#Goal setting influencers

[martinadola]

Best Motivational Influencer

A motivational speaker and entrepreneur dedicated to inspiring individuals to achieve their dreams and unlock their true potential. With a passion for empowerment, she shares actionable insights to help others embrace growth and success. For details visit: https://iamshipra.com/

[good-beanswrites]

oomph i know i'm definitely really early with this ask (changing time zones for vacation is weird o.O) but I was thinking about it over the past few days

for the lights, camera, sing your sins au, are the interrogations somewhat scripted where the prisoner knows what to say and Es is mostly just reactions or questions to that? I feel like we've talked about this but I have forgotten jandjnf o.O

because all i can think about is Es getting beaten up or close to tears in the first voice dramas and man if it's scripted, i feel bad for the prisoners who have to do this to es o.O

Hi Mug :D No worries, a slightly late reply because I was on vacation too haha! 🍂

And I mean it's whatever works best in people's minds, but I always pictured there being very little scripted, actually! I'd hoped that everything was as natural as possible. The prisoners just have to make the little shift to act as if they did follow through with the murder instead of talk about how close it came -- other than that, everything that happens is the characters' honest questions, answers, and reactions.

When explaining the no-violence ban to everyone, Fuuta and Kazui (and later Amane) tell Jackalope how they would think during their interrogations. Jackalope instructs them all how to act in order to stay consistent with the barriers/losing strength stuff. I think the only explicitly scripted action is Mikoto's violence, since Red admits he may resort to that if Blue felt threatened. Jackalope tells him to get to the point of violence no matter how the interrogation goes, as it's necessary (to proving Mikoto's situation, to driving home the central ideas of Mikoto's case, to reveal Milgram's process and 'limits,' etc).

And yeah, it definitely tears him apart to actually do it -- he has to verify that Es signed up for this several times (which they did), and it still takes a lot of resolve to follow through with hurting an innocent kid like that. I imagine that's one of the reasons he's not really upset that Kotoko surprised everyone by intervening: he felt so guilty about the attack and was grateful someone came in to stop it.

Although it wasn't physical pain, Mahiru is also really upset that she brought Es such emotional strain. She thinks it's cruel to fool them into feeling bad for her when she's okay, and it takes a lot of reassurance from the others to convince her it's for the sake of the experiment -- every part of the process has toyed with everyone's emotions, she's not a terrible person for doing so.

Whether in the middle of the trial or the final executions, I think any characters who die next trial will also feel awful for making Es mourn for them when they're still alive. It's not all one-sided guilt, though. It's balanced by anger/sorrow towards Es for condemning them to death in the first place because of their decisions. Any time they get too caught up in thinking "I'm so cruel for tricking them like this," they have a moment of "well, they did specifically order my death, so..."

When I'm looking for a pure fix-it, I'll let those emotions go pretty easily <3 But unfortunately my writer ass is never free from The Themes asdfsdf and sometimes I still get caught up in the project's major focus -- not only is Es facing the original Milgram dilemma of choosing whether or not to follow authority, but now the prisoners are faced with the exact same decision. Do they physically/mentally hurt this child "for the experiment?" Because someone in authority told them to? They're doing this to prove a point about justice and fairness, but where should they draw the line? At what point is it not for the greater good and they are just causing more harm?

I think I mentioned it before but in this au the prisoners are extremely motivated by the promise that this experiment will help others like them. Yuno wants to make a statement about society's views on abortion and sex work. Muu wants to make a difference for bullying victims. Kazui hopes to be a voice for all those who have had to keep theirs quiet about something. Mikoto hopes his story creates more awareness and acceptance for people who are usually terribly stereotyped and feared. Kotoko wants to bring to light the problem of corruption and what can be done about it, and so on. In the end, they can always justify causing a little emotional/physical harm because they are doing it for a good reason.

[coolprincessworld]

How I stay motivated through College

Of course it can be hard staying motivated through college, especially when those midterms come by and finals being around the corner but that doesn’t mean you should dread college. In fact you should remain motivated and I’m going to explain exactly how to do that! College only gets draining if you allow it to. The truth is you can make college feel like the best part about your day. There’s several ways to start this journey, but it’s not difficult. When I first started college I came into it with the same mindset as almost everyone else, however that changed fairly quickly. Here’s a set of things that I started to do to start romanticizing, staying motivated, and loving college!

