#Household Mould
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R&D Mould is a famous basket mould manufacturer and maker in China, provide customization basket mould service, include plastic injection basket mould.
R&D Mould has produced many different types of plastic basket mould, such as shopping basket mould, laundry basket mould, storage basket mould, etc. In the past 15 years, we have accumulated some experience in the production, Cooling and rapid molding are the key requirements of this kind of mould.
1. Beryllium copper is used at the top of the core part of the plastic basket mould to increase the cooling effect, improve the quality of the basket and the production efficiency of the basket mould.
2. The plastic basket mould has many bumping holes. When designing the basket mould, the reasonable parting surface and R angle should be considered to avoid the phenomenon of bumping through holes and running edges. At the same time, the reasonable cooling channel are designed on both sides of the core and cavity to avoid the issue of melting line.
3. In terms of material selection of plastic basket mould, we generally recommend 2738. Good polishing performance increases the glossiness of the product surface, and plastic basket mould can have a long mould life under rapid and high-pressure injection.
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> picks up remote to turn on TV
> remembers that I still need to start the laundry
> goes into basement to do that
> sees pack of toilet paper
> "right, I need to take some upstairs"
> does that
> puts down remote to put roll on the holder
> "oh wait, the laundry"
> returns to basement to start laundry
> returns to living room to watch TV
> "where the fuck is the remote"
living with ADHD is being stuck in a Matrix of your own making, and forgetting you made it
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#Comb Heat Transfer labels#Bangles Heat Transfer labels#Photo frame Heat Transfer labels#Pencil box Heat Transfer labels#Tiffin box Heat Transfer labels#ABS container Heat Transfer labels#Stationery Heat Transfer labels#Lubricant Container Heat Transfer labels#Paints Container Heat Transfer labels#Oil container Heat Transfer labels#Steel Heat Transfer labels#PP container Heat Transfer labels#Container Heat Transfer labels#License Plate Stamping Foil#Number Plate Hot Stamping Foil#Hologram Transfer Label#Labels for Lubricant Container#Labels for Paint Container#Labels for Household Products#Paper Heat Transfer labels#Hologram Transfer#Heat Transfer labels#In-Mould labels#Cosmetic Product Labels#Lunch box Labels
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Achieve unmatched durability and precision with our plastic bucket molds. Designed for high-volume production, our custom molds deliver superior strength, smooth finishes, and optimized wall thickness for buckets that stand the test of time. From industrial-grade to household use, we provide tailored solutions to meet your unique needs, ensuring efficiency and top-quality output.
Email: [email protected]
#Plastic Bucket Mould#Durable Bucket Solutions#Custom Mould Design#Precision Injection Molding#High Volume Production#Industrial Bucket Mould#Household Bucket Mould#injection mould manufacturer#China
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The Craftsmanship Behind Plastic Household Moulds
In the realm of modern living, the intricate world of plastic household moulds stands as an unsung hero, quietly shaping the objects that populate our daily lives. These moulds serve as the silent artisans behind a vast array of household items, from the mundane to the essential, each meticulously crafted to meet the needs and desires of consumers around the globe.
Plastic household moulds are a feat of precision engineering, meticulously designed and manufactured to exacting specifications. Engineers utilize cutting-edge CAD (Computer-Aided Design) software and CNC (Computer Numerical Control) machining techniques to create intricate mould designs with precision accuracy. Every detail, from the dimensions and geometry of the mould cavity to the gating and venting systems, is carefully optimized to ensure flawless replication of the desired plastic part.
The choice of material is a critical aspect of plastic household mould design, influencing the performance, durability, and aesthetics of the final product. Engineers carefully select thermoplastics or composite materials that offer the desired properties, such as strength, flexibility, heat resistance, and colour stability. Factors such as environmental sustainability and recyclability are also taken into consideration, guiding the selection of materials that small environmental impact.
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Household Mould
https://www.waiwaitree.com/household-mould/
Household Mould Description
SMC (sheet molding compound) materials are revolutionary materials in the sanitation industry. Household mould is helping set the trend. They are widely used in household products. Compared to traditional materials used to make sinks or shower trays, It is ultra-light and waterproof, absorbing no moisture. SMC materials are of high strength and weight ratio and are resistant to shock. SMC is several times the impact strength of acrylic materials. When you drop the SMC shower tray from 1 meter high, it won't even break. It is stain-free and easy to clean. The SMC shower tray provides you with a guaranteed life of more than 30 years.
Household Mould
Washbasin Mould
Laundry Basin Mould
Trash Can Mould
Platen Mould
Ceiling Molding
Advantages of Smc Household Sanitary Ware
High impact strength
High gloss
long service life
Easy to install, leakproof
Beautiful appearance, no formaldehyde, no harmful substances
High fire performance
acid and alkali resistant
Waterproof and moisture proof
Household Mould Available
Washbasin mold, laundry basin mold, trash can mold, platen mold, and ceiling mold.
Why Is Smc Household Mould Popular?
As living standards evolving, people expect more from sanitary products. Sanitary products play an important role in the fast-paced life. SMC household products are easy to clean and maintain. The surface make the household products eye-pleasing. Its weight is only one-fifth of the tile, not prone to crack, deform or fall off. The formaldehyde emission meets E0 standard, which is in line with environmental friendly concept. On the other hand, due to SMC properties, it is well suited for mass production, while maintaining consistent quality.
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People are just realising a common household item can stop mould and condensation – and you’ve been throwing it away
People are just realising a common household item can stop mould and condensation – and you’ve been throwing it away
PEOPLE are only just realising a certain item can get rid of mould \- and they’ve been throwing it away this whole time. Mould and condensation can spread around the house particularly when Read Full Text
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#Money#News#People are just realising a common household item can stop mould and condensation – and you’ve been throwing it away#Top#UK#US
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Freedom far away
It's been burning my brain ever since the finale of Agatha All Along.
This blog isn't for the writing purpose but I'm bending my own rule in the name of Agatha XD. I might upload one more if I can organise my imagination on these two
Fem Reader X Agatha X Rio
You were the firstborn of an esteemed aristocratic house, a position that brought both privilege and a constant, heavy gaze upon you. Eyes followed every room you entered and every event you attended. Though the title of heir would never be yours solely because you were a lady, it never seemed to matter to those around you. They treated you as if the future of the house rested upon your shoulders. The elders murmured of marriage alliances with royalty or influential families, whispering that your union could change the fate of your house. Other noble families saw you as a formidable rival, watching closely, ever-ready to seize on the slightest misstep, to turn it into fodder for gossip and criticism.
But you despised the role thrust upon you. While others revered the traditions, the traditional rules and propriety that dictated your every action, you only saw them as chains, binding you to a life scripted long before you were born. You longed to live on your terms, laugh freely, speak without calculation, and defy the mould others sought to press you into. You knew well that the path to freedom would not be simple—but that only made the dream burn brighter.
Besides, you possessed a power that would bring fear and scorn if anyone found out. In a world so bound by tradition and superstition, it was a power that might get you branded as a freak or, worse, stoned to death. You knew the origin of this ability, even if the elders dared not mention it. One of your ancestors had been a shaman, a fact buried under layers of silence and shame. Shamans were both revered and despised—consulted in times of desperation, yet viewed with suspicion and disdain due to their mysterious power.
