#He wanted to kill her family!

[mollysunder]

What I liked best about Jinx and Sevika's first post-Silco talk was how well it implies why their grief is so pronounced. Every complaint the two lodged at Silco was an admission at how dependent Silco had become on them, how much he LET himself be dependent. Silco didn't NEED to let Jinx give him his eye medicine, he was perfectly capable of doing so in season one's first act. The same could be said about Sevika, because while it wasn't nearly as extreme as with Jinx, he didn't need to give her so much responsibility. Frankly it's dangerous for a kingpin to give their righthand so much power (it's supposed to be spread around), and everyone noticed, even idiots like Finn.

That's why their loss is so pronounced, in all the years they dedicated to Silco, he gave up just as much of himself to them. Silco weakened himself and trusted Sevika and Jinx to make up for it. They filled eachother out, they needed eachother, and without him there's just a hole what they all used to give eachother.

[chloesimaginationthings]

FNAF Circus baby or not, she’s still Michael’s little sister,,

[egophiliac]

have you been keeping up with gavv? because holy hell, i think the beginning arc has been one of the strongest beginnings we've had. so many goddamn emotional moments and crazy good fights

oh Gavv has been excellent so far, I've been enjoying it a lot! :> Shoma's an absolutely delightful protagonist, and the balance between "cute silly candy shenanigans" and "urban fantasy crime noir" is...working surprisingly well, actually?

although it does lead to the show basically having two modes:

[viviandarkbloombartylusversion]

The way I see people say that Silco was just blatantly manipulating Jinx the whole time, but actually he genuinely believed a majority of the things he told her (he was heavily projecting as he saw himself in her as he went through something similar with Vander) when he tells Jinx everyone leaves or betrays us, its just us (or smth like that), he genuinely believes it, he's not just trying to keep Jinx close, he feels it's true after what happened with Vander & Vi and is projecting that onto Jinx, when he tells Jinx to let Powder die its because he also left his old self die, hes definitely not like the young Silco we see in flashbacks, after Vander tried to kill him he clearly changed and put who he was behind him for something new, for something stronger, he's far from perfect (obviously) and wasn't the healthiest option for Jinx but he really wasn't this master manipulator some make him out to be (when it came to Jinx)

[teyrnacousland]

I've seen the headcanon that Lucanis' mother, Caterina's perfect heir, was actually similar to Illario in some ways. That she was calculating, ruthless, ambitious, obedient... all the things Caterina overlooks in Illario because Caterina sees her favourite daughter's deep brown eyes and quiet, controlled demeanor and careful planning in Lucanis.

But I am also attached to the idea that the opposite is true too. That Illario's mother shared similarities with Lucanis; that she was empathetic and stubborn, with a slight rebellious streak. But she was always outgoing and charming, was more impulsive with her emotions, and was always sharper with her tongue than with a sword, so Caterina only sees her in Illario.

I just love the idea that Caterina can't look beyond the surface and see who her grandsons really are because on some level she can't see past the ghosts reflected in their eyes. She can't see that the quiet brown eyed boy is is more of the gentle hearted rebel, and the one with blue eyes and a shining, fake smile is the ruthless leader who would do anything she asked.

[andorerso]

rebelcaptain + the hunger games au

When Jyn Erso was eight years old, her mother died and her father left to become a gamemaker for the Hunger Games. Adopted by Saw Gerrera, her mother's friend, she became Jyn Gerrera and was forbidden from ever revealing her true identity to anyone. Ten years later, it's Jyn's last reaping. Saw, the forgotten victor of the 32nd Hunger Games, had rejected every reward the Empire offered him, preferring to live as a recluse at the edge of the forest in District 12, as opposed to the luxury in the Victors' Village. It's been decades since anyone in the district even recalled that Saw was once a victor himself, but he had made sure to teach Jyn all he knew of self-defense and combat training. It's the only thing she has of him left since his passing two years ago. Now, Jyn just wants to get through her last reaping and survive. But when she hears the name of the young girl she trades with sometimes, Jyn doesn't hesitate to volunteer in her place. She has nothing to lose, except her life, and every reason to believe that with Saw's training, she has a chance at winning the games. A chance that 12-year-old Kerri Andor wouldn't have. Things get a little more complicated when Kerri's brother is picked as the other tribute. Jyn is good at surviving, but Cassian, with his quiet cunning and surprising talent with a bow and arrow, could be a threat. Not to mention that Jyn knows he's the sole provider for his young sister and aging mother; a family who needs him. Who may die without him. Nobody is waiting for Jyn back home. When their mentor's plan to make them seem like star-crossed lovers triples the attention and sponsors they receive, Jyn is forced to play along with the scheme and pretend she has feelings for Cassian. Worst of all? She's not sure where pretending ends and where genuine feelings begin. The gamemakers say they can both go home if they're the last two tributes standing, but Jyn knows better than to believe the pretty promises of the Empire. Soon, she'll have to make a choice. Will she do anything to survive? Or will she let Cassian Andor go home to his family - even at the cost of her own life?

