#Harrison Engle

[wowohihiwowo]

Harrison Engle哈里森·安格

With more than 80 films to his credit, Harrison has produced documentaries for nearly every broadcast and cable network. Most often, his films deal with themes of history, biography and the arts. Among his films are THE LOST KENNEDY HOME MOVIES (History), THE INDOMITABLE TEDDY ROOSEVELT (ABC; Emmy Nominee), THEY CAME TO PLAY (PBS), FUTURE FLIGHT (Discovery), OBSESSED WITH VERTIGO (AMC) and the Native American-themed feature film, THE LEGEND OF TWO-PATH. He has created tributes for seven ACADEMY AWARDS telecasts, and co-produced the AFI Life Achievement Awards. He is a past president of the International Documentary Association, and has served on media arts panels for the National Endowment for the Humanities and the Rockefeller Foundation.

好莱坞著名导演、美国国际纪录片协会创会主席、担任7次奥斯卡颁奖晚会导演、参加过35年评审专家工作的好莱坞导演工会资深评委。创作了 80 多部电影，为几乎所有广播和有线电视网络制作了纪录片。他的电影大多涉及历史、传记和艺术主题。他的电影包括《失落的肯尼迪家庭电影》（历史）、《不屈的泰迪·罗斯福》（ABC；艾美奖提名）、《他们来玩》（PBS）、《未来飞行》（探索）、《迷恋迷魂》（AMC）和美洲原住民主题故事片《双路传奇》。美国电影学会终身成就奖并曾在国家人文基金会和洛克菲勒基金会的媒体艺术小组中任职。

[moonwatchuniverse]

R.I.P. Maj General Joe Henry Engle (1932-2024) On July 10, 2024 USAF test pilot & NASA astronaut Maj Gen Joe H. Engle passed away aged 91. Engle earned his pilot wings in 1958 and it was Charles "Chuck" Yeager who recommended Engle for the USAF Test Pilot School and the Aerospace Research Pilot School. Joe Engle was part of the hypersonic X-15 flight research program (16 flights) and flew the rocket aircraft three times above 80 Km earning him USAF astronaut wings. Selected a NASA astronaut in 1966 (group 5), Engle was support member for Apollo 10, backup member for the Apollo 14 and was planned as LMP for Apollo 17 but replaced by geologist Harrison Schmitt. Engle flew on space shuttle orbiters "Columbia (STS-2) and "Discovery (51-L) the first to wear the NASA-issued Omega Speedmaster Alaska III chronogaphs in space. Holder of numerous awards & honors, Joe Engle logged 15500 hours flight time of which 9000 hours in jet aircraft. (Photos: NASA)

[yih]

Barash Silvain and Porter Engle for Star Wars: The High Republic: Chronicles of the Jedi by Cole Horton.

Editor: Harrison Tunggal, AD: Stuart Smith, additional art: Alberto Buscicchio

[clearpaperpersona]

My personal reading challenge this year is 40. I'll keep track of them here.

Infinite Jest by David Foster Wallace

From the River to the Sea: Essays for a Free Palestine by Sai Englert

The Kingdom, the Power, and the Glory by Tim Alberta

The Gods Themselves by Isaac Asimov

Time and Again by Jack Finney

A Scanner Darkly by Philip K. Dick

Traitor to the Living by Philip José Farmer

The Man Who Folded Himself by David Gerrold

Waldo & Magic, Inc. by Robert A. Heinlein

Half Past Human by T. J. Bass

Time Enough for Love by Robert A. Heinlein

The Godwhale by T. J. Bass

Extremely Online by Taylor Lorenz

Roadside Picnic by Arkady Strugatsky and Boris Strugatsky

The Word for World Is Forest by Ursula K. Le Guin

The Great Secret by L. Ron Hubbard

Do the New You by Steven Furtick

The Stainless Steel Rat by Harry Harrison

Fahrenheit 451 by Ray Bradbury

The Jungle by Upton Sinclair

Good Book by Jill Hicks-Keeton

Real People by Roberta J. Chromey

Soul Boom by Rainn Wilson

Burn Book by Kara Swisher

The Communist Manifesto by Karl Marx and Friedrich Engles

The Forever War by Joe Haldeman

The Rebel by Albert Camus

Dopamine Nation by Anna Lembke

Kindred by Octavia E. Butler

10% Happier by Dan Harris

Where'd You Park Your Spaceship by Rob Bell

Where'd You Park Your Spaceship? Book 2: There's Only One Noon Yeah by Rob Bell

Caught In the Wind by L. D. Wenzel

The Cosmic Lens by Michael Doorn & Birgit Viertlblöck

[lorenzlund]

“Manche tragen Taschen bei sich andere entscheiden sich bewusst für Farb- und Baueimer!” Schlecht ausgewählte bunte (und gelbe) Schmetterlingsfarben für den eigenen Häuserinnenanstrich und für außen! Außerdem: Der sogenannte Büro-softie, am Schreibtisch eingeschlafene Beamte (während noch der Dienstausübung) und andere, wie selbst der B��rozombie! (... mit dem stark blässlichem Gesicht aber auch der übrigen Hautfarbe)

Der sogar auch: Sau- oder Baumarkt für den Handwerker oder den ‘Geheimwerker’. (to twerk, an etwas herumreißen- ziehen, The Twerk, engl.)

a Zombie, (Film-)Zombies, siehe Hollywood oder auch an Halloween, wo sie regelmäßig mit sehr schlechtem blassen Äußeren die Leute erschrecken : (with the) Po in/upon some ‘Bi-’(sexual), White folks or people, the so-called White/Whites

Harris & Son. Harrison Ford spielt in ‘Die Unbestechlichen’ mit: ‘Zu was wären sie bereit, bereit zu tun??’ ‘Wenn Sie wirklich sicher sein wollen, keinen faulen Apfel zu kriegen, dann holen Sie ihn nicht im Laden, sondern sich direkt vom Baum herunter!’

Er, Malone, verhört nun auf der Veranda zum Schein, mit dem Rücken hin zum Gefangenen den durch Ness bereits erschossenen Gangster und schießt diesem durch den Kopf, weil dieser nicht antwortet (natürlicherweise nicht antwortet!). Daraufhin bricht der zutiefst eingeschüchterte Gefangene zusammen und ist jetzt endlich bereit, Kronzeuge zu werden.

Capone wird nun doch noch der Steuerhinterziehung angeklagt!

Ihren dritten Mann finden die Unbestechlichen dann in einem (italienischstämmigen) Polizeischüler namens Stone. Er bietet ihm die Aufnahme in die P(r)ohibitionsbehörde an. Stone ließ sich nicht als ‘Kanaken aus Italien’ von ihm beschimpfen. Er reagierte heißblütig. Das gefiel Malone!

“Werden sie einer von uns im Team von Unbestechlichen bei Steuer- u. Finanzbehörden Hamburgs/Berlins. Kommen sie zu uns, werden sie unser neuer Auszubildender! Von Anfang an verdienen sie gut, schon mit dem ersten Monat!!’)

bei ... (anstelle von: als), bei ist gemeint, auch hier wieder!

Harrison Ford gibt oder spielt erstmals sogar den ‘Indiana Jones’ des amerikanischen Films in Hollywood. *in: Jäger verloren(gegangen)er (Männer-)Schätze!

die selbst auch (frz.) Fiancee oder Verlobte (von Männern), steuern, auch jemd., in die richtige Bahn oder Bahnen, Busse und Bahnen, der Bus- u. Zugverkehr

Halloween: Ball & Been!, balls (by males), Bälle gewesene!

Cock ‘n Ball(s). Alte Musikstile.

*Selbst die (weltweit) getragenen Sturmmasken und übergezogenen Sturmhauben von Sonderpolizisten auch bei uns wie deren Einheiten bei Sondereinsätzen erinnern doch dann oft eher wieder an die sexuellen Gewohnheiten auch mancher Privatleute in deren selbstunterhaltenen ‘Folterkellern’ von Privathäusern-, Villen und/oder Studios, auch Sado-Maso-Praktiken genannt oder Keller, wie sie vornehmlich dem Westen bekannt sind! (Was nicht ausschließt, es gibt sie vielleicht hier und da sogar auch anderswo!)

