always in the shadow of someone, lacking self worth and self confidence feeling the need to be protected by others, hiding behind shin schemes despite how dodgy they were. Shin was her shield, and now he is gone, and kanna has never been more alone than now. Two people died for her, she hates herself and wishes to go seem them deeply, but she has to stand up for them. And what do we get for chapter three!!!! One scene. Thats fucking it. Okay maybe a little bit more but like god its bad. Kanna is implied in one scene that she doesn’t understand why shin would sacrifice himself for her, which implies that she doesn’t understand that people could love her, which could imply that in general she doesn’t get why either kugie or shin did this for her. COOL ONE IMPLICATION. And like if you read the scene where she says that she will like be epic for them, its implied that kanna doesn’t feel better and is still very much suicidal she still hates herself, kanna doesn’t think she can live, but she has to survive for them. Kanna is implied to be in survival mode more than having hope to be outside. OKAY COOL.

Now I have a question, why does for kanna we have to acively search for her to have any actual development and like relevance, while for other character its more laid out. Why does sara get a scene where we see her change mentality after seeing the joe ai, while kanna GETS OFF SCREEN DEVELOPMENT. IF THERE IS ANYTHING I HATE ITS OFF SCREEN DEVELOPMENT. WE SHOULDN'T HAVE TO GUESS A REASON A CHARACTER CHANGED. Plus kanna is a victim of this almost all the time, which is why people call her flat or not as interesting as shin (I heavily disagree I could write so many pages about her). Kanna is a character which is made in subtlety, which isnt a problem, what is a problem is that she is perhaps the only one. Kanna like I said is a very important character for both routes and yet she is barely treaten has a main protagonist, she is a sidekick, and thats a problem. Because of that her individuality and complexities are not explored. For example I think kanna has many many actual flaws that are barely treated in the narrative, she is far from a perfect kind person, but never tackled on. Kanna is a character that not only never gets a W but also get no breathing room. THIS IS THE FIRST CHAPTER KANNA IS MORE PROACTIVE AND YET WE DONT SEE HOW HER. Yes there is some things that show that, but again its not protagonist level of development, it feels like non important side character development for a character that shouldn’t be that. Kanna SHOULD be a protagonist of yttd, and should get finally her chance to shine instead of always being in someone shadow. I not making pessimistic claims right now since the last chapter isnt out, but I’m very much not hopeful about how nankidai will handle her #challengewriteafemalecharacterwiththesamerespecthasamaleone.

ALICE AND REKO

I Have already written many post about this, but post chapter 2-1, Nankidai had no idea what to do with yabusames, they havent had any actual interresting impact except from lore in any chapter. They become background character especially after nao death. Despite being actual game changing choice, alice and reko are useless to the narrative. WHY? Because nankidai had decided to get them killed by sheep boy, and since nankidai clearly wrote emotion route before logic route, in emotion route he had no idea what to do with them so the became npc’s. Alice relaionship with cast has not evolved from chapter 1, and reko became just one of sara goons. I think this ties into another problem, the emotion route problem, what should make emotion route compelling the character which is supposed to represent it, kanna and the emotion route based choices, but since kanna and the other yabusame gets zero content, emotion route seems like the least interesting route. Because nankidai was more lazy doing it which is a clear problem. That affects the yabusame heavily, sicne he had no plans with them past death. Thats why they are static. Its also linked to another problem which I will mention later. But yes nankidai simply doesn’t know what to do with them, which is especially worst for alice a character that is LINKED TO THE ENTIRE CHAPTER. I think its not only a waste of alice and reko, but also a sign of favoritism. I think nankidai simply cares less about complex ideas for emotion route, I will perhaps write in another post all he could have written interesting for emotion route. Now lets get into THE REAL STINKER OF THE CHAPTER.

NAO EGOKORO: HOW TO MESS UP THE MESSAGE OF CHARACTER

What. The. Actual.shit. I have no words except from that. This out of every charcater bothers me probably the most and actively pisses me off. Imagine writing a character, a female character who was shown as capable and strong despite being an emotional person, imagine creating a character which showed the defiance of asunaro, the fact that yes despite their overwhelming sense of control and power, that there was in fact a way to beat them at their games, imagine writing a character that fought against adversity and had the only canonical route where despite all their wishes that character won, imagine creating a character with a doomed fate which is in direct parallel to another character and shows why he somewhat has the right to be scarred, imagine writing a tragic story about a girl who was only brought here to suffer and be a tool for the progression of A MAN in the canonical narrative, imagine writing a character who entire existence was a tool for asunaro and died because of them, imagine writing that the floormasters consider her useless and non important because she isnt some holy participants, imagine writing that. Okay so imagine that after this poignant ending you decide to do another chapter where you mention her 1 time in a non essential dialogue. THIS IS INSULTING. Because what this honestly says is that, yes nao life truly was unimportant, we get references to greenbling death in the chapter, NAO DIED LIKE THREE HOURS AGO. THIS MESSES UP THE ENTIRE MESSAGE.

This feels like nao was some kind of rug, that when not needed could be trhown out, was her death just shock value, was that the goal of her character. I wanna remind that yes nao was only brought to boost mishima percentages, which mean she was only a tool for another man progression. THERE IS SO MUCH META POSSIBLE COMMENTARY ON THIS. Asunaro who uses children and women as toys for their own goals, that they will throw out when not needed. But instead the fact that nao was completely forgotten just deepens this idea that yes in fact they were right, she was unimportant, and thst deeply isulting I think. Why does every chapter mishima comes back while we get no mention of nao. Why is there a clear focus in this game about more stereo typically strong stoic figures, isn't this entire game about the conflict between emotion and logic. Why does characters like kanna and nao representations of the conflict get zero content. Characters like kanna and nao MATTER, they are perhaps some of the only representation of empowerment that people like me can relate. Because I will be truthful, logic route is in fact not the good choice, not in narrative standpoint (logic route is awesome for the narrative for sure), in a moral standpoint, its an extremely good idea of course. But the message of the game is that in the end its wrong, it’s a wrong choice to act or pretend to be an emotionless logic based robot, keiji is in the wrong, shin is in the wrong, midori is in the wrong. Whats the point of a moral dilemma if you don’t talk about it from one side. THEN WHY DOES THE CHARACTERS THAT REPRESENT THE INVERSE GET ZERO CONTENT. I think nao disappearance is not only one of the most disappointing things in all of yttd but genuinely gets me scared for the future of yttd themes.

Now that we finished every character, you may wonder, why, why is this chapter characterization so bad? What even happened? Ill tell you what happened, there is two reason everything went to shit and let me list it here:

THE SARA PROBLEM OR WHY THIS CHAPTER PLOT FOCUS IS ASS .

YTTD chapter three was way more plot focused than any of the chapters I would say, and honestly thats great for the narrative, if only it was done well. Remember my speeches about the characters about how like 60% of the cast is useless to the narrative, characters we know since a while, why do characters have no development, why does the dummies gets jack shit to do etc. Thats because of one thing, this chapter prioritized PLOT over CHARACTERS. And how can I claim this, because most scenes are sara and her doing everything. This chapter wasn't really about her, at all even, yet we have focused more on her reactions to the events that literally any characters. Chapter three at least half of it shouldn't have been sara focused. You might say what are you on about french? I’m gonna explain. I wanna state some example to show my point clearer, the reveal of why non candidates were brought here, why, in the flipping heck is sara the charcter in particular they choose to only know that, to have the big emotional scene, why especially in logic route, why?????? Yes she knew nao, sure thing, yeah she knew kai, but she wasn't the only person that knew them, sara didn’t even like mention nao almost the whole chapter, you want me to buy some emotional ass scene, for a charcter you barely even cared about showing in the narrative. I could think of a million characters who knwing this would flip out and have ACTUAL CHARACTER MOMENTS (kanna, reko, shin when he would learn that they brought kugie only to die which in the end CAUSED KANNA TO BECOME SUICIDAL AND DECIDE TO KILL HERSELF, GIN).