Only your parents and siblings knew of your gift; not even the current lord of the household, your grandfather, had any inkling. You could command animals, bending them to your will. It had always been that way. At first, it simply seemed that animals were drawn to you. Birds would land beside you without fear, perching on your shoulder or finger. Dogs and cats would flock around you whenever you went outside, rolling onto their backs, begging for your touch. When an agitated horse reared at the central market, a single whisper from you could calm it. It was a charming quirk to everyone else—a testament to your vibrant, gentle nature. But you knew better. This wasn’t mere kindness; it was a hidden power that connected you to the earth's creatures in a way no one else could understand.
But then, it did not matter.
You sighed deeply, resting your chin on your hand. If anyone from the household saw you like this, they would scold you, demanding you act like a noble lady and not lounge on the ground like some street thug in your fine dress. The thought made you scoff.
Earlier, you had overheard a conversation between your grandfather and parents about a potential marriage proposal, and as soon as the word "marriage" came up, you’d bolted from the house. You ignored the calls of your servants and dashed out, uncaring of the stares you attracted along the way.
You kept running, heading toward the edge of the city to the well at the foot of the mountain, next to an ancient willow tree. It was a public place but one where you felt most free. Hardly anyone came here, as it was too remote, and many were scared in case of tigers coming down from the mountain. There was another well closer to the city centre where people preferred gathering and drinking water. Besides, this well was near a shaman’s house, marked by the colourful ribbons tied to the trees nearby—a symbol of ritual and mysticism that kept most people away.
You savoured the solitude of this place, where you could escape the eyes and expectations of others, if only for a moment. Then, you saw them; a couple approaching the well where you sat. The man was wearing a garment in a shade between blue and green, a black fan flicking in his right hand as he spoke. The woman beside him was clad in a dignified violet and purple dress, her posture commanding, though her face was drawn into a faint scowl. They seemed to be in a heated exchange—not quite arguing, but the woman was rolling her eyes while the man chuckled, clearly amused by whatever they were discussing.
As they came closer, a realisation struck you. The man's voice… it was softer, lighter than you had expected, almost too gentle to belong to an adult man. In fact, there was something subtly feminine about him, something that made you look again. He moved with an effortless grace, and though his features held a certain softness.
You couldn’t help but feel a spark of curiosity. Strangers rarely ventured to this remote spot—especially not ones with the dignified grace this pair exuded. As they noticed you, the man gave a slight nod, acknowledging your presence, while the woman raised a single eyebrow, appraising you with an air of amusement. Despite your longing for freedom, the ingrained teachings of etiquette tugged at you, urging you to be polite. You rose to your feet as gracefully as you could manage, offering them a courteous greeting. The man’s dark brown eyes were warm, but behind their softness, you saw a glint of sharp intelligence and a touch of mischief, as though he saw through everything around him. Then, your gaze fell upon the woman. Her eyes—a striking shade of blue—were unlike any you had seen before, deep and captivating, like the ocean’s endless expanse. You found yourself unable to look away, entranced by their beauty. Noticing your gaze, she offered you a small, knowing smile, soft yet tinged with a subtle seductiveness that sent a shiver down your spine.
"Why would a noble lady be here without anyone to protect you?" the man asked, his gaze drifting over the surrounding deep mountains looming over them.
Hearing his voice so clearly, you began to suspect the man was, in fact, a woman. Her voice was captivating, with a rich, melodic quality, yet there was a subtle softness in her frame—a faint curve at her chest that might go unnoticed by most.
"I always come here," you touched your wrist. "Whenever I feel the need of an escape." You leaned back against the well, feeling the cool stone pressing into your back, grounding you.
The woman exchanged a look with her companion before shifting closer and leaning against the well wall beside you. She gave you a mischievous smile. "Wanna talk about it, doll?"
"I don't even know you," you replied cautiously, sizing them up.
Both exuded a quiet authority, an unmistakable presence. It was obvious they were not ordinary travellers��they bore the poise and refinement of nobility. But were they friends or potential adversaries?
The woman in men’s clothing smiled, her eyes briefly darkening as a cloud cast a fleeting shadow over the sun.
“I’m Rio,” she said, her voice lilting like a soft melody as if each syllable held a secret. Her gaze slid toward the woman standing beside you.
“I’m Agatha,” came the whispered reply, the words warm and close, her fingers grazing yours, sending a shiver of electricity down your spine.
"Rio, Agatha," you murmured, savouring the unfamiliar rhythm of their names as they lingered on your tongue.
This was how you met them, how they welcomed you into their embrace. And it was at this moment that your status as a noble began to crumble, all in the name of seeking freedom. To be with them.
#agatha#agatha harkness x rio vidal#agatha harkness x rio vidal x reader#agatha harkness x reader#agatha harkness#rio vidal#agatha x rio
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OK, but really, I'm genuinely so sad this fandom doesn't talk enough about Vinsmoke Reiju. She's legitimately one of my absolute favorite characters in the entire story and a lot of people don't see how absolutely tragic she is.
Just. She had to stay behind. She had to stay behind so Sanji can be free, she could never join him. She can only live her dreams of escaping her horrible, horrible family vicariously through him, the only person left in that household she loved. And she had to let him go. Because if she left, an army would follow behind her to get her back; she's a "success" after all. And also because she had already deemed herself a monster. After Sora died, Sanji was all Reiju had left. And then she was alone. Stuck with them for 13 years. Stuck with the wolves. The only way to survive being to mould herself after them.
From the beginning, it was never slip up, never make a mistake, always be perfect or you're next. Pretend to laugh at the misery of the only person in your family you haven't lost hope in, knowing that he might hate you forever after this, feeling like a coward. But you're a child. A mere child, a little 10-year-old girl, and you're scared. And she already saw herself as unworthy of that freedom at that age. She's not like Sanji, she was born to play the role of a monster. Even with her intact emotions, she's still trained soldier. She has the symbol of Germa tattooed on her, how could she ever escape it? She has blood on her hands; not because of her own choices, but because of the commands she's physically incapable of disobeying. She looks at him and tells him he looks so much like their mother, but she denies to accept that so does she.
She's the firstborn, dad's perfect little girl, his first success, his obedient property. The man who she grew to hate so much, when she found out he was going to be assassinated, she didn't warn him, because she hoped it would actually happen. Even if it meant throwing her own life away as well. When she saw him beg for his life she just, rightfully, felt no guilt or remorse. Just anger and satisfaction, even as she herself was about to die, something that seemed she wanted happen. But when he got attacked later on, she showed concern, because unlike Sanji, to her he still is, dad. He's dad, who held you and called you his wonderful child. He's dad, who raised you and showed pride in you. He's dad, who potentially put some sort of authority chip in your brain and forced you to stain your hands in blood. He's the man who killed your mother. She hates him. She wants him dead. She can't stop seeing him as family, and shows concern when he's hurt. It's more complex than how her brother sees him, and it's visceral and real and upsetting.
She had to stay behind. And after all of that, she had to relive the goodbye to the only person left in her family whom she ever loved. God. I hope she gets to see Sanji again. I hope she escapes. I hope one day she finally gets to taste his cooking. She never got the chance to do that, didn't she?
#one piece#vinsmoke reiju#one piece meta#one piece reiju#vinsmoke family#whole cake island#black leg sanji#reiju they could never make me hate you. youre so underrated
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"Statement of Ambrose Jame, regarding their crafts that ventured beyond the boundaries of preserving animals.
Original statement given December 17th, 2009.
