#I Hope you like I personally do a lot !

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

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[kimtaegis]

JIN HUGS JIN HUGS! for @jinstronaut ♡

cr. namuspromised, dwellingsouls, 0613data

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[ruporas]

studies from the finale

[sergle]

people being dramatic about "american cheese" (in quotes bc americans didn't make it) is one of my favorite topics because it's funny to see people talk about it like it's a biohazardous waste when it's literally just Cheddar That Has Been Watered Down With Milk, And Then Emulsified

[moongothic]

Madoka is the promise you won't turn from a child, full of hopes and dreams and the wish to save the world, into a bitter adult who just wants to hurt others and ruin people's lives

Madoka promised to be there for you to remind you of the person you wanted to be and to stop you from becoming what you sought to destroy

Madoka made that promise and became the very embodiment of it

[kentopedia]

some of you are just so lovely and sooo easy to love and i mean it when i say with 100% certainty that ur favs would be head over heels for you

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[turtleblogatlast]

[ cw: violence mention / death mention / ]

Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.

And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.

Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.

[moeblob]

What if I straight up didn't explain myself? What if I just said trust me on this? Would you?

[thejilyship]

I walked into work this morning after crying at a convivence store because the woman behind the counter said she liked my RBG sweatshirt and she hoped I was okay. I wasn't expecting it. I live in a very red part of Michigan and her kindness and gentleness made me cry.

I told myself when I woke up that I wasn't going to cry. I stared at my phone for twenty minutes, dread pooling in my chest because even though I let myself get hopeful yesterday, I knew what I was going to see.

I said I wasn't going to cry.

And when I got to work, one of the other preschool teachers walked into my classroom, and she didn't say anything, we just looked at each other and I started to cry. I had parents who I knew were happy with the results about to drop off their kids and I couldn't start crying, but I did.

I only have nine kids in my class, I only had to get through seven drop offs today. I only had three parents that were devastated. I cried about that too.

I had two little girls in my class today, and they got into an argument, as two years old's will do, and they both got upset and started crying. One of them laid on the floor next to me, and one of them collapsed onto my chest, and I cried with them too.

During group time today, I cried while reading a book about kindness. "What does it mean to be kind? Being kind means standing up for those who are less fortunate than you." I had to stop reading for a minute. My assistant teacher looked at me from across the room and I couldn't meet her eyes.

I stayed off social media all day, but when I caved and opened tik tok, the first video I saw was of women in other countries governments saying that they were standing with us through this hard thing and I cried again.

I think I'm gonna keep crying. At least for today and the next couple of days.

And tomorrow (which may not actually be tomorrow) I'll figure out what comes next.

[poorly-drawn-mdzs]

Lan Wangji goes to Lotus Pier (No relation to the AU of the same name)

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[shepscapades]

shep I was talking to my brother about dbhc xisuma as one does and mentioned that ask about not being able to puzzle xisuma's face together mentally and my brother joked that the reason you put the spoiler bars and such on his face is cause you cant draw his whole face yet 😂

anyway I might have talked his ear off about dbhc idk tho lmao

LMAOO NOOOO!!! MY SECRET FINALLY IS OUT!!! /silly

[trappedinafantasy37]

"Weeeh! I wanna recruit Minthara on a good playthrough! Weeeh! I don't like the ultimatum and want to keep both Minthara and Halsin! Weeeh! I wanna make Minthara good! Weeeh! I don't want Minthara to break up with me!" Minthara deserves more content but none of these things are at all what she needs or deserves. No, these are all things that you want for yourself, but do absolutely nothing for her. This is one of the biggest L's in the game and it will forever enrage me because I just know it will never happen.

Minthara deserves to confront Orin like all the other companions do with their abusers. She deserves to scream and yell at Orin. She deserves to cut at her the same way Orin did, make her bleed and scream in pain. Minthara deserves to torture Orin, just as she did her in the mind flayer colony. Minthara deserves the right to roll up to the Temple of Bhaal and beat the shit out of Orin with her bare hands. Leave Orin begging for mercy in which Minthara will not even give her a drop. To slam Orin down on that altar and slice her throat, offer her up as a sacrifice to the father she is so blindly devoted to.

And yes, Minthara would be afraid. She would be TERRIFIED. Despite how strong and powerful Minthara is, she is also the only one afraid of Orin. Unlike Ketheric, or Gortash, or Sarevok, she is the only one who fully acknowledges just how dangerous Orin actually is and does not underestimate her. She will walk down into that temple, intending to duel Orin with a massive disadvantage because she is terrified.

