#Getting there with answering the asks I kept in my inbox

[signanothername]

Hi Anó! Do you have any advice for writing characters like killer? How do you achive that nuance? I love your comics and would love to learn about your artistic process a bit!

Hi Gal!! A delight to see you in my inbox! <3

Omg thank you sm hcchhcchch (have you seen your own comics???? *shakes you* /pos)

Ok but I say this genuinely, I think your ideas and comics are such a beautiful and refreshing take on these blorbos, you’re doing such an amazing job both writing and art wise (your 2 Killers idea is so fucking good eeeeee) <3333

Ok to the question xgzggxzg

Killer is definitely.. complicated to write, I struggle with him sometimes ngl shshhdh

I honestly went and reread his entire comics, lore and answered asks to get a deeper look into him to be able to write him

But when it comes to writing him, I generally try to keep 6 things in mind at all times

1-trauma: how does the resets, working for Chara, having his code get manipulated and killing over and over again till what was new became something old affect him? (the whole idea of Killer killing people started as an offer of trying something new, so he kept killing till he got bored and killing became something stagnant)

This can easily be portrayed in Killer’s canon inability to till what’s real or not, as well as his hallucinations and the guilt he’s ridden with, always running from his past yet never outrunning it, as it always catches up to him

2- conditioning: his conditioning started from the days of Chara, then continued into his days with Nightmare, how does his conditioning affect him in his daily life?

How was he conditioned specifically? And how does that contribute to Killer’s perception of self, autonomy, self worth, and life in general? How does it change his body and mind?

Does it make him believe he’s just a machine meant to please others even when it hurts him, does it make Killer perceive vulnerability as a death sentence

How does he feel about his masters? Does he hate them down to every bone, or does he not care?

3-personality: Killer’s personality always change depending on the stage, but what are the main traits that you know Killer will always have regardless of the stage? Being quiet is one thing, he keeps to himself (as much as the fandom loves to portray him as extremely hyperactive, he’s not at all the loud, talkative, hyperactive skelle the fandom makes him out to be)

He’s also extremely secretive, seems to have knowledge that others don’t, and seems to always be up for a social interaction regardless of who’s with him

He’s also actually extremely patient (another thing the fandom stripped away from Killer’s character), and is very docile (isn’t aggressive unless pushed and never is an attack on sight kinda person) yet holds a grudge big time

He seems to see himself as superior over others, he’s extremely fucking intelligent it’s actually scary

These traits are something I try to keep consistent within my writing for Killer

4- relationships: what are his relationships with other characters like, and why?

Taking the 3 points before into consideration, how does Killer’s trauma, conditioning, and personality make him perceive others and others perceive him?

Are his relationships healthy? Toxic? Are they one sided or mutual? Does he care about the person in his vicinity or are they just another nobody? If he cares why? If he doesn’t what would he do to them?

Would he take advantage of his relationship with someone or is it a relationship he wishes for it to vanish?

5-stages: I think this is truly what makes Killer extremely complicated, cause see all of the 4 points above? how does each stage differ from each other?

How does stage 1 deal with his guilt/truama and conditioning? How does stage 2, 3, and 4 deal with them?

Depending on each stage Killer’s outward perception, personality, attitude, thoughts, and actions change

But how do they change exactly?

This is something that you need to understand each stage for to be able to integrate into writing

Stage 1 is the stage where he’s most sans like, yet never sans enough, stage 2 is when he’s apathetic to everyone and everything and perceives killing as “fun” because he’s painfully understimulated , stage 3 is when he’d attack whoever is in front of him, and stage 4 is when killer is no longer present mentally

How does each stage deal with his environment, with the people around him, how does he deal with the dissociation and how does he perceive himself in each stage?

6-environments: how does the environment Killer lives in affect him?

Killer starts in an environment of time loops, how does that affect his perception of time and reality? He then becomes Nightmare’s subordinate, a dangerous environment with constant threats to his life from every angle, how does Killer feel about it? How does he deal with it?

Will he get to try his luck and escape, or has he given up on himself and the idea of freedom? Does he even believe he has a chance for a better life in a safer environment? Will he go for a safer environment or will he cling to the comfort of what he knows?

When he does finally go to a safer environment, how would that affect him? Both positively and negatively? Would he feel like something is missing? Would his mind constantly tell him that this safe environment isn’t really safe?

Then of course, beyond these main 6 things, there’s the in between, what are Killer’s likes? His dislikes? How does he feel about sleep, food?

Generally when writing characters, it’s important to keep in mind interpersonal factors, intrapersonal factors and environmental factors that ends up affecting the character’s behavior, or in this specific situation, Killer’s behavior (god I’m realizing how much my uni major affects my writing of characters rn chchc)

But I say the biggest life saving advice I have that helps with writing characters in general (and especially complicated ones like Killer) is having the question “why” as your closest friend

When you make a statement about a character, in this instance Killer, always attach the question “why” at the end till you can’t attach it anymore, until you reach a point where asking “why” becomes unnecessary and annoying

For example:

“Killer loves golden flower tea”

Why?

