#Good Pope John

[thepastisalreadywritten]

SAINT OF THE DAY (October 11)

Born Angelo Giuseppe Roncalli on 25 November 1881 at Sotto il Monte, Italy, Pope John XXIII was elected Pope on 28 October 1958.

He died on 3 June 1963 in Rome.

Angelo was the fourth child of 14, born to pious parents. His religious education was entrusted to his godfather, who instilled in him a deep love and admiration of the mystery of God.

He entered the minor seminary in 1892 at the age of 11, became a Secular Franciscan in 1896, and entered the Pontifical Roman Seminary in 1901.

On being ordained in 1904, he was appointed secretary to the bishop of Bergamo and taught in the seminary.

His great friends among the saints during this formative period were St. Charles Borromeo and St. Francis de Sales, two outstanding intellectuals and also formidable pastors.

He served as a military chaplain during the First World War, served as spiritual director of a seminary, and served as the Italian president of the Society for the Propagation of the Faith in 1921.

In 1925, Pius XI made him a bishop and sent him to Bulgaria as the Apostolic Visitator.

For his Episcopal motto, he chose Oboedientia et Pax.

In 1935, he was assigned to Turkey and Greece where he ministered to the Catholic population and engaged in dialogue with Orthodox Christianity and with Islam.

During the Second World War, he used his diplomatic means to save as many Jews as he could by obtaining safe passage for them.

He was created cardinal and Patriarch of Venice in 1953. He was a much loved pastor, dedicating himself completely to the well being of his flock.

Elected Pope on the death of Pope Pius XII, he was an example of a ‘pastoral’ Pope, a good shepherd who cared deeply for his sheep.

He manifested this concern in his social enyclicals, especially Pacem in Terris, “On peace in the World.”

His greatest act as Pope, however, was undoubtedly the inspiration to convoke the Second Vatican Council, which he opened on 11 October 1962.

Pope John’s spirit of humble simplicity, profound goodness, and deep life of prayer radiated in all that he did. He inspired people to affectionately call him “Good Pope John.”

He was beatified by Pope John Paul II on 3 September 2000.

He was canonized by Pope Francis on 27 April 2014, alongside the man who beatified him, Pope St. John Paul II.

[blues-valentine]

This is my last post about it. OBX 4 wasn’t just bad in terms of JJ but all characters in general.

The writers, knowing they’d kill JJ off, started a character assassination train on him perhaps expecting us to feel like he deserved to die? But we know JJ. We all know JJ’s reckless but not to this level of detachment. He was acting like an entirely different person. JJ would’ve never treated Kiara, John B or any of his friends like that. Ever. Not matter how bad life turned out. Even with the whole “JJ blew all of our money!” it’s like they wanted us to hate him so badly.

Don’t even get me started on how bad that JJ plot twist was and since Part 1 I said it. Trying to erase his entire life like that even when it didn’t make sense was lazy writing. And all for what? To have his biological father be the one to kill him at the end? Because that’s the only possibly cruel explanation for that plot twist.

Killing JJ in such a way when this character spent his entire life suffering physical and emotional abuse from his adoptive father is cruel and it sends such a sad messaging.

OBX has always been bad at giving the girls good story lines and that aren’t always about their boyfriends. Kiara’s relationship with her parents was totally ignored. We got from them cutting her off at 401 to them clapping for her at the ceremony and we never got to know how they reached that place. Did they go to family therapy in those 18 months? Did they talk and came to an agreement together? But nothing.

Cleo didn’t get to have a story line that wasn’t mostly adjacent to Pope. And for a character that’s been here for 3 seasons we only know she worked for Terrance and it’s good with knifes. We don’t know her actual surname. And I was expecting more from her revenge plot and I feel silly for expecting that from those writers.

Sarah’s PTSD regarding Ward was never further explored. The writers also forgot about Wheezie and Rose. Sarah wouldn’t have continued on without trying to reach out to her. It’s like they just didn’t want to deal with it. And the worst one is them making Sarah say she didn’t feel ready for a family at her age for them to forget about it and have her pregnant. Despite how silly it is considering the circumstances of their life and how much trauma she has to heal from.

