#His trauma is so underrated

[dysany]

I've had this headcanon for so long, but something about the idea of Will not being able to remember Lee's face is deliciously painful.

They were so close. Will had clung to Lee like a puppy from the first second they saw each other, even before Apollo's sign claimed him. Lee was his protector, his big brother, his idol, his safe haven. It was Lee who introduced him to the camp, who introduced him to the others children of Apollo, taught him how to heal. It was Lee that Will ran to when he had a nightmare or when he felt homesick. It was Lee who taught him to smile despite the stress that demigod life caused. People joked that Lee looked more like his father than his brother, saying how Will was a little shadow clinging to Lee wherever he went.

But it was true. And Will hoped that if he ever got to meet Apollo, his father would be as kind and caring as his brother was.

But then came the war. I can see Lee sacrificing himself to save Will in the midst of all that chaos. Little Will, who was almost crushed by a cyclops, being pushed aside and suddenly losing Lee there, in a matter of seconds. Will would definitely try to heal him, but the only thing he could see was Lee's face covered in blood and with his golden hair covering his eyes.

Since then, Will has not been able to remember his face. He knows that Lee was considered attractive and brilliant, the perfect image of Apollo, but he only remembers the red. His memories are hazy, his favorite brother's face always a mere blur. There's a picture of Lee with some other children of Apollo hanging somewhere, Will can't look at it for long.

Without realizing it, Will has become the spitting image of Lee and has picked up many of his habits. He drinks black coffee even though he doesn't like coffee, always wears his healer's coat, and has the most random and useless things. These little things that Lee did and Will copied without realizing it, becoming a bond with him

The elders in the camp like to point out how much he looks like his brother, but Will can no longer say if that's true..

[gingermintpepper]

Obsessed with the way Evadne's relationship with Apollo is described. Obsessed with the way Apollo was especially gentle with her because she was sheltered, hidden away and hadn't had any sort of experience with love prior to Apollo (and due to it being described as her 'first learning Aphrodite's joy' through Apollo', it was probably her first time even being attracted to someone). Obsessed with the way when she runs away, she stops in a violet patch to give birth. Y'know, violets, very famously the flower so strongly associated with Aphrodite that they were used in love potions? Those violets. Obsessed with the way that when Apollo realised his lover was going to have to deliver their child alone, he sent BOTH the goddess of childbirth and ALL THREE OF THE FATES to help and support her. Obsessed with the way that Apollo sends snakes to feed his baby honey straight from their fangs because Evadne abandons their son out of straight primal fear when her stepfather finds her and how the description of that honey is 'sweet venom' [ἰός] of the bees and is DEFINITELY a poetic pair/pun with [ἴον] aka violets and that every single thing about this relationship, conception and birth is a complete and utter fairytale down to Evadne's insanely overprotective stepfather having an immediate change of heart when he learned Evadne's child was an actual, legitimate Son of Apollo and the babe, after being cared for by his dad's honey-fanged snake buddies, was found perfectly healthy five days later swaddled in a blanket of violets (y'know the flowers so strongly associated with Aphrodite that they were used for lo-) and they called him Iamus aka Boy of the Violets which is AAAAAARRRR I AM GNAWING AT MY ENCLOSURE

Iamus was made of love. Everything about him was surrounded by deep and profound love and like, let's not even talk about his whole Thing of when he came of age and was like "I need to find out what my purpose is" and he literally had a Disney Protagonist moment where he ran out into the wilds and was like "Father!! Grandfather!! Tell me what I'm supposed to doooo!!" and then APOLLO FUCKING ANSWERED AND LED HIM TO ONE HIS TEMPLES ENTIRELY BY TALKING WITH IAMUS AND LETTING HIM FOLLOW HIS VOICE FOR THE WHOLE JOURNEY LIKE -

What do y'all know about the kind of SSS tier romantic escapades Apollo had fr?

[therealjustpeachesback]

my man… my man..

[clarissaweasley-10]

I get the Grayson x Lyra hype but can we show some love to Rohan x Savannah as well?

[pinnedwords]

Give. Dustin. More. Love.

[agrebel18]

ok now for the past few hours I have not stopped thinking about Gus Porter

[lisbonsteresa]

[vibrates at a frequency only dogs and dolphins can hear]

[arcticsilverreblog]

‼️

really fun duo you have there. mind if i add arbitrary roles to their relationship dynamic so i can write one of them as an overprotective caretaker and the other as a naive helpless baby?

