#I FEEL BAD TAGGING CHARACTERS WHO ARE ONLY MENTIONED
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wait, i don't understand, can u please if u want explain why they scrapped the "Stolitz Montage" song?
Yeah, I can explain! I actually have a lot of thoughts about these songs.
For context, at the beginning of Sinsmas, a song called Day By Day plays in the background while Blitz and Stolas run errands. Originally, a different song (untitled, so Sam Haft—the composer—unofficially called it Stolitz Montage) was going to play during these scenes, but they ended up scrapping it. I mentioned in the tags of a different post that I understood why they'd made this decision.
If you don't want to keep reading, my TL;DR is that I believe the tone and mood of Stolitz Montage doesn't fit Stolas' emotional journey in Sinsmas as well as Day By Day does.
If you do want to read my full personal analysis, keep reading below the cut!
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(Note: I'm going to focus on the songs' lyrics, because I'm not knowledgeable enough about music to analyse the musical aspect of the songs. If anyone else wants to add their thoughts in that regard, be my guest!)
Let's start by taking a look at the lyrics of the scrapped song, Stolitz Montage:
youtube
So you're having a bad time
You're stressing and everything all seems much so
You've been having a sad time
And your family probably hates your fucking guts so
The song starts by describing Stolas' situation and emotional state in the days following the trial: he is sad and overwhelmed, everything feels like "too much", and his family probably hates him.
It's pretty clear from the get-go that they wanted a song for this montage that conveyed Stolas' struggle to adapt to life as a commoner, away from everything he's known, and having gone cold turkey on his depression meds (the lack of which is emphasised visually throughout the song).
The song is also in second person: Stolas isn't him, or me, he's you. This is something both songs have in common. It keeps the song at a slight emotional distance from Stolas. Whereas a first-person song would make the feelings too personal—would make Stolas too aware of his own struggle—and a third-person song wound be too distant, the second person allows Stolas to be only passively aware of his emotional state. He's not the one singing; he's the one being sung about. What he's feeling is being pointed out to him by an external, seemingly omniscient voice.
The song continues:
Ooooh-oh oooh ooh
I know you feel it too
You lost your way
And just can't fake it for another day
It's hard to take it
Just pretend you're gonna be okay
Here is where I think the tone of the song starts to deviate from what they wanted to convey in this montage.
At first glance, this is a continuation of the previous verses, and mostly expands on Stolas' emotional state: "it's hard to take it"; "you lost your way".
The key difference is that the lyrical voice now plays an actual role in that emotional state.
First, it states that it shares Stolas' feelings ("I know you feel it too"—implying that Stolas isn't the only one who feels this way). Thus, the lyrical voice starts shifting into an active character within the scene. And not any kind of character—one that can relate to Stolas and, more importantly, one that can offer some comfort.
Then, there's the line "just pretend you're gonna be okay". Now, I see two possible interpretations for this line. It can either be a piece of advice for Stolas (hey, I know it's hard, but just pretend), or another description of his struggle, a continuation of the previous line: "(it's hard to) just pretend you're gonna be okay". Personally, I lean slightly towards the former interpretation, especially because the lyrical voice's intention to offer comfort and advice becomes clearer in the next line of the song:
You're not okay and that's okay
This is where the focus of the song shifts fully towards a hopeful, even optimistic view of Stolas' situation.
Now, I get where they were going with this. "It's okay to not be okay" is a very powerful thing to say to someone who's struggling with mental illness and hard life circumstances, and it's one Stolas badly needs to hear.
In fact, it is a message that is conveyed to Stolas multiple times throughout the episode. By Blitz. Not through words, of course—but through actions. In the montage itself, as well as throughout the rest of the episode, Blitz constantly stands by Stolas' side, offers him company and comfort, meets him where he's at emotionally, doesn't pressure him to be okay, and (especially at the end in their apartment) gives room for Stolas' sadness and grief to exist. He hugs Stolas, puts his hands on Stolas' arms, and opens up emotionally about his own sister, and those are all ways of showing Stolas that it's okay that Stolas isn't okay.
But here's the thing. The knowledge that it's okay to not be okay is Blitz's, not Stolas'. That is Blitz's emotional state, not Stolas'. Stolas doesn't know it's okay to not be okay, and even though Blitz keeps conveying this message to him, he's not able to hear it just yet. Not this early in his descent to rock bottom.
In fact, learning that it's okay to not be okay is a journey that Stolas only begins at the end of the episode. By then, Stolas still isn't okay, but he begins to come to terms with the fact that that's alright. And he does this by allowing Blitz to sit in silence with him, to dance with him, to pry a laugh from him, to hold him without any expectations of being held back. The final scene of the episode is all about them both being okay even though Stolas isn't. We see this in the fact that Stolas lets himself stay in Blitz's arms, going as far as closing his eyes. He's there. He's finally in the moment. He's finally allowing the "not okay" feelings in his body to just be.
The Stolitz Montage song ends with:
You put one foot in front of the other
Then you take it day by day
Knowing you got nothing
You still got each other
Ooooh-oh oooh ooh
Again, most of these lines do match Stolas' emotional state. In fact, the notion of just living life one day at a time, just focusing on putting one foot in front of the other, is very representative of what a depressive episode can and does feel like.
But, in the very last line, the song shifts right back to a reassuring tone: "you still got each other".
Now, not only does the hopeful, optimistic sentiment of this line belong—once again—to Blitz's emotional state, it also goes directly against what the emotional arc of the episode aims to achieve.
Sinsmas isn't about them having each other—Sinsmas is about Stolas having Blitz.
It takes him all episode to realise this, too. At the beginning, when the montage takes place, Stolas is just going through the motions. As stated above, he's just focusing on putting one foot in front of the other—he's fully on survival mode. During the fight with Andrealphus, Stolas is shocked that Blitz came to save him, that he risked his life. That is the moment Stolas begins to truly comprehend that he can lean on Blitz. And then, after they get home, he slowly continues to learn it, as explained above. By the end of the episode, he's only just starting to allow himself to lean emotionally on Blitz.
And significantly, Blitz doesn't lean on Stolas. Because he's at a very different part of his own character arc, and he already had his opportunity to lean emotionally on those around him with Millie in Ghostfuckers, and to a lesser extent, with all his employees during their mission on Sinsmas.
Blitz has gone through enough pain, character growth, and healing to both understand exactly where Stolas is at, and be able to meet him there and be a rock for Stolas to lean on.
So the reason that line—that last line, positioned strategically to drive home its message that it's all gonna be okay—doesn't work for the montage is twofold. Firstly, because Stolas isn't ready to see that he has Blitz. Secondly, because it is now Blitz's turn to give comfort without needing to receive it in exchange.
And, if we take a look at the whole song, the reason it doesn't work for the scene is because it doesn't meet Stolas where he's at. The song says, "yes, you're sad, but—" and shifts to optimism. It doesn't fully allow Stolas to simply not be okay. To not be there yet. It doesn't fully allow his depression to just suck. The feelings of sadness and overwhelmingness are shadowed by a positivity and hope that belong to Blitz, and not Stolas.
Let's now take a look at Day By Day, and at which ideas from the original song were kept, which ones were changed, how, and why it works:
youtube
Ooh-ooh-ooh-ooh-ooh-ooh
You take it day by day
You got everything that you had thought you wanted
But you still feel so blue
And you don't know what to do
Right off the bat, the lyrics are very similar in tone to the ones at the beginning of Stolitz Montage. Once again, a lyrical voice in the second person describes Stolas' emotional state: he's blue (sad), he's taking it day by day.
But there's already a change. "You have everything you thought you wanted, but you still feel so blue".
The fact that Stolas had always wanted a life with Blitz is something the previous song doesn't touch on whatsoever. And it matters, because "what Stolas thought he wanted" is a central part of his arc in the episode. It comes back during his breakdown at the office: "and I did it for what?! These stupid, foolish fantasies?" And it comes back again when Blitz saves him from Andrealphus, and when Blitz dances with him and their eyes meet afterwards.
As stated above, this is the episode where it dawns on Stolas that he has Blitz. But he isn't there yet at the beginning of the episode, and so he still believes what he and Blitz had was just a fantasy of his. And because he's never had anything with Blitz that wasn't a fantasy, because fantasy is all he knows, he doesn't immediately know what to do with the real thing. With the domesticity, and the errands. He doesn't recognise the signs Blitz is sending his way that he's got Blitz to lean on.
These two lines are also important because they bring forth another aspect of depression that the previous song doesn't: that love doesn't cure depression, or make it magically go away. That going cold turkey on your meds and having a massive depressive episode is going to suck no matter how many good things you have in this life, because depression is a biological process, not a state of mind. Depression takes away your ability to find joy in things that used to bring you it. It takes away your feelings, your energy, your strength.
Notice that Stolas doesn't seem apathetic or hollow inside on the night of the trial and the morning after. Yes, he's had his title and power stripped, he's been physically assaulted in the street, and yes, he's worried about Octavia. Obviously, he shows signs of being dissociated, and he's exhausted. But, emotionally, he's still hanging on. He still thanks Blitz for everything, and he talks to Blitz in the morning, and smiles when Blitz offers to get him rats. Before the effects of going cold turkey on his meds start to kick in, he's grateful to be around Blitz.
It's during the montage, as the days go by, that he starts feeling blue. Because depression is very quickly taking away the joy he found in Blitz's company.
And that's why, even in the first few lines, this song conveys Stolas' state of mind so much better than the previous one. Because while the message in Stolitz Montage was "yes, you're sad, but—", the message in Day By Day is "yes, you should be happy, but."
It lets the sad win over the happy. It lets depression take Stolas down with it, it lets him feel helpless and lost. "You still feel so blue, and you don't know what to do."
The song continues:
You're sitting at the end of the rainbow, but the pain grows
And you can't help let the strain show
'Cause what else are you to do?
These lines emphasise the ideas presented in the previous ones: that Stolas should be happy, but he isn't. That the pain that has planted itself in Stolas is growing. So much so that he can't help but let it show.
Stolas' helplessness, his slow descent into misery, are given the room to exist. Everything around him seems fine, but he's not fine. And he's not told that it's okay to not be fine. Because this is Stolas' emotional state we're exploring, and for him, it's not okay to not be fine right now. He's too busy going through the motions to grant himself that kind of mercy.
The song finishes:
Keep it calm, life goes on, and on, and on
Nothing's wrong, nothing's wrong
So why do I still feel this way?
Ooh, ooh-ooh, ooh, ooh-ooh
You take it day by day
And, much like in the previous song, we get a small hint of what could be interpreted either as advice/reassurance from the lyrical voice, or as Stolas actively telling himself to pretend to be okay. "keep it calm, life goes on, nothing's wrong". In this case, though, I lean towards the latter interpretation for a very simple reason: the next line shifts to first person. "So why do I still feel this way?"
And that's the thing: once again, the hope and calm he's trying to make himself feel are immediately overpowered by his feelings of sadness. Once again, it's the sadness that wins over, and not the happiness. His depression is given room to drag him down, take him slowly towards rock bottom.
And once again, the last line—at least the last one before the chorus is repeated—is used to drive home the message of the song. But this time, the message is that, despite it all, despite having what he wanted, despite sitting at the end of the rainbow, despite trying to convince himself he's okay, he still feels sad. Because that's what depression does. No matter how many good things you have in your life, it drags you down.
And that message, in that last line, is delivered in the form of a question. "Why do I still feel this way?" This matters for two reasons. The first one is that it shows that Stolas isn't (fully) aware of what's happening to him. He obviously knows he needs his meds, he knows he should be taking them. We see him reach out for them. But he is also living his emotions, and not just experiencing them from the outside. And as the emotions take over, he loses perspective of where they come from, too caught up in how they're drowning him.
The second reason this matters is because the song and the lyrical voice don't offer Stolas answers.
In Stolitz Montage, Stolas gets an answer to his struggle: that, ultimately, [Blitz and Stolas] still got each other.
But in Day By Day, all Stolas gets are questions. What else are you to do? Why do I still feel this way?
Day By Day meets Stolas where he's at during the days leading up to Sinsmas after the trial. It allows for these questions to exist without an answer; it lets the answers come later in the episode. It lets his journey through the episode play out, allowing him to learn that he has Blitz, that he needs his meds, and that he has to be okay with the fact that things are not okay.
By the end of the episode, he can acknowledge that he made his choices and has to deal with the consequences. He starts to understand Blitz is by his side, willing to help him through this. That his relationship with Blitz might not feel like he thought it would, because he's too mentally ill and heart-broken to be there—but that they still have each other, they still love each other, and they'll be okay.
But during the montage, he's not there yet, and it wouldn't make sense for the song to be there, either.
So, yes, as cute and optimistic as Stolitz Montage is, and as glad as I am they released it anyways for us to enjoy, I believe the writers made the right decision by scrapping it for the episode.
If you read this far, thank you for your time! Please treat yourself to a glass of water for me, and feel free to share your thoughts ❤️
#helluva boss#helluva boss meta#helluva boss sinsmas#stolitz#Blitzwhore meta#This post took so long to write but I'm so proud of it#stolas helluva boss#Depression tw
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Hi Caterkinnie! Your work is really amazing, thank you so much for all your work in the fandom! I think anyone who sees your headcanons days are brightened! May I request Rook, Jamil, Ruggie and Azul or Vil (up to you) with a friend they have been deeply in love with for a long time, who's just broken up from a long-term bad relationship. I'd find it really interesting to see the angst the boys struggled with while their friend was in such a bad relationship--a relationship that would somehow never end no matter how awful or neglectful their partner was (up to your imagination how their partner was)--and how they handled not letting their deepening love/crush show (if that's how they'd handle it. I honestly have no idea as to how Rook especially would handle this situation). And of course, now that there's been an unprecedented breakup, what now? I hope that wasn't too specific. I just thought it'd be interesting because I just broke up from a long-term relationship @__@ (5 years for me... In my case, I was dating a selfish man child. According to my friends, it was heartbreaking to watch because no matter what they said/did or what he said/did it would never end, so they just had to watch the rollercoaster play out while white knuckled). I haven't seen headcanons on this type of situation yet and how the boys would respond, so I'd love to see your headcanons. Not to mention, your writing is so top knotch, and I feel like you really get the complexity of so many of these characters, that I was pumped to ask when I saw your requests are open. If it's too specific or you're not feeling it, I get it! I hope you keep rocking on with this blog and whatever else you're up to! Thank you for the hardwork!
Supporting you through a bad break up...
❥ ⌗ characters: Rook hunt, Jamil Viper, Ruggie Bucchi, Azul Ashengrotto.
❥ ⌗ Summary: After a long long time with the person who you thought was the love of your life, ended the relationship suddenly with the pretext he was no longer in love. You decided to confide your feelings with your closest friend; a friend who happened to be deeply in love with you.
❥ ⌗ tags: tw for toxic relationship, though details aren't given, there are mentions of arguments and toxic behaviour. didn't proofread enough. sorry if ooc.
❥ ⌗ a/n: sorry anon!!!!!!! I've had this drafted since you requested this... and only now i finished it!!! i couldn't bring myself to delete it as I loved the idea so much. Hope if you see this that you're doing so much better now!!!!
Rook made it very clear from the beginning he had feelings for you, but would not attempt to show them.
He also could see the signs of what seemed to be an unhappy relationship that sooner or later was going to come to an end; signs you probably didn't notice.
He's a very caring man, ever since the moment he met you he always tried to help you in any way, and this was no exception; but he also knew, as much as it hurt him, you needed time to realize that the person you loved didn't treat you in the way you deserved to be treated. It hurt him so deeply to see the way he talked to you, but Rook wasn't a hero who would yell at your boyfriend to stop. He had to be subtle — trying to calm the waters when he was around, defending you in his own way. His heart ached, sometimes with jealousy, sometimes with rage — sometimes both, but he refused to let you know about any of these emotions. He was there for you, whether you needed help or advice.
He helped you because he loved you, he constantly told you how important you were to him and there was nothing he wished more than to take you away and treat you like a queen. But alas, his love was not only unrequited, you were in love with someone else.
Oh, how glad he'd be if only one day you woke up and chose him! The selfish part of him wanted to rush, but he knew he had to be patient... Someday it'd happen, or at the very least... you'd be with someone else who makes you happy, and that's something he would like as well.
But when you come to him to tell him everything that happened...
He's going to comfort you and walk you through the feelings the breakup left… In those cases, he's not as mischievous as he typically is. His voice is soft and soothing, as he tries to get your mind off things, as well as being of support when you need it the most…
He can't bring himself to court you while doing so, although deep down, he wishes someday you'll see his efforts, even if he's not exactly expecting you to fall for him…
However, your now ex-boyfriend will avoid you like the plague, and runs away when Rook is nearby, and you wonder if he had something to do with that….
Jamil warned you about your partner a few times, he didn't want to get TOO involved to avoid making you upset, but every time the subject was brought up…. he felt a deep heaviness in his heart that he hated.
The least thing he wanted was for you to notice his feelings. But maybe he was too insistent on the idea that it was best if you broke up…
But those were genuinely good feelings. He saw how bad you were being treated and constantly found himself thinking… “I could do better, so much better…” Yet he hated himself for it. What could he do, if you never saw anything in him?
He feels all of these things, yet it's like… he only wants you to Not Be with your boyfriend. Jamil believes you'd never love him back as well.
If you came to him for advice, he'd give it to you— but his voice was always restrained… and soon enough, he just tried his best to act as if his feelings weren't there, as if he was just a friend who gave advice and was exhausted by you not following it.
But then… it finally happened, but as happy as he felt, seeing how much it affected you.. it didn't feel like victory (even if it was!)
He wouldn't constantly seek you out. But if you need to vent he's always there. He's not good with comforting words… but his honesty can be soothing and grounding. As well as he might sometimes just try to aid you in general, after all… acts of service (unfortunately) are second nature for him.
Whether it's for food… studying… anything. You don't even have to ask… But he's not expecting you to like him back. And not in a cute “he'll wait for you!” kind of way… he thinks you'd never reciprocate his feelings. And he's not sad about that! Jamil just accepted that as a reality. Whether that changes or not is up to you…
Ruggie's pretty straightforward… Not with his feelings, but with his opinion on your boyfriend.
He takes every chance he gets to say something about him and as much as he tries to play it off as a joke, his voice is bitter… He hates him so much!
Ruggie wants to believe he only hates him because you're someone he could dare to call a friend! He denies any other underlying reason for his distaste for your boyfriend that isn't that he's unfair with you... But obviously, he's a bit prideful, a tiiny bit. He couldn't help but try to impress you every time he could. He wished that you'd see how you deserved to be treated… And maaaaybe how much better he is. And he tries for so long, it's kind of obvious if you know him well. If you're observant enough you might have caught on to his feelings.
