#I LOVE THEIR DYNAMIC I LOVE THEIR HISTORY AND I LOVE THEM

[flightfoot]

ML Fanfic Recs for Completed Fics 7K - 10K Words

Only 12 fics for this category, there are generally fewer fics the higher the wordcount you look at.

All of these fics will be in my Keyseeker's Choices For Best Completed Miraculous Fics Of 2024 Collection, and if you like that, please consider checking out my other collections, Keyseeker's Choices For Best Completed Miraculous Fics Of 2023, Keyseeker's Choices For Best Completed Miraculous Fics Of 2022, and Keyseeker's Choices For Best Completed Miraculous Fics - Misc. Years.

Valentine Surprise by choppa01

Adrien had the perfect plan for spending Valentine's Day with Marinette. Unfortunately Chat Noir has the worst luck when it comes to keeping to the plan. But it all works out in the end, right? Right?

This is adorable. Chat Noir keeps running into people who need help on Valentine's Day and sacrificing his own plans in order to help others. Luckily, all is not lost, even if everything he set up for his date is.

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Run Amok by @mirrankei

The more time a sentibeing spends away from their amok, the weaker that connection becomes. In time the magic of the amok, desperate to keep that connection, will move to an item that the senti is closer to. Adrien's amok is empty, and Felix and Duusu are on a frantic search to find the new item before someone else can get their hands on it. Without letting Adrien know any of this is going on, of course.

I really loved the concept of this fic, with the Amok moving, and seeing Felix's perspective was a treat! Especially with which item he suspected held the Amok. The senticousins' dynamic is always interesting to watch.

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every wall that I knock down (is just a wall i'll replace) by @purplecatghostposts

Now it’s Félix’s turn. Adrien needs to know about his own existence before anything else and Félix wanted to have that conversation himself. Marinette didn’t argue when he told her as much. If anything, she seemed slightly relieved. Félix has been meaning to do it for a long time. Adrien had been at risk if he said anything before, not to mention it felt cruel to tell him when he would still have to bend to his father’s orders until the rings were retrieved. But Adrien wears his own amoks now, making his own choices with no one forcing him to do any of it. All physical risks are out of the way. Félix only needs to break it to him. The problem is that it never seems to actually be the right moment. (Or Post Season 5, Félix finally has the chance to tell Adrien about both of them being sentibeings and their family history. He’s not quite sure why his words keep failing him whenever he tries though.)

I love the analysis of Felix's thoughts and feelings about being a sentibeing, the psychological hangups that are preventing him from telling Adrien everything. I especially like how he doesn't even seem to realize HIMSELF what his problem is. Few people are able to really understand why they're reacting the way they are, why they feel the way they do, without either some deep examination or talking to someone.

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sub-in by @purplecatghostposts

Wordlessly, Adrien slips the ring off his finger and offers it with an outstretched hand. Félix stares at it for a long moment, knowing in an instant what it is but processing what it means. “You can’t be serious.” Félix blurts out at last. Adrien, the traitor, can no longer fight the grin that stretches across his face. “Completely.” (Or Félix was still getting used to Adrien being Chat Noir, but now he must take on the performance of a lifetime and become Chat Noir. It’s more stressful than it sounds. Takes place in Season 2 of a Félix Joins Early AU.)

I loved seeing Felix's and Adrien's relationship here, they act a lot like siblings XD. Adrien's just a ray of sunshine while Felix is a grumpy cat, though he loves Adrien dearly. I love seeing Felix try out the catsuit, and also realize how VERY close his cousin is with Ladybug - and how good a sense she has for him. He's a good actor, but he didn't have time to fully study up on this role.

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Rhododendrons by @buggachat

“These are your apology flowers?” “Yes,” he whispered. “They’re very pretty,” she said quietly, staring down at them, “But they’re not good for apologies.” “Oh, yeah?” he breathed. “They mean ‘danger’,” she said, raising a brow at him. — Marinette had always been so patient with Adrien when it came to matters of his father. She understood that he struggled to say 'no', that he was trying his best. She always made it clear that she loved him anyway. But even she had her limits. Her trust in him was wearing thin. Good, he couldn't help but think, standing at her front door with his father whispering into his earpiece. She shouldn't trust me.