Wer dieser andere dann wohl erneut wieder nur auch gewesen sein kann, besitzt er sie selber nicht oder keine?? Außerdem müssen wir bereits wieder annehmen, sind es genau wieder zwei auch hier! (War selbst also auch Goethe insgeheim kein wirklich guter Mensch und taugte er als Mann dann das Geringste auch nichts? Er war doch lange Zeit selber auch Geheim Bad von oder in Weimar, und sogar ein sehr hoher!)

[soccerstl]

MLS Next St. Louis City 2005 Defeat FC Dallas

MLS Next St. Louis City 2005 Defeat FC Dallas cc @3rdDegreeNet

Aaron Heard, Miguel Perez and Caden Glover celebrate Perez’s goal on October 16, 2021 Opening with a goal in the 3rd minute by Caden Glover, followed by Miguel Perez’s goal in the 20th minute and Jacob Lusignan’s successfull penalty kick in the 45th minute, the St. Louis City 2005 squad opened a four goal lead on FC Dallas before conceding a pair to the visitors late for the final 4-2 result…

[doubleattitude]

JUMP Dance Convention, Denver, CO: RESULTS

High Scores by Age:

JUMPstart Solo

1st: Sylvie-Win Szyndlar-’Rainbow Connection’

2nd: Stella Brinkerhoff-’Fly’

3rd: Sawyer Pegram-’Born to Entertain’

4th: Layla Barnett-’Heaven Is A Place On Earth’

5th: Lincoln Rice-’Call to the Wild’

6th: Rylie Lipps-’Born to be Wild’

7th: Chloe Young-’Baby I’m A Star’

7th: Kamryn Williams-’Rhythm Nation’

8th: Eden Naitaqi-’Tainted Love’

Mini Solo

1st: Carrigan Paylor-’It Is Time’

2nd: Ellary-Day Szyndlar-’Snow’

3rd: Claire Hansen-’By The Roses’

3rd: Kalista Greer-’Yesterday’

4th: Annie Carlson-’Young’

5th: Olivia Chiu-’Acceptance’

6th: Josie Baldino-’Lil Mama’

7th: Kenzee Engle-’Dance Again’

8th: Madison Pilger-’Took the Night’

9th: Alaina Thompson-’Breathe Again’

10th: Ellie Brunson-’Love and War’

Junior Solo

1st: Angelina Elliott-’The Mind’

2nd: Aaliyah Dixon-’Ink, Rhythm and Rules’

3rd: Stella Condie-’Go Away’

4th: Kanon Greer-’Valis’

5th: Vivienne Mitchell-’Metamorphosis’

5th: Tessa Marr-’Stuk’

6th: Kamri Peterson-’Crawl When You Can’t Walk’

7th: Taylor Harrison-’Dawn Chorus’

8th: Abby Honstad-’Veiled’

9th: Tatum Moody-’Quarantine Werk Out’

10th: Blakely Bell-’Lullaby of Woe’

Teen Solo

1st: Lola Iglesias-’Letters from a Traveler’

2nd: Sofia Andrus-’Numb’

3rd: Ayla Rodriguez-’Ping’

4th: Maya Howard-’Telehumo’

5th: Jordan Lassiter-’Joyful Girl’

6th: Ceilidh McSeveney-’Harm Me’

6th: Caitlin Colohan-’Sanidi’

7th: Maliah Howard-’Brain Down’

8th: Emersyn Dickson-’Plans We Made’

9th: Abbey Schmidt-’Letters Make No Meaning’

9th: Devon Stutz-’No End To New Moments’

10th: Macy Murphy-’This City Holds My Heart’

Senior Solo

1st: Mia Maxwell-’Locomotive’

2nd: Madi Autry-’A Face I Used To Know’

3rd: Liesl Brauch-’Grower’

4th: Kyra Aparicio-Acevedo-’A Change Is Gonna Come’

5th: Carter Williams-’20 Years’

5th: Maycee Budge-’Footprints’

5th: Auden Martinez-’Particular Taste’

5th: Erika Marshall-’Power Throw’

6th: Fatu Martin-’Eden’

7th: Kelsey Keenan-’Hidden Myth’

8th: Swan Gerlach-’Work’

9th: Ashley Aldred-’Almost Fell’

10th: Nevin Lockwood-’On Reflection’

10th: Maddie Jeffers-’Punished’

10th: Blythe Thompson-’This Could Be’

JUMPstart Duo/Trio

1st: Miller’s Dance Studio-’Friend Like Me’

2nd: Tabor Dance Academy-’Happy Feet’

3rd: Tabor Dance Academy-’The Days’

Mini Duo/Trio

1st: Summit Dance Shoppe-’Something’s Gotta Change’

2nd: Artistic Fusion Dance Academy-’Can’t Do It Alone’

3rd: Stars Dance Studio-’Stronger’

Junior Duo/Trio

1st: Dance Unlimited-’End of the Line’

2nd: Premier School of Dance-’This Home’

3rd: EVQ Dance Studio-’Atone’

3rd: EVQ Dance Studio-’Lola’

3rd: 307 Dance Academy-’Shimmy Like They Do In Paree’

3rd: Artistic Fusion Dance Academy-’Slow Down’

Teen Duo/Trio

1st: Starstruck Academy of Dance-’We Go Off’

2nd: EVQ Dance Studio-’Dior’

3rd: Elite Dance Academy-’Depth Over Distance’

Senior Duo/Trio

1st: Dance Dimensions-’Godzilla’

2nd: EVQ Dance Studio-’Vroom’

3rd: Starstruck Academy of Dance-’Rome’

JUMPstart Group

1st: Miller’s Dance Studio-’We’re In The Money’

2nd: Miller’s Dance Studio-’Remember Me This Way’

3rd: Miller’s Dance Studio-’Work Me Down’

Mini Group

1st: Artistic Fusion Dance Academy-’Pretend’

2nd: Michelle Latimer Dance Academy-’Dare’

3rd: Artistic Fusion Dance Academy-’Juice’

Junior Group

1st: Michelle Latimer Dance Academy-’Ice Age’

2nd: Artistic Fusion Dance Academy-’Blind Dance’

3rd: Michelle Latimer Dance Academy-’Tambourine’

Teen Group

1st: Michelle Latimer Dance Academy-’Groundworks’

1st: Michelle Latimer Dance Academy-’In Another Life’

2nd: Michelle Latimer Dance Academy-’an ending, a beginning’

2nd: Michelle Latimer Dance Academy-’Life Within’

3rd: Michelle Latimer Dance Academy-’Our Love’

Senior Group

1st: Artistic Fusion Dance Academy-’Gocce’

1st: Michelle Latimer Dance Academy-’I Never Thought That You Could Be Left In My Chest’

2nd: Michelle Latimer Dance Academy-’All Together Now’

3rd: Michelle Latimer Dance Academy-’Smooth’

Mini Line

1st: Artistic Fusion Dance Academy-’Out of Bounds’

2nd: Michelle Latimer Dance Academy-’Keep Climbing’

3rd: Artistic Fusion Dance Academy-’Sandra Dee’

Junior Line

1st: Michelle Latimer Dance Academy-’Back for More’

2nd: Artistic Fusion Dance Academy-’Attention’

3rd: Michelle Latimer Dance Academy-’Deeper Love’

Teen Line

1st: Michelle Latimer Dance Academy-’Change Will Come’

1st: Michelle Latimer Dance Academy-’The Day It All Crashed’

2nd: Artistic Fusion Dance Academy-’Rewind the Time’

3rd: Michelle Latimer Dance Academy-’Don Quixote’

Senior Line

1st: Michelle Latimer Dance Academy-’Dissolving Tension’

2nd: Artistic Fusion Dance Academy-’Au Revoir’

2nd: Michelle Latimer Dance Academy-’Tainted Love’

3rd: Michelle Latimer Dance Academy-’La Bayadere’

Mini Extended Line

1st: Michelle Latimer Dance Academy-’Sleeping Beauty’

Junior Extended Line

1st: Michelle Latimer Dance Academy-’Divas, Queens and Bees’