Don’t even get me started on the way the writers never explored the girls relationship. The only bonding scene between the girls we got was Sarah telling Kiara she’s pregnant and Cleo wasn’t even there. We never saw them just existing as young girls just joking around. Hell; even a whole boys conversation would feel somehow natural and we didn’t even got that.

Pope is a killer now? And by the influence of Cleo not less. Did the writers forgot about Season 3? And how she was the one that stopped him from killing Rafe. So, now you’re telling me she was the one egging him on to become a killer. Make it make sense please.

And the pogues dynamic was so bad. God, it was so out of character for them all. Firstly, John B would’ve never allowed JJ to walk into that self destructive path especially after learning about Chandler. And then, the way JJ confessed to Pope he was sucidical and he just didn’t say anything about it? Kiara was also incredible out of character. And that death scene was particularly dumb in so many levels, because it could’ve been preventable and it was pointless. But the thing that pisses me off the most is that the pogues stood there watching. In a scene that felt perhaps a bit anticlimactic. “Not pogue gets left behind” but they buried him on a desert in Morocco and had Rafe be the one to dig the hole too. Those are not my pogues and this wasn’t the dynamic I feel in love with. OBX went from being a comfort show to give me so much unnecessary frustrations.

[patheticrafeenjoyer]

the OG4 P4L playlist

i had to fucking edit this all by hand so i wouldn't have to leak my irl spotify....... also, there's obviously much more than this, but i didn't put bob marley and/or peter tosh's entire discography on here even tho i know thats what kie has in there. just trying to get a sense of the kinds of vibe that each pogue would bring to the playlist.

[superman86to99]

Action Comics Weekly #642 (March 1989)

Superman gets offered a job as a Green Lant-- hey, wait a minute, why are we back in 1989?! Is Zero Hour already messing with the timestream? Nah, it's because, while making a Superman '86 to '99 reading guide at League of Comic Geeks, I noticed we never covered this issue -- we have a post about the Superman serial in Action Comics Weekly #601-641, and one about the classic Action Comics (Non-Weekly) #643, but this one sorta fell through the cracks since it wasn't technically part of the serial but not really a monthly issue either. So, with present-day Action Comics going weekly again this month, it seems like a good time to right another long-time wrong and plug this tiny hole in the '86-'99 continuity.

Anyway, the issue starts with a flashback to the day Green Lantern Abin Sur crashed down on Earth and, in his dying moments, instructed his ring to select and bring over a successor, who ends up being... Clark Kent?

Yep, this issue reveals that Clark was Abin's first choice for Earth's Green Lantern -- and no, this doesn't take place in some alternate timeline, like that annual where Superman becomes GL and President of the USA. However, the ring soon determines that Clark doesn't qualify for the gig because he's from a species "not native" to this planet, even though Man of Steel #1 established that he was born on Earth. Still, I guess it wouldn't be good for his GL authority to be undermined by any potential birther movements. Before having his memory of the incident wiped by the ring, Clark sees a projection of the other GL candidates, which include Robin, someone who looks like Pope John Paul II, and a test pilot Clark remembers interviewing called Hal Jordan. (Oh, and no women, leading Clark to correctly deduce that Abin's bosses have "an attitude problem.")

Clark recommends Hal for the job because he's "the straightest arrow I ever met" and will surely never go insane and kill a bunch of his buddies. Great call, Clark.

Meanwhile, in the present (well, 1989's present), Hal Jordan returns to that same desert where he first became Green Lantern to investigate a bunch of stolen nuclear materials someone's been piling up here. Some military types start shooting at Hal, which wouldn't normally be a problem for a Green Lantern, except that Hal is feeling so insecure lately that his ring malfunctions and lets the bullets hit him. When an army major shows up and starts barking orders, Hal just lets the guy arrest him and ends up getting shot in the chest by him. Again: great call, Clark.