[im-smart-i-swear]

coming back home.

@barrenclan

[kindaorangey]

"are you asking me or making me?" is soooooo interesting to me because i think armand only asks it when he can't gauge whether he's letting louis down. it's barely even sexual - it's a hail mary. it's a show of trust, indirectly admitting that he wants to do something other than what louis expects of him, but that he's willing to obey louis anyway, for the sake of their relationship. it's sort of heartbreaking watching them at the sacré-cœur, because if louis had said "i'm making you" armand would've done it in a heartbeat. he would've taken it as a show of committment on louis' part, and he wouldn't have betrayed him. but louis takes the question just as an expression of disagreement, and so he doesn't play the game. ironically, he respects armand's independence too much to make him turn madeleine if he doesn't want to. and so armand isn't convinced of louis' commitment to him, and he betrays him.

and by the time we see them in san fransisco, louis knows what the question means now, and answers "no, arun, i'm not asking" without question. and armand accepts it without complaint, even as it pains him. companionship really is the most important thing in the world to armand, just like it is for lestat, and he's willing to do any number of horrible things to louis and himself just to keep him as a companion, just like lestat. louis' biggest mistake is not realising how to use that to his advantage sooner.

edit: HELP people are reblogging this again. i misremembered the context of the scene - louis is asking armand to witness the turning, not do it himself. still, if armand had gone along to witness, that would have 100% been taken as implicit permission for louis to turn madeleine (thereby adhering to the first of the great laws) and, in essence, "agreeing" with her turning where before he ordered claudia to drive madeleine out of town. this hypocrisy, and the further bending of the rules for louis' sake (he's given permission to turn a mortal despite neither of them being in the coven), would have been seen by the coven as betrayal. armand knows this; he doesn't think madeleiene should be turned for these reasons; that's why he asks, "are you asking me or making me?"

still. if louis had said "i'm making you" i think armand would've gone along to witness, implicitly giving his permission for madeleine to be turned and functionally changing his allegiance from the coven to louis once and for all. so the core point of the post still stands.

[the-senates-one-fear]

They couldn't let Din keep the darksaber because he would've been every Mandalorian's wet dream

Like can you imagine growing up with these stories of legendary Manda'lors and their warriors

And one day you meant this Mando who's in full unpainted pure Beskar, with a spear to match, a son he's adopted, AND THE DARKSABER??AND HE MET A MYTHOSAUR?? IN THE ANCIENT POOLS??

[deadsetobsessions]

He doesn’t know how they got here, but Jason’s thankful for it. It’s not often that he speaks to Cass, when Jason’s passions are words and righteous murder and Cass’s passions are distinctly not that, but when they do speak, they manage to get along. Somehow.

“So, why don’t you kill?” Jason leans back on the couch, his favorite mug filled with Alfred’s hot chocolate.

Cass is curled against the arm of the sofa. She looks at him, head tilted. Jason knows she’s reading him, but he’s not sure what she’s finding. It’s humbling, and intimidating, to know she sees more than what he allows to show.

“I can see,” she says. “That one time… I killed. I saw. Pain. Fear. Desp- des- not wanting to die.”

“Desperation?”

Cass nods. One of her fingers fiddle with the material of the couch. Jason knows she’s allowing him to see the motion. He knows it’s her silent way of showing him trust.

“There is more. To dying. Like… like they see their lives-They think- remembers. Loves. Their life- regret, love, everything. It goes through-” Cass taps her temple.

“Their lives are flashing through their heads?”

