#Hope you all are interested in learning about them!

[angelltheninth]

Arcane Characters Make Food for You

Pairing: Jinx, Vi, Caitlyn, Maddie, Ekko, Vander, Silco, Sevika, Viktor, Jayce, Mel x Fem!Reader

Tags: fluff, established relationship, domestic fluff, kissing, making food, teasing

Ko-Fi | Rules | Fandoms and Characters

A/N: I already wrote this on my old blog but now is a good time to re-write it.

Jinx knows how to cook pretty well, surprisingly enough. Or maybe not so surprisingly given how she's always the one making things and experimenting. However that also means she might make some really weird meals.

It's something you'll have to deal with if you're with her and might have to develop a strong stomach. She already has it because she grew up in Zaun and ate a lot of different things. For you she wouldn't recommend some of them yet and she will try her best to make something that you'll like. And she won't get too offended if you don't eat her cooking right away.

"I made ya some breakfast, ta-da! It's a little sticky but don't worry, eat your fill and I'll clean up the mess later. Don't look at it like that, it might not look pretty but I promise ya it's so good. I could eat this every day. I hope I'll get to eat it together it with ya every day, sugar."

Vi doesn't know how to cook because she never had the opportunity to learn. The first few dishes are bad, like really bad, almost burn the toast and eggs type of bad but Vi she isn't the kind of person to give up. She'll keep trying until she gets it right.

There have been times where she did burn things and she won't let you eat it since it's not right. She wants you to have the best of the best, even if she didn't. Might get a little distracted when you're in the kitchen with her so she prefers to cook by herself even if you're there with her. Regardless of how many times she gets it wrong she at least wants to learn to cook your favorite.

"Yes, this is burned toast but this time it's not my fault, it's yours. Well you're the one who walked in here looking all cute and distracted me. One kiss is all it takes if it's from you, sweet stuff. Sit down and let me do this right and if you do you'll get something sweeter than this."

Caitlyn knows how to cook really well. She did grow up with people doing the cooking for her however she was curious and wanted to learn how to do it on her own. She's a very hand-on learner, now she can use some of her skills to make you happy.

She gets up really early anyways so she might as well make breakfast for the both of you. The first time she brings you breakfast in bed she thinks your reaction is cute, the way you stare at her, eyes wide and drooling over the food. For her it's not odd to have breakfast in bed. And if you stick with her you'll get used to her pampering you. Be sure to tell her how the food tastes.

"Good morning, darling, I brought you something. See, I didn't just brag about my cooking skills, this is me showing you I can cook. Showing off? Suppose I am a little bit, it's not my fault you didn't really think I would bring you breakfast in bed."

Maddie can cook some dishes but she can cook them well. Her skills aren't anything impressive but they don't need to be because she can get take out too. But she is more than happy to share what ever she makes with you.

She falls back on take out more often than she would like to admit. However not when she invites you over to her place, then she will put her best foot forward. A lot of that is because she wants to impress you hard, but it also gets her to work on her skills either way she wins. She keeps looking at you very intently while you take that first bite. Thankfully she doesn't seem to do a bad job if your smile is anything to go by.

"I'm not weird for watching you eat, it's called being smitten, gorgeous. Anything you do is interesting to me, you know that by now. This isn't empty flattery. I already got you to eat my cooking, I don't need to butter you up at this point."

Ekko isn't the best cook out there, he will be completely honest with you. While he does know the basic things you can't really expect anything fancy. If anything he focuses more on the dish being filling than tasty.

The thing about him cooking for the two of you is that he can only do it on his free time, which isn't a lot. Therefore he wants to make it a bonding activity. A cute date of sorts, mostly in the late evening when the rest of work is done. Sometimes he will try to surprise you but its hard when his living space isn't that big and everyone knows everything in the Firelights. The gesture counts.

"There wasn't much time so it's pretty simple, but at least it's your favorite, Firefly. No, I actually finished the new project, I had extra time to kill. Please, don't thank me! It seemed only right for me to make you something after you cheered me up this morning."

Vander knows how to cook really, really well. He kids to raise, and he was on his own for a very long time, he had to become a good cook. Plus he makes awesome drinks, being a good cook was a bonus skill for him.

He's always the first one to wake up and start the day in the Last Drop and he always makes breakfast for everyone. Not just breakfast but every meal, his kids need to eat a lot, there's always a little left over for later. Even if he feels a little sleepy himself he at least wants to put something on the table. It's the dad instincts in him. And husband instincts, hopefully.

"Don't ya even think about sneaking up on me right now, darlin'. I've got a pan full of sizzling hot oil in my hand, I don't want it all over us. Hugs are fine, I always love ya being close to me, but keep your hands to yourself. We both know ya get handsy in the morning."

Silco didn't know how to cook before he adopted Jinx, since then he's had to learn. It wasn't easy but now he does know a lot and he can impress the woman he's dating. Now when you stay over you can expect good for for your date, and good food when you wake up.

When the dating gets more serious he lets you help him cook, but until then he pretty much does it on his own. Jinx will go nowhere near the kitchen alone, not after that one explosion. He does have a list of recipes that he makes the most. And a few that he made up. Sometimes ingredients are hard to come by so he needs to improvise.

"Pass me the flour would you, love? This time I will follow the recipe, yes, the last time there was a bit too much sugar in there. I know you liked it but it's not the healthiest thing now is it? Fine, call me a worried dad, I know you think it's attractive."

Sevika isn't able too cook that well, she never was, she always liked others cooking for her though. However when you tease her about it she takes it as a challenge. And you know damn well that she doesn't back down from a challenge.

Curses a lot when she messes up, though you can bet that she's not gonna let food be the thing that beats her. When you walk into the kitchen it's a mess which will take a while to clean up. But at least she managed to make the dish this time and it's quite good. For her hard work you give her a very passionate kiss and that just makes her wanna work harder. That's the best reward she can ask for.

"One kiss for at that work, doll? I think I earned myself a little more than that, maybe you on the table instead of all this food. Yeah, I know it's gonna get cold, you're right. Can't let all this hard work go to waste, but when we're done we have to work all that food off."

Viktor doesn't have as much time to cook as he could if he worked a bit less. Not that his skills are award worthy but he can make a few things, at least in his opinion. Give his cooking a chance.

When he was a student in the academy he had to learn how to make quick meals and that is where most of his strength is. Just very simple dishes but he knows how to make them well. There are times when he himself forgets to eat so he makes sure he gets a good meal when he can. If you're part of that that's even better. Having you eat his cooking makes cooking more fun.

"If you think cooking this is so easy then you make it will you, beautiful? Ah so now you like it, I see how it is. I'm just kidding, I love making food for you when I can. But if you want to make it yourself please let me do a taste test first. I promise to be brutally honest, just like you are with me."

Jayce has absolutely no skills in the kitchen unless you need him to fix or build things in there. He knows this too and will admit it right away. Trust him he is much better in science than in cooking food.

That being said he will join you in the kitchen when you cook. He takes an interest in it because the way you cook makes his mouth water. When he learns about what your favorite food is he wants to lean how to cook it. However he does this in secret because he wants to surprise you. Sure enough he's able to get the biggest smile out of you when he presents you with your favorite meal.

"I learned it secretly, all for you, babe. Well I am quite good with my hands and I enjoy working, that was just another excuse to learn. Of course I don't have an ulterior motive for it! But if I did... and if it was kissing... would you kiss me for doing a good job?"

Mel is actually an amazing cook and knows a ton of recipes. Including your favorites of course. Do you really think she'd invite you over and offer you nothing to eat?

It's been a long time since she had to cook for anyone but herself but she's not bad at it at all. She has high standards when it comes to good food specifically because she holds herself to high standards. It doesn't matter how simple or complicated the meal is. When she invites you over and offers to make you food you better believe you're eating good that night. Not strictly food either.

"Beloved, slow down a little, the food isn't going anywhere and neither am I. We have all night. Every time I make food I do so because I want to enjoy a good meal, and you should too. And please be careful, I don't want you to choke, on the food that is."

[very-grownup]

Whenever scolding or lecturing posts come across my dash I'm always confused by what seems like the imaginary people they're addressing, but I just spent time this evening with my niece and nephew.

I don't know if I'm the "cool" aunt in their lives, but I'm the aunt who would improvise dance music and bop them around when they were babies. I'm the aunt who wrestled with them and let them climb all over me and plop down and demand my attention. I'm the aunt who watched videos of giant cockroaches with them and let them lead me in games. I'm the aunt who tonight was shown many, many stickers of "Wings of Fire" dragons and asked my opinion on them and a rubber calculator where you can make a big number and then do minus a little number and if you keep pressing the equal sign you can see the big number going down and you can pretend it's the health of an enemy in a videogame. I'm the aunt who sat through so. much. Paw Patrol.

I think you probably have to do time in the Paw Patrol or equivalent mines if you want to be an adult in a child's life that they feel is part of their life, which is more important than being the cool aunt.

I do know I was privileged to have a cool uncle (did you know men-types can also have deep relationships with their younger relatives?). He passed away from cancer last year, tragically young. But he was cool. He was the coolest adult I knew as a child. He had turtles he cared for well enough that they were huge, stately creatures. He would wrestle you in the water and lift you high above his head and splash you down. He would take an interest in what you were doing and find common ground and engage with you about it and listen to you and he was the coolest adult you knew as a child. I was ten or eleven when he married my youngest aunt, so I was approaching teenagerdom which was a dreadful time, but it was when I started to learn about science fiction, mostly through comedy like The Hitchhiker's Guide to the Galaxy and Red Dwarf. But he /had/ The Hitchhiker's Guide to the Galaxy. He had Red Dwarf /novels/. He gave me a copy of The Princess Bride and Ben Elton's Stark just because. He recommended The Martial Chronicles. He watched The X-Files.

I don't think he was trying to be the cool uncle. He was just himself and paid attention to you enough to see who you were and talk to you about the things that made you feel like an adult.

After he died, there were a lot of comments and memories about how cool and involved and loving he was and I hope he knew that. I'd like to think I might be so remembered by my niece and nephew and the other children I've been lucky enough to have in my life.

It's not about being cool, really, but about being engaged with them in the time you spend together (I only saw my cool uncle for a week or two in the summer until I graduated high school) and being an honest version of yourself so they can find the part of you that they think is cool and building on that.

Because, in retrospect? Geologist with turtles who reads science fiction? Not particularly cool. Certainly not universally cool. And I imagine what other young people in his life responded to was different than what I responded to, what cemented him in my mind as a cool adult. Maybe he had his own Paw Patrol he endured to spend time with my younger cousins.

I don't know, I just love my niece and nephew a lot and I want the world they're growing up in to be better and kinder and I feel blessed when my autistic nephew takes my hand to lead me downstairs to play a game with him or, like tonight, asks me if I have Minecraft on my phone because he wants to be able to invite me to his Minecraft server. It's exhausting but still heart-warming how goofy and unselfconscious my niece is in her excitement when I come over and she forgets she's almost a teenager (she's eleven, but she'll be twelve soon, and that's basically thirteen).

...

God the Paw Patrol years were rough.

I know that a lot of you are banking on having little to do with your nephews/neices as children and then becoming their "cool aunt" once they become teenagers, but I think that you will find, upon analysis, that a random middle-aged woman stepping into a whole-ass teenager's life and arbitrarily declaring herself to be a "cool aunt" is, in fact, the least cool thing it's possible to do.

[stagefoureddiediaz]

Thought I’d show you how I’ve been going about my digital drawings - I just discovered that you can video procreate - so maybe I’ll do one of those in the future, but for the Ryan and Oliver digital drawings I did, I can show you my layers and how I worked because I was taking screenshots of my progress!!!

First up Oliver

So original photo

my line sketch - with colour coding as it was easier to do it this way!

