#I JUST WANT TO GET APPLICATIONs OVER WITH

[mellowdiplomattrashpsychic]

Damian had to close his eyes, the green abruptly assaulting his eyes with how bright it was.

It was suffocating, like he was swimming into the league's training pool depths. The water pressure was similar to this, making him instinctively hold his breath.

It was wrong. He knew he should just give in. He already did this much. He couldn't take it back. He was halfway there. Just a little more, and he'll be with Danyal forever.

He just had to breathe.

Just as he was about to let go of the last seconds he had to live, he saw a change in light through his eyelids. He felt the pressure vanish just as quickly.

He coughed a gasping breath, hearing a wince of sympathy.

"Oh, right. I forgot about how people react to a change of ambient ecto quality... Sorry. Just- just take slow, deep breaths. You might feel a bit tingly, but that's just your body filtering out the polluted ecto and adjusting to the more pure version."

Damian followed Danyal's instructions, taking slow, deep breaths instead of quicker ones. It seemed that Grayson's breathing techniques to calm oneself wasnt applicable to those in the land of the dead. There was no need to hold his breath. It made exhaling difficult, as if the air had somehow gained consistency.

A few breaths in, and he could feel what his brother had referred to. He felt as though he were drugged, feeling as though he was barely clinging to his physical body. He felt ashamed that he couldn't get himself to let go.

He cracked his eyes open, blinking out the black spots and struggling to make sense of the shapes around him. But once he did, he saw buildings, a road, a starry night sky, streetlights, a few people-

Danyal moved in front of him, smiling softly.

"Feeling ok?"

"A little out of body, but the process should be over soon. I swear to you, it... it's not my intention to still be so... attached."

Please forgive me. I swear I'll join you soon. I don't know why my body can't follow my mind or heart.

Danyal's smile became smaller, making Damian's heart drop.

"It's fine, Ahki. I don't expect you to detach yourself from them. They're your family." Danyal pulled Damian into an embrace, a hand combing through his hair. "I know... I know people aren't fond of ghosts. But that's ok. I don't mind, I just... I'm happier with you. I would've backed off if you weren't comfortable with me."

Damian bit his inner cheek, hands reaching out and grasping the thin clothes Danyal wore. No matter how much Danyal altered them, they would always feel thin, as if they would tear as easily as wet paper. But that was not the case, not when they would have crumbled and torn apart with how tightly he held onto them at that very moment.

"They were worried about you. That you were sacrificing something by staying on the living plane." His voice wavered. He didn't mean to, he didn't. He swore it.

"Ahki?"

"Yes?"

"Please don't lie to me."

"When I close my eyes and listen to what you say, it's easy to tell when you're lying."

Damian's blood ran cold.

"I-I wasn't-" He tried to pull away. He tried to make Danyal look him in the eyes. To show his sincerity.

Danyal only held him more tightly.

"But you hid something. Please... please tell me, am I bothering you? Did you really not want me around?"

"No! No, that's not- n-not not-" His voice wasn't cooperating. He took a quick breath in his frustration, only to quickly regret it when it got stuck in his throat, encouraging his gag reflex that soon turned into a violent chain of coughs.

"Hey, hey, deep breaths. Deep breaths, Ahki. You want me around, I heard you. Breathe, it's ok. We're ok. I'm not mad or anything. I just needed to make sure you actually wanted me around. I'm sorry that I scared you like that."

It was difficult to regulate his breathing, his coughing fit making him gasp at air quickly out of reflex. It was dizzying, it was worsening, he couldn't breathe.

He could feel Danyal letting go, making his heart race despite the low oxygen levels.

Please don't leave, I'm sorry.

He reached out, hearing a distant apology before his nose was pinched and mouth was covered. His body spasmed, attempting to continue to gasp for air. His hands twitched, the temptation to grab one of his many weapons high.

But he couldn't. He couldn't do it again. Not to him. Not again.

He felt his heart start to slow, and his body quit acting foolish. That's when the hands left his face, allowing him to breathe deeply. It was slow, he was too drained to even attempt to gasp for air.

