#Hope it all makes sense

[buglaur]

sims character page code

hii, ages ago i made a simple but customisable character page to try and get the hang of html and css, so i thought i'd release it. all of the instructions are within the code! the code will look like the first pic when you put it in your page but you can play around with it to get different looks. i tried to make it as beginner friendly as possible so even if you have no code knowledge you should be able to follow it :) but if not, don't hesitate to send me an ask!

preview | download code

[mickeym4ndy]

With all due respect (and I really hope you don’t take this as an attack because it’s genuinely not meant to be one) do you think Ian loves Mickey at all? I know what he did in S6 was shitty but sometimes I think we have to keep in mind that things were written the way they were because the writers were trying to erase Mickey and Gallavich from the narrative at the time. Obviously, you can think however you want but saying Ian never thought about Mickey or that he never would have visited him if he didn’t have a selfish incentive just seems like a bad faith reading of the situation (to me)

Of course I think Ian loves Mickey!

I think maybe you misunderstood what I meant when I said I didn’t think Ian thought about Mickey and the incentive to visit him. I probably didn’t word it very well. Also, this is really just my opinion. I’m not saying it’s exactly what the case was.

I don’t mean that he stopped caring and therefore Mickey never crossed his mind, I mean that Ian was desperate to move on from (and forget about imo) everything that had happened in that time in his life (rightfully so). And Mickey was a huge part of that. In my opinion, it began that he just didn’t want to burden Mickey and he felt guilty for everything that happened between them. He was also really struggling mentally.

When his MH improved he felt guilty about leaving Mickey in jail. Every time he thought about it he felt terrible - for Mickey, for how he ended it, for what he put him through (I’m not saying he should, but he probably did feel that way). It was probably really hard for Ian to think about Mickey and remember anything but the bad times for a long time. And that was hard for Ian to deal with.

Ian’s an avoidant guy. He runs from things he doesn’t want to deal with/ think about. This was hard for Ian. He felt bad every time he thought about it so he threw himself into moving on. What I mean is, he pushed his feelings and thoughts about Mickey down deep. When Mickey crossed his mind (which Ian did say happened a lot) he did everything he could to stop it. His feelings didn’t go away at all, but he absolutely suppressed them.

It’s the main reason that once Ian sees Mickey in season 7, he quite literally can’t resist him. That’s what I mean by “out of sight, out of mind.” It wasn’t that he didn’t care, but it was easier for Ian to push thoughts of Mickey away. Mickey was gone! Ian had a new job, friends, boyfriends, family stuff. Plenty to keep him distracted. (Mickey didn’t have that, he had nothing to do but to think about Ian).

But once Ian sees him, everything he’s suppressed about Mickey comes rushing back. He can’t ignore it anymore or distract himself anymore. Literally one sniff (lol) of Mickey and the guy is a goner, ready to do whatever he can to be near the guy (if even for a while). He knows he can’t go with Mickey to Mexico, but he knows he loves him. It’s why he’s so happy to see him in prison.

That’s also what I mean by that Ian would probably continue to bury his feelings if Mickey hadn’t escaped. And wouldn’t have visited him. By incentive, I don’t mean Ian would have to get something out of it (tho I don’t think is completely unlikely tbh). I just mean something would have happened that causes Ian to be unable to bury his feelings anymore.

(One of the reasons why I love fics where Mickey gets out of prison after 8 years is cos u often see this dynamic of Mickey who had done nothing but think about Ian for years and had finally made some peace with the fact that they weren’t together, and Ian who had convinced himself he’d moved on and was okay but realises after being around Mickey like twice that he definitely hasn’t.)

Secondly, the fact that the writers were trying to erase Mickey and gallavich is why I think this. The writers wanted Ian not to think about Mickey. So when they wrote it, they wrote him not caring. In hindsight, we can analyze and theorise about the times Ian might have thought about Mickey. But the reality is, that isn’t what the writers wanted to portray. I think headcanons and theories are great and help us make sense of a poorly written show. But I think it’s important to remember that that’s what they are - headcanons, not canon. For example, I’m in total agreement with the headcanon that Mickey was one of the reasons that Ian was so passionate about the Gay Jesus stuff. But, I think it’s important to remember that the writers did not write it that way. They had no intentions to have Mickey be part of anything more at all.