Background done

colour blocking - ngl I actually really like it when it looked like this it just tickles the right part of my brain!

Now all the colours are sudged together and I've added in some of the texture

Finished piece!

Now onto Ryan!

Original Photo

Line drawing - he looks like a sailor because I went a bit ott with lining in the beard!

Background and clothes done!

Working on the skin - the neck was actually a real challenge!

Arm and ear finished

Face in progress - he looks so creepy without eyes and I spent soooo long on his lips - I think I erased them like 4 times - but it was worth it because I am soo happy with how they turned out!

one eye in progress

Then I was annoyed with eyes so I did some of his hair before going back to his second eye!

Final piece

and there you have it - me with zero procreate or digital drawing experience having a mess around with the brushes and seeing what I could actually do and I'm obsessed with how they both turned out!

I've been doing some tutorials on procreate - so hopefully I'll get better now I"m learning how to alter the brushes and things!

Hope you enjoyed this little look at how I created my two pieces - I'm going to look at getting prints done (when I have the actual time to do the research!) so if anyone would be interested in prints please let me know in the comments and I'll let you know once I have everything sorted out!

[certifiedsexed]

hey there! i don’t mean this in bad faith at all, and i’m not trying to use a term that’s a fascist dogwhistle. i promise i’m just confused😭

so i’m not a guy, nor have i ever been perceived as one, but in one of your recent posts, you said that men can’t experience oppression solely based on the fact that they’re men. which was kind of confusing to me — i don’t think you’re wrong, i think it’s me but i don’t know how to get to how you see it like that.

because in my experience, men can experience oppression because they’re men, although i don’t know if i’m saying that right or conflating the meanings of certain terms. i’m probably wrong, and would just love some clarification?

for example, my brother and i were always held to different standards growing up — it was expected of me to always cry and be emotional, and i was a ‘stone cold bitch’ if that wasn’t the case, but if my brother wanted to show negative emotions like sadness he was treated like there was something wrong with him too. and i know it wasn’t my brother — i spend a lot of time working with my high school’s diversity team, and in a lot of the events we organise, guys talk about how they feel enormous pressure to be angry and never sad, and to have stereotypically masculine interests and never deviate from that norm.

i also know men who’ve struggled to get jobs such as teaching as those are viewed as ‘female’ jobs and it’s a common view that men who want those jobs are ‘only in it to be around kids’. i’ve heard many women around me perpetuate sentiments like that, so i know they’re not making it up, even if it isn’t equal to the systematic oppression women face in almost every aspect of their careers.

i’m not providing these examples to prove you wrong, since i do think you’re right. i’m hoping that a window into the way i’ve always thought might help you clarify this in a way that can help me to change my mind, since i just think i’m lacking some clarity or context here. i think i’m conflating abuse and stereotypes with oppression, but i’m really not sure. any advice would be really appreciated!

i’m so sorry if this comes off badly, i don’t mean it that way. i’m just trying to learn, i promise i’m not trying to promote the kind of hate and close mindedness you’ve been seeing in your inbox as of late.

Hi! As always, I do not mind answering genuine questions!

The things you're talking about growing up and seeing boys around you pressured to present only certain emotions, that's part of the patriarchy!

Certain emotions are supposed to be "feminine" and thus boys shouldn't show them, while girls are often always considered "emotional" in some fashion. That's not oppression based on those boys being men that you're talking about.

It's the backlash that the patriarchy, and by addition trans/misogyny has on men. It's boys being pressured not to show certain emotions because those emotions are "feminine" and they're supposed to associate feminimity with weakness and shit.

What you're talking about there is also trans/misogyny!

The idea that men who do things perceived as feminine are predators, the idea that specific jobs are "female" jobs [while even in those specific female jobs, men are generally paid better and find it easier to get into those jobs than women trying to get into traditionally "male" jobs"]

[Though obviously this varies based on race and whether they're trans, etc, etc.]

To be a little more clear, all of the things you're talking about don't primarily affect cis men/boys. They fuck up transfems, because it's trans/misogyny.

You're right! It's not systemic oppression.

You might wonder if it's social oppression, which is also a no. Social oppression would require a historical/systemic oppression behind it. But that doesn't exist in this case.

What it is is the common issue oppressors run into. While they benefit greatly from oppression, there is also backlash they face from their own systems of oppression.

Like white people who fall into suicide cults trying to work towards white supremacy, or TERFs who fall into groups where they slowly pick each other off as they discover they're not all exactly the same and wind up accusing each other of not being "real" women, systems of bigotry simply do not work out perfectly even for the oppressors.

They never do.

To create the patriarchy, you must establish trans/misogyny, you must establish intersexism and you must push people to conform to those ideals, even if they hurt your own.

It's similar to how white supremacy can harm white people, despite white people obviously not being oppressed racially. The backlash of oppression hits even the oppressors sometimes.

Suppression, as a term, would honestly work far better to describe what you're talking about.

So yes, it's stereotyping, yes it's abusive to tell your children not to show/feel their emotions but it's not oppression based on these guys in your life being men! It's part of how trans/misogyny, transphobia and intersexism are enforced.

I understand exactly where you're coming from! It doesn't sound bad and I genuinely don't mind answering questions! Especially since you've got some good ones!

I'm not sure if I rambled too much to explain this properly but I hope this helps! Let me know if you have any other questions and/or need me to clarify anything here. <33

[meydang]

cute wings

(sfw)

Nameless!Sunday x Nameless!reader

Based on Sunday's ultimate animation and my own headcanons about halovian's lore.

.

.

.

"So what was that move you whip out earlier? The one with the vines and everything!" You said, clearly impressed while sitting down on one of the couch.

"Have you been hiding the other two pair of wings or do they only come out when you do that last move?" You asked eagerly when Sunday enter the parlor car, the both of you having just gotten back from your trailblazing expidition together. Your eyes following him as he joins you on the couch, with sparks of curiosity in it.

It hasn't been that long since Sunday joined the Astral express, but he could definitely say that it's been enough for him to start opening up to all the nameless and vice versa.

"Ah, are you refering to my supporting spell?" This is the case especially for you, with your seemingly endless energy and desire to learn about everything, it's only a matter of time before you start flooding him with all these question about anything that piqued your interest.

"For halovians, our wings are like a representation of our emotion and power, similar to that of our halo." Sunday pause for a moment, you guessed to try and think of an answer that will satisfy your question.

"To put it simply, take that fight we just won earlier for example, I was using my power to aid us, the wings that appeared were due to my strong emotion and use of power at the moment." He turned to look at you as you nod multiple times, trying to grasp your head around the new information like a lost puppy trying to figure out where it is.

You do that quite often - something Sunday has took notice and find endearing.

Cute, he think.

"Sooo... does that mean the wings can only come out when you are in a state like that?" You finally said after some time. "Aw pity, I was hoping you could make them appear anytime you know, I think they are really adorable!" You said what you were thinking with all honesty, completely oblivious to the fact that your last comment caught the halovian off guard and flustered to his core, hints of red dusting his cheeks.

"Th-that is not entirely correct, I can make them visible if I want to, but I'll need to be in a state of strong emotion or focus on my power in that case." Sunday tries to brush of your compliment about his wings with his answer, but before he could given it anymore thoughts, you have already came up with an idea.

Sunday jolts slightly as you prop your chin onto his shoulder, your face display a smug expression, looking up at him with your hand on top of his own.

"Wait, if I'm correct... Then I'll just have to make you feel emotions strong enough for your cute wings to come out, right?"

Huh? What did you just say? What are you planning? How did- what? There is a million things going through Sunday's head right now and the fact that your gaze are still fixed on him while this is happening does not help at all. Sunday doesn't know what is worse, the way he got insanely flustered just by a few compliments or you being extremely close to him right now.

"Well...? Aren't you gonna say anything?" He heard you said in the slowest and most teasing way possible, as if to get even more reaction from him. Before he could even answer, you stood up and move infront of him.

"Sunday." you said while bending down to face him, your hands on your knees and face tilting down at him with an adoring smile.

Huh?

"Yes?" He managed to say, his head spinning to guess what are you planning to say next.

"Although it hadn't been long since you join the express, you have been adapting and trying your best to keep up with the crew really well." Sunday can feel his cheeks burning with every sweet words uttered from your mouth. You on the other hand, are determined to get his marvelous wings to come out.

"You have done a great job as a nameless... Don't you think so too?" You continue, still looking down at him but leaned in a bit closer, too close for Sunday to maintain his composure. If he still has any, that is.

"Ah, th-thank you. That's very kind of you to say." As his wings move to cover his face, he can here an audible 'aww' coming from you which caught him by surprise. Resulting in him moving them to his side again, for a better view of what was happening.

"It worked!" Opening his eyes, Sunday sees you smiling and gushing over his wings - ah, right, his other wings that have appeared due to him being oh so flustered just by your simple remarks.

"May I touch them?" You asked, your gaze gentle, yet still intense that it makes Sunday gulp nervously as his face turn even more red.

"Yes, you may." Sunday doesn't know why he gave you permission, as if you being in such close proximity to him wasn't enough to get his heart pounding. Especially with the fact that his wings are actually pretty sensitive.

With a happy grin, you reach out to glide over the feathers with the back of your hand, not missing how doing it make Sunday shudders a bit.

"Oh, sorry!" You retrieve your hand after noticing.

"No no, it's fine... please continue." He assured, not wanting you to feel bad. Even if he doesn't exactly want you to keep thumbing his wings like this... purely because it's making him all embarrassed and a blushing mess.

"You know... what I said earlier about you joining the express. I wasn't just teasing you, I actually meant it." You reach out for his wings again, this time with a soft smile, making sure he knows you are being sincere.

Sunday made a dumbfounded expression, or atleast you think he is, his face shows a mix of gratitude and confusion as he stare at you.

"I am grateful that you hold me on such high regards, though... I do not believe I have made any significant contribution to the express, more less better than all of you." Sunday answered truthfully. How could you say all these good things about him when he doesn't deserve any of it? How are you still able to welcome him with open arm? After all his mistakes, after the grand pursuit of a dream paradise through such manipulative methods, and-

"Sunday!"

He blinked,

Once,

Twice,

"Hey, are you okay? You just zoned out for a moment." You move your hands from his wings to his shoulder, sitting down next to him again, tone worried.

"Sorry... I was just deep in thought. Were you saying something?" He quickly apologized, feeling bad for making you worried. Yet again another reason he doesn't deserve your praises, Sunday blames himself.

"I said stop thinking bad about yourself. Don't ever say anything like that... nobody is perfect, everyone has their own flaws and values. You just have to not let your doubts get to you." You turned Sunday towards your direction a bit, so that he's looking at you in the eyes.

"Hm, promise me you'll never think negatively about yourself again." You said firmly, waiting for him.

"I-I promise." With an exhale Sunday replied to you, smilling. "Thank you."

You smile back "There we go, now that's my little angle~"

!?

This is the second time you have caught him off guard in this conversation. Little angle? At this point he swear you will be the death of him eventually, Sunday think as you suddenly lit up.

"Well, let's lighten things up a bit..." you said, pulling out your phone. "Say cheeseeee" what are y-

Snap

Just like that, a picture of Sunday smilling sheepishly and flapping his wings was sent to the astral express family group chat. Earning you a panic, embarrassed Sunday and the multiple 'aww's from the trailblazer and March.

_

The Astral Express Family

You: (picture)

You: I found a happy bird on the express today~

March: aww

Trailblazer: wow! Six wings!

Trailblazer: aww

Sunday: ...

_

[thunderingreign]

The solution is to build up power inside our local communities outside of capitalism by getting involved with (or starting) an organization seeking to do that. We have to look to Leftist organizers for guidance. We have to look to historical Leftist strikes, resistances, and rebellions and learn from them, critically sifting through the actions of the past in order to not make the same mistakes.