“Yes. Good. Bad. Everything. I see.” Quieter, Cass adds “I know. I know them, then. I killed a life that I know. They love. Everyone, have something they love. I kill, I kill that love.”

“That must suck.”

Cass leans back. She nods, neck releasing their tension and eyes less hunted, more accepting.

“Yes. I don’t want to- I don’t want to be the end.” Cass swivels her shoulders towards him, now. “Why… why do you?”

“Me?” Jason… hasn’t thought about it for a while, nor too deeply. But this is Cass. And her honesty deserves an honest reply. “I kill because some people shouldn’t be left alive to hurt and kill others”

“Not about… Bruce?”

Jason took a sip of his hot chocolate. Cass settled more into the couch, her eyes clear and watchful.

“It used to be,” he admitted. “About him, I mean. It used to be about vengeance. But then I came back to Crime Alley, and then I saw the kids getting hurt instead of being protected. They’re innocent. And then, it wasn’t about Bruce anymore. Killing is just the means to an end now, for me.”

“Do you- not regret?” She makes a gesture at his leg, where on a normal day, his holsters would be.

“I try to make sure I don’t kill people I’d regret, no. Like, you know how sometimes you guys arrest muggers?”

Cass nodded.

“Sometimes,” Jason said, remembering the days of digging through trash for food and the lingering hunger that rumbled through his younger self’s stomach. “They mug people because they’re desperate. I don’t kill those guys. But people deal to kids? Who hurt sex workers? Rapists? They’re doing irreparable harm, with full knowledge of their actions. For profit, mostly. If they’re willing to ruin lives, then they should be ready for their own to be ruined. It’s justice, for people like me.”

Cass studied him. “Justice…?”

“The only kind us Alley kids could ever appreciate. Arresting an abuser, a threat, and having that stick is for the privileged. Having that threat removed completely is relieving.”

“Can’t trust the world to be fair. But death, is fair.”

“Yeah. I think if I saw as much as you do, it’d be harder to do. But I think I’d still kill, because one person’s suffering after a life of being evil is worth the safety of so many others. To know… well, I guess I’m glad I don’t know what that’s like.”

“I see.”

“I know you do,” Jason grins at her. “But not killing is an act of courage too. Even if B makes it seem like it should come instinctually.”

“Yes. He does not connect, with Damian. Does not understand, fully, how hard. To unlearn.”

“Yeah.”

They sit in silence for a while after that, listening to the sounds of their family clambering around in other rooms.

“Hey, Cass?”

Cass turned back to him.

“I would kill David Cain for you.”

He would. It makes the Pit seethe when he thinks about how much David Cain and Lady Shiva hurt Cass for her to get this insanely good at reading people. He hopes she sees the pure honesty and sincerity he feels at that declaration

Cass puts a hand on his shoulder and squeezed once. Twice.

“Okay. Thank you.”

“No objections?”

“… would not feel too bad.”

Jason snorted.

“Yeah. You and me both.”

He doesn’t know how they got here, but he’s thankful for it anyways, because he understands his sister just that much more now.

[tackykachowch]

By the way, did we ever talk about how stupid it is that they made Silco the reason Felicia died? I don't mean that he killed her personally, but that he jumpstarted violence on a peaceful protest. Because that's sooo who Silco is, right? A character who makes impulsive and poorly thought out decisions, right? A character who goes into a fight headstrong without carefully planning his moves and strategy and just YOLO-ing it, right? Right?? ......sigh

And don't even THINK about giving me the whole "wElL hE cHaNgEd SiNcE tHeN dUh" crap. Even s2 is smart enough to show us him writing something in a notebook in a flashback, which implies that he was the brains behind the Lanes' creation/revolution as a whole. And if he was he would never sabotage his own plans with something so stupid as throwing a single molotov at enforcers. Literally who does that???? Silco we know would probably organize an attack under the guise of a peaceful protest, but not just. Straight-up ruining just a regular peaceful protest. That's stupid. And Silco is the last character in arcane that would do something stupid. Literally the whole plot of season 1 relies on him being intelligent and sneaky with his plans are you kidding me.

[writer-room]

Honestly the funniest thing about TDP to me is that Rayla for some reason always thinks Callum isn't 100% ride-or-die with her on any given situation. Seriously, she could decide she's jumping off a cliff and he'd do it too--oh wait.