As Hal lays dying in the desert, his ring is like "whelp, here we go again" and goes looking for potential Green Lantern candidates from all over the planet. They are: a union leader at an Eastern European factory, a priest in South Africa, an old Native American guy who fights mountain lions, a hostage negotiator in Beirut, Nightwing (so Robin again, but all grown up), Deadman (currently possessing some criminal), and Guy Gardner. Doesn't Guy already have a GL ring? Nope, because he just gave it to some very confused arms dealer who looks like G. Gordon Liddy to make a fight more interesting.

Oh, and Clark Kent again. Wasn't Clark already disqualified from the job? You'd think the ring would keep track of stuff like that.

As Hal's ring-projected ghost looks over his potential replacements, who are frozen in time at the desert, Deadman is able to talk to him (being a ghost too) and tries to convince him to just let himself die and go to heaven, where he can chill with Abe Lincoln, Ghandi, MLK, Robin Hood, and some unicorns. Clark unfreezes himself in time and tells Hal he should continue living, his main argument being "What if you miss out on the exciting space exploration that's definitely happening in the next decades?" (which is kind of a weird thing to say to a guy who can fly through space on his own).

Clark and Deadman get so caught up in their argument that they don't even notice an AI version of Abin Sur coming out of the ring and joining their little ghost party. "Abin" tells Hal that all of these other candidates are "lesser wills" compared to him, which surprises Hal (wonder if he heard "lesser willies"). Apparently that's what gives Hal the confidence to go back to his body, instantly heal himself, go kick those military dudes' butts, and convince a judge to prosecute them. While Hal's doing all that, we see that every one of the potential candidates took some GL energy with them as they got transported back to their countries and unknowingly used it to deal with the sticky situations they were in, from "convincing a factory boss to hire an old man back" to "declawing and defanging a mountain lion."

As for Deadman, he possesses the body of a kid from Clark's building just to continue his life/death argument with him. Clark tries to ignore him as he walks through Metropolis, but Deadman keeps jumping from body to body (a doorman, an old lady walking a dog, the dog) to pester him. Clark refuses to take the bait...

...until Deadman goes away, proving that Superman's will may not be as big as Hal's, but at least it's bigger than this guy's.

Creator-Watch:

Unless you count the Kingdom Come novelization, this was the only Post-Crisis Superman story written by prolific Pre-Crisis writer Elliot S! Maggin, who wrote over a hundred Action, Superman, and Superman Family issues in the '70s and early '80s. This is also, not coincidentally, the only Post-Crisis Superman story that ends with this Clark offering his once-customary last panel wink at the reader, though nothing we've seen so far suggested that fourth wall-breaking winks was in his power set. Maybe he just saw Bibbo across the street?

Plotline-Watch:

The "ACTION - CLOSED FOR RENOVATION" sign up there is a reference to the ads DC used to hype up the Action Comics Weekly series in 1988, which showed a theater marquee with messages like "WATCH FOR GRAND OPENING" and "GALA PREMIERE." Ending with "RENOVATION" is appropriate, since the regular Action title wouldn't be back for three more months.

The retcon about Clark helping Abin Sur pick Hal Jordan as Green Lantern means that, in a roundabout way, Superman is responsible for all those deaths in "Emerald Twilight" and certain dramatic events we're about to see all over the DC Universe. So, if you think about it, this issue is connected to the Zero Hour coverage we've been promising for some time now...

When Clark and Deadman are arguing about whether Hal should live or die, Deadman says one shouldn't "screw around with the way things go" (meaning: you can't just go back to life if you already died). Clark says "I resent that." I'm guessing he resents it even more post-Doomsday.

The stuff about Hal feeling fearful and insecure is explained in his ACW serial, but it's interesting that it lines up with the future retcon about a certain space parasite crawling up his butt sometime around this period. His next appearance would be in the rebooted Green Lantern #1 (1990), which is the issue where his hair started going grey (due to the fear caused by the aforementioned space bug, it was later revealed).