So yea, I don’t think Ian stopped caring or loving Mickey or that he never thought about him. I think he loved him so much that it was extremely hard for him to think about him, so he tried really hard not to. I think there’s great theories and analysis and headcanons that look into why Ian acted how he did. But knowing that the writers weren’t thinking about Mickey at all, I don’t really buy into all the theories that everything Ian did in seasons 6-9 somehow connected to how much he loved/ missed Mickey. Some things Mickey just wasn’t a part of. (Example - I don’t think Ian’s “I miss Mickey” to Mandy is as deep as some other people do. If you do that’s fine! Think what you want. It’s just my opinion).

The show became a bit of a mess. So theories and headcanons are how you get through and make sense of it. But you can disagree or agree with them. This is just my theory :)

Anyway, that’s basically what I think lol, just my opinion, so hope that cleared that up. Thanks for asking, I enjoy things like this :)

[unknownbard]

Chapter 4 - Supercorp Vampyr AU

The one where Kara wears a very colorful Hawaiian shirt with a hibiscus print.

[mysteriouspresence]

a comparison of themes

a brief comparison of the shared/juxtaposed themes between the works "the stranger" by albert camus, "no longer human" by osamu dazai, and "notes from the underground" by fyodor dostoevsky (will try to keep this spoiler-free as possible!)

opening notes: themes: alienation, apathy and envy, misanthropy and understanding others, pride versus conformity main characters meursault from "the stranger" yozo from "no longer human" underground man from "notes from the underground" premise meursault is a man who lives in french algeria. his initial characterization is established when his mother dies, and he doesn't care much. later on, he happens to commit a crime, and we are shown his detached nature throughout the legal/penal process yozo deems himself "disqualified as a human being" while examining his life; he finds himself unable to understand other people and is frightened by their strange emotions and behaviors while he spirals in and out of addiction and depression the underground man is a spiteful loner who drives away the people around him and favors his own fantasies over his real life; he chooses to indulge in his romanticized, emotionally charged perspective, which in turn causes him more pain

alienation: -- all three main characters are shown to be outcasts, unable to participate "properly" in society. in a narrative sense, all three end up "punished" by society for being different (either literally or as they perceive) -- all three characters try to form romantic relationships, only to be thwarted at some point (note: meursault was arguably most successful). in each case, their prospective partners were interested, only to leave them under circumstances that all arguablely stemmed from the protagonist's actions.

apathy: -- meursault is apathetic towards his uncaring nature in-of-itself. he is not bothered by his apparent loneliness and callousness, nor how other people perceive him. in fact, he barely sees himself as different, unlike our other two protagonists -- meanwhile, the underground man tries hard to appear "cool" and unaffected by what he sees as slights upon his honor, but he ends up raging anyway; he envies the status, wealth, and social connections that other people have and emulates those in his fantasies -- on the other hand, yozo is painfully affected by everything around him and overthinks every action both he and other people make. he determines himself as thoroughly unable to be human

misanthropy and understanding others: -- the underground man and yozo find themselves disturbed and perplexed by other's actions. both distrust others, believing society to be maliciously out to get them. they're ultimately hindered by this self-consciousness. -- yozo tried hard to "fit in" to the expectations around him, only to deviate more as he cracked under pressure -- the underground man tried a few times to be sociable but ultimately gave up and declared himself a member of the "underground", retreating into his own world -- opposing this is meursault, who is seen as the frightening, perplexing being by other people due to his apparent lack of emotion by the end of the book. however, before the climatic incident of the novel, he was seen as an ordinary, albeit bland, man who just goes through his life. he never tried "too hard" to fit in, even though through his narration, we can tell that he was already apathetic, to begin with. the incident merely called everyone's attention to him

pride versus conformity: -- ultimately, all three men chose pride, consciously or not. they refused (or were not able) to become molded to society's standards, and all chose the "wrong" path in the end, even though they tried to live "normally" at some point -- they stayed true to their nature (as outlined above) to the end of their respective novels. each novel resolved with a respective resignation/acceptance of their fates

