#Guys it’s late ignore me

[callsignsundance]

I’m a cat I’m a cat im autistic and depressed and I’m a catAnd also the wicked witch of the east but SHHHH

[nounaarts]

When you’re in a costume competition and these two pull up

[gordonfreemanspussy]

happy october :]

@scienceteamtober day 1: before the game

with lovely beautiful awesome forever character art by @winkreallyisntable goes CRAZY!!! full art below the cut.

[cenomatic]

Pretty boy makes his return / redraw of this

[sunflowerpastels]

save me angel/devil stargoth save me

closeups :D

[flying-fangirls]

As a music, religion, and literature nerd, the Dies Irae has been one of my favorite go-to pieces of trivia for a long time, which means that this line:

Has been driving me batshit BONKERS since part 42! And also as a semi-professional media analysis yapper, I figured I might as well dive into the exact reasons I jumped up and audibly gasped upon first hearing this line and have subsequently lost my mind since then. So!

Here is why I think that the Dies Irae is the perfect analogy for John and Arthur:

Religion

Let's start with the most straightforward meaning: "Dies Irae" is a Latin term, and it translates to the "Day of Wrath." Or otherwise known as the Judgement Day, the foretold second coming in Catholic canon, when Christ will "come again in glory to judge the living and the dead." It's at this Last Judgement where God will wield perfect justice to send the worthy to everlasting peace and the unworthy to everlasting punishment. (everyone say "thank you" to excessive childhood Catholic lessons for burning this into my brain)

There's a kind of irony to the fact that Arthur so vehemently rejects Christianity and religion as a whole, and that John spends much of his arc trying to distance himself from the role/identity of a god, yet both are given this incredibly religious title, effectively restricting them from ever forgetting the presence/influence of religion in their lives.

This title has a couple layers though, because we have to consider why it's the Day of Wrath specifically that represents Arthur and John. Now, I don't think I have to tell you that those two are bursting with anger 80% of the time. But I am going to tell you that those two are not just angry, but moreso "divine fury" incarnate.

The Day of Wrath, the Final Judgment, is the final and eternal judgment of God on all: "For now before the Judge severe / all hidden things must plain appear; / no crime can pass unpunished here." (Dies Irae, Dies Illa). The final Judge, the all-powerful God, can see the objective morality of every single person, and is thus the sole, rightful determiner of fate.

This assumption of their right to perfectly and single-handedly decide others' worthiness shows up over and over, not just John and Arthur's actions, but also in how they describe these judgments.

When Arthur kills the widow on the island, it's not because she was dangerous, but because she was a cultist who "deserved" to be punished.

When John and Arthur need to get rid of Mr. Scratch's stone, John says they should give it to "criminals" who are "deserving of this curse." Even though, just moments before, Arthur refused to give the stone to Oscar because to do so would be to cursing him to a fate of eternal suffering.

And I can't go into every single detail about the entire Larson plotline because this post would double in size, but it obviously needs to be included here. Possibly the strongest tie between this arc and the idea of the Dies Irae is Arthur's conviction through it all. Arthur vows that he is going to kill Larson in divine retribution not because he wants to, but because he has to. He even goes so far as to admit that killing Larson will be a mistake, a cruel and overly-bloodthirsty action that goes against his compassion. But killing Larson isn't a choice to Arthur, it is the unavoidable punishment for Larson's sins and Arthur is simply the enactor of justice. Just like the Final Judgment, there is no sympathy, no hesitancy— the judgment is absolute, divinely ordained, and cannot be stopped no matter how undeniably horrific it is.

If we look at the Catholic Catechism, principle 2302 states that it is sinful to kill out of desire, but that it is "praiseworthy to impose restitution" and use violence to "maintain justic." So even if Arthur has intent to kill, his actions count as divinely sanctioned. He is acting as the hand of God's punishment.