Classic "Gabriel recruits Adrien to help him deal with Ladybug, taking advantage of his possession of Adrien's Amoks to ensure he has no choice" fic here! Buggachat's writing is as visceral as ever, you can really feel Adrien's misery at this situation.

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Regardless of Perfection by @aidanchaser

Marinette rejects Adrien's proposal; he can't understand what he did wrong.

I love this look into how Adrien would respond if Marinette freaked out and rejected him, seemingly out of nowhere, because he tried to propose using one of his parent's wedding rings. He'd have no clue why she freaked out, and the way it would make him feel... it's not good. Luckily, Felix is there to help straighten things out!

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forever (and a little bit) by @rainbow-arrow

Now the world was out of tune. It was messy and blurry and Luka could not fathom waking up tomorrow and accepting his new life. He had less than nothing. How could he care about anything when the better half of his melody was replaced with silence. --- see also: Luka's villain origin story

This is a tragedy, don't go into it expecting a happy ending. Adrien breaks up with Marinette because he's upset over her lying to him about his father's fate and not telling him he's a sentimonster, and gradually becomes closer to Luka instead, first as a friend and later as a lover. There are fragments of story from the future that let you know this love story isn't going to last...

It's rated M, though I think that's mostly because of Adrien's injuries. I can see why it's M rated, but I think most teens should be fine reading this.

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I'd Do Anything For $20 (To Feel More In Control) by @shroomifiy

Bee!Nathaniel AU one shot (because I think he's silly teehee) Nathaniel hated keeping secrets, especially from someone he cared about. But unfortunately, it's not up to him to decide that. Marc feels hurt from Nathaniel's actions. He just wants his boyfriend to be honest with him. Hawkmoth is a bitch ass motherfucker. Enough said.

Fun Nathmarc fic here! I love seeing Nathaniel's interactions with Pollen, and him cope with the strain on his relationship with needing to run off all the time to go fight akumas with only the flimsiest of excuses. He loves Marc deeply, as deeply as Marc loves him. But Marc's getting suspicious and wondering what's going on, and Nathaniel doesn't think he can tell him.

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the monster who loves you by @purplecatghostposts

Mum nods, clapping her hands together. “Your brother is finally feeling better and is coming home today! Isn’t that so exciting?” Félix pauses mid-bite, processing her words. Mum waits expectantly, as if expecting him to jump for joy, or his equivalent of it. But… Félix doesn’t have a brother. (Or Félix’s brother is a monster, but only in the most literal sense. Félix’s father is a monster despite being very, very human. He learns to navigate the world through these two truths.)

I loved how this story emphasized the differences between different kinds of monsters - the type who inhabit horror stories, who look terrifying, and the mundane, human sorts of monsters who are often the most dangerous. And how monsters can choose to act humanely, while humans can choose to act monstrously.

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so say my name - and every color illuminates by katrinette

When an akuma hits Chat and turns him into an actual cat, Marinette can't just leave him on the streets overnight. She takes him home with her. But a cat might overhear any number of things he's not supposed to know...

I love this trope. Thankfully for Marinette, Chat retains his mind in cat form, so he's pretty cooperative. It also means that he remembers everything he sees and hears as a cat though, which is bad for secret identities, but great for their relationship.

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Adrien's Wingman Plans Failed Successfully by @mexicancat-girl

Adrien’s going insane. His friends Nathaniel and Marc were so obviously in love with each other, but no one else seemed to see it. Well, that was gonna change! Adrien was now their number one wingman and will get those two comic-making boys to confess and kiss one another! Thankfully, he had Luka to help him along the way, even if the other boy insisted he should stop meddling.

This fic's great if you need something cute and wholesome! Adrien's a bit OOC (he's not nearly this oblivious or perky in the show), but this version of him is still a lot of fun. He seriously manages to have no clue how hard he's clearly crushing on Luka, even while Luka's actively trying to date him.

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Chat's Discovery by hislittlelady

On patrol, Chat Noir stumbles upon Marinette Dupain-Cheng. She’s been missing for six months and now she’s got a secret: something to protect, something far more valuable than her secret identity.

So Marinette's secret identity got exposed, and she had to go on the run as a consequence. Luckily Chat found her, because taking care of this particular secret on her own would be... let's say, unsafe. Adrien's about ready to murder his father by the time he finds out everything.