 I started to realize that I focused a lot better when I had a neat and tidy place to study at, whether that was at my local coffee shop, or on my desk (after I cleaned it). This makes me feel more productive and motivated overall. Now I know that when we take several classes we think we have no time left in our days, but one thing that has changed my life is setting goals for myself & creating a schedule, whether that’s on the notes app, or in my planner. I keep a digital planner and a paper planner on me at all times and this helps me check things off my to-do lists, trust me when I tell you it’s the BEST feeling ever physically crossing out a task you needed to get done. Although we may feel super overwhelmed with the amount of homework we may get sometimes, it's very important to TAKE BREAKS. Don’t burn yourself out because that’ll only lead you to dreading anything school related. One thing that I focus on when I have lengthy assignments is taking breathing breaks. Now I know this may sound silly but trust me when I say it’s a game changer, stopping for 5 minutes won’t put you too behind, if anything it’s better to take breaks in between. With this being said, it’s important to celebrate your accomplishments! Believe me when I tell you that any accomplishment is a win, and should be celebrated. After any accomplishment I want you to remind yourself that you did it and give yourself a pat on the back. No one will ever be as excited for your own accomplishments more than yourself (I know we all feel excited about little accomplishments in our minds, so why not express them out loud)! Next thing I wanted to note is dress up. I am a strong believer of looking good, feeling good! Don't let the fear of being the only one dressing up for school stop you, I promise no one will care and it’ll benefit you the most! Buy a cute/fresh outfit, do your hair, decorate your bag, etc. This is probably one of my favorite things about college, going back to school shopping and getting new things (yes it keeps me going)! Lastly, focus on your “why”. Remind yourself why you're here and why you're dedicated to finish school. Manifest that dream job that you WILL get after college, and remind yourself that getting up to go to school in the morning is all for a bigger purpose in your life. You’re doing this for a reason, and you’re going to be a rockstar in any career path that you choose!

[shearlin]

Inspired by this post by @thatonedragongirl and addition by @bokettochild

I also feel like FD does not completely take control, but is such a strong presence, that it overwhelms the user after a extended / repeated use, to the point of losing a sense of self.

However, I always hc that FD mask is a cursed object and behaves as such. It warps the perception of user, yes, but it also warped the Fierce Deity himself. Just like putting a power of divine in a mortal vessel would never end well for the mortal in question, smushing a god in a tiny piece of wood would not end well for the deity.

I hope you don’t mind a little drabble about this concept about FD influence and my understanding of it.

Fierce Deity was powerful. Was.

It was centuries, millennia ago, when his power was stripped, cramped and forced into a piece of wood, trapping him in a plaything, a mask. A thing to be used like a tool.

But he did not fade like they hoped nor he subdued to their will. He was a god. He lingered, observed, adapted. He would not be defeated that easily.

They took his body and freedom. They wanted to play gods, when they were at war. They made a mistake and paid for it. But it did not end his imprisonment. The cycle continued. Someone found the mask, put it on and then break under his will. Over and again.

But that was a past long gone. His current wielder was different. Treated him with respect and fear like he should. He would not mind a vessel like that. His mind and magic was strong and his spirit was touched with Her divine light. Fierce Deity did not expect the fragile child that found him to become quite the man he is now, but it was only for the better.

Every time the hero put on the mask that hold his power he would whisper his guidance, pour his power into him, making him a true avatar of his might. Fighting like this felt right. Fighting both to protect and destroy. Even if he was not free. He helped when he was called and it was almost enough.

But if he could convince him to leave it on, to let him handle it, that he would take care of it... After all, who was better to wield a power of a god than the divine it belonged to?

It would be easier. It would be painless.

His wielder would not have to be hurt, ever again. Even if the hero thinks he could do it alone. The deity has chosen and laid his claim.

Fierce Deity would never be free. But this is still his. And he'll be damned, like the curse they called him, if he let anyone take it away.

---

Time didn’t know what to think of the Fierce Deity mask. It scared him. It sickened him. It drew him in. It gave him strength and power. He needed it.