Minthara choked when seeing Orin again in the mind flayer colony. She choked when seeing Orin as an imposter, throwing her deep into the ocean of paranoia and fear. And she is so entrenched in paranoia that it actually becomes palpable to everyone around her, even you. She describes herself as paranoid, but this is the first that you actually see how paranoid she is. And she choked again when Orin kidnapped someone in camp, making her feel inadequate, making a mockery of her for being unable to protect one of her own. And every day that passes, the more and more likely that the victim is going to die and she has doubts on their survival.

At every possible avenue in which Minthara could have done something or said something about Orin, she froze in place with fear. But she's had enough. She cannot be afraid of Orin forever and she doesn't want to be. One way or another, Orin has to die and she wants to get over that fear. She needs to know that Orin is dead, for herself.

This would also make the alurlssrin confession all the more impactful. She wants to tell you that she loves you in the best way that she can because of the very high likelihood that she will never have another chance to do so. She would beg you to come with her as you give her the courage. She has the courage to face her fears and confront her tormentor, because she knows she has you in her corner. If you have the courage to stand up to the very gods themselves, then she can stand up to Orin. Romanced or not, your presence alone is enough to give her the strength to do something she would otherwise be too terrified to do.

Minthara deserves the honor to solo duel Orin in a fight to the death. Minthara deserves the right to achieve vengeance for herself. No, I do not care that this confrontation would conflict with a Durge playthrough. In fact, it would provide a phenomenal source of some interesting, and toxic, drama between Durge and Minthara. Especially if they're in a relationship. This also does not mean that Minthara killing Orin instead of Durge would not have its consequences (because it most certainly will). Even if Minthara does not fight Orin, it would be so much better if Minthara was just given the fucking chance to yell at Orin like all the other companions in their personal quests.

[bixels]

So i have a small nicpic i wanted to share with you about your interpretation of spike in the au and i want to make two things clear before i talk

1) i havent watch the series for a little while as of now so i might be misnterpreting a aspect of this chatacter that might have never been there and only apeared in fan content and personal interpretation (since that whats been keeping me on the fandom)

2) this is not a big problem about the au i matured enough to not get angry at a interpretation of a fictional charater

Now here i go

I feel spike being the same race as the rest of his familie makes him lose a part of his character that might have not been central but was still something interesting about him and is the idea of not mayhering how diferent he looked from his adoptive family (and his cominty as a whole) he was he was still seen as part of it

Again this isnt a big problem with the au as a whole its just a small nicpic that i have about the au and its not going to make me hate the au

This was just my opinion that i wanted to share and im interested to know your opinion about what i said

I understand this criticism and agree that having Simon/Spike be a different race than Thea could speak to their relationship in the original show.

My reasoning for designing them both to be African American is this. I believe Simon's adoption is enough to explore the feelings of separation and exclusion he may have with Thea and her family. The original show doesn't bring up Twilight and Spike's racial differences much because they originally didn't consider Spike to be a part of Twilight's family. As far as I know, there's no moment where someone says, "Wow! You're telling me you're related to Twilight Sparkle? But you look nothing alike!" because Spike was more so Twilights... familiar than anything.

Later episodes that explore their familial dynamic poses the conflict through Spike's adoption. There's one episode where Spike's "biological father" returns, and Spike accuses Twilight of not being his real family, which breaks her heart. There's another that delves deep into Spike's feelings of exclusion from Twilight and Shining Armor's siblinghood. Basically, in discussions of family dynamics, the show places more emphasis on Spike's identity as an adopted sibling rather than a dragon.

I really do believe a multiracial family would be good representation, but the racial dynamics would not be something I'd be interested in getting into. That's not to say I find real multiracial families problematic or uninteresting or unappealing or unimportant. I just wouldn't be interested in having to explain in-text that Simon (non-black) and Thea (black) are related over and over; it would grow tedious. It adds an extra level of writing complication and opens up racial discourse (discourse that I feel is unrelated to their relationship in the original show) that I don't want to concern myself with, especially because I have no experience in navigating such discourse.

[ancientboyfriends]

Could I request something platonic with Thanatos meeting and becoming friends with a shade reader who is Hypnos’ wife and mother of the oneiroi (as to how they had the kids, either through some random bullshit or their relationship started when wifey was alive and the children were had sometime before her death and brought into the Underworld to be with their mother)? Previously, no one knew about Hyp’s wife or kids outside of Hades, Persephone (because there’s no way he’s handling a secret relationship on his time off AND somehow got his kids into the Underworld without them knowing), and maybe Zag if he encountered wifey and the children on his runs.