[highfantasy-soul]

So I read Bloodmarked and feel the strong urge to write a 'fix it' fic for a certain love story.

spoilers, obviously

the insane desire to fix the Sel/Bree dynamic - starting in book 1 - is strong

Sel should have remained combative to Bree in book one, not suddenly turn and fall madly in love with her by the end of the book. He should have only stayed with her for duty because she's Arthur's Scion and it should have been made clear in the story that it was killing him staying with Bree because he's bonded to Nick.

He should have still been combative as she doesn't want to stay hidden, but it should have been 100% duty as to why he was staying with her and protecting her.

BREE should have actually done things to change his mind, not just be the main character. She should have studied past Order dangers they faced and how they overcame them, she should have kept training with weapons and her aether, she should have actually DONE things to try to get Nick back (giving updates after her bloodwalks), and should have worked tirelessly to help others and learn enough to really help in this war.

AND she should have shown how she's different from just any other Scion - she should have pushed for a different perspective, sought out others to help in the battle since she does know about others who use magic. She should have pushed for inclusion and bringing everyone into this fight in the ways they can instead of just leaving it to the Order. She should have researched more about Merlins through this study of magic and perhaps pointed out inconsistencies in the official records, she should have gotten empathy after seeing how much is expected of Merlins and the standards they have to keep and the punishments if they don't - giving her understanding for Sel's position and why he behaved the way he did in book 1. She should have kept in touch with the Lieges who are part of this war, but have different perspectives too.

They should have SEEN each other DOING things to protect people and fight demons SEPARATELY rather than Sel only existing to protect Bree when she's done something stupid or someone is after her. Bree should have DONE something other than run around helpless and complaining about being helpless until she explodes with power.

They should have learned to RESPECT each other for their own actions and histories and seeing how hard each other are trying to do the right thing - and always butting heads because their methods are so different. KEEP the arguments! KEEP the conflicting perspectives - but have them argue with RESPECT for each other, pleading their own cases, but never devolving to petty shit since, you know, they should be focused on protecting people from Camlann.

---

THEN.

THEN! When Bree is attacked and is bleeding out and Sel gives all his energy to keep her alive, THAT'S when he realizes that he's not just saving her because she's the Crown Scion, he's saving her because she's Bree. He can't stop thinking about what would be taken from the world if BREE is dead (her desire to bring together the different communities, her desire to help others even when she can't access her power, her questioning of long-held beliefs and push back on how Merlins are treated and how enslaved all the Legendborn are to the Order's rules down to who they're allowed to marry and her desire to change that) and that he didn't think once about the cost to the Order or the Lines. THEN we can have his change and the slow burn enemies-to-lovers become apparent.

Nix all this 'you're the most strongest, beautifulest, bravest, phenomenal person I've ever met' bullshit - since he can't give examples of her ever being those things! If you think you can come up with reasons, give me some that don't revolve around her power or her attempting to claim her authority - give me some examples of her ACTUALLY HELPING people. As it stands, the narrative only gives us 'Bree is super powerful and pretty and that's enough to make her brave' - no actual action on her part, just how she was born.

Idk, all the tension was just like......we GET IT! She and Sel LIKE EACH OTHER!!! The narrative just has to have arbitrary reasons they can't be together even though they're very clearly attracted to each other! Sel was super concerned about her being out to hurt Nick in book 1, then 180 and he's in love with her now. It's ok for him to be annoyed that she's in the middle of this and she has no idea what she's doing! It's ok that he's annoyed she has such little frame of reference as to how to fight this war and lead the Order! It's ok if he's still annoyed at her in book 1 because he thinks Nick deserves a bodyguard who actually knows what they're doing!

It really pissed me off that Sel started out as a cool, very hard and sharp character, then once he decided he didn't want to kill Bree anymore, he became a completely soft butterball of a person. LET GRAY CHARACTERS KEEP THEIR EDGES!! Stop smoothing their rough parts once we're on the 'to lovers' path!!

Their whole contention could be that she's studied the Order and sees all the ways it needs to change and offer solutions - maybe specifically how the Merlins are treated - and Sel could push back because of all his self-loathing and fear of himself that the Order pushed in him and so he's always playing 'devil's advocate' for the Order and all their methods of control. Stay in line and you stay safe - they've kept Onceborn safe all these years, why fix what isn't broke and risk the chaos that would bring - chaos demons feed on. Bree could push back on him arguing 'WHO' is being helped, WHO has been kept safe? Rootcrafters hunted down by the Order? Onceborn POC who are subjugated under Vassal power given to them by the Order but wielded in the Onceborn world? The Legendborn who have no control over their lives? The Lieges who will die early because of their curse?