However, that all changed when you went to him looking for the comfort of a friend, after your relationship ended…
Like Jamil, Ruggie wanted to feel happy, he wanted to celebrate! Finally you weren't tied to that man-child! You could finally focus on yourself and maaaybe on him….. But when he saw how heartbroken you looked, he couldn't bring himself to act on those emotions. You were hurt, and he hated seeing you like that. Though he's pretty awkward at it… He'll try his best to comfort you, but his words feel stiff and you can tell this is not his area of expertise…
He does so much better when it comes to acts of service. He'll try his best to distract you, make you laugh… which is something he'd love to hear again. He won't dare to mention his feelings however. It'd take a long time before he even considers that he could have a chance.
Unlike everyone before, Azul'd rather stay quiet.
He already hated the idea of having feelings for you, and just wanted to forget you existed to make the tightness in his heart disappear. He wasn't one to believe in love, let alone the fact that you were already committed to a relationship…
Yet because of that same reason he wasn't able to leave.
He had a special way of aiding you out of uncomfortable situations and stupid arguments, almost appearing randomly and requesting attention from one of you. The way he dissipated the tense air by just intruding (literally) was almost comical.
Azul's not sure of what to do, as he always regrets helping you, he says you're hopeless and it's up to you to change the situation… as if he doesn't care at all unless you're going to make a deal with him, but then he ALWAYS comes back, lends a listening ear, maybe greets you with some tea and a few snacks… Oh he pays for them, don't worry. It's a gift.
Then he goes back to feeling guilty for helping you, and frustrated for liking you.
….He's a complex guy.
One of those times, you came to talk to him at his office (which the twins knew you had special priority over his other tasks. Even if he never asked.) and told him what happened, you had an argument and it escalated, leading to the breakup… In which he seemed calm as always listening to you… asking you to sit on the couch as he paid attention to your woes.
He was at a loss for words.
Yes, he did believe this was for the best… but this ACTUALLY happening made him realize he never planned what to do beforehand. He repeated the typical routine, something sweet to drink… something soothing to eat… He's a good listener, and he will easily ignore his crush on you to help you better.
His feelings were always second place for him, and Azul seems like the kind of guy who low-key wishes you don't love him back, as he wouldn't know what to do if you did... (even as flattered as he'd feel, he still struggles with trusting people.)
However… if you're too uncomfortable with tour ex… He might ask the twins to aid you if you wish to not see him again! For free of course. You shoule accept his kindness… as he typically doesn't offer such services for free.
Reblogs are appreciated!!!
#twisted wonderland x reader#twst x reader#twisted wonderland#twisted wonderland imagines#twst#rook hunt#rook hunt x reader#ruggie bucchi x reader#ruggie bucchi#jamil viper x reader#jamil viper#azul ashengrotto x reader#azul ashengrotto
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The people have spoken! The bad ending to LoopJuice, “You And I Will Always Be Back Then”, is here! Ouch. (I’m so worried this sucks haha)
Please read the warnings/tags before proceeding! Here are the extras, for even more salt in the ouch.
- The song for this part’s title are from “Time Adventure”, specifically the version sung by Rebecca Sugar. PLEASE listen to that version before and/or after reading this for full emotional ouch. The lyrics for the title for about Lydia and Beetlejuice, and how them and their friendship/sibling relationship is in the past now. It will always be back then, but unfortunately not now. The extra lyrics I included in the start-of-work note, “It seems unforgiving when a good thing ends” is meant to reflect how Beetlejuice always felt like it was unfair that he got so little time with his family and happiness. The ones for the end-of-work note, “That’s why you and I will always be best friends”, is because Beej is still stuck living thirty years ago. (Perhaps literally ;) ) In his head, he and Lyds will always be best friends.
- The weird format - This whole work is meant to feel like accidentally listening in on a conversation you’re not supposed to hear, so I limited the physical descriptions and the internal thoughts as much as I could while still keeping it cohesive. I hope it works! I’m really worried it doesn’t and this sucks haha. (Also, the lack of internal POV thoughts helps me make sure there is little to no spoilers for the yet to be published parts of Time’s Arrow!)
- “Thought I’d find you up here.” - This first line, some of the dialogue throughout, and the whole general vibe are meant to embody two scenes from “BoJack Horseman” that really inspired this scene specifically. The last scene in the show, and this exchange from “The View From Halfway Down”. Warnings for talk of substance abuse and suicide attempts in those clips! That show heavily impacted me as a person and also how I write, so it felt fitting to continue to pay it homage. Maybe I do it too much.
- “Her monster” - This is a reference to a spoken line in the musical, where Lydia calls Beetlejuice “my monster”.
- “He was so… different. But so was she.” - Again, this is meant to feel like listening in on a conversation, so I limited the physical descriptions as much as I could. Beej’s brief description comes later, but Lydia does not get one. She has obviously aged, but she looks fantastic. She is wearing mourning clothes, including a veil. She still dyes her hair black, and it is longer than it used to be, but styled up. To Beetlejuice, she is still just his little sister, so he doesn’t have the time to process the changes, hence why it is not mentioned. Again, it isn’t mentioned, but she kept up the witch stuff, just not as intensely as she used to. It’s hard being the only witch in your coven.
- “Thir-… thirty.. thirty years?” - He does not know how much time has passed.
- “I-I wasn’t allowed to visit any sooner-” - I wonder what this means?
- “You… you left me.” - Again, a reference to a line in the musical.
- “She blew smoke in his direction, causing him to step back.” … “She blew smoke in his face once she was close enough, causing him to duck away and cough harshly.” - Yes, Lydia is aware of how triggering this is to him, but right here she is too angry to care. She will feel horrible about it later.
- “Sorry I let my family get attached, sorry I fell for your tricks!” - Lydia feels fully responsible for what happened. She feels like she’s the whole reason Beetlejuice and all of the shenanigans he brought along with him happened to her family.
- “Sorry I trusted a demon.” - This is a callback to something hurtful she said to Beej in Time is a Flat Cirlce. Ouch.
- “His voice was somehow impossibly rougher than she remembered.” … “He inhaled, softly. A wet little gasp.” … “.. wheezing out his words”… “He was wearing a thick black scarf, tightly wrapped around his neck in a way that was undoubtedly uncomfortable.” … “His chuckle was cut short by wet coughs.” … “.. as he took in weak, heaving breaths.” - His neck is still actively bleeding, he is covering it up with that scarf so she isn’t too freaked out. It hinders his ability to speak, hence why his voice is “rougher than she remembered”. It also makes it hard for him to function, hence all the wheezing and wet sounds, since, y’know, he’s bleeding significantly.
- “ “And I’m…” she inhaled deeply, looking out onto the ground far below them. “I’m glad I’m alive, I guess.” ” - Lydia is thinking about what would’ve happened if she had jumped off the roof here, and is genuinely glad she didn’t.
- “ “I’m glad I’m alive, I guess.” “… yeah. I’m glad you’re alive too, Lyds.” “I guess I’m glad you’re not dead-dead.” She took another drag of her cigarette. The demon remained quiet.” - Notice how Beetlejuice does not return the sentiment.
- “But his clothes were stained a dark russet brown, nearly entirely coating his clothing, sticking to his hair and smeared on his face.” - Yeah that is his blood. The weird placement of the blood stains is from being dragged through a pool of it.
- “His earrings were missing.” - Cyrus took the earrings Lydia, Barbara, and Adam gave him.
- “There was a significant gash on his right temple, still slowly dripping out fresh blood.” - This is from his tussle with Cyrus, but it was never really explained! “Beetlejuice felt something hard hit the side of their head before they could hit their mark.” This was Cyrus purposefully ramming his horns into their head!
- “His hair was entirely grey. No brown or green or any sort of rippling shade to be seen.” - Not just the grey that was spreading up from his roots. That was from stress. This is grey because of emotions. We’ve seen his hair go fully grey a few times before.
- “ “Yeah, what’d I tell ya? ‘Great witch’, ‘wonderful, weird goth adult’.” His chuckle was cut short by wet coughs. “… a local legend, scarin’ the kids, I bet.” “… I think I recall you saying I’d be a ‘sarcastic old bitty’. That’s probably more fitting.” ” - This is pulled straight from the ritual scene in Time is a Flat Circle, when Beetlejuice was speculating on what kind of adult Lydia would turn out to be.
- “… yeah, well… I guess some stupid part of me missed you too.” - Beetlejuice often mentioned how “some stupid part” of him wanted his mother to love him, wanted her approval. Lydia remembered that, and shares a somewhat similar sentiment about Beej. (Except she does not view him as an abuser)
- “Barbara and Adam moved on about ten years ago, when I got married.” - By “moved on”, she means beyond the Netherworld, to whatever afterlife lays beyond it. I plotted this before seeing Beetlejuice 2, and accidentally kinda predicted a popular headcanon? Barbara and Adam found fulfillment in helping raise Lydia, and were able to move on when they felt she didn’t need them anymore. Also, she did not marry Ash. It is not mentioned here, but they took the duffel bag and ran away shortly after Beetlejuice’s disappearance. Lydia got back into contact with them many years later, and they are distant friends.
- “The only reason I’m here and not at my own home is for Dad’s memorial service.” - AGAIN, PLANNED THIS BEFORE I SAW BEETLEJUICE 2! Whoops.
- “ “Didn’t even bother to ask about the veil or anything, huh?” “… you did… use to wear veils all the time.” ” - Kinda a cheeky joke about how movie Lydia wore a mourning veil for no reason in the movie. And she slayed.
- “… the Garden’s gone.” - Notice the capital ‘G’? Does the class have any ideas? Anyone notice any callbacks to the ridiculous chapter one of Time’s Arrow?
- “ “…. Are you happy, Lydia?” She seemed taken aback by this. She stammered, briefly, shrugging. “I-… is anyone?” ” - she isn’t happy.
- “ “Humor an old demon.” “… yeah. Okay.” Something weighed heavily on her shoulders, but she couldn’t quite place what. “I’ll tell everyone you said hi. Not to worry about you, that you’re happy, off scaring people and causing trouble like always.” She balled up her fists at her sides until her knuckles turned white. “… and.. I’m… happy. Despite everything.” “.. yeah?” “Yeah. I turned out okay.” His posture slowly relaxed. “I’m glad.” ” - Lydia realizes she can take some weight off of Beetlejuice’s shoulders by lying to him here. She can tell his time is probably limited, thanks to their remaining connection from the Seal and signing her name in his Book. She’s very mad at him, but she still loves him deep down.
- “The humid summer breeze was suddenly much colder.” - This is meant to play on the theme of warmth and love in LoopJuice as a whole.
#loopjuice#beetlejuice fanfic#lawrence beetlejuice shoggoth#beetlejuice#lydia deetz#adam maitland#beetlejuice the musical#barbara maitland#beetlands#beetlelands#you and i will always be back then#loopjuice chapter#loopjuice extras#charles deetz#delia deetz#ash swallows#I FEEL BAD TAGGING CHARACTERS WHO ARE ONLY MENTIONED
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3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ
link to the post I accidentally wound up prattling endlessly about in the tags 💀
#doctor who#tenth doctor#martha jones#david tennant#freema agyeman#(good god. without even meaning to I went into 'psycho stream of consciousness tagging' mode. whoops)#always thinking of that one post#where OP mentions how the writing tries to make it seem like Ten looked right through Martha/etc#which is a good concept for demonstrating his grief. but also isnt what we really see throughout S3#(not saying he wasn't a grieving MESS because he was. but he's a multi-faceted character and he can grieve AND value Martha simultaneously)#but we see such fierce protective instinct+trust; a bond between them that obviously isn't some one-sided affair#+ his clear intent to impress her/be admired and respected by her (apropos the post that inspired this sentiment)#but RTD obviously isn't the most infallible of writers#*cough* [list of reasons I cut down b/c long] *cough*#He can make Martha say “he's not seeing me/he doesn't look at me” but then you just watch with your eyes and you get a different story#It's like the opposite of when Moffat tries to make you believe someone is super important through bold claims without showing his work#instead RTD tries to make you believe Ten is functionally blind to Martha's existence while showing numerous examples of the contrary#then bring in the novels+myspace blog+cartoon that he all signed off on. Which tie together to create a canon backdrop#basically I said all of that to say this—#it's the whole reason I had to make this blog to get this sort of stuff off my chest (even if it's just for me sometimes)—#Ten not only SAW Martha—he trusted+respected+enjoyed+adored her. And it's a good thing#it doesn't cheapen his grief. I feel like people must think it does which is why I constantly see bad unnecessary takes about them#it just means that Martha was SO important to him and it's ok. they had a killer friendship outside the unrequited minutiae and it's ok#there's even a comic where 'someone' makes him believe she's Martha and he makes her change her appearance because “it's still too raw”#Just saying you don't say that sort of thing about someone whose existence you're all blasé about#Martha already gets fucked by the narrative in enough ways without people totally missing her significance in the Doctor's life#you don't have to ship them to appreciate them on a deeper level#anyway. fuck. if you actually read all of these then I'm so sorry#creating this blog has taught me that there are only like two people who feel the same way about tenmartha matters and it’s fine 😂#but if I didn’t give myself an outlet it would probably form a tumor SO there we are then
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“Nine would have treated Martha better than Ten did”
I need to talk about this argument that never seems to stop circulating.
Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨
When making this argument, people seem to envision a scenario in which Nine never met Rose.
While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.
In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):
He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.
Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.
He falls in love (against his better judgment) and it's game over.
And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.
Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.
(I certainly wouldn’t object to reading that fic, though)
Now, regarding the unrequited elephant in the room…
His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.
It’s really only for one reason, which can't be denied — and now I’m a broken record:
He is still in love with Rose.
(cut from a tenrosedaily gif)
Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.
But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.
Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.
I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.
So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.
But Rose did exist, and when discussing canon, it matters.
“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”
-Jackie Tyler, Flight Into Hull!
Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!
Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.
The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.
But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.
#I'm paranoid af about posting this but also feel like maybe two people will read it so perhaps I'm safe#doctor who#tenth doctor#ninth doctor#rose tyler#martha jones#baby's first meta#dw meta#I hope this wasn't just a mess of discombobulated stream-of-consciousness chatter#try as I may to avoid it#I'm somehow still aware of the sea of bad fandom vibes surrounding almost every character mentioned#besides Nine - who for some reason seems to be above reproach#there's a painful absence of civil discourse#especially where shipping is concerned#but let me tell you#I've vibed with T/M people about T/R and T/R people about T/M and it is a beautiful thing#I wish we could all just get along#also I've got so many more thoughts about this topic#like an embarrassingly long list of thoughts#I tried to scale it down as best I could while also being as inoffensive as possible#gonna crawl back under my rock now#also you should all go read Peacemaker#best DW novel since the Stone Rose#belated tag added way after the fact but:#for some reason I’ve yielded so much hate mail since originally posting this#because I suppose some people have only cottoned on to my enjoyment of T/M#but please note that I’ve been writing my T/M series since 2022#it’s had no bearing whatsoever on my love of T/R+T2/R aka the OTP of all time#but I’m also a grown-ass woman in my thirties and we are all playing with dolls here#I just wanna spread love and write smut and I do this for fun so if you can’t be nice - then I don’t want you reading anyway
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seeing non-black people critique rick's portrayal of black characters is interesting sometimes. only like 30% of the critiques I see make any sense to me to be honest
#“rick made carter be an elvis presley fan that's fucked up!” is a real thing I just read#do you think black people can't enjoy elvis even though he appropriated black culture for personal gain#boy you would not like what I have to tell you about eminem. or kpop. or anything else bc black culture has been#appropriated by like everyone forever. are black people not allowed to enjoy iggy or ariana or billie or [the list goes on]#I myself am not biracial but I /mostly/ like carter and sadie (specifically carter who isn't white-passing) as black representation#the part where carter feels indignant that he has to hold himself to a higher standard because the world is harsher on black boys#did genuinely resonate with me when I first read that part as a child and it still does to this day#can we talk about how rick knows nothing about black hair instead#or how hazel is from the jim crow era and seems to not have one single thought about race in the modern era#or hazel's horror over the amazons keeping slaves but “no they're not slaves they just like it that way 🥰”#my problems with hazel are not at all about stereotypes I just don't buy her as an authentic portrayal of a black girl from the 1930s#don't get me started on beckendorf. does every black character need to die a violent horrible death rick#anyways this isn't intended to make anyone feel bad but we need more meaningful nuance in critiques beyond “hey that's a stereotype! bad!”#if you can't discern and communicate WHY it's bad then you're not saying anything of substance#is it a caricature? is it uninformed/underresearched? are all the characters from that group being represented in that way?#is the stereotype itself a degradation of that group? is it being played for laughs? is the character a one-dimensional stereotype?#what can we glean about the biases of the author/narrative and their worldview through their portrayal of certain groups in the text?#a big part of literary analysis and critique is not only pointing out The Thing. you need to also say something about The Thing#like if you have a black character say they like hiphop then sure it's a “stereotype”. but lots of black people do like hiphop#it's an important part of black american culture and portraying that in media isn't racist by default#and in fact lots of poc keep parts of themselves quiet for fear of being perceived as a “stereotype” when we shouldn't have to do that#BUT if you're doing it like jonah wizard was written in the 39 clues then that's where we've got a problem bc wtf was that rick#that was so racist oh my god I was like 11 years old reading that 😭 and then he had the white mc poke fun at him for being a gangster#and him being a “gangsta” was always played for laughs throughout the story#not being pro-rick here as I'm a big fan of critical riordan reading just being pro-thoughtful critiques because some of you guys actually#sound a wee bit ignorant when saying things like what was mentioned in the first tag#baye.txt#pjo hoo toa#rr crit#<- tagging that just for. well the tags basically
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Melt down every golf club in Alola and use the material for better things!
WHO'S WITH ME?
personally i feel the issue isnt the clubs and more the fact that golf courses themself are incredibly large areas of perfectly maingained open space where very few native flora and fauna can actually thrive that take an unreasonable amount of water to maintain, while only really being usable to peopl3 with not only a lot of money but that also enjoy golf. the clubs can have actual uses outside of the worlds worst sport such as for mini golf (the worlds best sport) or perhaps as a back scratcher. like if you want to play soccer you get a ball thats okay for kicking, walk outside, and decide what the nets are. for golf you need a huge amount of space and to pay a good amount of money every time you actually want to play actual golf and not one of those mini putter things you get for kids.
i like golf its actually somewhat fun to play with friends and family and stuff that being said the amount of fucking space and resources it takes up is not fucking worth it.
