#I adore that ep
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mrros-e · 4 months ago
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...how did I make that Annie Oakley post not realizing Mario bravado is obviously inspired by Annie Oakley and
THEREFORE a fic of his convo w blakk would be like the perfect way to explore the Annie Oakley parallels w Slugterra?!?
brb, I have so much to write-
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cinematicnomad · 5 days ago
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9-1-1 ▸ 4.13 suspicion || 8.17 don't drink the water
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automatonwithautonomy · 1 month ago
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martha and rory are watching belinda with joy in their hearts and tears in their eyes... carrying the proud legacy of medical professional who calls the doctor on their bullshit <3
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nadjasnandor · 5 months ago
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I do not need you or your stupid monster to protect me. Is that what you think?
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elexuscal · 1 year ago
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obsessed with how in Danny Phantom
when the network (i presume) went to the show's writing staff and said, "love the show, but the kid's a superhero, give him a logo, we need a logo"
they clearly thought. but uhhh chief his super hero costume is the outfit he died in. we can't change it.
but they *had* to change it.
and instead of any half-dozen solutions i can think of off the top of my head (e.g. season 2 power up, take advantage of his already canonical light shapeshifting powers)
they went "okay so a ghost genie re-writes reality so he never met Sam and therefore neve rdied so Sam convinces him to die all over again but not before slapping her own home-made logo on his chest"
ridiculous. awful. love it.
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dramashii · 9 months ago
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Seung Hyo & Seok Ryu's relationship (with texts)
LOVE NEXT DOOR (2024)
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jackabbot · 11 months ago
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EVAN BUCKLEY + close-up 16/?
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yourstrulynobody · 3 days ago
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FAKE SAMS AND EAPS THUMBNAILS (based off yesterday's art) :D!!!
[EAPS] "ECLIPSE IS MISSING!"
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[SAMS] "ECLIPSE GOES HOME... in VRChat"
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(the storyline under cut, ft bad writing <3)
(THEY MAY BE OUT OF CHARACTER AS I AM HORRIBLE AT INTERPRETING PERSONALITIES, SO I DO APOLOGIZE! DO CORRECT ME IF IM WRONG. :D.)
Eclipse doesn't remember how he did it—to convince Solar Flare to help him find where their Sun and Moon now stay, but he managed to.
By the gods, they managed to in half a week.
The audible sigh of relief that came from Eclipse finding out Solar Flare wasnt doing as he dread, but doing as he requested was the most hes been at peace. Maybe Eclipse shouldve known when his companion gave him that knowing look when he spoke of his plan. Maybe.
This favor was huge yet Solar Flare didnt ask for anything in return, only that Eclipse find refuge and a home in this new dimension. That embrace Solar Flare initiated before allowing Eclipse to enter the portal was something Eclipse hadnt known he'd needed, but it was worth returning in a tighter hold.
It was hard to step in after, but Solar Flare's nod was enough to tell Eclipse that he was doing the right thing. His kids were gonna be informed, and they'd start anew like Eclipse had planned when he entered the other dimension before, far from the danger and problems.
His eyes landed on the exterior of a house, illuminated by the blue tone of the portal until it closed, leaving the house enveloped in shadows once more. Absentmindedly, his body surges forward and his hand raises to knock on the door twice, catching the attention of the people in the lit kitchen.
The door swings open, and a familiar voice speaks out—a voice Eclipse never knew he missed.
"Hello—? Gah!" Sun squeaks out, taking a step back as his faint glow reveals Eclipse's figure outside. Stammering, his gaze bounce between Eclipse and Moon, his brother staring in confusion. "M-m-moon, do—do we have, uh, a-a Eclipse in this universe?"
Moon perks up from his slouched spot against the counter, his guard raised. "I dont think we do..." He turns on his night vision just as Eclipse rudely welcomes himself in and... collapses into Sun's arms.
"Eclipse?!.." Moon rushes over to them, his hands no longer holding the cereal box as he raised them in worry, wanting to cup Eclipse's face but not knowing if he was allowed to.