Another example the final scene where sara presses the button to get rid of midori that scene feels so empty, it doesn’t feel like a revenge or anything, midori has no emotional connection or link to sara, it doesn’t feel deserved, why out of everyone of the cast, why is midori getting killed by the person who he hurted the least. It feels like yeah sara the protag so she has to do it, it doesn’t feel cathartic because the characters that deserved the most to get this final bow didn’t get to get it. IM PRETTY SURE ANYONE IN THE ROOM COULD HAVE PRESSED THE BUTTON AND IT WOULD HAVE BEEN MORE EMOTIONALLY DRIVEN. I wanna discuss emotion route sara in particular, sara isnt as interresting as before in emotion route, since now she is healing and is closing her arc, which means that compared to logic route you don’t really have this want to see her arc which make scenes that should have been about other characters feel even more flat. I am not saying we should stop having sara as a protag no no of course, my problem is that we have seen that sara can work as the protag while focusing on other characters drama.

Example chapter 2-1, in 2-1 the focus is on reko and alice, and yet sara still has conflicts for herself, but they don’t seem to overpower the narrative. This intense sara focus destroyed the other characters screen time, and caused a lot of scenes that should hav been more impact to be less impact. Sara story in emotion route should have been the keiji stuff an ranmaru stuff mainly(and the whole logic route sara becoming crazy stuff too), the whole conflict with midori just felt like it was created only for the narrative. NOW I CAN FINNALY COME TO MY POINT. The sara focus was because yttd decided to focus more on the plot progression that character driven story, thats why sara does everything, thats why the characters have overall less to do. And imma be honest I did not come for yttd for the plot, people love yttd because of THE CHARACTERS, why do people play logic route, because they want to see shin evolve and sara too, why do people save kanna to fullfill shin wishes and save a kid they care for, what most people play yttd for is not the plot. YTTD IS A CHARACTERS DRIVEN STORY, characters not character. I genuinely don’t give a flying fuck about the plot if the characters are non existant, a bad plot can be carried by good characters, but a good plot will never carry bad characters. I know we are getting closer to the end, but yttd always had that balance between action and character moments. But I don’t think its only the direction of the story that is faulty. ITS the:

PACING

YTTD CHAPTER THREE PACING, wow we met this new guy midori, WTF REKO DEAD, anyway who cares lets move on. Thats it thats the pacing. THE CHAPTER IS WA TOO FAST. We go trough plot points so quiclky, we randmoly see reko/alice die then nothing, they don’t exist anymore, characters the cast know since the beginning, again for the dummies its logical, in a way, they don’t really know them, plus they are robots. RANDOM AHH REVEAL KANNA AND SHIN ARE ACTUAL SIBLINGS THEN NOTHING, NO MENTION, NO ACTUAL IMPORTANCE TO THE ROUTE, this only felt like this was added in for plot for logic route so that we know in advance that shin and kanna are siblings. The dummies just die at the end of the chapter in five minutes, qtaro dies in five minutes then the chapter ends. How do you want us to feel emotional weight for a character dying if you give us no time, joe death is one of the most viceral death because its slow and painful to watch, while if he died in chpater three he would have just exploed for shock value. Shock value thats how reko and alice death felt like, just that. Sara figuring out the whole participant thing, shock value thats it. The pacing is just horrible in this chapter so much so that I had actually forgotten kanna and shin were revealed to be siblings at the end of my first playtrough

CONCLUSION

I don’t think chapter three was bad per say, half of it was amazing truly, but the other half was incredibly disappointing, the whack characterization, the horrible plot focus and the pacing are terrible. Emotion route suffered the most because of this and I think on an objective standpoint is the worst written route (i’m the biggest emotion route glazer but like I can’t lie on how bad nankidai fumbled). I still love yttd and am full of hope that chapter three two will be the most amazing thing ever made, but I am scared of dissapointement now, I hope nankidai comes back to his roots wirting like chapter 2. If you like loved chapter 3-1 then honestly I wish I was you, I don’t like being dissapointed, I don’t like being let down, I am not critiquing from a place of hatred but from a very passionate fan, I know my opinion is pehaps not one of the most shared but as a fan of yttd for so many years I think we need to open our eyes to flaws. Perhap chapter 3-2 will fix everything I say and I hope so, I hope this post becomes outdated, but if it doesn’t then it would in my eyes truly ruin yttd. It won’t change chapter 2-2 changed my life and that kanna kizuchi saved me from a lot of dark times.I love yttd and i belive in nankidai and that why as a fan we shoudl critic his work

[yourmamakira]

BIRTHDAY GEX..!

After Colby’s birthday party, you and him end up have had a little bit too much to drink, and things…get…𝓕𝓻𝓮𝓪𝓴𝔂.

P in V, blowjob, fingering, v munching, slight breed!ng kink, Straight Smut. MINORS DNI.

note: didn’t expect y’all to actually get my post past 60 likes🧍🏾‍♀️. But I’ve only ever lied all the time, but not this time baby. THIS POST AS PROMISED!!! Also just an FYI I’ve NEVER ACTUALLY written smut b4, this is my first time, so give me any pointers to help me with writing this kinda stuff in the future please!! SO PLESE DROP A FOLLOW and A LIKE FOR MORE GEX 😈

The night was almost over, cans and bottles had littered the apartment floor. Drunk bodies were being escorted out by other drunken people.

Colby’s birthday party was a hitting success, everyone left way more drunk then they had came, and no one was complaining.

Not even the birthday boy, who sat with you on the couch as you both giggled and babbled like little children.

Sam—Who was just slightly less drunk then you two—had came over to drag the both of you to bed not wanting the back pain to hit you or either of you fall over on a can.

“Okay– hic –sleepyheads, time to go n-night night”

You two surprisingly didn’t put up a fight, Colby just grabbed your waist as you wrapped your arm around his shoulder, the two of you holding the other for stability, which was quite funny but worked none the less with getting off the couch.

You two spit drunken Goodnights to Sam who had already started heading to his room.

You two continued to giggle as you entered Colby’s room, he lazily went to pee as you began Stripping,

You were in the middle of taking off your pants, shirt already off, leaving you in just your bra,

“Woahhh” Colby laughed, “your getting nakey a-already?” He giggled as he came and plopped on the bed to watch you take of your very uncomfortable clothes,

You giggle as well, “it’s ge-getting a littlee bit to hot, hic”

It was funny how you both were talking to the other, slurred words and hiccups. Both equally as drunk, and watching you take off your clothes make you both equally as hot and bothered.

You finally took off your pants and decided to mess with your boyfriend as much as you could in your drunken state.

You smirked down at him and began crawling towards him on the bed, your cleavage showing so much you thought your boobs were going to slip out your bra

“But Colby, I never got to give you your real birthday present!” You spoke seductively and stalked closer to the dark haired male

He tilted his head to the side slightly as he smirked back, his jawline showing and you could just go crazy at the sight in front of you, “oh yeah?” He said lowly as he caught your drift.

You nodded softly as you finally reached him, straddling his waist and grabbing his face in between your hands,

“Yeah.” You said lowly while pouting, looking down deep into his eyes, drowning out all the background noise, only listening to his voice, and the sound of your thumping core.

“Well in that case…” he spoke before he grabbed your waist and flipped you both over. He hovered over you and quickly began kissing your exposed stomach, not wasting a second.

One kiss to your abs, one kiss to your side, one kiss to the other side, one kiss on your clothed clit, and you couldn’t help the whimper that escaped your lips, his mouth felt so good. You never wanted him to stop.

He continued to kiss your soaking wet lace panties until he finally pulled them down your legs, then past your feet throwing them onto the floor somewhere.