[bumblebee-cuttiefish]

You know what.. I have a feeling I have to get this out of my chest before big announcements (renewal as I belive it should or the other word that should not be named). I really think this show and especially show runners got us a big deal. First season was exceptional not even gonna talk about this one. Like everything that was said and done and.. Like I literally have no words because I remember when I first decided to give warrior nun s1 a chance (don't get me wrong but the title.. It sounds so freaking funny, dumb, interesting and unbelievable at the same time😅.. For someone who has no idea) I fell in love with it.. So much..with every aspect of the series

It was my comfort show since the first time I watched it, and I belive it will be after whatever news we get in the next weeks.. Just the concept of the show, characters, the way it was filmed, scenes, aesthetic, cinematography, action! EvERYTHING is so great it hurts

Anyway to the point (getting sentimental here sorry)

In s2 they gave us everything they could (whole team of WN) and I mean it, if you watched season 2 you know what I'm talking about. Not just the facts (the fanfic tropes, amazing moments, fight scenes, real characters - which none of them were forced-everything feels so natural! Like backstories? None of them was like straight forward.. Like this character is like this because this and this happened in their life, no. They gave us space, entire warrior nun team gave us space(our own fictional world we can create) to only imagine what happened in-between. I cannot appreciate and thank them enough.

To the point again.. Even if (I pray to God/Netflix for not doing this to us) we.. I don't want to say it.. If the end of the season two is all we get.. We have so much space, by we I mean fans, writers, artists and so on.. To make the most of it (hyperbole) I think in the way the writers team prepared for it-for us as well. The hell! Simon even fought for the after credit scene because he could not let the fans hanging in the unknown. So they've tried to make the best they could.

So with this statement (which is propoably the longest I've ever made) I beg you not to compare avatrice with clexa because trust me I've been there when it happened and it's not the same. Not the Bury your gays trope nor the love story. (not bubbling here. I'm still carrying this fucking pain with me).

With this afrer credit scene they gave us hope they gave us so many stories we can carry on with.. even if it's not on screen.

So with this confusing pep talk I want you to carry on- make art, write fanfiction and so on..

Warrior nun team- They gave us all they could and even more

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[chloesimaginationthings]

These clown animatronics in FNAF wild as hell..

[soybean-official]

To me it's like this

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[inkedberries]

i have a headcanon that Yoichi trims AFO's hair because i can't help but compare AFO's nicely trimmed hair to Yoichi's and i thought someone had to have cut AFO's hair for him and it is only logical for me to assume it was Yoichi who did. I think AFO would only trust Yoichi to be so close to him with a sharp object like a pair of scissors lol

I think Yoichi would have also liked cutting his brother's hair at first, because it would make him feel helpful in a way? And I just think even when AFO put him in the vault, AFO would still go there to get his hair trimmed by Yoichi.

and once Yoichi joins the resistance, he offers to do this for Kudo as well.

[sam-violet]

chillin in the hot springs 🌱

+ a closeup

[thetisming]

amatonormativity: a romantic partner should be the most important person in EVERYONE'S life

NOT amatonormativity: MY romantic partner is the most important person in MY life, but i understand this is not the same for other people

allosexnormativity: EVERYONE should have sex and sex is something EVERYONE needs/wants/should want

NOT allosexnormativity: I PERSONALLY enjoy sex and love having sex because it makes ME feel good, but other people dont feel the same and that's okay

platonormativity: having friends is important for EVERYONE and EVERYONE needs/has/should have friends

NOT platonormativity: having friends is important to ME and I PERSONALLY love having friends, but there are people who dont and theres nothing wrong with that

faminormativity (is that the word?): family is important for EVERYONE and EVERYONE needs to have their family

NOT faminormativity: family is important to ME and I PERSONALLY need my family with me, but other people dont feel the same and i understand that

lovenormativity (again, not sure if this is a word): EVERYBODY feels love and there's something wrong wiith you if you dont

NOT lovenormativity: I PERSONALLY feel love and love people, but not everyone does and that's completely okay!