Over the course of Season 3 and 4, Arthur's fiery rage dies down to a more gentle simmer, but his conviction only seems to grow, and John follows suit. Despite previously reprimanding Arthur for his unquestioning wrath, John eventually becomes just as convinced that Larson "deserves" to face a wrathful reckoning. The "fact" that Larson is wholly unforgivable and is fated to receive eternal punishment becomes more indisputable in their minds, and they both stop questioning the morality of their intentions, entirely convinced of their judgment.

Throughout the story, Arthur and John insist upon the importance of kindness, compassion, and forgiveness, and say that these are the values that guide their every action. Yet, time and time again, they approach certain people with nothing but wrath and resentment. It's a sharp contrast to the benevolent figures they make themselves out to be, and Arthur and John are often blind to the contradiction because, in their eyes, they are still following those values in every action. And in the moments when they do recognize their horrific words or actions, they still cannot let their judgment go, convinced that it is their "duty" either way.

In Part 35, Arthur says "Just because you can't make the hard decision, doesn't mean it's wrong." This is exactly how John and Arthur view themselves. They know that some of their actions are harsh and violent and painful, but they are don't view that violence as wrong, because they are enacting that violence in justice. They move through life with carefully-selected destruction, culling the world of those they view as unforgivable sinners, and punishing them with divine righteousness. Arthur and John carry righteous fury in their every step, bringing the Day of Wrath down upon the world around them.

Now, there's already a ton of meaning just in this religious allusion alone. However, there's another application of the Dies Irae in modern culture, which brings us to the second side of this title:

Music

Back in the 13th century (sounds like a familiar setting...), friar Thomas of Celano wrote a poem for and about the Dies Irae. The poem was recited at Requiem Mass (church services to honor the dead), and it ended up being set to a Gregorian chant tune.

Over time, this melody has been used by a variety of composers, but the one we're focused on is Hector Berlioz. In 1837, Berlioz used the Dies Irae melody as part of his narrative symphony, Grand Messe de morts, in order to communicate that the main character had died. Then a lot of other composers saw that and said "Hey that's a cool idea!", and started also using this melody to represent death in their music. Nowadays, it's a fairly staple part of modern film and musical storytelling. If you've listened to literally any major soundtrack, then there's a good chance you've heard this motif (or a variation of it) used before. It's often subtle, sometimes loud and obvious, but no matter what, it reveals the inevitable presence of death. (essentially, the Dies Irae=death)

Now, obviously there's something tragically ironic about Arthur being likened to a musical motif when he tries so hard to distance himself from it, and there's something tragically ironic about John being associated with such a dark piece of music when he shows so much fascination and joy toward the art. Again, though, we've got some layers here. Yorick doesn't just compare Arthur and John to the Dies Irae, he literally defines them as the Dies Irae, a full embodiment of it.

Even before the story started, Arthur lost both of his parents, his friend and wife, his daughter, and his best friend.

John, when he was part of the King in Yellow, knew only how to harm and attack. In the Dark World, he falls back on this fearful lashing out with violence, harming even more people.

And throughout the story, John and Arthur seem to bring devastation to everyone else around them: Lilly the buopoth, Oscar, Noel, Collins, Daniel, Larson and Yellow.

The arrival of Dies Irae musical motif in a film always indicates that death is approaching or that is has already struck— a host carrying its blight to spread onto others. Just like the musical motif, the arrival of Arthur and John foretells the near-arrival of death. They play a duet together— John and Arthur, and death— always singing and dancing around and with each other.

These two never succumb to death, always finding a way to slip through its fingers and survive every situation. But they cannot escape death's presence because they are death's partner— singing the melody to death's subtle harmony. They cannot escape death because they are its host— destined to carry and spread devastation to death's victims. From the moment you meet John and Arthur, you know that death is inevitably approaching just a step behind, waiting to strike you down.

Whether it's the religious or musical side, we can see that John and Arthur are the literal embodiment of these allusions. They carry these powers and ideas in their every action and word, in their every step, in their very breath and blood.

Arthur and John. The hands of God's justice. The enactors of divine fury.

Arthur and John. The hosts of blight and destruction. The partner of death's song.

The man himself. The voice inside his head.

The Day of Wrath. The Dies Irae.

[thegloriouspapernapkin]

please ignore any mistakes i am eepy

(also, the templates are by @awfulalignmentcharts )

[neptunescore]

Carcar au (accountant carlos, maybe lawyer, and university student 'landos-best-friend-away-from-carlos' oscar), where people in the company carlos works for get paid a much more significant amount if they're married...

Both of them hating each other, but somehow ending up engaged bc oscar needs some extra help paying for university, and Carlos had brought the idea up of having a fake marriage to lando very jokingly one night out.

Do you guys see the potential. Am I the only one going crazy thinking abt all the things that could happen.

[charmac]

What do you think Rob can do to get back in the good graces of sunny fans?

Macdennis sex scene, and there is a twist: He shows it. He shows all of it. Because what’s the one major thing missing from all television sitcoms these days Rob? …Full penetration. Rob, you gotta show full penetration and you've gotta show a lot of it! I mean, we’re talking, you know, graphic scenes of Macdennis really going at it in Paddy's Pub. From behind, 69, anal, vaginal, cowgirl, reverse cowgirl, all the hits, all the big ones, all the good ones. Then they get into a scheme again. And they're out destroying people's lives. Then they’re back to Paddy's Pub for some more full penetration. Remembers the scheme, back to the bar, full penetration. Scheme, penetration, scheme, full penetration, scheme, penetration. And this needs to just go on and on, and back and forth, for 22 or so minutes until the episode just, sort of, ends.

[youraveragemiscellanyenjoyer]

"My gaydar is not stupid" is a sentence I never thought I'd hear come out of christian borle

[tired-collegestudent]

guys i’m only just now consuming the dan and phil podcast patreon portion or whatever i really do get the sense that dan is NOT fucking around when being told jack (??) might be better at mario kart than him like he was offended. he was ready to fight the boy. i feel like nobody has talked about it

[reminiscentrainclouds]

So many opportunities for me to talk about yttd lately, peace and love on planet earth. <3

[francarieq]

! ! HEALTHY ! !

[waterfallofspace]

Anyone else not able to say 'bless you', either because it feels too personal, embarrassing, slightly erotic or a mixture of all of the above-

Buuuuuut also whenever an event interrupts the conversation, you feel so much more awkward not saying anything/commenting on it at all, and so you wish you could just... say that phrase, or have some other thing that makes sense to say to just- shrug it off???

[uhohdad]

SO I HAVE THOUGHTS. THE FIRST THOUGHT IS HOW DARE YOU

H O W

DARE

YOU

(affectionate)

SECOND.

:C

THIRDLY.

You wrote so much for us and so well omg I hope you get some rest. Your hands must be sore from all the fire they're producing.

This is my favourite series. I keep coming back to reread the other parts. Part 3 was my favourite of the series. It was so nice and sweet. A fun little breath of air. The waterfall? Perfection. The ending? Had me wanting to throw my phone across the room ┻⁠┻⁠︵⁠ヽ⁠(⁠`⁠Д⁠´⁠)⁠ﾉ⁠︵⁠┻⁠┻

I can't wait to read the last part :') :') :')

Sending you lots of love and encouragement 🫶🏼💕💖✨

i hope you know that it literally means the world to me that my work means this much to you. i’m over the moon that y’all see my works the way i see them fr. it’s actually bonkers <3 🥹🥹🥹💗🩷💞💕

Been working on The Aftermath a lot today!! sorry if i haven’t been posting enough writing lmao just tryna crank this baddie out. so honored y’all are excited for it 😭

⌜ KONIG X READER HUNGER GAMES AU ⌟