Audio recording by Jonathan Sims, Head Archivist of the Magnus Institute, London.
Statement begins."
"I am not a bad person. I assist clients in their transformation into their ideal selves. While my expertise often involves typical subjects like household cats or dogs, what about those closest to you?
What about yourself?
Isn't your memory worth to preserve? I am the key to eternal life. I possess the ability to mould you into the person you aspire to be. The cost of the perfect image is small in the face of mortality." Ambrose Jame, a taxidermist who moved past the realm of animals to broaden their craft. With the promise of eternal life, Ambrose resorted to a process of delicately extracting the eyes, removing the bones, and sewing the skin together with subtle requests. TMA Avatar poll oc: Stranger
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put your lips (where i’m rotten)
— aemond targaryen [1/?]
[SERIES MASTERLIST] | [GENERAL MASTERLIST]
summary: There are times when Aemond thinks he hates her, if only for the crime of reminding him about the chains of servitude shackled to his throat. Other times, he convinces himself that he feels nothing towards her at all. She is a stranger. A no one. A face without a soul. She is but another prisoner within these walls; a spoil of war, only one he never wished for.
He cannot condemn her for existing.
(He does. He does.)
Or, in which war puts them together, bound by duty and united in wrath.
warnings: 18+, aemond x unnamed!betrothed, angst, implied/referenced abuse, arranged marriage, falling in love, tension, morally grey characters, doomed from the start, dual pov, they’re both miserable and broken, eventual smut
word count: 6.3k
notes: i’m ready to descend into brainrot now that s2 is over. english is not my first language. all reviews are very appreciated! thank you for reading<3
(also available on ao3.)
She knows rot when she sees it.
The hall has been prepared with utmost care for the arrival of the dragon prince. Servants scrubbed every surface three times since the sun rose—if one were to strain their eyes intently enough, they would find remnants of wetness pooling in the crevices and cracks of old stone. The floors were swept; the tables set for a feast, the scale of its grandiosity a stark contrast to the usual quality of their dining. All the torches have been lit. She has never seen this much light within these walls before.
Their household’s banners previously hanging down the walls have been replaced with a golden dragon painted over green, and she makes a point of refusing to look at it once, convinced that her distaste will be too strong to be passed off as something less treacherous than it truly is. The winged creature is foreign. Its embroidered jaws bring promises of misery.
She has been forced into her best gown—except it’s not really hers, but her sister’s, and the difference in their build shows. The fabrics draped over her waist are tighter than she’s used to; the coarse bodice digs into her ribs with a crushing force, and her bust threatens to spill from its confines with each slightest movement. Dark skirts cascade all the way down to the ground, and she holds onto them with trembling fingers, chanting inaudible prayers not to trip and plummet to her knees in front of an audience. Pride is something that still belongs to her, however fleeting; however scant. She will cling to its shredded remains for as long as she can. If she is little more than a property to be sold, then she’ll be a property standing with a raised chin and a fixed gaze. She will not stumble. She will not fall.
They dressed her in red. She hates red.
The gown shimmers in warm golds underneath the stray rays of sunlight, and she quickens her pace to evade them. Reds and golds. Green. How hurriedly they have stripped away whatever remnants of identity she possessed until this day—and they managed to do so with just colours. She has been dressed for slaughter. A pretty victim. A comely prey.
Today, she is a stranger. A newborn rising from the ashes of a dead. Past is gone, and all that remains is the possibility to mould herself into something new. Something better. Maybe—maybe—something that aches a little less. She is not herself; she mustn’t be herself. If she remained herself, she would flee.
Her father’s pride appears to have once more conquered all financial hardships their household faces; to have grown overnight, skyrocketing to a whole new level. The tables seem to groan underneath the weight of various meals that they normally cannot afford. The multiple flagons are filled with wine that had thus far been stored in the cellar, considered too valuable to be wasted. The prince’s palate must be too delicate for anything less than overpriced liquors and spiced meats, and so her father has gone out of his way to provide the best quality service. He’s always been quick to quell any and all issues one ought to consider, if only for a short-term semblance of glory and importance. What other opportunity to flaunt his scarce resources and remnants of wealth if not before a dragon prince? Coin matters little in the face of royalty—or so he says.
She wouldn’t know. Rarely does she pay his words too much mind.
The raven arrived with the rising sun a fortnight ago. The words scribbled on the parchment were short and concise, and carried promises sunken deep into ink. Promises of blessings, according to her family. What she saw instead were promises of pitiless duty. The Dowager Queen herself announced that her son would be gracing their home with his presence. A royal visitor. An unwed man coming into the household of a man with an unwed daughter.
Too many whispers of war have been heard across the realm not to ponder its many components. A thing in exchange for another. An arrangement. A trade. She knows how this works; she knows how this ends. Little fool, her sisters would call her, but she is not so foolish to be unaware of what this is about. The day must come, and sooner rather than later; a girl cannot remain a girl until her soul withers with age. She always knew this much.
It is well within her father’s right to succumb to a new sort of haughtiness. He wears it like an armour that doesn’t quite fit him; wears it in a way that evokes not envy, but utter disdain. If anyone thought him boastful before, they must be eating their words now. She is half-convinced that, fuelled by this recent sense of smugness, he has written to every lord in the area to brag about this sudden development. Gods know that there is nothing he loves more than the feeling of being important.
A Targaryen prince willing to take his daughter for a wife. His plain, insignificant daughter. His forgotten daughter. The very same daughter he never wanted.
He certainly seems to want her now, what with his newfound interest in her—or, rather, in whatever merits she may bring to his name. His previous indifference has converted into ineptly feigned affection; aloofness has turned to an overbearing sort of attentiveness. His touch is softer. Almost kinder. He greets her in the mornings and invites her to dinners, and calls her by her name instead of girl. Gone are the days of blissful solitude she used to shrink herself into. She can scarcely remember when she was last left to her own devices.
The girl she once was would have wept in joy at this sudden shift. The woman she has grown into has long since become too bitter to find an ounce of appreciation for it inside her heart.
(She wants nothing from him. She hasn’t wanted anything for a while now.)
She bit her own tongue so many times over the course of past days that it has gone numb. Whenever her father descends upon her with another onslaught of artfully crafted care and tenderness, she keeps her mouth shut.
It is how she spent this morning: in stubborn silence.
It is how she stands now, spine rigid and fingers buried in her dress, mouth pressed into a thin line.
No one seems to take notice of her, anyway. She may well have been swallowed by the ground beneath her feet. The hall is buzzing with equal measures of exhilaration and unease; servants scurry about, performing last-minute fixes, and she half-expects them to drop to their knees and collect specks of dust with bare hands. Her father barks orders from his seat at the highest table; he is already clutching a cup of wine, face flushed and chin wet from the red substance. His new lady wife watches his antics with the corner of her mouth turned downwards, eyes shining with the one thing that they share: disgust towards him.
She wishes to occupy herself with something—to cherish the last of freedom. It is too late, though. It has been too late for a long time.
It is a thunderous screeching that alerts them of their guest’s arrival first. All chatter dies in its echo, and the walls seem to shake from the booming noise. A large shadow crawls inside through the narrow windows, bathing the chamber in gloom. Darkness lasts only for a short moment, and yet her heart pounds wildly against her chest at the sight. Something cuts through the skies. Something wild and menacing.
Her heart stops.
Too late. It’s too late, and the realisation haunts her.