2nd: Michelle Latimer Dance Academy-’Ooh Child’

3rd: Michelle Latimer Dance Academy-’Flood of Everything’

Teen Extended Line

1st: Artistic Fusion Dance Academy-’Big Fish’

1st: Michelle Latimer Dance Academy-’Missy’

2nd: EVQ Dance Studio-’Same Squad’

3rd: Michelle Latimer Dance Academy-’Together Again’

Senior Extended Line

1st: Artistic Fusion Dance Academy-’Blue Monday’

2nd: Artistic Fusion Dance Academy-’The Only Shrine I’ve Seen’

3rd: Starstruck Academy of Dance-’Candy Shop’

Junior Production

1st: Michelle Latimer Dance Academy-’Step In Time’

2nd: Michelle Latimer Dance Academy-’Let’s Dance’

Teen Production

1st: Dance Dimensions-’Naive’

1st: EVQ Dance Studio-’Ruff Ryders’

2nd: The Studio-’Seasons’

3rd: EVQ Dance Studio-’Solo Dancing’

High Scores by Performance Division:

JUMPstart Jazz

Miller’s Dance Studio-’Work Me Down’

JUMPstart Tap

Miller’s Dance Studio-’We’re In The Money’

JUMPstart Lyrical

Miller’s Dance Studio-’Remember Me This Way’

Mini Jazz

1st: Artistic Fusion Dance Academy-’Juice’ 2nd: Artistic Fusion Dance Academy-’Sandra Dee’ 3rd: Starstruck Academy of Dance-’Diva Dolls’

Mini Ballet

Michelle Latimer Dance Academy-’Sleeping Beauty’

Mini Hip-Hop

1st: Artistic Fusion Dance Academy-’Out of Bounds’ 2nd: Artistic Fusion Dance Academy-’Money’ 3rd: Starstruck Academy of Dance-’P.W.A’

Mini Tap

1st: Artistic Fusion Dance Academy-’Whip My Hair’ 2nd: Artistic Fusion Dance Academy-’Werk’ 3rd: Starstruck Academy of Dance-’Sing’

Mini Contemporary

1st: Artistic Fusion Dance Academy-’Pretend’ 2nd: Michelle Latimer Dance Academy-’Dare’ 3rd: Artistic Fusion Dance Academy-’Smile’

Mini Lyrical

1st: Michelle Latimer Dance Academy-’Keep Climbing’ 2nd: Artistic Fusion Dance Academy-’I’ll Keep You Safe’ 3rd: EVQ Dance Studio-’Rescue’

Mini Musical Theatre

1st: 307 Dance Academy-’Jazz Hands’ 2nd: Miller’s Dance Studio-’What A Party’

Mini Specialty

Starstruck Academy of Dance-’Overwhelmed’

Junior Jazz

1st: Michelle Latimer Dance Academy-’Tambourine’ 2nd: Artistic Fusion Dance Academy-’Attention’ 3rd: Michelle Latimer Dance Academy-’Deeper Love’

Junior Hip-Hop

1st: Michelle Latimer Dance Academy-’Divas, Queens and Bees’ 2nd: Starstruck Academy of Dance-’Finesse’ 3rd: Michelle Latimer Dance Academy-’Welcome to the Party’

Junior Tap

1st: Artistic Fusion Dance Academy-’Funky Galileo’ 2nd: Dance Dimensions-’Chain Gang’

Junior Contemporary

1st: Artistic Fusion Dance Academy-’Blind Dance’ 2nd: Michelle Latimer Dance Academy-’Rain’ 3rd: Artistic Fusion Dance Academy-’Descent’

Junior Lyrical

1st: Michelle Latimer Dance Academy-’Ooh Child’ 2nd: Michelle Latimer Dance Academy-’Give A Little’ 3rd: Elite Dance Academy-’Don’t Let Me Down’

Junior Musical Theatre

1st: Michelle Latimer Dance Academy-’Step In Time’ 2nd: Elite Dance Academy-’Opening Up’ 3rd: Premier School of Dance-’Not At All In Love’

Junior Specialty

1st: Michelle Latimer Dance Academy-’Ice Age’ 2nd: Michelle Latimer Dance Academy-’Back for More’ 3rd: EVQ Dance Studio-’Energia’

Teen Jazz

1st: Artistic Fusion Dance Academy-’Wavy’ 2nd: Michelle Latimer Dance Academy-’House Arrest’ 3rd: Starstruck Academy of Dance-’Fever’

Teen Ballet

Michelle Latimer Dance Academy-’Don Quixote’

Teen Hip-Hop

1st: Michelle Latimer Dance Academy-’Missy’ 1st: Artistic Fusion Dance Academy-’Big Fish’ 2nd: EVQ Dance Studio-’Same Squad’ 3rd: EVQ Dance Studio-’Ruff Ryders’ 3rd: Starstruck Academy of Dance-’Everyday’

Teen Tap

1st: Artistic Fusion Dance Academy-’Holocene’ 2nd: Michelle Latimer Dance Academy-’Where Is The Love?’ 3rd: Dance Dimensions-’I Like It’

Teen Contemporary

1st: Michelle Latimer Dance Academy-’Change Will Come’ 2nd: Artistic Fusion Dance Academy-’Rewind the Time’ 3rd: Michelle Latimer Dance Academy-’In Another Life’

Teen Lyrical

1st: Elite Dance Academy-’Running’ 2nd: Miller’s Dance Studio-’Half My Mind Ago’ 3rd: Starstruck Academy of Dance-’Final Descent’

Teen Musical Theatre

1st: Michelle Latimer Dance Academy-’The Day It All Crashed’ 2nd: Miller’s Dance Studio-’Newsies’ 3rd: Miller’s Dance Studio-’Walmart’

Teen Ballroom

1st: Artistic Fusion Dance Academy-’Shake That’ 2nd: Elite Dance Academy-’Spice Up Your Life’

Teen Specialty

1st: Michelle Latimer Dance Academy-’Together Again’ 2nd: Michelle Latimer Dance Academy-’Groundworks’ 3rd: Michelle Latimer Dance Academy-’Our Love’

Senior Jazz

1st: Michelle Latimer Dance Academy-’Tainted Love’ 2nd: Artistic Fusion Dance Academy-’Boys’ 3rd: Dance Dimensions-’Don’t Hit My Line’

Senior Hip-Hop

Starstruck Academy of Dance-’Candy Shop’

Senior Tap

Dance Dimensions-’Lose Somebody’

Senior Contemporary

1st: Artistic Fusion Dance Academy-’The Only Shrine I’ve Seen’ 2nd: Michelle Latimer Dance Academy-’Dissolving Tension’ 3rd: Michelle Latimer Dance Academy-’I Never Thought That You Could Be Left In My Chest’ 3rd: Artistic Fusion Dance Academy-’Gocce’

Senior Lyrical

1st: Michelle Latimer Dance Academy-’Float’ 2nd: Starstruck Academy of Dance-’Snowing’ 3rd: Starstruck Academy of Dance-’Still Breathing’

Senior Ballroom

Michelle Latimer Dance Academy-’Smooth’

Senior Specialty

1st: Artistic Fusion Dance Academy-’Blue Monday’

2nd: Michelle Latimer Dance Academy-’All Together Now’

3rd: Artistic Fusion Dance Academy-’Au Revoir’

Senior Ballet

Michelle Latimer Dance Academy-’La Bayadere’

Best of JUMP:

JUMPstart

Miller’s Dance Studio-’We’re In The Money’

Mini

Michelle Latimer Dance Academy-’Sleeping Beauty’

Artistic Fusion Dance Academy-’Pretend’

Starstruck Academy of Dance-’Overwhelmed’

Junior

Starstruck Academy of Dance-’Finesse’

Artistic Fusion Dance Academy-’Blind Dance’

Michelle Latimer Dance Academy-’Ice Age’

Teen

Starstruck Academy of Dance-’Everyday’

Artistic Fusion Dance Academy-’Rewind the Time’

Michelle Latimer Dance Academy-’The Day It All Crashed’

Dance Dimensions-’Naive’

EVQ Dance Studio-’Same Squad’

Senior

Dance Dimensions-’A Pale’

Starstruck Academy of Dance-’Candy Shop’

Michelle Latimer Dance Academy-’Dissolving Tension’

Artistic Fusion Dance Academy-’Blue Monday’

Premier School of Dance-’Body Gold’

Best In Studio:

Elite Dance Academy-’Running’

Premier School of Dance-’Body Gold’

Michelle Latimer Dance Academy-’The Day It All Crashed’

EVQ Dance Studio-’Same Squad’

Tabor Dance Academy-’Jumpin Jive’

Miller’s Dance Studio-’Pressure’

Dance Dimensions-’Naive’

Artistic Fusion Dance Academy-’Blue Monday’

[artisticlegshake]

24SEVEN DENVER RESULTS 2023

JUNIOR SOLOS:

1st Kinsley Oykhman - THE ACADEMY STC!