Have Sel and Bree actually bring up real and nuanced themes to explore in the story instead of petty shit like it was. Make their arguments MEAN something more than just 'I'm worried for your safety/You're smothering me'.

Make their rivalry real, make Bree's character DO something, and make Sel begin to question his fear of himself and the control the Order brings him. THEN they can start to have feelings for each other based on concrete actions and who each other are, not just 'oh no, he's hot'.

[zahri-melitor]

Hi! I’m a steph fan and your steph post really is good. IDK what post/person you’re talking about (I assume it’s going around, because I’m seeing the tumblr posts about it) but I love steph, and I think her sense of retributive justice and almost like instinctual violence towards men makes complete sense with her character. Even if I don’t think every writer was doing it intentionally (BQM certainly wasn’t thinking about Steph’s history with men when he had Steph get startled and punch Tim accidentally or whatever), these traits I think speak to feelings a lot of abused and wronged teenage girls have. I think it’s genuinely bizarre to want to remove these traits that IMO make Steph interesting in order to make her more palatable.

While I can actually understand people wanting her to grapple with restorative vs. retributive justice (again, i think this is a really common thing for young abused people to question and struggle with so seeing it on-page could be interesting), I think there’s more and more this sense of because Dixon wrote her this way, you should throw it all out which is so catastrophically boring to me. As much as Dixon is a conservative, and wrote Steph as a bit of a mouthpiece (and leaning on stereotypes about young girls in her characterization), plenty of it i think makes complete sense and genuinely works for her character.

Which, again isn’t to say I think every single aspect should be immutable forever (I think that would also be boring, especially for Steph who very rarely has gotten to be seriously introspective or have a fully realized arc in which her beliefs change past like 2000), but plenty of them straight up work for her teenage years in particular. Like of course the girl with no friends we meet on-page and no real support system when shes introduced is going to be possessive and desperate and catty! She started coming on to Tim after he REMEMBERED HER VIGILANTE NAME. That’s what it takes for teenage steph to like a boy, which I think speaks a ton for her dynamics with her male peers in her life. Like the minute you think even a second about what Steph’s life was probably like pre-Spoiler, I think most of her character flaws as a teenager (even those born of a conservative era or sexist writing) make complete sense.

I understand people not liking Steph (although I think she gets a lot less leeway than her male counterparts), but I think buffing out her canonical traits and flaws so she’s just like this freakish exaggerated version of herself (a perky, hyper-feminine stereotypical blonde thats super chaotic and doesnt think and does everything unintentionally) that only exists as a character foil to Tim or Cass or as a like cookie cutter snarky young female sidekick is way worse.

The thing about Steph in particular compared to a lot of other characters is that she has two very distinct, separate versions of her story that exist in an overlapping form (rather than before and after a Crisis like a lot of other characters who have a similar discontinuity in their characterisation).

The main character Steph you get reading Batgirl 2009 and Batgirls 2022 is a quite different personality to supporting character Steph that forms her appearances from 1992-2004, Batman RIP, Tynion's 'Tec, and Mariko Tamaki's 'Tec and One Bad Day.

Now personally, what I enjoy in a character is complexity and personality traits that are simultaneously assets and flaws (This is part of the reason I adore Barbara Gordon: she's a stubborn, grudge-holding hypocrite, and it gives her character so much depth). Another thing that you particularly see with female characters is they often develop a lot of complexity via stories that don't quite line up but when analysed turn into patterns of behaviour that various writers didn't even realise they were contributing to.

Supporting character Steph tends to be allowed to be messy (to help move stories along!) and that's where a lot of her most interesting personality traits pop up. As you say, there's a lot of solid background to why she hates to see criminals 'get away with it' based in her background and childhood and storylines. There's reasons for why she seems such a loner who has trouble forming friendships and who clings to the people who do put up with her for validation, and is so territorial over her relationships with Tim and Cass. She's desperate for approval and will cling to any shred of it she gets. And that desperation and determination is where her stubborn commitment to get back up again and ignore everyone trying to convince her to stop comes from, and how she keeps fighting, to prove her naysayers wrong.