Stories about the second son of the late king have been spreading throughout the realm like wildfire since she remembers. She was just a girl when she heard of him first—and he just a boy who had lost an eye. Rarely ever was Prince Aemond’s name brought up in conversation without the purpose of retelling the story of his maiming, as though it was the only thing about him worthy of mention. Years passed, and throughout their length all that was remembered of the young prince was what he no longer possessed. What had been taken from him. A most hideous scar, they would call the mark of the past, stretched over the whole side of his face. A cripple, they’d name him.
Aemond One-Eye.
She supposes that he is now known as Aemond the Kinslayer.
This is war. War demands bloodshed. Time and time again, she has been told that women do not understand its vices, too delicate and fragile of hearts. It must be the truth. She doesn’t see how killing one’s own blood could ever be condoned nor understood, and yet such is the case now. This is what has become of the realm. It is a canvas ready to be painted in reds.
When she was younger, there were traces of sympathy flashing inside her heart. Sympathy for the boy who had been hurt by his own kin; sympathy for the man he could have grown to be, if only his injury hadn’t rendered him damaged. Prince Aemond Targaryen lived his life with a dark shadow clouding over his head, preventing him from rising above. Prince Aemond Targaryen nurtured bitterness and hatred, and when he erupted, the earth was bathed in innocent blood.
She is older now, and he is no longer a wounded boy, but a ruthless man. All remnants of past commiserations have been eradicated during a single storm.
Kinslayer.
When the murderer enters the hall, all she senses is cutting coldness. Silence grows suffocating; she breathes in and breathes out, and hopes she won’t choke on it. There is a heavy hand that comes to clutch her shoulder—her father’s. She can smell the wine; knows that it is him even without glancing sideways. His fingers dig into the flesh near her collarbone with a bruising force, and she interprets the message for what it truly is: a warning. Do not ruin this for us. Do not ruin this, or I’ll make you regret it.
And he would. She knows that he would. He possesses a brutish strength and not an ounce of mercy. His touch leaves raw imprints behind.
(An unknown abuser may yet prove less monstrous than the one she has known for all of her life. It is the same thing she’s been telling herself for the past weeks. If she repeated it enough times, would it become true? Or would it only serve as another lesson?
But oh, does she truly need to learn anything else? Hasn’t she learned enough? Is there more—always more, forever more? She cannot. She cannot.)
She has nothing to fear. There is a murderer in these very walls, and yet she fails to gather any of the dread she tasted on her tongue before. Footsteps echo through the hall, her heartbeat matching the rhythm with ease, and she stands with nothing but emptiness inside her chest. Even trepidation has abandoned her. She is hollow. Unresponsive.
When she curtsies, she does so without meeting the prince’s gaze. Her eyes are dropped to the ground, and there is hatred that flickers inside her mind, directed only at herself. She had sworn that she'd remain proud until the end of this farce, and yet here she is, scarcely toeing the line of the beginning and already cowering before him.
She catches sight of dark boots and black leather.
He is standing right before her.
Smoke fills her nostrils, heavy tendrils crawling down her throat and squeezing. She doesn’t let herself cough. Her eyes are molten. She keeps them lowered.
“My prince,” she says through gritted teeth, and the words coat her tongue in acidic aftertaste, foreign and foul and entirely unwanted.
Does he sense the bitterness that spills from her mouth? It is so heavy that she nearly chokes on it. Her lips must be stained with it. Stained crimson red. Stained gold and green.
“How good it is to welcome you into our home, Prince Aemond,” her father says, standing tall by her side. She feels him shift; his fingers curl around her elbow. “We are honoured to receive you.”
If he expects that she’ll add anything to this speech, he is wrong. She holds her tongue, even when her father’s grip turns vice, and stubbornly keeps her eyes downcast. There it is: a wet splotch on stone floors, right beside her feet. They shouldn’t have mopped them so many times.
The answer comes in a low hum, seconds or minutes or ages later. It is a soft sound—so soft that it nearly evades her ears. She catches it only through her own silence; only because her heart seems to have stopped, bathing her insides in dreadful hush. It dies in the cold air, and yet its remnants seem to cling to her skin, forming goosebumps in its wake.
Her hands shake. She tightens them into fists.
“My lord.” The Prince’s voice is not what she would’ve expected: gentle, velvet smooth. She knows that his gaze must be turned to her; her skin burns when he adds a low, “My lady.”
Lightning strikes outside the windows. It is storming again, and she wonders if it is a bad omen. It must be. She makes the mistake of raising her eyes towards the openings within stone walls, chasing the memory of the bolt, and then it happens.
Prince Aemond’s face is illuminated with the light of the nearest torch. The glow bathes him in golden hues, though the warmth does little to cut through the sharp lines of his features. He must be made of stone—there is polished blankness that shrouds his countenance, and it doesn’t falter under her gaze. With curious eyes, lost in the moment, she traverses the curve of his jaw; the sharp angles and porcelain-white skin. A leather patch keeps his eye covered, and there is an old, vertical scar peeking from beneath its confines. This is the mark that they spoke of. The mark that has shaped him into what he is.
Kinslayer, kinslayer, kinslayer.
When his eye finds hers, she holds her breath. Violets and lilacs flicker in his gaze; it is endless fields of flowers underneath golden rays of sun. It is fire. Scorching flames.
She knows rot. She knows it, because her own heart has long gone into a state of decay. Rot rules everywhere that affection does not; everywhere that seeds of tenderness and care were never planted. It is this rot that she finds deep inside his eye: swelling, flaring up with each breath.
Perhaps the prince, too, has never been loved.
A beat slips by. Her heart rises to her throat. She counts seconds as they near a full minute, and all the while her eyes do not strain from his gaze, glazed over and stinging. It is a test—one she knows she must pass, though the reason why remains unclear. The prince seems to be searching for something; his eye turns intense, raining fire upon her flesh. He will leave her scorched. He will turn her to ash.
Time stretches and twists; warps into a distorted shape. It runs in circles and keeps her a prisoner suspended in its vicious grip. Wasn’t it storming outside? There’s nothing but a heavy silence now, foreboding and sweltering. There’s nothing but fiery purples.
Kinslayer. She has grown to anticipate the blow, forever prepared to bleed, and this habit does not dissipate now. He is a prince. The son of the king. The brother of the usurper. If he is not pleased with her, he will be free to inflict punishment upon her flesh and mind and soul in whatever ways he desires. Who would stop him? Certainly not her father, for he himself has been lost to blinding rage too many times. Certainly not her. Weakness runs thick in her blood. She may veil it with stubborn pride and determined gazes, but it will never wilt away.
For a short moment, lost within the depths of his eye, she almost thinks he will unsheathe his sword. That he’ll put its tip to her neck. That he’ll end this before it truly begins—cut through invisible shackles around her neck, taking her head clean off.
There is silence and dread and despair, and doesn’t he see the haunted look inside her eyes? Her lips remain frozen, but her gaze alone screams to him.
Do it, she urges him. Do it, or we will be eternally doomed.
He will. His eye burns and her chest heaves, and the blow is sure to come any moment now—
And then the corner of the dragon prince’s lips quirks, and her fate is sealed.
There is a beast nesting on the empty fields outside the castle.