You let out a gasp and tried to close your legs but it was futile, Colby had your legs pinned down to the sides as far as they could go as he inspected every inch of you. He stared at your Glistening folds, wanting to appreciate how good his food looked, before he tasted her.

He slowly reached his mouth down and gave your clit a kiss, you moaned slightly and he looked up at your through his pretty eyelashes as he smiled into your folds.

“Colby…please…” you whimpered out. You needed more contact, you needed to feel more.

Without a warning he dove in like the last supper, he connected his mouth and began slurping you up like an animal.

“ffUCK!” You yelled out, thank god Sam was knocked out, other wise that would be embarrassing.

He moaned into your Pussy and your legs shook as his tongue went deeper.

“Ah- Colby! Fuck!” You yelled out some more, hips lifting off the bed as much as they could in his hold. You looked down to be met with his piercing blue eyes already staring up at you.

His stare alone made you want to cum.

But Before you could fully release, he unlatched his mouth and slipped 3 fingers into you.

Your moans got louder and louder as he watched your face contort with pure pleasure. The look on your face made him rock solid.

His fingers curled upwards and your hips buckled as you arched your back, your eyes loled into the back of your head as your legs shook once more, “Colby..i-im close” you stuttered out breathlessly,

He smirked down at you as his fingers went faster, he used his thumb to massage your clit and your vision became white as the knot in your stomach unraveled. “Come on baby” he spoke into your ear, making you let out another loud moan.

“F-fuck!” You stuttered out, His mouth met your pussy once more as he made sure to slurp up every drop of your sweet juices as you came hard.

He removed his fingers and licked them clean as he stared deep into your eyes, never breaking contact.

You wobbled up and spun you two around again, sitting on your knees you pushed Colby backwards so his back was to the head bored where you just layed and unbuckled his belt.

He quickly helped you take off his pants and boxers and you couldn’t help but stare at his thick cock as it oozed out pre cum. He was Huge. You don’t know how you took every time, but you did. With pleasure.

You licked your lips, flipped your hair behind your back and quickly attached your lips to his dripping tip,

He jolted up and let out a shaky breath, his head flew back as his member slowly slipped deeper into your throat. Your mouth was so warm, and your lips so soft.

You bobbed your head up and down at a normal pace as you gripped the base of his shaft, twisting your hand in a way you knew would drive him crazy.

“F-fuck. Baby.” He spewed out, not being able to catch his breath, you were ruthless.

Your pace became faster, your used one hand to grip and the other hand to hold your hair back. Your tounge did circles around his veins as your pushed your limits and his Dick hit the back of your throat. You let out a few tears as he fucked your face and let out Mons of pleasure. You took deep breaths through your nose as you bobbed your head in a smooth rhythm.

Your pace slowed down a bit as your felt his Legs buckle and then cock twitch in your mouth. Moaning into his dick made it twitch, made him moan too.

He let out more noises that were close to moans as he suddenly released, hot white Cum shot into your throat as you drank up every single tasty drop.

You detached from his member with a loud POP noise and licked your lips and the rest of the Cum that had dropped from your mouth.

He chuckled before he grabbed you by the waist and flipped you over one last time, He quickly reached up to tug off his shirt and then reached and Ripped off your bra.

“Colby!” You yelled as you let out a gasp, he rolled his eyes and smirked, “I’ll buy you a new one, baby.” He said before grabbed one of your legs and throwing it over his shoulder.

You let out a yelp at the sudden movement before letting out a loud cry when Colby entered your soaking wet pulsating Pussy.

You took deep breaths in and out as you adjusted to his size. you gave him a nod and he didn’t hold back.

He thrusted deep into your core and you let out a moan, he started off slow, one thrust,

“AH!” Two thrust, “f-fuck baby.”

Three thrust, “ngh.” Four, until he was fucking into your cat like a mad man.

He whispered low words into your ears,

“You take me so well, baby.” You nodded your head lazily as uncontrollably loud Moans slip from your lips,

He used one of his hands to grab your waist and the other grab the head bored, “su-such a pretty girl for my cock.” He said in a low whisper directly in your ear.

And you couldn’t even respond, to busy getting fucked Stupid like a rag doll. “S-should I come in you? Huh? Fill your pretty ass up with all my babies? H-huh mama?” He spoke ragged breaths as he thrusts hard into you. No mercy.

His pace never faltered, he slammed you down deeper onto him and you both let out synchronized moans, He pushed impossibly deeper, not giving you a chance to breath or run away.

He hit your G spot and your back arched as you let out another loud moan, you could feel the knot in your stomach tightening, you were so close, but you didn’t want him to stop.

“Fuck! C-Colby!” Your voice called out to him, he looked you deep in the eye,

His pace quickened when you didn’t think it could, “say it again.”

You looked up at him with glossy eyes as you grabbed his shoulder, running your nails down his arms, “Colby.” You spoke out a moan.

“S-Say it again p-princess–FUCK!” He moaned out, “Colby!” You yelped out a moan, you didn’t even know you could yell that high.

Thank god for Sam being a heavy sleeper when he drinks.

You clenched around him as all that could be heard in the room was skin to skin slapping, and the wet noises from your abused Pussy.

You both let out one more string of moans as he pushed imposingly deeper in you, before pulling out and Cumming on your stomach, with you letting out a loud fulfilling orgasm that left you closed eyes panting for your life.

Colby flopped off and then next to you as you both caught your breaths, you knew you couldn’t move so you didn’t even attempt it.

A couple of seconds went by before Colby sluggishly got up and went to the bathroom, he then returned with a wet washcloth, boxers on and one of his shirts for you.

He leaned over to the bed and whipped down your stomach, then your aching folds. He then threw the rag in the hamper before lifting you up slightly to put the shirt on you.

He got into bed, covered the two of you up and brought you as close as possible. He kissed your forehead and muttered a small “I love you.” But you were already knocked out.

Both of you fell asleep content and in eachother arms, and you wouldn’t have it any other way.

Yeah that was…something! If you like it, like this post, repost, interact in any way i’m happy with anything. Like I said I’ve never actually written smut before so I know it’s very cringe LMAO but it was cool to write ig. LOVE YOU ALL!!!

[irradiatedsnakes]

MY OFFICIAL DAYSHIFT AT FREDDYS 2 REVIEW:

peter is here yay hi peter my friend peter who i'm soooo happy to seeeeee! yayayayayayayayay

so- dsaf1 was kind of nothing imo, overall, a couple funny bits and interesting in a "seeing where a creator i like has come from creatively" angle, but broadly just doesn't have much to talk about, i don't think. a liiiittle bit agonizing to play.

dsaf2, on the other hand, absolutely has meat on its bones, and overall was really enjoyable!

comedy-wise, i think it stumbled in some parts- a few bits go on Way longer than they need to (the whole candy cat thing, the inexplicable extended always sunny reference??, and the freddy space oddity bit was definitely funny but dragged on a bit) but there's a lot of stuff here that absolutely made me laugh out loud.

(a lot of those just being sprites of jack and dave in their stupid mascot suits, their weird little faces peeking out of the mouths really crack me up. great design on those two and especially on their expressions, they're very funny-lookin.)

while he doesn't have much to him that i find especially compelling, dave in general is a really funny character, absolutely helped along by his hilarious tts voice. the tts voices overall are really good

story- and writing-wise, dsaf2 has a lot more going for it and it definitely compelled me. i think the line-to-line writing when in the more storyful or emotional moments is preeeeeettty shaky. it doesn't tend to have a whole lot of character to it (and i want to avoid Excessive comparisons but like. especially when comparing to dialtown's writing, which is absolutely brimming with character. look at one-off characters like tango who show up for a tiny amount of time but still have so much individuality and charm to em for what i mean) and feels pretty utilitarian, more often than not. the written jokes also don't land a lot for me, but that's in large part owing to "it's not 2017 anymore".