While I tend to feel the Batgirl 2009 and Batgirls 2022 version of Steph is really flattened out into Generic Perky Blonde Optimist, because she's not allowed to face consequences of her actions or be at fault for anything in those titles.

It also obviously makes discussions difficult, with the overlapping contradictory characterisation versions, because if you're talking to someone who's only read a small chunk of her canon, you have to work out which bits they know, and with the added problem that what looks like obvious entry points (her solo or Batgirls) tend towards more uncharacteristic and flattened personality versions of her. Someone who's only read, say, Batgirls, has a very different view of who Steph is than someone who's only read Steph's Robin appearances, and if they try to discuss it without realising the significant differences in characterisation they're going to end up talking at crosspurposes.

[eternallovers65]

GOD I LOVE ROMAN/SETH STORYLINE!!!

I genuinely don’t think I’ll ever get tired of listening to people say Seth is at fault for breaking up The Shield, because at the end of the day, when you see it from his point of view, it makes so much sense.

He broke them up, knowing it would change the game, but also understanding that it would benefit him first before anyone else. He knew the impact it would have, but he saw an opportunity to push himself to the top. But look at what Roman and Dean/Mox also achieved!!! They’re all Grand Slam Champions, and most of that happened because of what Seth did

It’s completely understandable that he would continue to view everything this way because not only does it absolve him of some guilt, but it also shows that, in the end, Mr. Architect’s plan worked. They ruled that place.

But in counterpoint, you see that Seth’s betrayal caused irreparable damage to their bond, his relationship with Roman in particular. While all three went on to achieve greatness, Roman and Seth were the ones that stayed in WWE, meaning they were forced to coexist in the same environment, constantly reminded of that fateful decision. Seth’s betrayal was a pivotal moment for Roman, not just as a competitor but as a person. Roman had to rebuild himself. We see this former Shield brother to the resilient Tribal Chief.

In this new dynamic, Roman views Seth as someone who always needed to prove himself at the expense of others, someone willing to burn every bridge to succeed. Meanwhile, Seth sees Roman as someone who rose to dominance partly because Seth’s betrayal forced Roman to evolve, but that doesn’t erase the bitterness of being overshadowed by Roman’s legacy as the Head of the Table.

So, while Seth has openly embraced his role as the visionary and architect of success, he also refuses to fully bow to Roman’s dominance. Their rivalry isn’t just about titles. It’s deeply personal, rooted in unresolved issues from their Shield days. Roman hasn't forgiven and forgot, and Seth uses every opportunity he has to remind Roman of his vulnerabilities when talking about their relationship/history.

[notsogoodangel]

I'm just saying that there's no heterosexual explanation for AJ, as the Champion, having a twink actually running Parkour Civilization.

[thedeadthree]

𝐃𝐑𝐀𝐆𝐎𝐍 𝐀𝐆𝐄: 𝐓𝐇𝐄 𝐕𝐄𝐈𝐋𝐆𝐔𝐀𝐑𝐃 ➸ irulanne . the rook .

𝐌𝐎𝐔𝐑𝐍 𝐖𝐀𝐓𝐂𝐇𝐄𝐑𝐒 . 𝐄𝐋𝐅 . 𝐃𝐄𝐀𝐓𝐇 𝐂𝐀𝐋𝐋𝐄𝐑 𝐌𝐀𝐆𝐄 .

-`. template by @kanos . coloring . icons .

✧ ― 𝐓𝐀𝐆𝐋𝐈𝐒𝐓 (ask to be added or removed or interact 𝐡𝐞𝐫𝐞!!):

@pavus, @wlwaerith, @shadowsofrose, @grapecaseschoices, @nokstella

@queennymeria, @risingsh0t, @carrionsflower, @leviiackrman, @griffin-wood

@confidentandgood, @aceghosts, @tommyarashikage, @shadowglens, @yharnams

@anoras, @theelderhazelnut, @florbelles, @celticwoman, @pinkfey

@kyberinfinitygems, @cloudofbutterflies92, @carlosoliveiraa, @shellibisshe, @adelaidedrubman

@lavampira, @capelizabeth, @socially-awkward-skeleton, @statichvm, @unholymilf

@aezyrraeshh, @imogenkol, @aceghosts, @full---ofstarlight, @ellierenae

[thymejot]

Oh interesting.

So, Rio really wasn't there when Agatha was still stuck in Wandas spell.

