#Grahame Leslie

[dickinson-devotee]

Last chance to get tickets for the Whisky a Go Go on 7th October! Grab them now at BritishLionUk.com/tour

#BritishLion #Tour #Whiskyagogo

——

September 15, 2024

[shewhotellsstories]

My least favorite thing about fandom racism bingo is how conveniently stans have just “never seen” the bile that gets spewed against characters of color and the actors who play them. And if/when you show them the screenshots or links it’s all, “they’re just trolls” or “those aren’t real fans.” Spare me.

[jam-packed]

call me sebastian vettel the way i can list every motogp champion by year

[mariocki]

The Saint: The Fiction Makers - Part 1 (6.11, ITC, 1968)

"Mr. Klein, do you remember what SWORD did to the police sergeant in Sunburst Five?"

"Oh no..."

"The equipment is fully operational in the cellar, it can be filled with acid in one minute."

"Oh, you wouldn't!"

[hqtoussaint]

Leslie Uggams and Grahame Pratt, 2023, married 58 years

Leslie Uggams (b 1943), American actress and singer -Wikipedia

Uggams has been married to her longtime manager Grahame Pratt since 1965, at the time a rare high-profile interracial marriage. “It was not as hard as I expected it to be,” Uggams says. “I think the reason is that Grahame was not an American white man. But of course we did get mail.” Uggams met her husband at the Professional Children's School of New York, where they were both students. The couple met again while she was performing in Sydney during one of Uggams's celebrity tours in Australia and he became her manager afterward. After their wedding, the couple decided to reside in New York, which was then more tolerant of interracial relationships. Uggams has been married to her longtime manager Grahame Pratt since 1965.

[dance-world]

Richard Villaverde and Leslie Andrea Williams - Martha Graham Dance - photo by Steven Vandervelden

[tonymarias]

grahame pratt and leslie uggams on their wedding day, 1965

[agentnico]

Fallout - season 1 (2024) review

The evolution of the phrase “okey dokey” throughout this show says so much for the good old fashioned writing of this season.

Plot: Over 200 years after a nuclear apocalypse devastates America, a violent raid by bandits on an underground fallout shelter forces one of its residents to set out into a barren wasteland filled with radiation, mutated monsters, and a lawless society of those who remained on the surface.

For a very long while in the cinephile and gaming community there has been this shared agreement over the video game adaptation curse. Video games have been plagued with adaptations that end up being met with terrible reception due to a combination of bad writing and poor visuals that don’t live up to the original game. To this day this fact arguably still continues with the likes of Resident Evil and Uncharted. And look, I love Hiroyuki Sanada as much as the next person, but that Mortal Kombat flick from a few years back was not great either. That being said, in recent years there has also been a trend of genuinely successful attempts that have translated surprisingly well. Detective Pikachu banked a lot on Ryan Reynolds sarcastic persona and the Pokémon creatures were utilised well; Netflix’s The Witcher has done pretty well for itself, well until now when they’ve swapped their lead actor for one of the cheaper Hemsworth brothers; Super Mario Bros. Movie and the Sonic flicks I’m not a fan of myself, but evidently from the box office numbers and audience reactions they seemed to have hit the right spot in the fans’ hearts. Then there’s The Last of Us. The original game won people over for its heart-wrenching human drama against the backdrop of a zombie apocalypse, and the TV show has done a perfect job of capturing that. Every episode has recreated the game down to the last detail, and even when things are changed, the spirit of the source material is still kept alive. All of that makes it a rare adaptation that succeeds in giving people a new version of the original game and then some, giving it plenty to offer for old and new fans alike.

Now it seems that positive trend continues, furthermore underlining that the video game adaptation curse is now a myth. Well maybe, as that upcoming Borderlands movie is a looking suspiciously clunky but we’ll see how that one turns out. As for presently, Prime Video has shocked us all by giving us a truly fantastic show in Fallout. And I say shocked as the last time Prime Video adapted a famous property was The Rings of Power series and they butchered that one hard! I mean I’m sorry, but making an entire over-bloated season about the mystery of who is Sauron, and at the end the reveal is he’s some teen-Twilight-era dude and we’re supposed to all gasp in awe?? Look, I get that it’s not Prime Video themselves to be blamed, but the show runners and writers, but naturally Prime has left a sour taste in my palette. HOWEVER - Fallout is actually genuinely a good time!

I’ve never really played any of the Fallout games. Never appealed to me, and I have always found it difficult to get into any Bethesda games. My fiancée however tried Fallout 4 half a year ago and apparently gave up as she found it too confusing and she got stuck at a monster boss fight early on. I do hope she wasn’t stuck fighting one of those tiny little bugs, surely not. That would be embarrassing. So I went into this show without being a fan of the games, though I was aware of its post-apocalyptic backdrop. One of the best things about Fallout the TV show is that it’s very accessible whether or not you’ve played the games. Yes, fans of the games will notice a lot of fun stuff from the source material, but even if you’re a total newcomer, you can watch and follow along without any issues.

The story revolves around three main characters 200 years after a nuclear war basically destroyed everything, driving some survivors into underground bunkers called Vaults. Ella Purnell (that’s right, one of Miss Peregrine’s peculiar children!) plays Lucy MacLean, a Vault Dweller who, through unfortunate circumstances, leaves the relative safety of Vault 33 and travels to the surface on a life or death mission. She’s joined by Maximus (Aaron Clifton Moten) a squire in the secretive Brotherhood Of Steel - Power Armor-wearing knights who roam the land looking for lost technology. Maximus is almost as green as Lucy, venturing out on a quest he’s not very well prepared to tackle. Finally, rounding out the main trio, we have Walton Goggins as The Ghoul, a gunslinging bounty hunter and mutant who’s managed to live for well over 200 years. We learn more about his past as celebrity Cooper Howard through a number of flashbacks. Naturally more characters pop up along the way. I just want to urge anyone sitting on the fence to give this series a shot. It’s great fun, with plenty of humour, action and mystery and its creators clearly put a lot of effort into making it true to the game universe, while also being inventive with their storytelling.

It’s also really gory. You get to see a lot of human flesh out on display (heck, there are even zombies in this thing!) and it’s all visually looked really well done. Again with Bezos’ Amazon budget, like The Rings of Power show, Fallout looks like an expensive series. It just so happens that unlike Rings of Power this one happens to also have good writing, characters and narrative. There’s some impressive world-building, with every shot filled with various details that I’m sure will please the game fans. The story is really engaging, and I loved getting into the politics of this world and how companies like Vault Tec have more to them that meets the eye.

The primary element that works for Fallout is that’s its easy. As in it’s really enjoyable and straightforward and makes for a solid binge watch. Walton Goggins is superb as the Ghoul. Johnny Pemberton as Thaddeus, a squire for the Knights, was a great use of using a comedic actor and making them play things straight by simply trying to survive in this world, so that when the funny lines did come up they hit strong. Oh, and did I mention that Agent Dale Cooper himself, my boy Kyle MacLachlan is in this show?? Honestly, Fallout is a great time! Amazon, I still haven’t forgiven you for Lord of the Rings, but this is a good attempt for an apology.

Overall score: 7/10

[diet-cokette]

actually i am so obsessed with how gritty 20th century literature is. especially american 20th century literature.

[chicinsilk]

US Vogue December 1972 ❤️❤️❤️❤️❤️

Kasper pour Joan Leslie pour Lillie Rubin. Model, Karen Graham. Photo unknown.

Kasper pour Joan Leslie pour Lillie Rubin. Photo inconnue. Modèle Karen Graham. Photo inconnu.

vogue archive

[gatutor]

Julie Ege-Leslie Phillips "The magnificent seven deadly sins" 1971, de Graham Stark.

[unearthmyburiedheart]

Pretty pretty pretty in pink! 🩷

Photo credit: stereotypes.ig via Instagram! 🩷

[stuckasmain]

A drama in two parts

Eddie is the friend to instantly give you a “BFF” necklace and then immediately move on to the next person who smiled at him. Man was “ride or die” but then up an abandoned his idol- if i were Sammi I’d be pissed too lmao

Rip Rodger . You were a real one. No one appreciated you 😔 (he’s still alive but you never see him again)

[adamwatchesmovies]

Return to the Blue Lagoon (1991)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

Return to the Blue Lagoon is so brazen about its laziness I almost want to give it credit for its audacity. Minus a few tweaks at the beginning and end, this is the EXACT SAME MOVIE as 1980’s The Blue Lagoon. You’ll be bored, you’ll be frustrated… you might also be grossed out.

In 1897, castaways Richard & Emmeline and their baby, Richard, are discovered by a ship sailing nearby. The parents are dead so the boy is taken in by Mrs. Sarah Hargrave (Lisa Pelikan), a widow with a child of her own, Lilli. An outbreak of cholera forces them to abandon their ship. When they do, they land on the same paradisal island Richard’s parents inhabited. Years pass. The now pre-teens witness their mother die of pneumonia. As the two nubile islanders grow, Lili (Milla Jovovich) and Richard (Brian Krause) begin to look at each other in a wholly different way than when they were children.

This movie is about one thing only: two innocent members of the opposite sex living in isolation where society has not corrupted them by teaching them what to expect once they reach sexual maturity. There are many shots where they frolic in the island's clear blue waters and verdant green forest as the rest of us either eagerly wait for them to discover how attractive they are to each other. Well, if you're a creep. I hope you’re watching with a look of discomfort on your face, as Milla Jovovich was 16 when they shot this film and she appears topless a couple of times. Gross. If you're somehow able to separate yourself from that fact, you might be able to give your full attention to the plot… which is a bore.

The film is doubly lazy; first by replicating the story of the two young people inside a Garden of Eden (the very same Garden we saw in "Blue Lagoon"; talk about contrived) and secondly by focusing entirely on the drama of the situation at the expense of the potential Robinson Crusoe story. When the family land on the island, they move into Richard’s parents’ house. They didn’t even have to build a shelter! I’d like to imagine my own sequel to this movie in which Richard and Lilli have a child, attempt to leave the island and die, with their son coming back again, in a cycle that has the technology on the island advance with each generation. Think coconut radio and crab-powered pianos.

There is a conflict beyond the “stop looking at my chest, Richard!” drama but the second it begins you’ll immediately know how every detail will pan out. Even when Return to the Blue Lagoon film tries to mix things up, it contains no surprises. Despite its promises of lascivious and lusty imagery, it's unfit even as a substitute for softcore porn, meaning it’s got zero appeal. (August 23, 2019)

[mariocki]

The Saint: The Fiction Makers - Part 2 (6.12, ITC, 1968)

"You have three minutes to get dressed."

"Meaning I am going with you?"

"Not only are you going with us, Mr. Templar, you are going to cross the neutral strip first."

"So you'd better be right about those mines."

"Or else you'll be blown right into the next world."