(i think this game's visual humor was by far the most successful. the fucking cop, peter's Photoshop Skills and the image he made of his head on a real buff guy got me, and so did this frame of davetrap:)

but the broad emotional strokes definitely hit for me- all the stuff about the kennedys and their relationships, mainly, less so for like. fredbear and the dead children but yknow. but the stuff between jack and peter, and peter and caroline, i think that worked really well (and to a lesser extent, jack and the marionette, owing to knowing the spoiler about her identity). i suppose part of that is having already known peter as a character in dt and being really fond of him going in, but i think i'd have found it plenty compelling even if i hadn't.

the bits when jack and peter begin to actually connect, and little tidbits like peter hugging jack on his way out, that definitely got me. i was also expecting jack and peter's relationship to be a lot more adversarial- i was surprised by them really connecting like that in the good route, and i'm nothing if not an absolute sucker for a sibling relationship like that. i really like them!

also the picture on the wall of peter and bald peter. please look at it. please look at it

i'm interested to know more about jack as a character. for the most part, he does just kind of seem like. generic player character, in his dialogue, but there's parts where something interesting absolutely shines through (his immediately changing the topic after delving into peter's past for example). his change in demeanor and the purple text in the true evil route is also interesting.

one of the coolest parts, as mentioned before, is also just seeing this earlier work having already been a massive dialtown fan. there's a lot in the humor and the general style of stuff here that's like, you can really see how the writing got honed over time and eventually developed into what we see in dt today (and, hell, even comparing base dt and roger dlc you see some of that development), it's just a really neat process to watch happen! like seeing ONE's artstyle get better over the course of mob psycho 100, yknow?

(and some things here make me very grateful dt is purely a visual novel with no gameplay segements.......those fucking cake children..)

it's also fascinating seeing little tidbits that would become like, an Actual Thing in dt- jack's own narrator stands out the most to me there.

i've been told that dsaf3 is far and away the best of the trilogy, so i'm excited to get to it! (and ROGER!!!!!AHHHH) (ive also heard great things about jake in particular. excited to meet him!)

IN SUMMARY

MY OFFICIAL DAYSHIFT AT FREDDYS 1 REVIEW:

dsaf1 is a game you can play, absolutely. it has. characters, and dialogue, and most of all, gameplay. it has all of these things, for sure

i need steven to die.

[noddynods]

I AM SLOWLY GETTING MY POWER (=drawing abilities) BACK

THEREFORE

Here is a doodle of the silly from a specific au (the most advanced after the ask blog au)

And I AM

Not going to explain anything he is suffering and there's nothing to fix it have a good day!

[inkskinned]

the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.

sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.

you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.

it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.

but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.

they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.

they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.

barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.

and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.

but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.

they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!

this horrible world they live in. disgusted and also obsessed.

[sluttyten]

I was working on a new fic that I was really looking forward to, but in light of recent revelations, I'm gonna be taking a step back I think

also i removed him from the member masterlist and all of his fics, excluding things like YIMA and the poly series which I'm considering re-editing to get rid of him

[ilov3b00kss0much]

Featuring my favorite idiots ever

@justalunaticfangirl I'm sorry this took so long I had to go shower and then my mom called me to help her with chores and stuff. Also I'm running on like 5 hours of sleep bear with me.

This is the dumbest thing I’ve ever written it was so fun

Will also be posted on AO3 later!

“Polites! I swear to all the Gods I will make your life a living hell if you don’t come here right now! I am going to send you to the underworld VERY early!” Odysseus yelled, chasing after a laughing Polites. In his hand was a large map, the path home. Along with a bunch of calculations for the ships, and a drawing of Penelope made by a talented artist back in Ithaca. 

“No way, Ody! You haven’t slept since we left Troy!” Polites said, flashing a grin back at Odysseus.

“Eurylochus! Help me here!” Odysseus said, passing him as he ducked under a rope. Eurylochus looked over, then smirked at Odysseus. 

“No can do, Captain. I’m with Polites on this. Penelope won’t be too happy if we return her husband looking like a haggard beggar.”

“But- but- ah! I need to plot our route carefully. Our rations are already low, and I don’t want any delays. I haven’t seen my wife in ten years, for all the God’s sake!”

“Yeah, and that’s why you need to rest! You really want her first look at you to be exhausted and half asleep? You want to greet her with actual energy, right. Or do you think she doesn’t deserve that?” Polites teased. Odysseus glared at him, but he smirked back.

“Fine! But three hours. That’s it.”

         ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“Eurylochus. I have a question,” Polites said, looking up at his (much) taller friend.

“Yeah, Polites?” 

“Can I try to lift your sword?”

Eurylochus gaped at him. 

“What.”

“It looks so heavy. I’m really curious.”

“Polites this is not a good idea.”

“Please?”

“No.”

“Pleeeease???”

“I-Fine.” Euylochus lifted the sword out of the scabbard on his back and handed it to Polites, keeping one hand on the blade.

“Eurylochus. Let me hold it fully.”

“No.”

“Please.”

“Polites no.”

“Yes.”

“No.”

“Yes.”

“No.”

“Yesss.”

“Ugh. Fine. Only for a moment. Are you sure?”

“Yes.”

Eurylochus dropped his hand and Polites immediately stumbled, sword tottering in his hands. 

“Eury…help,” Polites gasped, trying desperately to keep the sword from impaling anyone.

Eury quickly grabbed it again, lifting out of Polites’s grasp.

“And this is why I didn’t want you to take it.”

“HOW DO YOU DO THAT?”

“Practice.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“We strike now,” Odysseus whispered to Eurylochus. Eurylochus nodded, hiding behind the large trunk at the corner of the room. He glanced at the still form of Polites, barely stirring. It was time. He nodded at Odysseus, who gave him a thumbs-up. 

Eurylochus crawled towards Polites, doing his best to be silent. The wooden floor creaked beneath him, and he winced. However, Polites didn’t wake, only stirring a bit. Eurylochus got to the very edge of the hammock, then groped around in the darkness. There. The glasses. He gave Odysseus a thumbs-up and they both retreated.

—

“ODY! EURY! WHERE THE FUCK ARE MY GLASSES?” Polites yelled, throwing the cabin door open. Odysseus glanced at Eurylochus, trying very hard to hold back his laughter. 

“I don’t know, Polites,” he said, shrugging. “Have you checked the floor?”

“YES. THREE TIMES. ODYSSEUS PLEASE I CAN’T SEE ANYTHING.”

Odysseus swallowed his laughter yet again, smiling innocently.

“I don’t know, I swear.”

“ODYSSEUS OF ITHACA, I WILL TURN THE ENTIRE SHIP OVER GIVE ME MY FUCKING GLASSES.”

“I don’t know, really!” 

“EURY? PLEASE I’M GOING INSANE.”

Odysseus could no longer hold back his laughter, and doubled over, laughing so hard he gasped for air. Eurylochus glanced at him and started laughing too, trying not to embarrass himself.

“I KNEW IT! GIVE ME BACK MY GLASSES.” 

“Here, here, take them. This is payback.”

“FOR WHAT?”

“When you stole my plans.”

“THAT WAS FOR YOUR OWN GOOD.”

“Whatever. All debts settled?”

“Fine. Never do that again.”

“Deal.”

give me epic the musical prompts I need to write something

[silusvesuius]

testing out drawing maormer 🪸🐚🪸 and a nelvas 🧣📜🩷 i'll ramble about maormer a bit in the tags

[pepperpixel]

Initial drawings of that old man… I literally, I haven’t finished reading the book of bill yet!!! I had to stop and take a break for a week to feverishly draw fanart of myself petting fords floofy hair and giving him attention and shit…!!!! The urge was too great….!! I’ve literally. I had a crush on this guy the instant he was first REVEALED in the show, but I did not have the artistic prowess to draw good looking old men back then… but I do now… thank god… thank fucking god

[crispyjenkins]

mandalore the young cont.

original post/discussion here! it was just getting really long and i for one hate scrolling so far, so. here's this. have also added this au to my masterlist in my pinned post!