#//you guys ever think about how its implied guzma broke the golf clubs himself in anger and how everyone interpreted it to abusive father?#//only slightly related to golf i just think about it. i dont think his parents werent abusive i think they coulda been#//i just think being like oh the clubs are broken cause they were beating him with them diminishes guzmas anger issues#// the clubs are a great subtle way to show how upset guzma would get over second place and stuff#//and how much hed lash out at the slightest failure and i feel like taking that away and twisting it to oh he didnt so it#//hes never done anything bad in anger its his parentsss takes away part of that from guzmas character#//idk this may just be my personal way of thinking from someone who grew up with similarly destructive anger issues#//and had to work through that while also having shit parents#//also if guzma was being beaten with golf clubs enough to break the clubs he would have died#//those things can be lethal#maple moment#pkmn irl#pokeblogging#rotomblr#abuse mention#<- in my ooc tag rambling but still
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the idea that jc is the main character of mdzs is so nonsensical its almost laughable to me honestly. he couldve been /a/ main character if mxtx had focused the narration around both wwx and him. it wouldve changed the story to be the tale of two brothers instead of being primarily a love story but all the components of the existing story couldve remained intact as one half of a two sided story. however even then he wouldve been one of two main characters. ive thought quite a bit about it over the years since i read mdzs and i cannot think of any way to tell the events of the story with jc as Thee Main Character™. the main plot is driven by solving a mystery that jc had a passing knowledge of, at best, so even if mxtx had focused the pov entirely around jc the way she did wwx, it would be debatable if he was actually the main protagonist or if he functioned as an outsider pov to the main events. i mean that wouldve been an incredibly interesting choice and i wouldve had sooooo many Thoughts about how he’s barely the protagonist in his own story, but thats not the choice mxtx made
#im not a jc hater hes one of my favorite side characters but he is a side character and youre fooling yourself if you believe hes the mc#the main plot is solving nmj’s murder‚ the process of investigating it is what frames the flashbacks to wwx’s first life#yeah one could say ‘if jc was the mc nmj’s murder wouldntve been as important’ but that would fundamentally change the story#‘if jc was the mc the story would very different’ proves the jc isnt the main character#jc is undeniably a very important character who heavily influences the plot but he is not the main character#i want to study him like a bug but he is not involved in the main framing device and only a main player in one of the main themes (debts)#he is marginally involved with the themes about reputation and morality but as an outsider judging WWX’S reputation and morality#hes only mentioned as much as he is in the narration bc wwx loves him so much/feels so indebted to him#he was fooled by wwx’s facade too. he believed wwx had gone bad‚ he wouldve been extremely ineffective at pealing back the layers of it#wwx is so painfully the main character its kinda ridiculous#retelling mdzs from jc’s perspective is a excellent framing for a fic or a spinoff story but thats BECAUSE he is a side character#mdzs#mdzs thoughts#mine#the brightside to having a weird character tag for mine means i can tag this for him without sticking this in the main tag#jcwy#i am truly sorry if this ends up in his tag anyway i intentionally never spelled out his name to help prevent it
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There's multiple ways to self harm that aren't cutting. For example, liking female characters in a fandom that prioritizes the male ones
#og post#yes this abt project sekai#16/20 of the cast are girls#i say this as someone whos fave character is tsukasa#NONE of my other faves get SHIT in this fandom#haruka and mmj are literally so good#if your faves are just all the guys im begging you to pay attention when a girl character speaks#BEING GAY IS NOT AN EXCUSE BTW. IM GAY TOO IF YOU CANT APPRECIATE THE GIRL CHARACTERS CUZ YOURE NOT 'ATTRACTED' TO THEM#YOURE JUST LIKE AN INCEL WHO THINKS EVERY WOMAN IN A GAME HAS TO APPEAL TO THEM#i really dont mean to be mean to the guys i love them but i really hate how people push aside the girls#because 'oh well I'm only attracted to guys :/' or 'gheyre not as gay as the guys' or 'theyre just not interesting '#ALL of which are WRONG#all the characters are interesting and have something to offer and if you just refuse to pay attention to the girls cuz theyre girls-#-idk what to tell you#oh yea#self harm mention#anyways this applies to every fandom so feel free to tag which fandom youre apart of that does this i would love to know#also ik this comes off as super bitchy and i feel kinda bad about it but its so#disheartening yk?
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One thing that is difficult about writing historical fiction is when you’ve set your story up in the same time frame as major historical events, which you KNOW would be on your characters’ radar yet they don’t impact the plot. What is too much? What is too little?
#writing#it’s hard like if I just brush over it completely it’s like huh? did you forget this major event that some of these characters would know#and would almost certainly have feelings about#or if you only mention it in passing it’s doing a disservice to the significance of this event#it’s just not part of the story#in the case I’m working with it’s a bit understandable because it’s still very early into the event but#this shit is going to be on their minds and if they themselves never impacted it will likely impact people they know#some of them could kind of ignore it but they are also in proximity to two characters who I’m certain won’t be able to ignore it#but because it’s so early I can maybe get away with mentioning it only in passing#like they don’t know how bad shit will get because it’s only the beginning and they’re naive early 20-somethings#sometimes it’s easy and seemless to incorporate historical events#my other historical story it’s so easy to mix Word War 2 into the protagonist’s childhood because that’s why her brother is the way he is#because of PTSD from a traumatic event that I’ve literally mapped to real life events that happened because it worked the puzzle pieces fit#they don’t always though#and that’s the issue with this story#also these characters are all dealing with a lot of shit so external events might not really be the biggest thing on their minds#like we need to deal with the pressing shitstorm we’ve chosen to jump headfirst into#tag rambles#none of these characters are the type to stand idly by or at least they aren’t by the end of the story#and it’s also like every one of my 5 protagonists will have shit to say even if it’s not something they personally might have to deal with#because part of being in a small group of the only people who know the full story about something is that it creates a bond#like these are literally their ride or die people#I love them so much#all 5 of them are my pookies#and yes I have also been in a situation where it’s like okay I guess these are my people where we all know too much now lol#and there’s definitely a bonding element to that#like no one else will ever get it in a way some other people do#it’s much less dramatic in my case
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im like sincerely so sorry bc my most shameful flaw is that envy is one of my favorite characters in the entirety of fma which is like. listen it's genuinely irredeemable but she knew exactly what she was doing when she made envy the pinnacle of gender envy bc my non-binary ass is NOT immune to feeling the gender envy to the highest degree for that little freak
#mine#i feel less ashamed for being hornee abt shin tsukimi do u understand. how humiliating that is.#literally dont even perceive me this is my greatest sin ok AT LEAST IM SELF AWARE#THEY LITERALLY DO ALL THE MOST HEINOUS SHIT IN THE ENTIRE SERIES NEXT TO KIMBLEE#AND THEY /BOTH/ GET OFF ON IT TOO WHICH MAKES IT WORSE#BUT THEYRE JUST SO PAINFULLY GENDER IM TOO WEAK TO RESIST#i want their voice. i want it so bad it's so painful i hate them so much. but i also adore them. and hate myself for that#she was targeting ME SPECIFICALLY when she made them frfrfrfr#fma#i hesitate to even put this in a tag but i feel like other trans ppl will get it. right. u get it right or am i just a lonesome fool#also. js. i hate kimblee. i fucking DESPISE kimblee actually. worst piece of shit ever in the whole series.#i actually got mad bc i forgot just how long he lasts in the series. FAR TOO LONG IF U ASK ME.#& also. i. feel like. i should get points too bc envy is rly the only absolute irredeemable piece of shit i actually enjoy#bc usually. i am a sheep. & i HATE them. but. i am also a sheep. to gender envy. sooooo. unsurprising exception.#but like otherwise unless u wanna count like my man dracula from castlevania which i feel like is not comparable bc he was VALID#envy is the only villain i actually truly like. any other 'villain' i like is more... morally grey. or. understandable. u know. u get it.#anyway. dont ever perceive me for this im ashamed#& also no the irony of having the mention of jealousy/envy as a my most strict boundary & yet having the literal embodiment of envy#as one of my fav characters in my favorite anime of all time is not lost on me. i am a walking contradiction we all know this#at least they're not THE favorite. u can take a very predictable guess on who that title goes to
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with the full disclaimer that i might be missing some context or significant piece of information & am fully welcoming anyone to inform me, i feel like. it really just doesn't seem like a huge deal that one of the "poison" storyboard artists is into "dark" kink. like this really feels like a non-issue to me
#tw sa mention#<- this is the only tag im putting on here cause i dont wanna get jumped#but like. idk. i feel like this is really just coming from people who don't..... understand how kink works?#and to preface im ace im not into kink im DEFINITELY not into hard/dark kink#but like ...... noncon is a whole genre of fanfic. cnc isn't an unpopular fetish. people who are into either of those things aren't#saying they find real life instances of assault to be hot. its fiction. its a fictional fantasy that in plenty of contexts is being#projected onto exclusively fictional characters#it sits super badly with me that people say 'you shouldnt let people with these kinks work on this show/hire these people' because#the sex lives of your employees being a deciding factor in what you allow them to work on seems. hm. really fucking weird ??#and ALSO also this person was JUST a storyboarder. they literally cannot be 'glorifying' or 'romanticizing' or whatever because#they are only STORYBOARDING they do not control the actual writing direction of the issue or#how it is framed by the narrative or handled within the writing#and the writing of hazbin hotel very clearly and repeatedly says 'hey this is a really bad thing that impacts angel super negatively and#he is all but verbatim saying he hates it and it is destroying him from the inside out'#and again i AM open to being corrected on this if there's some crucial info i'm missing or whatever and i DO think#there ARE glaring issues with the treatment of the subject of sa/harassment within the show#im not even going to get into the viv drama on twitter about this because. jesus christ#but. idk. i feel like this detail gets dragged on SOOOO fucking much when there are MUCH more productive discussions we could be having#mine
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@xolboragainandagain
#NOOOOOOOOO#Oh god oh fuck oh#That is. Actually one of those weird fears I've had before#If I become Chrysalis with her backstory I'm already fucked#IF I BECOME NEMO THOUGH?#XOLANIE????#LAMBE????? I DON'T WANNA BECOME OJ I HAVE HAD ENOUGH CHARACTER DEVELOPMENT ALREADY PLEASE#If I become Mister Lavender it's basically the same as normal except I live inside my own story while writing it#And everyone around me is just a character I'm writing who if they know about me hates me either out of resentment or jealousy or both#Gideon. I will have to live with the knowledge.#Gideon is probably the safest at least until the end since everyone dies in different meta ways ofc#Being Nemo. I would not cope.#I'm already overstimulated enough but the whole point of Nemo is that they hear and see everything in the World#to the point of being so overstimulated they just completely disassociate from reality#The disassociation is so bad they consider it 'dying' and being 'reborn' whenever they snap out of it#Because it's so different and hellish than normal and the only brief time they're aware is that one time when they were five#and that little while when they were eleven#AND IF I'M XOLANIE. I HAVE TO FEEL THE PAIN OF EVERY SINGLE HUMAN BEING IN THE WORLD????#Also it'll definitely fuck me up more with my numb emotions if I'm forced to feel the Love of the World like Nemo or the Hate like Xolanie#Chrysalis. Would I be able to leave the story like Chrysalis did?#She was so so brave for leaving but I have no idea if she's dead or alive because she left the story#I'm screwed no matter who I am.#And that is not even mentioning all the Lamp characters who are constantly rewritten in EVERY MOMENT THEY'RE IN THE STORY#tinhj#tagging my other blog so I can find and think about this later
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i said i was gonna go to bed but i'm still fuming over my sister trying to discredit sli au shadow's asexuality. like,, what more do i tell her. i've written enough. not only is it subtext, it's blatant
AND it's also pretty obvious sli shadow can't distinguish platonic and romantic attraction, nor does he care to, but yk wtvr ig she can ignore that too
(this is the second time she's posed the 'shadow clearly liked blaze' statement to me)
#bee blabs#shadow's on a show that was not at all tailored for him#and yk ofc i love that#but also grrrrrrr what's it gonna take for my sister to realise there is no black and white#and shadow only experiences a range of greys#and pinning him to one thing or another completely breaks the nature and intention for his character#i have worked so damn hard to get sli shadow to where and who he is and still have it all make sense for the context#that my sister misinterpreting him sends me off the rails more than it should#but i suppose it shows shadow's character how he is seen in canon#not easily comprehended and multifaceted#dude sli shadow either knows what he's doing or has no fucking clue#he came in looking like ur bad boy archetype but the minute he starts talking u know he's a bit Peculiar#the path he walks he walks blind#bc he is interfacing with these conventions but doesn't truly understand them#and sometimes he states that's how he feels#other times he doesn't realise what he's doing isn't conventional and he gets Looks#not to mention he's probably autistic too so ofc there's that layering on top and intertwined w all that#dude i'm sorry for the whole ass rant in the tags#but this is infuriating to me#developing sli au shadow has been a labour of love#seeing my sister squander all my hard work by not understanding#it gets me so unnecessarily worked up </3
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“epiphany” | 21k
worst!logan howlett x f!reader
SUMMARY: Superheroes and mutants weren’t enough. No—the universe had to throw in soulmates who share scars. Fantastic, right? Except yours had vanished, only to mysteriously reappear with the arrival of a new face: the “Worst” Logan Howlett, fresh from another earth.
OR What happens when a hopeless romantic crosses paths with the ultimate soulmate skeptic?
WARNINGS/TAGS: mdni smut 18+ strangers to lovers. drinking. cursing. slow burn. angst. pining. mentions of alcohol. fluff. reflecting on the art of writing/poems/books. dual POV. takes place after the events of “deadpool & wolverine”. TW: multiple descriptions of scars. worst/variant!logan. implied age gap (reader’s in her late 20s). they’re both touch starved. wade’s everyone’s friend. miscommunication/misunderstandings. oral sex (f and m receiving). fingering, grinding. some slight hair pulling. unprotected p in v, creampie. sex with feelings.
A/N: HOPELESS ROMANTICS RISE! here we go again with another long ass fic. this is a soulmates AU in which you get your soulmate’s scars. if you feel triggered by this topic, please refrain from reading. i had a lot of fun writing this even though it took me a while to get it done. thanks to @lubdubology for being my beta and allowing me to share my work with you. and also thanks to @brushworth for giving me the chance to write this. having said this, enjoy the story! i’d love to know your thoughts on it <3
Love giveth and love taketh away.
To this day, it’s still hard for you to wrap your head around the fact that love is what humans both strive and die for.
If it weren’t for love, you wouldn’t be here. No one would, actually. Human beings are the result of billions of people who loved each other just enough—or at least long enough to bring life into the world.
But isn’t it in the name of love that people act in bad faith? Why would something so pure be used in vain?
You don’t get it, but as the years go by, you slowly come to terms with the idea that perhaps you never will. Not because there isn’t a reason, but because you’re in love with the idea of love.
How could you not be? It’s on the streets, on the bus, at work. Everywhere you go, every place you attempt to set foot in, there it is. Love is dressed up in an expensive silk robe, a ribbon tied neatly on top of it. You reach closer, trying to unravel it, though it's pointless. The moment love sees you—truly sees your longing for it—it flees, and you struggle to keep up.
Love runs faster than anyone, hiding within the bushes, counting the seconds until its next appearance.
It had always been a relentless race, your only worry being to catch it before time ran out. But with each day that passed, the finish line only stretched further and further away. Now, they all blur together, to the point where you live and breathe on autopilot.
In a Jane Austen novel, you’d be considered a lone woman. That character who’s nice, and kind, and loved by some, but not in the way she yearns for. Every time she’s mentioned, you go “Oh, the poor girl,” until the slow realization dawns.
In reality, she’s you, and it’s you who you feel sorry for, not a fictional character. You.
All in all, love giveth. And love also taketh away.
Love maketh you miserable.
Soulmates—a nine-letter word that holds so much meaning.
It’s one of those words that you learn early in your life, one you hear at home or on the TV. Your parents never fail to mention it if given the chance. The first time you’re introduced to the topic is at school when you're older, a bit more self-conscious, and no longer preoccupied with picking your nose.
“Everybody has a soulmate. And no,” your teacher had added after a pause, already anticipating the inevitable questions from any curious 10-year-old, “there isn’t such a thing as not having one. We all do. You just have to search for them.”
Back then, that had been your favorite game—always keeping an eye open, scanning the crowd more than once in new places. You knew for sure that more than one person probably thought you’d strained your neck from all the times you glanced over your shoulder.
It must be pretty obvious now, the fact that you’re—well, alone. Saying ‘without a companion’ sounds quite outdated. They can’t see through you, but something in the way you walk or speak must give it away.
Or is it the fact that you always ask for a table for one?
“Are you expecting someone else?” A waitress approaches you, her tone gentle as she makes sure you’re on your own. A small notebook dangles from her slender fingers, and your eyes catch the name stitched onto her apron: Emily.
The response you give her is on the verge of sounding automatic, robotic even, like one of those prerecorded messages busy people leave on their phones. “No. Just me.”
She nods, and you feel the sympathy in her gaze. You’ve mastered the art of recognizing that look—the one hovering between concern and pity.
Of course, people rarely voice it, but they’ll never know their eyes sometimes say more than they think.
As she jots down your order, you’re met with the ring on her left hand. Very pretty, very shiny. Very expensive as well. Your attention must linger on it a little too long, because she catches you staring, making you feel exposed.
Emily—you decide to call her that way from now on, because once you know her name, it feels odd to address her as the waitress—offers you a shy smile.
“I’m getting married next month,” she blurts out, happiness radiating from her pores. Her eyes glint like two lanterns in a starless night. She also looks younger than you, and the abrupt silence forces you to pinch your wrist, a reminder of the fact that this is a conversation, and not just something you're overhearing.
“Congratulations,” you manage to reply, returning the smile. If she saw how your expression faltered the second she walked away, you wonder if she’d still think you were so amiable.
Sometimes, your façade slips—you can’t help it. That’s what the ‘hopeless’ in ‘hopeless romantic’ stands for.
Some minutes later, she comes back with your coffee, and you catch another glimpse of the ring as it twinkles in front of you. Envy doesn’t suit you, so you shift your focus.
Taking out your laptop, you scroll through the latest headlines. This is your attempt at acting more like an adult and less like a girl in her mid-twenties who has no clue what she’s doing.
One article stands out from the rest: Hollywood Actress Divorces Loving Husband of 25 Years to Pursue Presumed Soulmate. “I saw his scars and knew he was the one.”
Interesting. You can’t help but feel sorry for the displaced husband, though.
“Good for you,” you mutter under your breath, clicking the link to read more. There’s a picture of the actress and her new boyfriend that makes you stop dead in your tracks: they’re smiling at each other, their faces close, noses almost touching, while they show off their matching scars—the unmistakable sign that they’re, in fact, soulmates.
Soulmates, superheroes, mutants. It all sounds like a whole lot, doesn’t it? Overwhelming, to say the least. One thing’s for sure—you’ll never get bored in this world.
But, hey! Don’t forget that there are multiple universes out there. Maybe in one of them, you’re not this pathetic.
Why are you being so hard on yourself? That’s not even the point. Shaking your head, you keep glancing at their scars—they’re identical, perfect mirrors of one another. The kind of scars that only two destined souls share.
Their happiness is evident, tangible. You can feel it by just eyeing the image. It’s a bitter sensation that metamorphoses into a warmth, which heavily spreads through your chest, filling up every empty space it finds.
To say you understand that feeling would be a downright lie. And you may be many things, but a pathological liar is not one of them.
As if on cue, you duck your head, rolling up the sleeves of your jacket. You do the same with your shirt, foolishly hoping to find something other than smooth, unmarked skin.
No scars. No marks. No sign of a soulmate, of a lover. In the world you inhabit—this universe full of the most inexplicable things—you’re alone.
