#I JUST HAD THAT THOUGHT AND I'M LAUGHING

[thedreadblog]

I just had a Hypothetical Thought:

It's odd to me that Solas ends up trapped in his own prison. It's odd to me that he so readily gives a total stranger the reins in trying to fight his two escapees, Elgar'nan and Ghilan'nain.

And just now, while re-watching one of the videos posted here on tumblr (which I'm not gonna reblog, videos get reblogged AFTER game release, it's so much easier to spoil people in videos and I'm not gonna.) I wondered if he might pull a Vetinari:

"Never build a dungeon you can't get out of".

In Terry Pratchett's Guards! Guards!, the patrician of the city Ankh-Morpork gets locked up in his own dungeons. When the main character of the story, Captain Sam Vimes, ends up in the dungeon with him, he learns that Vetinari has actually made himself quite comfortable until it is safe to leave again. Vetinari tells Vimes that one should never build a dungeon they wouldn't like to live in themselves, nor should they build one they can't escape.

And I know that Trick is a Discworld reader. They've talked about several of the main characters of the series on Twitter. I know that several of the other devs are as well...they might've gotten inspired.

Look, if this is a thing that happens, I'll be fucking delighted.

[mulders-too-large-shirt]

i think a major thing that is overlooked in the x files is that when they do their little cutscene of them driving from washington dc to the bumfuck middle of nowhere at the start of each episode, their roadtrips must be SO long. so what are they doing in that time? are they fighting over which radio station to listen to? filling the silence with conversation? is that how they become inseparable, over mind-numbing hours on the road where stories slip off of the tongue with ease?

[tblsomedoodles]

Donny's info from my 03 separated au (which i think i'm just calling the Ninja Club au for now. b/c it's stupid and gives me high school vibes.)

But yeah! I wanted to post Mikey here as well, but he's not done yet. (my cringe son will have to get his own post. Darn lol.)

ANYWAYS! Details!

Donny, of course, was raised by the Jones family after they all got separated during a sewer collapse (or something. I may rework the that later) when they're about 2-3 yo. Donny gets found and brought home by a 9 yo Casey.

Splinter finds him when he's eight and spoke with him briefly. But Splinter was in disguise so Donny didn't recognize him past a vague feeling of safe (which he fought against b/c this is Donny.) After realizing that Donny is safe and well taken care of, Splinter leaves him be. (the best splinter could offer was a place in the sewers and if Donny was able to not live in the sewers, Splinter was not going to take that away from him.)

They gets reunited with most of his mutant family (Raph's still missing) when their fifteen. And that's only b/c Mikey refused to wait anymore and surprised him late at work before Splinter could tell him not to.

He's pretty confused about it all, at first, but he eventually happy to have contact with his siblings. (tho he's less stoked about the adventures he keeps getting dragged out on during school nights.)

for the first few months, he's very against learning to fight. He's a high schooler. Sure Mikey and Leo can fight, but that doesn't mean he has to learn.

But then there's an incident involving Shredder, Leo, and a very breakable window, and he realizes he needs to learn so he's not the weak link and so he can protect himself and his brothers. (it also helps that they found out the Shredder had been targeting Donny for said treatment first due to his lack of training and how easy it would be to grab him from school. But Donny hadn't went to school during those days so they went after Leo instead.)

I have so many stupid ideas for this, you have no idea. anyways, that's all for now. Mikey's might be up later today, but i have work to get to rn.

edit: Links for Mikey, Raphael, and Leo's info dumps

[leslieseveride]

i'm not entirely expecting it, but i hope that we'll get a flashback scene of polin's meet cute, because it truly is one of the very rare meet cutes that is actually cute.

[shannonsketches]

man said "💅 buckle up babygirl u boutta die mad and ugly"

[milkbreadtoast]

o yeah btw i liked these guys from the latest crk update..... detective gays.... macaroni and cheese....🤭

[eddis-not-eeddis]

I keep seeing this thing where guys swear up and down that they want a good Christian girl, but then balk if that means she wants to be anything more than a wife and mother. Like, my guy, you do realize that there's a lot more to Christian women than being married or having babies? Yeah? What about a woman who works among the homeless, or runs a bible study, or volunteers to teach refugees a new language, or who takes part in the prison ministry, or who spends a lot of her spare time in another city street preaching? I see a lot of guys who claim they want "a girl who loves Jesus" but don't want anything to do with a woman who does more than just go to church and lives a life of active ministry outside of her home.

[swordheld]

hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?

hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].

but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.

it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.

and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.

the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.

an emptiness, like you said.

but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.

you're not alone, in this. he's still there, with you, it's just - in the little things.

he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.

but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.

how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.

the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.

think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.

i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.

but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one. wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.

as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛

[plusultraetc]

Fourteen Days of MHA | 7/14: First Impressions, Just One Bad Day

Shouta’s first impression of Yamada is that he’s loud.