@malcontent-crow

#i had a whole wall of tags and it didnt save! lets try this again#i am loving this. the potential for world building and the consequences of knowing more than you should (literally)

#i had forgotten that DW wasnt in peoples thoughts as a threat during the Clan Wars#and the idea that Pre was so far underground with the movement is a very good thing to remember as well! #on one hand you have this driven and spirited young verd that is inspiring Clans to start reassessing who they are fighting and why#on the other you have this clanless outsider that knows waaaaay too much about all the potential major players and is saying#that this major threat isnt really as gone as everybody thought and hoped. sith parallels out the wahoo for ppor obi#and hes standing there watching them all argue over his head about this threat that he KNOWS needs to be dealt with#he is seeing himself as pretty on par or above with the Old Guard in terms of mental age or prowess or large scale battles#so he sees them doubt him maybe even to his face and knows he'll need to get things started on his own

#and becauae everything in the galaxay has at least one person watching it from the outside... how quickly does the news of a jedi padawan#going off the rails on this mission get out? whos keeping track and who points fingers at the jedi for attempting to control the outcome#of the war of their historical enemies in their favor? the senate (read sith) want mandalore defanged before their war but what does it look#like the jedi want? how does the council answer for his actions? do they condemn or condone him? do they try to stay out of it?

#the world building potential of the Manda and the Ka'ra is delicious.#what does it mean to be a mando or darmanda? can you walk around and have people look at you and know you have failed in your oaths?

#and ouch! Obi-Wan considering the fact that he has never been allowed to be his own person.#from padawan to knight/master and then a general and councilor and sheesh. hes really never had the chance to see who he is as a person#outside of his responsibilities to everybody around him and right now hes a war worn adult in a war worn teens body#hes always had somebody else there. as a battle companion a teacher a student as somebody to protect and guard and guide#and now he has this entire culture looking at him and waiting for his next move. and im guess it still feels like less than a burden than#the care and raising of an entire child on his own. sure he had the temple resources and other jedi to lean on but anakin always looked to#him first to solve any problem or teach him something new or cuddle him after nightmares as hes trying to hide his own dreams#and grief and flounding to find his footing as an independent adult

#so right now hes looking around at the entire mando population and realizing thats he might need to reshape himself again for somebody else#to make himself what others need and knowing he can and will do it if it means saving somebody else

#and when exactly did he come back from the war? did he have satine die in his arms and see the ruin that is madalore after a pacifist reign?#does he see the potential for that ruin to happen right now if he doesnt succeed? where does he see himself in regards to the jedi?#has he considered the consequences of stepping up to be the Mand'alor to this culture he has never seen as his own?#has he let himself think about the choices he needs to make and how some things you cant always come out the other side the same as before?

(following the trend of each of these getting longer, this has hit just under 5,000 words, so just a heads up lol? so much world building is happening in this one)

sorry you had to rewrite so much! that last exchange was cursed, it seems lmao

it's so easy to write Obi-Wan as prescient, or the route I'm going with in Dha Kar'ta, so i think it's a fun change-up to have him knowledgeable for completely different reasons! I'm actually going to avoid visions almost at all for this Obi, but everyone else certainly won't know the difference, and he doesn't tell them otherwise (though he won't encourage it either. I do actually have a Naruto time travel where Nart pretends to be psychic à la Shawn Spencer, so that isn't the route I wanna go for this Obi). the consequences of knowing too much, indeed

hmmm many of these questions depend on how deep into Jedi and galactic politics I wanna go, and I'm not sure it's very deep at all. or at least, not very dragged out. i'll explain in a mo

SO first: yes, this Obi is from after Satine dies, in 19 BBY, maybe a month or so after, but before the bombing of the Temple so before Ahsoka left the Order. He was back on the front, no time to properly mourn, though he was doing his best, and was meditating on the whole war, but especially the Sith and their hand in everything that happened on Mandalore. It went deeper than Maul, he knew, had been going on longer than Maul and even Dooku, and it occurred to Obi-Wan that the Sith either wanted a Mandalore that will side with them but not be too much a threat, or they wanted them not a threat at all. He realised his hand in that, in helping put the New Mandalorians on the throne that led to the demilitarisation of the entire sector. Obi-Wan had practically teed Mandalore up for Dooku and then Maul's interference, and if the Republic won the war, he could all too easily see them doing another excision. won't get too much into it to save it for the fic, but he is mediating with something beskar, and he gets a lil too deep into the Force, and of course this is post-Mortis so...... 👀

so this Obi-Wan, back in time, is helping Mandalore to prevent any more Sith machinations in the future, to change the future for the whole galaxy, but even before he's Chosen, he realises he's also doing all of this for Mandalore. for his own hand in its destruction, for the Jedi's hand in the Excision, for his personal connection to Satine drawing Maul to it. it's for atonement, for reparation, and also because Mandalore deserves to be saved, and Obi-Wan is in a place he can help do that. it isn't just about the health of the galaxy, anymore.

I usually shy away from having Obi-Wan leave the Order, no matter what AU I'm throwing him in because I believe in the fundamental goodness of the Order and the people in it, and Obi-Wan is fundamentally a Jedi, one of the best, one of the best. however, in this case, I don't think he can have his cake and eat it too. if Dooku had to leave the Order to accept his countship, then Obi-Wan would have to leave to become Mand'alor. Jedi are (supposed to be) politically neutral, and Obi-Wan is all too aware he'd nullified his own neutrality the moment he decided to go for Keldabe to find Jango.

one of my favorite... tropes? in time travel fic is Obi using his future fellow councilmembers' access codes to get into things he shouldn't, and he certainly knows how to work the Order's internal systems in his favor, so he

wait so i was gonna have him go in and tender his resignation from the Order directly into the systems, and backdate it for before the Mandalore mission, so that anything he's done on Mandalore so far cannot be blamed on the Jedi BUT WHAT IF he just. deletes himself. like completely. from admin to the Archives to the crèche's own internal systems to the Shadow's private servers, Obi-Wan Kenobi was never a Jedi, was never a Temple bastard, was never Qui-Gon Jinn's padawan. his mission records are all in Qui-Gon's name now, his medical file simply doesn't exist, his crècheling clan is listed as simply having been a person short compared to other clans that year. he goes so far as to delete comm histories with him or mentioning him, it's like Obi-Wan Kenobi just doesn't exist anymore.

he does this first thing after leaving Jango, he spends the entire week back to Mandalore ensuring he's been completely erased from absolutely anything relating to the Jedi, and then uses his future councilmember knowledge (and lessons from Quinlan) to erase himself from Republic systems, too. any planet he'd helped as a padawan will suddenly have no records of him as having been there with his master, so the senate or Order can't subpoena them for the info, though Obi-Wan knows he can't have gotten everything (such as any planet not in the Republic, or who don't have holonet access to their files, or both, like Melida/Daan), but he figures he's done enough to absolve the Order if anyone comes knocking about what he's doing.

he buries his lightsaber in the deserts of Mandalore, not knowing that in his old future, he'd have done the same on Tatooine.

so as far as the Jedi are aware: Obi-Wan went on a mission with Qui-Gon that (predictably) went to hell, got separated from his master for weeks to months, then suddenly changed, at the same time their Jedi with the highest prescience collapsed due to his visions, which have also changed. Obi-Wan left Qui-Gon behind to hightail it through the Mandalore sector, and Qui-Gon couldn't catch up or find him, and then Obi-Wan disappeared from anyone's radars for two weeks. then Qui-Gon senses him reenter the Mandalore system, right before breaking his training bond with him, and the Order wakes up to Obi-Wan completely erased from their systems like he never existed in the first place. everything is going so so wrong, and yet. and yet.