She once owned a stallion the colour of pitch-black night, gifted to her on her tenth name day. He was a wild thing, forever untameable, deemed too aggressive to mount. No number of lashings or rewardings ever dissipated his fiery nature, and all that her father’s stable boys repeatedly ended up with were hands raised in defeat. A beast, they called him. A dangerous beast.
It took her over a year to gather strength and courage. It took three nights before the horse allowed her to even come close. In the end, she did mount him—amidst the dark murk of night, with only the moon and the stars watching from above. At this point, there was no one who paid her any mind, all remnants of care for her wellbeing long forgotten. It must have been the reason why no one ever noticed. She could have broken her neck or shattered her spine, and there would have been no witnesses. She rode the stallion until the moon gave way to the sun; rode him until she was breathless from exertion and satisfaction and utter, unbridled delight.
Mounting a dragon must have been much more arduous a task. It is a wonder it only cost the prince an eye. The expanse of scaled flesh is enormous enough to cover the entirety of the grounds within sight; greens of grass are replaced with a deeper, more subdued shade. She searches for the beginning and end of the creature, but yields upon only being able to distinguish the wings. They are torn in several places. The wounds must come from the past wars.
Vhagar. She once read a book about Old Valyria and its fruits—about Aegon the Conqueror and his sister-wives, and the beasts they had ridden to take over the realm. The dragon laid upon the fields is a breathing piece of history. Her old scars carry the memories of the Conquest. Her eyes have seen things preserved only on paper.
She is every bit as mighty and breathtaking as she is described in many old tomes. Dangerous. Savage.
…asleep.
Of course, even a dragon sleeps, especially one this ancient. She wishes that she, too, could seek refuge from lucidity. The previous night was full of nightmares and sounds of rain, and she carries the testament of it in dark shadows underneath her eyes. Rest remains outside of her reach. Perhaps she is unworthy of it.
This is where she usually seeks solace: in the tower deemed haunted, long abandoned by all the residents. When she cannot sleep, she climbs the many stairs, rising to the highest point where the gaping holes between the pillars allow her to glimpse outside. She watches. Imagines herself somewhere amidst the fields—a different person, living a different life. She’s rather good at it: daydreaming. More often than not, this habit is what keeps her sane.
The tower isn’t truly haunted. If it were, one ghost or another might have pushed her from the window. She always stands close enough to fall. A step from dark abyss. Half a step, if she feels particularly brave about it.
Or perhaps it is, and the ghosts that do haunt it are not kind enough to put her out of her misery.
It doesn’t matter. The briefest sound that echoes from behind is not one made by any spirit.
The dragon prince may think himself sly, but she senses the weight of his gaze on the back of her spine immediately. It is much like the day before: fire nipping at her skin, spreading out in quick bursts. She stops herself from trembling. It will not do her any good to remain a lamb ready for slaughter—if the predator is permanently tempted, it will finally charge.
Her spine straightens; ears strain, searching for the sound of his footsteps. Prince Aemond is light on his feet, but she has spent too many nights anxiously waiting for her father to barge into her chambers in search for release from pent-up rage.
He smells of fire and rain. His scent fills her nostrils to the brim.
“She looks rather peaceful for a beast.”
Her own voice sounds strange to her ears, and she bites the inside of her cheek, hoping that the prince did not catch its waiver. This is the first time she spoke to him willingly—not prompted by politeness or bruising fingers atop her skin. Should she have bitten her tongue instead? Bowed her head and awaited him to break the silence first?
Right away, she regrets speaking at all. Will her words offend him? She knows little about the Targaryens, and even less about their dragons, but surely there is a strong bond between the two. Maybe beast is too strong a word. How else should she have described the being before her eyes, though? It’s an omen of death. It is death itself come to take them all.
Her expression hardens. She doesn’t care if she offends him.
The dragon prince moves forward upon her words, as though emboldened by the fact that she hasn’t sent him away or shrieked at the sight of him. Through the corner of her eye, she catches a glimpse of the fabric of his cloak. He seems forever clad in leather, wearing it like armour. It is darker than night, even when sunlight shines upon its surface.
He is taller than her. Sharper. In some ways, Prince Aemond reminds her of a sword. If she were to touch him, she’s half-convinced her skin would be left bleeding, sliced through by the mere outline of him. This sharpness of his is a weapon. It keeps everyone repelled. The prince’s eye is focused on the sight before him; as expected, he stands with his good side on display, no doubt unwilling to let her glance at the scar any more than necessary.
“When she sleeps, perhaps,” he says, quietly and softly. “Vhagar hasn’t known much peace. She is a seasoned warrior.”
A warrior. A killer. Her jaws swallowed a boy of four and ten.
Kinslayer.
She gulps down a bile in her throat and waits for whatever comes next.
They should not be alone. For all her wishes to remain a person and not a possession, she has learned the customs of a marriage by heart. She knows the vows. She knows what happens once they’ve been exchanged. If her father’s wishes are granted, they will be wedded sooner rather than later—certainly not here, but in King’s Landing, blessed by the king himself. She will wear green, and then nothing, and then pain. She will be a wife and a mother, and never again a human. But they are not yet proclaimed betrothed, and she shouldn’t be standing with him in an abandoned tower without a chaperone.
Maybe they’ll catch them and accuse her of impurity. Maybe she will be spared, left to rot in these walls, left to die alone. Maybe, maybe, maybe—
“You don’t seem afraid.”
Her eyes turn to him.
Last night, he sat beside her father, sharing the wine and keeping his silence. He did not look at her once. He did not speak to her at all. She was glad for it, sat herself on the far end of the table, away from chatter and flattery and lickspittles. Her hands shook throughout the entire feast. It was the one indication of remnants of fear she could not control.
She is rid of it now. She must be. Fear will not save her.
“I only fear what I don’t know,” she answers, voice hollow, and doesn’t let her gaze falter. She wants him to feel its weight on his skin; wants him to shudder, bucking under the pressure of pure resentment. “This sight is rather clear.”
Prince Aemond glances at her—shortly, quickly, his eye averting straight away as though scorched by the sight. She watches his cheek twitch. It is the first time his stone-like face moves.
“Is it?” he muses, his voice unchanged.
Her ire grows flared.
She turns to him fully, abandoning the stretch of the landscape and the beast that disrupts it. “A prince barged into my father’s house with the rising of a war.”
She has been granted the right to dress herself this morning. The skirts that she buries her hands within are a dull shade of grey. She will never again wear her house’s colours—if gods are kind, though she doubts it, she won’t wear reds and greens, either. There is no self that she may cling to anymore. She is an empty shell. Grey canvas. Void.
Her spine aches. She straightens in an attempt to stand taller, eager not to be looked down upon. It does little to cut through the difference in their heights, and she catches a trace of amusement that flickers through his eye, gone in a blink.
The prince hums. She bites the inside of her cheek. Her throat is dry, but she must continue now that she’s started.
Mouth twisted in displeasure, she takes a breath. “He brought his warrior dragon, if only for the promise of retribution were his request to go unfulfilled.”
This seems to catch his interest. Briefly, Prince Aemond turns to face her, eyebrow arched. “Request?”
“Demand,” she corrects.
“A grotesque picture.”
“Do you dislike honesty?”
“I dislike exaggeration.”
She wants to scream. To step forward. She wishes she could grow wings of her own and flee this wretched place.
He knows nothing about grotesque things. His life has been filled with riches and freedom and power. A dragon. A spoiled princeling. Prince Aemond’s wrath needs not to be smothered; it comes in fire and blood and results in ashes. He is a man of violence—a man like her father. His heart is rotten.
