#HE HAS A STICK!!!!!!

[casualavocados]

It's time to toss the dice!

Dónal Finn as MAT CAUTHON in THE WHEEL OF TIME 2.08 | What Was Meant To Be

[keferon]

Don’t mind me I just like to see him go bananas about cartoonish Autobot rules

Maaan…..if Prowl was in tfp he would spontaneously combust at least once a day

[bastardlybonkers]

i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one

his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.

ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication

ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[demigods-posts]

percy doing better than annabeth in college is one my favorite developments in the rrverse. if we reflect on percy and annabeth's academic upbringing. annabeth living at camp allowed her to receive accommodations for her adhd and dyslexia and surround herself with like-minded campers who had the same limitations. whereas percy was ridiculed, belittled, and routinely humiliated because of his adhd and dyslexia. even more so, percy's friends and family leave him out of the loop on so many important issue (no chb orientation film, no information about the great prophecy) which perpetuates his subpar confidence and self-esteem in his skills as a student and a demigod. but going to college at NRU changes his mindset because he receives the accommodations he should have gotten years ago and fucking thrives to the point of getting higher grades than annabeth — a person he deems way smarter and more prepared than him in every way. the most important thing percy is learning now is that a supportive environment makes all the difference, and he is more capable than he initially thought.

[dcxdpdabbles]

DCxDP fanfic Idea: New Money

The ghost zone doesn't have a formal form of currency. Depending on which part of the zone one is in, a trade could be made, or a Deal can be struck, but coins can rarely, if ever, be exchanged.

Every subculture that forms in the zone can eventually develop its own currency, but it will only have value within its territory. An example would be the credit crystals that the Far Frozen have developed, with a corresponding amount of funds floating inside their iced rocks. Still, if a Yeti were to travel even a foot outside their snowy mountains, the stones would become an interesting clothing choice and nothing else.

Ghosts value emotions more than any amount of gold or coin. Oftentimes, the most powerful of ecto beings would battle it out if a child's favorite teddy bear somehow found its way into the zone, though the thin cracks between worlds or an entire army of ghost mercenaries could be bought with a single pair of favorited socks.

It may not seem as much to the living, but to ghosts who could see the attachment embedded into the item, it meant everything. Some emotions could even be eaten off of the items if they were fresh enough, and while it did give a power boost, most of the time, the emotions were positive.

If a negative emotion was eaten, Ghosts could quickly become addicted to it, and when cut off from the negative emotion, they could soon fall apart in seconds.

Spectra was a famous example used in the zone as a precautionary tale for all new ghosts. Her beauty and power were only a facade to her desperation for angst emotions, and she flouted about the Zone, always on the hunt for her next fix.

It was pretty sad to see.

A few ghosts did their best to limit additions, such as Walker, who established himself a section of the zone using his great sense of justice that he had died with. He found human contraband that came into the zone unnaturally, sealing them away in his haunt.

These items usually had lickings of anxiety, desperation, or even fear attached to them and could quickly turn any ghost into a violent sort.

Walker's mission since his creation was to limit this exposal. He even arrested various ghosts that went to the human world through unnatural means, a majority coming back contaminated with human emotions and becoming a danger to fellow ghosts.

Most of these ghosts had items on them that were deemed worthless once all emotion was sucked out. Walker usually had his men take them to the Dump.

The Dump in the Ghost Zone was an extensive collection of worthless items gathered at the far right. It was known as a neutral section of the Zone, as every civilization and haunt often traveled there to eliminate clutter. Everything unwanted usually finds its way to the Dump.

Danny, after having a trial with Walker and coming to the understanding that he was not, in fact, attempting to make his fellow Ghosts addicted to anger- cause apparently a majority of Walker's prisoners were in there because of their exposal to Danny!- he was directed to the Dump to rid of his worthless ripped bag.

Danny had flown there expecting mountains and mountains of garbage. What he found instead were islands made entirely of gold. He flouted over the piles and piles of jewels, gold coins, random bills, and valuable items, gaping at the long collection that went further than his eye could see.

"What is all of this?" He gasps just as Box Ghost floats by carrying a jewelry box. He flips it open and shakes out a necklace with a diamond as large as Danny's palm onto the pile of jewelry. He gives Danny a friendly wave when they make eye contact.