and yet the Force is telling them all that this is right, that this is the least Dark course of action, that whatever Obi-Wan is doing is indeed the Will of the Force

so the Order mourns one of their own, and tells Qui-Gon to let him go. and then the Order ups their cyber security because what.

i think he leaves an unsigned letter/comm message for a few people. Bant, Quinlan, Mace, Feemor, his old crèchemaster, Yoda, maybe Jocasta Nu. it's short, basically thanking them for their hand in his upbringing (Feemor hasn't even met him before so is very confused by this), apologising for leaving abruptly, but to follow the Will of the Force, he had to leave; the first part of the message is all the same, but ends with little individual notes. he apologises to Madam Nu for fucking with her archives and hopes she can one day forgive him; he asks her to keep her friends close and to mend the tension between her and Dooku, that Obi-Wan should not know about. He tells Yoda that the future is always in motion but they must move with it; he asks Yoda to meditate on his dwindling lineages and learn to accept all that he cannot control. He reminds Quinlan to wear his gloves and asks him to thank Tholme for looking out for him when Qui-Gon wouldn't or didn't; he thanks him for their years together, and asks him to check in on Feemor every now and then. He apologises to Mace for all the shatter-points he likely caused and will continue to cause, and suggests he put a permanent reminder in his comm to remember to refill his migraine prescription that sixteen year-old Obi should not know about. He asks Bant to look out for a young Togruta initiate that will join in seven years, and suggests Bant might like the healer track rather than the knight corps; he thanks her for being his longest and most dearly-held friend. He thanks his crèchemaster for realising his visions were more than dreams (which will inadvertently lend credence to that theory for why Obi-Wan changed so suddenly), for supporting him when Bruck was at his nastiest, and for always being someone he could turn to even after he became a padawan. For Feemor, Obi-Wan apologises that they hadn't had the chance to meet before then, and for the relationship they won't have anymore; Feemor has no idea who this message is from, until he starts hearing the gossip that Obi-Wan Kenobi has left the Order again. He too mourns never getting to know his padawan brother.

and Obi-Wan sends Qui-Gon a message, of course, thanking him for his teachings, apologising for "leading him on" as an apprentice, leaving and coming back so many times only to permanently leave this time. he reminds Qui to reach out to his friends and his support system, asks him to at least consider talking to a mind or soul healer about Xanatos (knowing that once it gets out that Obi-Wan is a planetary leader, it will likely badly trigger Qui-Gon), and asks him to at least try and mend his relationship with Dooku, though understands if that's not something Qui-Gon is willing to do. asks him to keep Satine safe, but to deeply think about why the Republic is so intent on helping her faction, and why Qui-Gon had questioned so little of the New Mandalorian ethos.

so by the time Obi-Wan finds the Old Guard, he's broken from the Order completely, has buried his saber, has broken his training bond, has cut his braid. I think he shaves his head entirely to let it grow out at the same rate, because the padawan cut is *Eliot Spencer voice* Very Distinctive. he paints his armour white for, yes, his men, his vod'e, but also for cin vhetin. he can't be the man he was before, nor the teen he was before, neither are who Mandalore needs, and as long as he can stay true to his morals and upbringing, he will be what Mandalore needs him to be.

okay now onto the Manda vs. the Ka'ra vs. the Force. the Force is a scientific concept of an energy connecting absolutely everything in the universe, and the Jedi have a religious view on the scientific concept. for both purposes, the Force just is. I really like the idea of other non-Jedi ideas just being different aspects of the Force, different religions and cultures based on the same scientific concepts. for Mandalorians, their "aspect" of the Force is the Manda, the collective souls of every Mando'ade that's ever marched on. just what it means to be Mando'ade has varied greatly through history, and is varied between different groups even now, but none of that changes what the Manda is, which is an aspect of the Force only Mando'ade can touch. sort of like their beliefs of it being separate from the Force have made it so?

now I haven't really talked about this before, but from the beginning of me writing Mandalorian related things, i've separated Ka'ra from ka'ra, which was a little bit me misremembering there was another term for "stars", and then it became it's own thing. kar, meaning "star", with it's plural kar'e or kare, to me, means physical stars, the way we'd call our sun a star. ka'ra, uncapitalised, is the more poetic and/or spiritual "stars", the way we might say something is "written in the stars", which actually aligns with how jate'kara is spelled; for my writing, i've used this form for Mandalorian Force-sensitives being Star-touched ka'ra-touched. Ka'ra, capitalised, is that "ruling council of fallen kings", the Mandalorian myth and it, the way I've always interpreted it, is a separate part of the Manda made up of specifically the souls of every Mand'alor already marched on. So, Tor Vizsla could have joined the Manda after death, but not the Ka'ra; make sense? all that ka'ra vs Ka'ra worldbuilding was done very early in my writing for star wars, and has since expanded to include the idea of the Manda as something separate, and I would now actually consider Manda-touched over Star-touched to describe Force sensitive Mando'ade, because that's really what I think Mandalorians would consider causes their supernatural powers: ancestors rather than the stars.

so what does that mean for this fic? the Manda is directly influenced by all those that consider themselves Mandalorian, Force-sensitive or not. it is, however, not affected by New Mandalorians, unless they worship the Manda in some facsimile, and I think many, many, many do not, not the way they were raised to. this worship looks different for every clan and every individual, and I've always interpreted it as more of a broad spiritual practice across the whole culture rather than a religion, per se, the way a real-world broader culture might pray at shrines at New Years even if individuals themselves or their family aren't religious. this is what I'm referencing when I say the Will of the People: the alive Mando'ade and their choices and emotions affecting and influencing the Manda, the collective amalgamation of every passed-on Mando'ade, and it's when these two are in tandem that they "pick" a Mand'alor. HOWEVER, such a pick is also up to the Ka'ra, the Mand'alor'e that have all marched on; to one day enter the Ka'ra themselves, a Mand'alor must be "picked" by both the People/the Manda, and the Ka'ra. Tor would be "picked" by a significant part of the People and the Manda, and so would Jaster have been, but (according to me, myself, and i, obviously), only Jaster had been chosen by the Ka'ra. Pre is "Mand'alor" only in name, only in a tenuous loyalty existing in House Vizsla and Death Watch, not even by the Manda; just simple human (et al) loyalty. Jango had a weaker "pick" from the Manda than Jaster did, but was picked by the Ka'ra, meaning if he did not declare himself dar'manda (even just internally; I don't think he's ever said it out loud), he would have joined the Ka'ra after death; if he ever reconnects with himself as a Mandalorian, I like to think he'd have that chance again. Canon Jango, though, who went on to make the clones? Absolutely not.

what does this all mean for Obi-Wan? he'd spent weeks inadvertently drumming up support in the people and therefore the Manda, and maybe most haven't really looked at him and thought "sure I'd follow him as Mand'alor", but they have looked at him and thought "that one has mandokar, that one wants what's best for Mandalore, that one is touched by destiny". I dunno, man, like. Obi-Wan is their hope before he is their leader. That will make all the difference when he does end up uniting them. His searching out Jango had made Jango finally confront that he feels dar'manda, until then he hadn't really lost the Ka'ra's support, but that severs that connection. and now the Ka'ra are without a Mand'alor, but look at that, there's a mandokar'la little idiot right there, already strong in the Manda, already rallying hope and purpose, already so invested in the nurturing and the future of Mandalore, how could the Ka'ra not choose him?