Without a second thought, you pack your things, shoving them rapidly into your bag. The cafe feels too little and too large all at once, the walls closing on you.
The rest of the customers are looking at you. Fuck, they already noticed it—you can’t escape it.
Have they? Do you think they see you like you see yourself? The lone woman who writes poems for an addressee who will never read them?
In silence, you hand Emily the money for your coffee. You fear that if you open your mouth, a cry will come out, and that’s the last thing you need today. She gives you that look again—pity laced with sorrow, the one you despise. It burns.
At that moment, a man walks in, passing right by you. You see his face, his green eyes, and the way his lips curl into a grin as he greets Emily.
The scar on her forehead, which you'd missed before, mirrors the one on his.
They are soulmates.
It’s on the streets, on the bus, at work. Everywhere you go, every place you attempt to set foot in, there it is.
She wishes you a nice morning as you leave the cafe. Little does she know you’ll spend the rest of the day locked in your apartment, mourning someone you never even met.
Until the day you lost them, you wore your scars with pride.
They were scattered across your stomach, back, chest, and even your legs and arms. Some were shallow, others deep. It never occurred to you—the thought that they belonged in the shadows, hidden.
Everyone has them, you thought as you stood in front of the mirror, running your fingers along their jagged paths. I just seem to have more than most people.
Over the years, you might have changed your hairstyle or the way you dressed, but your scars never did—they’d always been there, and they were yours.
Partly yours, of course, since you knew they belonged to your soulmate as well.
The older you grew, the more you realized having a good memory was both a gift and a curse. You still remembered that moment so vividly—when you found out that somebody out there was meant for you and only you.
A point of no return, that’s what it’d been. From that day on, not a single one went by without you imagining the first encounter with your Prince Charming.
In the meantime, you dated. A few boyfriends came and went during and after high school, mostly as practice for the real thing, you’d told yourself.
God, you were determined to know everything. To be the best girlfriend ever, so that when you finally met him, he’d be over the moon.
At the age of seventeen, it sounded like a brilliant plan.
You never knew how, but your life became that meantime. All your friends began to find their soulmates: in the supermarket, while traveling, at the goddamn doctor’s office.
Everybody was fulfilling the purpose you’d been taught humans were made for—everyone but you.
The scars multiplied, yet he was nowhere to be seen, remaining out of reach. Your soulmate’s whereabouts were a mystery. What the hell does he do in his free time? was something you used to often ponder. Is he suffering? Does he need help?
“Be patient, give it some time. The less you seek, the more you’ll find,” your mother would say, trying to sound encouraging. Although she was trying to do her best, that phrase alone had the power to make you go nuts.
Be patient? Waiting was all you’d been doing. What was so wrong with you that he seemed to be hiding from you? You didn’t want to wait any longer, no—you wanted to find him. If it meant traveling to Italy like your cousin had to meet her husband, then so fucking be it.
Many nights, sleep eluded you. Lying wide awake, staring at the ceiling, you’d imagine what life with him would be like. What he would look like. You were certain that no matter his appearance, you’d think he was beautiful.
Wasn’t that the whole point of soulmates—that the bond you two shared transcended physical attraction?
Nevertheless, you secretly wished he’d have brown hair. He didn’t need to know, but you had a weakness for brunettes.
On the night of your twenty-second birthday, you were getting ready for the big event when every trace of your scars disappeared.
The bathroom mirror was fogged from the shower’s stream, and as you wiped it clean with the palm of your hand, the image you saw reflected on the glass made your stomach do a flip.
There were no scars. No marks. Nothing. At first, you thought your eyes were playing tricks on you—it couldn’t be. Scars didn’t just vanish. It was impossible.
But as you lowered your gaze, tracing your limbs again and again, the truth hit you. The marks you knew by heart, the ones that reminded you, He’s out there, somewhere, were gone.
You felt it deep in your chest, too. Every sound seemed louder and clearer: the blood rushing through your veins, each shaky breath you took. Where are they? Your fingers dug into your flesh, intending to ground yourself.
Is he… dead? It was the only reasonable explanation, the rule you’d known all along. You’d read it countless times, memorizing the principles about scars.
The scream that tore from your throat brought your mother running upstairs, and she entered the bathroom with a horrified expression on her face.
“What’s wrong? Are you hurt?” she asked, but your mind was already far away. Your whole body shuddered in her arms, a sob slipping past your lips as you crumbled to the floor, desperately hoping it was all a nightmare. “It must be a mistake, honey. I’m sure he’s okay.”
But he’s not, you wanted to tell her. The words, however, never formed—only a broken whimper escaped your lips. Isn’t that what we were taught? Our scars belong to our soulmates; they bind us to them in a way that simple words can’t explain.
It goes deeper than the skin. It delves into our bodies, our minds, reaching into the very essence of who we are. What was once his is also mine, but they’re gone.
He’s gone. He must be, because otherwise, how would you explain this void?
When one’s soulmate passes away, that person will notice the disappearance of their scars. The physical marks that once symbolized their connection fade, leaving no trace. This absence is accompanied by a distinct, unsettling sensation—an awareness of loss that goes beyond the physical, signaling the end of the bond.
A part of you died with him that day.
The first time you exchanged words with Wade Wilson, you thought he was a total dick.
It wasn’t as if you didn’t know him—not when he was so infamous for that mouth of his. Deadpool: the self-proclaimed superhero with a vocabulary that was 90% profanity, who made cracking jokes while fighting the bad guys look easy.
Super funny? Sure. But not exactly your cup of tea when all you wanted was to crawl into bed and forget the world existed.
He was apparently long retired from superheroing. No one had seen that red, sex-toy-looking suit in ages, which was why you were only mildly surprised as you spotted him hauling boxes into your building on a Tuesday afternoon.
It was late, and you weren’t in the mood for small talk. He’d been there barely a week, yet somehow, he’d already managed to fuck things up.
You let out a deep sigh, rubbing the crease between your brows. “Look, Wally—”
“It’s pronounced Wade,” he corrected you, trying to edge his face further into the gap between the door and its frame, though you didn’t let your guard down. “You’re pretty rude, you know that?”
“I’ve been up for twenty-four hours, and I need to sleep,” you groaned, trying to push him away with one hand. Technically, he wasn’t even asking for something that complicated—he wanted to use your microwave to heat his dinner, since his had decided to stop working out of the blue.
The thing was that you’d had the kind of week that felt like a one-way trip to hell, an important detail he wasn’t aware of. “Go ask someone else. I can’t do charity tonight.”
“You’re the only one who answered,” he said, pressing his palms together in a pleading gesture, his lips curling into a heartbreaking pout. “Please, my lovely neighbor, whose name I don’t know. You wouldn’t want me to starve to death, would you?
“I thought you couldn’t die.” You raised an eyebrow, half-interested.
Wade’s arms dropped to his sides, his eyes drifting downward. “And I thought kindness wasn’t extinct, but here we are.” He spun on his heel, acting defeated and dragging his feet like a scolded puppy. “Can’t believe this is what the world’s come to. I’m sure the Bible says something about treating others how you’d want to be treated.”
Why. Just… why? Some cosmic, divine force from beyond might have been testing you that night.
“Wait,” you croaked just as he was about to step into his apartment—which was literally three meters from yours. His face lit up, expecting you to continue, and you moved aside slightly, signaling him in. “Five minutes and you’re out, okay? I really need to get some rest.”
The rest was history. Wade was just standing there, mesmerized by your microwave as if he’d never seen one before.
You could only hear the faint buzzing sound of the gadget, punctuated by the rhythmic drumming of his fingers on the counter. He was humming a tune while shaking his head to the beat.
You tried to focus, replaying the guided meditation you sometimes followed to sleep in your mind.
Allow yourself to feel the stillness of this moment. Notice your breath slowing as your body begins to calm. Be the observer of your breath, flowing in and out naturally, as your lungs—
Yeah, it wasn’t working.
“Please, stop it,” you eventually told Wade, whose gaze shifted from the microwave to you, brows furrowed.
“And why’s that?”
“They say it’s bad for your eyes,” you explained, recalling a half-forgotten news report you’d heard on the TV. Whether it was a myth or not, you’d never know. “I believe it’s because of the radiation exposure.”
Leaning back on the counter, he crossed his arms over his chest. “At this point, I think I’m safe. You, on the other hand… maybe not so much,” he nearly whispered that last part, and your desire to strangle him grew stronger.
Save me, mindfulness, you thought to yourself.
He jerked his thumb toward the pile of papers and books you had on your kitchen table. “So, you’re a writer?”
“Editor, in reality,” you snapped, your eyelids twitching as you watched him leaf through your stuff. “Wade, don’t touch my things.”
“Sorry, can’t help myself. I’m very curious.” Flashing you a quick grin, he opened your notebook, squinting his eyes as he went through the pages. “But you write too, huh? I’m discovering plenty of material here.”
The bastard. “Give. It. Back,” you snarled, lunging at him and trying to snatch the notebook from his hands, but he was faster, raising it out of reach. “I hope your food explodes in that microwave, asshole.”
“Oh, right. I forgot about it,” he snorted, tossing the notebook onto the couch and retrieving his dinner instead. You stared at him in disbelief, opening your mouth to scold him, but nothing came out. Then, there he was, standing in front of you with his plate and a fork.
Wait. Was that your fork?
“It’s hot, I’ll give you that.” He blew on his food to cool it down, and as he glanced up, he was met with your murderous glare. “Whoa. Want some? You could’ve just asked me. No need to get so angry.”
Calling it a desire to kill him would’ve been an understatement. And the worst part? He couldn’t die. “You’ve got what you needed. Now, can you leave?”
“How long’s it been since you talked to another human being?”
You blinked, feeling the sudden urge to look around, half expecting a hidden camera. “Why do you always answer with another question?”
“All I’m saying is I’ve been meaning to talk to you for days now, but you’re practically living the hermit life,” he said between bites of chicken, excusing himself briefly to chew. “That robe you’re wearing? It’s had the same stain on it since I moved in. Also, your doormat’s buried under a mountain of newspapers, so either you really love trees, or you’ve been avoiding any sort of social interaction.”
If he had been wrong, you would’ve felt much better. But he… wasn’t, and it sucked.
“I feel like I should be scared,” you mumbled after a long stretch of silence, your eyes going round.
Wade did no more than laugh at your troubled expression. “Scared of me? That’s cute. I’m a nice guy, sweet pea. Persistent, sure, but I’ve got a knack for getting under people’s skin,” he said, grinning through a mouthful of food—which, for the sake of your sanity, you chose to ignore.
After he had finished eating, he let the fork fall into the sink, the metal striking against the surface with a piercing echo, making you jump. He stretched his arms with a satisfied yawn, and he seemed determined to leave you alone. “Well, I’ve done my good deed for the day.”
“What do you mean?” you asked, following his movements as he ambled toward the door. “Are you telling me your microwave does work?”
“Oh, you’re a smart one, aren’t you?” Wade patted your head, ruffling your hair like you were a puppy who had just learned a new trick. “Good night, peanut.”
From that moment on, the two of you became inseparable. Your personalities clicked in a way you’d never experienced before with any other friend. Wade was loyal to a fault, and he treated you like the little sister he had never had.
Most importantly, he didn’t pity you—he saw you for who you were, not just someone marked by a lost soulmate. You never told him how much that meant to you, but deep down, you were grateful.
Which brings you to the present day. You’ve been friends with him for over a year, and he’s taken every chance to introduce you to his “weird but lovable” (his words, not yours) group of friends.
“Check your social anxiety at the door, thank you,” he’d tell you every time he hosted a get-together and you were invited.
Somehow, you had managed to bond with them—especially Althea, his elderly roommate, who occasionally forgets who you are despite living next door.
“Remind me of your name again, sweetie? All this disco dust must be affecting my memory,” she’d ask, leaning in close so you’d practically have to shout it into her ear. Then she’d nod, smirking knowingly. “Ah, yes. I thought so. Just making sure.”
She’s quite the character. A real sweetheart if you leave aside the number of times she’s offered you more types of drugs than you knew existed.
Tonight, you’re throwing Wade a surprise birthday party. Among all the party tasks, you’ve handled the decorations and the cake. The room’s a riot of color, with balloons floating lazily from the ceiling and a cascade of streamers draping over the furniture.
Guests start arriving, greeting you warmly, a feeling you once thought impossible. They’re Wade’s friends, sure, but on some level, you like to think they’re your friends now too: Vanessa, Dopinder, Buck, Shatterstar, Colossus, Negasonic Teenage Warhead, and Yukio.
As you hear footsteps approaching the door, Wade’s voice filters through the hallway. Panicking, you whirl around to the group. “He’s here! Everyone shut up!” you whisper urgently, turning off the lights and pressing your back flat against the wall next to the door.
Seconds later, the sound of keys jingling fills the air as both Wade and Peter step into the apartment.
You flip the lights back on just as Dopinder pops his much-anticipated party popper. “Surprise!” you all scream in unison, and Wade’s face splits into a grin, unsure of whom to hug first.
“You guys are lucky I’m not armed,” he quips, slinging an arm around Dopinder’s shoulders. “Six years ago, you’d all be dead!”
And you giggle, because… well, what else are you supposed to do?
As you expected, the night unfolds smoothly. You’re having fun, engaging in conversations despite yesterday’s emotional meltdown at the cafe. It’ll be okay—it always is. The food is amazing, the company even better. You remind yourself that romantic love isn’t the only kind that matters—that’s what friends are for, after all, to teach you that lesson.
The low hum of chatter fills the air, punctuated by bursts of laughter and the clinking of glasses, creating a lively symphony that wraps around you like a warm blanket. Yukio calls your name, waving her head in front of your eyes, trying to snap you out of your thoughts. “Everything okay?” she wonders, concern flickering in her voice.
“Yeah, I’m fine,” you reply, tightening your grip on your beer bottle. “Just thinking, that’s all.”
You all gather around the cake when Wade’s about to blow the candles. You know he’s preparing himself for a speech. “Another year of spinning around the moon, huh?”
“Sun, you dumbass,” Al corrects him, and you have to bite your lip to keep your laughter to yourself.
“Okay, flat-earther,” Wade shoots back, giving her a playful side-eye. “Anyway, where was I? Oh, right—I can’t thank you all enough for being here. These past few years have been... well, rough on me, to say the least,” he says, glancing down at the cake with a small, crooked smile. “But I’m happy now. We’ve got each other’s back, like a team!”
“Like The Avengers, you mean?” Dopinder pipes up, eyes sparkling with excitement. There’s a moment of silence in which you swear you’d be able to hear a hairpin drop.
It’s still a sensitive topic.
“Next time, give me a trigger warning before you mention them,” Wade mutters in a hushed tone, and Dopinder shrinks sheepishly. “I guess what I wanted to tell you was…” he trails off, his palm covering the place where his heart is, “that I'm glad you’re all here. Being surrounded by the people I love most is the best birthday gift ever.”
His words stir something inside you. Vanessa gently nudges his arm, smiling up at him. “Why don’t you make your wish?”
Wade dramatically drops to his knees in front of the cake, eyes fluttering shut before blowing out the candles, whistles and cheers erupting all around.
Just then, you hear the unmistakable sound of the doorbell ringing through the air. You exchange a curious glance with Wade, raising your eyebrows. “That’s weird. Want me to get it?”
“Nah, I got it,” he says, excusing himself to answer the door. He slips outside, shutting it behind him, and everything returns to normal. For a while, you assume he’s chatting with someone who dropped by to say hi—but that doesn’t really make sense.
“Don’t you think it’s weird that he’s been out there so long?” Vanessa inquires, her worry starting to creep in.
“I’ll go check on him,” you tell her, giving her hand a reassuring squeeze before heading to the door.
But when you open it, there’s no Wade in sight. Just… his toupee—or “hair system” as he insists on calling it, lying on the floor.
Kneeling down, you gingerly pick it up, a strange sensation settling in your chest.
Where the hell did he go?
After his existence went downhill, Logan turned to prayer.
Completely out of character, right? He thought so too. The number of times he'd stepped foot inside a church could be counted on one hand, so why would a man like him resort to religion?
In the past, he had been told he was part of God’s plan, but somewhere along the way, he felt like he had become God’s mistake.
After living a life plagued with loss and constantly in hiding, he wasn’t shocked that his self-worth was in the gutter.
Things only spiraled after letting everyone down, especially after that particular day when things took a turn for the worse. He had prayed, asking God to make him forget.
When that didn’t work, he just drank harder and smoked more. But not even drowning in alcohol and clouds of nicotine could put an end to his struggles—he was condemned to suffer.
In spite of everyone’s wishes, he’s still going strong, stuck with no defined purpose. It’s almost impossible not to fall into a routine that seeks to numb him, to put him under anesthesia—waking up after passing out who-knows-where, finding the nearest bar, sinking into whiskey and the haze of ashtrays.
Then he does it all over again, a never-ending cycle. His self-destructive habits don’t lead him to oblivion; instead, they intensify every sensation, making each memory and emotion painfully vivid.
Day after day, he convinces himself he’s got it under control. Logan may be tough as fuck, and he may heal faster than anyone else, but his pride is in pieces.
No amount of strength or supernatural abilities can stop the decay he feels inside, the slow rot creeping deeper within him the longer he remains trapped in this life.
He slams the empty glass onto the counter with a heavy thud, tapping two fingers against it. “Again,” he murmurs, his voice low and rough.
The bartender looks at him like he's the reincarnation of all things vile. “I told you—you’re not welcome here. You’re not welcome anywhere. Now get the fuck out of my bar.”
Oh, yes. Music to his ears. If he had a nickel for every time he heard that, he’d be rich. “Just give me one more drink and then I’ll leave.”
“That’s not how it works,” the bartender replies, and Logan knows he’s screwed. Another public establishment he’s been banned from—fucking perfect.
Will there ever be a day where he’s not treated like garbage?
“It does now,” an unknown voice joins the conversation, and Logan glances to his side, arching a brow. The masked man doesn’t let his stare falter. “Leave the bottle.”
“Do I know you, bub?”
“You don’t, but I know you.”
This serves as evidence of how pliant he’s become. Years ago, he would’ve already wiped the floor with this guy. They didn’t call him Logan “short fuse” Howlett for nothing. But now? He just can’t bring himself to do it.
“Everybody does. I’m the—”
Here it comes, the reminder of his personal calvary.
“—Wolverine.” Once he finishes the sentence, his words taste bitter. Perhaps it’s the venom on his tongue, or maybe it’s just the alcohol from yesterday kicking him again. Either way, both hit hard.
“Yes, you are,” the stranger says, continuing to stare at him, as if Logan’s worth the effort. “And I’m going to need you to come with me. Right now.”
Logan holds his breath. The worst part of it all is that his day’s just getting started. He has no clue who this guy is or why he’s claiming to need him.
But he’s got the wrong man—Logan doesn’t know him, and he sure as hell doesn’t have anything good to offer.
Or so he believed five minutes ago. Life seems to have its own way of surprising him.
