#I JUST WANNA SEE HIM SMILE

[theloveinc]

Togame Jo’s greeting kisses to you are always way too long.

The kind of affection that’s usually savored in private, instead displayed wherever, whenever, and every single time you see each other—he always takes two to three minutes just to kiss you hello, abandoning the task at hand (dozing off, attending to Choji, managing the Shishitoren) to mosey your way and pull your lips to his in something just a little too sloppy to be sweet, but a little too sweet to be… too distasteful.

Everyone’s used to it by now, even Sakura, knowing that when you arrive, there’s always a going to be a pause in action just for the sappy display of Togame drooping over you and announcing you to the crowd physically.

(What’s not readily exposed, however, and especially not in a room full of men, is that it’s not just a kiss Togame’s giving you, not just a hello that he hides behind his long bangs and your cheeks between his warm hands, but the kindest stare and sweetest little whisper, “missed you, baby,” as he wraps you up in his arms.)

[sgtbradfords]

Tim Bradford & Lucy Chen in Five Minutes [4x02]

[respectthepetty]

Ming needs to be protected at all costs solely so I can see more of the actor. I only got a two-second glimpse of him in the last episode and he was going through it. Let the man play happy! LET HIM SMILE AGAIN!

09.10.23

[owlyflufff]

and in that moment a thousand headcanons and fics were made canon

[skelecentral]

Wasn’t gonna post this because it’s only semi-UT related, but. I really wanted to lmaooo— here’s my faeu self insert (post-turned-fae!)

Faeu is by @/antlered-prince

[hayaku14]

kaito buying every ticket to every soccer game available just to see that excited look on shinichi's face

[iridescentmirrorsgenshin]

do you think alhaitham is a yearner for kaveh or the other way around

Anon thank you so much for this ask <3 it turns out that this is more complicated than I thought. since alhaitham is so embarrassingly obvious, I think kaveh’s own version of ‘yearning’ can be overlooked, so thank you for giving me an opportunity to explore both! I am using your ask as an excuse to show how embarrassing alhaitham is, he has no shame!! therefore i've had to split this answer into two posts!

alhaitham essentially building his life around kaveh being a part of it is ultimate down bad behaviour:

the house: alhaitham’s character stories give us very little about alhaitham’s life after his fallout with kaveh and his graduation. we’re told that he moves out of his grandmother’s house to move into the research facility gifted to him and kaveh? and it’s only after he moves in that he’s told by a third-party that kaveh has no need for the property, so only then does he convert the property into a house

So it seems he moved in with some expectation of encountering kaveh at some point, especially considering it was their joint property. There’s no reason given why he opted to move out of his grandmother’s house but I think it's interesting that kaveh’s character stories detail that a house is not a home without other occupants who understand him without words, which causes him to sell his parents’ house as he was the only occupant, which parallels with alhaitham moving out of a house in which he also is the sole occupant, into a property which ties him and kaveh together

The bulletin boards/academic journals: although it isn’t specified who made the first journal critique, if it falls in line with alhaitham incessantly responding to all of kaveh’s bulletin board points, I’d like to think that alhaitham reached out first here, just as he moved into their joint property without actually knowing that kaveh had no use for it – although they had separated at this point, regardless of who reached out first, alhaitham was still actively pursuing kaveh’s perspective here, as this was the only instance of kaveh being in his life… oh….

during the archon quest: alhaitham mentioning kaveh without any prompt whatsoever lives in my head, even more so that this seems to be a musing that he didn’t even mean to say out loud? Sick!!

And when kaveh eventually returns, alhaitham says that he doesn’t want to have to explain the whole thing to kaveh, so he should leave the house of daena before kaveh returns, but he doesn’t?