“Be A Revolution: How Everyday People are Changing the World and You Can Too” by Ijeoma Oluo is an AWESOME book to read if you are feeling hopeless, drained, or are looking for how to start. One thing Oluo helped me with was realizing how capitalist-fucked my imagination was— every solution I could think of was a half-measure and I always felt overwhelmingly unsatisfied at the progress that my imagined solution could affect. Once you realize how powerful imagination is, you realize how we need to weaponize it as a means of deradicalizing people out of the death cults of fascism and capitalism, and you realize just how possible that really is. The first thing you’ll need to do when organizing is convincing other people to have hope— which is to imagine a better future.

Oluo also relays a LOT of accounts of how specific people went about starting organizations in response to the terrible conditions they were experiencing. There are men who are working against the patriarchy in prison— teaching their fellow men about how they’ve been trapped in a cage of toxic masculinity before ever being imprisoned. There are people dedicated to teaching about hierarchy and the functions of oppression. I haven’t finished it yet but the accounts I’ve read so far have changed everything for me.

So, what can you do?

First off:

Take care of yourself. You matter in so many ways to the cause— more than what you can do to make change, you are a beacon for people around you. You are a lover, a friend, a comrade. We must care for ourselves because we are loved and valued and losing us will only add to the despair people are already contending with. We must remind ourselves and each other that people are relying on us and not better off if we’re gone.

Focus on the humanity of the people around you. Are you surrounded by republicans? Focus on your mutual interests and don’t assert your differences— people will work with you while still calling themselves conservatives, so take advantage of that. You don’t have to be friends with everyone in the movement, even if having friends already engaging in direct action makes it way easier to do so yourself. Remember our goal is not ideological purity— it’s affecting change and change is all about numbers.

Keep moving further Left and continue questioning authority. These problems have been going on for hundreds of years, and they were never going to be solved by a system that exists to arbitrarily prevent people from access to human needs. We must look to the people who have already been in the fight rather than continue deferring to politicians.

If you’re able:

Volunteer at any local organization that is providing food or shelter— even if they are conservative, volunteer. Having that volunteer experience can help you see how those organizations are structured and who in your community is being failed by them.

Start an org for needs that aren’t being met in your local community. Start as small as you can, even as simple as starting a community garden in your backyard. It will snowball if it is helping people.

Find a spot to set up a free store. We all have stuff we don’t need anymore, instead of selling it or giving it to a thrift store, give it away to someone.

Print posters and zines and hand them out outside of high schools. We need to be engaging in tactics that work to bring young people further left and a part of that is simply informing them.

And since this is not a comprehensive list, continue seeking out radical solutions from authors and activists who have dedicated their whole life to studying and explaining. Look to the people who have been doing grass-roots organizing for years.

If you’re disabled:

spread information about how oppression functions and how to organize an assembly— you can explain to people who don’t have the time to study or who have a learning disability that make it difficult to parse the thousands of words that are used in explanation. Synthesizing info so that it is accessible to all is CRITICAL

start an artist coalition with friends and make provocative art that makes people think twice about all this shit. People are not aware of what their options are. They are also just trying to survive under capitalism.

share your knowledge on essential skills with your friends (gardening, opsec/infosec, conflict resolution, etc.) There are people who are working in these orgs that could use the expertise that you have.

Books on my TBR that could be helpful:

They Will Beat the Memory Out of Us: Forcing Nonviolence on Forgetful Movements by Peter Gelderloos

The Solutions are Already Here: Strategies for Ecological Revolution from Below by Peter Gelderloos

Beyond Cop Cities: Dismantling State and Corporate-Funded Armies and Prisons edited by Joy James

Renters Unite: How Tenant Unions Are Fighting the Housing Crisis by Jacob Stringer

Against Technoableism: Rethinking Who Needs Improvement by Ashley Shew

Let This Radicalize You: Organizing and the Revolution of Reciprocal Care by Mariame Kaba, Kelly Hayes, Maya Schenwar

Surviving the Future: Abolitionist Queer Strategies by Shuli Branson, Raven Hudson, Bry Reed

We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice by Mariame Kaba, Tamara K Nopper, Naomi Murakawa

Becoming Abolitionists: Police, Protests, and the Pursuit of Freedom by Derecka Purnell

Unbuild Walls: Why Immigrant Justice Needs Abolition by Silky Shah, Amna A Akbar

A People's Guide to Abolition and Disability Justice by Katie Tastrom

is this fucking SATIRE??????????????????????

[lenaswritingandstuff]

Right again • Tom Riddle x f!reader

Requested: No

Pairing: Tom Riddle x f!reader (+ SPOILER x f!reader)

Summary: Tom, who always thought relationships were meaningless, changed his mind when he met y/n. He plans on telling her how he feels, however, it doesn't go as planned, and he finds himself to be right - again.

Word count: 1.1K

Warnings: Fluff; angst; English is not my first language.

A/N: It wasn't supposed to be this long lmao. I will write the same plot with Mattheo, Draco, Lorenzo and Theo in the future - hopefully with a better title lol. PLEASE PLEASE DON'T LET THIS FLOP OR YOU WON'T SEE ME ON HERE AGAIN LOL. Comments and feedback are always appreciated. Sorry for the typos. Hope you enjoy it! xx

Tag list: @helendeath @im-jesus @wolfyychan @blocked-zombieartist

Tom Riddle was in his dorm, one of the only places in Hogwarts where he could be by himself, and where he could be doing the things he enjoyed the most - studying and reading, both in silence. But, despite being currently sitting on his desk - always perfectly arranged -, he was not currently reading a book or studying. Instead, he was doing something he never thought he would do and was feeling something he never thought he would feel: thinking about a girl, and being nervous about a girl. 

Contrary to Mattheo and his friends, Tom has never cared for relationships - he could barely bear being around Mattheo’s friends if serious, meaningful discussions or activities weren’t involved. Sure, he cared for Mattheo, more than he cared to admit, because they were of the same blood. And for Tom, blood was one of the things that mattered the most, alongside loyalty, knowledge and influence. 

And y/n. 

Tom had always thought Mattheo was the only person he could ever care for - after all, they needed to have some sort of loyalty towards each other if they wanted to have a chance to fight their father - but, just like he was surprised to learn he did not want to follow his father in his quest for tyranny, Tom was surprised to find himself caring for y/n. 

Just like he had never cared for friendship, Tom had never cared for love. He did not think it was a weakness as his father did, but he did think it was not as important as people made it out to be. And, also, why care for love when something terrible, something that would likely cost lives was being prepared? 

But then again, y/n challenged that idea. Despite being in the same house and the same year, it took Tom several years to properly notice her. He knew she was one of Mattheo’s close friends outside of his usual group, and that gave them occasions to spend time together. Strangely, Tom had first found her company more tolerable than the others - she seemed to understand his will for silence, deep conversations and his interests, seemed to have the same thirst for knowledge. She was kind as well, having what people called “a heart of gold”, always ready to help anybody in need. She was also warm and funny, two things she shared with Mattheo, and it usually didn’t take people enough to want to be her friend. Tom had considered y/n the closest thing he had to a friend, and he thought he would stay that way until, one day, he saw her and Mattheo sitting closer to each other than usual, and he felt something strange, something he didn’t expect to feel, and something he struggled to understand - jealousy. He didn’t think it was that at first, but it became obvious it indeed was jealousy when he found himself wishing that he was the one sitting next to her, and not Mattheo. 

From that moment, he kept thinking about y/n in ways he had never done before - how beautiful she was, how he loved her smile, how he wanted to hold her hand, to smell her addictive perfume, to be the person who mattered most to her… how he wanted to hold and kiss her. He had considered those thoughts as foolish at first and tried to not have them, but everytime he was with y/n, they came back running, and he sometimes had to restrain himself from sitting closer to her just to smell her perfume when they were in class, or to hold her hand when they were studying in the library. He didn’t have anybody to ask questions to - Mattheo would laugh at him - so, like he always did, Tom gave himself the answer: it was love. At first, he thought it was only temporary and it didn’t even cross his mind to tell her about it, but he was forced to admit that, instead of disappearing, those feelings became stronger with each day passing. The idea displeased him, and he tried to avoid y/n so these feelings would go away, but it was in vain, and only made him miss y/n - and made him love her more. But one day, as he was sitting on his desk busy thinking about her instead of studying, the idea of just telling her how he felt seemed right. Of course, the idea of rejection secretly terrified him, but he would accept simply being her friend. y/n deserved a loyal, sincere friend and that is what Tom was. All she had to do was give him a chance he could be the boyfriend - the word seemed so meaningless compared to what he felt - she deserved, a boyfriend who would be loyal, caring, sincere, and who would put her and her needs and safety first.  

Thus, he got her favorite flowers, and, having thought about what to say to her for hours, decided to go and ask her to have a moment of her time. And now the time had come. He grabbed the bouquet, and, trying to pull himself together, left his dorm. At that hour, y/n should be in the common room. With a bit of luck, she would be alone. Tom headed for the common room, which was nearly empty except for two first years laughing. He started looking for y/n, and his heart, which had started to beat faster with nervosity and hope, almost broke. 

y/n was indeed here, standing in a corner of the room - kissing Mattheo, who had a hand on her waist and the other in her hair. He broke the kiss, looked at her in a way Tom had never seen him and y/n had a smile before Mattheo pressed his lips on hers like he couldn’t help it. 

Tom took a step back, and the only thing that stopped him from dropping the bouquet was the noise he knew it would make. He turned around and quickly yet silently went back to his dorm - where the flowers finally met the ground. His back against the door, he almost wanted to laugh now. How could he have been so foolish? It should have been obvious to him from the start that y/n, warm and kind y/n, would prefere Mattheo, Mattheo would everybody loved or at least fond of, who had no problems making friends and be with people, Mattheo who had never been anything like their father. Mattheo, who people didn’t intimidate or rightfully found cold and strange. 

You’ve won, brother. 

As always, Tom Riddle found he had been right. Love was meaningless, and he should never have cared for it - should have never cared for her - in the first place. 

He was right, but for the first time in his life, he wished he wasn’t.

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[the-architect-of-ferrari]

hey guys! I was formerly fellow-meme-lover but I have retired that name after like 7 years. I am now @the-architect-of-ferrari in honor of that one article about Carlos (pictured). I’m a little surprised no one had taken that username yet but I’ll gladly have it.

I decided to change my name because I want it to reflect the main focus of my blog moving forward: Carlos Sainz. This is also going to be a bit of a goodbye to Ferrari post and clarifying what my blog will look like after AD24. So continue reading after the cut if you’re interested.

I am a fairly recent f1 fan, I only started casually watching late into the 2023 season, and it wasn’t until the winter break that I started getting serious about f1 and more involved.

It was during this time that I discovered Charlos, and they were my absolute favorite duo on the entire grid. I remember thinking the entire Ferrari team was a giant mess, and that the only thing they had going for them was their driver pairing. I spent the off-season watching old interviews with them, seeing posts about them on tumblr and twitter, and learning everything about them that I could. I initially liked Charles more, as he was the first driver I really learned about, and I will always be fond of him for gifting me this sport and fandom that means so much to me.

Over time though, I naturally gravitated more towards Carlos. I couldn’t explain it but there was something about him that connected me to him, and soon his happiness was my happiness and his sadness was my sadness. When the news of Lewis’s move to Ferrari dropped on February 1st, I was devastated. I could only think of how Ferrari was Carlos’s dream and it was now coming to an end. All season I’ve been dreading having to make this post, having to say goodbye, but I can’t put it off forever. I truly believe that the team hasn’t done right by Carlos in a lot of ways, but it was his dream, and I want him to be happy more than anything else, and for his sake I sincerely hope that a return to Ferrari is possible one day. I think he will be happy to know that regardless of what the future holds, he will always be a part of the team’s history, and everything he gave to them will not be forgotten.