Knowing he’ll regret it later, he closes his fingers around the whiskey bottle, chugging the liquor until darkness takes over his senses.
Nighty-night, Logan.
I'm aware that you're not mine, and nor will you ever be.
I’ve spent sleepless nights trying to figure out
where this need to call you mine stems from.
You're like an antique, a rare piece displayed
in a crowded bazaar, drawing curious glances.
I’m aware that you're not mine
because I haven't bought you yet;
I hold no claim over you,
nor can I control who touches you and who doesn't.
I want you to be mine,
but no amount of money would buy your soul.
You're beyond reach—someone has already marked you.
I’m aware that you’re not mine,
and I guess maybe that’s how life is meant to be.
“Bullshit,” you mutter softly into the quiet of your apartment, where the only sound is the echo of your own voice.
Chewing the end of your pen, your eyes narrow as they skim over the poem you’d written over a month ago.
Since then, you’ve been working on refining the details, but something is missing—that you can feel. The flow is awkward, the choice of words stiff. It’s like a puzzle that doesn’t quite fit together.
You take a long sip from your coffee, tucking both knees up onto the chair you're sitting in. 7:30 a.m., and already, your mind is spinning, diving headfirst into a poem when countless other things are demanding your attention—like, a hundred things, really.
Right now, cracking this piece feels more important than any other task on your list.
Who do you write to? That part is easy—your soulmate. That deceased, probably buried, long-gone soulmate of yours.
It shouldn’t be funny, but there’s an absurdity to it.
Without warning, a memory slips into your thoughts—one girl you used to work with once advising you to change the subject of your writing.
“You should go for some self-love crap. People usually eat that up,” she said, not even bothering to look up from her nails, red polish smeared over the edges.
Her fingers were a mess, coated in that fiery hue, but she didn’t seem to care as she tapped your notebook with her lacquered index finger. “This is repetitive. Keep writing about the same thing, and people will get bored of you.”
“I haven’t published them yet,” you answered, your voice coming out more high-pitched than usual, betraying the doubt you intended to suppress. Her blue eyes flicked up, studying your face as you slid the now red-stained notebook back into your bag, away from her careless, messy fingers. “I thought… I thought we were supposed to write about what we feel passionate about.”
That managed to catch her attention. Passionate. She let out a laugh—sharp and cold, like something straight out of a villain’s script in a children’s movie. It grated against your ears.
“Sweetie, you call that passionate?” She waved her hand dismissively, standing up from the table.
Taller, older, and more secure—just the fact that she gave you her time should’ve made you feel grateful. “Not to be a bitch, but what you showed me is kind of depressing.”
Kind of depressing. From that moment on, you kind of hated her. Small victories, though—the agency fired her a year later. You like to think you kind of won that battle.
Still, she might’ve been right about one thing: your writing does fall into patterns. It’s predictable, to say the least—the rhythm, the themes. Even the metaphors you include can be found in several of your poems.
Are you… lazy? Has someone revealed the way to break out of it? If there is, you figure you're fine without it.
You don’t want to write the kind of articles she’d churn out about the latest trends or the five best positions to get pregnant faster. Nor do you want to pick apart celebrities' lives for a flashy headline.
What you do want is to write about love. Real love. Even if you are not the most qualified person to do it. Even if nobody wants to read the words from someone who has never experienced it in the flesh.
And you’ll get there—how? You’re still figuring that out.
As long as you live and breathe, love will remain in your thoughts, haunting you—especially with your muse being the fleeting dream of a soulmate you never got to meet in the first place.
But it’s time to start your day—the real one. The one where you have to step outside the safety of your four walls and deal with reality.
The to-do list assembles in your mind: groceries, that book you’ve been meaning to pick up, emails you need to answer.
You let your mind take over, guiding you through the motions without a second thought. As you head back to your room, you get rid of the comfortable robe you love so much.
Next, your shirt comes off, tossed carelessly onto the bed. Just as you're about to step out of your pajama pants, you notice them.
The scars.
They’re not the same, not the faded lines etched into your skin that you could see every night behind your eyelids. New marks glow against your flesh, each one a map of something you don’t yet understand, standing out like new brushstrokes on an old canvas.
You can’t help but freeze, your breath faltering for a moment, and you nearly trip over yourself. Kicking your pants to the side, you stare down at your hips, thighs, the hollow of your ribcage.
Tentatively, you press your fingers into the lines, expecting them to fade, to disappear under your touch like some peculiar illusion.
But they don’t. They remain. You can feel the raised edges, the subtle roughness, the heat beneath your touch.
These scars are different from the ones you had before. Under no circumstances are they the faint memories you once carried. No—these are fresh and vibrant. Marks that shouldn’t exist, the stories they’ve witnessed unfamiliar to you.
Within seconds, you’re sobbing, and you blink through the wetness clouding your vision, wiping your tears of disbelief (and maybe hope?) away with the back of your hand.
Nothing changes. They’re still there.
You've never heard of scars returning like this. It goes against everything in the manual on your shelf. Scars vanish when a soulmate dies, but they don’t come back. Not like this. And they certainly don’t change.
Barely able to stand without stumbling, you scramble to your phone. The first person you call is your mom, your fingers shaking as you press the buttons. She screams into the phone, and all you can do is laugh through the tears.
What doesn’t sit right with her is the change in the scars. She mentions something about reaching out to a specialist, insisting that your case is rare—one in a million.
Almost immediately, you think of Wade, knowing he’d want to hear this. God, he’d be ecstatic. Before you even realize it, you’re standing in front of his door, finger hovering over the bell.
That’s when the realization hits you: he’s been gone for nearly three days, off doing whatever it is he does.
Ringing the bell, a smile tugs at your lips. News like these are meant to be shared.
“Althea, it’s me!” you call out, hoping she’ll hear you. You press your forehead against the door, fidgeting with your fingers. “I have something to tell you.”
Logan has had better days. Days that didn’t involve escaping The Void, fighting a hundred Wades, or saving an earth that wasn’t even his to begin with.
You know, normal days—of being sneered at while drinking to forget and, fuck, how many hours has he been sober? It feels like an eternity.
When the adrenaline wears off and the heroism fades, he’s back to being just Logan again. If he had a watch, he’d probably tap the glass and fake impatience to Wade, pretending he’s got somewhere else to be.
He should leave. That’s his first impulse: to escape before it’s too late, but a question arises in his mind: does he truly want to?
Wade watches as Logan rises to his feet, planning to walk away. Pretty stupid, Logan thinks, considering he knows no one else in this universe—apart from the scarred man he’s become friends with against his will.
“Logan!” Wade yells his name, his voice light but firm enough to halt him in his tracks. Logan turns to face him, greeted by Wade’s familiar, infuriating smile.
It's a silent invitation to a new beginning.
Nothing’s holding him back, so why not accept it? The odds of being the target of hateful glares are lower here, and that’s reason enough for Logan to give a small tilt of his head and return to the bench where Wade remains seated.
“We’re gonna be roommates!” the latter exclaims, a wide grin stretching across his face as they head toward the building. “Can you imagine all the fun we’ll have?”
Logan presses his lips into a thin line. “Looking forward to it,” he murmurs, a small glimmer of sarcasm slipping into his tone, although Wade takes his words at face value.
“Me too, roomie. Me too.”
“Let’s not use that word.”
Wade holds the door open for Logan with an exaggerated bow. “Why not? It’s the truth. We can even share my bed if that’s—”
The sound of Logan’s claws succeeds in silencing him. Wade recoils and covers his crotch, no doubt remembering past close calls.
“You know what? You can have the bed. I’ll take the couch. No problem.”
Was moving in with Wade the worst idea he’s had in a while? Absolutely. The reason? Althea, the elderly woman he lives with, isn’t answering the door, and he doesn’t have his keys.
Logan covers his eyes with a hand, silently questioning all of his life choices. And it’s only been ten minutes.
“This doesn’t happen often,” Wade reassures him, rubbing his neck.
“Hard to believe,” Logan mutters, some unknown muscle in his jaw beginning to ache from how hard he’s gritting his teeth. “You just leave the house without your fucking keys?”
Wade huffs, jutting out a hip in mock offense. “Those TVA guys didn’t exactly send a ‘We’re here to ruin your day’ memo. I was ambushed, okay?” he retorts, keeping a finger glued to the doorbell, its shrill ring gnawing at Logan’s already thin patience. “Al, I swear to God, I’m replacing your blood pressure pills with laxatives if you don’t wake up!”
“How old is she?” Logan asks, searching for anything to keep him from snapping the other man’s neck. Peaceful thoughts.
“Compared to you, she’s basically a newborn,” Wade replies, rocking back and forth on his heels. He’s having the time of his life—meanwhile, Logan’s self-control is reaching its limit.
His claws twitch in his knuckles. He’s had enough, and with a jerk of his left hand, they gleam as they slide out, ready to break the damn door.
But then Wade jumps in front of him.
“Whoa, whoa, whoa. Easy there, buddy! I’m not letting you turn my door into a strainer.”
“Move,” Logan barks, not an ounce of friendliness in his tone. His stare is flat, unfazed.
“I’d rather not. You can’t just go around breaking people’s doors, man. Not cool,” Wade blurts quickly, placing both hands on Logan’s chest, pushing him away. “How about I ask my neighbor, huh? I gave her a spare set of keys for situations like these.”
“I thought you said this didn’t happen often.”
“Well, life’s full of disappointments.”
Before Logan can answer back, Wade rushes to the door next to his, slamming his fist on it like a madman, his finger hammering the doorbell simultaneously.
The devil’s orchestra—a symphony straight from hell.
Logan grabs Wade’s wrist before he can knock again, hissing: “Have some manners, will you?”
Wade tries to shake his arm free from Logan’s tight grip. “She’s in there. I know it,” he replies in the same tone, but now he uses his other hand to ring the doorbell with greater feeling.
After a pause, he stamps his foot on the floor, throwing his head back. “Come on! Is this how you treat me after being away? Shame on you, Missy!”
This neighbor must be very patient, Logan thinks, to keep up with a guy like Wade without often seeing red.
As the door finally swings open, his grip on Wade loosens, and his hand falls limply to his side.
“What… the fuck?”
The sound of your voice—soft, slightly groggy from sleep—pulls his attention away from the door incident. His gaze is fixed entirely on you—you look as if you’ve just rolled out of bed, which makes sense since it’s still early.
Back in The Void, Wade had rambled on about all his friends, you included. Logan recalls how he had described you: a book editor who lived on her own and loved reading. You were younger—but then again, who wasn’t younger than him?
The picture Wade had shown him, with you standing in the background, hadn’t done you justice. He had found you attractive then, but seeing you in person?
You’re… far more than he expected.
More beautiful, for starters.
Fuck. Why is he even thinking about that? He must’ve been staring at you for quite a while—you glance at him like a startled lamb, clearly feeling self-conscious under his unwavering stare.
“May I know,” you start, tightening your robe, “why you were banging on my door like that? I thought I was getting robbed for a minute.” You direct your question at Wade, avoiding Logan’s presence, which makes something tighten in his chest.
He finds the way you stifle a yawn endearing, though.
Okay, that’s enough, he tells his mind. Let it go.
Wade steps in first, dropping his mask on the nearest surface. “Hello, my dear. Oh, yes, I’m fine. Just a few scratches. No, I wasn’t partying—I was kidnapped. Thanks for asking.”
You draw in a long breath, rubbing your eyes to wake up once and for all, and then you proceed to gesture for Logan to enter. Even now, you find it difficult to maintain eye contact with him. “Do you—would you like to come in?”
Not only are you pretty, but also polite. He nods, muttering a gruff: “Yeah, thank you.”
As he walks past you, your shoulders brush briefly, sending an unexpected jolt through him. A tingling sensation on the verge of being electrifying that has him knitting his brows.
His gaze finds yours, searching your expression to see if you felt it too. But you look away, closing the door to go after Wade.
Great. You must think he’s a weirdo.
“I’m always up for company, but why so early?” you ask your friend, rummaging through the kitchen cabinets. “And are you going to tell me what happened the other day? You left without saying anything.”
Wade hops onto a stool at the kitchen counter, swinging his legs like a child. “You know Al. When it comes to sleeping, she’s like a much older version of Sleeping Beauty,” he replies with a grin, snatching the mug you were about to use for your morning coffee. “Thanks, you’re such a doll.”
“That was—mine,” you sigh, hitting him in the thigh, and Wade winces with a fake whine. “I don’t think I’ve missed you that much. Go back to being missing in action,” you say, grabbing another mug and filling it before raising it toward Logan. “Coffee?”
Logan hesitates. You’re treating him like you’ve known him for years, not minutes. “I’m… good.”
“You sure? I made it fresh, just before you guys arrived.”
“Don’t worry, I’m—”
“I love the chemistry here,” Wade interrupts your conversation, drawing your attention back to him, “but you still got the keys I gave you, right?”
You roll your eyes, blowing on your steamy coffee before answering. “I do, but I want answers first. And I want them now.”
Twenty minutes and a rambling, half-coherent story later, your drink has gone cold, and Logan’s patience is wearing thin… again.
Will he survive sleeping under the same roof as Wade? Stay tuned for more.
“And then I told Paradox ‘He has risen, babygirl’—”
“I think you’re being too specific,” Logan interjects, noting how you’re staring into space with wide eyes. “She seems confused.”
“I am,” you admit, rubbing your temples. He doesn’t blame you: Wade’s a terrible storyteller. You offer him a weak smile as you turn to him. “So… you’re from another universe.”
“Last time I checked.” His back collapses against the couch, groaning softly. He sits beside you, and the way your eyes sweep over him, taking in his disheveled and sweaty appearance, doesn’t go unnoticed by him.
“And how is it? I mean, do you have—”
“I’m public enemy number one.”
Too harsh, idiot.
“Oh. That’s… good to know.”
Wade says your name, and you look to your right, lifting your brows. “Do you mind if I grab the keys myself? I need a shower. I’ve been marinating in sweat and blood for way too long.”
You grimace, pointing toward your room. “Top drawer of my nightstand.”
With that, he embarks on a quest to find them, leaving Logan alone with you. Silence stretches between you two.
He doesn’t know what to say, or if he should even say anything. Casual conversation isn’t his forte.
“You and Wade…?”
Letting out a giggle, you lean back on the couch. “God, no. We’re just friends,” you explain, tucking a strand of hair behind your ear. For a fleeting moment, your eyes bore into his, and then you return to burning holes in the floor. “I’m single. Haven’t found my soulmate yet.”
It’s his turn to chuckle now—a dark, humorless sound rumbling in his chest. You chew on a cuticle, Logan’s gesture igniting a sense of curiosity in you.
“What?” you ask him, puzzled.
“Do you really believe in that? Soulmates who share scars?” If he were to think carefully, he’d watch his tone. It’s too late, anyway—you straighten your posture, your face contorting with each passing second. “I can tell you do.”
“And I can tell you don’t.”
“Why would I? Those are lies,” he retorts, the corners of his mouth turning upward.
His opinion is anything but objective, totally biased, given that every time he dove into love’s arms, he was met with the crude reality: not everyone’s meant to be loved, himself included.
The look you give him is enough to wipe the smirk off his face.
“Soulmates exist, Logan. We all have one.” There’s a certainty in your tone, marked by the subtle way in which you say his name, that he finds alluring. He shouldn’t, especially when you seem angry above all.
“And where is yours, then?”
He regrets it as soon as the words leave his mouth. Your expression becomes inscrutable. You could be either disappointed, frustrated, or even exasperated—sad, perhaps?
Logan feels as though a weight has settled on his shoulders just from staring into your eyes.
You strike back with silence. Plain, pure, dreadful silence that has him wondering if he’s breathing properly.
At long last, Wade comes back from his expedition, keys dangling from his fingers. “It was quite the treasure hunt, you know? You’ve got a lot of garbage in there.” He sticks his face between Logan’s and yours when you don't answer him. “Guys, is there something wrong? Are you doing a staring contest? If so, can I join?”
“I need to start getting ready for work,” you announce, standing up from the couch. Logan mimics you, and you open the door, your fingers curling around the knob. “You should get going. And Wade,” you pause, acknowledging only him, “I need to talk to you later. In private.”
Without Logan. That’s what you wanted to say but didn’t.
“Sure, my queen. I live to serve,” Wade says in rejoinder, and he kisses your forehead briefly, which forces Logan to avert his gaze the whole time his lips are on you, feeling uncomfortable watching. “Take care, alright?”
You give Wade a small nod, waiting until he’s outside your apartment to glance at Logan.
“Goodbye,” you croak, and he knows he should say something, that he—
The door almost closes on his nose.
Had he been an asshole? He was merely expressing his thoughts. The idea of soulmates didn’t sit well with him.
Once settled into Wade’s apartment, Logan steps into the shower, water rinsing off his body. Yet he finds himself unable to stop thinking about you.
The disappointment in your eyes when he asked about your soulmate.
The coldness in your tone at the end, so different from the warmth you initially offered.
He feels drawn to you, as if some sort of invisible string is tying the two of you. Were it possible, he would use his own claws to cut it, but he can’t discern where it begins or ends. Instead, he prefers to blame his touch-starved state for this reaction.
He’s already hating this earth. So much for a man whose skin refuses to scar.
And where is yours, then?
His words shouldn’t have stung the way they did. All the charm—the gruff exterior, the mysterious personality—had vanished.
The guy from another universe, with the claws, the healing abilities, and the raspy voice, is a moron.
A ridiculously good-looking moron? Yes, but a moron nonetheless.
There is something about him you can’t quite place. A chill creeps down your spine as you replay the instant your eyes first locked. Your body had reacted in ways it never had before, drawn to him like metal to a magnet.
Why? You’d seen handsome men before, even been with some. Yet, you’ve never felt this—this gravitational pull, this inexplicable pull to invade someone’s personal space.
How would your soulmate feel if he saw you like this, lusting after another man?
You shudder at the thought. This isn’t like you. You pride yourself on loyalty—perhaps a little too much. You don’t read two books at the same time, and you’ve been buying the same brand of shampoo for the past five years.
So why now? Why him? It feels like a betrayal of your own mind, your conscience turned against you.
Let things stay as they are—it’s safer that way. You don’t want to know the reason behind this forceful need.
After all, being his grumpy and ill-tempered self, he’ll stay holed up in Wade’s apartment, avoiding any interaction with the real world. And you? You’ll forget about him. Easy-peasy.
That afternoon, as you take a nap on the couch, he invades your dreams. It’s not even a wet dream, but he’s there, staking a claim on a part of you he has no right to.
You wake up with your hand clutching your chest, a frustrated punch landing on the nearest cushion.
The next day, you drop by Wade’s place for a quick visit, your eyes darting around the room every few seconds, half-expecting Logan to appear out of nowhere.
“I told you, he’s sleeping. That guy’s got a fucked up sleep schedule,” Wade says, urging you to take a seat beside him at the table. “Why don’t you wanna see him?”
Because he’s messing with your sanity. Your brain cells are practically disintegrating at the mere thought of breathing the same air as him.
“I just—I need to tell you something.”