Special mention of the gathering in the grand bazaar where alhaitham equates his own happiness to that of the people of the gathering, and then immediately mentions how he must have taken both keys leaving the house, indicating that another reason for his happiness increased because kaveh has returned, and that his way of life has been maintained - meaning that kaveh is one of his priorities (i brainrot more about this here)

Alhaitham’s story quest: the motif of kaveh ensuring alhaitham’s content is returned to with force in alhaitham’s story quest with establishing kaveh as someone alhaitham chooses not to be objective about, with kaveh being framed as alhaitham’s priority

(additionally, this expression, absolutely criminal)

kaveh’s hangout and voice lines: kaveh is shown once again to be an exception to alhaitham’s objectivity, as alhaitham inserts himself into kaveh’s ‘fate’ to offer him a place to stay when kaveh’s choices led him to selling his house, having no place to go – this overturns alhaitham’s principle of being uninvolved with people’s fates, and pulling kaveh back to shore, as opposed to standing on the sidelines

kaveh’s hangout is really special to me as it showcases alhaitham’s whole understanding of kaveh, not only his inner psyche, but also how to secure kaveh’s happiness through an indirect action, as kaveh’s heart meter increases once seeing the response a student wrote to his annotations, it demonstrates that alhaitham’s care towards kaveh is most explicitly shown with actions

a parade of providence: alhaitham becomes the event's commentator solely to investigate Sachin to see if he influenced kaveh’s father, attempting to give kaveh closure and alleviate his self-destructive mindset. in the same vein, alhaitham leaves kaveh note that in a language the two learnt together for their thesis commenting on kaveh's ideologies and how it can lead to suffering.

this really solidifies that alhaitham's care is demonstrated in actions, and that a shift in communication is needed to properly show this. It’s here that alhaitham’s actions are the most explicit, and this leads to the major improvement in their relationship (which i explore more in detail here)

cyno's second story quest: thank you for chronic book gripper alhaitham reading his book when kaveh is out of the living room, and immediately putting it down when kaveh enters and begins telling alhaitham about his day, for alhaitham to encourage.

the animation that was so essential for the devs to include of alhaitham watching kaveh sketch when kaveh’s back was turned is such a comic example of yearning, it’s actually ridiculous

also alhaitham smiling when being asked to stay in the house of daena to work with kaveh??

alhaitham is one big yearner, he is that guy and he has no interest in beating the allegations!

the second part of this answer will explore kaveh's version of yearning!

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[mishy-mashy]

Bruce is actually really attractive, and I have enough reasoning to make a list

He's:

Tall (. Tall enough to hit his head on the vault doorframe)

Long-legged

Has a straight nose bridge

Has high cheekbones (more noticeable in 2nd pic below)

Has a strong jawline

Sharp eyes, but they aren't small (plus eyebags if you're into that)

Overall, he has strong, attractive facial features

Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)

Even has a thick, muscly neck

He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)

(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-

-and in the panels where we first get his name dropped, he's got those shoulder blades too-)

The one time we see him smile, and he actually has a scary one

Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute

Other than the physical appearance stuff, he also:

Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)

Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO

Put up with Kudo's experimenting and testing over Yoichi's transferable Factor

Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.

Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.

Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?

Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor

He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.

Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.

These two made their choices based on what they valued and saw the Factor needed.

Is logical, analytical, and calm.

He tried advising Midoriya on their Abilities in One For All, especially his own.

Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).

Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.

We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.

Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya

While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.

Bruce was also the one to start talking, while Kudo just kept quiet.

He actually communicates a lot

When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.

(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])

When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.

He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".

Is strong-willed and loyal.

He followed Kudo, even to death, carrying on the cause he started until it ended with him.

Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.

AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.

Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.

Not only is Bruce attractive, but he's got good character. THE END.