This means that Agatha's subconscious pulled Rio out to play the ex.

Damn, Agathas subconscious is thirsty.

Imagine the person you hate most in the world, being the one person your spell damaged brain summons in you fake cop fantasy.

That Agatha trusted Rio enough to have her question Agatha's reality when she was at her most vulnerable, even when she wasn't there.

Makes the line "well, you're only lying to yourself" hit a little different.

And look at her having a crush on her own estranged wife in her own subconscious.

How embarrassing!

I love it.

It also means that Wandas spell was protecting Agatha similarly to the Darkhold.

So when Rio kicks down her door and tries to stab her, it's the first time they have touched in a long time.

True love is a beautiful thing

[quibbs126]

Now I’m kind of wishing Optimus had more dynamics like he did with Sentinel in Transformers Animated

Like yeah, he’s usually friends with Megatron before them having a falling out and hating each other, but what’s different between that and Sentinel is that in TFA, Sentinel was still an Autobot and someone Optimus had to work and cooperate with, and while a jerk was somewhere deep down a good person (though admittedly his actions by the end of Season 3 were pretty shady). So like, it’s not as simple as friend to enemy

I just think it was interesting and has potential to be explored more as something for Optimus

[lord-squiggletits]

IDW Megatron and Optimus weren't friends before the war. Here's why that makes their ship dynamic more interesting.

One comment I've heard among people comparing IDW1 MegOP to other continuities of MegOP is (paraphrased) that since they weren't friends before the war, there isn't as much material to ship them with/they don't have an established dynamic/they don't have ~*history*~ that makes them be the bitter exes we all know and love them to be.

In this meta post, I'm going to contend that the IDW1 MegOP lack of friendship before the war is actually a benefit to their dynamic in this continuity, not a negative. Although they didn't get a lot of time together before the war in terms of quantity, the quality of their interactions and the weight it gave their future rivalry is due to the tragic nature of their relationship: They saw a glimpse of each other at their best in their youth, but like a tragic myth of old, circumstances conspired to keep them apart, traumatize them, and turn them into people who couldn't trust or reconcile with each other.

The IDW MegOP's first meeting is like a fated encounter, almost as if it was destined to happen. The way that one single brush can change the entire course of history.

I like to call this a "love at first sight" moment because, although they're not in love, it has this sort of storybook magical quality to it where this one single moment has a lot of weight. This one moment where they saw each other at their best and could have a positive interaction.

When I say that they met each other "at their best" here, I'm referring to Megatron's pacifistic essays and poetry that represent his pure revolutionary spirit and care for Cybertron, and Orion's trait of showing kindness and encouraging individual freedom despite his position of authority. The way that their first encounter was so brief and unassuming makes us, the readers, yearn for more. Doesn't Megatron's silent glance behind him in that final panel make you wonder what he's thinking? They only had that one brief talk at the rodion police station but it went on to ricohet the rest of their lives. Orion started thinking about the corruption of the system due to Megatron's writing. Megatron looked back at Orion with curiosity/lingering feeling after he was escorted out of the station. Even Megatron being put on Messatine was indirectly due to Orion, since Orion delivered that speech on his behalf.

It's almost like literal chemistry, where two particles bumping into each other once can cause a chain reaction of other particles bumping and bumping and bumping until suddenly those two particles are back together.

It's a sort of magical real life scenario where you meet a stranger just once but something they did or said to you makes you remember it and think about it for a long time afterwards. except in this case the MegOPs are (un?)lucky enough to meet again. And they start a war.

I also really like that Megatron and Orion/Optimus spent most of their pre-war backstory apart from each other, because I feel like it makes them stronger characters individually instead of making all of their most important moments be about each other. This is more of a comment on fandom than canon, but many romantic stories fall into a pitfall of a relationship where the two people obsessed with each other: their romance is the most important relationship they have; the entire plot revolves around whether they're happy or upset with each other, it can even make their relationship seem unhealthy and like they have no meaningful relationships outside of their romance. In terms of MOP in other continuities, I feel that putting too much emphasis on their friendship kind of cheapens the worldbuilding and political conflict. True, it's nice when the personal and political intersect in the MegOP's lives, but sometimes I feel (especially in fanon) that the "they were friends but then they disagreed and now they're not friends" concept sometimes ends up being written as if this one simple friendship conflict was the basis of a whole war.