2nd Zoey Claxton - THE POINTE PAC STC!

3rd Claire Hansen - DANCEOLOGY STC!

4th Ashlynn Puttroff - ARTISTIC FUSION STC!

4th Violet Schwarz - CSPAS STC!

4th Rory Frye - CSPAS STC!

5th Quinn Briscoe - PAVE STC!

5th Patrick Alonzo - SANDRA’S STC!

5th Hadlee Heriford - CSPAS STC!

5th Payton Harrison - CSPAS STC!

5th Katie Grace Dong - NOR CAL STC!

5th Eve’Lynne Hew-Len - CSPAS STC!

6th Lauren Brotherton - ARTISTIC FUSION

6th Kenzee Engle - ARTISTIC FUSION

6th Hadley Rathbun - ARTISTIC FUSION

7th Rayn Christensen - CSPAS

8th Abi Mustard - ARTISTIC FUSION

8th Katie Peters - ABSOLUTE VELOCITY

8th Tatum Roybal - ARTISTIC FUSION

9th Natalia Lira - EN FACE

9th Holland Fraley - THE ACADEMY

10th Marley Dechant - STYLES

10th Sofia Brown - ARTISTIC FUSION

JUNIOR DUO/TRIOS:

1st My Home - EN FACE

2nd Icon - ABSOLUTE VELOCITY

3rd Cooler Than Me - KEMPER

[theawkwardterrier]

greatestheights replied to your post: 2018 book roundup

holy shit. that is incredible tbh what were your faves out of the adult and picture books? i’m sure it’s pretty hard to narrow down, so no worries if that’s too tall an ask!

Not at all! For adult books:

An Absolutely Remarkable Thing by Hank Green 

The Calculating Stars by Mary Robinette Kowal

A Conjuring of Light by V.E. Schwab

Educated by Tara Westover

The Fifth Season by N.K. Jemisin

Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann

Kindred by Octavia E. Butler

The Kiss Quotient by Helen Hoang

The Radium Girls: The Dark Story of America's Shining Women by Kate Moore

Spinning Silver by Naomi Novik 

Textbook by Amy Krouse Rosenthal

I’m also including Bridge of Clay by Markus Zusak and Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad by M.T. Anderson in this category - for different reasons, they each have an adult bent even though they are marketed as YA.

The picture book list is quite a bit longer so it’s going under the cut, but it includes both books that appealed to me aesthetically and those which had narratives or phrasing that I loved:

Ada Twist, Scientist by Andrea Beaty and David Roberts

After the Fall: How Humpty Dumpty Got Back Up Again by Dan Santat

All Different Now: Juneteenth, the First Day of Freedom by Angela Johnson and E.B. Lewis

The Antlered Ship by Dashka Slater, and Eric and Terry Fan

The Bear Ate Your Sandwich by Julia Sarcone-Roach

Big Cat, Little Cat by Elisha Cooper

Blue by Laura Vaccaro Seeger

The Book of Mistakes by Corinna Luyken

The Book Itch: Freedom, Truth & Harlem's Greatest Bookstore by Vaunda Micheaux Nelson and R. Gregory Christie

Crankenstein by Samantha Berger and Dan Santat

The Dark by Lemony Snicket and Jon Klassen

Dear Substitute by Audrey Vernick, Liz Garton Scanlon, and Chris Raschka

A Different Pond by Bao Phi and Thi Bui

Dreamers by Yuyi Morales

Drum Dream Girl: How One Girl's Courage Changed Music by Margarita Engle and Rafael López

Frida Kahlo and Her Animalitos by Monica Brown and John Parra

Game Changers: The Story of Venus and Serena Williams by Lesa Cline-Ransome and James E. Ransome

Goldy Luck and the Three Pandas by Natasha Yim and Grace Zong

A Greyhound, A Groundhog by Emily Jenkins and Chris Appelhans

Here We Are: Notes for Living on Planet Earth by Oliver Jeffers

How to Be an Elephant by Katherine Roy

I Really Want to See You, Grandma by Taro Gomi

I Wish You More by Amy Krouse Rosenthal and Tom Lichtenheld

Ida, Always by Caron Levis and Charles Santoso

Imani's Moon by Janay Brown-Wood and Hazel Mitchell

The Invisible Boy by Trudy Ludwig and Patrice Barton

Life Without Nico by Andrea Maturana and Francisco Javier Olea

Little Leaders: Bold Women in Black History by Vashti Harrison

Love by Matt de la Pena and Loren Long

Lucia the Luchadora by Cynthia Leonor Garza and Alyssa Bermudez 

Malala's Magic Pencil by Malala Yousafzai and Kerascoët

Marilyn's Monster by Michelle Knudsen and Matt Phelan

The Mermaid and the Shoe by K.G. Campbell

Morris Micklewhite and the Tangerine Dress by Christine Baldacchino and Isabelle Malenfant

Mother Bruce by Ryan T. Higgins

Muddy: The Story of Blues Legend Muddy Waters by Michael James Mahin and Evan Turk

My Teacher Is a Monster! (No, I Am Not.) by Peter Brown

Nanette's Baguette by Mo Willems

Night Animals by Gianna Marino

Noodle Magic by Roseanne Thong and Meilo So

Not Quite Narwhal by Jessie Sima

Not So Different: What You Really Want to Ask About Having a Disability by Shane Burcaw and Matt Carr

Number One Sam by Greg Pizzoli

One Day in the Eucalyptus, Eucalyptus Tree by Daniel Bernstrom and Brendan Wenzel

A Perfect Day by Lane Smith

The Pigeon Needs a Bath! by Mo Willems

La Princesa and the Pea by Susan Middleton Elya and Juana Martinez-Neal

The Princess and the Pony by Kate Beaton

The Purloining of Prince Oleomargarine by Mark Twain, and Philip C. and Erin E. Stead

Red: A Crayon's Story by Michael Hall

School's First Day of School by Adam Rex and Christian Robinson

Snappsy the Alligator by Julie Falatko and Tim Miller

Strictly No Elephants by Lisa Mantchev and Taeeun Yoo

This Book Just Ate My Dog! by Richard Byrne

This Is How We Do It: One Day in the Lives of Seven Kids from Around the World by Matt LaMothe

This Is Sadie by Sara O'Leary and Julie Morstad

Those Shoes by Maribeth Boelts and Noah Z. Jones

To the Sea by Cale Atkinson

Unicorn Thinks He's Pretty Great by Bob Shea

We Don't Eat Our Classmates by Ryan T. Higgins

We Found A Hat by Jon Klassen

The Wolf, the Duck, and the Mouse by Mac Barnett and Jon Klassen

Wolfie the Bunny by Ame Dyckman and Zachariah OHora

[mariacallous]

Rishi Sunak steps up to the lectern of doom outside Downing Street, illegitimate, unelected, with no manifesto. The ungovernable party avoided the instant cataclysm of a run on the pound that may have come had Boris Johnson been refenestrated. But that’s the end of the good news, the forecast is bleak.

How Sunak will shape up is anyone’s guess, but he has the advantage of the lowest ever bar if he wants to improve on his two disgraced predecessors. One scar he bears is from that boast to Tunbridge Wells Tories that he had deliberately diverted funds from deprived urban areas to affluent places like theirs. Now we shall see if any concept of levelling up has gone for ever. A budget planned in days will reveal his intent. We know our leaders not by their words but by their budget priorities, and there may end whatever blip of a honeymoon he hopes for.