He’d thought Shirakumo, who deposits their classmate in the seat across from him in the cafeteria and scurries away with a cry of Shouta, this is Hizashi, be friends! was bad, but Yamada’s YO! is loud enough that several people at nearby tables turn their heads to look.

“It’s Aizawa, right?” he says, still too loud, leaning across the table. At least he doesn’t assume familiarity just because Shirakumo introduced him by his given name. “I’m Yamada Hizashi. I’m in your class, but I sit waaay in the back, so you might not remember—”

Shouta does remember. Yamada has very distinctive hair, and Shouta had thought he was loud in the classroom, too. He might sit near the back, but their homeroom is definitely not big enough that he has to yell during attendance to be heard.

Yamada is undeterred by Shouta’s continuing silence as he launches into what, for all intents and purposes, is an opening monologue of relevant information. Every so often, he pauses like he’s waiting for Shouta to cut in, which of course he doesn’t, so Yamada forges ahead, gesturing with his chopsticks in hand but never quite managing to pause long enough to actually eat anything.

Shouta has to appreciate the logic of having an introductory speech prepared. Maybe he should do the same, so he doesn’t have to sit in awkward silence at times like this. At least times like this are few and far between.

You can only have so many first days of school in your life. One day he’ll graduate and never have to introduce himself to a new class again.

[frankensteinposm0]

Bitches be like 'I am mature and understand myself very well!' and then cry for hours over this figure

[fisheito]

i wanted to see altaria rei then i started goofin around

[mysticalcats]

ok fellas this post is really different from my other stuff so i'm putting it under the cut for people who don't care and also because i'm slightly embarrassed

ok so. is it unusual for a girl to want to have a deep voice and a flat chest and a more square face and also feel slightly jealous of men and want to sound like them and look like them

and also is it unusual to want to be all that, but also simultaneously not be very bothered very much by how you look right now or by being referred to with she/her except for sometimes when you think about it too much. because i usually don't think about it except for sometimes where i suddenly just get really sad about being a girl or i'll always have this faint feeling that i am just unhappy about it

and also is it unusual to try to ignore it and go about your life being unbothered by it even though deep down it does kinda bother you but you can't really. like. say anything to anyone because your family won't react well and neither will your friends because they'll think it's weird and uncomfortable. i feel afraid to ever feel this way because i know the people in my life won't react well to it

so like. genuine question please lmk wtf is goin on because i'm unsure if it's normal and i've felt like this for a long time and it's confusing me and i don't even know what i'm going to do with the information once i know i'm just sort of lost LMAO

[syncrovoid-presents]

Alastor's Deal (Thoughts, Theories, and some Predictions)

This won't answer the who, but aims to dig into the why, and plausibly narrow down the terms of the deal. Long post ahead!

Evidence

First off, the finale was incredible! But what Alastor's song showed was that his ""death"" against Adam wasn't entirely a surprise, but rather planned. Alastor's song revealed that he was looking for a loop in the contract, a way to slip past the deal without having to directly break it. He already made a deal with Charlie for a favour, but that might have been a safety net of sorts, something to guarantee himself a fighting chance if his "dying for the hotel" plan failed.

His surprise was at how fast it happened, not that he nearly died. Alastor craves control, he wears his smile for control, he makes deals for control, his magic highly influenced by controlling others too. His Modus Operandi is control, and he faced the battle it started with him being in control. He was outwitting Adam, he was faster, sneakier, even kept his hands behind his back while dodging just to show how little effort it took. But Adam's weapon sending an angelic beam of power? That wasn't in his plan, that wasn't in his control.

Control is something Alastor seeks over everything, which is why the deal is so brutal for him. The deal takes control from him, and his constant smiling and jokes and contained urges for violence is him trying to have some sort of freedom. It's highly implied that, unless it's for the hotel, he hasn't used his magic for his own reasons. He hasn't eaten or killed anyone unless it is for the hotel, and even that was implied to happen only during the Mimzy incident. He hasn't gotten to make any deals either, at least no real deals, no deals for souls.

I'm far from the first one to say that his deal is forcing him to help the hotel, but it's only now that we see the true extent. Alastor's entire personality, goals, and being has been changed against his will. He is now a tool for the hotel, the sword and shield, the magical provider, bringing them whatever they need to succeed despite the odds. Without him, it would just be Charlie, Vaggie, and Angel Dust. Sir Pentious wouldn't have joined, repairs would've taken far longer, the staff would've been just Charlie and Vaggie, et cetera. Even his deals are just him trying to gain something out of helping the hotel.

Alastor is bound to the hotel and his powers are also bound to the hotel. He cannot be selfish, he cannot do anything unless it's for the hotel no matter how desperately he wants to do otherwise. And yet it seems like his powers are limited too.

Alastor has immense levels of powers, so much that he was taking down a large portion of the angel army single handedly. Had Adam not been there, it's not outlandish to claim that Alastor could have taken down the angel army by himself. This is why he was feared. This is why "no one crosses the radio demon". If these are his powers when their limited, imagine just how powerful he truly is?