He fell forward onto a cool surface. A body.

Danyal.

Danyal suffocated him.

He deserved it, but it hurt nonetheless.

"Ahki..."

Why is there a cold ticklish feeling trailing down his face? Was he crying? When did he start crying?

"Shhh, I'm sorry, but you were going to drown if I didn't get you to stop coughing or gasping. Just a few more minutes, and I won't have to do that ever again, I promise."

"Ahki... Ahki, 'm sorry..."

His head felt so floaty, but his body still felt heavy. Why? Just why couldn't he follow through?

"There’s-..." Danyal let out a sigh. "What are you sorry for, Damian?"

"You asked me to... you asked me vome with you." His breaths still felt short. "But I couldn't follow through. I still can't follow it through."

"..."

He should've been worried about Danyal's silence, but he couldn't even keep track of time. How fast was he talking? Was he slurring his words? He felt so dizzy still. He felt like he was floating.

"I thought about it. I thought about it to the point that I became... anxious. Father and Richard... Todd, Brown, Caine, Pennyworth, and even Drake care so much... I didn't... I didn't want to hurt them by dying."

He was almost there. He shouldn't have struggled even if he didn't end up causing any bodily harm. He shouldn't have even attempted to reach for his weapons.

"They were scared. They're scared, please don't blame them. It's my fault, Danny... it's mine. It's my fault they tried to send you away. I want- I want to stay with you."

Was he still talking? It sounds like gibberish, words not sounding like any he recognized.

"Damian... Damian, I didn't- Fuck, I didn't mean it that way!" Danyal roughly pulled him off, a hand on his shoulder to keep him steady and the other shakily cupping his cheek. He was letting Damian see him, he wanted him to look at him. "I don't want you to die, Damian."

Damian's lips pursed, brows furrowing in confusion and denial.

"Don't lie to me-"

"Look at me, Damian! Look at me and see if I'm lying!"

Damian focused on Danyal's face, searching for his giveaways.

"I don't want you dead." Damian searched more desperately. "I want you to live, Damian. I want you alive. I want my brother alive. I don't want you dead."

He repeated it over and over until Damien glared at him and covered his mouth.

"I understand, I hear you, I-" He jumped, quickly pulling away in disgust. "You licked me!"

Danny only gave him an innocent and saintly smile in response.

Ugh.

"You're disgusting."

"But you love me!"

"Unfortunately."

Danyal giggled, pulling away and crossing his legs, now hovering an inch over the grassy ground.

Damian let out a slow breath, still feeling drained but not as terrified and filled with shame as before. He felt like he could breathe freely. He could still have Danyal by his side and live with the rest of his family without any guilt.

He still deserved some form of punishment, but it was fine. He was fine for now. Perhaps... Perhaps Danyal would consider everything up to this point as punishment enough. Even if it wasn't enough, that seemed like something Danyal would choose to do.

"Damian?"

"If you did not want me to pass, then why am I such poor condition? Where are we, if not the afterlife?"

Danyal smiled sheepishly.

"Right. So you know how the Lazarus Pits had that power to elongate life to the fatally injured? Well, it turns out that it's because it's made of ectoplasm, runoff more specifically. But there's other types. The one that's affecting you to this point is ambient ectoplasm. You could think of it like air. Gotham is filled with polluted ambient ectoplasm because of the amount of curses there, and it's pretty low on it since there's a lot of shades.

Here, though, we have pure ambient ectoplasm directly from the Infinite Realms, where the afterlife resides. So it's pure, and there's a lot of it. But since you're used to Gotham's ectoplasm level, your baby core needs to accommodate itself. You should be good to move around soon if not already."

"..." Damian turned away from Danyal and looked at their new surroundings. "Where exactly are we then?"

"Oh! We're in Amity Park, a town in Illinois. Not a very good welcome, but uh, yeah. This was last minute. I would've had a party set up with everyone- which reminds me! I need to call Jazz. She's my adoptive older sister, by the way. She's nice, a bit weird when it comes to psychoanalyzing people, don't pay much attention to it. She's cool, you'll get along live a forest fire!"