I get that half of it is 'protecting' him but like. Girl he has been ready to die and kill for you since the first snake chain incident. It has not lightened up since. In fact its gotten worse. She's his special little guy and if anything happens to her he will kill everyone in the room and then himself. She physically cannot ever sacrifice herself for anyone because Callum WILL be following her straight into the afterlife in no less than a minute. I'm fully convinced he can and would go even further than Claudia and he'd barely have to think on it for five seconds before shrugging like "damn this sucks, can't believe I have to turn evil" "you literally don't have to--" "no I'm gonna"

And honestly I think that's peak teenagers first girlfriend behavior.

[turtleblogatlast]

[ cw: death mention / family death mention / ]

Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.

I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.

Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.

[echo-nt]

I know this has already been said and I’m super late, but Mia as the protag of RE8 would have been so good. The contrast between Mia, the Lords, and Mother Miranda would have been absolutely interesting. I'm shoving everything under a read more because damn I have so many thoughts about Mia.

Lady Dimitrescu is a woman that cannibalizes and drinks the blood of her servants and intruders. On top of that, she tortures before preying on them. She does this willingly and very much derives pleasure from doing so. Lady D’s gothic triplets hunt any poor fool that wanders in. It’s a fun family activity for them just as much as it’s for sustenance. 

Do you know what this parallels? The Baker family under Eveline’s control. They patrol the estate and anyone who rejects the “gift” either ends up molded or on the dinner table. This family also partakes in a fucked up version of a family dinner, eating the victims that refused their little girl’s “gift.” 

However, a major difference between the Baker and Dimitrescu family is their willingness to participate in these activities. A family of cannibals; one forced while the other relishes in it. 

Mia is still very traumatized by her three years in the Baker’s estate. Breaking into the castle to find her daughter would force her back. Hello to all the emotions that come with those memories, the ones Mia has been trying to forget. The harder you try to forget something, the more you think about it. What better way to make Mia acknowledge Dulvey, Louisiana than by forcing her into something so similar? 

And while she’s still reeling from remembering her time in captivity, why not push her a bit further down memory lane with House Beneviento? Mia has demonstrated at multiple points in RE7 that she does care about other lives. She lies to Ethan to keep him from getting caught up in her work. She tries to save Alan and crew members of "The Annabelle" (the crew members are a bit more indirect, she mainly focused on Alan) by containing Eveline. After Jack finds her, Mia keeps her distance to keep from infecting them while trying to write a warning. She tries her hardest during RE7 to save Ethan. 

Mia’s hallucinations could center on her guilt. The failure to stop Eveline and the lives ruined as a result. How she was always too late to help anyone. Ethan curing her, a criminal, over Zoe, the person helping him. Leaving Zoe behind in the shattered remains of her home and family. Surviving. Visions of Ethan hinting at his ���condition” could lure her to the manor. A little nudge to the whole “he was mold the entire time” plot twist without fully giving it away. 

Moreau, lacking in self worth and very attached to a woman who doesn’t give him the time a day, yet still he considers her as his mother. Most of his actions are for the attention and validation from his “mother.” No matter what Moreau does, he’ll never have her affection or time. It’s sad, isn’t it? To witness a man try so hard only to be rejected. And isn’t that familiar? Mia once felt compassion for someone with similar traits. 

Remember the little girl who considered you her mother? The one that spent three years waiting for you to love her after you promised? The one you had a hand in killing? What makes you think you could ever be a good mother after what you did? Why are you trying so hard to save Rose when you didn’t even extend the same courtesy to Eveline?

Y’all know how Mia’s past is a mystery? Like why she was working for the Connections and how she was even recruited and all that. Heisenberg would be a great way to explore it. A man taken, forced into becoming something else, and stuck in a family he doesn’t want. Mia can relate. He wants to use her daughter as a weapon. She was willing to let another child be used as a weapon. They’re alike, so surely Mia would be willing to side with him.

But Heisenberg is cocky and Mia isn’t the person she was prior/during 7. Even if she was on board with using Eveline as a weapon to end all wars or whatever bullshit the Connections told her, she’s not willing now. Not after what she’s seen and been through. This section could be Heisenberg goading her through the tvs/intercoms about her past to change her mind with Mia remaining steadfast in her refusal.