He proudly flouts over to Danny, taking the neutral status of the Dump to heart. No fighting was allowed in this territory, much like Truce Day; all ghosts abided by this rule.

"The Box Ghost was lucky to be near a natural portal leading to the Human world's sea. This small rectangular object was once beloved by a grandmother, and now it is all mine!" He cheers, holding the jewelry box, practically half rotted and dripping wet over his head. A faint, gentle green glow surrounded it.

Danny blinks, pointing down at the necklace. "What about that? Aren't you going to keep it?"

"The Box Ghost has no need for useless stones!" The floating man even sticks his tongue to the necklace that could pay for Danny's college education (If it were real).

Only half joking, Danny asks, "Can I have it then?"

Box Ghost blinks, then gestures to the mountains and mountains of wealth. "If the Ghost Child wishes for a garage, he can take whatever he likes. No one will mind. Though, why would you waste time on soulless items? Box Ghost can not be sure!"

Box Ghost flies away laughing as if Danny was the one to mock for wanting a diamond necklace. He watches the ghost go before turning back to the mountains and mountains of shimmering gold.

Deciding to fly through the Dump to see what else he can find, Danny begins exploring- but not before taking the necklace- and later comes upon an island dedicated to various human clothing that looked like it came from hundreds of eras. He finds himself dressing up like a Lord of Old for fun when he happens upon leather bags.

Seeing as no one was there to stop him, Danny filled up each bag with chains and jewels, flying home in his new get up. He figured he could use some of the funds even if the gold was fake.

_____________________________________________________________

Oliver Queen is new money. His wealth came from only three generations ago, and while that is rather impressive, it held no candle to families like the Waynes.

The Waynes were old money, and their galas showed it. Every time old Brucie called him to celebrate, Oliver went along only to keep his company board happy.

They couldn't afford to offend one of their most prominent investors even if there were no thoughts behind Bruce Wayne's eyes. Oliver would have enjoyed himself more at these parties- if there was one thing Bruce Wayne knew how to do: throw a fantastic party- but sadly, he had to deal with the other old-money people who attended Bruce's parties.

The passive aggression reminders that he would never been on their level, the choking humiliation, the constant looking down on him. Well, it got exhausting. Especially since Oliver spent so much of his free time fighting for justice and trying to make the world a better place. These people talked and acted like they were above it all.

Like nothing could touch them, even when a majority of them were the cause for so much darkness, Oliver faced as Green Arrow.

He needed a stronger drink.

"Rather self-important for new money, isn't he?" A woman whispers loudly, mocking in every inch of her tone. Oliver's eyebrow twitches as he drowns his glass. He turns towards the voice, somewhat ready to cause a scene so he can go home, but it is a surprise to find that the gossiping woman isn't facing him

Rather, they are turned towards a young man, likely late teens, who is currently piling his plate high with sweets. The boy glances in the woman's direction before snorting unattractively and adding more to his plate.

Oliver is mildly impressed that he could make the woman flush with rage without saying anything. He had never seen the kid before, but he almost looked like a new Wayne with his dark hair and sparkling blue eyes.

He finds his feet walking towards the teenager before he can think about it. Something interesting may be at this gala after all.

"Hey, you seemed to really like fudge. Have you tried the raspberry ones? It's the best." He starts gesturing to a familiar chef's name in front of a chocolate tray. He had a sample of their work only a week ago when Batman brought some to the Watch Tower.

It was absolutely heaven.

The teen considered the pink color fudge before he took three cudes. With his bare hands. Well. New money, indeed.

"Thanks!" The boy chirps after stuffing one in his mouth and savoring the flavor.

"You're welcome. My son, Roy, really likes it too." He smiles as the boy glances towards where his adoptive son is currently chatting with Jason Todd. Those two find themselves attached to the hip whenever there is a gala. Maybe Roy will bring him home for the holidays soon. "I'm Oliver Queen, owner of Queen Industries."

"Danny Fenton," The boy responds slightly hesitantly. "Do all rich people do that? Add what makes them rich to their inductions?"

Oliver snorts, "Only the real tacky ones."

"Okay, Mr. Owner of Queen Industries."

Oh Oliver like this kid. He grins, ignoring the jab. "And what about you? What made you rich enough to be here to tonight."

The kid's eyes gain a certain glint of humor as he shrugs. "One man's trash is another man's treasure."