"Those are dangerous, Danyal. I feel as though I should be concerned with your apparent interest in arson."

"See! That's something she would say!"

"For good reason." Damian smirked.

"Rude!"

Dcxdp

Just thinking of like a demon twins au where danny finds out damian is no longer under their grandfathers rule and goes to visit him in ghost form.

And damian is grieving all over again. Because thats his little brother, dead at his hands. Never able to grow up and live a full life. Just this weird mirror version of it. And now that damians embraced his fathers way of preserving life it feels even more of a waste and he mourns the experiences they could've had together. It felt like less of a blow when he was still in the league and surviving wasnt much of a life. Danyal was most likely happier at rest then there, but now? Now damian wishes they had more time.

Danny not realizing hes forgotten to tell his brother hes actually still alive. keeps saying that damian should come with him. See his home, meet his friends, Etc. Damian thinking danyal wants to drag him to the afterlife. Considers it even, because he owes him that much. Scared by his own thoughts and telling bruce or dick about it. And theyre both grief stricken and furious. Just this whole misunderstanding snowballing. Another son but one whos been lost before they could ever meet. One theyd never been able to know. Who never got the chance to be a child before his time was cut short. And everyone wanting to find a way to lay danny to rest without him stealing damian away too. Bruce desperate to meet this imprint of a son he never met but terrified of it taking away the son he still has.

Lol thinking of like 100 ways this could go.

Bruce calling in constantine. Danny feeling betrayed that they called someone to banish him? He thought damian would be happy to see him? Would accept him. Thought he could meet his father as well.

Or

Damian making him a grave and showing him that he can "rest" now like hed never been properly laid to rest with the league. Danny thinking its either a) a funny joke or b) finally realizes whats going on.

Or

damian offering to go with him as long as hes able to come back? He still wants to live his life and there are others in dcu who can go between realms (sorta i guess?) Danny being like yeah? No duh we'll come back xD damian being like??? When he sees amity lol.

[writingwithfolklore]

Who holds the power in your scene?

This is something we really explored during my time at film school, and is easier to see on the screen but still very applicable on the page. Essentially, in every scene there is one character who is holding the power—meaning they are driving the conversation, driving the action, they are in control because they are going after a goal, and if they are in power, are going to get the closest to achieving it. Every character should have some sort of goal going into every scene, and thus the power can and should shift between characters within the scene to create more interesting dynamics. So how do we do this?

1. Understand each character’s goal—and who is going to “win”

Each character comes into a scene with expectations that form their goal. Let’s do a breakup scene. Character A comes in with the expectation to go on a hike with their partner and have a good time. Their goal may start out as something simple like: “have a good time on this hike” or “avoid fighting with Character B”. Character B is going into this scene knowing they are going to breakup with character A, their goal is to literally just breakup with them.

If we know, as the author, that Character B is going to be successful, we know that this is their scene and they will ultimately hold the majority of the power. Vice-versa if Character A is successful in achieving their goal.

In knowing that, we can get into the actual mechanics of a power shift.

2. Character spacing and movement

Spacing and movement is the most obvious aspect in filmmaking, but may be forgotten on the page. In our example, I would place Character B ahead of Character A on the hike so that they are standing slightly above them on the incline. When they begin discussing their breakup, I would turn them around. Subconsciously, we know that B is “lording” over A, they have the high ground (har-har) and thus are the more imposing, powerful person.

Even the act of turning around would be a display of this power. So I would write it as,

B: Listen, I’ve been meaning to talk to you about something… I just don’t really think either of us are happy—I don’t think this is really working anymore. A: What are you saying? B stops walking, turning on their heel to face them. B: I’m saying I want to break up.

3. The Driver of Conversation

Seen a bit in the last section, whoever is driving the conversation, steering the topic and tone, holds the power. You may notice throughout dialogue that there tends to be a questioner and an answerer, or someone providing the action while the other(s) are reacting.