The country now pays a “moron premium” in higher borrowing costs for the stupidity of a party that chose Liz Truss to trash lenders’ confidence in Britain. Now a “sensible” pair of hands turns the ship into that grim “safe” haven we know so well: the captain and chancellor will crack the whip, batten down the public spending hatches and cut rations and pay. The annual inventory of HMS Britain taken last week by the Institute for Government and the Chartered Institute of Public Finance and Accountancy (CIPFA) found shocking conditions in public services. The chancellor, Jeremy Hunt, warns of “eye-watering” remedies: expect leeches and arsenic.

Everyone talks of “hard choices”. But remember they are choices. This threatened programme of austerity is a political choice, not an economic necessity. Truss crashed the last chance the government had to borrow, which would be the normal Keynesian way to ease an oncoming recession. Now, the straitjacket is no borrowing for day-to-day spending, only for investment. But there’s no better time to be honest with voters who feel the depth of the crisis and blame the governing lunatics who chose tax cuts for the best-off instead of necessary tax rises.

Public services are at breaking point: ambulances are stacked for hours outside A&E while headteachers are warning of huge cuts in their stricken state schools, which are still funded below 2010 rates. The Institute for Fiscal Studies’ green budget graphs show steep falls in each department’s budget with cuts of over a quarter in benefits, housing and local councils. Torsten Bell of the Resolution Foundation warns of the “colossal fall in incomes next year”, with a horrific graph showing the depth of social injustice: those at the bottom lose 15% while top earners lose just 3%. The less you have, the more you stand to lose.

In signing up Sunak, the Tory party will embark on even deeper austerity in search of £40bn in cuts. Voters may not mind that the new prime minister is richer than the King, but it doesn’t help if he ignores starving children when only families living on less than a shocking £7,400 get free school meals. Tory MPs frightened for their seats are cakeists who want fiscal discipline. Yet even they may rebel at any medicine that prescribes cuts to services used by pensioners or adult social care.

Expect little talk of “protecting the most vulnerable” or “compassionate conservatism” from Hunt; he has taken Rupert Harrison, the former chief of staff to George Osborne and architect of austerity, as an adviser. Lest anyone forget, Paul Johnson of the IFS describes that era as “completely unique in history for the scale of spending cuts”. The Institute for Government and the CIPFA say further cuts are impossible. There is nothing left to scrape off the bones of Britain’s derelict public services.

But if you want a sign of how the mood is changing, even among the most orthodox disciplinarians, consider the surprise intervention from Mervyn King, the former governor of the bank of England. He said there’s “a strong case for higher public spending” and that austerity would be more difficult this time round. Back in the day, King praised Osborne’s devastating mid-year axe-swinging in his 2010 budget.

Osborne’s decision to make cuts during a recession led to a deeper recession and slower growth. The UK’s growth has since fallen behind equivalent countries. King seems to have learned from this disaster. Now he tells the BBC it’s “time to front up” and tell the public they need to pay “significantly higher taxes”. No more pretending US tax rates can fund European-style spending, he warns. He’s right – and these facts are best coming from a reformed austerian. King not only backed Brexit but even called for a killer no deal with the EU; now he avoids mentioning Brexit at all. But that gives him all the greater heft in calling for tax rises when the likes of Iain Duncan Smith still mendaciously demand “efficiency savings” that don’t exist.

What’s needed, says the economist Paul Johnson, is a five percentage point rise in income tax, lifting tax rates to 25%, 45% and 50%, which, he tells me, would raise about £50bn. That requires a transparent and honest conversation with the public. He suggests correcting many existing tax absurdities: uncap council tax on high-value properties, for example, which still yield less than the old rates. Or have pensioners pay national insurance on all income, as they are one of the groups least likely to be poor (a quarter of pensioners have £1m in wealth or more).

Labour has its own plans for raising taxes, including windfalls, abolishing the non-dom status that allows people born in another country to pay tax only on their UK income, imposing VAT on private schools and cancelling some of the £175bn blown on tax relief, according to the IFS. Wealth is grossly undertaxed and trillions have been secreted in homes that have multiplied in value which their owners aren’t taxed for.

But the hard truth is that the bulk of tax everywhere comes from VAT, income tax and national insurance contributions. Even with taxes on wealth, there’s no avoiding most earners paying more. Politicians never dare advocate tax rises before an election, but this time there is a groundswell of economists preparing the ground for the public to choose taxes over cuts. Had we taxed more to invest in human and physical capital, as France, Germany or the Netherlands have done for decades, we might be up there with them. Low taxes don’t breed prosperity: thanks to Truss, the public now knows it.

With Sunak now leading the country, we can expect two more years of turmoil: look how even the erstwhile “sensibles” such as Ben Wallace and Alok Sharma backed Johnson. He warns he’ll be back, hovering over these “hard choices” to swoop back for an election if Sunak’s punishments prove lethally unpopular. Labour is now all but certain to win according to most psephologists. Rejecting austerity, it promises to account for every penny raised and spent. Voters need to know these are all choices, not an iron destiny.

[megadavestewart]

WFS 359 - John Gierach REPLAY from 2018 - AK Best, Ed Engle, Thomas McGuane

Show Notes: https://wetflyswing.com/359

Presented By: Zoe Angling Group, Jackson Hole Fly Company, Togens Fly Shop

Sponsors: https://wetflyswing.com/sponsors

John Gierach breaks out an amazing episode in this one as he talks about how he came to become one of the greatest fly fishing writers in the world. We talk about some of his books including the famous, Trout Bum and we also chat about his favorite writers.

We also dig into the hippie movement in the 60s, weed, and death in Colorado Fly Fishing. I'm excited to share a little perspective into the life, times, struggles and stories of the great John Gierach.

Show Notes with John Gierach

12:45 - John Shewey was on in episode 16 and talked about the process of writing and battling resistance.

15:20 - Thomas McGuane said as a writer, your only currency is your readership. My currency is my guests as noted by John in this episode.

17:00 - Tim Rawlins was on the show in episode 27 to talk about Spey Casting.

19:20 - Trout Bum was one of John's first books published. He talks about how he has always just told stories.

21:55 - Roger Angell wrote for the New Yorker and wrote the essay This Old Man - John noted how amazing Roger described the hand pistol in the essay.

27:10 - April Volkey was on the podcast in episode 30

34:00 - Ed Engle and John McPhee are two big mentors for John.

34:20 - Draft No. 4 is a great book that John says everyone should read if you are interested in writing.

33:20 - AK Best was a big mentor who helped John really get started early on. Ak's Fly Box was one of Ak's biggest books.

36:30 - A Fly Rod of Your Own is John's most recent book. John describes a little about his writing style in the podcast.

39:25 - In episode 5 Jim Teeny noted the article on throwing rocks on fish to move steelhead into place. I noted the idea of throwing spoons out to get steelhead into range for the fly fisherman to catch it. John didn't recall what I was talking about but shared another great story.

56:30 - John tells the story of when he thought he was going to die in a plane crash

1:05:30 - A cougar killed a hiker in Oregon and it's the first time ever that happened in Oregon history

1:15:00 - The Joe Rogan Podcast where the CEO of Tesla, Elon Musk, smoked weed on live air. I ask John if he would smoke in our episode today.

1:16:15 - The Beatles came out with the White Album partly due to a change in drug use. I ask John the same question about his writing and whether there were changes before and after.

1:18:05 - The Parachute Hare's Ear and a hares ear soft hackle behind it are his goto flies.

1:18:30 - Mary Alice Monroe tells a great story and a writer he follows along with Jim Harrison and Peter Mathison.

Conclusion with John Gierach

I hope you enjoyed that episode with John Gierach as much as I did. Did you catch the few times that I was completely surprised by John? We went down a few rabbit holes unrelated to fly fishing including weed and the 1960s.

John also covered a bunch of topics related to the 20 great fly fishing books he has written over the years. I could have gone for hours with John on this one but had to respect his time.