The last evidence I'll state before moving on is that Alastor didn't return back to the hotel until it was rebuilt, yet still didn't use his magic to cause chaos.

To simplify, on his end the deal forces him to use his immense power for the benefit of the hotel. He cannot actively do anything to bring harm to it, and he cannot use his magic unless it's for the good of the hotel. And he cannot escape from the deal if the hotel is destroyed, so the deal isn't about the physical hotel, but rather the concept of it. As long as the hazbin hotel exists in the heart of those involved, Alastor is bound to help.

Why?

Now the why? I believe that, whoever he made the deal with him was, they want the hotel to succeed. Not only that, I believe that by forcing Alastor to stay there and help while limiting his capability for violence, they are also trying to rehabilitate Alastor.

Wherever Alastor was before the hotel opened, it was somewhere where he couldn't interact with anyone. He was forced to be gone, only until the hotel opened. If the theories of Alastor making a deal with Lilith is true, then Lilith's character is important to consider. From what we know she is powerful and worked to bring dekonkind together. And that she too disappeared 7 years ago.

It's confirmed that Alastor destroyed many of the worse evils that existed in hell, the only ancient overlords that remain are civil and take part of overlord meetings. They are controlled, contained. There's more structure, and the only truly out of control, dangerous demon to remain would have been Alastor. It's possible that Lilith realized that she could use him to "clean up hell", waiting her time until Alastor was the last remaining biggest threat. That was when she pounced, seven years ago to capture him in a deal. We don't know why he would accept such a limiting deal, but I'd wager that it could have been for his life (either she was threatening him, or he nearly died and made a deal for his life).

Now that the deal is made, Alastor can't bring mindless chaos. If anything he is doing the most to help demons be saved from the extermination either through redemption or protection (we also didn't see him prior to the last, so perhaps he's also bound to protect during the extermination too?).

All while Alastor is handling and ensuring the success of the largest and most helpful demon-centered support system, Lilith is on vacation. Almost like Alastor is acting in her role, a mimicry of a spiritual successor of sorts. He's helping rally the demons together, helping shape Charlie into a better leader, helping prove demons can be redeemed. All while Alastor is either witness, participant, or manager of the strategies used to redeem sinners. Alastor is only a few steps away from taking part of the redemption program himself.

If Alastor's deal was with Lilith, then she's getting everything she could want. All the uncontrollable evils/overlords destroyed, a muzzle on (one of the most) powerful sadistic demons, someone to help guide her daughter, help demons redeem themselves, protection for her citizens from being killed or further tortured, and she finally gets a vacation. She'd be getting everything she could want, with the bonus of possibly rehabilitating Alastor in the process.

It's no wonder Alastor is so desperate to break out of the deal, to find a backdoor in the contract. This goes against everything he stands for. The stories of him broadcasting screams? Of killing overloards and owning soul after soul after soul? That is the real him, and it isn't exaggerated. If Alastor wasn't chained, he'd have the power and strength to destroy large swaths of hell himself. If he decided to do his own extermination with angelic weapons? He could kill as many demons as the angels do and more, because he wouldn't be limited by a single day period.

If his deal is with someone else? We simply don't have enough information yet to name them then. Whoever it is, they would have to believe in demonkind's potential for improvement, and possibly fear what Alastor is able to do.

Predictions

The last thing I want to touch upon is how Alastor might be able to escape the deal. First is what he tried, which is "dying" for the hotel. Or, more precisely, for everyone involved in the hotel, it was as if he died, so why would they still depend on him?

Next would be for the hotel to be destroyed, and considering that we don't know if Alastor was briefly free while he recovered or if he was just hiding out somewhere new because he couldn't stay in the hotel because it didn't exist, this one is still iffy. If part of his deal is staying at the hotel to actively protect it, the he was temporarily freed from that condition. Yet once it was rebuilt Alastor returned, proving that the destruction of the hotel building wouldn't free him.

The next possible way could be the death of the hazbin hotel spirit. If Alastor (or outside forces) were able to destroy Charlie's hope for the hotel just like Lucifer's dreams were crushed, perhaps Alastor would be freed. Considering how the finale went, it would take a lot for this to happen.

My final idea, and the one I predict will happen, is that Alastor outfits the person he made the deal with. He doesn't find a true "out", but rather will manipulate them into giving his power back. And this? I believe that Alastor's deal with Charlie was made for this reason.

If indeed the deal was with Lilith, and part of the deal seems to be ensuring Charlie's dreams come true, then Charlie is a delightful way for Alastor to manipulate the situation. How? Who knows, but I think that this will be a large part of the conflict of season 2.

[ferronickel]

Thinking bout the time someone yelled at me because they didn't understand butches.

[mars-ipan]

some postgame doodles for pride month

[theshysoul]

me with social battery negative watching all the mess that created children of my parents' friends with whom I had to constantly have fun