“There is no way to paint this picture any less grotesque, my prince. Is it exaggeration to assume you’ve come to claim your first spoil of war?”
“You?” he asks, though it doesn’t sound like a question.
“Me.”
The prince’s lip curves. He must be pleased with her misery.
“How presumptuous,” he murmurs quietly.
“But not untrue.” She tilts her head, watching the prince turn towards her again. “Or are you here for some other purpose?”
He isn’t.
King Aegon’s banners have been hung from many towers in these lands, ravens coming and going with a frequency that often left the skies shrouded in dark wings. It was only a matter of time before the demand for fealty reached these grounds. They have long anticipated it.
Her father will give him an army prepared to draw and shed blood; he’ll give him a daughter forced to spew out royal offspring. He will see this as a transaction—as an opportunity to rise above high lords who would dare think themselves his equals. War will tear throughout the realm, and all the while he himself will remain holed up in the safety of his castle, basking in newfound glory but unwilling to earn it. She will be the one to earn it for him. He’ll forget all about her before a moon passes, and she will spend the rest of her life selling herself to bring his name pride. Just another daughter. He has enough of those to no longer try to remember their names.
The prince seems to concede, for he says nothing. There is no satisfaction that comes with having won; she stands in the aftermath of her victory and feels nothing.
She wishes for another storm. Overcast skies seem to evoke the dragon prince’s wrath. If lightning struck, would he offer her the mercy of pushing her off the tower? No, she thinks. Prince Aemond does not appear to be particularly merciful. Perhaps, though, if he were to look at her face under the light of thunderbolts, he’d decide her unsightly. She is rather plain-featured—neither tall nor short, nor shapely enough for a woman. Any of her sisters would have made a better match for a prince of the realm.
She doubts he cares, though. Gods know that she doesn’t.
Prince Aemond rotates his body. They are now face to face. She sees all of him: violet eye and a leather patch and the scar, pink and red and greyish. Her breath catches. She hates that it catches. In another lifetime, she might have thought him striking. His is a regal kind of beauty—this much cannot be denied. He is all silver. It reminds her of the moon.
A murderer. A beautiful murderer.
Her chest heaves.
She must not fear.
“A spoil of war,” the prince echoes as though tasting the words on his own tongue, lips pulled upwards. His eye flashes to her face, its corner crinkling. Purple glints under the sunlight. “The lady has a proclivity to make statements she does not quite understand.”
“The lady,” she spits, gathering the last of her boldness, “understands enough to make such statements.”
Prince Aemond hums once more. “I’m sure you think so.”
“If you wish to correct me, my prince, you are free to do so. I am but an humble servant.”
A prisoner. A prey. More dead than alive.
They stand close enough together that it is improper, though she doesn’t recall the distance between them fading. Stray rays of sunlight keep them separated, bathing the leftover space in a warm glow. They will not breach it. He is clad in black, and she in grey, and none would dare to step into anything lighter. From here, she could count the little scars speckled on his face, silver like his hair. She could trace the length of his nose and find remnants of freckles he must have worn in his youth. She could, she could, she could. She won’t.
He lowers his face so that they’re closer. Like this, she cannot escape his gaze. The warmth of his breath. The eyepatch. The scar.
“My brother, the king, has sent me to receive your house’s pledge of allegiance. When given a task, I obey.” He is so close that even a whisper seems more like a scream. “Whatever comes next, I assure you that it will not be by my own choice.”
Like a willing victim, she holds his gaze, even when she wishes to flee from its fire. It does not get any easier. She tingles all over.
“You’re a prince,” she murmurs quietly, and though she doesn’t mean it, the words sound like both an accusation and begging.
“A prince carries the burden of duty no less than a lady does.”
“Then it would seem that both of us are equally chained.”
Only they aren’t. It is an attempt at blissful ignorance to pretend it to be true. He is a prince, and a dragon rider, and a murderer. If he wishes to, he can rid himself from the burden in a swift manner, be it through a sword or through fire.
Why won’t he? Why, why, why?
She doesn’t understand. He was supposed to be a cold-blooded murderer. She searches for traces of violence in his eye, desperate to catch even a glimpse of it, and finds nothing.
(He must have deemed her undeserving of his wrath. It only makes sense. Her own has abandoned her long ago.)
If he wishes to say anything in response, he chooses to instead swallow the words. It is for the best. Whatever they may have been, she has no desire to hear them.
Silence is heavy. It cuts through her skin and her bones, sinking into the cavity of her chest like a burden she must carry. Her eyes return to the lands outside—to the beast sprawled out on the grass. Do dragons have hearts? They must, she thinks. Even such beasts must have them. No being is spared from the curse of being able to hurt.
Cold air bites her cheeks. Her fingers are long frozen. Her own heart beats a steady tune, no longer frantic with anxiety. Breathing is a little easier.
Perhaps she’ll get used to it. To him. To the shackles.
Just before Prince Aemond disappears behind the entrance, she allows herself to speak. “Has the king decided when we are to be wedded?”
He doesn’t look back. “Not until the war ends.”
Good. She hopes that he does not survive it.
There is no one in the courtyard to bid her farewell.
In search of the last remnants of comfort, she wraps the black cloak tighter around her body. The raging storms of the past days have ended, smothered by sunlight. The skies are clear. It is a warm morning, and yet she feels as though she were freezing to death. Her eyes sweep across the yard once, twice, three times—and drop to the ground when they find nothing.
She has no disappointments left in her. She’s long since exhausted them all.
A week has passed since Prince Aemond’s arrival, and since every single day stretched out into an unbearable length, she is glad that it has finally come to end. They have gone by with constant noise, be it false cheers and flattery or too-loud music. She is sure that all the wine has run out. The dragon prince endured the continuous feasting with composure worthy of praise before getting sick of it—he must have decided it a sufficient period of time before their imminent departure, for he was quick to announce it the day before. She is not sure whether such short notice eased her anxiety or fuelled it. Her hands never seem to stop shaking.
One last time, she traverses the expanse of familiar stone. These walls have watched her grow up. They’ve been a witness to her laughter and tears; to the cries she buried deep inside her chest. She has endured years of suffering, and has learned not to let her pain show. This place has shaped her. It planted seeds of anger and bitterness that have blossomed into her being.
If she leaves, she will never return.
It is a kinder fate. Or maybe it isn’t. She would die here—forgotten, not mourned, reduced to insignificant bones once covered in insignificant flesh. She will die there. It is imminent. Such is her fate. She welcomes it with longing and fear and emptiness.
“Do you wish to travel on dragonback, my lady?”
She turns towards his voice, though she wishes she didn’t. Prince Aemond strides in her direction in quick motion, hands neatly folded behind his back, head held high. He is made of silvers and whites and always, always blacks. There is something inside his eye that wasn’t there before, and though she knows that she shouldn’t let herself get lost, her eyes sink deep into the prince’s skin as they search for meaning.
He must be mocking her. She wasn’t made to rise any higher than the solid ground beneath her feet. She is a creature of no importance; a worthless soul caged inside a worthless body. Her lip twists in displeasure; she may be plain and common, but the dragon prince’s jeers have no right to be made.