Show Notes: https://wetflyswing.com/359

Check out this episode!

[moonwatchuniverse]

50 years ago... Apollo 17 training The Apollo 17 Moonwalkers photographed during training in October 1972. Geologist Harrison Schmitt replaced Joe Engle as LMP because it was the last chance to send a real scientist to the surface of the Moon. During the mission, both Moonwalkers stayed 75 hours on the lunar surface and Apollo 17 commander Eugene Cernan, wore both his NASA-issued Omega Speedmaster chronographs: 105.003-64 (NASA 28) on steel bracelet underneath the space suit and 105.012-66 (NASA 67) on black velcro strapped over the space suit. (Photo: NASA)

[theo900]

IWC "Tom Brady - A Boy From San Mateo" from Rune Milton on Vimeo.

Agency: Scholz & Friends Berlin Managing Director: Robert Krause Group Creative Director: Jörg Waschescio Creatives: Leonardo Valadao, Nathalie Poets, Alannah Stritch International Account Director: Janin Brauer Account Management: Janice Kretschmer FFF: David Voss, Daniel Klessig, Jan Lagowski, Thomas Griesbach Art Buying: Kerstin Mende

Client: IWC Schaffhausen Chief Marketing Officer: Franziska Gsell Creative Director: Christian Knoop Head of Advertising, Media & Digital: Maurice Moitroux Strategic Brand Planner: Tom Scheuring Head of Brand Creation: Nicholas Schmidt Project Manager: Caroline Spoerry Producer: Daniela Berther

Production Company: who’s mcqueen picture, zürich Executive Producer: Clemens Petersson Producer: Niels Kau DOP: Paul Meyers Editor: Adam Nielsen VFX: Copenhagen Visual Effects VFX Supervisors: Alexander Schepelern, Christian Sjostedt & Mikael Balle Color Grading: Mikael Balle Sound Design: Kevin Koch Music: Jonas Larsen Bidding Producer: Karl Sigurdarson Production Coordinator: Debby Caplunik PA: Thomas Smith Post Supervisor Zurich: Robin Scheller Post PA: Adrian Weber

Service Producer Boston: RBFC Producer: Norman Reiss Production Supervisor: Steve Oare Assistant Production Supervisor: Adam Whaley-Tobin 1st AD: Matthew Vose Campbell Camera B Operator: Patrick Kelly 1st AC: Jill Tufts 2nd AC: Felix Giuffrida, Andrea Angell DIT: Len Mazzone BTS: Patrick Ryan Gaffer: Frans Weterrings BB Electric: Phil Darrell Electric: Jesse Goldberg, Harry Pray, John DeSimone Genny Op: Guy Holt Key Grip: Jason Bowen BB Grip: Dave Scranton Dolly Grip: PJ Hand Grip: John Mcneil, Bryan Fusco, Zach Heyman Art Director: Rob Engle Prop Master: Dan Brisson Set Dresser: Al Dionn Construction: Leif Larsen, Doug Moore PA: Connor Minihan VTR: Steven Zuch Script Supervisor: Joan Ganon Craft Service: Tracy Fox Wardrobe Stylist: Nicole Coakley Wardrobe Assistant: Moisture Casey, Myriah Johnson Locations: Jeff Maclean Sound: Matt Glover Verde: Sean Cummisky 5 Ton Driver: Mike Wood Camera Cube Driver: Jon-Michael Scuito KEY- PA: Tim LaDue PA - SET: Ethan Backer, Connor Williams, Capri Kuliopulos, Gisell Builes, Eva Orsini, Ric Ernst, James Isch, Ray Vardaro, Nick Santo PA - Production Van: Billy Sears PA - Client Van: Zecco Eze PA - Agency Van: Jake Jampel PA - Production Cube: Kurt Bergeron PA - Production: Harrison Wayne PA - Weitz: Audrey Worrell

BOY #1: Jack O’Hearn Mother: Dianne O’Hearn BOY #2: Alex Puzatkin Mother: Anastasia Tsikhanava GIRL #1: Grace Crowley Mother: Jennifer Crowley

Service Producer Utah: Wyser Media Producer: Andrew Petersen Production Manager: Jenny Chapman Production Coordinator: Christopher James 2nd AD: Miriam Epstein Talent Wrangler: Tyson Whitney, 1st AC: Joel Remke 2nd AC: Mariah Johnson Data Tech: Bradly Crane Camera Inter: Adam Peterson Key Electrician: Rodger Stoddard Best Boy Electric: Jason Winget Gaffer: Amber Reyes Swing: Tracy Keele Key Grip: Rick Mitchell Best boy Grip: Tom Streich Art Director: Lyndi Bone Prop Master: Michael Frazier Art PA: Angela Watters, Bryce Allred, Rex Tyler Sound Mixer: Evan Anderson SPFX: Johnny Shepherd, Josh Josephsen Wardrobe Stylist: Emily Jacobson Hair and Makeup: Cass Loveless Makeup Assistant: Katie Carlson, Joanna Richardson, Stuart Reed Location Manager: Joe Day Production Assistant: Steve Gurley, Paul Madsen, Whitney Ingram, Adam Moss, Collin Declerk, Rumi Ali Casting Director: Jeff Johnson Extras Casting Director: Gumby Kounthong BTS OP: Breenen Bateman Set Medic: Colton Scharman

Young Tom Brady: Braden Lust Kid Tom Brady: Ethan Bird Boss: Dave McConnell Pretty Girl: Abigail Snarr Head Scout: Bob Conder College Coach: Tojo Fairman High School Coach: Terrence Goodman High School Teacher: Dave Bresnahan Brady’s Mother: Jodi Jarvis Brady’s Father: Steve Moga Classroom Girl: Abigail Snarr Kid 1: Jaiden Kwiseka Kid 2: Caleb Price Kid 3: Daven Weech Kid 4: Ethan Blackham Jock: Adam Call Guy on Plane: Larry McCallie

Special Thanks to: Pleasant Grove High School, Pleasant Grove High Football team, Pleasant Grove High School, Coach Mark Wootton, Redman Movies and Stories, Jeff Johnson Casting

[keeping-tabs-on-wellbeing]

Sleep… What is it Good For?

You probably know that sleep is important, but you might not realise just how important.  While individual sleep needs vary, healthy adults should ideally be getting between 7 and 9 hours of sleep per night.  On average, Australian adults are only sleeping 7 hours per night.  This is less than ideal!  Around 33-45% of Australian adults have inadequate sleep resulting in consequences during the day.

So, what are the consequences when we aren’t getting enough sleep?  Well… Nothing good!  Not getting enough sleep doesn’t just make you feel sleepy, it has repercussions for our wellbeing in so many ways.  Lack of sleep can mess with:

Cognitive processes

Emotion regulation

Energy levels

Healthy behaviours

Immune function

Life satisfaction

Memory

Mental health

Physical health

Social relationships

Weight

The scary thing? This list is not even close to the full picture!

You might now be wondering how to tell if you are sleeping well.  The signs that you’re getting enough sleep are that you:

Sleep for long enough (somewhere in that 7–9-hour window)

Sleep (mostly) through the night

Fall asleep easily

Don’t wake up too early

Feel good when you wake up: refreshed energetic and in a good mood

If these things apply to you, fantastic!  Keep up the great work.  If not, don’t panic!  I’m going to share some tips to help you sleep better.

So if you’re not sleeping as well as you could be, how can you improve your sleep?  Below are 6 tips to help you sleep better.  A word of caution, if you have chronic sleep issues these tips probably won’t help you, you’ll need to see your doctor to get specialised support.

Be regular: Every day, go to sleep and wake up at the same time (yes, even weekends!).

Stay cool: Keep the bedroom around to 18°C/65°F to help you fall asleep and stay that way.

Embrace the darkness: Limit the amount of light you’re exposed to before bed and overnight. Turn off the screens, dim the lights and keep your bedroom dark.

Don’t stare at the ceiling: If you’re not asleep within 20-25 minutes, get up!  Do something relaxing until you feel sleepy then try again.

Minimise coffee and alcohol: Try not to go to sleep with alcohol in your system and avoid caffeine after lunch.