NOT amatonormativity: i dont have friends/have any desire to have friends, i am happy with other relationships/no relationships at all

NOT platonormativity: i dont have any desire to be in a romantic relationships, and i am happy with my platonic relationships

NOT allosexnormativity: i like hooking up with people and having one night stands or friends with benefits

NOT faminormativity: i care about my family deeply and am close with family members

NOT lovenormativity: i feel love for people i care about

it's not normative to personally enjoy something, so long as you respect that other people simply arent like you and aren't going to like the same things as you. taking down normativity is a two way street, allos and aspecs need to do it. support your local aros, aces, apls, afams and other aspecs today! remember to challange all normativities, and to not enforce other normativity by saying how bullshit other normativities are!

nothing is universal. romance is not universal. sex is not universal. friendship is not universal. family is not universal. love is not universal. nothing is universal.

[reasonsforhope]

People ask me sometimes how I'm so confident that we can beat climate change.

There are a lot of reasons, but here's a major one: it would take a really, really long time for Earth to genuinely become uninhabitable for humans.

Humans have, throughout history, carved out a living for themselves in some of the most harsh, uninhabitable corners of the world. The Arctic Circle. The Sahara. The peaks of the Himalayas. The densest, most tropical regions of the Amazon Rainforest. The Australian Outback. etc. etc.

Frankly, if there had been a land bridge to Antarctica, I'm pretty sure we would have been living there for thousands of years, too. And in fact, there are humans living in Antarctica now, albeit not permanently.

And now, we're not even facing down apocalypse, anymore. Here's a 2022 quote from the author of The Uninhabitable Earth, David Wallace-Wells, a leader on climate change and the furthest thing from a climate optimist:

"The most terrifying predictions [have been] made improbable by decarbonization and the most hopeful ones practically foreclosed by tragic delay. The window of possible climate futures is narrowing, and as a result, we are getting a clearer sense of what’s to come: a new world, full of disruption but also billions of people, well past climate normal and yet mercifully short of true climate apocalypse. Over the last several months, I’ve had dozens of conversations — with climate scientists and economists and policymakers, advocates and activists and novelists and philosophers — about that new world and the ways we might conceptualize it. Perhaps the most capacious and galvanizing account is one I heard from Kate Marvel of NASA, a lead chapter author on the fifth National Climate Assessment: “The world will be what we make it.”" -David Wallace-Wells for the New York Times, October 26, 2022

If we can adapt to some of the harshest climates on the planet - if we could adapt to them thousands of years ago, without any hint of modern technology - then I have every faith that we can adjust to the world that is coming.

What matters now is how fast we can change, because there is a wide, wide gap between "climate apocalypse" and "no harm done." We've already passed no harm done; the climate disasters are here, and they've been here. People have died from climate disasters already, especially in the Global South, and that will keep happening.

But as long as we stay alive - as long as we keep each other alive - we will have centuries to fix the effects of climate change, as much as we possibly can.

And looking at how far we've come in the past two decades alone - in the past five years alone - I genuinely think it is inevitable that we will overcome climate change.

So, we're going to survive climate change, as a species.

What matters now is making sure that every possible individual human survives climate change as well.

What matters now is cutting emissions and reinventing the world as quickly as we possibly can.

What matters now is saving every life and livelihood and way of life that we possibly can.