[tired-fandom-ndn]

I think Laios' childhood trauma and CANON hatred for humanity is so underrated and unexplored by the fandom. Like this is a man whose entire childhood was defined by the violence aimed at his family and especially his little sister, whose only escape from that was fantasies of violence that placed him in the role of the monster, and yet he had such a tight control over that hate that it took a literal demon to pull it out of him.

Even through the hate and fear, he stayed kind. He helped people. He gave his love freely, even when it wasn't returned. I think that the discovery that many of his "friends" can't stand him and that the world still viciously hates him must've been so horrible, just a repeat of the constant rejection his family faced and a validation of his belief that he would always be an outsider.

[doctorsiren]

If you're up for it, would love to see some Phoenix and Franziska friendship sketches (criminally underrated duo imo they'd be the worsties ever)

Okay I didn’t mean to accidentally come up with a new headcanon but I did. I think Franziska actually grows to care about Phoenix, considering he is her brother’s significant other and her girlfriend’s basically-brother. She gets embarrassed about it though because she has to maintain her Tough Girl Prosecutor look and can’t be showing sympathy for a defense attorney. When he gets disbarred, that wall still remains because she can’t be seen showing sympathy to a *disgraced* ex-defense attorney. However, she still feels like she should do something, so she masks her concern through the concern of the other loved ones. She ends up having movie nights with him (the same way Miles and Maya watch samurai stuff together) and they bond on the more cynical sides of the world, as well as deep down secret loves for musicals and pretty things. He becomes like a big brother for her in a way that Miles never really was because, while growing up, Franziska was often the one comforting Miles through his nightmares and trauma. That’s just one of the reasons why she refers to him as her “little brother”, as well as her just wanting to project herself as more in charge than she actually is. Franziska also develops a soft spot for hugs because she never really had them growing up. Miles isn’t really known to be the one to initiate hugs (although he does enjoy them), while the Wright Family (and this includes Maya) hugs ALL the time. Much like everyone else, Fran finds comfort in Phoenix’s hugs and is able to let her guard down with him (however, she tells him that if he tells *anyone* about this, she will kill him because she still needs to maintain her reputation as Tough and Scary for her career)

[just-two-blokes]

I lied. Put your clothes back on.

We are going to talk about how Harry James Potter is so criminally underrated in his own fandom, how people completely ignore his trauma and his suffering and act like he is a selfish person with anger issues even though he is just a boy who went through too much too young.

We are going to talk about the infamous sentence 'But xy had it so much worse' even though it‘s Harry who we see growing up in a literal cupboard, who got raised up as a pig for slaughter, who always put everyone else above himself, who could have turned out to be the villain but instead he chose love.

[sparkles-rule-4eva]

Guys guys guys so you know how Tails is famous for copying Sonic's poses and stuff, classic little sibling trying to be as cool as older sibling, right

So

LOOK AT LITTLE KIT STRUTTING AROUND LIKE BIG SIS AND HIS LITTLE FACE OF DETERMINATION AND THE POSE AKFKWANENFKDMAKWMFKSMWKFNVLSNEMFKDAODKO

Just saying, it may have started out artificial and toxic, but I've really been loving to see how Surge and Kit's bond has slowly been changing to an actual bond, almost merely because of their shared trauma, and they're the only ones they trust. 🥺 Underrated siblinghood right here.

[dalishious]

Zevran Arainai is an Underrated Delight

There is so much depth to Zevran Arainai’s writing that is often overlooked in favour of either sexually objectifying him or ignoring him altogether… which is kind of ironic, considering that’s how so many people in his life have treated him within universe. And then, of course, there’s the biphobia directed at his character back when Dragon Age: Origins first released. He was a joke in many Gamer Bro circles about how they killed him for flirting with their male protagonist. It’s such a shame, really. Because personally speaking, Zevran is one of my favourite characters in the entire Dragon Age franchise.