It reminds him of the bed of golden flowers he passed out on

Why does that matter?

Because it was the point of no return from a change that will always dictate who he is

Why is it a point of no return?

Because his soul had deformed beyond recognition and it can never be brought back to how it used to be

Why would it dictate who he is? Why can’t he just choose to be someone else?

Because he was conditioned to be this killer by a higher power out of his control

At this point, there are no more “why”s that would make something as simple as a golden flower tea statement more nuanced than it already is, so when you ask why again, you find that you’re unable to continue giving an answer, that’s the point of where you stop

In fact, allow me to test you by giving you a quick question about your own interpretation of the characters, why does your Nightmare admire Error? What is in Error that Nightmare admires specifically?

Of course, you don’t really need to answer me, but I’m just giving you an example of how asking “why” can help you make so many simple things more nuanced

Ok but what if you know there should be an answer to a “why” but you don’t know it yet? Then you keep it in mind for later, you won’t always have the answers to everything on the get go, sometimes, you need a bit of time to figure things out and write characters the way you feel satisfy you, until then, you can work on other things about the characters

*Cough* anyway, this is honestly everything I can think of off the top of my head? Hopefully I didn’t miss anything ydfhgchchchc

Do let me know if you’d like any more help or need clarification on anything, I’d be happy to help where I can <33333

Now have a sketch of your 2 Killers cause I love them dearly, they have a special place in my heart (genuinely adore how you write Killer already btw)

[kithtaehyung]

— ryen’s tumblr wrapped 2024 

i didn’t even know these were a thing but i did notice that tumblr wasn’t doing those wrapped posts, so thank you to @yoonia and @jjungkookislife for tagging me so i could join! fashionably late but i’m slidin’ through the door :D 

before we get to the stats, i just wanted to give a huge thank you to everyone that’s been here with me in 2024. many things happened, both on and off this blog, so to know who’s a real one and either stuck with me or trusted me makes me happy and at peace. there’s a lot i haven’t said, but just know that i love you all and am grateful for the kindness and support. all the messages, reblogs, comments, tags, etc. kept my spirit alive, and i hope anything i’ve shared has given you some modicum of love, hope, home. let’s get to it!

— kithtaehyung 2024 wrapped 

total posts — art posts: 55 | gfx posts: 13 | fic posts: 8 total word counts — posted: 69,200 | written: 100,000+ total asks — answered: 1,442 | inbox: also a number😅 milestones — 3 years with 3tan | 2_,___ followers | crossing 7,000 3tan asks (ho ly shit lma oo ?? ?)

FIRST FIC OF 2024: broken, pt. 2 (3tan) (myg) ; 240209 ; 1,728 notes  

the current, most recent part of the main 3tan storyline. this one broke me, put me back together, then broke me again. the mental strain of writing both broken pt. 1 and broken pt. 2 was one of the main reasons why i had to take this long of a break. but we’ll be back to the main storyline in 2025! 

series notes: idr but it's a number!!!!

MOST POPULAR FIC OF 2024: minted: part one (myg) ; 240805 | 2,835 notes

was absolutely nervous to post this one because it’s incredibly different from the rest of “the ryenverse” as y’all call it, but the reception? holy crap! y’all are amazing and have been incredibly kind and supportive. i’m so glad we can all scream about gangster mint-haired yoongi together now.

series notes: 5,163 total | part two: 1,321 | part three: 1,007

LAST FIC OF 2024: holiday (3tan) (myg) ; 241227 ; 536 notes 

the yearning for these two was hurting us so badly that i spewed out a whole 8.1k in a week lmfao. hope it was able to lift some end of year/holiday spirits. 

2024 IN SONGS: HUH?! - agust d ft. j-hope | HISS - megan thee stallion | LOST! - rm | heart on the window - jin ft. wendy | NISSAN ALTIMA - doechii | overnight - connor price ft. tommy royale | tv off - kendrick lamar | sticky - tyler, the creator ft. glorilla, sexyy redd, lil wayne | too much - kid laroi, jung kook, central cee | woke up - xg

