#I LOVE THIS GUY'S DESIGN

[kurim-chis]

For Destiny — HSR Blade

Blade is aggressive and violent - but not in the way you think he’d be. His aggression is cold and razor-focused like the blade he wields. His gaze is frigidly empty, there’s often no emotion you can glean from his eyes.

When he kills a monster, when he cuts down a human, when he’s facing down a Stellaron, when he’s sustaining what would be fatal wounds to another person - there’s no difference for Blade, who has sworn loyalty to Elio and sees himself as a weapon for their cause. Few things can provoke Blade and if someone has the misfortune of managing so and provoking his unrestrained hostility, the last thing they’d see are the wild eyes of a beast staring at them as their head falls off. But most of the time, Blade doesn’t concern himself with those he fights, he doesn’t care.

Death is unattainable and violence is the only thing left for Blade. There had been a time where he had been consumed in misery and agony over his state, but he’s long since stopped caring about it. There are moments of humanity in Blade, such as when he quietly goes along with whatever Kafka plans or has to suffer through babysitting Silver Wolf or the rare antagonistic quirk of his lips when he meets others. The sneer when he meets past acquaintances like Jing Yuan and the surfacing mockery in his gaze as he looks upon his old comrade, taunting him as ordered by Elio and seeing a twisted macabre tune to all of this.

Living for the determined prophecy gives him a purpose, it’s a debt he has to pay with his blood and pain, until the day Elio has promised him arrives (his death).

Hunting after that man is a grievance left unfinished, the hatred and rage towards him is another source of purpose that fills the void in Blade. (we are different types of immortals and i loathe you with all of my being are you going to die first or will i? which of our destinies will come to pass first? let me put you out of your misery before you truly understand eternity i loatheyoudespiseyouhateyouenvyyou—)

But hunting after that man quickly leaves Blade feeling absolutely miserable in the aftermath. Silver Wolf and sometimes Kafka come and dig his mangled body (more because of the environment than that man's fault) out of the pit of a star and they complain and tease Blade, but he ignores them at this point in time. Trying to put an end to that man's pitiful existence is exhilarating but failing to always do puts a bitter reminder in Blade's mouth. The emptiness that returns is worse, somehow more apparent and aching after tasting violent emotions like hatred, rage and bloodlust. It left Blade miserable, like one of the dolls Kafka has unwittingly bewitched, and he loathes it as much as sickelingly craves it -- it's both an unhealthy mechanism to ground himself and part of the orders Elio had given him, after all.

"Corner him until he has no place to go, only then will he go to the place he's meant to be," Elio had said. And thus he obediently, unwittingly herds the pitiful, infuriating man into the destiny chosen by Elio. Blade doesn't know any further information about that man, his location, or his use - probably to prevent his manic episodes from destroying that important location. The person Elio confides in the most is Kafka, but that is because the beautiful woman is a key player in the chosen destiny, holding a different role than Blade's, who is more than content to be a mere attack dog despite Elio asking him about his opinions.

He does know, however, that it has to do with the receptacle kept in hiding by Silver Wolf. That unmoving figure that Kafka often hovers over and asks about. The reason why Kafka would step up for the task if Blade could not and herd that man to the chosen destiny, by force if necessary (Blade thinks it will be a worse experience for the man if Kafka gets her impatient claws on him). The receptacle is the reason why Kafka won't allow mishaps to happen on the path for the "best future". There is little that would deter the longest-standing Stellaron Hunter from her duty, and one of the few things that can make her pause - as Blade notices through the years - is the mention of the receptacle.

“She’s my destiny,” Kafka once tells him, under the camouflage of the night as they travel the stars. She’s very similar to him, that woman — her gaze is vacant, distant, detached in her faux-friendliness and ominous to anyone who dares look deeper into that alluring sea of magenta. There's an abyss inside this woman. There’s nothing she wouldn’t do for “her destiny”.

In her eyes, he sees she’d even murder for the sake of it and think nothing of it (he knows she has done so already). She had crushed broken civilizations and snuffed out the cancer of worlds in her obsession. Perhaps, like him once, she had been a beautiful young woman living normally on a distant star, who smiled and cried and laughed, alluring and enchanting to men and women alike. But all Blade can see now is madness and obsession compacted into one dainty, playful, vacant-eyed creature.

Kafka is an empty, ravenous doll, hungry for something in the distant future and greedy enough to fell kingdoms and stars for it.

Blade doesn’t understand Kafka’s little obsession with the receptacle, he’s never had the misfortune of coming in contact with her, but at the same time he does understand Kafka — and perhaps this is what had attracted him to her, to Elio, to the Stellaron Hunters on that fateful day.

If someone as empty and horrifyingly ravenous as Kafka could find a promised destiny, then Blade, as well, yearns for one.

He wishes to see a linchpin in his unending life, a meaning to his misery and violence and anger and hatred and immortality, something that can validate his existence.

Elio promises him a story. Elio promises him a purpose.

Just for that, Blade will become the sword that slaughters their enemies and snuffs the stars. He will murder, sabotage, slaughter, and carry all the wounds inflicted on him without another thought.

If it's for his purpose - his very own little "Destiny" - Blade will do anything.

.

[bearrverine]

me and gang at the haunted house

[rebelsafoot]

i took out the other people sitting at the table in the original comic because i did NOT want to draw glindas gay ass friends

[hinamie]

post-graduation trip airport looks

[s0up1ta]

"so grunkle ford how do you know bill?"

"... that's not important."

[poorly-drawn-mdzs]

Hey now, Let her cook!

[somewhereincairparavel]

"jason is a knockoff watered down percy" NO hear me out, jason actually parallels annabeth immensely, sharing SO many similarities with her personality, not percy, in this essay I will-

edit: my full analysis is out now! here

[chloesimaginationthings]

Michael learns of Jeff’s pizza from FNAF Into the pit

[saragrosie]

Sketching while streaming s5...

Jonathan Sims I will learn to draw you (this is my doing. I could draw him however I want and I choose to stick with an image of him in my brain that is difficult for me to draw. Masochism.)

Not s5 Mahtins below I enjoyed drawing cuz hes neat:

(Edit: I yassified Martin in the do not separate cuz I wanted his hair fluffier)

[marcell-arts]

He was my cousin, but we were more like brothers, really. (All we had left...)

lucanis and illario through time

[diabloku]

I love himmmmm

He's a cutie pie 🥹

I wanna trust him, they were too cute when they were dancing! The way he flew to make Stolas turn? 😭 💜

I still believe in Stolitz being endgame but I want this cute interaction with Stolas and that CUTE INCUBUS to be genuine 🙏

[the-phantom-peach]

yeah whatever

*posts hylink*

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tw: stylized blood below‼️

[wasyago]

a guy and his emotional support snail (unleashed and untrained, causing a scene. don't have a license for it. kicked out of the store)

[zacharie070]

*Alice voice* "Pick up, Sam. Pick up. It’s on Santa's Sleigh, It’s on Santa's Sleigh!"

[chell-min]

hc that wenona has a really adorable laugh

[shriimpcandle]

Redraw of two characters I like 💦