Unwind: In the 30-60 minutes before bed, develop a relaxing routine to wind down before you sleep.

Back to our original question before I leave you: Sleep… What is it good for?  Absolutely everything!  Sleep is good for your mood, heart, blood sugar, mental functioning, immune system, stress levels and weight (again, nowhere near the full list!).  Overall, it’s good for you and your wellbeing.  Prioritising sleep really is one of the most important acts of self-care.

References

Adams, R., Appleton, S., Taylor, A., McEvoy, D., & Antic, N. (2016). Report to the Sleep Health Foundation 2016 sleep health survey of Australian adults. Sleep Health Foundation. https://www.sleephealthfoundation.org.au/pdfs/surveys/SleepHealthFoundation-Survey.pdf

Besedovsky, L., Lange, T., & Born, J. (2012). Sleep and immune function. Pflügers Archiv: European Journal of Physiology, 463(1), 121–137. https://doi.org/10.1007/s00424-011-1044-0

Engle-Friedman, M. (2014). The effects of sleep loss on capacity and effort. Sleep Science (Sao Paulo, Brazil), 7(4), 213–224. https://doi.org/10.1016/j.slsci.2014.11.001

Freeman, D., Sheaves, B., Goodwin, G. M., Yu, L. M., Nickless, A., Harrison, P. J., Emsley, R., Luik, A. I., Foster, R. G., Wadekar, V., Hinds, C., Gumley, A., Jones, R., Lightman, S., Jones, S., Bentall, R., Kinderman, P., Rowse, G., Brugha, T., Blagrove, M., Gregory, A. M., Fleming, L., Walklet, E., Glazebrook, C., Davies, E. B., Hollis, C., Haddock, G., John, B., Coulson, M., Fowler, D., Pugh, K., Cape, J., Moseley, P., Brown, G., Hughes, C., Obonsawin, M., Coker, S., Watkins, E., Schwannauer, M., MacMahon, K., Siriwardena, A. N., Espie, C. A. (2017). The effects of improving sleep on mental health (OASIS): A randomised controlled trial with mediation analysis. The Lancet Psychiatry, 4(10), 749–758. https://doi.org/10.1016/S2215-0366(17)30328-0

Fry, A. (2022, April 29). What is healthy sleep? Sleep Foundation. https://www.sleepfoundation.org/sleep-hygiene/what-is-healthy-sleep

Gordon, A. M., Carrillo, B., & Barnes, C. M. (2021). Sleep and social relationships in healthy populations: A systematic review. Sleep Medicine Reviews, 57, 101428. https://doi.org/10.1016/j.smrv.2021.101428

Gruber, R., & Cassoff, J. (2014). The interplay between sleep and emotion regulation: Conceptual framework empirical evidence and future directions. Current Psychiatry Reports, 16(11), 500. https://doi.org/10.1007/s11920-014-0500-x

Hagger, M. S. (2014). Where does sleep fit in models of self-control and health behaviour? Stress and Health: Journal of the International Society for the Investigation of Stress, 30(5), 425–430. https://doi.org/10.1002/smi.2624

How much sleep do you really need? (2016, August 5). Sleep Health Foundation. https://www.sleephealthfoundation.org.au/how-much-sleep-do-you-really-need.html

How to fix your sleep schedule: 7 ways to get consistent sleep. (2022, February 24). MasterClass. https://www.masterclass.com/articles/how-to-fix-your-sleep-schedule

Killgore, W. D. (2010). Effects of sleep deprivation on cognition. Progress in Brain Research, 185, 105–129. https://doi.org/10.1016/B978-0-444-53702-7.00007-5

Kohansieh, M., & Makaryus, A. N. (2015). Sleep deficiency and deprivation leading to cardiovascular disease. International Journal of Hypertension, 2015. https://doi-org.ezproxy.cqu.edu.au/10.1155/2015/615681

Pacheco, D. (2022, March 11). Alcohol and sleep. Sleep Foundation. https://www.sleepfoundation.org/nutrition/alcohol-and-sleep

Pacheco, D. (2022, March 11). The best temperature for sleep. Sleep Foundation. https://www.sleepfoundation.org/bedroom-environment/best-temperature-for-sleep

Pacheco, D. (2022, April 1). How electronics affect sleep. Sleep Foundation. https://www.sleepfoundation.org/how-sleep-works/how-electronics-affect-sleep

Pacheco, D. (2022, April 29). Bedtime routines for adults. Sleep Foundation. https://www.sleepfoundation.org/sleep-hygiene/bedtime-routine-for-adults

Pacheco, D. (2022, May 6). Caffeine and sleep. Sleep Foundation. https://www.sleepfoundation.org/nutrition/caffeine-and-sleep

Patel, S. R., & Hu, F. B. (2008). Short sleep duration and weight gain: A systematic review. Obesity (Silver Spring, Md.), 16(3), 643–653. https://doi.org/10.1038/oby.2007.118

Rasch, B., & Born, J. (2013). About sleep's role in memory. Physiological Reviews, 93(2), 681–766. https://doi.org/10.1152/physrev.00032.2012

Shin, J. E., & Kim, J. K. (2018). How a Good Sleep Predicts Life Satisfaction: The Role of Zero-Sum Beliefs About Happiness. Frontiers in Psychology, 9, 1589. https://doi.org/10.3389/fpsyg.2018.01589

Summer, J. (2022, April 15). Eight health benefits of sleep. Sleep Foundation. https://www.sleepfoundation.org/how-sleep-works/benefits-of-sleep

Suni, E. (2022, March 25). What to do when you can’t sleep. Sleep Foundation. https://www.sleepfoundation.org/insomnia/treatment/what-do-when-you-cant-sleep

Suni, E. (2022, April 7). Light and sleep. Sleep Foundation. https://www.sleepfoundation.org/bedroom-environment/light-and-sleep

Walker, M. (2020, September). 6 tips for better sleep. [Video]. TED Series. https://www.ted.com/talks/matt_walker_6_tips_for_better_sleep?language=en

[lorenzlund]

Aus all dem schließe ich: Die heutige Medien-Welt, vor allem liest der Deutsche nach ‘45 in seiner morgendlichen Zeitung oder sieht er Fernseh-News, sie besteht zu Hundert Prozent aus reinen Fake News, und zwar immer! (Es gab nie andere! Dass es vielleicht auch andere gibt oder dass es sie geben soll, das will man gerade ihn lediglich so immer nur glauben lassen!) “Um Wahrheitsgehalte solcher Nachrichten in Zukunft sehr viel besser selber vielleicht auch unterscheiden zu können, lautet ein weiterer ganz heißer Tipp unserer Redaktion *für die Deutschen, sollte man immer besser auch nachschauen, taucht die selbe Nachricht vielleicht auf einer anderen Seite des Internets inhaltlich so nochmals auf”

“Hier ist das erste wirkliche Deutsche Fernsehen mit seiner täglichen Show!!”

“Dalli-Dalli”

“Schlag den Raab!”

“HIer ist Dieter-Thomas Heck mit der HItparade des Zweiten Deutschen Fernsehens” *die auch: große Militärparade, den Dieter-Thomas aus Deutschland hacken!

Andy Borg, Rex Gildo, Vicky Leandros, Carpendale, Smokey, SWEET, Costa(s) Cordalis, Ilja Richter mit: DISCO, KLIMBIM, die erste Softerotik-Sendung des deutschen Nachkriegsfernsehen (”Dann mach ich mir ‘nen Schlitz ins Kleid und find’ Ass wunderbar!!”)

“Den Frankfurter nachrichten” *die Hinrichtungsart frei wählen

“Angst essen Steele auf” (Nachkriegsfilme aus Deutschland, ‘Rainer Maria’, Fassbender, to bend, engl., das dicke Fass oder Tonne, auch männliche ...)

“Die Kuba-Krise in der Schweine-Bucht” *Krise : der Ass gehört dem oder einem (angeblichen) Bi-sexuellen

“USA-Astronauten auf dem Mond gelandet” *the so-called ‘white Moon’ it is the classic white boy and his girl from Europa, his backyard (dt: sein Hintern).