A: I thought we were trying to connect more. Isn’t that what this stupid hike is about? B: Well it’s not working. I’m sorry. I’m done trying.

However, a character can grapple for and shift the power by calling them out or otherwise steering the conversation in a way that they would like instead. At this point, A would likely have shifted their goal from “having a good time” to proving that they were right about some change they picked up on, or in another case, may be trying to convince them to not breakup. If you allow them to “win” for a portion of the scene, you can reverse the power.

A: This is because of that person you met at work isn’t it? How dare you try to pretend that it has anything to do with me. B: Hold on—this has nothing to do with her… A scoffed, stepping forward on the incline. A: You are such a liar. You have been since the day we met. I don’t know why I ever trusted you.

B: I didn’t lie about that. I swear.

And let’s reverse the scene back:

A: What is it then? What is this really about? B: We’re just too different! I’m sorry. B steps past A and starts walking back the way they came.

Power can shift because another character took it, but it can also shift by the character in power giving it up, either intentionally or unintentionally.

4. The leader of action

Otherwise, the person who directs the action; is winning the fight, points out directions or creates the plan, or otherwise is determining where the characters go next or what they do next, holds the power in the scene. A grapple for power doesn’t necessarily need to be verbal but could rather be two people going opposite directions and one of them relenting, for example. This one is more obvious because it’s very visual, but is still an important aspect to how characters “win” or “lose” their goals in a scene.

[back2bluesidex]

Slide - The Vacation - MYG

Pairing: Producer!Yoongi X Lyricist!Reader 

Theme: Angst, smut, unplanned pregnancy. Fwb to ?

Word count: 1.6k

Summary: 

"I can see the pain in your eyes I don't wanna say that I'm God, but I'll take you to heaven if you die" 

Alternatively, 

Yoongi finally finds an answer to all of his questions.

Listened to Slide by Chase Atlantics

Warnings: Angst, angst and angst

Minors do not interact!!

Series Masterlist | Masterlist | Patreon (for early access)

Taglist requests are closed for now

A/N: This chapter has both readers and Yoongi's pov.

Read the next chapter

“I want to try being with you. If you’d let me.” Yoongi had said, just less than an hour ago, standing at your dining place. 

If you have ever thought you would be squealing like a schoolgirl when he mistakenly professes his love for you - then you had been wrong. Because those words of his - rang hollow. 

Those words of his had no promise, no meaning, only a tone of experiment - or maybe less than that. 

Your tears have dried up. You have cried much more in the span of a year than you ever had in these twenty eight years of life. 

So you don’t cry. 

Even when you stare at your bathroom mirror, without the sign of another life springing into you - you don’t cry. 

Even when the metallic smell of your own blood-soaked sheets dances around your senses - you don’t cry. 

Even when Yoongi’s voice saying he doesn’t know what he feels for you rings loudly in your head - you don’t cry. 

The woman who is standing at the place of your reflection is you - but emptier. 

Now, truly, you have nothing left in yourself. 

The baby is gone, Yoongi is gone, you - yourself - are gone. 

When Yoongi broke and scattered the broken pieces all over your sanity, you picked those up, put them up in a stack. 

Now that you are at the same place, who is going to do that for you? 

No one? 

Yourself. 

So you decide, you need a vacation. 

Attachment and Expectations are two human behaviors that you have always dreaded. 

You have purposefully stayed away from everyone, whoever you thought would get you attached. And you have always expected the least positive outcome whenever it comes to human connections. 

At the beginning, Yoongi was no exception. 

You admired him but never stepped past the professional boundaries in fear of getting attached, until he broke the norms. 

Even when you realized you fell in love, you expected nothing more than the warmth of his body. But your resolve weakened whenever he looked at you for a little longer than necessary, whenever he shared tales about Holly, whenever he treated you to a meal. 

Now that you are determined to heal yourself - you realize this is the root of the problem. 

You are attached to Yoongi and you have expected Yoongi to have a similar feeling towards you. 