[calmlb]

It’s been clear that the Tanizakis aren’t siblings from the very beginning

here’s some evidence now that it’s been confirmed canon…

everyone who’s read irl Tanizaki’s book knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

BUT just because the Tanizakis aren’t siblings doesn’t mean you can’t feel uncomfortable about them. if you feel uncomfortable, GOOD. that’s exactly what they want

the Tanizakis, Mori— they all use these disturbing ruses to disarm or distract people in order to protect themselves, or to accomplish their goals. this is a writing device that asagiri commonly employs as a way to parallel the irl literature (it’s actually ingenious)

there are 4 main indicators that have always made it clear to me that Junichiro & Naomi are not siblings:

1. most obviously— their character designs. Harukawa is extremely intentional with character designs, & she very intentionally made Naomi & Junichiro look nothing alike

their eye shapes are purposely different

their color palettes are contrasting

even their differing styles of clothing have meaning

this was all done so that the audience could PLAINLY see that they’re not related— so that WE know that they’re lying when they say they ARE related

2. how the people around them respond to their act.

the general reaction is “don’t question it”— which is exactly what they want. “be distracted by how uncomfortable you feel so that you look away from what we’re hiding” (this is likely a protective measure)

3. most importantly, this is meant to parallel irl Tanizaki’s book “Naomi,” where the main character Joji picks up Naomi to raise her into his ideal woman, but since she's so young (& a minor) they call each other cousins (Joji makes no sexual advances on young Naomi btw)

however, his plan backfires because when Naomi gets older & they get married, she flips the script on him & manipulates HIM so that he's under her thumb (which is why bsd Tanizaki is at a domineering Naomi's mercy). Joji let her have her way because of his masochistic tendencies

4. lastly is the emphasis that Asagiri and the Tanizakis themselves put on calling each other siblings.

over & over, it’s “my brother this” & “my sister that”

like they’re desperately trying to convince us that it’s true (“don’t let your lying eyes deceive you”)

here are just a few of many examples from the light novels…

again, if you’ve read “Naomi” you knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

just like if you’ve read irl Mori’s works, it’s clear that bsd Mori isn’t a pedophile

just like if you’ve read No Longer Human you know that Dazai’s an unreliable narrator. he makes you think he’s a bad person bc he believes he’s a bad person, but those around him see him differently (btw this doesn’t mean he’s never done anything “bad,” though bsd isn’t about morality— but that’s another discussion)

anyway, i’m so excited for the Tanizakis backstory to be revealed so that we can better understand why they use this defense!!

also let this be a reminder to READ THE LITERATURE if you’re able to!! even reading synopses & analyses of the coordinating books makes bsd make much more sense 🥹

reminder that this how you’re supposed to react while reading bsd:

also, if you’re interested in a post explaining how Mori isn’t a pedo, i wrote this analysis on twt. OR you can read this document that one of my moots sent me (remember: analyzing a character does NOT mean you condone any actions they may or may not commit!)

[hayzeydayzey]

Barricade Day 2024

"Dawn does not illuminate whom, but that which they left behind."

[zephyrchama]

(obey me!) moments where they fall in love with you all over again

---01

It’s dinner, and you’re talking about mundane things that happened during your day. You saw a cool bird, got some gum stuck on your shoe, and bought a new flavor of toothpaste to try. Everyone is listening intently. If only they would pay this much attention in class.

Lucifer knows the way his brothers look at you all too well. It’s a look full of respect, admiration, and fondness. It’s a look that’s often reflected on his own face when in your presence. At first he never really understood why you put up with his siblings, as the option to ignore them and be on your way was always there. Yet you continue to make time for them anyway. How unusual.

Moments like these where everyone is together and you don’t treat them as the Seven Rulers of Hell, you just treat them as your dear friends and family. That’s what makes Lucifer soft. He tries to imagine a long future of things staying just like this.

---02

Mammon’s hesitant to lend anybody money, even you. It takes a few minutes to butter him up and fluff his ego before he relents. At last, he hands you the crispest bill in his wallet. “Don’t spend it all in one place,” he kids, knowing full well he’d do just that if he was in your shoes.

He’s curious what you plan to buy. It never dawns on him that you have no intention of spending the cash. Half an hour later, he finds it on his desk. The exact same bill, now creased and folded neatly into an origami bird.

He picks it up to wiggle the little paper wings, entranced, then looks around frantically and catches your eye. A playful smile graces your face and tugs at his heartstrings.