[120percents]

i just think it’s so funny that zoro does not even wanna comment on the usokaya situation when usopp explicitly asks and he very pointedly looks away when they kiss and yet he proceeds to butt in every single time sanji flirts with a woman or implies he knows about romance to redirect attention back on himself like god i wonder where your interests lie…

[atwhughesversion]

oh petey i love you so much

[cannibalhellhound]

Sleeping Beauty!Tommy to follow BuckElsa because I wanted to. He's holding the crown 😼

I did both colors because pink is a need but blue looks good on him too

And he's wearing sparkly pink sneakers under it obviously 🙄

Please look at his scrunchy face

Edit: pssss Eddie is done

[puppyeared]

Was nobody gonna warn me that I would fall a little bit in love with every character in Stardew

[flowercrowngods]

making a real post for @rvspecter pls bear with me

anyway harvey hurt fic where after mike is busted and given a second chance at life (or a third, really) and pearson specter litt seizes the chance to instate a pro bono department mike is heading because he wants to get it right this time and harvey will do just about anything to keep him, these two men finally mention this Thing between them and decide to give it a try. and it’s good. it’s fragile and it’s tentative and it’s gentle and it’s the same as it’s always been but with more tenderness, more honesty, more vulnerability (and more sex of course) and it’s good. against all odds, it’s so good.

but then one day, long after hours, donna approaches harvey in his office and her eyes are shining, but it’s not a glow harvey is used to — he never wants to get used to donna’s eyes filled with tears so he asks her what’s wrong, but he’s not ready for the answer. because she tells him she can’t work for him anymore. she tells him she’s leaving him — to work for louis at first, maybe to quit altogether. the fact do the matter is she can’t be the Donna to his Harvey anymore because she’s in love with him and she thought she had it under control but she doesn’t, okay, she doesn’t and it hurts and she wants to be happy for him and mike because they’re so good but all this time she’d never thought that harvey would ever find someone real, and now that he has, well. she can’t pretend anymore that it doesn’t tear her up inside and she doesn’t want to put that on any of them so she’s doing the mature thing and leaving. to heal. to get over him. to come back stronger.

and she’s so, so sorry.

they listen to gordon one last time, they toast to thirteen years one last time — her words, not his, but they drive a knife into his heart nonetheless because harvey doesn’t do one last-anything and yet here sits his best friend and asks for one last night together and who is he but to give her everything she wants and more. she’s his donna — still, tonight; one last night. she is.

he doesn’t tell mike that night. couldn’t, even if he wanted to; because he doesn’t have the words. but in the secure hold of mike’s arms, he says “donna won’t be working for me anymore, starting tomorrow.” and he doesn’t mention how that means that donna went to jessica and louis first, he doesn’t mention that he was the last to know, he doesn’t explain how he wasn’t given a chance to fix this — not this time. “donna quit?” mike asks, and harvey swallows, shakes his head, shrugs. “just me,” he says. “just me.” and when mike pulls him closer and holds him tighter and tells him “i’m so sorry, harvey,” it’s the first i’m sorry that night that he believes.

unfortunately, sorry never fixed anything.

especially when soon after, mike finds out just why donna left. and he gets all up in his head about it, he allows himself to spiral because he’s so ready to succumb to tunnel vision and obsessing over solutions to problems that aren’t his to fix. and so he tells harvey that he can’t be the thing that comes between him and donna. they’re soulmates after all, mike can’t bear to be the one to sever their bond. harvey doesn’t understand. he’s the one who’s supposed to lose his mind over having lost his best friend and pretend like everything is okay, what right does mike have to make that about himself, to take it upon himself to fix everything when harvey’s the fixer, harvey is the one who solves problems and protects people. but mike won’t hear any of that and tells harvey that he can’t do it like this if it means hurting donna because she’s his best friend, too, and he wants to get it right this time. he doesn’t want to build this new life on decisions that hurt his people — not again. he’s hurt enough people, he can’t keep doing it.

harvey wants to ask him why he’s always so ready to protect everyone at his expense. isn’t this thing between them, their relationship, isn’t it meant to stop them from hurting each other? why is it okay to hurt harvey, but not to hurt donna?

he doesn’t ask any of that, only tells him that they’re not in high school, and that they’re either doing this or not, but he refuses to base their relationship on whether or not his best friend is okay with seeing him happy or not. “you’re either in this with me, mike, or you’re out. that hasn’t changed, and it won’t, because donna will get over it and everything will be back to normal before you know it.”