Wrong. So wrong. 

You need to break free. 

So, you try to save what’s left of your sanity and avoid looking at Yoongi as he and Namjoon sit right across from you in the same meeting room where everything went south a month and half ago. 

Your feet bounce under the table, your breath shortens under Namjoon’s scrutinizing eyes. 

“Y/N, tell us what’s wrong? Why suddenly - I mean, I am not saying no your application but you have hardly ever been to such a long holiday? And if I am being honest, then you look quite unwell. Is there something we should know?” Namjoon is concerned, you know that. You are even grateful but you have no energy to answer him, no energy to lie anymore. 

You have no will to spend another minute inside the same room as Yoongi - because no matter what - you love him and you want him to wrap his hands around you and let you cry in his embrace. 

You want him to mourn with you. 

You want him to mourn for you. 

“I was pregnant. I lost the baby two nights ago. I am neither mentally nor physically fit to work for now. Besides, I don’t have any important projects going on.” you reply flatly. 

Saying these words out loud, makes things even more real. 

Pain crawls back inside your heart and fills your eyes to the brim. 

Namjoon has gone quiet. 

Yoongi has always been silent. 

“O-oh.. I- I didn’t know. I’m sorry. It must be tough, Y/N. Please take care of yourself.” Namjoon fumbles with words, a rare sight. 

Funny how your misery has rendered the smart ones dumb. 

He approves your leave in his laptop as you raise your feet to leave. 

“Are you going alone?” His voice interrupts your action. 

Yoongi doesn’t look at you, he stares blankly at the table. 

“Yes.” you reply.

“Stay safe.” he adds. 

And you want nothing more than to scream at him, to tell him that he fucked you up. But in reality you know he is troubled too - that it’s your fault as much as it's his.  

“Sure.” you mutter, as you quietly slip out of the room. 

Two nights ago when you left the bathroom the first thing you did was to look for your phone. When you found it laying idly by your laptop on your desk, you dialed Hoseok’s number for the second time that evening. 

You were incredibly sorry to him. 

He was but a stranger to you and had no responsibility of attending to your troubles but still he showed up when you called him sitting on your bloody bed and came rushing to you despite being busy. 

This time too, he received your call right after two rings. 

“I need a vacation, Hoseok. Do you.. Do you know any wellness retreats that might help me?” you asked.

“That’s a really good thought, Y/N. I will send you a few links, check those out, okay?” he replied. 

And that’s how you ended up packing your bags for a month-long retreat in Thailand. 

Yoongi didn’t come back home that night. 

He went straight to a snack bar and drank seven bottles of distilled Soju all alone. 

However, he didn’t black out this time. He knew there would be no calling you if he passed out on the floor, covered in vomit and mud. 

He knew there would be no kindness from your side - he doesn’t deserve it - he never had. 

While he drank the only thing he could recall is that you were carrying his baby. That you were on the very first step of being a mother and him a father. 

Weird how, if these same words would have come out Gyuri’s mouth, he would have freaked out so bad. 

But it’s you. And whenever he thought of you, he could picture a quiet life. A condo in an upscale neighborhood, floor to ceiling windows where he could enjoy mellow sunlight sitting on the couch with you. 

Where he could cook for you in the kitchen and then serve you food piping hot or maybe feed you upon blowing a little. 

Those thoughts had always shaken him to the core, made him question his feelings towards you but at the end of the day, he always left himself with no answer. 

On the next morning when he woke up with the worst hangover ever, he decided to do what you have asked him to. 

He decided to give himself time and question himself regularly, repeatedly, that what is it that he feels for you? 

And while doing so, he decided to stay away from you - give you time to find your footing and mourn for the loss. 

He decides to mourn too. 

However, he got completely ruined like a damp wall with several cracks when he read your leave application. 

You had applied for a month-long holiday. 

A month without you? Without seeing you for a glance? Without hearing from you, even a word? Without having to watch you pressing the button on the seventh floor on the elevator, without your quiet sitting figure in the meetings, without your habit of writing lyrics on pen and paper rather than using your ipad? 