As for Charlos as a duo, they were always the duo I loved the most of the entire grid. It wasn’t always easy at times, with their occasional fights, with the frequent fan wars, and the accusations of it being a PR friendship. But I think if you went back and watched old videos of them together, you can see the fondness in their eyes clear as day, and it lingers in their familiarity with each other to this day. Four years as teammates isn’t nothing. I don’t know that anyone will be able to make me laugh as hard as they did, or cheer me up on a bad day the way they did. In the future, even if they’re not teammates I will still try to post about them as much as possible, even if it’s a 3 second clip of them chatting at a driver’s parade or something idc.

But with that said, my no.1 driver from now on will always be Carlos, and so what I post will reflect that. As a Charlos fan, I was reluctantly a Ferrari fan because that is the team they drove for, but now I will be with Carlos 100%. I will no longer be solely posting about charles and carlos, and instead will post things more like what i have been posting lately, which will include other driver pairings like versainz. I’ll also just post general f1 stuff sometimes if i think i have something important to say. But mostly i will be talking about Carlos.

For now though, let’s make the rest of this season count. I’ll be with you always, Carlos.

¡Vamos, toro!

[nadas-dirthalen]

A Veilguard Achievement Icon Opened My Eyes on 15 Years of Lore... but Was I Right?

PART TWO: What Veilguard Did Narratively, and What That Tells Us Going Forward

[ 1 ]

Hello again, friends and travellers. Now that I've beaten Dragon Age: the Veilguard, I wanted to go through all those 30,000 words of predictions that I wrote in the ~11 days leading up to its release. I'd seen an achievement icon that pieced together a lot of Dragon Age lore for me.

But, I hadn't played Veilguard. All I had was the footage from September 19, the achievement list, and anything else BioWare had released.

So... was I right? And if so, how much was I right about?

This is your warning:This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

(my davrinmance is going great as i try and collect every codex, thanks for asking!)

Today's Discussion: to Understand Dragon Age, We Must Understand Its Writing.

Before I can go any further on why I think the way that I think, or why I imagine the story might take us in certain directions, it's essential that you all understand where I'm coming from. Veilguard, like any game, is a piece of art. Its bones are built with similar narrative structures to novels (though not identical, and that's important!). To make sense of what's to come, we must examine Veilguard's bones the same way.

I've seen a lot of people wondering why, for instance, the Inquisitor is not Veilguard's protagonist. I've seen people lamenting the fact that there were not on-screen clarifications of popular lore theories. Before this series goes any further, I need to say my piece about why I believe that it was essential that Veilguard was written as it was, and why its writing does in fact help us better predict Dragon Age's path forward moreso than even Inquisition.

That said, today I hope to cover:

What Veilguard Demanded of BioWare's Writing Team, and Why

The Protagonist: Why Rook's Perspective Matters

The 3 Act Structure: Our Lens

The Companions: Paths to Our Answers — and Future Games

What Veilguard Demanded of BioWare's Writing Team, and Why

Let's get this out of the way right away: it has been 10 years since Inquisition. And, like it or not, that means one gigantic thing for BioWare: if they wanted to have any hope of making more Dragon Age, they needed to bring in new players and resuscitate the interest of many old players who did not stay in the fandom the whole time. They didn't—and couldn't—write Veilguard specifically for you or I, people of Tumblr. If they did, it would've pleased us... and then cost them so much money that we'd never get any more Dragon Age.

That doesn't just mean modernizing the game's aesthetics, or providing a glossary in its Codex. It means they would have to balance all of the following (just at a glance):

Managing the learning curve in general. Not even I looked in the glossary as I played. Me, supreme enjoyer of all codices ever. It's just not something most players are ever going to do, as much as it the lore is such a fundamental part of the game in general. That means simplifying terms where possible — elven gods in place of Evanuris, for example — but also trimming down what would have to necessarily reference past games. Only a tiny fraction of the fanbase has played Inquisition in the last 3 years, nevermind this year.

Recontextualizing the lore. That does not mean rebooting it, it means situating all we have learned so far in a framework that fits all we have learned so far. Much of what we learned about the Evanuris seemed, for so long, to be totally separate for the things we knew about the blight and Blights. Veilguard needed to show us how those things relate, and to do so in a fresh context that would allow everyone to develop new understanding.

Pushing us one step past Inquisition's knowledge. Veilguard, after reframing the lore, had to leave us a path for new lore, and increased understanding. I think the devs put it really well when they say that their aim is to give us some answers, but leave us with even more questions. More on that later, and in future posts.

Updating Thedas' ethos. Let's face it. It has been 15 years since Origins came out. The things that were more typical of scifi/fantasy (SFF) then are just not the same now, and would not be perceived by 2024 players in the same way as by those who started Origins in 2009. The world has changed; our cultural understandings are broadening and need to continue broadening. BioWare is doing a good thing by incorporating things like nonbinary identities into Veilguard, and it is good that Veilguard is progressing the world of gaming in that way, especially considering its success. (This is also, I wager, why we choose an Archon out of two choices who want the same thing, rather than leaving that open to a more "evil" option).

Dislodge older fans from their Solas headcanons to get everyone old and new to the same confusion and potential distrust. Hear me out. Everyone who's stayed since Inquisition has beliefs about Solas. Even me, who got here in March of this year, whose fic reads overly soft now because I just didn't know Solas' grander plan until 48 hours before Veilguard came out. Everyone has had headcanons for so long that everyone has had time for their opinions of Solas to cement themselves. In order for Veilguard to work as a story, they had to debunk what everyone thought they knew: both lovers and haters of the famously controversial egg. By breaking down our existing beliefs, the devs open up essential curiosity from the players as to who—and what—Solas really is, which propels us through the narrative and has us absorbing information.

And this curiosity? It is why Veilguard could not have the Inquisitor as its protagonist. To keep us curious as players (and "readers" of the lore), BioWare needed a new protagonist.

Specifically, they needed Rook.

The Protagonist: Why Rook's Perspective Matters

Here's the thing. The protagonist is not just the face of the game. They are our vehicle to understanding that game. The plot follows their wants and responds to their understanding. What they don't know, what they want to know, is what makes up our every objective. Their emotional journey through the game is our emotional journey through the game. Following it, going after the things that matter to our protagonist, is how the entire game (including its lore) takes shape in our minds.

That's why it's essential that they don't know everything—especially after a ten year interim between games.

Veilguard's plot and twists proved that the Inquisitor did not know everything. They, in fact, knew less than half of everything. If we had kept them as the protagonist, all of our knowledge and curiosity would be shaped by the Inquisitor's understanding: a wrong understanding. We could constantly be fighting with what we think the Inquisitor should know, what should be true because we had seen it through the Inquisitor. We would be set up to be at odds with the very events of the game. Rook is a blank slate, barring a few key tonal indicators, and that blank slate allows for us to fit all previous lore into its new, recontextualized shape that I mentioned above. (Again, note that I am not saying rebooted.)

That, and Rook has multiple motivations. The Inquisitor is focused largely on stopping or saving Solas; Rook is charged with figuring everything out as it is happening to them in real time with almost no context or experience, AND stopping or saving Solas. The Inquisitor has existing allies and resources; Rook does not. Rook must build their own campaign from the ground up, and that means the player is building their own experience from the ground up. Their allies, abilities, and home base, yes, but also their knowledge. Discovering things at the same pace as Rook, with a similarly urgent drive to do so, keeps the game from infodumping at us. It keeps the reveals evenly spaced, but also immediately interesting to the player.

And best of all? Rook allows the writers to do what they want to Solas without breaking his dynamic with the endless sea of Inquisitors (or, at least, with way less risk of doing so). We needed to have our theories about him broken down and rebuilt as players; to do that to the Inquisitor would damage an entire sea of headcanons. We'd never get the Solavellan ending we wanted, for instance, if Solas had played mind games with Lavellan for that many months. And if Solas didn't do those things, if he'd been wholly defanged, he would have lost his appeal and importance in the narrative. He wouldn't be the Dread Wolf in the ways that matter to Veilguard.

It's important, then, that Rook has just the slightest bit of backstory. They care about their allies. They are not a potential political force like the Inquisitor. They have many options to be impulsive. Every single Rook has rebelled against authority. Every single one has a stubborn streak. BioWare put all those qualities there on purpose, because Solas uses every single one, in every single Rook, as a tool. That was all essential for his character development in this game! At the same time, they couldn't do that with the Inquisitor as protagonist, because after 10 years, no two Inquisitors are similar enough to predict/script their actions and responses in that way.

Those twists are perhaps the most important tool for forward momentum in the game. The more they keep us guessing, the more we'll play and seek new information, the more we'll learn. Which brings me to...

The 3 Act Structure: Our Lens

Like I said: BioWare couldn't just infodump at us in Veilguard. It wouldn't be interesting to even half the fans that stayed, these ten years. To keep us engaged as players, they had to string the lore through a series of engaging events. Keep the momentum up, so we would not be lazily looking over codices, but chasing new knowledge and understanding. It all had to be emotionally relevant and resonant to keep us caring, because very few people play games they don't care about.

Veilguard, like a lot of written art, follows the three act structure. Though there are a lot of variants on the more precise beats, they all broadly follow the same-ish path.

Hook: The opening image. In Disney movies, this is the song where the character sings about all the things they want in their journey, and what they truly need is only implied. It gives an opening note for the theme by showing what the character lacks, and what they might need to gain before defeating the final villain. In Veilguard, this is our prologue, centered entirely around Varric: the big red herring where we see that Rook is out of their depth, opting to push over a support beam rather than take on the Dread Wolf. Off-screen, it is also the background information about Rook, showing us who they are and what they want before we play.

Inciting Incident: The event that kicks off the main plot. In DA:tV, there's a big collection of these (because every companion needs one; we'll get to that). The first big one is, of course, the failed ritual. The death Rook doesn't see. The Evanuris are freed, but Rook has only half the information.

First Plot Point: "Plot Point" means "big/defining decision" in writer-speak. This is the moment the protagonist decides to go forth on their adventure. In video games, this is more or less determined for you, but you have the option to flavour this moment in Veilguard. You can choose how to tell Solas that you'll do what he wants: either by appeasing him or angering him. You do the same for Neve and Harding afterward, and then again in Arlathan and D'Meta's Crossing. You state that you're doing this, no matter what it takes.

First Pinch Point / "The Setback": "Pinch" means "twist" in writer-speak. It's the first time the narrative is shaken up, and is also usually the first time we see the true scope of the villain. In Veilguard, the first big twist has been called "the Setback" by some of the devs (notably, I heard it at a panel in September). For Veilguard, this is Weisshaupt. We see the true scope of Ghilan'nain's horrors, but we also see the first BIG hints (outside of Varric) that Solas is manipulating us—because he really doesn't seem to hate the Wardens as much as Inquisition enjoyers like myself expected. This event concludes act 1.

"New World" / "Fun and Games": The devs have remarked that they wanted to see the tone of their setback (Weisshaupt) threaded through the rest of the game, and we do: through Davrin and Lucanis' banter, through the reflections on the consequences of Weisshaupt, through every character struggling with their confidence and identity after that point, through the blight getting worse and worse and worse. That's what the New World is: the characters getting used to new circumstances after that first big twist. The Fun and Games are the slow and steady recovery from the twist, warming and solidifying formerly tenuous relationships. This is where we do a lot of companion and faction quests.

Midpoint: In a narrative that ends in a victory (so most games ever), the midpoint is a false victory. We think we've nailed something, only for something else to happen that begins to seed doubt in the protagonist's capability and/or ability to solve the plot. For Veilguard, this is the blighted dragon fight: we think we've got Ghilan'nain, but then Elgar'nan shows up and demonstrates that Rook is in so, so over their head.