Oliver moves to ask what he means, but Brucie shows up then, and he can't find a way out of the conversation. He's buttering up to the big idiot, knowing he lost sight of the strange boy.

Afterward, Oliver looks into Danny Fenton, only to find that the boy somehow appears out of nowhere with billions of dollars but no known source of where he got them. It also seems Batman was already on the case, assuming the boy was counterfeiting somehow, but Oliver didn't get that sense from the kid.

Something wasn't adding up about the boy, but he didn't think it was illegal. He just had to convince the big bad bat of that. If only it could be as easy as convincing Bruce Wayne to spend millions of dollars.

[egophiliac]

I don’t think we’ve ever seen you draw knight of dawn before 🤔 what are your thoughts about him? Or take?

I've drawn him a couple of times, just really little/in the background. but I should draw him more, I love this guy a lot! I have many, many thoughts about him and the way he parallels Silver...and also I think it is extremely funny that his ghost is stuck in a ring. especially considering where that ring has been for the last 16-ish years.

[biggest-gaudiest-patronuses]

real talk having the 2nd worst new years eve yet 🤢🤢🤢 (throat infection, twisted neck, banged-about-foot, ego AND the rest o' me all bruised like misjuggled peaches 🍑🍑🍑)

im bent outa shape and suspectin the universe owes me 8 buck if anyone wannsa chip in

[morganbritton132]

Just remember this idea I had for a fic where Steve’s dad worked in marketing and made jiggles for commercials so they had a full music studio in their house.

The local music store had a section where local artists can sell cassettes. It’s mostly poorly recorded country music from The Hideout’s open mic night, but Corroded Coffin is there too. Eddie practically stalks the shelf to see if anyone buys their music. No one ever does (except for Gareth’s mom).

Then one day, Eddie goes into the shop after work to see if any of CC’s stock is gone, and sees a new tape there. No artist name. No song titles. Just a slip of paper stuck into the case with a hand drawn rose on it.

Eddie buys it and even though it’s not his typical type of music, falls absolutely in love with the voice on the tape. He loves the music. The production quality. The way sadness seeps into every corner of side A and B.

He goes back to the record shop and asks who left the tape, but the employee has no idea. They think someone just stuck it there without permission and have no idea who they’re supposed to pay for the sale.

Two more tapes show up over the next month with a different drawn flower on it, each sadder than the last. The artist is clearly going through something. Eddie still has no idea who they are and is now stalking the shelf not just to see if his own music is selling (it’s not).

He’s in full investigation mode and it’s annoying all of his friends. He needs to know who this person is because he’s a little in love with them and also a little worried about them. It’s really sad music.

Meanwhile, Steve is just trying to process the end of his relationship with Nancy in the only way he can think of.

[ghostbsuter]

Very much inspired by this !!

—

Phantasm crashed into the side of a building, the rest of his team- the TeenTitans- stayed back. They were otherwise occupied, with the rest of the H.I.V.E. five attacking them.

They'd gotten a new member, one with a similar, nearly identical power set of their own new member.

Phantom.

Phantasm and Phantom, two mirror look alikes, they went absolutely feral whenever one was in sight. It was driving Robin mad, Beast Boy had joked about cloning but after they started to actually consider that option.

"Well, well, well." Phantom mocks, glowing green to Phantasm's red.

"Shut. The fuck. Up." Phantasm charges again, throwing the other into windows with a growl.

They kept bickering, hitting and injuring each other, until—

"Stop being so annoying!" Phantasm shouts, baring his fangs. Phantom, in return, stuck his tongue out.

"You're just jealous I got the Villain role!!"

At this point, their respective teams had called a draw and watched them fighting.

"You're a lousy villain!"

"I'm having the time of my life beating the shit out of you actually."

"I'm calling jazz."

At that, Phantom starts glaring. "I thought we agreed on not bringing this up to our sister?"

[temeyes]

eyebrows >:^(

[rogdona]

[lil-vibes]

maid narinder my beloved

[vaguely-concerned]

I think it says almost everything you need to know about varric that his reaction to the blackwall reveal is like... 'oh thank GOD you're a child murderer. for a hot second there I thought you were something much much worse' '.......like what' 'boring to me personally'

[magicicephoenix]

HES GOT LITTLE FANGS AAAAAAAAA

ah that was just meant to be the angle of his head but y’know what screw it! he HAS got little fangs!!

[ohitslen]

Average university experience