Don Sparrow says: "This issue, which was supposed to wrap up a number of the anthology of storylines depicted in Action Comics Weekly (or just feature the players within the book) was actually the second attempt at a final issue. The first attempt was written by Neil Gaiman, but was deemed unsuitable since his story relied on Superman and Hal Jordan knowing each other’s civilian identities, which was an editorial no-no at the time. So the story that Gaiman -- fresh off Black Orchid at the time, but before he'd hit it big with Sandman -- wrote went on a shelf, eventually emerging as a one-shot prestige format book which was released 11 years later. Though it had its moments, that story also felt similarly disjointed, to me at least, and the art styles from each chapter clashed even more jarringly than this issue. But at least that’s the last controversy Neil Gaiman was ever involved with." (Who's gonna tell Don?) I remember kinda liking that one. Since it came out in 2000, it's outside the scope of this blog, but maybe we'll cover it at the newsletter and Patreon at some point anyway.

Shout Outs-Watch:

Speaking of which, massive Hal Jordan's willforce-sized shout outs to our supporters, Aaron, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Kit, Sam, Bol, Dave Shevlin, and Dave Blosser! You can join them at those links above, because we feel self-conscious enough about plugging them once already.

And now, Don's take on this issue, plus more art from the stacked roster of artists (including Steve Ditko and Kevin Nowlan)!

Art-Watch (by @donsparrow):

Starting with the cover, and it’s a strange one.  I absolutely adore Ross Andru generally, so, not knowing if it’s the inks or the pencils, both the drawing and colouring here seems pretty rushed.  The image of Superman weighing the Green Lantern uniform is a good concept, and would have made a decent panel, but it seems a little under-developed for a proper cover.  Add to that the fact that only some of the crowd behind Nightwing, Deadman and Superman are familiar, and there’s a strange weightlessness to Nightwing’s stance, and it just doesn’t feel like what I’m used to seeing from Ross Andru. 

Inside the book though, we open with an absolute treat, with the opening pages drawn by the instantly identifiable Gil Kane.  This is late period Kane, and while it’s not as sharp as his drool-worthy early Green Lantern or Spider-Man runs, his late, ligne claire style is still a joy to read.  It’s especially wonderful that these early pages are right in his wheelhouse with a lot of space technology—Kane did practical-seeming high-tech buttons, panels and wires about as good as anyone.  It’s fascinating seeing the visuals of the other candidates Abin Sur’s ring seeks out—to my eye that looked like Pope John Paul II (I guess the ring, nor the writers of this comic could see that he wasn’t entirely honest, or without fear), Dick Grayson (who I mistook for Jason Todd because of the haircut), John Stewart, and then Hal on the far right.  I wasn’t sure, on my first reading just who the mustachioed fellow is between Stewart and Jordan—Hector Hammond I thought.  So I was glad the stories in later chapters elucidated these images. [Max: Worth noting that it's mentioned John Stewart wasn't invited to the latter part of the story because he was off-planet, not because the ring has something against architects. Also, they say the white priest is dead by then, so that can't be John Paul II unless 1981 went very differently for him in this universe...]

If I dare criticize someone with a legendary career, I was a bit thrown by how frequently Kane draws Clark with a prominent (and very Superman-like) S-curl in his hair, jeopardizing his secret identity.  Then again, he recognizes the alien is dying, so maybe he’s deduced it’s ok to be a little careless with the forelock.

After Kane’s brief story, we’re treated to another rarity for its time—mainstream comic pages from Steve Ditko!  Being fairly familiar with his style in the 80s, I’d say Art Thibert (future super-teamster, lending a very Jim Lee aesthetic to Dan Jurgens lines in the early '90s) has a pretty heavy hand here, as Ditko’s pencils, while always energetic and succinct, had gotten a little looser by the late 80s.  No matter who is more responsible for the images we see, there’s a great sense of movement and imagination to these pages, especially Hal’s use of his ring. Battering rams we’ve seen before (even in Superman comics, wherein Hal may or may not look so totalled it makes Superboy wanna hurl) but making a dragon creature to simultaneously capture armed guards and excavate a roof is pretty darn inventive.  I also appreciate Ditko’s pure cartooning—this is certainly a more visibly expressive Green Lantern than we’re used to seeing, so it’s bold to have the character emote a little more. 