“Are you pregnant?”
“What? Wade, no! You’ve been gone for three days—pregnancies take months.”
“I’d make an amazing uncle, though.” He grabs your hand between his, his eyes sparkling with mischief. “Babies are so adorable at that—”
“My scars are back,” you cut him off, putting an end to his nonsense. Pulling the neck of your sweater to the side, you show him the thin lines etched into your collarbone. “But they are different this time.”
“Different? You mean they changed?” His disbelief is clear as he reaches for your arm, frowning while he inspects more of your scars. Wade’s jaw slackens, color draining out of his face. “Fuck. Fuck!”
“Fuck?”
“Yeah, fuck!” His strong arms envelop you, and you lean into the embrace, resting your cheek against his shoulder. “Is this good news? Are we happy? Does this mean I have a shot at becoming an uncle after all?”
You laugh a little at his eagerness, rubbing gentle circles into his back. “I am happy. I just—I don’t know what these changes mean yet.”
Althea steps out of the bathroom, her cane tapping the floor in rhythmic beats. “I already told you what they mean.”
Wade pulls away from you, glaring at her. “You meddler! Haven’t we talked about not eavesdropping? Hasn’t life taught you anything after all these decades?”
“Upside of being blind: I’ve never seen this motherfucker in Crocs,” she says, pointing her cane at you, though you know her aim is Wade. “Downside of being blind: I hear everything in this apartment. And you, kid, have a new soulmate.”
“I know what we talked about the other day, but... it doesn’t make sense, Al. You only get one soulmate,” you protest, feeling the tension grow as you pace around the table. “Why can’t it just be simple? My friends are getting engaged, years are flying by, and I’m still out here chasing this… this idiot who no one can even find!”
That’s when Logan appears, emerging from his room, holding several empty beer cans. He rolls his eyes and walks straight into the kitchen. “Great. Who else is coming tonight?”
Wade smirks, clapping a hand on Logan’s shoulder as he looks at you. “Sweetie, Logan’s going through his second puberty at the ripe old age of two hundred. The pediatrician said it’s just hormones, nothing to worry about. Excuse his shitty attitude.”
With a low groan, Logan shrugs off Wade’s hand, scowling. If anything, the younger man’s grin just grows bigger. “Wolvie, I gotta admit that whole ‘Don’t fall in love with me or I’ll break your heart’ personality shouldn’t turn me on, but here we are.”
You decide to take that as your cue to leave. You grab your bag, muttering a quick goodbye to Althea as you head for the door.
But Logan calls after you. “Can we talk?”
You freeze, your back to him. “How much did you hear?” you ask, not daring—not being able—to meet his gaze.
“All of it,” he admits after a beat, and you curse under your breath. “But it doesn’t—Hey!” He follows you into the hallway. “I’m talking to you!”
“No, you’re not.” You fumble for your keys, fingers shaking as you try to unlock your door. “Leave me alone.”
“I won’t,” he mumbles behind you, his voice softer now. “Come on. Don’t be so harsh.”
“I can’t believe you,” you whisper, finally finding the right key and jiggling it into the lock. The door swings open, and you step into the safety of your apartment. But when you try to close it, Logan’s foot wedges into the gap, blocking it. “Get out.”
He doesn’t budge. “No.”
“Logan, I’m not in the mood.”
“Well, me neither. But I owe you an apology.”
You wonder if he realizes the hold he has on you. No matter how hard you try to mask it, the unbearable pounding of your heart betrays you.
Scanning his features, you trace the rugged contours of his face with your eyes, lingering on the lines on his forehead—the aftermath of what it looks like a life lived through bitterness and pain.
“Can I come in?” he insists, his tone on the verge of sounding pleading.
You hesitate. The sensible part of you screams to send him away. Thinking that avoiding him would be as easy as stealing candy from a baby is a long-forgotten idea now: you’d been naïve to even consider it possible.
He’s going to find a way to sneak into your space, your home—and you’ll let him in. You’ll grant him a chance to cross a boundary that should’ve been already drawn.
It feels like you’re fifteen again, infatuated with the guy you know you shouldn’t get close to. Paul from high school wasn’t your soulmate back then—Logan isn’t now.
The smart thing would be to take a step back, accept his apology, and ask him to leave. That’s how you preserve what little remains of your sanity and protect your heart, which is already hanging by a thread.
But God, it feels so good to be near him.
You step aside. He walks in. Something tells you this won’t be the last time.
“I’m waiting.” You stay near the counter, pressing your back against it, and keeping your distance. Logan sits awkwardly on the edge of your couch, unsure of where to begin.
“Look, about what I said yesterday…I didn’t mean it. I’m sorry.” He sounds sincere, earnest. “I didn’t know you believed in soulmates.”
“It’s not a matter of believing in them or not, Logan. My soulmate is out there—yours too.”
Your words coax a grin from him, and he shakes his head. “I guess we’ll never see eye to eye on that.” In a fluid motion, he crosses the room, and you find his unexpected proximity a bit exasperating. “Do you forgive me?”
“I’ll think about it.”
“Give me a break, darlin’. I’m trying my best.”
“Well, you were an asshole.”
“Yes.”
“The first time we exchanged words.”
“Also yes.”
“And now you’re apologizing.”
“Positive. I just did.”
It’s not that you’re easy—it’s Logan’s persuasive allure that gets to you.
“What else can I do to win your forgiveness?” he wonders aloud, his syrupy voice making you tighten your grip on the counter.
An idea sparks in your mind. You move toward the pile of books next to the TV, eyeing the titles, until one catches your attention: your copy of Jane Eyre by Charlotte Brontë, one of the first novels you’d read when you were younger.
It’s adorned with colorful post-its, and the pages, sort of rough to the touch, are marked with handwritten notes in the margins.
“How do you feel about reading?”
“Not my strongest suit,” he answers, arching a brow as he takes in your enthusiasm. “What’s going on in that head of yours?”
“You want me to believe you’re sorry for what you said? Then read this,” you say, wiggling the book in front of him, “and we can start over.”
“What is it about? Let me guess: love and soulmates. Did I get it right?” he asks, playfulness lacing his tone. His breath hitches as you press the book against his chest, silently urging him to take it. His pinky grazes your hand, feeling your skin and sending a jolt through you.
Logan watches you with half-lidded eyes, and it takes every ounce of willpower to tear yourself away from him and his maddening touch.
You clear your throat. “Open it to page one hundred fifty-three.”
“Do you—you remember specific pages?”
“And read what’s underlined in black,” you murmur, eyes fluttering closed for an instant. “Please.”
Logan must mutter something along the lines of ‘You’ve got to be kidding me’ before searching for it. It’s only then that he begins to recite the passage:
He is not to them what he is to me. He is not of their kind. I believe he is of mine; – I am sure he is – I feel akin to him – I understand the language of his countenance and movements; though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him. Did I say, a few days since, that I had nothing to do with him but to receive my salary at his hands? Did I forbid myself to think of him in any other light than a paymaster? Blasphemy against nature! Every good, true, vigorous feeling I have gathers impulsively round him. I know I must conceal my sentiments: I must smother hope; I must remember that he cannot care much for me. For when I say that I am of his kind, I do not mean that I have his force to influence, and his spell to attract; I mean only that I have certain tastes and feelings in common with him. I must, then, repeat continually that we are for ever sundered: – and yet, while I breathe and think, I must love him.
You’ve chosen a damn good page.
Logan looks up from the book, his mouth slightly parted, as if he’s about to speak. You interject before he can find the words.
“You’ve got a week to read it.”
“How long is it again?”
“Four hundred pages.”
He surrenders, sighing in defeat. “You’re killing me here, y’know?”
“Write an opinion essay if possible.”
Right there, Logan offers you a mock laugh. “Haha. That’s so funny.”
“It is for me,” you talk back, unable to hide your smile from him, and soon he mirrors your expression.
As Logan steps toward the door, he hesitates and glances back. “We’re all good then?”
Leaning against the doorframe, you raise your chin defiantly. “We’ll be when you finish the book.”
What he says next has your stomach turning into knots. “You’re trouble.” His tone shifts—no longer teasing, but grounded in truth. Gone are the jokes; he seems to mean every word.
For the rest of the night, one line from the book doesn’t stop echoing in your mind—the line about soulmates: I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him.
You’re trouble for him, and he’s trouble for you. You hope he knows it too.
He thought that not seeing you for a week would snuff out his feelings. That by next Wednesday, every thought tied to your name, every urge to uncover the last of your secrets, would be extinguished.
That's what time usually did: it diminished dangerous desires that couldn't afford to be voiced, and buried those longings that had no place in the light of day.
Logan now figures he’s been underestimating the spell you cast on him with just a few glances and the intensity of your eyes. He’s seen you animated, angry—both defiant and vulnerable.
Each of your gestures feels like a memory he can’t quite place.
The way you laugh, the right corner of your mouth lifting just slightly higher than the left—he swears it isn’t the first time he's seen a smile brighter than the sun.
Still, he convinces himself it’s all in his head. He must be the one losing his mind, the years finally catching up to him. It’s the only reasonable explanation for the thoughts that consume his every waking moment.
He’s wrong—you’re right. He’s seeing things where there are none—you’re simply too kind.
Too kind. Too young. Too damn clever for your own good, with your books and that sharp mind of yours. He wonders how you see yourself.
Do you like the reflection in the mirror? Are you content with the way your life has turned out?
Do you, too, lie awake at night, the bed stretching endlessly, aching for a touch that never comes?
The walls in this place are paper-thin. When darkness falls, and the moon rises, the big, scary Wolverine can’t close his eyes.
Instead, he listens.
Some nights, you play the same movie on repeat—a romantic comedy that lasts exactly one hundred and twenty minutes. For two hours straight, he’s privy to your laughter, your commentary at the characters on the screen.
He hears you cry when the lead couple drifts apart after a terrible argument, but they always find their way back to each other, and you watch every second until the credits roll.
None of the other films you pick ever ends in heartbreak, he realizes. They all have happy endings—the kind you wish for yourself.
One way or another, there must be a way to get you out of his system. He knows, without a doubt, that you wouldn’t want him. He’s not your soulmate, and it’s clear that finding that person has become the center of your existence.
Logan can’t allow himself to be the moron who derails your purpose.
Sure, he’s done bad things, but he likes to believe that at least a part of him—some small fraction—hasn’t been lost yet. That there’s a piece of him that can be saved, which is the reason why he stayed here: to be a better man than the one he was in his universe.
But it’s hard. Harder still because it’s you who disrupts his quest for redemption. How is he supposed to go on with his life when every thought circles back to you? The idea of holding you, kissing you—sleeping beside you haunts him.
And so the images blur, new dreams twisting with his usual nightmares.
Which one is worse, he can no longer tell.
One afternoon, while deliberately steering clear of Jane Eyre, he reluctantly turns to Wade in search of answers. “Tell me more about her.”
Wade, lounging on the couch, stops scrolling on his phone and drops it onto his chest, drawing his eyebrows together.
“Her? Who do you mean?” His tone oozes with feigned innocence, barely containing a shit-eating grin when Logan grits out your name, his tone rough, almost pained. “Oh, Romeo. You’ve got it bad.”
Intending to maintain some semblance of control, Logan strides into the kitchen, grabbing a glass and the last bottle of whiskey. As he tips it, only a few drops fall into the glass.
“No, I don’t,” he says, extending his arm and holding the bottle up. “We’re out of whiskey.”
“You keep saying we, but you’re the only alcoholic in this apartment.” Wade kicks off his shoes, propping his feet on the coffee table. “So, why the sudden interest in the lady? She getting through that tough exterior of yours? I’ll give her points for that.”
“And you wonder why I don’t talk to you.”
“I saw the book,” the younger man replies, lacing his fingers behind his head, watching as Logan rummages through the fridge with increasing frustration. “You never told me you were into classics. If I’d known, I’d have gotten you a copy of Pride and Prejudice.”
“Shut your mouth.”
“I’m sorry, weren’t you the one who came to me, looking for the essential oil of truth?”
The silence that follows is thick and uncomfortable, mood-killing.
“See what I just did there?” he adds, and Logan feels forced to shake his head from side to side, appearing conflicted. Wade lets out a low huff. “That was Virginia Woolf. Add her to your reading list.”
“Has anyone ever told you how obnoxious you are?”
“More times than I can count. I’m just not everyone’s cup of coffee.”
“Tea, Wade. Not everyone’s cup of tea.”
“Whatever.” Wade simpers, as though Logan’s correction is the punchline to a joke only he gets. He sets his palms flat on the table, looming closer with a mischievous glint in his eyes. “So, what would you like to know about my dear friend?”
Logan hesitates, the weight of his question heavy on his tongue. “What’s the deal with her scars?”
The air shifts. Wade’s playful expression fades and he tilts his head, his tone turning serious. “I don’t think it’s my story to tell,” he begins, gaze dropping to the floor. “But she lost them years ago. She was living a normal life, and one day, they were just—gone, like they were never there. It broke her. We didn’t know each other back then, but you’ve seen her.”
Wade’s eyes flick back up, while Logan stands there, tongue-tied. “You even know the kind of books she reads—nothing can shake that belief in real love, in soulmates being destined. Imagine how she must’ve felt when she found out her presumed soulmate was dead… without a single warning.”
From what he had heard, that sense of loss was impossible to put into words. Those who’d gone through it described the experience as if half of you—your body, your soul, your very essence—was being ripped away.
The pain was excruciating, and the only way to survive it was by means of tolerating it—no remedy, just the endurance to outlast the agony.
It wasn’t just a momentary hurt. It was the kind of torment that lingered, making you question who you were and what little remained of you.
You and Logan had more in common than he’s willing to admit.
“She’s a good person,” he mutters absent-mindedly, his thumb grazing the cover of the book. He had carried it everywhere for a week now, without even cracking it open.
“Oh, you dirty pig…” Wade whispers, his eyes lighting up as if a lightbulb suddenly went off in his mind. “Now I get it. You wanna know her. Like, really know her!”
“I don’t—”
“Your sex life is none of my business. I’m all up for you putting your mutant dick to work, otherwise it’s just wasted potential. But it’s my friend we’re talking about.”
Logan’s jaw tightens, and he snaps. “Drop the speech, alright? I’m not trying to get into her pants. I just want to be nice. That’s all.”
“Nice, huh? What’s your version of nice? Starting a two-person book club?” Wade stifles a laugh, pressing a finger to Logan’s chest. “Look, if you want to sleep with her, and the feeling’s mutual, then go for it. Just tell me this—how long’s it been since you visited Pussy Village? Was it before or after the Big Bang?”
Things are never truly serious with Wade Wilson. “I’m not answering that.”
Wade raises both hands in surrender, still chuckling. “Fine, fine. But if you’re really interested, just be clear about it. She doesn’t need a half-assed situationship.”
By now, it’s like a mantra he repeats again and again, hoping that eventually both Wade and he will start to believe it. “I don’t want to have sex with her.”
As he heads back to his (now Wade’s old) room, Wade adds, “I’m sure she’d appreciate it if you underlined some quotes you like.”
Much to his dismay, that’s exactly what Logan does.
His handwriting isn’t the most legible, but he tries his best, leaving notes in the margins of some pages, such as:
I hate this John kid.
Her aunt is a cunt.
This is too cheesy.
Mr. Rochester’s married?
St. John—what a prick.
He finishes the book at 7 a.m. A long-ass book—just for you. While getting ready for work, Wade calls him an unemployed fucker, and Logan knows nothing better than to shoot back a similar insult, stretching his arms as the first rays of sunlight creep through the curtains.
Wade was right about something, even if Logan himself doesn’t wish to admit it: he’s behaving like a teenager—staying up until dawn, practically chained to the bed without daring to go out. Falling for a girl he didn’t know a week ago.
Learning to control his impulses has been a hard task, especially with his temperament. Over the years, Logan thought he’d mastered the art of self-restraint, long past the point where his body moved without his mind’s permission.
As his feet carry him down the hall toward your apartment, he recognizes how wrong he is.
This is a terrible idea, he thinks. And yet, his fist knocks on the wood. Three times.
Fuck.
The door opens just a crack. You peek out, your face barely visible, eyes puffy from sleep. “Logan?”
His name isn’t a fancy one. It’s pretty normal, pretty standard. There must be a thousand other guys named like him—yet it’s only when you say it, your voice turning it into something rare and unique, that it feels different, like it’s only his.
The tone you use with him isn’t the one he’s used to: Logan, you’re a disappointment. Logan, how dare you turn your back on your friends? Logan, they’re all dead. Logan, it’s your fault.
Yours is inviting, and warm, and new. He likes new.
“I just finished it,” he answers, holding up the book, mindful not to grip it too tight as not to crumple the pages.
You scratch the back of your head, blinking at him. “You just finished it… at 7 a.m.?
Yeah, it sounds stupid now that you say it out loud, but it’s true. Hoping his reaction is enough to explain what he can’t put into words, he gives you a slow nod.
This time, you don’t wait for him to say more. “Come in?”
Yes, this is what he’s been looking forward all week. This moment, this interaction.
This Come in. This Yes, thank you. You’re so kind.
His quiet acceptance of your invitation, the unpronounced thought of I don’t deserve this, but I can’t back off now, because how could I ever say no to you?
He follows you into the kitchen as you move to make tea. “Want some?” you ask, but he declines the offer. If he were to drink anything right now, it would be something much stronger, not tea, despite the early hour. “You’re here to talk about the book?”
“Well, you told me I could come back after reading it.”
“I did,” you say, a small smile tugging at your lips as you hide it behind your mug. “I just wasn’t expecting you to be so punctual.”
You don’t need to know that he’s been counting down the seconds, marking each minute in his mind since the last time he saw you. That’s a detail he’ll keep to himself. “It’s a good story.”
“Tell me about it.” You smile even wider, and he takes a moment to absorb the details of your face—the crinkles by your eyes, the way your nose scrunches when you’re amused. “I lent you my most precious book. Fell in love with it years ago.”
“I can see why you liked it,” he explains, flipping through the pages to find the one he marked. “All the romance and the yearning—”
“Hey, it’s also good for other reasons,” you try to defend yourself, but any other argument dies on your lips when he finds the passage he was looking for and begins to read aloud.
“I sometimes have a queer feeling with regard to you, especially when you are near me, as now,” he recites, his voice lower, almost reverent, as he looks up from the page to meet your gaze. “It is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your frame.”
You seem startled by the sharp sound of him closing the book. He’s sort of breathless, and from where he stands, he can tell you are too. “That’s one of my favorite passages.”
“I can’t blame you for believing in soulmates if this is the kind of thing you read growing up,” he teases, handing the book back to you.
Though a part of him almost wishes he didn’t have to—so that it would still be a reason, a tether, pulling him back to you again and again.
Grinning, you take it, your eyes remaining trained on his. “I happen to notice it hasn’t changed your perspective on soulmates.”
“It’ll take more than a book.”
“This is, in my opinion, one of the best love stories ever written. How else will I convince you?”