Zevran’s introduction to the game immediately sets him apart from every other character who is capable of joining the party. He first appears as an enemy; an assassin hired to kill the Warden by Loghain, the Warden’s political opponent. You immediately have the option to either kill him, or add him to the party roster. Zevran does not initially join the Warden’s cause out of the goodness of his heart; he does it because he knows that the Antivan Crows who essentially own him – which we’ll get to – will kill him for failing to assassinate your character. This really paints his original placement within the group’s dynamics in an interesting light. No one really trusts him; Alistair and Morrigan both outright voice this. Zevran himself believes he is only safe with the Warden so long as he makes himself useful, per how he sells his worthiness to the Warden when trying to convince them to let him join. There’s tension there that really makes getting to know him extra interesting, because before anything else, you need to build trust. So, when he’s finally ready to start revealing parts about his personal history, you the player really get to feel like you’ve earned something special from his character.

Zevran’s mother was Dalish, but fell in love with an elf from the city and left her clan behind. Unfortunately, Zevran’s father was assassinated, leaving her with nothing but his debts to pay. She turned to sex work, until she died giving birth to Zevran, and all that debt fell onto him in turn. Zevran was raised by the sex workers in the brothel his mother worked at, until the age of seven, when the Antivan Crow Guildmaster Talav Arainai bought him for seven sovereigns; one of eighteen children made into “compradi” (recruits) that year. In his training, Zevran was tortured in a variety of ways, and in his own words, “taught to know nothing else but murder”. Of those eighteen, Zevran was one of two who survived the training, the other being a human boy named Taliesen. Then, a woman named Rinnala (“Rinna”) was placed into House Arainai from the Azul Contract that dictated the Crows were to take in unwanted bastard children of the Antivan Crown. For a time being, Zevran, Taliesen, and Rinnala worked well together as a professional and romantic trio. But when Zevran and Taliesen were tricked into believing Rinnala betrayed the Crows in an internal Crow scheme, they killed her. When they learned otherwise, Zevran took it particularly rough, combined with the realization of how little he himself mattered, too.

The trauma that Zevran has experienced is something he often makes jokes about, or speaks detached from. I’ve been called out many times on doing the same thing with my own trauma, and I know it’s a pretty commonplace response in others as well. That makes it feel all the more real; his responses are so authentically relatable. It’s also in a way, I find a little therapeutic to get to comfort a character whose survival mechanism has been to downplay his trauma for so long. The Warden is able to tell Zevran that what he’s been through sounds horrible, and even though Zevran tries to excuse things as not being that bad, you gain significant approval from him, just for showing him sympathy. Sympathy is something he’s severely lacked in his life. For all Zevran jokes about his traumatizing experiences, they clearly left a mark on him. Zevran eventually admits to the Warden that he did not actually anticipate being able to kill them, and that what he really wanted in taking on the job was to die. Again, sorry to get personal here for a moment, but I too have attempted suicide, and honestly I still struggle with ideation sometimes. And yet again I must say that I find something really beautiful in a character like Zevran, who is able to find peace and happiness on the other side of surviving such a thing.

As for Zevran’s romance… oh, Zevran’s romance path is such a delight. He is so multidimensional in that he’s very flirtatious and fun, while also showing genuine vulnerability in time. He admits that his role as a Crow meant he was encouraged to use seduction as a tool. His only experience with a true relationship ended very poorly, with Rinna’s death and a wedge forming between him and Taliesen, who he is eventually forced to kill too in the game. One of my favourite moments in the entire game, is when you invite him to your tent and he says no… and if you accept his consensual rights, that is what changes everything for him and the Warden’s relationship. Zevran feels safe and loved, and he gets to be happy. As of Dragon Age: Inquisition, a romanced Zevran is still at the Warden’s side, too, if they’re alive.

I love Zevran Arainai so much. He truly is an amazingly well done character, and deserves so much more respect and interest than he gets.

*Sourced from in-game dialogue and World of Thedas vol. 2

[ghost-bxrd]

okay so this is an idea I’ve seen brought up maybe once before, but maybe Jason (before the Bats find out who he is) accidentally lets something slip that makes them realize that he’s literally, like, a child (seventeen, sixteen, I’m not sure how old he is at that point exactly, but either works)

and Bruce “adoption addiction” Wayne promptly looks at this obviously traumatized teenager and decides that he should adopt Red Hood.

I just think Jason would be so confused (maybe a little pissed too)

I’ve touched on that a little bit in What you’re longing for (you claim to abhor)!