The benefit of IDW1 MegOP is that because they spend their pre-war time apart from each other, they develop separately as people and end up transforming into someone different from their "love at first sight" moment. I like that Orion had relationships with people like Shockwave, Roller, and Zeta, and Megatron had his student/teacher relationship with Terminus and the whole arena thing happening.

Both Megatron and Orion went through traumatizing events during this time period that changed their worldviews for the worse and made them more cynical. Megatron suffered an attempted brainwashing, losing his mentor, his first killing, then being stuck in the arena. Orion went through the loss of Shockwave to a fate worse than death, then the disappearance of his best friend Roller, then worked for Zeta and began to doubt in his ideals/goodness as a leader. In that time between the MegOP's first encounter and their ensuing encounters in a military conflict, they came back as very different people than the first glimpse they got of each other.

Since they only had that ONE first glimpse they had of each other, then met again only to be disappointed by each other's fall from grace (in each others' eyes), this sets up a lot of angst. They wonder if that first glimpse of each other was really true or if it was a lie. Should they trust in those "good" versions of each other they saw so long ago? Do those people even exist? Are they or were they ever worth believing in? Does that man I saw still exist or did I just WANT to see something good in him? That man ruined my life and I hate him for fighting against me, he's a hypocrite. I thought that man was a good person, but he's betrayed the hopes I had by becoming a violent criminal warlord/working for the evil government I thought he opposed.

It sort of has the vibes of a "love at first sight" story gone wrong where their first encounter was kind (I like to imagine Megatron was touched or at least curious about Orion, a cop, telling him to keep writing and be vocal) but then they descended into their worst selves. They only had that one small glimpse of each other at their best but now they're in a scenario where they can only be enemies.

The longing and disappointment is more obvious on Orion's part about Megatron, because Orion got this shining glimpse of Megatron at his best and most passionate, only to encounter Megatron again and all those good parts have been buried to leave only his worst. Megatron's POV about OP isn't really shown, but I feel like it could be interesting to write headcanons about it. How did Megatron feel about Orion making that speech on his behalf? Getting moved to Messatine because Orion made him so public, and all the bad things that happened there?

Yes, their first encounter was brief and they didn't really have a personal relationship before the war. But that brief encounter changed the trajectory of their entire lives. When you combine that with the fact that they saw each other as their "ideal selves", it creates that valid obsession between Megatron and Optimus. It is kind of unhealthy LMAO, because they do kind of become obsessed with each other based on an incomplete view of the other as a person. But then the war happens and they keep having personal and professional encounters that would give them opportunities to meet (such as in diplomacy meetings like Tyrest's peace negotiations and other political things that come with war). And those repeated meetings would only cause them to get to know each other better. Then you get into more mythical/legend-like story dynamics where Megatron and OP have to learn how the other thinks tactically, and their tactical knowledge becomes so intimate they start understanding how the other thinks and it's very dramatic lol. The typical our-enmity-is-so-deep-it-could-be-love enemies to lovers fare.

TLDR:

Circumstances outside of their control drove them apart, made them into different people, and kept them from becoming friends. It makes IDW MegOP feel legendary or mythical, like some sort of epic Greek tragedy of two people who were always 🤏 this close to being friends. There's longing there, and tragedy, imagining what might have been if they'd only been able to talk again, or if they had somehow been able to influence each other before they went down the bad path (violence and crime for Megatron, following Zeta and becoming Prime for Orion/Optimus). But despite that, their natural chemistry perseveres, and they talk to/about each other in a way that shows they still think of each other even when apart.

[hephaestuscrew]

Thinking about the protective way Clara tells Fleet not to go into DeVries' dangerous-looking training set-up, and about how when Septimus mentions Fleet's friend Fleet's immediate assumption is that he must mean Clara, and about "This is Miss Clara Entwhistle, my partner - in business, my business partner." / "I'm also his friend, but he doesn't like to say it.", and about how Fleet rarely smiles but he smiles to himself at Clara having a good idea (and Clara notices the change in his expression), and about how Clara is trying to work out Fleet's birthday through a process of elimination, and about how Fleet tries twice to shut down the conversation with Frances Byrne that's making Clara uncomfortable, and about how panicked and angry he sounds after realising she's been poisoned...