I’m sorry if this is weirdly detailed. I just thought it’d be a cute concept. I love Thanatos deeply (the wing emoji I sign off with refers to both Hyp and Than), but that doesn’t mean I don’t think sometimes platonic stuff with him can also be really cute.

-🪽anon

Thanatos & Shade!Sister-In-Law!Reader

Honestly, it’s a miracle that you managed to keep the marriage, not to mention, the kids secret for so long; especially with how much Hypnos has been dying (no pun intended) to gush about you

You mentioned Hades and Persephone are the only ones who know, but I don’t think he’d be able to keep it from his mother Nyx either; they both live and work together, and she’s perceptive as hell

In the original mythology, there’s 1000 Oneiroi, but for this ask I’m just gonna stick to the triplets: Morpheus, Phobetor and Phantasos

I can’t really think of an origin for them either, so I’m just gonna say Hypnos pulled some godly magic to make it possible and now you’re both parents

I think you’d spend a lot of time in the nursery, looking after the babies, so that would be where Zag meets you (whenever Hypnos isn’t in his usual spot by the Styx at the end of the run, he’ll be in the nursery with you)

The nursery would be painted to look like the night sky, with glow in the dark stars on the ceiling

If your room would help Zag in any way, I think you would give him one of the babies’ toys to borrow, but they’re actually imbued with some kind of dream magic that can stun monsters or something idk

Or maybe you’d just full on give him one of your babies (they can use dream magic on the monsters and make them weaker/stun them), and when he dies, they just poof back to the nursery

So, one day, Zag and Than would be sitting in the lounge and talking, and Zag would make some kind of throwaway comment (something casual like “oh, I met Hypnos’ wife yesterday, she was lovely, your nephews are adorable”), and Than would be worried that he’s completely lost it

“Hypnos… is not married, nor does he have a children. I believe he would’ve told me, like he tells me everything else.”

But Zag insists, and now Than has to see this for himself, so he accompanies Zag on one of his runs, and that’s where they finally reach the nursery

You and Hypnos would be putting the babies down for a nap when you hear someone arrive, assuming it’s Zag, but as soon as Hypnos realises his brother is there, he gets very nervous

He’s never kept anything from his brother for, and he’s been feeling so guilty about keeping something as big as this from him

The only reason he kept it from him was because he didn’t think Than would understand, or he’d just get even more annoyed with Hypnos if he started showing him the countless hypothetical photos in his hypothetical wallet

Than’s just standing there in shock, staring between Hypnos’ stuttering, your sheepish smile, and the sleeping triplets in their crib; his gaze lingers on the crib the longest and he slowly floats over to it, peering down inside

When he sees his nephews—nephews—in there, looking all cute and sleepy, something tugs on his heart; he was prepared to be angry with his brother for keeping this from him, but thinking back to the way he always dismisses Hypnos for his job… wow, maybe he wouldn’t have even told himself about something like this

He and Hypnos have a brotherly hug and some heartfelt apologies, with Thanatos promising to be supportive of your relationship; and he lives up to that promise

Whenever both you and Hypnos are busy, he’d be glad to babysit; he’d either be carrying them in a baby carrier for triplets (two on his front, one on his back), or when they’re older, on child leashes as he goes about his job like it’s normal

Yes, the mortals are a little confused when Death finally comes for them, and he’s got three babies trying to chew on his scythe

On the rare occasions he gets a break, he’d chat with you in the nursery; asking you questions about your relationship with Hypnos, helping with the babies (he’d rather not change a diaper, though), and just getting to know you

I don’t know if he can do this, but for the sake of this ask let’s say he can, he brings back souvenirs from the surface; little wildflowers that he asks Persephone to preserve, toys that he sees lying around, anything

It reminds you of your old home on the surface, and it makes the babies giggle and squeal with delight as they play

Overtime, you start to become good friends, and he finally feels comfortable enough to call you his sister

Sometimes, when Zag reaches the nursery, Thanatos might be there too, holding onto a laughing baby, his stoic demeanour cracking ever-so-slightly

Can you imagine Hypnos’ face when he sees you both calling each other brother and sister for the first time? He has never smiled that wide in his life, and he instantly pulled you both into a tight hug

Overall, he’s a very good brother-in-law and uncle, loves you, his brother and your babies; but don’t you dare hurt his twin, or he will make your afterlife hell