Putting it on felt... intoxicating. There was nothing - and he meant nothing - that could stop him when he put it on. He could protect everyone like this. His home, his wife, his boys, everyone.

He could also kill everyone like this. After all, Fierce Deity had no reason to hold back. No reason to stop his blade.

And every time he put the cursed mask on, Time could feel he had less and less reason to as well. It was freeing in a sense.

It was terrifying.

He vowed to never put it on unless absolutely necessary. He was long past the time, when he thought he would be able to let it go completely. When he tried to fool himself he had it under control.

One day, the gentle pulls and whispers would turn to shoves and commands that can't be ignored. One day, the overwhelming presence that felt in equal part comforting and threatening, would be too inviting to stop. One day, he would lose himself in the sweet song of power and the rush of never-ending fight.

The worst part? He knew. It was already happening. And yet, there was no way on Farore’s green earth he could let go now. He knew, but he didn't care anymore. He was not sure when he stopped.

There would always be someone stronger that him that endanger everyone. An evil that he would not be enough to defeat. Ganondorf still lives in his Hyrule. Moon was still on the sky, ready to plummet. You just never know when you might need some extra help. So the mask stays in his pouch ready to be used, humming with power both cursed and divine.

Fierce Deity had him in his clutches, marking his face and purring in his mind, promises of easy victory and safety for those he loved.

And Time was terrified how easily it was to accept that as true.

[mascaraandmojitos]

Source: http://clair-de-lunne.tumblr.com

[lagfestival]

:(

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[theambitiouswoman]

How to develop discipline:

1. Set clear goals. What do you want to accomplish and why does it matter to you? Break the goals into small, actionable steps (feels doable).

2. Create a daily schedule that prioritizes most important items on the list. Keep it consistent to form habits over time.

3. Start small. Focus on one discipline building habit at a time to avoid getting overwhelmed. Gradually increase your commitments little by little.

4. Get rid of distractions that hinder your focus (e.g., social media during work).

5. Use accountability partners if possible. And/or track your habits. Use an app or check off from your list (this feels so good!)

6. Have self control! Resist small urges to build willpower (e.g., delay instant gratification). Commit to showing up even when you don’t feel like it. Especially when you don’t feel like it.

7. Stay consistent. Discipline is built by sticking to your commitments daily, not just when it’s convenient. Progress, not perfection is what matters.

8. Embrace the discomfort. Challenges are growth opportunities. Train yourself to act despite discomfort or boredom.

9. Celebrate every win & reward yourself for milestones to stay motivated.

10. Reflect on failures without judgment and adjust your plan. You will have to adjust your plans quite a few times. Don’t get set in your ways.

11. Spend time with disciplined and goal oriented people. You become who you surround yourself with. Their habits will inspire and influence you positively.

12. Keep your WHY in mind.

[rheas-chaos-motivation]

Questions to ask beta readers

General:

Were you confused at any point of the story?

What genre would you say this book is?

When did you put the story down?

Is the ending satisfying?

If you had to cut 3 scenes what would they be?

When did you feel like the story really began?

What was the last book you read before this story?

Characters:

Do you get any of the characters names confused?

Which character is your favorite?

If you had to remove a character who would you and why? (you don't have to remove the character, just make sure their role is meaningful)

Which character do you relate to the most?

Which character do you relate to the least?

Do the characters feel real?

Are character relationships believable?

Are the goals clear and influence the plot?

Are the characters distinct (voice, motivations, etc)

Setting:

Which setting was clearest to you?

Which setting was the most memorable?

Am including enough/too much detail?

Plot and conflict:

Are the internal and external conflicts well defined for the main characters?

Are the internal conflicts and the external conflicts organic and believable?

Are there enough stakes?

Are the plot twists believable but still unexpected?

[fastlane-freedom]

Why People Prefer Following Celebrities Instead of Working on Personal Success

In a world saturated with information and constant connectivity, the lives of celebrities often take center stage. Whether it’s movie stars, musicians, athletes, or social media influencers, the limelight seems to have an irresistible pull on people’s attention. This phenomenon raises an intriguing question: Why do individuals often find themselves more engrossed in the lives of famous…

[bookished]

HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

[batboyblog]

Things Biden and the Democrats did, this week #26

July 5-12 2024

The IRS announced it had managed to collect $1 billion in back taxes from high-wealth tax cheats. The program focused on persons with more than $1 million in yearly income who owned more than $250,000 in unpaid taxes. Thanks to money in Biden's 2022 Inflation Reduction Act the IRS is able to undertake more enforcement against rich tax cheats after years of Republicans cutting the agency's budget, which they hope to do again if they win power again.