And then there’s Mother Miranda. Two mothers trying to get their daughters back through vastly different means. Because of the group photo showing Mia and Miranda with Eveline this encounter can go one of two ways. 

Miranda and Mia know each other and have worked together before. Whether it be on the E-Series Project (with Mia becoming the caretaker and spending copious amounts of time at the lab) or though some other means at work. 

They’ve only briefly met when the Connections were in a hurry to transport Eveline.

Either way, Miranda would compare them. As a mother, Mia must understand what she’s trying to accomplish. Would Mia not do the same as she? Maybe at this point Miranda shows she killed Ethan to demoralize to prevent her from interfering with the ceremony. Tells her she’s too late once again and to give Rose to her because she’ll be the superior mother.

Idk, I guess you could switch to Ethan instead of Chris so he can still have Eveline tell him he’s moldy. But he’s a stubborn man and he forces himself back to weaken Miranda so Mia can kill her. Chris shows up and Ethan does the same thing he did at the end by blowing himself up with Chris forcing Mia (with Rose) on the helicopter. That way the Shadow of Rose DLC can still be about Rose and Ethan. 

TLDR; Mia should have been the protagonist because it would have allowed us to explore her character and background more. It was a missed opportunity especially since so much of RE8 centers around mothers. It would have played out better as closing off the Winters Family saga as well since we could have tied the loose ends that came with Mia’s mysterious past.

[ganondoodle]

Kinda in regards to the Empress & BodyGuard 2-

Is Zaphira (sorry if I spelled her name wrong) an elf or do humans have pointed ears in your universe? If no elves, how do the pointed ears happen? Are there different length of ears and if so do they mean somethin?

Love your art & use of colours!

Thank you! and thank you for asking! (this sketch took me way too long .. and the colors still look washed out on my desktop screen but im not editing a third time ..)

Zaphira is human, there are no elves, as such, in this world, though humans tend to live longer than IRL and have differently shaped ears-

the shapes are rather diverse (example above) and culturally (so far) they have no significance, they are merely a trait just like different nose shapes or fantasy hair colors

the worldbuilding reason is that these are extremely diluted demonic influences- in the past demons were frequently in the human world, though largely in secret/disguised, and long time exposure to demonic presences can have varying effects, the most immediate and common being a longer life or wounds healing faster than normal; there might have been other long time effects but the only trait that stayed even after their disappearance is the ear shapes

(there was a mass extinction event of demons that wiped out all above a certain age, since demons generally dont die of natural causes their life neither depends nor revolves around reproduction so there were extremely few left and those were too young to keep most of their knowledge and culture alive, as they rarely wrote anything down; Shargon is of the current oldest generation and witnessed it happen, just like most now adult demons, Thor and Eadrya are both a bit older than him and thus the oldest living demons, which doesnt mean much considering the technically endless lifespans of them)

and to explain me including Shargon in a human appearance- hes the only demon that spends as much time in the human world as at home, largely to escape the others since they are not interested in going there and would otherwise attack him any chance they get (the human world is rather uncomfortable for demons to be in and they have better things to do than to chase him that far), while hes generally very weak compared to them, something he is very good at is shape shifting, mainly the speed of which, being able to shift between full demon and the smaller more humanoid form extremely quickly, or even mid forms that are a mix of both - even in motion! while for the others it takes them quite a bit and forces them to stop which is the main reason he keeps escaping them not able to keep up with his rapid shape shifting (though it does take its toll .. also a reason hes so skinny)

he is the first (only?) one that at some point will learn how to shift into a much more human looking one (depicted in the sketch) too, but its rather dangerous since it involves supressing and compressing his demon heart and system... which is what keeps demons alive (its somewhat like holding your breath for way too long) so the only time he would make use of it is in extreme situations, like avoiding detection by maschines that can pick up demonic energy or escaping shackles made of celestial silver (which drains their energy and can scar/hurt them permanently, like silver to vampires(?werewolfs?) in a way)

....the point is that if he shifts into a human form he has very long ears, meaning that is basically the extreme form that doesnt occur in humans and hints at the origins for those ear shapes being demonic exposure in the past

[marsconer]

this one has a little kick !!!!