The Curt Swan pages that follow are unsurprisingly excellent, Ty Templeton’s precise inks making them look all the more crisp (if memory serves, Templeton was a sharpie marker guy as well!) but they don’t give Swan a lot to do, drawing lots of real world, civilians in clothing type storytelling.  Don’t get me wrong, Swan can do it all, but this glacial, decidedly non-superhero interval gives a hint to me as to why Action Comics Weekly kinda sputtered out. Though it’s perhaps a dull scene (Clark typing out a story on a computer), the rendering and lighting of the panel of Superman using his visual powers is almost photographic, it looks so good.  The Deadman section has a bonkers depiction of Heaven, complete with Abraham Lincoln, Mahatma Gandhi, Jesus Himself (!), Robert, Earl of Huntingdon (AKA Robin Hood) and Dr. Martin Luther King Jr, with Deadman assuring a ghostly Hal Jordan that Lincoln is the funny one in the group. [Max: Wait, is that Jesus? I thought it was Uncle Sam without the hat, or maybe a time-displace Lex Luthor Jr.]

A few pages later we get a great look at Hal Jordan diving into a spiral caused by helicopter blades, and as often happens with Kevin Nowlan, the penciller underneath, no less than Carmine Infantino, gets a little lost—not that I’m complaining—I love Kevin Nowlan’s sometimes overpowering inks, because they’re so clean and delicate. [Max: Side note: Why do all the guns in this issue look like water pistols squirting green liquid?]

The Nightwing section is Jim Aparo at his reliable best, though the inks by Nyberg look a little dated next to the more modern finishes of Nowlan. 

SPEEDING BULLETS:

Fun, but tragic fact—the consistent line weight of Gil Kane’s self-inked pages (like the ones in this book) were largely created by non-archival alcohol or xylene based markers, so a lot of Kane’s original art from around this period yellowed so significantly over time that some of his pages feature ink “blacks” that are light yellow on white, making those beautiful creations almost invisible.  Fortunately, having looked into it, these very pages still look pretty good today.  

I like that even back in 1988, Clark Kent is evolved enough to question why Sur’s ring didn’t find any female candidates.

While it’s fun to explore the function of Hal’s ring, I don’t know if I subscribe to the notion that his shield would be that weak if he had a confused thought. 

I like oldies enough that I can’t help hearing Neil Sedaka’s high pitched tones as I read Hal thinking “Oh, Carol!”

On the whole, I found this whole yarn, about military corruption, with the brief if colourful interstitials to introduce the other Lantern candidates (which had little bearing on the rest of the story) pretty hard to follow.  Even more so, since we don’t actually see the fruits of Green Lantern’s labour—Major Easterly isn’t shown being arrested, we see only the signing of the warrant for his arrest, which feels like something more consequential than the kid selling door to door in Clark’s apartment building, say.

Action Comics Weekly was an interesting experiment, and there’s a pretty in-depth explanation of DC’s reasoning behind discontinuing it.  They do acknowledge that sales weren’t strong, but also posit that they weren’t at cancellation level.  Their rationale for cancellation was that the weekly schedule was too difficult to keep up with, especially with a double sized book like Action Comics Weekly.  I remember being incredibly excited when it was first announced, then crushed when I realized that Superman got only two pages in each issue.  Yes, the story was by Roger Stern, and yes, illustrated by Curt Swan, so we were in good hands, but there was a dullness and a lack of fantasy or superhero action in the stories that persisted, and made ACW feel less than essential.  The teams were top notch talents (people like Mark waid, Peter David, Dave Gibbons, Christopher Priest, etc).  The characters were ones I wanted to read about, but what happened in the stories often felt like strange choices.  For example, there was an extended Hal Jordan story where it was revealed that Hal Jordan, whose only thing is that he’s honest and fearless was revealed to be neither honest, nor fearless, but had been subconsciously purged of fear and dishonesty by his ring, requiring him to deprogram the ring to remove that influence.  That decision led to reading about Hal Jordan cowering on the ledges of buildings, afraid to fly as he got his bravery back.  Interesting concept, or intellectual exercise, perhaps, but is it what the average Green Lantern fan would want to read?   It felt like there was a lot of that to me (though it did have the unique element of depicting Oprah Winfrey threatening to break…something… of Green Lantern’s). Once Roger Stern was brought on as a regular writer, some elements (like the Superman cult of California) were a little more integrated into continuity, but for the most part as a Superman fan at the time, the ACW story read a lot like pre-Crisis Superman.