The carriage doesn’t bring any promises of comfortable travels, but she’d rather suffer from an aching spine than endure the prince’s close proximity. She’d surely choke on his scent; burn from the heat of his body. Would he hold her close? Would he push her off the scaled beast once they’ve ascended above clouds? Her eyes search his, but she finds no answers. She didn’t think she would. More often than not, gazing into the prince’s one eye leaves her with only another onslaught of questions.
Prince Aemond is quick to recognise the rejection. In truth, she thinks he never expected her to agree. He nods to himself and doesn’t meet her eyes again. It is for the best. She is tired of burning.
“I hope your nights are warm and peaceful,” he murmurs before he stalks away.
She hopes that he’ll slip from his saddle and fall from the skies.
One last look. Just one.
All of it is just stone.
In farewell, she spits on the ground. Nothing happens. It is not sacred. Bitterness remains on her tongue.
Her palms are bleeding from the way she’s been sinking her nails into flesh. She gathers her skirts in one hand and climbs the wooden steps to the carriage. They groan beneath her feet. So does the seat she plants herself upon. Her heart pounds and then stops and she cannot breathe, and still death does not come. Wouldn’t it be a kinder fate to die here? Die before she has gone forth?
Skies darken. It will be raining again.
She leaves the walls she has bled in behind. She will now bleed elsewhere. Somewhere foreign. Somewhere colder.
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Gentle Steps
Curufin x daughter!reader
A/N: If I had a dollar for the number of times I rewrote this, it wouldn’t be much, but I’d still have a few dollars. I had so many ideas when it came to writing this, I eventually settled on fluff and saved the angst for another time. He needs some soft content.
Warnings: none, fluffiness, toddler reader
Words: 1.1k
Synopsis: Curufin takes a moment to appreciate the joys of being a father from your perspective.
The sunlight filtered softly through the tall trees of your cosy home on the outskirts of Tirion, casting delicate patterns on the ground where you sat. The morning was cool, with a hint of the approaching summer, and the air was filled with the scent of pine and earth. Birds sang merrily in the branches above, their melodies blending with the soft rustling of leaves. You, a small bundle of curiosity and energy, were perched on a patch of soft grass, your tiny hands exploring the world around you.
Curufin watched you from a short distance, his sharp eyes softened with affection. The usually stern and meticulous craftsman was a different man when he was with you, his beloved daughter. It was in these moments, with you nestled in the crook of his arm or toddling at his side, that he allowed himself to slow down, to let go of the weight of his responsibilities, and simply enjoy the simple joy of being a father.
Your mother had been particularly tired this morning, the weariness of long days spent managing the household catching up with her. Curufin, seeing the fatigue in her eyes, had gently insisted that she rest, leaving you in his care. She had smiled, grateful for the respite, and now Curufin found himself alone with you, tasked with the delicate balance of guiding you as you explore the world.
Babbling happily to yourself, your words an endearing mix of sounds and almost words, as you patted the ground with your chubby hands. Your clothes were already dirt-covered, something your father chose to ignore, allowing you the joys of exploration. Crouching down beside you, his long, dark hair fell over his shoulders as he reached out to help you with a particularly stubborn leaf that had caught your attention.
“Look,” he said softly, his deep voice a comforting rumble. “It’s a leaf. It comes from the tree, up there.” He pointed upwards, and you followed his gesture with wide, curious eyes, your mouth forming a small 'o' of wonder.
“Gah!” you exclaimed, your tiny fingers brushing against the leaf’s surface, almost crushing it under you attempts at gentle touching. It crinkled slightly under your touch, and you giggled, delighted by the sound.
Curufin couldn’t help but smile, his stern features softening even more as he watched you. “Yes, it makes a noise,” he said, his tone gentle. “When the wind blows, the leaves dance and sing. Can you hear them?”
Your head tilted to the side, your little ears straining to catch the sounds. Then, a slight breeze rustled the branches above, and the leaves responded with a soft whispering. You couldn’t resist looking up at your father with bright eyes filled with excitement before letting out a happy squeal, clapping your hands together.
Curufin chuckled a deep, warm sound that made your heart leap with joy. He sat down on the grass beside you, his presence both reassuring and grounding. “You’re learning so much,” he murmured, more to himself than to you. “The world is vast, and there is so much to discover, my little star.”
You looked up at him as if understanding his words, and crawled closer, your tiny fingers reaching out to grasp his larger hand. He allowed you to hold onto him, your touch so small and innocent that it left a deep swell of love in his chest. At that moment, he realised it was a different kind of crafting—a more delicate, precious work than any he had ever undertaken. Moulding, guiding, and teaching you required patience and gentleness, qualities that did not always come easily to him. But for you, he would try.
“Shall we go for a walk?” he asked softly, standing up and extending his hand to you. You looked up at him, your eyes wide with excitement, and wobbled to your chubby feet with his help. Your steps were unsteady, your balance still developing, but you were determined, your little face scrunched up in concentration.
Curufin kept a careful hold on your hand, walking slowly beside you as you toddled forward. The ground was uneven, with small rocks and twigs scattered about, but he guided you with gentle words and a steady hand, ready to catch you should you stumble. You chattered happily as you walked, your voice a constant stream of babbles and giggles that filled the air with a joyful noise.
As you walked, Curufin pointed out various things in the environment around you—a colourful flower here, a scurrying insect there—naming them in soft tones that made you listen attentively, even if you didn’t fully understand. “This is a daisy,” he said, showing you a small white flower. You bent down, your balance wavering, and he quickly steadied you with his hand. “It’s soft and pretty, just like you.”
As you reached out to touch the flower, your tiny fingers brushing against the petals, you realised they were cool and soft, leading you to giggle and look up at your father with shining eyes. Curufin’s heart melted at the sight, urging him to reach down to pick the daisy and tuck it gently behind your ear. “There, now you look even more beautiful,” he said, his voice filled with warmth.
You babbled in response, your words unintelligible but filled with enthusiasm as you gave him a toothy grin. Curufin laughed softly, the sound deep and full of love. “I’ll take that as a ’thank you,’” he said, brushing a stray strand of hair from your face.
The two of you continued your walk, your little feet carrying you with more confidence now. Every so often, you would stop to examine something new—a stick, a pebble, a patch of moss—and Curufin would crouch down beside you, his presence a steady anchor in your little world. He spoke to you in calm, soothing tones, explaining the things you saw with patience and care. Even though you couldn’t fully understand him yet, you listened intently, your big eyes wide with wonder.
After a while as you began to tire, your steps growing slower and your babbles quieter, your father noticed immediately. His keen eyes observed the way your little shoulders slumped and your head began to droop. In an instant, he scooped you up into his arms, cradling you against his chest, and you snuggled into him with a contented sigh.
“It’s time to rest,” he murmured, pressing a soft kiss to your forehead. “You’ve had a busy morning, little Miss Busybody.” You yawned, your tiny mouth opening wide, and your eyes fluttered closed as you relaxed against him, your small body warm and trusting in his arms.
He retreated to the house with steps slow and measured, careful not to jostle you as you drifted off to sleep. The sunlight filtered through the trees, casting dappled shadows on the ground, and the birds’ songs softened to a lullaby as they sensed the peaceful atmosphere. As he walked, Curufin couldn’t help but reflect on the gentle steps he was taking—not just in guiding you through the physical world, but in nurturing the bond between father and daughter. His upbringing had been one of great expectations and intense pressures, but with you, he was determined to foster a different kind of relationship—one built on patience, understanding, and love.