Second Pinch Point: The second twist. The villain's identity is crystal-clear, and by now we've definitely interacted with the villain more directly. This is Arlathan, Elgar'nan's mind-trap—and Solas' "rescue" of Rook, showing his duplicity in full. Elgar'nan notably says a line about not falling for Fen'Harel's tricks again, and it foreshadows what we will see of Solas.

Disaster / Crisis: This is the event that triggers the protagonist's downward spiral. Not a twist (necessarily), but a catastrophe. In Veilguard's case, it's both: the Ghilan'nain fight leaves one companion dead-dead and another presumed dead. Then, the twist: Solas using Rook's sharply felt regret to pull his gambit and swap places with them. A series of events that literally had me gasping so frequently I got dizzy. Thanks, BioWare :) Many people say that this event, or something between this event and the "All is Lost" beat, conclude act 2. For games, the pacing is sometimes different, as is the cutoff mark, because otherwise the third act has the potential to be very short.

"All is Lost" / The Dark Night of the Soul: It's exactly as the name suggests: all has been lost. The protagonist doubts themself completely. It seems like nothing more can go wrong, and like nothing might ever go right again. The protagonist is at a loss for how to move forward. In Veilguard? Varric is dead. Davrin/Harding is dead. Bellara/Neve is dead. Rook is literally trapped not only in their regret, but in a reflection of Solas' regret. And to get out, they'll need...

"The Epiphany" / Second Plot Point: "Plot point" means "big/defining decision" in writer-speak, as stated above. Only this one contains more layers than the first. This is where the thematic statement of the piece comes out: the lesson that the protagonist must learn is stated, clearly, for all of us to see. It is the thing that picks them up off the ground, giving them strength to face the climax and the danger it promises. In Veilguard, this is Varric saying to Rook, "Have you learned nothing here?" and reminding both Rook and player that he chose this; Rook's companions chose this; we cannot blame ourselves for the actions of others. We cannot carry grief for other people, or we'll drown in it. Sound like any other character we know?

Climax: The big fight! But also, the big moment where the theme is shown to be the narrative key. In every ending of Veilguard, Rook being Solas' perfect mirror is the key to winning the day against the Dread Wolf. It just depends on what facet of Solas Rook chooses to mirror: the trickster, the nasty combatant, or the person who was haunted by their own failings and lost companions.

Resolution: Narrative threads are tied up, or a promise is made to tie up those loose ends in future installations. Veilguard's credits do both of those things. :)

Why am I telling you all of this? Because the lore must follow that skeleton. Every reveal we get must fit into both the timing and the feeling of those events. It would not fit to suddenly drop everything about the Titans right after Rook gets to the Lighthouse, which is why those enemies you need to kill to get the last memories are level 30-40. It would not fit to uncover everything about the blight's origin before Weisshaupt. If they forced us into that as players, all the casual fans and new players would duck out, feeling overwhelmed.

Even for us older fans, narrative structure shapes significance. You can tell a lot about a codex's overall importance and tone just by understanding where you find it, and when. That's why the Trespasser codices carry so much weight, even the ones about the Evanuris' actions that we don't see on screen at all: they are at the bitter end, and so they carry all the bitterness, longing, and mourning of that ending. Without the context of Trespasser, they mean less.

This is also why Veilguard paces its companion quests this way, not allowing you to complete them until later in the game. Every companion has something to teach us, and BioWare wanted to give each companion's narrative the weight it deserved.

The Companions: Paths to Our Answers — and Future Games

Anyone who's played Inquisition knows that companion quests shape entire facets of the lore in individual games, as well as set us up for the trajectory of the next games. Just look at Solas and Cole: together, they shaped our whole understanding of spirits in Veilguard. They set us up to ask all the right questions about not only spirits being bound as demons (Solas' quest), but about spirits being able to manifest in physical shape (Cole's quest). Together, their narrative conclusions foreshadowed much of the Evanuris' reveals in Veilguard: that they were spirits who could manifest into corporeal shape, and that they had the ability to ask others to manifest—and then bind them.

Again, these quests are paced throughout Inquisition's main plot. You cannot do their before Skyhold, and you cannot do them after the cutoff of (I believe) the Temple of Mythal. Inquisition forces you to see those quests' endings in the exact right spot: sometime around the midpoint (Adamant/WEWH), but before the disaster/dark night (the Temple of Mythal). They do that so you will feel that those things are significant.

Veilguard does the same thing. Every companion has a facet of the lore attached to it, but you cannot follow those threads to their conclusions at the beginning of the game. The game won't let you, because the moments need to be spaced out properly and carry the necessary emotional weight. Not all of their quests promise speculative material for future games in the same way, because some explain the context of the current game (Varric, in DAI, accomplished both with the red lyrium content, for instance; Leliana, meanwhile, dealt with the theme of faith in DAI and did not promise future speculation).

These concepts will all get far more attention in due time, but in short, here's what I think is associated with each companion:

Harding: Titans! But also, angry titans, and the difference between "angry titan" and "source of blight." In the same vein, what the dwarves should do going forward, and where they should place the titans in their culture.

Neve: The soul of Veilguard; her narrative is very current to DA:tV, in my early understanding. But she brings forth a lot of nuance to the themes of regret, and what that regret looks like on a smaller scale (a city, rather than a world). She does a lot of work in showing us that regret is regret, no matter the scale, and that the work we do to do better matters, no matter the scale. Additionally, her personal quest foreshadows Solas' use of blood magic against us being more than we thought by showing off Aelia's puppets, suggesting to us (tonally) that Rook may be Solas' puppet.

Bellara: The Forgotten Ones!! Anaris! Also, the place of ancient elvhenan in the future of Thedas, and what the elves should do/feel going forward.

Lucanis: I think they were going for some Forgotten One/Forbidden One hints, judging by some notes from the Ossuary and some banter between Lucanis and the others. This needs more dissection. Lucanis sort of does both what Bellara and Neve do: the Forgotten Ones, and also the heart of Veilguard's theme, with a lot of found family vibes thrown in.

Davrin: The blight itself, and the future of the blight without any archdemons left to cause capital-B Blights. Thedas' path to healing its nature.

Emmrich: The nature of what spirits are. I need to go screencap more specifics, but I swear this necromancer has referenced the difference between spirit and human soul and has stumbled upon saying that the two might not be so different at least once. Also, the Formless One centers around the Necropolis, and I'm thinking "spirits seeking bodies" and this whole idea of unlife/undeath is going to be explored later.

Taash: Remember how I said BioWare needed an ethos update? I think we see that most predominantly in Taash, whose entire personal quest is an examination of the values and priorities of different cultures, as well as the place of gender and gender ideology in Thedas. We saw this with Dorian and Krem in DA:I, but Taash modernizes that conversation (10 years has changed a lot!) and brings it front-and-center. At the same time, their existence is referencing (potentially) the Scaled Ones, and showing us that the kossith (Qunari) might have far more ties to Evanuris shenaniganry than we thought—and that those shenanigans did not happen on Thedas, but potentially far across the sea. (Neve and Lucanis accomplish this, also, with the Shadow Dragons and Crows, but not to the degree that Taash does).

This is why the companion quests MATTER, and (at least partially) why the game asks you to complete these quests or suffer consequences in the finale.

You know what else happens, upon completion of these companion quests?

You get codices. In Dragon Age, they are the threads that tie the seemingly disconnected pieces of the plot together, and that's on purpose. This time, they automatically unlock upon completing different stages of companion quests—and as far as I can tell right now, days after completing the game for the first time, the ones revealed later DO contain spicier hints about future lore than those revealed earlier.

And between ALL of these things—the demands Veilguard's timing placed on Bioware, the need for Rook as a protagonist, and the structure for every companion's quests—I think BioWare did an amazing, genius job with their narrative. Yes, I have seen some of the art book content, and yes, it would have been so cool to have those things, but... I truly do not think BioWare needed them, as close as I would have held cameos like Cole to my heart.

From a lore perspective? They knocked it out of the gods-damned park with Veilguard. They did an amazing job with each of their quests, and I promise: there is no shortage of juicy lore to be found in Veilguard. Now that I've inflicted an outline of what I know about stories upon you, I promise: all of this serves as context for everything I look forward to saying in future posts.

_____

If you got this far, thank you, as always!

This series is going to take a turn toward what I noticed in Veilguard, how I feel that Veilguard adds to my theories (or perhaps debunks some of them), and where I think the series is going to go from here. But in order to write all that properly and miss as little as possible (even though, in November 2024, with no wiki or transcripts, I am guaranteed to miss things), I need to keep playing the game and keep reading the codices I find.

Stay tuned for the next instalments, though I cannot say how quickly they will come after this. <3

[makingqueerhistory]

Hi long time follower , newer asker. In recent wow probably need to step more coalition building in my immediate circle I've recommended some easy books for people to take an interest in who are for all things straight and cis. Stuff like GendeQueer memoir, this book is gay, super late bloomer comics. Do you have any recommendations of what you consider more advanced queer theory books? And or, any recommendations for learning to get straight friends and family interested in at least learning about to combat hate better?

I do recognize your URL, lovely to hear from you! I have read a lot of queer theory books, so I have arranged them into a handy-dandy list from easy to advanced!

A Quick & Easy Guide to Queer & Trans Identities by Mady G and Jules Zuckerberg

Beyond the Gender Binary by Alok Vaid-Menon

All about Love: New Visions by Bell Hooks

The New Queer Conscience by Adam Eli

I Hope We Choose Love: A Trans Girl's Notes from the End of the World by Kai Cheng Thom

The LGBTQ + History Book by Dk

Gender Trouble: Feminism and the Subversion of Identity by Judith Butler

I hope this list helps!

(Affiliate links above)

[ceaselesswatchersspecialboy]

Okay here we go

Does Stanfraud's eye still bleeds, like when Bill was possessing Ford or doesn't because of his bigger connection to Ford's body?

Is Stanfraud an uncle/big brother figure to Soos, like Stanley is his dad figure? Does Bill even care about him even a little😢

I know that the main focus of this au is on Bill, but since Stanley didn't try to pretend to be Ford, how did Stanley's and Filbrick's first meeting went after the whole "getting kicked out" thing"? Especially since both Stan and Ford were definitely broke at the time

You mentioned that Bill still has access to a little portion of his powers, what are they exactly?

Anyway your au is genuinely awesome and seeing it on my dash is always a huge treat 💛💛💛

Okay the first question I really want to answer because I’ve been thinking about this:

— His eye definitely bleeds on occasion. Even though he is far more connected to Ford’s body here, he’s still a demon possessing a host. He shouldn’t be there. There’s some outer force keeping him trapped. So I have thought about the fact there would probably be some lasting impacts on the body due to possession exposure for so long, such as the eye bleeding becoming a regular problem and gradual loss of vision in that eye. There may also be other physical impacts, but I’ll work on those when I manage to get down an official design for him.

— Great News! He is like Soos’ weird uncle! That may be where he learned to be somewhat decent around kids, honestly. He absolutely tried to mess with him at first, make jabs, tell him the date of his death, attempt to drive him to madness just a little (this is why Stan had to get rid of the last handyman), but Soos proved to be incorruptible and took all of Stanfraud’s weirdness in stride. Bill does end up caring about him. He goes as far as to liking their conversations. Soos keeps up with his chaos! Even Bill isn’t sure what’s going on in that head of his (when he gets his own body back he’s going to find out).