“Why do you feel like you need to convince me?” He takes a step forward—you take a step back. “Why can’t it be the other way around? I might end up being the one who convinces you.”
“You could never,” you respond, clasping your hands behind your back. “It would be like convincing me the sky is green instead of blue.”
Logan retreats slightly. “Don’t you get tired?”
“Of what?”
“Of waiting. Of always being on the lookout.”
You don’t react badly to his question. You’re not even shaken, not fazed in the slightest. “When I meet him, I’ll know all the waiting was worth it.”
“And in the meantime?” Logan inquires, pressing himself further into your intimacy, edging closer as if testing the boundaries you’re willing to cross. His words are a subtle request for more, for answers. “What will you do until you find him?”
If you ever do, he thinks, but it’s left unsaid, lingering in his thoughts. He’s getting better at not saying the things that sit heavy in his chest without thinking.
“I think you misunderstand, Logan.” You study him through your lashes, and he feels he’s become the keeper of your most sacred secrets. “It’s not about waiting as if my life’s on pause. I’ve been with other people. But in the end, I want to choose him.”
That casual admission strikes him like a wave of cold water. A flicker of jealousy burns at the edges of his composure, though he tries to smother it.
I’ve been with other people, you say, your tone so nonchalant, and yet the mental images that flood his mind are anything but comfortable.
He imagines someone else standing in your kitchen. Perhaps in five minutes, there will be another man knocking on your door, here to discuss a book, and it won’t be him.
Perhaps this isn’t rare for you—all this come in, grab something to drink, let’s talk when you’re done reading.
Perhaps he’s not as important as you make him feel.
His thoughts spiral until your voice pulls him back from the brink.
“Don’t you understand how beautiful it is?” There’s a dazzling glint in your expression, a light in your eyes that makes him ache. “Outside of these four walls, there’s a person who’s waiting to meet me, in the same way I expect to meet him. I can’t grant myself the choice not to believe in something like this.”
Far from easing the martyr in his mind, this conversation only deepens his internal struggle. The questions overlap each other: what happens if you never find him? Would you ever consider settling for somebody else?
He rephrases that last one—would you ever consider being with him?
“He’s a lucky guy,” Logan murmurs, and just like that, he feels himself slipping deeper, falling into the rabbit hole with you guiding him through the madness.
For a moment, he can pretend—pretend that matching scars and bonds that defy the rules of his principles make sense.
Maybe, just for you, he’ll allow himself to believe it.
Your eyes soften with sudden emotion, glistening with the beginnings of tears. He feels the primal urge to reach out, to cup your cheek, to be there when the first tear falls. “You think so?” you ask, your voice fragile.
I sometimes have a queer feeling with regard to you, especially when you are near me, as now.
“Of course I do,” he replies, his tone quiet but laden with a strange, undeniable truth.
It is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your frame.
Whatever this is between you—it’s messed up. He’s messed up. And you… you’re just as tangled in this chaos for indulging it, for looking at him in that way that calls out to him.
The more time he spends with you, the less he feels like himself. Everything he’s done lately—reading that damn book, standing in your apartment at 7 a.m.—none of it feels like something he’d do.
It’s not just his mind you’re messing with: it’s his very sense of self.
Logan’s smart mouth had always been a liability, getting him into trouble either by saying too much or by choosing the wrong words. Bad things had always followed in the wake of his tongue.
Somehow, when it comes to you, he’s the most careful he’s ever been. He doesn’t want to upset you, nor does he want to be the cause of any sorrow that might affect your heart.
When the two of you stand at the threshold once more, just as you have other times before, you softly say: “I feel like I’m experiencing a déjà vu.”
He laughs, because it sounds ridiculous. “Care to explain why?”
“You come, we talk, you leave.” You lean against the wall, your hand ghosting over the handle. “But you never stay that long.”
There’s no mistaking the layered meaning in your words. You, who work with language and its peculiarities for a living, never speak by chance—every phrase, every pause, carries an assigned weight. The double meaning in your statement doesn’t escape either of you.
You’re a natural at this madness, diving headfirst into it. You must be losing it, too, because your actions don’t match what you said before.
Slowly, his fingers brush a loose strand of hair behind your ear, the perfect excuse to feel your skin, to close the distance without saying what he actually wants.
They say food and shelter are the basic human needs, but Logan chooses to believe they forgot to include the longing to reach out and just feel you.
“I can’t stay,” he finally responds to your earlier comment, his hand still lingering against your skin.
His strength—the only thing saving him from completely giving in—helps him pull himself away.
Before the impulse to kiss you becomes too overwhelming to resist, Logan leaves.
Some time later, you’re making lunch, music playing softly in the background at the same time the city’s distinct noise finds a way to break through your tranquility.
You rely greatly on the knowledge that you’re good at multitasking—now more than ever, with a book in one hand and the other stirring the pasta on the stove.
The warmth from the pot rises around you, but you trust yourself not to be careless. Not to be stupid enough to burn yourself with the boiling water.
This time, you miscalculate. Not only do you dip the wooden spoon into the pot, but your fingertips too.
Though it only lasts a second, and the voice in your head instantly screams Hot! Hot! Hot!, the shock makes you drop the book to the floor. You yank your hand back, racing to the sink to run it under cold water.
“Fuck,” you grumble, watching the skin redden in protest. “Lesson learned: no more multitasking.”
The funny thing is, just a door away, Logan’s watching a movie with Wade when he feels a sting in the tips of his fingers.
It’s barely there, practically faint, but he looks down, inspecting his hand like it doesn’t belong to his own body. His skin briefly flushes with irritation before returning to its normal state.
Wade notices his distraction. “Hey, you okay?”
Logan pays no mind to it. “Sure. Just felt something strange.”
Is it still called avoiding if you’re both doing it? You’d like to think so.
For the sake of clarity, let’s say you’ve been actively avoiding Logan, but truth be told—he’s been avoiding you too. That last encounter in your apartment didn’t help matters at all.
If anything, it made everything worse.
You’ve been down this road before, knowing men like him too well: they’re everywhere, until they’re not.
One day, they vanish without a trace, leaving you staring at the empty space they used to occupy, asking yourself ‘What happened to my Prince Charming in disguise?’
They disappear as though they never existed, and not even the best detective can track them down.
So far, your avoidance strategy has worked wonders. Maybe it’s for the best. He’s a distraction—an undeniably attractive one, the kind anyone would want to trip over.
Yet you miss him, which is dumb: why are you missing someone you were never supposed to care about in the first place?
You return home after a long trip to the grocery store, arms laden with bags. It’s the kind of errand that exhausts you, though you keep telling yourself it’s better than thinking about him.
As you struggle to get through the building's exit, you resign yourself to the fact that it’ll take several trips to bring everything up to your apartment.
Then the elevator doors slide open, and you drop everything to the floor.
You should’ve known better than to assume victory so soon. After days of successfully avoiding him, there he is.
And of course, it’s when you look your worst—tired from running around, weighed down by groceries, barely holding it together.
“Hey,” he greets you, standing just outside the elevator, like he’s not sure if he should step inside or stay where he is. He’s dressed in a red-and-black flannel shirt, layered over a white vest, a leather jacket tossed over his shoulders, and a pair of jeans that seem made for him.
He looks... ridiculously good.
“Hi,” you manage to answer after a beat, scrambling to collect the bags you’d dropped. “Just—give me a second.”
“Let me help you,” Logan says, ducking down to gather the groceries, but you pull them away.
“I’ve got it. Are you going out? On a date, maybe?” You nod toward his clothes, trying to keep things light, teasing even.
Glancing down at himself, a crease appears between his brows, and in one swoop, he gathers all the bags with a single hand. “I’m supposed to meet Wade at a bar, but he’ll survive without me.”
“Logan, you don’t—”
But he’s already moving, one hand tugging you out of the elevator, the other gesturing toward your apartment.
“Not up for debate,” he mutters. Then, without waiting for permission, he holds out his hand. “Keys.”
Sighing, you dig into your pocket and drop them into his open palm. He unlocks the door with practiced ease, stepping inside and placing the bags on your kitchen counter.
As he starts to unpack them, you stop him. “You really don’t need to do that.”
That seems to catch his attention. He pauses, turning toward you with his arms crossed over his chest, leaning against the counter.
His unrelenting stare sizes you up, and he cocks his head to the side. “Haven’t seen you in a while.”
He thinks he’s so discreet, so smooth. “Well, I’ve been busy,” you explain, fiddling with the frayed edge of your sweater, tugging at it like it might unravel your nerves.
You hear him click his tongue. “Been busy too.” His words hang in the air, thickening the atmosphere. Your body tenses, and you stare at his shoes, until— “Sweetheart,” he calls you softly, and your eyes snap shut for a moment, your chin almost pressing against your chest. “My eyes are up here.”
A quick flutter of your lashes brings you back to him, and your chest tightens with the effort it takes to look into his eyes. “Don’t you have somewhere to be?” you ask, praying he’ll let this go.
You watch as his mouth twitches with something halfway between a smile and a smirk. “You already want me to leave?”
“If you have plans, then yeah.”
He huffs out a laugh, inhaling a shallow breath like you’ve missed something obvious. “Wade can wait. He’ll be fine.” His expression shifts, and the playful tone in his voice falls away, replaced by something more raw. “You’ve been avoiding me.”
You can’t help but snort. “Oh, please. Like you haven’t been doing the same.” You walk over to the couch, feeling your legs wobble beneath you. You collapse into one corner, hoping the distance will help you breathe.
Like a shadow, Logan follows after you, sitting far too close. His legs splay wide, so wide they’re almost grazing yours.
“At least I have a reason for it. What about you?” His hand reaches out, fingers closing around yours in a grip that’s both firm and gentle, enhancing your anxiety. Your throat tightens, the room shrinking around you. “I need you to tell me I’m not crazy,” he says, his voice rough and low. “I need you to tell me you feel it too.”
Panic flares in your chest, and you scramble for time. “I don’t know what you’re talking about,” you mutter, but your voice cracks, the uncertainty leaking through the cracks in your bravado.
He doesn’t buy your acting. “You do. We can’t keep playing dumb. You’re gonna make me lose my fuckin’ mind one of these days.”
It’s not just his words—it’s the way he stands so close, heat radiating from his body, the roughness of his hand gripping yours like he’s terrified you’ll slip away.
The intensity of it all weighs on you in ways you can’t even begin to describe, leaving you breathless, caught between denial and desire.
“Logan, this isn’t—”
“What? Okay?” There’s a glimpse of mirthlessness in his tone as he speaks, his forehead furrowing. “I can’t stay away from you, don’t you see it? It feels too good to be wrong,” he utters, inching forward. You know you should take a step back, tell him to stop. Nothing good can come from this. “It takes two to feel these things. It can’t be just me.”
“That doesn’t mean we have to give in.” Blood pounds in your ears, your pulse racing as your heart hammers unpleasantly. Little shivers of ice run through your spine, and yet, your stomach burns with desire.
More than ever, you feel yourself slipping, your sanity at risk.
Logan runs his eyes up and down your face, agitated, almost going cross-eyed. “Earlier you asked if I was going on a date. Would you like that? Me being with other people? Kissing another woman?” His hot breath caresses your cheek, and you avert your gaze momentarily. “Answer me.”
Don’t do it. For the love of God, don’t. “I can’t—I don’t—”
“Come on, baby.”
“I don’t want you to be with other people,” you mumble, your lips almost grazing his, and that’s all he needs to grip your chin and pull you into a kiss.
His mouth moves hungrily over yours, pushing you back until the armrest digs into your lower back. A choked whimper gets lost in your throat, and you bring him closer by grabbing onto the lapels of his jacket, your chest pressing against his.
Logan bites down on your lip, soothing the sting with his tongue, and the moan you let out reverberates in the apartment.
“This is what you were hiding from me?” he rasps, his forehead bumping against yours. “These sweet sounds you make?”
You end up perched in his lap, your thighs bracketing his hips. He’s hard beneath you, and as you shift, your center makes contact with his erection through the layers of fabric.
Both of you sigh into each other’s mouths, your hips moving on their own accord, rocking slightly against his clothed cock. He hooks one of his arms around your waist, guiding your movements.
Everything seems to fall into place. Outside your window, birds chirp. The world feels lighter, like a better place. The beast inside you quiets, and for once, your mind is blissfully blank.
Logic? Error 404—not found.
You tug at his hair, and Logan growls, breaking the kiss. “Do that again.” He jerks under your touch, bucking up into you. Encouraged, you pull his hair again, fingers wrapping around a strand at the nape of his neck, and you’re rewarded with a deep groan.
He’s dizzy for it, but you’re no better, not when he trails his kisses down your neck, his mouth latching onto your skin, tasting the sweat and salt.
“I can’t control myself around you,” he murmurs, groping your tits, and you wail, the ache between your legs becoming intolerable. His hands slip under your sweater, caressing the scars on your back.
That’s when recognition settles over you.
What are you doing? And why are you doing it?
He ceases sucking your flesh when you go rigid on top of him. Pecking your lips once again, Logan’s hands cradle your face, his thumbs rubbing circles on your cheeks. “What’s wrong?”
You don’t understand how he does it, how he can remain so calm. Doesn’t he realize the gravity of this? “We have to stop.”
“Why?”
“Don’t ask me something you already know the answer to.”
His arms drop to his sides, releasing you from his hold. You push yourself off him, away from the couch, putting as much distance between you as you can.
Pressing your palms to your eyes, you shake your head. “God, I’m stupid. This is stupid.”
Your reaction seems to get on his nerves, his frustration somehow increasing. Logan stands, towering over you. “Was it stupid when you were dry humping me?”
“Fuck you, Logan.”
“I’m not the bad guy here. You kissed me back.” He doesn’t let up, trailing behind you as you try to escape. “You want me as much as I want you.”
“Will you stop saying that?” you bark, throwing your arms in the air. Your chest rises and falls with rapid breaths. “Yeah, we like each other. So? Does that make it right? How can you just ignore how wrong this is?”
His expression hardens, anger flashing in his eyes. “Forget your idea of what's good and bad. You're just upset you can't control what you feel.”
“He’s closer than ever.”
Logan gawks at you, his voice bitter as he goes on with his rambling. “That fucker again? Don’t you ever get tired of talking about someone who you don’t even know? Because you’re certainly wearing me out.”
“You wish you were him, don’t you?” You jab your finger into his chest, feeling his heartbeat, a flutter you choose to ignore. “You want to be my soulmate.”
“Damn right I do,” he practically spits his words, narrowing his eyes at you. “But I’m not him.”
“No. You’re not.”
Everything seems to fall out of place. Outside your window, birds don’t chirp—they scream for mercy. The world doesn’t feel lighter, but heavier. The beast inside you roars back to life, restless and louder than ever, while your mind spins in chaos.
“We shouldn’t see each other anymore.” Your voice pierces through the thick silence in the room, and you swallow down the lump forming in your throat.
“If that’s what you want,” he replies, his jaw clenched tight, irritation radiating off him in waves.
“It’s what we both need.”
“Speak for yourself. I don’t have a soulmate.” His tone is biting, but you don’t miss the undercurrent of longing in his words. “But if in any other universe I do, I hope it’s you.”
Your hand turns the knob, and then he’s halfway out the door, sparing you one last glance before he turns his back to you.
No more visits. No more books. No more bruising kisses that leave you questioning your mere existence.
Let things stay as they are—it’s safer that way. You don’t want to know the reason behind this forceful need.
After all, being his grumpy and ill-tempered self, he’ll stay holed up in Wade’s apartment, avoiding any interaction with the real world. And you? You’ll forget about him. Easy-peasy.
It didn’t go well in the end.
You remember your first heartbreak—seventeen, fresh out of high school. One of your hands clutched a million dreams, and the other, a pillow soaked with your tears.
Your mother remained by your side, caressing your back, attempting to soothe the sobs that racked your body. She murmured that it’d pass, that you wouldn’t feel like this forever. You believed her then, and trusted that things would eventually be okay.
Almost ten years later, another heartbreak shouldn’t come as a surprise. By now, you thought you would’ve developed the tools to survive it. You should be able to piece yourself back together by instinct.
But life, as it turns out, has a peculiar way of catching you off guard.
Whether it’s pent-up horniness, touch-starvation, or genuine affection—it doesn't change the fact that your pseudo-relationship with Logan fell apart.
Though you’re not the one who’s suffering the most. Neither is Logan.
Wade, the third party in this tangled mess, has somehow taken it the hardest.
“I feel like a child of divorce,” he says, his head resting on your lap, eyes distant as they fixate on the peeling wallpaper. “You need to do something about that.”
“I’ll take care of it next month.”
He’s supposed to be the one supporting you, but it feels like the roles are reversed—you’re comforting him, letting him vent.
“My two favorite people now can’t even be in the same room. What are we gonna do for Christmas? New Year's Eve?” Straightening up, he grabs the nearest cushion and buries his face into it to muffle a defeated scream. “Damn it, Cupid! You had one job!”
All in all, Wade’s emotionally unavailable at the moment, grieving your separation from Logan as if it were his own loss, too caught up in his melodrama to be of any real help.
Meanwhile, you fill your days with work, books, anything to keep your mind occupied.
You go to bed too late, you wake up too early. Sleep too little, cry too much.
One thing stays constant—you and Logan don’t talk. Stolen glances in the hallway, awkward elevator rides—those are the only remnants of whatever you once were. Back to being strangers again.
Well, not really. Strangers don’t know the route to your mouth the way he does.
The ache lingers every day. Missing him when you’re awake is a common occurrence. At night, as you toss and turn beneath the sheets, he stars in your dreams. You can’t recall the last time he wasn’t lodged in your thoughts.
Where there used to be ideas, creativity, and plots worth scribbling down, there’s now only Logan—a man destined to problematize your stay on earth.
That fucker again? Don’t you ever get tired of talking about someone who you don’t even know? Because you’re certainly wearing me out.
And yet, despite all of it, you continue to prioritize someone else. Someone who isn’t even here. Clung to the idea of a soulmate, you chose him over Logan.
What did he expect? For you to abandon your principles, your belief in destiny? It’s who you are. Nearly thirty years of life guided by one belief can’t just be discarded like trash.
You liked to separate things into categories: good and bad, right and wrong. A simple method to structure everything, to make sense of your world, and it has worked most of the time.
But now? The limits of those sacred categories look blurred. Your judgment feels unreliable, and you wonder if the choices you’ve made lately have been the correct ones.
Each of your decisions seems to be leading you further down a path you can’t recognize.
What’s the goal? Finding your soulmate, the voice in your head mockingly answers for the hundredth time, rolling its imaginary eyes. And where is he?
You’ve shut Logan out, a man who’s made it clear he has feelings for you, for this elusive person. Isn’t it time he steps into the light at long last?
This is what you fear the most: loneliness.
You don’t want to be the lone woman who sits by herself in a cafe, drawing pity from waitresses who discuss her solitude. By no means do you wish to be that friend who dispenses wise dating advice, but goes home to an empty bed. You refuse to become the godmother whose hand no one holds when her time comes.
No, this can’t be all fate has to offer to you. There must be more. If your life were a book, you’d be flipping through the pages to the last chapter, desperate to see how it ends.
Or, better yet, you’d grab a pen and rewrite it yourself. What kind of ending you’ll have—you’re not so sure about that.
It’s Sunday, one of those endless weekends where the only way to survive is by rearranging your entire apartment. You could manage it alone, but help would be nice—Wade’s help, to be more precise, would be perfect for this kind of task, and you find yourself knocking on his door.
No answer. Deciding to dial his number to see if he’s fallen asleep, you try calling him, waiting through the rings until he finally picks up. “Hey.”
Except it’s not Wade’s voice that answers. “I’m sorry, who is this?”
The door swings open, and Logan appears right behind it, holding Wade’s phone to his ear.
He narrows his eyes, leaning against the frame, a single eyebrow lifted in curiosity. “How sad. You don’t remember what I sound like.”
You feel foolish for still being on the call, so you lock your phone, ending it. “Where’s Wade?” you ask, frowning as you hold your breath, your voice sharper than intended.
“Out and about. Didn’t tell me where he was going,” Logan replies, glaring at you as he raises the phone to your face. “He left without this.”
Abort mission! Nodding in agreement, you begin to step back. “Great, I’ll look for him later.”
You’re close to being locked up once again in the safety of your apartment when you hear him: “You need anything?”
It’s the most he’s said to you in weeks. You hesitate, keeping your back turned. “I’m moving some heavy stuff around. Thought I could use the help.”
“I could do it.”
No. Not really. He’s doing that thing again—offering help when you know you shouldn’t accept it. You shake your head.
“It’s not necessary,” you say, forcing a casual tone.
“Doesn’t have to mean anything,” he retorts, his footsteps heavy and deliberate as they draw closer. With each passing second, your options shrink, leaving you no room for retreat. “Don’t worry. I won’t try to kiss you again if that’s what’s got you all worked up.”
“I’m not worked up,” you hiss, and he sidesteps you easily, his arm nudging yours.
The electricity is still there, undeniable, but neither of you has the courage to acknowledge it, acting as though it’s an ordinary occurrence.
His eyes roam the room, like he’s forgotten what your apartment looked like. He pauses by the bookshelf, his fingers gliding over the spine of Jane Eyre, and a low whistle escapes him as he slips it back into place.
You, frozen at the threshold, feel your irritation simmering just beneath the surface, and the urge to hide in your bedroom only becomes stronger.
After this, you’ll have to burn your favorite book. What a pity.
“What do you want me to do?” he asks, hooking his fingers into the loops of his jeans, his posture both confident and annoyingly relaxed.
There’s a challenge in his tone, and he acts as if you’re the one who pulled him into this situation—like he didn’t worm his way in here.
You gesture toward the couch. “Can you put it by the window?”
He sets to work, moving the smaller pieces of furniture aside to make space for the couch. Under no circumstances are you going to just stand there and watch him sweat.
Instead, you busy yourself with the long-forgotten glasses and cups gathering dust in one of the kitchen cabinets, each one glinting with past disappointments.
Wetting a towel, you start by wiping the rims. The air feels heavily charged with uneasiness, but you're relieved that for once, you can breathe without feeling like you’re on the brink of a heart attack.
You can already imagine Wade’s face when you tell him—
“So,” Logan’s voice cuts through the silence, startling you, “how’s the search going? Got any luck?”
His words have the desired effect on you, and the glass slips from your grasp, shattering against the floor in a crash that mirrors the jump of your heart. You curse under your breath, stepping back from the mess, taking in the shards sprawled around your shoes.
“Be careful,” he says from the other side of the room, still dragging the furniture into place, and you scrutinize him over your shoulder, your brows knitted.
“I don’t need your advice,” you murmur through gritted teeth as you crouch to pick up the larger shards. His attention returns to the couch, but you guess he’s not technically thinking how nice of a person you are.
As you kneel, your hands tremble slightly, and you wonder when that started. You fumble for a larger shard of glass, bracing your hand against the floor for balance, unaware of the smaller piece lying dangerously close to your fingers.
The sting comes fast, slicing through the skin of your pinky. You flinch, raising your hand, and Logan, hearing the faint wince, abandons his task and crosses the room to you.
"I don’t need your advice," he echoes, mocking your tone as he squats beside you, his hand closing around yours to inspect the wound. "You’re bleeding."
“Brilliant observation, Sherlock. I hadn’t noticed—” The words die in your throat, your eyes widening as you take a closer look at his hand. “Wait, why are you bleeding?”
He snorts, diverting his attention to his own hand. “What do you mean I’m—” Whatever it is he intended to shoot back remains unsaid as both of you stare down at the small cut in his pinky.
Driven by instinct, you place your hands side by side, your finger grazing his. The cuts are identical: same place, same width, same depth. The only difference is his vanishes within seconds, leaving only a few droplets of crimson blood as evidence.
Logan couldn’t have cut himself. He was nowhere near the glass. “Are you…?” You swallow thickly, trying to string together a coherent thought, dizziness making its triumphant appearance. “Are you thinking what I’m thinking?”
“Yes.”
“And what is that—”
“I need a drink.”
“Can you stop acting like a dick for one second?” You peer into his glossy eyes, watching him try to avoid your gaze, though he can’t seem to resist. “Please, Logan. Look at me.”
When he does, his mouth parts as if to speak, then closes again. “I don’t understand. I thought I didn’t have a soulmate.” His gruff tone slows even further, like he's straining to push the words from his lungs. “I thought—I thought I was alone.”
It explains so much: how your scars had reappeared once he and Wade returned from The Void.
The instant attraction, the yearning to be near him.
The dread that washed over you each time he walked away.
The dreams that plagued your nights, and the tightness in your chest these past few weeks that made you wonder if you could ever coexist in the same space as him without breaking apart.
All those times you felt he was getting closer weren’t just a figment of your imagination—he was, in fact, right there.
But he wasn’t just anyone—it was him. Logan is your soulmate. You two are meant to be together. How long would it take for you to truly believe it? Until it no longer sounded like something too good to be true?
Without uttering a sound, Logan gazes at you, silently pleading to see them. To see your scars. You extend your arm, and with a gentle motion, he rolls up the sleeve of your shirt, revealing the marks etched into your skin.
He runs his fingers along the lines, trying to understand the bond you now share—both his and yours.
In a sense, you’re his. You carry his scars, the physical manifestation of the life he has lived. Even though he may not bear any of his own, you do, and that’s more than enough.
He belongs to you just as much as you belong to him.
“There are more,” you tell him. your voice barely above a whisper. He stands, offering you his hand, and you take it, rising to your feet. Logan inches closer, his mouth hovering just above yours, his large hand coming up to cup your cheek.
The look he gives you is one reserved for those he loves, a look filled with such warmth and affection that it almost feels dreamlike.
“Do you want me to see them?” he inquires, and all he needs is a nod from you to gently tug your shirt up your chest and over your head.
He lets out a dry chuckle when you attempt to tame your hair, the effort proving to be in vain. The clock on the wall seems to pause its ticking the moment his fingers begin to trail each of the scars that captures his gaze.
You can’t even begin to fathom what thoughts might be swirling in his mind, but if the flicker of lust and desire you catch in his expression is anything to go by, you’re not so worried.
Logan’s touch carries an unexpected softness, a tenderness you never imagined a man like him could possess.
Deep down, you wish he understood that these scars don’t hurt, that they never have. “I’m okay,” you reassure him, prompting him to explore more of your skin, to claim you as his.
“Do you… like them?” he asks without meeting your eyes.
Do you like my scars? is the real question hidden underneath.
Do you like me? is the one he can’t bring himself to pronounce.
“They’re yours. I could never not like them.”
Before you stands a man you once believed was meant to be your burden, your trial. Logan had been the earthquake sent to test your endurance, to see how much you could withstand before surrendering and waving the white flag.
The same fingers that once imprinted his mark on you now linger on the strap of your bra, waiting for you to decide whether to let him go further or stop.
Desire has a limit before it overwhelms. There’s only so much need a person can contain before it spills over, uncontrollable and raw.
This game, one you never learned how to play, feels as foreign to him as it does to you—neither of you knows the rules.
“Can I see more?” He’s still talking about the scars, still fumbling with the strap, and you nod, your eyelids growing droopier as you take his free hand and direct it to the front of your jeans.
He catches the hint, undoing the button with ease, allowing you to shed the last layers of restraint.
Bare, moments away from being completely naked, standing in stark contrast to Logan, who remains fully clothed, your stomach does a flip as he rubs his thumb along the sides of your underwear.
Leaning your forehead against his shoulder, you stifle a sigh when he splays his hand across your lower back, pulling you closer.
His rough grip tightens on your ass, testing the feel of you, while your breathing becomes shallow, erratic.
“What is it, honey?” He slides his fingers your stomach, just below your belly button, brushing a small scar in there. “Want me to touch you?”
“Yes,” you croak, the plea slipping out involuntarily, throwing your arms around his neck. He buries his face against your jaw, his lips parting against your skin, trailing open-mouthed kisses along the curve of your neck.
You tilt your head back, exposing more of your throat to him, breathless as you whisper: “I’ve waited so long.”
He moves toward the couch, and you follow, trying to anticipate what he’s got planned for you. “I know, baby. I know. You’ve waited long enough.” Guiding your body down, he has you lying horizontally on the sofa. He unhooks your bra, kneading your breasts with both hands, eliciting a ragged gasp from you. “But I’m here now. You don’t have to wait any longer,” he huffs by your ear, rolling your nipples between his fingers, his breath mingling with yours, each exhale warm and inviting. “Gonna let me make you feel good? Show you how much I’ve been thinkin’ about you?”
Instead of answering with real words, you surge forward, crashing your lips against with his, reveling in the way he cages you with his biceps, locking you up in a prison of desire from which you never wish to break free. He tries not to settle his full weight on top of you, attentive not to crush you.
As he nips at the column of your throat, you squirm beneath him, canting your hips up to seek the friction you crave.
He presses his knee against your center and you push back, grinding against him with an animalistic urgency.
You can’t recall ever feeling this desperate, this overwhelmed by a man. But then again, he’s unlike any other you’ve encountered in your array of momentary hookups.
His kisses grow even more insistent as breathy moans roll off to your tongue, merging with the occasional creak of the couch beneath your movements.
Logan spreads your thighs wider, sinking to his knees on the floor to tug your lower half forward until your ass is almost hanging in the air. He places your thighs on his shoulders, supporting you as he leans in to pepper your soft flesh with kisses.
One can be certain that he’s marking your inner thighs with a hickey or two, the scratch of his beard feeling magnificent against your sensitive skin, and you can hardly bring yourself to think about the potential burn he’ll leave behind. Logan inhales your scent, the tip of his nose dangerously close to your cunt, and you tangle a hand in his hair as he continues to test your patience.
“Eager?” he wonders aloud, looking at you through his lashes. While maintaining eye contact, he presses a kiss to your clit through the fabric of your panties.
He does it again, and you bite your lip hard enough to draw blood, his fingers deftly pulling your underwear down your legs.
The first drag of his tongue along your folds has you scrunching your eyebrows in pleasure, tightening your grip on his hair. Logan moans against you, the sound muffled as he dips the tip of his tongue into your entrance, lapping at your arousal with an insatiable hunger.
The way you purr his name—a soft caress, a pat on his back that says Yeah, you’re doing fine—only spurs him on, infusing every one of his ministrations with fervor.
His longing for you radiates in the intensity of his touch, sending shivers through you, making you writhe because of his hands alone.
Your core throbs. Your skin prickles with electricity. Your legs quake on either side of his face. He’s hungry and you’re his feast. He’s parched and you’re the last bottle of water in an arid world.
Logan eats you out like this will be the only time he’ll have the privilege—each movement calculated, pushing all the right buttons, pulling out every trick he knows to make you think No, it doesn’t get any better than this. This is as much as one can get.
Then his fingers join the symphony of pleasure, pumping in and out of you as he keeps flicking your clit with expert precision, and your back arches from the couch, following his pace with your hips. He pushes back, you push forward—he pushes forward, you push back.
Who is enjoying this more: him or you?
His pointed tongue teases your bud, matched with the persistent hammering of his fingers plunged into your wet heat. The combination has you coming on his mouth, falling over the precipice while you struggle to keep yourself together.
Your walls flutter around his digits, and your cries fuse with his groans, both overshadowed by his insatiable desire to savor until the last drop of your release.
Shockwaves ripple through your body and you prop your weight on your arms to capture his lips in a fervent kiss, your eyes rolling rolling back in ecstasy as you taste yourself, a mix of sour and sweet.
In a frenzy, he sheds his clothes, practically tearing them away, and you wrap your hand around his length, stroking him in time with your kisses. Logan pulls back, panting against you, and you steal a glance at him.
Your gaze travels down to his hard cock, the tip a furious red, and he seizes your wrist.
“Why don’t you kiss it better?” he rasps, his voice dropping an octave. In this moment, you’re taken aback by his beauty, and the urge to express it rises within you.
“You’re so beautiful,” you murmur against his thigh, showering his skin with heated kisses. You stare in disbelief at the trail of hair leading to his girth, mouth watering at the sight.
A kiss on the tip, followed by a broad lick along a prominent vein—Logan’s grip on the armrest tightens, his knuckles turning white. “So perfect.”
“Shut up,” he retorts breathlessly, but you revel in the strangled noise that escapes him as you take him deeper, his head disappearing between your lips. His palm rests on your nape, anchoring you in place. “Goddammit. The fuckin’—mouth you have on you.”
You try to take him in further once you’re feeling more confident, while Logan fights with all his might against the need to thrust his hips up into your warmth. He can’t stay still, grunting and smothering you with lavish praise that heightens your arousal, slick pouring out of you in waves.
“Pretty thing you are. Don’t even know how to function around you. You got me all—fuck, actin’ all stupid.”
At one point, he tells you to stop, because he doesn’t want to come just yet. You know what comes next as he rubs his cock along your folds, blending your wetness with his precum.
It’s sloppy, and dirty, and messy—and God, do you love it.
He sinks into you and the world collides in a way you never expected. Everything you thought you knew falls apart, leaving you stranded in unfamiliar territory.
You can’t comprehend how you’ve spent so many years without him. Without this.
Your lips find his, and he swallows every sound he punches out of your lungs. His thrusts grow harder and faster as you adjust to his size, how big he feels inside you.
He digs his fingers into the globes of your ass, yanking you towards his shaft every time he fucks into you. You feel the brush of his balls against your skin, the way his muscles flex beneath your touch.
To this day, it’s still hard for you to wrap your head around the fact that love is what humans both strive and die for.
You come to understand it fully as his eyes flicker to yours, checking for any signs of discomfort in your features.
You understand why people write books and songs about love when he breathes your name in the shell of your ear, chanting how good you’re taking him, how tight and wet you are for him.
You understand the place love occupies in your life as the sound of your bodies slapping together creates a melody which has never been played before.
You understand why you’ve searched for this your entire life, lifting every carpet in hopes of uncovering the love you’ve pined for.
In the past, it had always felt like a race—finding your soulmate before the clock struck twelve. Now that you have him, you wonder what the future holds for you, how this connection will evolve.
For now, you can allow yourself the possibility of relishing the drag of his cock in your interior. His pace doesn’t falter for a second—something about mutants and their non-stop stamina, no doubt. He shoves a hand between your sweaty bodies, rubbing circles on your already swollen bud.
Each time he fills you to the brim, you have to ground yourself, resisting the pull of an altered reality.
“So full,” you blurt out, mewling with a specially hard thrust, a chocked sob lodged in your throat. “Please, stay.”
It could mean many things: Please, keep fucking me. Please, don’t leave after this. Please, remain by my side form this moment onward, because I don’t know how to go on with my life now that I’ve experienced this closeness.
Whatever meaning he ascribes to your words is of little importance. He tightens his arms around you, kissing you deeply, tongue and teeth clashing as they compete to see who wins the battle. “Never. I’m never lettin’ you go, y’hear me?”
Heat pools in your lower back, a coiling tension radiating through your limbs. “You’re mine, princess. Can’t afford to lose you now that I found you. Gonna remind you every day.”
His rambling pushes you over the edge, your dripping cunt spasming around him as you reach your climax, moaning his name against his shoulder. You cling to him, convulsing beneath his body, and he grinds his hips into yours, his chest rumbling as he growls.
“Inside,” you mumble, extending your hand to press it to his waist. “Need you inside me. Please, I want it so bad.”
Logan stutters against you, his forehead falling against your collarbone as he finishes with one powerful thrust, his cock pulsing warm ropes of come within your cunt. You clench around him, whining as he prolongs both your pleasure and his, milking the last drop of his seed. His voice is a constant murmur, filling every space in the room until he slumps against you.
Night has fallen. The cut on your pinky no longer stings. Your scars, after all, are still there, nestled against Logan’s unmarked skin. You caress his back, sighing contentedly as a wave of peace washes over you.
You’ve never felt this relaxed.
Logan grasps your chin and tilts it up, a subtle smirk tugging at his lips. “Hey,” he mutters, his gaze roaming all over your face.
You cup his cheek, his rough stubble grazing your palm. “Hey, stranger. Long time no see.”
A genuine laugh pierces through the silence. the kind he rarely allows himself. Crinkles form at the corners of his eyes, his brow furrowing as he glances at you with love.
Love—hadn’t you pondered its existence for so long? Your fuel for living, the muse behind your best poems, a recurring motif in your fantasies.
Love now has Logan’s name written in ink, no longer a blank canvas awaiting its unknown owner. No—it’s all his now.
You’d do it all over again if it meant ending up like this, tangled and intertwined, with the promise of a future together. He has many stories to share—about his past universe, about himself. You have secrets to unveil, too. There’s so much you both have yet to discover about each other.
But time isn’t up. This isn’t a race, you remind yourself: things are just getting started.
Everywhere you go, every place you attempt to set foot in, there it is. Love is dressed up in an expensive silk robe, a ribbon tied neatly on top of it. You reach closer, trying to unravel it, though it's pointless. The moment love sees you—truly sees your longing for it—it flees, and you struggle to keep up. Love runs faster than anyone, hiding within the bushes, counting the seconds until its next appearance.
Finally, you’ve wrapped love around your finger.
dividers by: @cafekitsune thank you!!! <3
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😔.
#misc#in the tags because i am afraid of people finding this and taking what im about to say in the wrong way#am i the only one who is looking at things like the stages and details in outfit designs throughout tekken 8 and feeling like#those things were HEAVILY inspired by soulcaliburs 5 and 6? or maybe not even inspired maybe they actually went ahead and reused those asse#in order to cut corners#i see it especially in the forest stage and the outer space stage. and in zafinas and lars's outfits. not to mention some of the pieces fro#the character creator. idk im not saying its bad for them to reuse assets but its just kinda feels like a slap to the face if that is#the case. because bamco is currently pretending like calibur doesnt exist while also funneling its assets into making tekken 8 good.#man i miss soulcalibur i hope they announce a new one soon
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