“Berlin-Blockade durch die Sowjets hat begonnen”

“USA schicken Rosinenbomber nach Berlin, sie sollen die dortige Bevölkerung aus der Luft mit Lebensmitteln versorgen!!”

“Hier gibts nur Gewinner am Laufenden Band” (Rudi Carell als T.v.-moderator, der auch Holländer im neu entstandenen Deutschen Fernsehen aus der Nachkriegszeit, die Fernseh-Spielshow)

“Alle lieben Flipper”, “Detektiv Rockford”, *the male cock, “Fury” ‘Ein fliehendes Pferd’ (so der Titel eines Nachkriegsromans selbst des auch benachbarten Österreichers, wir lasen ihn dann im Gymnasium, wo er im Unterricht eingesetzt wurde), Lassie *L’ ass + (N)ie!; “Die Abenteuer des Raumschiffes Enterprise” mit dem 2. Commander Spock

“Kieler Nachrichten” *der bedeutsame ehemalige Militärstützpunkt und Hafen

“Die Supernasen”, “Eis am Stiel” *Nazis raus!, der Greis und sein Stiel, Supermann und Supergirl, sub- als Vorsilbe, runter mit etwas!! Clark pennt! Sean Penn, John Lennon

“We all live now in a Yellow Submarine” (Paul McCartney mit den Beatles) *Kieler nachrichten! ... with our friends all aboard, while many more of us live next door! “Tie a Yellow Ribbon round the ol’ Oak Tree”

“With a little help by some Friends”, “I love you, I love you I love you ... Michel!!”

“Wir schaffen d-as!!”

“General Eisenhauer” *(auf etwas) draufschlagen, Silbereisen, Florian (Österreicher), ein Folklore-Star

Udo Jürgens, als Schlagersänger stammt er ebenfalls aus dem benachbarten Österreich, singt in den 70ern: Und immer wieder geht die (dann auch ‘ne) Sonne (erneut) auf!

“Eviva Espana!!!”

“Wenn die rote Sonne bei Capri im Meer versinkt”

“Ich hab’ Bohnen in die Ohr’n”

“Weiße Rosen aus/Weißenrosen in Athen” (... sagen uns, komm’ recht bald wieder!)

“Carry the light/Carry the Knight” (ein neu herausgekommenes Buch selbst der ehemaligen First Lady der USA, Michelle Obama)

“Carry you with me on the backseat of my car” (aus dem US-Pop)

VW-Bulle, der Camper oder Campwagen, German Camps, modernes Lagerbier, das heutige Craftsbier (’Kraft durch Freude’)

“Der SPIEGEL” (’Wer ist der Schönste im ganzen Land?’), die Monatszeitschrift, der ehrliche und aufrichtige Blick in den (morgendlichen) Spiegel!

Felix Sturm, Henry Maske, Rocky Graciano, Bubi Scholz, die Knef singt: Hab’ noch einen Koffer in Berlin!, der ‘Stürmer’ als ebenfalls ehemaliger Wochenzeitschrift noch aus Deutschland oder Monatszeitschrift, Rhin(e) Po Star, *siehe: ’Like a Rhinestone Cowboy’, Paul (Mac)Hartney, *als einzige oder einziges fehlte dann nur noch die genaue Namensherkunft selbst Harrisons, George, als dem vielleicht auch noch letztem Mitglied der damals vierköpfigen Band aus Liverpool, den BEATLES und/oder ‘originalen Pilzköpfen’!!

“Hey Jo(e)!”, “Hello again” (... du’ ich wollt’ dich noch einmal seh’n, da wo alles begann ...!!), Men Tricks by Jimmy, Jimmys Rakete, Carpe Diem! Nutze den Tag!! der auch: Nachverfolgungstag des sogar internets (engl.), “Schönen tag wünsche ich allen!!!” “Auf baldiges Wiederseh’n!!” “Im Leben sieht man sich oder begegnet sich immer mindestens zweimal!!” “with the sheriffs all behind you, hey Joe!”, die (ebenfalls erst in der Nachkriegszeit gänzlich neuentstandenen und geschaffenen) SEKs als Sondereinsatzkommandos der Polizei auf Bundes- wie Landesebene. *das Ass Sonderkommando, Sonder-: Po + in some der, ponder, engl., to wonder, jemanden zum (enormen) Staunen bringen, “Wunder gibt es immer wieder!” Katja Epstein/Ab Stein, Mary Roos, Toni Kroos, Tony Marshal (Heute hau’n wir mal auf die Pauke!!!), Jürgen Marcus singt in den 70ern in der ZDF-Hitparade und bei Dieter-Thomas Heck: “Ein Festival der Liebe (... soll euer Leben sein!!!)” “Komm’ wir fahren nach Ibiza!!” “Theo wir zwei fahr’n jetzt nach Lodz!!” “Theo (erneut!) gegen den Rest der Welt”, Gröhlemeyer Herbert, Rio Reiser/Er Greis stammt vom Rio (de lat Plata), der (dt.) Hagen aus auch der Nibelungensage, (Müller-)Westernhagen, Marius, the Shoemakers vom New England, the Becks from Britain, die Beckers hingegen als Familie sind sie gebürtig aus Deutschland, ‘Schweini’ (Schweinsteiger), Close Miroslaw, Potoll-ski, *jeder oder fast jeder dieser früher noch so großen Stars verlagerte nach Karrierende den auch eignen Lebensmittenschwerpunkt in zum Teil sehr weit wegliegende Staaten, welche nicht einmal zu Europa selber gehören, das ist wirklich bemerkenswert, allenfalls sporadisch wird dann noch nach Deutschland selber auch zurückgekehrt, siehe Gottschalk, siehe aber auch Carpendale, für ein z.B. erneut gegebenes Blitzkonzert vor einheimischen Deutschen oder etwas anderes!

Nun ist es aber so, Schwulen (engl. Gays) unter dem Nationalsozialismus (heute müsste oder würde man ihn vielleicht als internationalen Po-fan bezeichnen stattdessen, weil dieser Begriff ein immer sehr viel umfassenderer ist und deutlich mehr Leute umfasst, und darunter fiele dann selbst auch der plötzliche Busen- und Pograbscher - vornehmlich dann erneut von Männern, selbst wählte der sich dann sehr gezielt diesmal eine Dame vielleicht dafür aus!) wurde nicht weniger oft durch das Regime sehr gezielt auch gefolgt! Sie starben wiederholt dabei auch! Zur Begründung für das eigene heutige Tun, warum man dann erneut gerade gegen wieder den auch heutigen Neo-Nazi ist in seinem Viertel, gegen im Grunde alle Nazis, auch den viel früheren schon, kann das so also kaum immer auch herhalten! Der selben Linie folgte damals auch er, und er tut es sogar bis heute vielleicht so manchmal im Herzen immer noch! Er wäre auch niemals sehr weit in der Partei damit gekommen oder bis weit nach oben in ihr aufgestiegen damit!

Wäre es also in Zukunft nicht doch ratsamer deswegen und auch sehr viel besser für alle Beteiligten, und selbst für auch das Ausland, mit ihm eine ganz besonders enge Freundschaft immer einzugehen ... stattdessen, und man suchte gerade ihn sich sehr gezielt eigens dann wieder vielleicht als sehr engem Freund dafür erneut auch aus!! Von nun an handelte man vielleicht wiederholt erstmals sogar dabei gemeinsam!! Man könnte bis zur obersten Spitze der UNO damit vordringen!

[essaynook]

My name:Omar Gomez Professor Name:Peggy Yarber Course: 41752 Section Number: ENG

My name:Omar Gomez Professor Name:Peggy Yarber Course: 41752 Section Number: ENG

My name:Omar Gomez Professor Name:Peggy Yarber Course: 41752 Section Number: ENGL-B1B-60 Book Name: Literature 8th Edition (An introduction to fiction,poetry,drama and writing)- X.J. Kennedy & Dana Gioa Page Numbers of the short stories: Where are you going where have you been? By Joyce Carol Oates Page 83, Harrison Bergeron By Kurt Vonnegut Jr Page 192, And The Lottery By Shirley Jackson Page…