Missed an issue? Looking for an old storyline? Check out our new chronological issue index!

[futuremrscameron]

luke being mean to these babies i’ll kill him

[topperscumslut]

just reread my 3.5k word essay in defense of topper thornton and goddamn i kinda forgot just how bad my man got fucked over im so glad i made an entire fucking blog dedicated to him even tho i barely post about topper or obx anymore and this is basically a scream/stuilly fanpage atp ahaha topper baby they can never make me hate u

[jjxkiaraxpopexcleoxjohnbxsarah]

This fic was so good so I wanted to make a cute moodboard for it, Hope you like it @ktsaysthings, u rlly deserve it babes

Kiara nearly kills her next door neighbor with a cursed cherry pie and still manages to walk away with four new friends.

Keep Reading 🥧💗

[broareweabouttoviberightnow]

actually so obsessed with the way even drew thinks that barry was into rafe this is a truther moment for me let me have this

[callisto00]

Four big guys-

[thepastisalreadywritten]

SAINT OF THE DAY (October 11)

Born Angelo Giuseppe Roncalli on 25 November 1881 at Sotto il Monte, Italy, Pope John XXIII was elected Pope on 28 October 1958.

Angelo was the fourth child of 14, born to pious parents.

His religious education was entrusted to his godfather, who instilled in him a deep love and admiration of the mystery of God.

He entered the minor seminary in 1892 at the age of 11, became a Secular Franciscan in 1896, and entered the Pontifical Roman Seminary in 1901.

On being ordained in 1904, he was appointed secretary to the bishop of Bergamo and taught in the seminary.

His great friends among the saints during this formative period were St. Charles Borromeo and St. Francis de Sales, two outstanding intellectuals and also formidable pastors.

He served as a military chaplain during the First World War, served as spiritual director of a seminary, and served as the Italian president of the Society for the Propagation of the Faith in 1921.

In 1925, Pius XI made him a bishop and sent him to Bulgaria as the Apostolic Visitator.

For his Episcopal motto, he chose Oboedientia et Pax. 

In 1935, he was assigned to Turkey and Greece where he ministered to the Catholic population and engaged in dialogue with Orthodox Christianity and with Islam.

During the Second World War, he used his diplomatic means to save as many Jews as he could by obtaining safe passage for them. 

He was created cardinal and Patriarch of Venice in 1953 and was a much loved pastor, dedicating himself completely to the well being of his flock.

Elected Pope on the death of Pope Pius XII, he was an example of a ‘pastoral’ Pope, a good shepherd who cared deeply for his sheep.

He manifested this concern in his social enyclicals, especially Pacem in Terris, “On peace in the World.”

His greatest act as Pope, however, was undoubtedly the inspiration to convoke the Second Vatican Council, which he opened on 11 October 1962.

Pope John’s spirit of humble simplicity, profound goodness, and deep life of prayer radiated in all that he did. He inspired people to affectionately call him “Good Pope John.”

He died on 3 June 1963 in Rome.

He was beatified by Pope John Paul II on 3 September 2000.

He was canonized by Pope Francis in St. Peter's Square on 27 April 2014, alongside the man who beatified him, Pope St. John Paul II.

[lauraisakilljoy]

obx spoilers ahead!!