Can he… can he survive? 

“Y/N..” he finds himself following you after you leave the meeting room. 

You don’t startle, nor do you turn back. You stand in the middle of the corridor and wait for him to finish his sentence. 

“When are you leaving?” he asks from where his feet are stuck on the floor. 

“Tomorrow morning.” you reply briefly. 

“Incheon?” 

“Gimpo” 

“Can I come? To see you off?” 

“You don’t need to.”

“I want to. I want to see you off. I want to know… to know what I- what I feel for you.” 

He confesses to your back. 

You, probably, sigh. 

“Okay.” you say before walking off. 

When he reaches the airport as per the timing you have sent him - he sees you sitting a little far away from the check in counter. 

“Hey.” he approaches you. 

You look up at him with tired, blank eyes. Your eyes want to make him cry. 

“Hi. I was only waiting for you. I gotta go check in.” your voice is just as blank. 

He nods. 

“Bye.” you try to walk away from him. 

But he stops you with a hand on your wrist. 

“I will.. I will be here when you come back.” he whispers, only for you to hear. 

You nod. 

And then something crashes inside Yoongi, the dam of his eyes breaks and tears start falling unbound. He pulls you closer to his body, envelops you in a hug. 

You stay still but he doesn’t mind. 

He relishes your warmth, your smell, your feel for as long as he can. 

When he lets go, his lips find yours. 

He kisses you softly, with everything he has in himself. 

You don’t kiss him back but he doesn’t mind. 

For you, he will wait. 

Because right then, while you part your way from him, Yoongi finds an answer to all his questions. 

Yoongi realizes… He is in love with you.

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[aromanticmara]

ok not to be dramatic but my life WILL be over if i don’t get into this one college <3 hope this helps

[morlock-holmes]

I will also say, the vagueness of the term "AI Art" is, at this point, becoming actively misleading.

There's a sort of impression given off that you just type a simple sentence into a box and a picture pops out.

One picture I rather liked in the test was this one:

I particular, I like the extremely asymmetrical composition with the one figural bit being on the far left.

But the question I have is, how was that produced?

Because there are a number of possible answers:

The text prompt might not have mentioned anything about composition, and the AI model just happened to produce something I regard as interesting;

The prompter might have specifically directed the AI through the prompt, asking for, I don't know, "A woman on the far right";

The composition might originally have looked like this:

And the artist might have used outpainting to extend the side until the composition became more interesting;

Or maybe the opposite; it was a totally abstract picture and the artist used inpainting to insert a face.

I still haven't tried MidJourney yet, but even over the last year it has become significantly easier to art direct StableDiffusion, and especially to exert direct control over certain visual aspects, e.g. you can use lineart to direct the generation process in concert with a prompt.

At some point the process can get really involved:

Test a bunch of different models to get the look you want;

Use a 3d pose software to create a pose controlNet;

Use regions to block in the basic composition;

Turn that into a sketch or lineart controlNet and use that to control a different model;

Cut and paste new objects or use an image editing program to make broad corrections to the weird details and bad anatomy AI tends to produce;

Use image to image generation and inpainting to fuse those corrections in;

Repeat this a few times;

Use traditional techniques to do things like color correction, atmospheric perspective, add some bloom to lights, whatever;

Like, at some point the human being is starting to exert significant, direct control over a lot of aspects of the final picture, but in a way where the label "AI art" is still just as applicable as if they just typed a prompt and posted whatever came out.

Any sort of conclusions about AI art, and especially the future of AI art ought to really seriously take this into consideration, but in my experience they essentially never talk about this.

I keep saying it, but "AI art getting better" is basically synonymous with "Human beings exert more direct control over the final product"

Okay, guys, after reading a post by @centrally-unplanned I just took that ACX "AI Turing Test" that Scott Alexander did, and I am screaming, as the kids used to say.

You guys are way, way overthinking this.

I thought I would do better than average, and I guess I did; excluding three pictures I had seen before, I got 31/46 correct.