[lemongogo]

why do i love the conflict more than anything else . the misery . the incompatibility that spreads like oil slick . wanting so desperately for resolution that never comes . hmmm

[rinayeas]

Im still on the fence abt the ghoul boys but if they bring tourist trapped and weird wonderful world back i might have to reconvene

[wutheringmights]

Spirit: When I graduated high school you were only 13 isn't that weird

Wars: Can yuo put that out on me

Based off that one chapter lmao

LMAO DAMN OKAY YOU ARE VERY CORRECT ABOUT THIS ONE THANK YOU SO MUCH FOR BRINGING THIS VISION INTO THE WORLD IT WILL PLAGUE MY EVERY WAKING THOUGHT FOR AT LEAST THE NEXT WEEK BUT PROBABLY MORE 💛💛💛💛

[razzledazzletrassh]

no major fic updates just yet guys TAKE MY WOY OC I MADE LIKE. April of last year IM PLUGGING SOME INFO ABOUT THIS GUY IN THE TAGS.

I may also redesign her soon or something. Make her more bug-like with some stuff. I can cook guys let me cook !!!

[townofcadence]

"..."

Holidays were not a thing witches really celebrated. It was a human (or, insert another mortal species with holidays here) tradition. But he had given her something, so she'd return the favor.

Mortem approached Artair calmly, knowing by now they could communicate well without words - he'd no doubt sense her intentions weren't meant to cause unease. Even as she reached out, cool fingers touching upon the underside of his arm to guide it to lift. A wordless ask for him to keep it there.

From her little pouch upon her waist, Mortem fetch something from it. A band, woven dark shades wrapped tight around one another into a seamless circle. Her fingers stretched it, revealing it was surprisingly elastic despite looking like leather. She set it around his wrist before giving it a gentle tap. A soft hum of energy resonated, like the smallest hammer creating a 'ding' against metal. Attuned to him, this enchanted thing.

"If you lose it, it will return. If you leave and need it, it will find you." A simple explanation. It was an enchantment she hadn't crafted in many centuries, but dusted off an old grimoire from her youth to remember how to forge it for this occasion. It was the same enchantment upon her pouch, after-all.

Her fingers slipped off his arm as she drew herself back, out of arms reach as to not crowd Artair. "It widens more than it ought to, it constricts more than you'd think. Adaptable. For your hair," She paused, a flicker of a sly smile upon her lips as she confirmed it was an ornate hair-tie. "or for the necks of those that would hurt you."

You're creative, you'll figure out its uses. - She seemed to say without it leaving her lips.

@cursedfortune // Gifts!!

He recognizes she's coming his way, and his greeting is paired with a smile on her approach, an invitation. He allows her to conduct and direct his arm without any resistance. His arm hangs suspended where she leaves it, a small raise of his brow with a twinge of curiosity. It heightens when he feels that leather cord against his skin, the buzz of magic tingling like static the moment it draws near him. It's a distinct feeling from even Mortem's own which initially cloaked it under her own raw power. She's the sun, a bright, intense being compared to a moon which only reflects a fraction of herself.

Artair watches, fascinated, as it is encircled on his wrist, and the energy shifts. It feels like it entangles with him in a way he can't rightly explain or even describe.

He studies it as she explains, in her usual mysterious way. But something like this was made for playing with. An experiment for a curious mind. She opens a gap with her movement, but they feel the same about touch, and he has no qualms closing it again. His hand touches her arm, a warm expression spreading over his visage. "This is lovely." Leave it to her to provide a fashion accessory that could double as a garrote and so much more. "I love it."

He gives her arm a small squeeze. He can understand that this is his to use as he will and find new uses for. "It's perfect. Thank you so much."

[sotc]

Finally decided on Armas's backstory being one of King Fulgeno II's bastards and the only other bastard to choose the Crows versus exile (Viago being the first). The dynamic is already soo funny with Viago being Armas's boss so why not make it funnier.

It's not just a toxic work family environment where he berates Rook all the time, it's also sibling energies. Viago's younger brother being House De Riva's best and worst asset to his professional career as a Talon but it's also a rivalry under the Crown. Now whenever Viago has to go brief "His Royal Fatherliness" in Antiva City he's got little shit of a brother that has to tag along with him. Viago is largely so reserved and otherwise composed with everyone else but no wonder Viago is so quick to snap and be so critical of Armas. He was specifically curated to piss Viago off lmao

Aw, look at them!! 🥰