I posed the question previously whether or not Mando'ade can tell who has been chosen to be Mand'alor, and I think I've ironed out what that'll mean for this fic. non-Force sensitive Mando'ade will have this sense when near their Mand'alor, a subconscious and inherent trust in them, and indeed, some will be disturbed by this and fight it. that's alright, that's their right. Some never clock this extra sense, some are aware of it always, some just chalk it up to "gut feelings" and the like. The more spiritual or religious Mandos maybe put a little more stock in this feelings, I think especially goran'e and other spiritual leaders, but the fact that the Manda can technically pick more than one person at a time (like Tor and Jaster, and then Jango), this extra sense isn't a perfect indicator of a properly chosen Manda'lor.

now. what about Force sensitive Mando'ade? Well, the Manda is an aspect of the Force, and is in fact how said Force sensitive Mando'ade connect to the Force, by going through the Manda, first. their relationship with sensitivity is inherently different from others in the galaxy, at least those that connect to it directly. they are the ones that can sense or see if someone is chosen by the Ka'ra, depending on their sensitivity. Some see the ghostly line of previous Mand'alor'e stretched out behind them (like the Avatar cycle lmao), some see a wavering crown of stars around their head, some just sense there is a duplicity (/neutral) to their Force presence that doesn't exist in anyone else. how common is Force sensitivity in Mandalorian space? not fuckin very. Jaster had three in his entire faction of aprox. 2 million (fanon number), at least that were aware they were sensitive. Jango only had a few more, and only because he had gained a couple hundred thousand more followers before Galidraan. so i'll make the nearly-arbitrary number that Force sensitive Mandos are 1 in 1,000,000, across the entire sector. by some calculations, in the whole galaxy at around the time of the Clone Wars the number of Force sensitives is 1 in 5,000,000 but these calculations do not generally include societies and species with a near or 100% chance of Force sensitivity, because we simply don't have the data for it. does this all make Mandos slightly more likely to be Force sensitive than others, by my own numbers? sorta. which i'm making an issue of underreporting, based on Mandalore not being a part of the Republic, and also contention with the Jedi and Sith; they don't consider those Manda-touched to be Force sensitive, and with the way I've built this, they aren't exactly wrong.

for the purposes of this story, there are maybe eight Manda-touched Mando'ade in the Mandalore system at this time, and all but one are goran'e. that single non-armorer is part of the Old Guard. I have the roster for the Old Guard decided, so I'm debating whether the Manda-touched one is Cort Davin (a journeyman protector), or one of the women. Instinct wants Vhonte Tervho, but I have plans for her to be related to the goran Obi-Wan got his armour done by, who I wanted to be one of the seven Force sensitive armorers, soooo. lmao how fucked would it be if Isabet Reau is the Force sensitive one? I like the angst of that, since I definitely do not plan on redeeming her, but I kind of want the only Old Guard that can sense Obi-Wan is Chosen by the Ka'ra to be really quiet and accepting of it, while everyone else is arguing. hmmm I have an unnamed Wren as part of the Guard, that I haven't fleshed anything out for yet; perhaps them?

okay I think I've solidified what it makes a Mandalorian, at least for the function of this fic. it is tied to the Resol'nare, and following it, which does allow those who had Chosen Tor Vizsla as their Mand'alor to technically still be following the Resol'nare, and are therefore not dar'manda. at least not for that. but part of the reason the Resol'nare is even able to determine who has a Mandalorian soul, is because they believe it does. Those alive and those dead influence the functionality and reality of the Manda, which also allows for those pre-Resol'nare to still exist in the Manda. What causes someone to become dar'manda, if they are technically following the Resol'nare?

maybe it's reductive, or over-simplified, or maybe even too broad, but it makes sense to me and allows for many many different types of people to still fail, and this is obviously not the only way to become dar'manda, but one thing that will always strip someone of their Mando soul? treatment of children. caring for children. not harming children. this allows many of Death Watch to still maintain their Mando souls, but still be fucked up awful people in other ways. It allows even True Mandalorians to have lost their souls and not realised it because they otherwise adhered to the Resol'nare, because they'd chosen to interpret "defending oneself and family" and "raising your children as Mandalorians" to not include other peoeple's children. Or maybe they were abusive in the belief they were caring for their children. This would also make every single one of the Cuy'val Dar dar'manda, which I think is a fascinating concept.

to answer your question directly, no, one cannot look at someone and know they're dar'manda, even the Force/Manda sensitive ones. one will only know in death, whether or not they have a place in the Manda.

NOW what does this mean for New Mandalorians?? well, by technicality and the way I've set the Manda up, one can interpret the Resol'nare in ways that could align with New Mandos. Perhaps they interpret "armour" as more than specifically "beskar'gam", maybe they wear armourweave or other protective fabrics. Maybe they interpret "defending one's family" as putting down arms instead of raising them, in order to create a peaceful future for their children. I think there are plenty of New Mandos that technically tick off all the boxes, and believe in themselves and their fellows so much that the Manda is like "yeah sure why not, we'll make that count". I think some tenants are more easily... bent, like swearing to the duchy in place of the Mand'alor, but I think an easy one New Mandos miss, is "speak Mando'a." I think many New Mandos were all too quick to switch to Basic for everything except religious and spiritual ceremonies, and I think those already in the Manda would find that very hard to forgive. I actually get into this a little in Dha Kar'ta very soon, but for this fic, i'll have Satine not outright outlawing Mando'a, but it is socially heavily discouraged. you're not allowed to speak it in the palace unless in aforementioned ceremonies, you cannot fill out paperwork in anything but Basic, you're not allowed to use Mando'a titles (including Mand'alor), you're not allowed to teach it to your children. no outright like. punishments for speaking it in public, but if your kids are caught, there are repercussions, including investigation into how else you're raising your kids, and if you're found to be doing anything else, they can take your kids from you. not every New Mando agrees with this, of course, and go about adhering to the Resol'nare as best they can in secret, but so many do give up the language by convincing themselves it's not as important as the other tenants and, well, the duchy hasn't steered them all wrong yet, has it?

okay so on the subject of what the outside galaxy is seeing. I like the headcanon/trope/idea of like. the one thing all factions of Mandalorians agreeing on is fuck everyone else. oh, the New Mandos will emulate the Core and the Republic, but they aren't the Republic nor want to be, and this animosity extends to keeping as many internal Mandlorian issues just that: internal. no faction can keep news from leaving the system or the sector, obviously, but there also isn't a lot of interest in Mandalorian news? "oh look all the Mandos are fighting again", except that's been the standard for like. actual thousands of years. I like when fic have people outside the sector not evening knowing there are different factions, so I'll be doing that here, too, and I like the idea of non-Republic sectors having their own holonets, separate from the Republic one. so like, if Obi-Wan happens to go a little viral during his mad dash to Keldabe, that would be on the Mandalorian holonet, not the Republic one, so even if Obi-Wan was visibly still a Jedi (and he wasn't), actual news of him wouldn't reach the Mid and Inner Rims until like. possible years after it happens.

could this maybe be expedited by Sith machinations? absolutely, though I'm not sure I want to go that route, since I don't think the Sith are overmuch interested in Mandalore at this point, at least not in any hands-on capacity. I'm unclear on whether them funding Death Watch is fanon or not, but it is a headcanon I subscribe to, and I think they'd have stopped funding DW after Galidraan, to cause worse infighting and prevent DW from gaining enough power to actually restart their imperial conquering days. Palpatine has been senator for about ten years by this point, but has very little political power overall, and Demask would be looking basically anywhere but Mandalore at this point in time, both of them having written it off until they actively need something from the sector. if anyone had clocked Obi-Wan as a Jedi, this all would have gone very differently, news would have spread much further and quicker and I think undoubtedly would have reached Palpatine, but since I have Obi-Wan just... cutting ties to anything Jedi, news of him remains in-sector. is this perhaps unrealistic? maybe, but I kind of want to focus on Mandalore and not worry about galactic-wide politics for once, lmao, actually very much like Obi-Wan is doing. however, he will clock a lack of Sith interference and thinks That's Very Weird.

haven't decided how he finds Palpatine out yet, but I think it'll have to do with his Manda senses being different than his Force ones, maybe the Ka'ra even gives him a few tips or gifts to sense Sith since they've allied and fought with them so much in the past. regardless, that'll be after he's become Mand'alor and united the clans.

now to actual plot progression! Obi-Wan meets up with the Old Guard, they don't know what to make of him other than "he's kriffing weird. and young. and creepy. and probably Manda-touched." whatever other verd is Manda-touched will see him blessed by the Ka'ra, which causes them to look inwards more closely and realise they trust Obi-Wan inexplicably, which means they're blessed by the Manda and the Will of the People, too. they wonder if Obi-Wan has noticed, if any of the other Old Guard have noticed. they are one of a few that notice Obi-Wan sneaking back out while everyone is arguing.

Vhonte Tervho is another. She's at this lil summit to represent clan Tervho, tho isn't the clan head, because her ba'vodu, a Manda-touched goran, had sensed she needed to be at the summit. said ba'vodu is of course the armorer who reforged Obi-Wan's armour (need to find a name for them hmm), who had told their clan they were to cease fighting until their new Mand'alor called on them. Vhonte sees Obi-Wan, realises at the same time as everyone that he's the Kih'Manda, the Mand'ika that the entire system had been gossiping about for weeks, and she thinks of what her ba'vodu said. she looks inwards, like they had taught her to, and finds, yes, she trusts Obi-Wan, just like she used to trust Jango. And, well, her Mand'alor is obviously leaving to go do something, and she isn't going to let him go it alone.

the Manda-touched verd doesn't go with them, wanting to see what comes of this, but they already know Obi-wan is Ka'ra Chosen. they will come when he calls.

[smile-files]

nickel and balloon stuff from spring on the breakfast!!! i'm keeping in mind that in the previous episode, both of them were under the impression that their friendship wasn't real...

in a way, ii3 balloon is a lot like late ii3 cabby. of course, balloon did something indisputably immoral (manipulate and exploit others), and cabby only did something thought to be immoral (keep and use files about her fellow contestants) -- but both did something wrong and had to subsequently undergo a disproportionate amount of abuse and malignment for it, ending up with them being apologetic and submissive to avoid any chance of being framed as bad again. the biggest difference is that cabby has internalized the guilt others have attributed to her, while balloon largely hasn't -- he understands the concept of rolling with the punches for the sake of keeping good connections, but he doesn't believe he deserves it.

nickel brushes off ii2 a LOT this episode. to rid himself of his guilt regarding that time, he necessarily has to delegitimize the hatred he felt towards balloon then, thus also ridding balloon of his guilt. he expresses this all vaguely, choosing to remember ii2 fondly and saying off-hand that its baggage should be laughed off -- implying that balloon has been forgiven. reasonably, balloon is happy that nickel seems to actually believe he's changed for the better, so initially this makes him happy.

of course, though, it becomes clear that nickel just wants to shove his own actions under the rug, and balloon reasonably gets pissed off. nickel treated balloon and suitcase like complete garbage in ii2, and balloon clearly hasn't forgotten that.

"it keeps things easy." it keeps things easy to roll with the punches, to endure nickel's abuse and accept his sudden friendship. note, also, that nickel is still placing the blame on balloon: he's saying that balloon didn't want to "make things better", as if nickel and balloon ever having a rift was entirely balloon's fault, and his problem to fix.

and as we can see, nickel still hasn't fully forgiven balloon for ii1. as i've discussed before, nickel seems to secretly feel incredible guilt about how he treated balloon in ii2 (which is why he goes to such lengths to repress the whole memory of it) -- but that guilt is about the way in which he expressed his disdain and distrust of balloon, not those opinions themselves, nor the motivations for them. this is all very interesting, then -- if he still believes balloon can't change from his old, bad self, why did nickel start being friends with him at all?

i think a large part of it is his projection onto balloon. nickel sees himself in balloon: someone who screwed up big-time and isn't able to become a better person after that (according to nickel). we tend to gravitate to people similar to us, after all. i wouldn't be surprised if nickel was also trying to overcompensate for his hostility towards balloon in ii2 by being very friendly with him in ii3, thereby helping him forget that he was ever hostile to him at all.

the most fascinating thing to me about balloon and nickel's relationship is how impersonal it is for balloon. he seems to value what nickel's affection represents rather than nickel himself -- and it represents that he's been forgiven. anyone who saw balloon and nickel's conflict in ii2, which was a product of balloon's nastiness in ii1 and nickel's subsequent inability to forgive that nastiness, would likely come to accept balloon and forgive him themselves if they then saw nickel being friendly with him -- because nickel is the epitome of the ii contestants' anger at him, and nickel of all people (seemingly) forgiving him would imply that he's really changed. the relationship is almost entirely a symbol in that regard. i don't think balloon has much residual guilt about is actions in ii1 -- he feels like he's adequately addressed them and changed -- but nickel having a positive relationship would be helpful in affirming that stance and proving to himself that he really has changed.

i wouldn't say it's cruel of balloon to keep this relationship going on under that pretense, but it is backhanded, and it helps explain why he was ever willing to accept nickel's friendliness unchallenged. he wanted his crimes to finally be laid to rest once and for all, and keeping nickel on good terms with him would let that happen. people would finally shut up about it. up until now, nickel wasn't explicitly denying his past cruelty towards balloon anyway, so balloon would be able to ignore that he neglected to ever bring it up; now, though, nickel is denying not only what he did to balloon but also to suitcase, which balloon is not able to tolerate. now that he's confronted nickel about that though, nickel snaps back with his condemnation of what balloon did in ii1, thereby uprooting the social stasis balloon had been able to maintain precisely because nickel refused to bring anything up before. in a way, then, balloon is purposefully shoving the past under the rug, just like nickel is.

we can't forget, though, that nickel has his own complex about fearing that he's incapable of change and incapable of forming positive, genuine relationships with people. balloon is essentially revealing that, in a way, he wasn't really friends with nickel -- at least not in the way nickel wished and fooled himself into thinking they were. if balloon truly were friends with nickel like that, then that would mean that balloon had forgiven him for his cruelty in ii2, and perhaps that he really has changed... but no. balloon hasn't forgiven him. why should he? nickel never apologized -- and given how he never apologized, it's impossible that he could've changed anyway: nickel doesn't want to apologize because that means addressing his guilt and allowing himself to feel it. he wants the forgiveness to be handed to him on a silver platter, without him having to do all of the painful work, and he's incredibly upset when it isn't. he wants to not be a bad person, but in order to do that, he has to feel like one, and he really doesn't want to. he hates who he was and doesn't want to associate with it at all.

(note how it's the suitcase robot who says "you can say sorry" when nickel says that nothing can be done about making things better...)

there's clearly an immeasurable amount of resentment these two have been harboring for each other throughout this season, which they'd only been hiding for the sake of fooling themselves into thinking they've changed (nickel) or thinking that others think they've changed (balloon). and now that they've let themselves explode with anger, partly related to the lies they'd been telling themselves falling apart, they yell at each other and balloon drops nickel down a hole!

ah, balloon and nickel's relationship... it's bizarre, it's toxic, it's convoluted, it's shady, and it's incredibly sad. i'm glad i'm revisiting ii3, especially this episode -- i used to be utterly baffled by nickel's writing, particularly in spring on the breakfast, but now it makes complete sense to me. also, i used to think balloon was entirely the victim in this relationship, while now i know that he has his own faults and own baggage in that regard. it's weird -- they hate each other, but at the same time they're dying to be liked by one another. god i love these freaks...

[carrotsofthepirabbean]

a 1955 Jennifer to finish off the year :)