— Though Bill is the main focus of the plot-change, the other aspects are equally as important and so I’m glad they also have people’s interest! Their first meeting is… tense, to say the least. If Filbrick has any regrets, which I think I’ll leave up to interpretation, he’s far too stubborn a man to show them, and would rather dig himself further into a hole than admit he made a mistake. Stan desperately just wants to ignore all the scathing comments and get this little reunion over with, until Filbrick makes a comment about Ford, then Stan snaps. You can insult him, he probably deserves it, but not his brother. Sure, they may not be his brother right now, but the intent is there, and that’s what counts.

It cuts everything short, with Stan grabbing Fraud and telling him they’re leaving (He doesn’t complain).

With Filbrick, I do kind of want to explore their dynamic over the years while he’s still alive, especially with Stan, but also with how he’d treat ‘Ford’ and his odder behaviour. I don’t want to just make Filbrick a one-dimensional character though, as I think there’s a lot to be said about the cycle of abuse and parental projection so. While the AU may be based around the question ‘what if Bill got stuck possessing Ford?’ The answers it has lead me down a lot of different paths to explore — such as this!

— The powers he has access too lessen over time, but currently he is somewhat capable of seeing potential future outcomes (ciphervoyance), pyrokinesis, telekinesis, faster healing factor and teleportation. Note that all of these are in a much weaker state and drain Ford’s body and by extension Bill heavily — especially teleportation. Doing that once can cause him to pass out, so it’s more of an emergency thing, most his abilities are honestly. Too much focus is required.

And I’m so happy to be a little treat on your dash!! I hope you enjoy all this just as much!

[invinciblerodent]

While I'm on the topic of being hopelessly in my feelings about these characters, I just finished the last part of the Gloom Howler quest, and I'm thinking about Davrin and names at the moment.

I really, really love how, once we learn the truth about her, Davrin seems to make a point of always referring to Isseya by her name (mostly on its own, but sometimes in conjunction with calling her "The Gloom Howler" when necessary), and even correcting others who would refer to her only by the latter name. (Which, honestly, both Solas and the Inquisitor could also talk at length about a title that all but replaces your name- it definitely feels significant that Davrin would pointedly reject the thought of doing that to someone, but I digress.)

And that reminded me of how I previously made an idle, kind of shitposty little post about how nice I found that during his recruitment mission, Davrin calls out the specific names of each griffon if you interact with their cages, and he attempts to comfort them like that- by reminding them who they are, that he's there, and promising that he'll be back for them.

In retrospect, I think that's so interesting, how his core story seems to boil in part down to... well, in part to the burden of duty, the questioning of tradition and authority (he questions both Dalish- and Warden traditions from very early on, one by joining the Wardens and the other by joining Rook) and, yes, living past what one thought to be their purpose, but also... to these moments, that invite some contrasting of his elven-, and his Grey Warden identities.

Isseya being an elven Warden is a very direct parallel, and a very clear image- it, I think, is meant to show what happens when authority goes unquestioned, and one side (the Warden) triumphs over the other (the person). His uncle then acts as a counterpoint and a thread of connection to the past- he shows what happens when tradition goes unquestioned, and while peaceful, how that existence is not one Davrin wishes for himself.

This all comes to a head in the final choice concerning the griffons... which, I can't say what a "correct" choice is, but I find it really cool how one option embraces a more rigid tradition and acts as a vow for reforms within them, honoring them, while the other embraces a different tradition, one born of fluidity, choice, and change- a more personal freedom.

Purpose and nature, respect for the past and hope for the future, all strain against each other sometimes (in multiple companions' stories, I feel), and it's often a name that represents the complicated harmony between two halves.

Be that Assan, noble descendant of a hero Warden's griffon wearing an Elvish name, Isseya, the monster and mage brought to peace, the idea of "turlum", harmony and understanding forged between vastly different minds, or just... Davrin, the Dalish Grey Warden, who is not more one than the other.

Maybe that's why calling people (and animals, and feelings) by their proper names seems so casually important to him. Because if you give something complex, messy, and muddled up a name, it's easier to just live it.

(.......... and yeah, that makes it a bit ironic how so far he's been calling Rook, "Rook", but, yknow, technological limitations. I've a feeling I've at least one important scene to go still, but honestly, the name "Rook" does also kind of represent a similarly complex matrix of ideas condensed into a person. It could be that "Rook" feels more accurate than any "friend", or "love", or "boss", or even "vhenan", for what they are to him, or it could be that he's still looking for the right name, but either way, I'm looking forward to seeing how it all ends.)

[leggerefiore]

so I have an angst request that I’m wondering if you could do. I love the fankids but I’m wondering if for some reason the fankids end up in another world. Where they don’t exist. Their respective parents exist but due to some nonsense (Cyrus and his refusal to stop, Grimsley cheating, Nanu pushing reader away) their parents never got together and now they are stuck in such an unfamiliar place without the comfort of their parents. They stay with reader and the pokemen realize that in another world they are happy and have a loving family. So lots of angst from all sides until one day the real parents come to rescue their children and take them away. Leaving the people in this weird world confused and in despair. Hope that makes sense! Idk why I am in such a mood lol

cw: angst, some (not) parental arguing in cyrus's part, cheating in grimsley's, fankids amuck

characters: Grimsley, Cyrus, Nanu

i wrote this for no one to read lmao. changed the request a bit sorryyyy

interesting

♠️Grimsley❤️

♤ Nero held tightly onto Morrigan as they looked around at their surroundings. It was still Alola, same as ever. A place he originally had been upset about moving to, yet now it was a comfort to see. The Ultra Wormhole had been a surprise, both had not been expected such a thing to just pull them in. Nanu had warned them – Telling them stories of fallers without memories ending up in unknown places. They had not had their memories scrambled, at least. Well, he had not. Morrigan had fallen unconscious. It seemed that it likely had just looped them back around. He bravely supported his twin on his shoulder and headed towards the nearest pokemon centre.

♡ Yet, as he headed to the one near the Tapu Village, he passed a familiar man. A man who was just about to walk past them when he felt his annoyance spike. How could he ignore his son and daughter like that!? It was frustrating enough that his father never seemed to learn from his mistakes. His glare seemed to make the gambler come to a stop. “… May I help you?” he asked, “Are you playing the hero to a helpless damsel with the hopes of winning big in the end?” Nero felt like gagging. That was his sister.

◇ “… You're not funny, dad,” Nero grumbled, “Help me with Morrigan. She's been unconscious for a minute, and I'm seriously worried.” He went to move his sister to the older man, but Grimsley took a step back. Icy blue eyes observed him for too closely before switching to Morrigan. He cocked up a brow and brought a hand to his chin. “… Dad,” Nero urged, “Seriously. Help. This is your daughter. Don't you care about her?” This once more caught the gambler off guard. There was much pondering.

♧ “Can you tell your parent I don't appreciate being informed of such a monumental thing in this way?” was Grimsley's reply, “Do they want child support or something? I'm completely broke these days. They played their hot hand too late.” Nero felt frustrated. Was he mocking them? This truly was not the time. He felt Morrigan begin to stir. Her head lifted as she looked around and grasped her head. Then, her gaze landed on Grimsley.

♤ “Dad!” she smiled and moved to hug the gambler, “Nero and I got pulled into one of the Ultra Wormholes!” Grimsley awkwardly dodged her affection. She tilted her head, unsure if this was her dad messing with her. “… Well, I guess it was mostly my fault,” she admitted, “The thrill of whether we would end up in some strange alien world was too much to resist.” His expression was strange at her words. She shrunk back. He almost looked like he was regarding her as one might an insect.

♡ “… I don't know what lies you have been fed,” he let out a breath, “But, I have little interest in being a dad. I doubt you're my only children out there. Just because I had some on and off again relationship with your parent doesn't mean I'm interested in you.” He shook his head. Morrigan took a step back, confused. It was the first time in her like in which her father had ever spoken so harshly to him. Nero stepped forward and stomped a foot at him, already sick of his shit. Whatever game he was playing at, he was taking too far. Being cruel to Morrigan for seemingly no reason and insulting their other parent was too much. Grimsley actually looked a bit intimidated. “… They should have told you this. I made that clear before we broke up.”

◇ Both stood shocked. Broken… up? Neither could recall their parents being unhappy with another despite the circumstance that had happened to them. In fact, if anything, their other parent had been happy Grimsley had more time to lavish on them. Both looked at one another in horror at the thought. This had to be another world. Or Grimsley was really messing with him, but both could tell his expression was too real. “… What?” he questioned, cooking a brow at the twins, “Did they not tell you? Apparently, when I started dating them, I wasn't supposed to keep sleeping around.” Nero had to be physically held back. Though, it did confirm that this was not their world.

♧ Before the situation could intensify any further, a familiar voice called out their names. Both stood astonished when their father seemingly appeared with you in strange not-quite spacesuits. The other Grimsley took a few steps back when his counterpart removed his helmet. “… Oh, man, you two actually nearly gave me a heart attack,” he seemingly ignored his lookalike to approach the two kids, “You certainly did Nanu. The old man was calling all the shots on your missing investigation. Didn't think he was that attached to you both.” He brought a hand to rest on each of their shoulders. Morrigan soon shoved Nero out of the way to cling to Grimsley. Nero watched as the other one observed how you approached them, too, smiling softly. He should have felt at ease.

♤ “… What a situation,” the other Grimsley remarked, placing a hand on his hip. It was clear that he could comprehend this scene. Yes, he understood Ultra Wormholes thanks to Nanu's badgering about avoiding them, but here stood a testament to something far greater than his understanding. Something inside of him twisted at the sight of the happy family. It was something that he never desire, but he could observe the genuine smile on his counterpart's face. “… Did something happen to your head?” he questioned his alternate self.

♡ That Grimsley managed to escape his daughter's hold. Turning to his counterpart, he tilted his head. “… Nope,” his simple reply was with a shrug, “I fell in love. I simply couldn't resist them, and now I've built myself up something. It's better than any high from a thrill.” He pointed the twins to follow you as he headed away. “When you really want something as yours… It drives you into a special kind of madness.” He bid his counterpart farewell and walked over wrap an arm around his partner's waist.

That Grimsley pondered if he could have ended up like his counterpart.

🌌Cyrus🛰

☄️ Cyllene would admit she was perhaps a little too playful. Even if she was a child, there were certain things she knew better than to do yet still did. Engaging with Palkia was chief among them. The legendary had opened a portal, and she, curious crawled in. Which led to her seemingly being atop Mt Coronet. She was lost as to what had happened, but simply assumed that Palkia had created a portal to the top of the mountain. She opted against thinking too much on it, as nothing was immediately odd or uncommon. That was until she found herself riding the train back towards Veilstone. Most people glanced at her strangely. It made her a bit nervous, but she otherwise made her home trip as normal.

☄️ The glances in Veilstone were far more intense as she was spotted by some Galactic grunts. She tilted her head at their reaction. They gazed at her like some unexpected oddity. She ignored them and simply made her way to apartment her family resided in. It was only as she approached the door that she realised she did not have her key. Nervously, she brought her tiny fist to knock against the door. It was quiet for far too long until the speaker beside the door beeped on. “… Are you lost?” It was unmistakably the voice of her father, “There is a police box just a few buildings down. They can help out find your parents.” Cyllene stood stunned. Her eyes went wide, and her heart raced in her chest. Her father was not one for such jokes. Tears burned her eyes.

☄️ “… F-Father…?” her voice was small. The PA system was quiet for but a moment. Then a reply. A simple questioning, “Pardon?” Cyllene moved closer to the speaker, knowing it doubled as a camera. “… Dad…” she begged, “Please…. please don't tease me…” She felt like crying. More silence followed before the door clicked open to reveal the man who was no doubt her father. He was wearing more casual clothing and his hair was unstyled, but it was him. She clung to his legs and felt herself begin to cry. Why was he being mean to her?