---03

Leviathan is not typically one to make mistakes when it comes to anime. But even he’s not perfect.

He had it set in his mind that the new show premiered at 6:00pm, which left plenty of time to prepare the ultimate solo viewing party after school. He was humming quietly to himself when you walked over. “Isn’t your show starting soon?”

You specifically took an interest in his hobbies. You remembered that it started at 16:00 (four o’clock), not 6:00. Leviathan wondered, how could he make such a egregious mistake? You were the one who dashed back to the House of Lamentation at full speed by his side. When your human stamina started failing, he unconsciously picked you up so you’d both make it in time. You made it with two minutes to spare.

Sweaty and out of breath, still in uniform, you were able to watch the premiere together. It wasn’t until after credits rolled, you went elsewhere, and the live reactions on social media started calming down that Levi realized what a big deal this was to him. What a big deal you were to him.

---04

Satan wasn’t expecting you to be spacing out in his favorite armchair. He had plans to read in it that evening, and considered asking you politely to move. But the way the lamp light shines on your skin, the thoughtful expression on your face while pondering ideas unknown. The way your lips part ever so slightly and your eyes gaze off into nothing. It captivates him. You look like a painting. His breath gets caught in his throat, and in clearing it he manages to break your trance.

“Oh, hey. Welcome home, I didn’t realize you were there.”

You go to get out of the chair, but Satan insists you stay. It doesn’t look right without you anymore. He doesn’t feel right without you anymore.

---05

Asmodeus does not have wardrobe malfunctions often. His outfits are of the highest quality and a lot of care goes into putting them on. Still, things happen.

When his fans rush forward out of nowhere, sometimes they are successful in tearing his clothes. A fistful of shirt here, a mouthful of pants-leg there. Being in the center of a lust-fueled stampede can make even the most collected people lose their minds, but you are steadfast. You shout at the rabid demons, shaming them for their disrespect. You believe you can chase them off all on your own, not knowing that the Avatar of Lust behind you is exuding a killer aura and warning his fans to back off with a powerful glare.

As you sloppily stitch up what remains of his shirt so he can walk home without the incident repeating, Asmodeus is smiling from ear to ear. You’re so focused on genuinely helping that you don’t even notice the bedroom eyes he’s flashing. The scene of you waving your arms and trying to chase off a pack of demons as if they were stray pigeons is permanently ingrained in his memory. Just as your existence is ingrained in his soul.

---06

Beelzebub knows what he likes. He knows what will catch his interest and is pleasantly surprised when a new one crops up.

One thing he likes is you. Another is food. Both are in the cafeteria. He piles a tray high with carbs and goes looking for you at lunch time, finding you seated in the middle of a long table at the edge of the room. He calls your name.

It’s unexpected, the way you quickly swing your head up mid-bite. Your cheeks are full and noodles dangle from your mouth, sauce dripping back onto your plate. Your eyes light up as you look at him from below. It makes him stop in his tracks, causing several shorter demons to walk into him. Such a simple action, yet so profound. You hurriedly chew and offer him a seat while Beelzebub powers through his emotions. He takes a seat across from you to offer a napkin, wondering when he’ll see that face again.

---07

It’s late, far past everyone’s bedtime. Yet Belphegor forgot to tell you something during the day and decided now would be a great time. When you don’t respond to the quiet knocks at your door, he lets himself inside. Your sleeping figure looks too comforting to resist and he gets the brilliant idea to crawl into bed with you to whisper in your ear.

The problem is, as soon as he lifts the covers, you fart. It’s loud. You don’t move an inch, remaining fast asleep and ignorant of what just happened.

Belphegor freezes in his tracks to process it, but is soon doubled over on the futon laughing. The vibrations wake you. You sleepily open your eyes to see who is in hysterics and ask the obvious: “what?”

Belphegor is laughing too hard to tell you. He doesn’t want to tell you. It’s too priceless. You groggily smack him with a spare pillow and it makes him laugh harder. While he loves to look at you, that week it becomes difficult for him to meet your eyes without erupting into a fit of giggles.