The Biden administration announced a $244 million dollar investment in the federal government’s registered apprenticeship program. This marks the largest investment in the program's history with grants going out to 52 programs in 32 states. The President is focused on getting well paying blue collar opportunities to people and more people are taking part in the apprenticeship program than ever before. Republican pledge to cut it, even as employers struggle to find qualified workers.

The Department of Transportation announced the largest single project in the department's history, $11 billion dollars in grants for the The Hudson River Tunnel. Part of the $66 billion the Biden Administration has invested in our rail system the tunnel, the most complex Infrastructure project in the nation would link New York and New Jersey by rail under the Hudson. Once finished it's believed it'll impact 20% of the American economy by improving and speeding connection throughout the Northeast.

The Department of Energy announced $1.7 billion to save auto worker's jobs and convert factories to electronic vehicles. The Biden administration will used the money to save or reopen factories in Michigan, Ohio, Pennsylvania, Georgia, Illinois, Indiana, Maryland, and Virginia and retool them to make electric cars. The project will save 15,000 skilled union worker jobs, and created 2,900 new high-quality jobs.

The Department of Housing and Urban Development reached a settlement with The Appraisal Foundation over racial discrimination. TAF is the organization responsible for setting standards and qualifications for real estate appraisers. The Bureau of Labor Statistics last year found that TAF was 94.7% White and 0.6% Black, making it the least racially diverse of the 800 occupations surveyed. Black and Latino home owners are far more likely to have their houses under valued than whites. Under the settlement with HUD TAF will have to take serious steps to increase diversity and remove structural barriers to diversity.

The Department of Justice disrupted an effort by the Russian government to influence public opinion through AI bots. The DoJ shut down nearly 1,000 twitter accounts that were linked to a Russian Bot farm. The bots used AI technology to not only generate tweets but also AI image faces for profile pictures. The effort seemed focused on boosting support for Russia's war against Ukraine and spread negative stories/impressions about Ukraine.

The Department of Transportation announces $1.5 billion to help local authorities buy made in America buses. 80% of the funding will go toward zero or low-emission technology, a part of the President's goal of reaching zero emissions by 2050. This is part of the $5 billion the DOT has spent over the last 3 years replacing aging buses with new cleaner technology.

President Biden with Canadian Prime Minster Justin Trudeau and Finnish President Alexander Stubb signed a new agreement on the arctic. The new trilateral agreement between the 3 NATO partners, known as the ICE Pact, will boost production of ice breaking ships, the 3 plan to build as many as 90 between them in the coming years. The alliance hopes to be a counter weight to China's current dominance in the ice breaker market and help western allies respond to Russia's aggressive push into the arctic waters.

The Department of Transportation announced $1.1 billion for greater rail safety. The program seeks to, where ever possible, eliminate rail crossings, thus removing the dangers and inconvenience to communities divided by rail lines. It will also help update and improve safety measures at rail crossings.

The Department of the Interior announced $120 million to help tribal communities prepare for climate disasters. This funding is part of half a billion dollars the Biden administration has spent to help tribes build climate resilience, which itself is part of a $50 billion dollar effort to build climate resilience across the nation. This funding will help support drought measures, wildland fire mitigation, community-driven relocation, managed retreat, protect-in-place efforts, and ocean and coastal management.

The USDA announced $100 million in additional funds to help feed low income kids over the summer. Known as "SUN Bucks" or "Summer EBT" the new Biden program grants the families of kids who qualify for free meals at school $120 dollars pre-child for groceries. This comes on top of the traditional SUN Meals program which offers school meals to qualifying children over the summer, as well as the new under President Biden SUN Meals To-Go program which is now offering delivery of meals to low-income children in rural areas. This grant is meant to help local governments build up the Infrastructure to support and distribute SUN Bucks. If fully implemented SUN Bucks could help 30 million kids, but many Republican governors have refused the funding.