He had been raised in a house of pride and ambition, had been taught to be strong, to never show weakness. But now as he looked at you, he knew that he would do anything for you, he would protect you with his life, he would teach you everything he knew. He would always strive to be the best father he could be for you.
By the time he reached the house, you were fast asleep, your little face peaceful and serene. Curufin carefully laid you down in your crib, tucking a soft blanket around you and brushing a gentle hand over your hair. You murmured something in your sleep, a soft, contented sound, and he smiled, his heart swelling with love.
He stood there for a moment, watching you sleep, before quietly leaving the room, closing the door behind him with a soft click. The house was quiet now, the only sound the gentle swinging of a pendulum in the hallway. Curufin made his way to the sitting room, where he found your mother resting on a comfortable chair, a book in her hands.
“She’s asleep,” he said softly, and your mother looked up, a smile spreading across her face.
“Thank you,” she replied, her voice warm with affection. “You’re so good with her, you know.”
Curufin sat down beside her, taking her hand in his. “I’m learning,” he said with a smile. “However, she’s a busybody, so she keeps me on my toes.”
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April 30, 1916
Easter holiday came and went with the same bland roteness Simon had come to expect from holidays since the war started. Less chatter, less laughter, and no good news.
Things could have been worse, Simon knew. There might have been proper bad news—something might have happened to Father, or to Freddie—but they had only pleasant letters, not urgent telegrams. From Dublin to the Continent to Arabia and beyond, the world raged, but the Mould household enjoyed a quietude that bordered on, well, boring. So for the first time, Simon was glad to leave for St. Hilarion’s that Sunday.
And then, as he entered the dormitory to stow his things, he caught a glimpse of Edwin Payne’s face, and the mourning band around his sleeve.
Read the rest on AO3! If you need an AO3 invite, please DM me—I have some available.
For @simonappreciation week, day 2 (Intentions/"The Same") & day 3 (Lead-up/"I was nervous").
#dead boy detectives#dead boy detectives fanfiction#dead boy detectives art#dbda art#dbda#edwin payne#simon mould#simon appreciation week 2024#dbda fic#becca writes#my art
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Evolution Of Plastic Household Moulds
Plastic household moulds play a pivotal role in shaping the products that surround us. From the utensils we use daily to the intricate components of electronic devices, plastic moulding technology has revolutionized the way we manufacture and interact with consumer goods.
Plastic household moulds have undergone significant advancements since their inception. Initially, moulds were simple in design, limited in functionality, and primarily used for basic household items. However, with technological progress and innovative engineering, the capabilities of plastic moulding have expanded exponentially. Today, manufacturers utilize cutting-edge techniques such as injection moulding, blow moulding, and compression moulding to create a vast array of products with precision and efficiency.
One of the key advancements driving the evolution of plastic household moulds is the integration of sustainable materials. As environmental concerns become increasingly pressing, there has been a growing demand for eco-friendly alternatives to traditional plastics. In response, manufacturers have developed biodegradable and recyclable materials that can be seamlessly incorporated into the moulding process. By adopting sustainable practices, the plastic moulding industry is not only reducing its environmental footprint but also catering to the preferences of conscientious consumers.
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I said I would talk about wax cylinders so here I go a rambling again
So the wax cylinder was first invented in 1888 by Thomas Edison (so they're usually called Edison cylinders or phonograph cylinders). As you can probably gather, it's a cylinder made of wax. It was the first piece of technology that would record and play back sound that was sold commercially (they technically made an earlier version using tin foil back in 1877 but it was shit and was never commercially produced so we don't talk about that one). Wax cylinders by 1889 were typically sold with pre-recorded music on them that had to be live-recorded every time. They were typically bought up by nickelodeons (I could make a whole post about those as well but I'll save you the Google and say they were basically old movie theatres that cost a nickel to attend) before they ever made it to households
To play and record wax cylinders, they made a whole machine for it called the phonograph—and you can stop right there, it's not the one you're thinking.
This one came before the record was even thought of, but it basically works the same as your regular disc phonograph. It was a large box that contained a holder for the cylinder, a way to turn it, a (usually) sapphire-tipped needle, and a horn to expel the sound. Some boxes also contained gears and motors to support two different speeds, which would thus alter how much music you could fit onto a cylinder (or disc). To explain how playing the cylinder works, I'll first explain the process of recording onto it.
To record on a wax cylinder, one would have to first purchase a recording needle and recording horn. These were usually sold with the machine, but the stuff could also be sold separately. When the motor starts and the recording needle is placed onto the cylinder, you would speak loudly into the horn. The vibrations from your voice, focused by the horn, would cause the needle to create very subtle waves and divots in the wax; this would literally scrape the wax off of the cylinder and create a bunch of string and dust you would have to brush away. These divots work in the same way that vinyl records do when you're playing them. You place the needle on the surface, turn on the motor, and the needle runs over those really small divots to replay the sound. Ignore the stupid watermarks this was the best picture I could find on short notice
Now, the problem with wax cylinders was that they could only hold about two to two and a half minutes of sound. The other problem is the fact that they're literally made of wax. The wax they used at first (beeswax and paraffin) was soft and squishy and not a very hardy material in the least. They're easily damaged, they melt, and with all the very small divots etched into the surface, any damage at all severely impacts the quality of the sound. Not only that, but even playing the damn thing is enough to ruin the quality of the sound if you use it too many times.
And guess how many times you can play it before it starts getting all messed up.
Just guess.
If you guessed twenty then you're correct.
As you can imagine, this was completely unacceptable, and the softer wax was eventually changed to a more hardened wax, which could be played over a hundred times. But even that wasn't enough for our cylinder overlords, and they started producing hard plastic cylinders made of celluloid instead that could be played thousands of times (pictured below)
(Also it's called gold moulded because this was when cylinders could now be mechanically mass-produced using the mold from a single master cylinder)
Now I know I was just shitting on the wax, but the one good thing about it is that because the cylinders were very thick and soft, you could shave it down and re-record onto it like it was new. Not so with the plastic. But hey, the good thing about plastic is that it's damn near permanent and it's harder to break. This is also around when they started introducing new colors that you could get the cylinders in. Any shade between brown and white was the OG wax color, which they changed to black when upgrading to celluloid, but they could also produce cylinders in blue as long as people were fine with having slightly reduced sound quality.
Things were good. People loved their cylinders, loved playing them, loved buying and recording on them, it was great
But then in 1912, the pesky phonograph disc was invented and it completely took over the market.
We're mature enough here to admit that the cylinders are bulky and spatially inefficient. There was a new version by this point that could hold up to four minutes of music, but it was no match for the novelty of the disc phonograph and the ease with which someone could make a larger or two-sided disc to completely swamp that length. Discs were cheaper, easier to use, and easier to store. We were no match for them
Although Edison still supported owners of the cylinder phonograph with new tracks, they were recorded off a disc phonograph instead of live, so the quality was actually worse than it used to be. The cylinders fell out of style a few years after the discs' corporate win and their popularity slowly declined until their discontinuation in 1929. So all in all, the wax cylinder survived for 41 good years but became completely obsolete in about 24. Which is actually not bad for a piece of technology like that? It's probably a prime example of the exponential boom of technology getting infinitely more advanced and infinitely more quickly. Like I don't know what modern, highly-consumerist thing can manage to stay relevant for 24 years, that's just insane to me. Like even CDs started getting the shaft at around 19 years
Anyway RIP the wax cylinder I love you
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