Not great if you're taking the SAT, but I feel like if I could call a roulette spin correctly 2 times out of 3 I could clean up in Vegas.

So, what is the secret of my amazing, D+ performance?

You have to look at the use of color and composition as tools to draw the eye to points of interest.

AI is really bad at this, when left to its own devices.

For example, here:

Part of the reason to suspect that this is AI is the "AI house style" and the bad hands that I literally only noticed right this exact second as I was typing this sentence. Even if the hands were rendered correctly, I would still clock this as AI.

The focal point of this piece ought to be the face of the woman and the little dragon she is looking at (Just noticed the dragon's wings don't match up either), but take off your glasses or squint at this for a second:

Your eye is being drawn by the bright gold sparkles on the lower right side of the piece. That particular bright gold is only in that spot on the image, but there's no reason to look there, it's just an upper arm and an elbow. The bright light source highlighting the woman's horn separates it out as a point of interest.

Meanwhile, the weird aurora streaming out of the woman's face on the left side means that it is blending in with the background.

In other words, the way the image is composed, and the subject matter suggest that your eye should be drawn here:

But the use of color suggests that you should look here:

That's a senseless place to draw the eye towards! It would be a really weird mistake for a human to make! In fact, I think there's a strong argument that the really close cropped picture of the face of the character is a strong improvement. It's still not a particularly good composition, but at least the color contrast now draws the eye to the proper points.

In fact, I would say that a good reason for my performance not being even better was this alarming statement at the start of the test:

I've tried to crop some pictures of both types into unusual shapes, so it won't be as easy as "everything that's in DALL-E's default aspect ratio is AI".

Uh...

So how about this one:

This is a lot better anatomically and in terms of the use of color and light to draw the eye towards sensible parts of the painting. The lighting makes pretty good sense in terms of coming from a particular direction and it also draws the eye to effectively to the face and the outstretched hand of the figure.

It's also a really flat and meaningless composition and subject matter that no renaissance artist would have chosen. What is this angel doing, exactly? Our eye is drawn to the face and hand, and the figure is looking off towards the left side, at, uh, what exactly?

But then I thought, "Well, maybe Scott chopped out a giant chunk of the picture, and this is just a detail from, like, the lower right eighth of some giant painting with three other figures that makes total sense"

This makes sense as a piece of a larger human made artwork, but if you tell me, "Nope, that's the whole thing and this is the original, un-cropped picture" I'd go, "Oh, AI, obviously.

All of the ones I had trouble with were AI art with good composition and use of color, and human ones with bad composition and use of color. For example, this one:

This has three solid points of interest arranged in an interesting relationship with different colors to block them out. I'd say the biggest tells are that the astronauts' feet are out of frame, which is a weird choice, and looking closely now, the landscape and smoke immediately to the right of the ship don't really make sense.

But again; I had to think, "Maybe Scott just cropped it weird and they had feet in the original picture."

Here's another problem:

StableDiffusion being bad at composition is such a known problem that there are a variety of tools which a person can use to manually block out the composition. In fact, let me try something.

I popped open Krita (Which now has a StableDiffusion plugin) and after literally dozens of generations and a couple of different models I landed on ZavyChromaXL with the following prompt:

concept art of two astronauts walking towards a spaceship on an alien planet, with a giant moon in th background, artstation, classic scifi, book cover

And this was the best I could do:

Not great, but Krita has a tool that lets you break an image into regions which each have different prompts, so I quickly blocked something out:

Each of those color blobs has a different part of the prompt, so the green region has "futuristic astronauts" the blue is the spaceship, the orange is the moon, grey is the ground and pink is the sky, which gives us:

Still way too much, so we can use Krita's adaptive patch tool and AI object removal to get:

I'm not saying it's high art, or even any good, but it's better than the stuff I was getting from a pure prompt, because a human did the composition.

But it's still so dominated by AI processes that it's fair to call it "AI Art".

Which makes me wonder how many of the AI pictures I called out as human made because one of the traits I was looking for, good composition, was in fact, actually made by a human.