☄️ This Cyrus stood stunned, however, at this little girl who stood outside his home. He was no fool. The resemblance was plain as day. This child was a relative of his, if not directly related to him. Some horrible sense of empathy burned in his hardened heart as she wept. Instinct got the better of him as he knelt down and rested a hand on her back. Her reactions… They reminded him of someone. He swallowed. Judging by her age… It was not illogical to assume a possibility that she was… He sighed. “There, there…” his voice was soft, “… Are you claiming that you are my daughter?”

☄️ Cyllene nodded. She could not fathom her own father not recognising her. Had he attempted to mess with the Lake Guardians once again? Her panic led to her gripping his arms tightly. “Father…” she mumbled. His eyes went wide. Another question came from him. A question about her whole parentage. Cyllene blinked at this one. “… My other parent is…” A familiar name left her. Cyrus was frozen by her words. His theory… It was correct. How could this be? The question was about to leave him before he finally motioned her in the apartment.

☄️ Cyllene was further shocked at the state of it. There was no trace of family home she had come to know. Nothing of the small projects she had worked on with her father or the bed for Weavile in the living room. It was dark and seemingly mostly unused. Slowly, it finally set in about what had occurred. She felt sick. All she wanted was her Rotom toy or her bed or for her father to sit her in his lap and explain a star map to her. Instead, she was stuck with an alternate reality version of her father. One who clearly did not recognise her. More tears escaped her eyes. This Cyrus seemed to attempt to comfort her again.

☄️ Forcing down her torment, she was faced with a situation. Yet, before she could be given a chance to explain, her father had out his phone and was making a phone call. His tone was reserved, but Cyllene recognised the voice on the other end of the call. A demand was made for them to meet him at once. Seemingly, they relented after a bit of back and forth. Cyrus informed her she would be back with her other parent soon enough. Yet, they needed to have a chat before he handed her back off. Cyllene felt bewildered. There was no time to object when he grasped her hand tugged her along to a certain building in Veilstone. There stood another, waiting with their arms crossed and clear frustration on their face. Though, this was changed when they saw Cyrus approach with Cyllene.

☄️ “Why did you fail to tell me of our child!?” Cyrus's voice was a rare kind of loud and aggressive. Cyllene was startled away from him due to it. Her other parent stood shocked, too. Their eyes went to Cyllene and back to Cyrus. A simple response of not knowing failed to appease the man. The two soon fell into an argument, making Cyllene curl into herself. Panic burned inside her and made her arms feel numb. All she could do was tap to two stones she found on the ground together. It only seemed to grow worse and worse until finally a voice cut through the fighting.

☄️ “Cyllene.” Her head whipped up as tears fell from her eyes. There, approaching from stairs leading up to the Galactic building was another Cyrus. His gaze was firmly on her. Her legs had never moved so quickly. This version of the Galactic Boss caught her and held her tightly to himself. Another person ran up the stair to them. You. Her eyes burned as you brought a hand gently to comb through her hair. The alternate pair of you both came to an abrupt silence.

☄️ “… What is this?” the Cyrus of this world asked. The Cyrus she knew shook his head. “… Pointless to discuss such things. The idea of parallel worlds existing is something that you are no doubt aware of,” was his reply, “It seems we are two versions of the same person who engaged with different choices. Intriguing.” He clutched Cyllene tighter to himself. The other Cyrus nodded. The other you stood shocked at how close you were to your Cyrus. “… I apologise. We will be correcting this error,” with those words, Cyllene was lifted into the air and carried away by her father to a nearby portal.

Somehow, she felt as if those two had been changed by the experience.

🐈‍⬛️Nanu❤️‍🩹

🌑 Ohi'a would admit what he did was dumb. And, without a doubt, would piss off his dad. The geezer probably would be ready to kill him and then himself if he learnt that he got pulled in an Ultra Wormhole. It really had not been his fault. A toddler almost pulled in, and he dumbly rushed over to push them out of the way. He, instead, was sucked in. Yet… Despite all the horror stories of fallers and Miss Anabel's own existence, he did not fell discombobulated nor without his memories. Looking around, in fact, he still just seemed to be in Alola. The same as ever. He shrugged it off and headed back towards the Po Town police station. He needed to discuss whatever happened with his dad even if it was going to be a pain in the ass. He could already feel the hardened glare of the Kahuna piercing his soul.

🌑 He found himself approaching the station, seeing a familiar man and girl outside the door. Both turned to glance at him strangely. Ohi'a cocked up a brow at them. Acerola approached him with a bright smile and asked if he was lost. He was bewildered. Lost? He lived here. His gaze drifted to his dad, who was trying to pretend that he was not there. “… Huh?” he finally spoke, “… It's me. Ohi'a. I live here.” Acerola's head tilted while Nanu's attention finally shifted onto him.

🌑 “… In Alola?” Nanu finally cut in, carefully treading over, “Where, boy? You aren't trying to join Team Skull, are you?” His hands were in his pockets. Those crimson eyes stared into his own matching ones as if attempting to intimidate him. Ohi'a's nose scrunched up. What? He was acting extremely suspicious towards him. Why? Acerola was even treating him like an anomaly, too. It stung more than he would like to admit. Was this some kind of punishment? It was not like his father at all. Nanu could be a bit of a hard ass, but nothing cruel. Something was wrong here.

🌑 “… No. I mean…” Ohi'a trailed off, pondering what to say. The idea of parallel realities was no unknown to him. That one trainer on their island challenge had told him about their travels in the Ultra Wormhole. An alternate reality, far into the future of a destroyed Hau'Oli city. He stiffened up. Bringing his hand to the back of his neck, he sighed. “… Look, I don't think you'll believe me, but I fell through an Ultra Wormhole,” he explained. Nanu tensed up visibly at his words. “Through some struck of luck, I still have my memories,” he met his gaze, “… No idea what's going on in this world, but in mine, you're my old man.”

🌑 Nanu registered his words in an instant. The suspicion towards him somehow seemed to both fall and increase. Shaking his head, a sigh left him. Acerola gasped at Ohi'a's words and looked between Nanu and him. The Kahuna motioned for him to follow him into the police station. He waved Acerola off, too. Both of them sat in the station for a moment in silence. Ohi'a took in that it seemed much more… different from his memories. A single couch for sleeping. Nothing really to survive on. Some take-out and instant ramen about. “… So, can I ask who your other parent is?” he finally broke the silence. Something told Ohi'a that he already had an idea. His reply of a certain name only got a nod. “Figured…” He sighed, “… Am I a happy family man in your world or something?”

🌑 “… Nope,” Ohi'a replied, watching a Meowth approach him and give his hand a sniff. He brought a hand to pet the pokemon. Its soft fur, a familiar comfort. Nanu observed the interaction. “You're exactly the same, but you're married,” he shrugged, “… I guess you get busy with us, though. Tapu Bulu seems quite happy you had a kid.” Nanu scoffed at that. “I need to get back, you know” he continued, “My parents… They'll end up worried. You seem to think I'm more trouble than I'm worth until something happens to me.”

🌑 Nanu glanced at him. “… Are they happy?” he asked seriously. Ohi'a thought on his family for a moment. It was difficult to tell with how tormented Nanu could be, but he knew his father simply enjoyed the peacefulness of being in a loving relationship. You adored Nanu, often being far too affectionate for either of their tastes, but the small smile on his father's lips. You were happy as can be. Despite everything, he felt his family life was healthy. His parents were in a loving relationship, and they both cared for him.

🌑 “… Pretty much,” he nodded, “… What happened here?” He glanced at the alternate version of his father. Nanu shook his head. Ohi'a felt curious. His father always seemed quite attached to his other parent, typically being quite open to whatever they wanted simply to appease them or make them happy. Granted, it was still in his usual lazy fashion, but it was much like a cat putting up with its owner annoying it out of love. “Are you not together?” Another head shake. Ohi'a felt his heart drop. It was already strange enough being in a world where he did not exist, but his parents not being together felt strangely more difficult.

🌑 Before the conversation could grow any deeper, the door to the station opened, revealing three people in strange suits. Ohi'a recognised them as the attire of the Ultra Recon Squad. Stepping in, one removed their helmet to meet the eyes of the other two. Another Nanu. It felt like something out of a bad movie. “… There you are,” he walked to Ohi'a, “… You're more trouble than you're worth, boy.” The boy rolled his eyes in return. The other person revealed themselves to be you as you rushed over to hug him. He groaned at the tightness. The third actually seemed to be one of the Ultra Recon members.

🌑 The other Nanu relaxed as the recon member explained that they had a way to safely return to their original world. Yet, he felt himself staring at the family for far too long. Everything he had rejected because he felt so unworthy stood right in front of him. His counterpart met his eye. “Thanks for watching over him,” he nodded, “I apologise if he caused any problems.” The Kahuna shook his head. As the four departed from the station, he sat alone for a moment in deep thought.

Maybe he should contact them. It probably was not too late.

[yandere-paramour]

How would teenage ata act or do when she saw teenage darling at her boarding school (basically a new transfer student) how would it affect her?

Oh great, now Atalanta the generational yandere has a bunch of confusing new feelings AND her frontal lobe isn't fully developed. She's going to be much worse.

Little Ata starts to get much more grumpy because she doesn't know how to contend with her feelings for you. You both are too young for sex and she knows that, but she wants it sooooo bad, but she knows she can't.

So it becomes her lingering all around you, trying to take responsibility for you. Imagine having this 16-year-old kid, the SAME AGE as you, lecturing you about how you need to eat better and get more sleep, hovering over you while you study and taking your homework to check it, not letting you hang out with friends alone because she should be with you to protect you.

Honestly, this would be so damn annoying, she wants to communicate her interest but it just comes off as being irritating. She would also keep obsessively learning your interests, using her allowance to buy you flowers and chocolates and little things she thinks you would like. She would probably walk up and shove them into your hands and just stare at you, hoping for even a crumb of your attention. And you have to accept the gifts because Atalanta gets upset when you don't, and you can't upset the Montclair heir.

Good luck, kid. You're about to run a similar race as your future father-in-law.

[tomorrowxtogether]

HUENINGKAI: “I learned to love myself thanks to MOA”

TOMORROW X TOGETHER The Star Chapter: SANCTUARY comeback interview

2024.11.13

He cleared out his favorite hoodies and learned how to handle Cubase with ease. While many things keep on changing, some things are forever constant: the music, the group, and MOA. They are the true passions of HUENINGKAI, whose confident tone reassures us of his commitment to forever.

You cleared out some of your hoodies and stuffed toys—what you called your “horcruxes.” HUENINGKAI: Well, the hoodies were way too small for me anyway. (laughs) I wanted to try out some new styles, too, so I cleared them out. I decided I needed to ditch the hoodies first and try something prettier, including buying some knit sweaters. I also felt I could do away with my old stuffed dolls and replaced them with some new fluffier ones. It’s hard the first time you get rid of stuff, but I found it gets easier after that.

You’ve made a lot of big changes in different areas. You’ve been keeping up with your exercise, even throughout the ACT: PROMISE world tour, forming the TXT Exercise Team and regularly taking “TXD” [today’s exercise done] photos. (laughs) HUENINGKAI: I always take TXD shots. I share them in our group chat. I started working out to boost my self-esteem since they say it helps, and it definitely helps keep my mind off things when all you can think about is how tiring it is! (laughs) You can’t help but lose weight if you box. It’s the only thing that makes me sweat as much as performing in concert. There’s someone on staff who’s been doing CrossFit for a long time, so I recently started too. My goal was never to bulk up and get these huge muscles in the first place but to have a slim build with lean muscles, so CrossFit seems like a good fit for me. And MOA, you don’t have to worry—I’m not going to overdo it. (laughs)

A lot of MOA were surprised the way you threw the guitar during the performance of “Growing Pain” on the ACT: PROMISE tour. HUENINGKAI: My image sure underwent a transformation. (laughs) I wanted to show how even someone like me, who’s usually so pure and soft, has some rock star inside him. I looked up different ways of capturing the idea of smashing up the stage. I initially thought about breaking the guitar, but I figured throwing it would be better. That was all I did early on in the tour, but by the time we took it to the US, I experimented a lot, throwing the pick and flipping my bangs back later on. I was happy I got to show off a different side of myself through all that.