USAID announced its giving $100 million to the UN World Food Program to deliver urgently needed food assistance in Gaza. This will bring the total humanitarian aid given by the US to the Palestinian people since the war started in October 2023 to $774 million, the single largest donor nation. President Biden at his press conference last night said that Israel and Hamas have agreed in principle to a ceasefire deal that will end the war and release the hostages. US negotiators are working to close the final gaps between the two sides and end the war.

The Senate confirmed Nancy Maldonado to serve as a Judge on the Seventh Circuit Court of Appeals. Judge Maldonado is the 202nd federal Judge appointed by President Biden to be confirmed. She will the first Latino judge to ever serve on the 7th Circuit which covers Illinois, Indiana, and Wisconsin.

Bonus: At the NATO summit in Washington DC President Biden joined 32 allies in the Ukraine compact. Allies from Japan to Iceland confirmed their support for Ukraine and deepening their commitments to building Ukraine's forces and keeping a free and Democratic Ukraine in the face of Russian aggression. World leaders such as British Prime Minster Keir Starmer, German Chancellor Olaf Scholz, French President Emmanuel Macron, and Ukrainian President Volodymyr Zelenskyy, praised President Biden's experience and leadership during the NATO summit

[libracorpvs]

- Delusions of Gender by Cordelia Fine (pp. 33-34)

I’m not averse to the idea that men and women have some ‘natural’ behavioural differences based on hormones or evolution just that:

These differences mean nothing outside of the social and environmental contexts of patriarchy, there is no inherent situation where men automatically have advantages over women without additional context. A man can physically overpower a woman but this only advantages him in contexts where he doesn’t need the social support of a group or where his social support is men. Men’s behaviour benefits them in patriarchal contexts, which many people forget is not natural. If we lived in a matriarchy where if men harmed women they were punished and ostracised and had no resources or opportunity to fulfil their goals, then it would no longer advantage men to do so.

These differences cannot be meaningfully separated from socialisation, intergenerational trauma and culture when discussing any sort of behaviour or personality traits today.

Women are not inherently masochistic, and all male placating behaviours are in response to but a cause of patriarchy.

It does not mean that patriarchy is inevitable.

[ancientroyalblood]

Conquering Writer's Block: Techniques to Regain Your Creative Flow

Writer’s block, that dreaded barrier that stalls creativity, is a challenge every writer faces at some point. It’s that moment when ideas seem to evaporate, and the blank page becomes an insurmountable obstacle. But fear not, for within the realm of writing, there exist techniques to overcome this creative standstill. In this blog post, we’ll delve into the realm of writer’s block and explore…

[prokopetz]

Perhaps you've talked about this before, but what do you view as D&D's "comfort zone" as far as the rules expectations are concerned? If I'm playing a 5e game with my friends, what kinds of stories are generally going to be most enjoyable to run with the ruleset as it exists already?

Broadly speaking, D&D's narrative comfort zone revolves around stories about small groups of highly skilled weirdos whose core competences lie somewhere in the vicinity of "hurting people and breaking things", trying to achieve a goal that can be accomplished by travelling from point A to point B (and hurting or breaking whatever they find when they get there). This journey will take the form of a picaresque series of set-piece encounters, characterised by the ever-present threat, if not necessarily the eventuation, of violence, in which various only-semi-avoidable horrible things will happen to the group – potentially up to and including death – and they will do horrible things to others in turn. Though the framing of this series of set-pieces may involve some sort of mystery or intrigue, the rules don't care about that dimension of the story's premise and offer few tools for engaging with it; rather, the spotlight lies on the logistical dimension of the journey – i.e., how the group marshals the limited resources available to them in order to accomplish the getting-from-point-A-to-point-B part.

(Some folks reading this may be thinking "wait, you just described a completely standard RPG", and given the influence of D&D on the evolution of that standard, you're not wrong; however, if that was your reaction, it may be worthwhile to back up and count how many weirdly specific assumptions about the shape of the game's story I just outlined – there may be a few you didn't realise you were making!)

[mascaraandmojitos]

Source: http://wgm-beautiful-world.tumblr.com