[bixels]

In the past, people in the Animal Crossing community would make fun of Tom Nook as a sleazy landlord. Since then, he's really rehabilitated his image as this 'heart of gold' businessman (he's the one who puts bells and furniture in trees for you to find! he adopted orphans! he donates to charity!), but New Horizons genuinely paints the most devious version of him.

He's successfully privatized settler colonialism: you pay HIM to move to a "deserted island" (which apparently the oceans in the AC world are just full of) and start a colony that he is directly invested in. At best he's running a weird vacation package scam (you arrive on the island with no money and in debt for "using his services"). At worst, he's using you to set up company towns. For god's sake, he literally has his own fake currency that he forces you to use to pay off your debt. But don't worry, he's repackaged it in a way that definitely doesn't sound like an MLM scam: the Nook Mileage Program!

You're no longer just his tenant or his temporary part-timer, you're his business lackey. The entire tutorial section of the game has you spending actual weeks running around completing tasks and doing hard labor to set up his colony. You're even tasked with preparing his properties and finding buyers for them. No, you aren't a tenant anymore. You work for the landlord. You are directly responsible for finding tenants for him. And he doesn't even fucking pay you. Not for setting up town hall and museum, or his nephew's shop –– which is the ONLY store on the entire island that sells necessities –– or bringing KK Slider to town, or helping populate his town. Not a single cent. No, actually, you have to pay HIM to BUY infrastructure like bridges and stairs and park benches. And all the while, he's telling you're the "resident representative"; you get to call the shots! That the reward is the community's progress. That what you're doing is in everyone's best interest (but most importantly, his).

Since NH's release, people have done a lot of legwork to say that Tom Nook isn't a capitalist while the game shows him at his very worst. He owns the only general store in town. You're forced to use a phone that he modified and branded as his own. Buy Nook-branded furniture and merchandise at the self-serve kiosk in the town hall, a governmental building! There's no conflict of interest here!

But hey, if you're tired of being the landlord/business mogul's goon, you can also find work as a deluxe resort home designer for a company that also pays you in their special company currency that can only be used to buy their products instead of a real salary! Because that's what the Animal Crossing franchise needs! More vacation homes!!!

[prolibytherium]

Just in general I think trying to look to pre-late modern period history for validation of LGBT+ identities is an absolutely useless venture. Every single underlying human experience defined through the lens and framework of LGBT identity has always existed, but it's impossible to pin down Exactly who and what a figure might have been if they existed in this contemporary context and decided to self identify via these labels.

It's also a wildly reductive lens that flattens the complexity and variety of how sex and gender has been constructed across time in different cultures, how sexual norms have varied, etc. This is not a constructive approach to learn about history and you're never going to be able to fit historical figures neatly into little identity categories.

[yuwuta]

gojo would kill your work husband. but if he were the work husband, that's a different story

REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you 

but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact. 

he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared. 

he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date 

[averlym]

ghostwriter (their grandma would tell them she'd lose half her soul)

[poyopaan]

i did some applications today and gotta say? kill me

[seventh-district]

7am, eating cold leftover teriyaki stir-fry for breakfast and crying over blorbos

[flowery-laser-blasts]

I had a nightmare in which my face was covered in painful blisters. They looked like big zits but hole-y. One of them, on my forehead, had something sticking out of it. As I started pulling on the tip, I soon enough discovered that it was the leaf of a long vine that was nestled within my head. As I was pulling it out, I felt its roots snapping and sliding through my veins. I started coughing violently after I got rid of it. I called out to my bf for help as I started clawing at something itching in my throat. I pulled out a bunch of long twisty viney weeds from my mouth that were rooted in the pit of my stomach.

And then I woke up.

Suddenly Drakken's plant mutation doesn't seem so appealing to me anymore...

[josecariohca]

.

[deus-ex-mona]

farewell, my idiot son…

[lucysgraybird]

how do we feel about me writing a super self indulgent alex fic

[palms-upturned]

.