I think this trope is wayyy underrated. Like, Jason is still so, so young. Basically a child. Even if he died at sixteen and then spent two years with the league (even if we’re counting the time he spent dead as aging). He’s barely even legal when he returns to Gotham. Or if we’re being generous let’s say he’s nineteen.

Doesn’t matter, he’s barely out of his teens (maybe he’s still IN his teens if you bend the timeline of your fic a little) and he’s experienced horrors that would have most people become utterly unable to function. But Jason? That boy takes his trauma and channels it into anger. Which, not exactly healthy, but well.

Anyway, getting off topic:

YES. Jason is still basically a kid when he debuts as the Red Hood, and you know what else he is? A good boy who’s not gonna touch any alcohol until he’s officially 21.

“But why would he do that? He grew up in Crime Alley! Ain’t nobody got time for age limitations!”

Hear me out! Let’s assume he grew up in a household where his father, Willis Todd, drank quite a lot on the regular in addition to his mom’s addiction. Jason experienced the aftermath of this (perhaps domestic violence?) every time his dad returned from a job/jail and he grew to loathe any and all substances, including alcohol. Knowing Jason and his convictions it wouldn’t be too far fetched to assume he’d never touch a single drop of alcohol at all.

So that’s one way he could slip up while taking to his goons (and having the bats overhear) or even straight up talking to one of them where maybe Dick banters a bit and goes “Hey, perhaps you should chill out a bit. Have a drink maybe” and Jason just instinctively goes “Fuck you Dickwing, I’m seventeen/eighteen/nineteen! I’m not allowed to drink!”

And Dick just— bluescreens. And immediately goes to tell Bruce, obviously.

OR

The Bats assume Jason is this old guy (Bruce’s or Drathstroke’s age maybe) and consequently they keep alluding to things that happened way before Jason was ever even born and at first he’s so? Confused??? But eventually it just gets really annoying and eventually he just— snaps.

“How the fuck would I know which Nokia gen hit the market that year? I was born in fuckin’ XXXX, I’m an iPhone kid!”

“Stop referencing the Cold War dipshit, I’m fucking seventeen! I’m glad I remember my own damn birthday!”

“I don’t know, I was like— two back then.”

Bruce, obviously, would take .1 seconds to realize:

“Omg. That’s- that’s a whole child. That’s a whole damn TRAUMATIZED child, killing people and sawing off heads. Omg someone must have hurt him so bad. Don’t worry tho, son, Batman’s got you. You won’t have to hurt anybody ever again. We’re here for you. Would you like the room next to Tim’s or Dick’s?”

Meanwhile Jason: “what the fuck”

[thefirstlioveyou]

i hate when mike's "romantic love" for el is adored and romanticized when it's really the most anxious and unhealthy form of attachment, but his healthy and secure love for will is just seen as platonic

mike with el:

"i'm scared one day you won't need me anymore."

"but what if she doesn't need me anymore?"

"i can't lose you."

"i can't lose you again."

"i don't know how to live without you." (this is devastating.)

given the circumstances mike was put with with el in s1, his statements of love is more of rooted from trauma rather than actual romantic love. he's constantly afraid of losing her the same way he did in the last episode of s1, especially since he blames himself for it for the way he treated her.

he also feels a sense of self worth from the concept of being with a girl - a girl as cool and superhero-like as el that.... but not because it's EL. that's the problem. this sense of worth comes from being NEEDED, and el NEEDED mike to protect her (at the time of s1). THAT'S what he takes interest about their relationship. mike can't even mention one thing he likes about her that isn't about her powers in his monologue. he can't even tell will one thing when he was venting.

even acknowledged by shawn levy, the duffers and finn, mike simply feels a sense of worth when he's helping/saving someone - that's not necessarily romantic because....

and then we have el's side of this. el had fallen into the same pattern as she did in the lab when it comes to needing someone to rely on. she loses her own self-worth when she's with mike, unable to really identify herself. her "romantic love" for mike roots in a very traumatic place. she didn't even consider him in that way before he kissed her. she saw him as a caregiver (and possible family) - this is why she clings so tightly to him, it's reminiscent of her trauma in that sense. but in s3 and s4, she realizes who she is without mike (or feeling controlled by a relationship)

el's whole arc is not needing to rely on someone anymore, which is contradictory to what mike wants. the puzzle pieces aren't fitting with them!!

mike with will:

"max, dustin, lucas - they're great but they're not you."