Sun, though, was braver; his arm wraps around the taller animatronic, allowing Eclipse to use his shoulder as a pillow. "Eclipse!.." Sun whispers, more worried than Eclipse has ever heard Sun towards him.
They spoke his name ever so softly, like it were the first time theyve seen him.
It possibly was with his appearance—his slumped figure with worse eyebags and tear stains than both of them with the addition of his odd choice of sleepwear of a jacket layered on a turtleneck and baggy pants to hide his barefeet.
While Moon has met Eclipse a few days ago, he was certain Eclipse didnt look like he walked into hell before being dragged suddenly and knocked against rocks in his fallen state.
Just the way they spoke and fussed over him told Eclipse enough: he was safe. By the Astrals and stars in the sky, Eclipse was safe.
Safer than Puppet's greetings to him.
Safer than getting released from the mindscape.
Safer than getting his back patched up.
Safer than Charlie reuniting with her father.
Safer than Ruin giving him options on how to take a break.
Safer.
This dimension was safer.
Sure, the virus is at work and possibly infected plenty of devices already, but he was with someone—Moon who could actually help him in creating a cure, maybe even Solar and Monty could assist as they are both just as smart in that subject.
This was safe.
The safe haven Eclipse hasnt been given; the place where he could finally heal from his trauma.
The way he was held and spoke to so gently was like melody, the lullaby that lulled him into allowing his tears to finally escape as hes lowered to the ground, his head now on Moon's shoulder while Sun continued to hold him.
He was safe.
If not safe with his friends, than safe with his enemies.
Eclipse is safe.
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starp00k · 4 months ago
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Does anyone love when Zooble did this in ep 4
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hualianschild · 1 year ago
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secriden · 5 months ago
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This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.
It's a direct reference to this moment earlier in the episode:
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At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:
Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.
In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:
Style: What do I have to do to gain your complete trust?
Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.
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I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:
Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.
Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.
Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.
And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.
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Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.
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Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.
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I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.
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I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.
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And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.
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Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.
It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.
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So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.
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He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.
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And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).
So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.
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What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.
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Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.
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When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:
Style: One day, I'll be your 100%.
This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.
I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.
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But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.
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And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.
Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.
Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.
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And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.
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matchamilk60212 · 10 months ago
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the greatest artist in all of avantris!!!
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msbelladonnas · 6 months ago
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"I thought that class would never end."
Screenshot redraw of Blake cause I've been brainrotting about her plus I've been meaning to draw this outfit for ages now.
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qinduang · 20 days ago
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Romance peaked here, I'm afraid.
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There is something so sickenly romantic about Mon showing great interest on Doraemon after Kim's "recommendation".
Although my research might be off, I found that in the few hours they've been apart since the club meeting, Mon read over 46 chapters of the manga. Maybe even more, because the specific chapter they're talking about—Goodbye, Doraemon or Doraemon is Leaving?—is part of The Complete Works of Fujiko F. Fujio, a special edition that include never before published manga chapters.
Sure, it's not a lot to the standards of an average manga reader, but this might just be Mon's first manga ever. I'm also a gnarly reader who devours books after books in one sitting, so I know that changing mediums is difficult. (Or maybe that's just me, because I'm dyslexic, and takes days to finish a volume.)
Yet, Mon gave Kim's favorite book so much importance and care that he even called Kim to appreciate both the chapter and his analysis.
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And that's really important when Kim felt incredibly inferior and insecure after the club meeting:
The thing is, Mon must've figured out by now that I'm just superficial and shallow. Mon reads Shakespeare's works, but I read Doraemon.
Mon buying so much manga in a single purchase, reading over 50 chapters in one sitting, and immediately calling Kim to gush about it was exactly what Kim needed. To be loved is to be seen.
I love stupid lovely boys completely smitten over each other.
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dribs-and-drabbles · 3 months ago
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I've been debating whether to post this or not...because I feel like y'all should already know...but I also feel like we should be talking more about this if you do know...so maybe no one cares...? But like...
Y'all do know that these two are brothers, right?
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Like, actual brothers. PJ is the younger brother of JJ, in case that wasn't obvious.
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mayo-productions · 3 months ago
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I hate this guy get him OFF my screen immediately /affectionate
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