“you don’t know that.”

“yes i do, because we’re grown-ups and we get over things.”

famous last words, it turns out, because mike just slowly shakes his head, agonising over this and not thinking, clearly not thinking when he says, “i’m sorry, harvey. i can’t to this; not like this.”

and all he can do is watch mike’s back as he all but runs from him, dragging his heart behind him, through the dirt, uncaring as bits and pieces of it chip off with every step mike takes, with every second that passes and allows the words i can’t and i’m sorry, harvey echo in the hollow of his chest.

we’re grown-ups. we get over things. well, tough fucking luck.

and this is how harvey loses the two most important people in his life in the matter of a week. before he knows it, he’s alone, left to fend for himself and hollowed out. his walls are broken down, deconstructed piece by piece by carefully, gentle hands to reveal what’s underneath — only for the hands to retreat, letting in the icy cold and accepting what’s inside to wither and die.

there’s a reason harvey specter makes his own luck; the universe isn’t very forthcoming otherwise. a fact that is proven when he finds a stranger outside his building when all he wants is to curl up and breathe through the cracks of his broken hearts that have pierced his lungs, they must have, surely they must have, because he can’t breathe. and he doesn’t learn how to breathe again when the woman — a kid, really, merely twenty-five — reveals that she’s his half sister. because it turns out the reason lily specter was so ready to up and leave all those years ago; the reason she didn’t fight for her family and instead blamed it all on harvey, was because she was pregnant. and she lied about it — for twenty-six years.

amelia selene specter is the little sister harvey has always wished for — but cancer is a curse that rests on the specter family, and while marcus got lucky twice, selene isn’t. she didn’t have the money for medical resources, and it’s eating harvey alive that he didn’t know, that there was no way for him to help her and that there’s no way now.

but there is. because selene has two kids, seven and four, and she needs his help because they can’t get lost in the system, they can’t live with total strangers or be separated because the system doesn’t actually care about children, they only care about not feeling guilty. and she won’t ask lily. these two angels must be kept from her at all costs because she ruined two families already, she won’t ruin this one.

and harvey is obsessed with the thought of more family, he needs to take care of and be there for someone and he’s ready to take on the world to protect his niece and nephew — but he’s not warm, he’s not available, he’s not even at home most of the time, nor is his place suitable for kids.

he agrees to take them in and find a solution though. he promises selene that he’ll be there for them. he’ll always be there. and when he gets to meet them — a few days before his sister dies way too young, way too alive for something like death to not rip him apart entirely — he gets attached instantly and vows to himself and to selene that nothing will happen to them as long as he’s there.

even though harvey just lost his family — the one he chose, the one he was born into, and the one he never got to meet. even though harvey’s entire world was deconstructed with no one around to put it back together. even though he doesn’t know how, because evidently he got it wrong every single time, harvey gets to build a new family with these kids. and though it tears him up inside, it heals something inside him too — and sometimes they balance each other out, and he can breathe again for just a little while as he reads to charlotte because she’s feisty and afraid of nightmares and not listening when he says she’ll be tired in the morning because “i’m tired in the morning anyway, but now i wanna read” and he trades her going to bed for a bedtime story, and she falls asleep with her face pressed into his side.

it’s so frail, though, so fragile, this little family, and he knows what it’s like when everything breaks. he knows what it’s like to lose one’s family — over and over and over again. and he’s terrified that he’s building himself back up the wrong way. he’s terrified because there’s no one keeping him together but both his hands are occupied holding these children that cry for their mama.

he’s terrified because he’s not supposed to be doing this alone. but everyone else has made their choice and he, as always, is just there to bear the consequences and try to turn it into a win.

one day, he will. he has to. and one day, he’s not alone anymore.

[palettepainter]

Artistic rendition of my actual reaction when I got home from work

[sulky-cabbage]

The sukugo fight can't get animated any sooner I'm craving sukugo tiktok edits