"i asked if you wanted to be my friends ... it was the best thing i ever did."

"if anyone knows how to defeat this thing, it's will." (mike trusts will even in a dangerous situation, whereas in s3 he's more anxious for el, despite losing them both before. why? because he felt a sense of responsibility for el, not will.)

"if we both go crazy, we'll go crazy together."

"i didn't say it." "you didn't have to."

what he tells will is often more positive, and never putting himself or others down in the process. there's more trust and security.

"but what about s2? wasn't he scared to lose him?" but he never felt loss of control that season. he never held him back from anything and even insisted on things that could've been dangerous, but there was trust. even comparing his monologue in s2 vs s4, there is a sense of calmness and confidence in his words. he doesn't blabber and just keeps his words short and to the point. there isn't dramatic music build up to intensify the scene. it's intimate and genuine, not a performance.

the whole "you didn't have to" part is SOO underrated. it just proves more of what i'm saying! mike is more secure with will and they simply just get one another, whereas mike and el do not!

he also still acknowledges his other friends and how valuable they are to him, while saying will is different to him. (AND this can be backed up, unlike the s4 monologue. we can see throughout the entire show that this is true, will stands out amongst the rest of his friends to him). one of the big problems mike had in s3 was forgetting friendships and his values for the sake of having a girlfriend.

it's also evidently clear how mike acts with el vs will is very different. mike never brings up his interests with el and instead tries to play cool, tries extra hard to be funny and impress her. (pizza box glasses, the horrendous airport fit, "i like- i like presents too," his weird talking/responding patterns with el at the airport/roller rink)

but the actual mike is nerdy. he's part of the av club. he's into science projects. he's into dnd. he's into figures. literally the moment mike tried showing her his figures she did NOT gaf LMAOO (i understand her priorities lied else where but still, it's a showcase of her lack of interest in mike's hobbies). but will knows these things and takes interest in all of them. will KNOWS mike more than el does.. of course he does, they've known each other since they were 5. you're lying to yourself if you believe mike and el know each other more - they don't even know themselves with each other.

and before i end this, i wanna add this one thing:

"but, if mike and el is platonic even if mike was protective, doesn't this mean that s2 byler was platonic too?" the act of caring for someone is what's platonic. there isn't anything necessarily romantic about it, that's true. but byler is more than just what happened in s1 or s2. byler's love doesn't root from their trauma with all that's going on. mike doesn't feel this connection to will because he went missing - it's love that's grown over time even before they encountered the upside down.

byler isn't real because mike cares about will's life. byler is real because mike separates his relationship with will from his friends, his intimate eye contact, his physical contact, his gentleness, his attentive behavior to will's own behavior/absence, him literally thinking meeting will was the best thing he's ever done.

and mike is still needed by someone the way he wants. will needs him, and not for any reasons related to trauma... simply because will sees the good in mike and who he really is as a person and as a whole. mike brings the best out of will and inspires him.

their love starts from simply knowing and getting each other, whereas mike and el's only begins from unhealthy attachment and trauma on either side. THAT'S the difference. it's nothing more than mike needing to save someone.

anyway i just wanted to point out what i noticed between his dialogue w each person! it's very tough seeing what he says to el viewed as peak romance by certain people, watching his trauma being overlooked for the sake another heterosexual romance. but when he showcases actual secure behavior with another person that happens to be a gay character, they're just friends... not gay at all.

[asthedeathoflight]

Underrated detail of the whole trial situation is that in the end Armand DID save Louis. Like I get that we're mad at him because he didn't save Louis when we thought he did, but the fact remains that Armand was totally fine with watching Louis die, and then at some point he changed his mind! Whether it was about Louis or his trauma from being starved by the Children of Darkness, he made a decision somewhere in there. And Armand is allergic to making decisions, so that's worth noting! I really hope we get to hear his side of Paris eventually because I would love to hear what his narrative of that moment is, why his reaction to his murder plot failing was to save his would-be victim and then dedicate the rest of his life to keeping him alive. Did he misjudge Louis' strength? Did hearing Lestat's side make him change his mind? Did watching Claudia die make it all real for him? Was he hedging his bets, or was he sincerely sorry??? I would like to know!!!!