I'm so conflicted about the season 4 ending because on one hand I get it. life is unfair, it's unrealistic to give all of your characters happy endings, especially if said characters are constantly putting themselves in danger. it makes sense that not everyone survives four seasons of near-death experiences like being held hostage, getting shot at, almost drowning etc. on the other hand I can't help but be bitter that the person who had been abused/mistreated their entire life and who was clearly suffering was the one who had to die. at the hands of his biological father, may I add. I’ve seen some people say JJ was annoying this season and I get where they’re coming from, but all of his impulsive decisions and everything that happened at/after the town meeting just made me sad. he was struggling so much that he didn’t care what happened to him or if he lived or died. all he wanted was a future where he could live with his friends in their own little paradise without a care in the world. with the money from the crown and shoupe’s promise, it seemed like he was so close to happiness and inner peace, but they didn’t let him have that. so yeah, I get why they did this, but that doesn’t make it less upsetting.

[chyyy66]

Just finished Outer Banks season 4 ….

I feel numb. This week has been hard, and next week is gonna be even harder… I can’t take this

[supermentaleyeliner]

kaos cancellation to wake me up and then you give me the serving obx cast for the premiere + first 9 minutes ?? what are you doing, netflix, trying to give me an emotional seizure ?? ugh (read the tags they do the speaking)

[rotteneldritchhorror]

Ya know, I'm starting to think a certain chunk of the OBX fandom just hates women lol

[kiexromero]

Soy la unica que nunca habia pensado que Kie y JJ podrian ser pareja? No me mal interpreten, me encanta esa pareja, pero nunca se me había pasado por la cabeza.

Pero Kie se ha chapado a todos. Por eso me da miedo que en esta temporada pase algo malo con el ship de Jiara

Cosas que quiero ver en OBX4

-Escenas Jiara y un endgame

-Vibes de OBX1 (tipo vibras de la primera temporada, porque es que en esta última que ha habido cada uno estaba como por su lado. John B con su padre, Pope y Cleo por otra, Sarah con los Kooks,...)

Y ya esta, byeeeee

[broareweabouttoviberightnow]

an incredibly ridiculous rant on obx season 4 below the cut read at ur on risk 😔 also if you liked the ending of season 4 keep scrolling I'm happy for you but this post isn't for u loves

ok. I got something to say. lemme preface this with I have no knowledge of Madison and Rudy's off screen fall out or the relationships of the cast. I'm SOLEY talking about the writing and characters here. so with that out of the way.

what the fuck.

I'll be coming back to this after I have finished watching season 4 but I've read over many posts from similarly baffled fans and gotten the gist from articles summing up the shit show of season 4.

this is gonna get lengthy here so feel free to scroll I just have a lot of thoughts.

obx has been one of my comfort shows for many years now. I have watched and rewatched and jj maybank has been a comfort character of mine since the start. so with the previous backstory of my love I am so disappointed over this season. They stripped JJ of the complexities of his character and had such an interesting dynamic with his dependence, fear, and the heart breaking hope maybe one day his father would love him like he deserved to be loved. and they took all that and not only gave Luke a disgusting 2 bit redemption but made all his character depth null and void. perhaps if it had been handled better it would have been interesting. I forgot for a moment what show I was watching. he death was utterly meaningless.

Regarding JJ's death I will put it bluntly. fucking stupid. this show is a shitty teen show. we all knew it from that start and for me it made me love it for what it was. they are not a soap opera. they show was never intended for one of the main characters to die. its silly. it's found family. it's treasure hunting. it. is. not. a. fucking. soap opera.

the pates could have ended it here. the pogues could have had their stories end. pleasantly. bitter sweet maybe, but the end of a coming of age always is. this shit was a fucking flat out money grab. kill the actor who doesn't want to continue and let the show move on. it's beyond frustrating. his character was not finished. no where near. and it wasn't a heartbreaking moment where a character was always doomed. he could have had a happy ending. this was cheap.

all in all season 5 will fall flat. the show was built on the 5 of them and without JJ the show is permanently lopsided. the pates should be sorry for this bullshit. sorry obx fans.

tldr: