#I agree with this theory

[gauntletgirlie]

Screenshot from Threads.

[chloesimaginationthings]

I love how you drew foxy, he so scruckly looking <3

Here’s some more Foxys I’ve drawn!!

[deerspherestudios]

ERM, CHEEA,,, WE MAY GOT ANOTHER THEORY, SO HEAR ME OUTTT 🗣🔥🔥

Well, hm, I've heard this from someone else before, but I was also thinking the same thing...

So, when we first landed on the fairy ring (or ring of mushrooms), it was that small, right? And it's been 3 days since we came back to it---and it became bigger,,, it was plenty of time for any animals to get caught in the fairy ring as well 🧍🏾‍♀️ So what I'm thinking, is that whenever an organism slips into the ring of mushrooms, it's feeding it, making it grow in size---making it more "aggresive" and dangerous. Which MAYBE ☝🤨 help species like MYCHAEL TO BE BORN 🤌🏽🤌🏽🤌🏽 🔥🔥 RAHH let us cook, Cheea 🙏🏾 I wonder if the mushrooms will play a bigger part in the story's conflict other than it just capturing us in it 🤔

Good theory! <3

Is it right though?

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[alivedean]

good omens crack → 8/?

[nebulaedaniel]

remember how in literally april this year we thought holding hands would be the worst thing they did

[thejakeformerlyknownasprince]

Just wondering...do you think David thought-spoke privately with Visser Three in #48 and told him the Andalite Bandits were human and that's why he starts looking in #49? Because that's my headcanon

Oh man, I do NOT know what to make of #48, but I do like this take. If David dropped V3 that hint, and if V3 saw mecha-Rachel as a distorted but still human-looking morpher, I could get behind this.

And you're right that Visser Three is the barrier to figuring out the andalite bandits are human. As early as #4 the kids overhear Temrash 114 and Iniss 226 debating: "is Visser Three wrong? What if they're not Andalites at all?"/ ... "Visser Three wrong? Maybe. But I'm not the fool who's going to try and tell him." Heck, as early as #1 the yeerks are looking for "some kids who were shooting off fireworks in the construction site", and presumably they don't mean andalite kids. So like, clearly some of the controllers are at least open to the possibility of human morphers. The only thing stopping a full-scale human morpher search is Visser Three a) having TWO of the galaxy's biggest andalite supremacists in his brain, and b) having absolute power over the Earth invasion.

So I've always headcanoned that some technician controllers start looking for irrefutable proof of human morphers as early as Elfangor's death, and that it just takes them ~2.5 years to come up with something ironclad. Ax's presence may have slowed the process — he's obviously an andalite and not just someone in morph as Elfangor — and Tobias's ability to stay "in morph" for 2+ hours and to go directly from being "in morph" to a different morph almost certainly muddied the waters. But yeah, maybe it's not that the technicians finally persuaded Visser Three; maybe Crayak engineered it that way.

[comicdez]

pt2 to Dr, Oswald accidentally finding out Bills' phobias!

pt1 here

[lunar-years]

Jamie spending so much time with Roy and visibly being so close to Roy that even Roy’s little niece takes note and ensures he’s invited to their Uncle’s Day celebration as Uncle Roy’s best friend, YET Jamie still being surprised, flattered and excited several episodes later when Roy does something as simple as invite him out for a beer, because that’s clearly something that’s unprecedented—the first opportunity to hang out as friends without any guise of it being for football—is just soooooo!! The implications are so silly. Roy definitely spent the entire season framing every interaction he had with Jamie around “work” and “training” even when he really just needed to be around someone (well, specifically around Jamie) because his ass couldn’t just admit he likes having Jamie around. We know from the show he showed up at least once in the evening for “once more before dinner” (Roy…it was literally dark outside and you’d already had Jamie running around twice that day. be forreal)

…so anyway! Roy bringing dinner over to Jamie’s 4 nights a week and it’s really because he doesn’t want to eat alone and having his meals with Jamie is just better, but he still disguises it every time as “well I obviously need to make sure your nutrition is sound and you are eating enough and the right things this is a very important part of your training. I am doing you a crucial service.” Roy bringing Jamie along with him when he watches Phoebe because Phoebe and Jamie adore each other, but Roy “makes” him show her some footie tricks in his back garden and claims it’s because “being able to explain it to someone else is how you become a leader on the team this is very important” or else has him haul phoebes around on his back or whatever as “strength training” to make himself feel better about just wanting Jamie to be there to hang out. Roy following Jamie back home after matches because he needs to “assess his post-match routine and make sure he’s not overdoing it,” but really it’s just them plopped on Jamie’s couch watching bad reality tv and judging it together. And then *obviously* he might as well stay over, so that he can also observe and give Jamie his helpful advice on a morning wake up and stretch routine. Totally necessary!

And look, part of Jamie understands what’s really happening here and at least sort of knows Roy really does like spending time with him outside of just work and training (hence all his best friend teasing on Uncle’s Day), but Jamie is also a bit of an idiot (affectionate) who in equal measure sort of believes he’s just deluding himself and that all of this really has been an elaborate and effective training scheme from Coach Roy.™️ They perplex and bewitch me. s

[yasamlynn]

for a show where finally for once the sapphic (+WOC!!!) couple is the one thriving, in the main focus and being the healthiest, I feel like Yasammy is still not talked about enough. It's somewhat harder to find Yasammy content than some other ships which is crazy to me.

[plantsucc]

quick question, why are some trans people deciding to post the exact same way as TERFs recently?

"trans ""men"" aka TIFs aka theyfabs talking about the transphobia and misogyny they've experienced will inevitably make them realise they're just manipulated and weak-minded feeeeemale girl wombyns and then they'll detransition into TERFs!!" has been said by both TERFs and by a few trans people who seem to have some sort of intense hatred towards trans men, usually a hatred based on hypotheticals and strawmen.

ima be honest, trying to integrate radfeminism and misandry into transgender theory will never work because this is the kind of "theory" that results from it. let's just hope this stuff stays in the depths of tumblr and I won't have to hear something like this irl lmao

[jae-in-a-trenchcoat]

They’re literally the same image

[aurieeeeeenyx]

time travel mechanics in link click — intentional inconsistencies? closed loops and parallel timelines (theory)

Back in 2021 or so, I wanted to make a post about the time travel mechanics in Season 1, and how they seemed to be inconsistent in certain episodes. I never ended up making that post, and the idea slowly faded from my mind, but I want to make that post now (armed with all the new information we've received since then) before Bridon/Yingdu arc episode 4 comes out because of the episode preview when Lu Guang says this:

In Season 1, the time travel seems to operate on the principle of a closed loop. This is especially evident in the Doudou arc, when Cheng Xiaoshi sees himself in the past (while he's in Doudou's body) and realizes that he was always there; the "changes" he inflicted weren't really changes, because by the time he dives back from the future his actions in the past have already happened. This is also demonstrated when Xu Shanshan walks into the photo studio and interacts with Cheng Xiaoshi in S1E8, and we later find out that it was in fact Cheng Xiaoshi in Xu Shanshan's body interacting with himself. And again, with the ploy to use Xu Shanshan in order to lure Liu Min/Red Eyes to the photo studio. We also see this closed loop phenomenon happen in Season 2, for example when Cheng Xiaoshi possesses Lu Guang's body to go save himself in the past.

So I've always been a little bothered by the earthquake arc in Season 1. If the dives into the past have already happened, why does Chen Xiao come to the photo studio in the first place? If Cheng Xiaoshi (in Chen Xiao's body) won the basketball game and gave those kind words to Chen Xiao's loved ones, why does Chen Xiao remember otherwise?

I've wondered before what happens to the clients when Cheng Xiaoshi is possessing them—do they just not remember anything? Are they even aware of themselves being possessed? Why is no one concerned about missing memories for hours at a time or not being in control of their own body? Emma sort of skirts around this when she tells Cheng Xiaoshi, "So you were the one who sent that message" in S1E11, implying she's aware it wasn't her who sent it. For the sake of argument, though, I'm going to pass the general non-reaction of the clients to being possessed as a handwavey "the brain justifies it somehow later" thing and ignore it.**

That brings us again to the question: Why does Chen Xiao remember the past differently to the one Cheng Xiaoshi experienced/changed? Maybe the past isn't set in stone after all? Maybe, instead of just being a closed loop, the time travel in Link Click is operating on multiple systems?

In 2021, right after I watched Season 1, I was going to dismiss this as just an error. The writers slipped up and bungled their time travel mechanics a bit, and therefore the earthquake arc is different on accident. But we've learned since then that nothing is unintentional in this show, so why is that arc different from the others? (Also, I want to note, there is that moment in S1E4 where Lu Guang's face does that weird warping thing; coincidence? Maybe, but maybe not...)

My theory is: the time travel abilities that Cheng Xiaoshi and Lu Guang have operate differently.

DISCLAIMER: My knowledge of photography and film is extremely limited, so please correct me if I'm wrong.

There's always been a lot of film imagery in this show—obviously, since the whole premise is based in photography—but as early as the Season 1 OP, "Dive Back In Time," we can see the repeated use of rewinding film rolls as a metaphor for going back in time.

Note also: Lu Guang dropping the photo and it transitioning into a film roll, and Cheng Xiaoshi being tangled up in film rolls and being "inside" the film in the background/trapped in the frame. I'll get to this later.

The thing is, once you record something on film, you can't change it; you can only rewind and play it again. This tracks with the closed loop theory: no real changes can be made, because they have already happened. So how is it possible that "changes are still happening," as Lu Guang says in the YE4 preview? It's likely that Vein (and Liu Xiao and Xia Fei) are involved, but I don't believe that's the root of the issue. And, I don't think it's just the ever-nebulous "butterfly effect," because in YE1 Lu Guang says this:

I used to think that even a flap of a butterfly might cause a hurricane strong enough to ruin the world. I was wrong. The power of time is still far beyond our imagination. The future may not change due to a ripple of the past. Not at all...

(Yes, Lu Guang is a notoriously unreliable narrator, but I've decided to trust him on this one. Not to mention, butterfly effect shouldn't exist in a closed loop system.)

I've seen lots of excellent analyses illustrating the discrepancies this season, from the very first scene of YE1 (different furniture positioning, cracks in photo frame glass, bloodstains, presence of curtain, etc) to the changing positions of clothing, buildings, time of day, food, and so on in YE2 (go check out hyperfaexation's excellent YouTube video on their Shattered Memories theory for more details). The fandom is constantly theorizing about how many timelines there are. But while we've been asking ourselves how many timelines exist (five, ten, more?), we forgot to stop and ask: why do they exist?

The existence of multiple timelines doesn't fit into Season 1's time travel premise. In Season 1, it was always Cheng Xiaoshi that we were watching. Whereas Cheng Xiaoshi could be said to live "in" the film when he dives, perhaps Lu Guang is cutting the roll short at the point which he dives back to and splicing a new roll onto it. This could explain the scene from "Dive Back In Time" that I referenced earlier, with Lu Guang outside the film and Cheng Xiaoshi in it. It's not exactly that Lu Guang is diving back in time; it's more like he's diving out of time, into a parallel timeline and leaving this one behind. Maybe this season, we'll get to see more complicated time travel mechanics that result from the intersection of different powers. (And, while we're at it, maybe we can get an answer to why Cheng Xiaoshi has golden eyes for a few frames in YE1 when they're running away, because seriously what's up with that?)

**Another explanation for the non-reaction to the clients' possession could be the interaction of different timelines, but I'm not really sure how this would pan out so I'm not going to elaborate too much.

What does this have to do with the earthquake arc? Why would Lu Guang have a (slightly) different power than Cheng Xiaoshi, if he inherited it from Cheng Xiaoshi as we are led to believe? What happens to the discarded film, the abandoned timelines, when Lu Guang casts them away? Can Cheng Xiaoshi ever be saved? I don't have answers to any of these questions, and maybe I'm overthinking (ha) all of this and it really is just a writing inconsistency after all, but I want to believe Link Click's writers know what they're doing with this and all we can do is wait for the reveal.

[sausage-rolll]

My take on the promised consort.

I believe that Radahn held the stars in place when Ranni began fearing her fate. She never wanted to become a puppet to the two fingers, and Radahn knowing this attempted to hold off her destiny for as long as possible. Though he likely knew that it would be an inevitability. The only other two living empyreans were cursed afterall. 

There was no way that Miquella or Malenia would be able to take Marika’s place, the two fingers weren’t even the slightest bit interested in either of them. Malenia was already claimed by the God of Rot and Miquella was perpetually in a state of adolescence. Ranni seems to be the only one who was ever actively bothered by her fingers and I believe this is because they had an intense desire for her to be the next god, assuming Miquella and Malenia as lost causes due to their curse.

I think this is when Miquella came to Radahn with a proposition. He will be seeking godhood. Even if the two fingers had no interest in him, even if the world thought him too small and frail to ascend, he was going to find a way, no matter the consequences. He was determined to become the next God and lead the world into an era of abundance and peace. To fix the mistakes of the past.

He only had one simple request.

“Promise me, you’ll be my consort.”

If Miquella were to ascend then Ranni would be free of her duty. She’d be able to live in peace knowing that she’d never have to be controlled by another's will. She wouldn’t have to become a god, she wouldn’t have to succeed queen Marika. And to top it all off, Radahn would get to play the role of his hero Godfrey. Ushering in a new era alongside a new god.

It was perfect.

That was, until the night of the black knives. The night the world was thrown into chaos. The night that the first demigods fell. And the night that he lost his sister.

Radahn likely wouldn’t have known about Ranni’s plot and would have thought her dead alongside the other victims of the night. Ranni was gone, and with her, so too was Radahns need for Miquella’s age.

I believe Radahn, fueled by grief, rage and the mad taint of his greatrune, denounced Miquella and struck out on his own as a warrior of the shattering. He didn’t need peace, he didn’t need Miquella. All he wanted was to fight. All he wanted now was endless war.

Maybe that would be enough to dull the pain of his loss? Not only the loss of his sibling and father, but also the loss of his purpose.

-

Now picture Miquella. Making the final preparations to begin his ascension. Only there’s one problem. His consort has abandoned him at the very last moment. As it turns out, it seems Radahn never really cared for Miquella or his visions for a new age, he was only really in it for his own gain. 

Imagine how devastated Miquella would be. Knowing that yet another one of his plans had fallen apart at the finish line. That the person he trusted to rule alongside him didn’t even hesitate to abandon him when it was no longer convenient for him.

His ascension to godhood would never happen. He would never be able to heal his sister. He would never be able to bring forth an age of compassion. He would never be able to right the wrongs of the past.

He had failed again.

Now imagine how furious this would make his people. How angry his followers and his sister would be to see Miquella rejected at such a pivotal moment. To see him mourning a consortship and an age that would never come to pass.

Is there really any wonder that they chose to march towards Caelid and deliver the promised consort by force?

[lord-squiggletits]

It's hilarious to me that someone actually asked/JRO actually confirmed via word of god that Tarn tortured Pharma while he was at Delphi bc like. Fucking yeah??? How else do you think Pharma went from "for most of his life, he was a good doctor" to stark raving mad? What else did people think Tarn, fanatical Decepticon who leads a group of professional murderers, would do to Pharma, Autobot stationed on DJD territory, to make him comply with the deal?

I get that sometimes people just want confirmation from the author for them to go "no yeah your theories are right" but on the other hand I don't understand asking for word of god confirmation on things that are obviously canon if you just think about it for a little bit

[greenfiend]

On the topic of Band-Aids…

Sure Will “ripp[ed] off [the] Band-Aid”, but where did it leave us? It left us with an enormous wound, spreading all across Hawkins.

A heart shaped lake ripped apart in the centre.

Obviously, that wound needs to heal, and somehow I doubt Mike and El’s “love” for each other will help matters. Especially since Mike’s “love” speech to El occurred right before this wound opened up.

People who simply study scripts and script writing only know a portion of what’s going on. A lot of clues come from the visuals and subtleties that are not written on a page.