You’ve always had a knack for playing instruments and like playing them for fun. How do feel now that your YouTube series HUENINGKAI Wants to Start a Band is over? HUENINGKAI: I love playing instruments and being in a band, so I was thrilled to be able to make it. Just holding an instrument in my hands makes me feel happy, and actually interacting with and jamming with a band felt like a quintessentially youthful experience. The whole thing was fun to shoot. It never felt like work to me. I approached it like I was going to hang out with a school band.

What do you think makes being in a band so uniquely appealing? HUENINGKAI: I think it comes down to the eye contact you make while playing together. I think chemistry’s the most important part of a band, and when you’re looking each other the eye and having a good time together, you feel fully united. I feel like rock has the power to make unforgettable memories for both the band playing and their audience. I heard MOA saying they’re interested in playing in bands now or want to get back into learning an instrument. HUENINGKAI Wants to Start a Band was a huge motivation for me, and it makes me happy thinking it planted the seeds for some great dreams among MOA. I hope they challenge themselves to pursue whatever they want and achieve their goals, whether that’s playing in a band or something else. Just the act of trying something new takes a lot of courage, and if they build up some experience, they can truly enjoy their youth.

What form did that sense of youthfulness take on when you were making the show? HUENINGKAI: It’s the kind of youthful experience you can only experience during your university years, full of excitement, sorrow, and happiness all mixed together. The song “Kitto Zutto” is actually supposed to be about how I felt filming the Yonsei University episode of HUENINGKAI Wants to Start a Band. I seem to remember working on it between filming episodes two and three. I tried to make the chord progression feel both bright and also have a refreshing, youthful vibe. The very first thing I made was the piano track, but it felt a bit bland, so I turned up the BPM and then it sounded great! The funny thing was that I tried to play at that higher BPM but my fingers couldn’t keep up. (laughs) Since it would’ve been a little bland with just the piano, I felt like it’d be nice to have a catchy melody, so I had a guitar riff repeat from the intro onward. That’s the main highlight of “Kitto Zutto.” The drums gradually build up the sound and create a sense of flow.

How do you think it compares to the first song you produced, “Dear Sputnik”? HUENINGKAI: I’ve grown so much since then. When I was working on “Dear Sputnik,” I didn’t know how to use Cubase, but I used it to make the song this time. It was easy and convenient once I got the hang of it and got better as I used it more and more. Actually, for “Dear Sputnik,” I created the basic structure, but I got a lot of help from other people since it was less than two years since I debuted. I really wanted to contribute a greater share after that, and I did contribute significantly more to “Kitto Zutto.” It’s the first on a path of hard work towards being able to make a song I can truly call my own.

When you had just debuted and you were on Section TV, you said, “Ever since I was a trainee, my one goal has been to make and perform songs that can move people.” To what degree have you achieved your goal? HUENINGKAI: With “Dear Sputnik,” 30%—“Kitto Zutto,” 60%. Right from when I was first writing “Kitto Zutto,” I was thinking about how fun it would be to sing it with MOA in concert. Nothing makes me feel more fulfilled than when I see MOA enjoying a song I produced. When I performed those songs in concert, I went around in front of the audience on the moving stage and could see MOA up close and personal. They all looked so happy. I’m glad I made these songs that MOA can really get into singing along with and that we can touch their hearts with. I think singing them together gives them their final touches. I want to keep making and performing songs that everyone will love and can make them feel happy when they listen to them.

In many ways, the past year has been an excellent showcase of how you’ve grown musically. You really got people talking when you were on Lee Mujin Service and when you performed “BETELGEUSE” on the Nippon TV show THE MUSIC DAY. HUENINGKAI: I got lots of messages from people I know. (laughs) It’s the first time so many people have reached out to me like that. I was grateful but there was something indescribable about it because I feel like I’m still in the process of finding my own voice. I’ve tried singing with something more like rock vocals, and even though I don’t have difficulty hitting high notes, I’ve been thinking carefully about how to make them sound even better. I’d like to find vocals that are a little more unique to me. Obviously being a good singer is important, but I feel like sometimes that individuality is even more important.

You’ve always been a kind person, but you seem pretty strict with yourself. HUENINGKAI: Only when I feel like I’ve perfected a skill can I say that I’ve truly made it mine. I’m sort of a worrier so I practice on my own outside normal rehearsal time. Our new single “Over The Moon” is hard. (laughs) My feeling is, if you want to dance well during live shows, it starts with singing perfectly before you ever even stand up. And when I’m performing onstage, I just think, Just do it like we practiced. I might just end up making mistakes if I try to go beyond that.

I guess “Over The Moon” would’ve been hard since it’s more about making it feel romantic than unfolding a clear sense of progression. HUENINGKAI: It’s not a sad song, but it doesn’t exactly feel cheerful either, so I was aiming for a kind of longing middle ground. I start out singing softly to MOA, almost like a whisper, then add in a touch more of that longing in the chorus. I see “Over The Moon” as me removing the gravelly vocals from “0X1=LOVESONG (I Know I Love You)” featuring Seori and keeping it light.

When watching “Over The Moon,” it reminded me of “9 and Three Quarters (Run Away).” HUENINGKAI: Exactly! It’s got the same ear-tapping move on the line “whisper me my name” as in “9 and Three Quarters (Run Away),” so I ended up watching our old performances for the first time in a while. My image back with “9 and Three Quarters (Run Away)” was meant to evoke the excitement of school days, while in “Over The Moon,” I tried to convey something a little more mature, like a university student.

You also came across as mature the way you led the older members in the 144th episode of TO DO X TXT, “Abandoned Stars,” even though you’re the youngest in the group. HUENINGKAI: That’s probably the most they’ve ever needed me. (laughs) It was scary at first, but I helped them because I felt like they wouldn’t even be able to go in if it weren’t for me. And anyway, it was less scary the second time around. I guess it’s because I’m a levelheaded person. They were clinging to me so desperately I thought my clothes would come off. (laughs) That was a first. But on the inside I was actually kind of glad and thinking about how much they need me.

You also paid YEONJUN a visit when he was shooting the music video for “GGUM.” HUENINGKAI: YEONJUN was the first one of us to do a solo project, and since I wanted to show my support and express my gratitude anyway, I brought some dakgangjeong we could eat together. (laughs) But most of all, I really wanted to learn from him. The stage presence he had as he sang from start to finish all by himself, and watching how naturally he ad-libbed towards the end, was all pretty amazing. (laughs) His solo was a good experience for us, too.

You’ve always emphasized in interviews how you want to be dependable for the rest of the group. What does trustworthiness mean to you? HUENINGKAI: Teamwork. The greater the trust between us, the stronger our group becomes. As a member of a kind of team, it’s always my hope that the other members can continuously rely on me. That’s what being a team is, after all.

And honesty is crucial for mutual trust, of course. In an interview with W Korea, when asked what it takes for a group to last a long time, you said, “Teamwork. Being open with each other about feelings.” HUENINGKAI: I actually never used to talk much about my feelings. I thought things would just work out over time, but now I talk things over with the people I’m close to, like the other members, my family, and the protocol team, no matter what it is. I really listen to their feedback, too. It just feels better that way. But it’s not at all easy to open up about what you’re feeling inside, of course. You can never just be like that from day one. So I just started slowly, and now I’m more open than I was last year.

You posted a letter on weverse for the fifth anniversary of your debut, and in it you talked about how you’ve always been careful to hide your feelings away because you didn’t like to talk about them. What made you decide to open up to MOA? HUENINGKAI: I never wanted to let MOA know when I was having a hard time. I always wanted to show them the good sides only. But the longer we were together, the closer we became, and I realized that also talking about those things was the right way to further develop the relationship. That’s why I was honest and open in what I wrote on weverse on March 4. I resolved to be more honest and open from then on.

It takes a lot of courage to be open like that. How did you find it in you to find the courage? HUENINGKAI: It’s all thanks to MOA’s love. Every time MOA opens up through their fan letters or in person, I can sense their love. The phrase, “my youth is TOMORROW X TOGETHER,” is beautiful, and hearing, “I’ll love you completely for who you are, no matter what—I love you so much,” absolutely fills me with strength. All these people around me were showing me love, but I felt like I didn’t love myself. I learned to love myself thanks to MOA.

It’s clear that you have an immense amount of love toward MOA, too, like when you said, “It may have been hard doing what it took to debut, but I could do it all again 100 times if it meant I could be with MOA.” HUENINGKAI: I wanted to show them just how much I love them. There were a lot of times I felt like giving up before I debuted, but MOA helped me forget all about it. I know what it means to find happiness as an idol thanks to them. I think MOA is what’s made TOMORROW X TOGETHER whole.

[geekgirl101]

More 8x06 thoughts. Still processing

I've been trying to express my feelings about 8x06 on paper, and there's still so much swirling in my head. So apologies if this is too long and ranty.

The GA isn't happy for a lot of reasons. One was that Tommy did fit with the 118, he was friends with Eddie and Chim. Two: they were happy Buck was in a relationship, and it seemed like (at least in season 7) that he was finally off the hamster wheel. And they like Eddie and Buck's friendship and don't want to see them together. After all the BS takes I've seen from you-know-whos, I can't say I disagree at all.

It's like neither Buck nor the writers have learned anything from past love interests. Tommy is the one with the most potential because of how well he fits, and he clearly has a lot of abandonment issues. Hey, so does Buck. That could have been a great point to explore.

I don't think Buck needs to sleep around to explore himself. But I do think Buck never fully processed anything.

It's wild that Buck and Tommy dated for six months and NEVER had any real conversations about exes? Tommy does strike me as the kind of person who keeps people at arm's length, who maybe doesn't say much about his past unless he has to. He could have also held back because he was letting Buck set the pace. I know Tommy isn't a main character. But they could have done so much more with this and with him. Hopefully its not the end.

The show also did nothing to show Buck's growth in a relationship, aside from the fact that he kissed a boy and liked it.

8x01 showed us that Buck was competent, professional, and mature, and stupidly I was hoping that would extend to his relationship too.

I think Buck has to figure out what he wants out of a relationship, I hope we see more of Buck talking to Josh or Hen and then he and Tommy work on making a relationship that's lasting, honest, and full of love (if we're grudging up Abby, we can continue the red string here and make that nod too)

What also bothers me is they took 3 episodes to build Buck and Tommy and show us that they have chemistry and that Tommy shows up for Buck, they had two more moments where it was clear they were getting to know each other and were solid in season 7.

And then it took them 1 episode to tear it all down without ever showing Buck showing up for Tommy. They were supposed to be getting to know each other. But six months in, it's like they didn't even know each other at all... or actually. It's like Buck didn't know Tommy at all.

I find it frustrating that we got to see so little of them, and most of it was Tommy doing things for Buck, showing up for Buck, complementing Buck, and taking care of Buck. A relationship has to be a two-way street. You show up for me, I show up for you.

And I'm glad Tommy showed up for Buck. Buck deserves love. But so does Tommy. Tommy was clearly looking for love, IDk if he was looking for a family or anything long term. Maybe he was dealing with a bad breakup and Buck was adorable, and he thought, maybe this could be a thing for now, but he ended up falling for him, clearly, and panicked. But I think on some level he was looking for someone to show up for him too, even when things got hard. And maybe this is foreshadowing. I hope it is. But I refuse to get my hopes up about it, or about Buck's love life ever again.