2024 IN FIC RECS: (it's a goal to read more in 2025 omg.. these are all the ones from friends i'll plug for now, and all the fics sent to the artist drop channel in our server!) éffleurer (ksj) - @sugaurora not yet (myg) & substance (knj) - @newmittens obsidian (myg) - @sailoryooons cyberslut (myg) - @kimnjss party on you (jhs) - @here2bbtstrash in motion (jjk) - @yoonia lover to lean on (pjm) - @sketchguk no strings (pjm) & the holi-date (kth) - @kpopfanfictrash moonlit throne (myg) - @hobidreams miracle of the season (jjk) - @cybrsan midnight (jjk) - @leahsfavefics crystallized (ksj, myg) - @floralseokjin server artist drops: friendcation (myg) - @kingofbodyrolls i will come to you (ksj) - @/kingofbodyrolls whalien52 (pjm) - @/kingofbodyrolls end of the world (myg) - @/kingofbodyrolls i'm not sure?! (pjm, kth, jjk) - @melancholy-of-nadia infatuation (myg) - @/melancholy-of-nadia love you lately (myg, knj, pjm) - @/melancholy-of-nadia too high (myg, jhs) - @ysljoon whirlwind (myg) - @/ysljoon midnight snacks (kth) - @xiumya the moon goddess's chosen (myg) - @army93bangya gods of the dark (myg) - @/sailoryooons need you to be sure (kth) - @yoongimain route 613 (knj, myg, vmin) - @daegudrama elemental (jjk) - @/kpopfanfictrash txt - a night out at the club - @jettithink risky business (jhs) - @jaysdimples what the moon saw (myg) - @violetsiren90

2025 PROJECTS: 

ot7 releases: release at least one fic or drabble for every member!

open source fic rec form: a form for both writers and readers to submit their fics or recs so we can all have a centralized list. 

3tan physical copies: get these babies out in the world! i know y’all have been wanting them so i’ll try.

3tan finale: finish out the main 3tan storyline. this is gonna destroy me in every way possible, but i think i can do it. we’ll make it through. 

what a damn year! dunno how we managed to do all of this in 2024 but i'm grateful y'all are still here or ventured through the blog at some point. thank you all again!

this was so late so I’m assuming i’m the last to do it, but if you see this and wanna consider yourself tagged then be my guest!

[thewalrusespublicist]

"Tbh I was starting to feel a bit down about my blog and what I was putting out ( the eternal crisis on how to give full answers and opinions without being stupid, boring and annoying lol)"

OMG no way! Your blog is one of the best here! What i love the most is reading the analysis and meta from the users, there's always more information and good takes, and yours are always quite deep and insightful.

I would love if you share your opinions about Stuart as well. I feel like he is obviously more sanctified that he should be since he died young (like that insane quote from his mom saying that Brian told her that Stuart could have been the Beatles' manager, no way lol) and i feel his memory has been used to attack Paul, sometimes in a very unfair way. Like, i don't deny the teenage drama and jealousy that Paul felt about him but he *was* a shitty bass player and the band was Paul's future, he was allowed to criticized him not only for being John's new bestie. I also think John played with them both but i lack of your eloquence so i will love to read your take about it.

Hi anon! And the other anons!

Thank you again and to all the other messages I got, they were extremely sweet and really made my day. :)

From my inbox, it's clear you guys want to know about Stu and his role in the Beatles legacy. Well you asked for it and a novel you shall have. Be warned this might be the longest post I've done so grab like a drink or something.

A few disclaimers: I wish and had intended for this to be more of a deep dive into Stu as a whole person rather than just his relationship with John and Paul. Unfortunately I just didn't have the space to do it. If you want to know more about Stu I would highly recommend @eppysboys' blog which is the source for all things Stu Sutcliffe and where I got a lot of this info. Please check their stuff out. Also, I'm going to be a bit blunter on this than maybe I usually am because this topic has been irritating me for some time. Oh also I’m trying my best to answer a lot of asks in one post so please forgive if I don’t fully answer your specific ask about this!

Stu in a perfect world should be a fandom darling: an exciting cipher, a handsome artistic talent that died way too soon who had a major influence in the early Beatles style. It's like there’s this secret other James Dean looking mf Beatle hidden away to uncover, that's cool and he is cool! The problem is that he’s sort of becomes radioactive to talk about in a normal way due to how he's been portrayed and utilised in some biographies and fandom spaces, particularly those that have been infected by John Lennon aspirational boy bestie syndrome. As those types of spaces cannot seem to exist without tearing down Paul to prop John up as their special lil guy, Stu as John's other best friend has become the ideal heavy object to hit Paul McCartney over the head with. It's like a corrosive element, the minute Stu hits a Beatles bio, the biographer suddenly loses all training in objectivity and source work and starts waxing lyrical about 100 percent reliable never biased or wrong Saint Stu of Hamburg who died for our condom arson sins and that Paul McCartney should feel bad about every day of his life for not worshipping Stu and not accepting his own ‘place’ in life as John's just-some-guy placeholder best friend. I’ve personally seen so many posts and forums where Stu being mentioned leads to a legion of comments about how Paul could never have been Stu (correct both ways) and how John would never have even glanced at Paul for much longer if Stu had been alive. Sidenote: If you seriously think that the musical savant from down the road whom John went on to produce the most prolific song writing partnership in history with couldnt have kept his attention for long then I'm begging you on hands and knees to get your head out of the arse of your John Lennon body pillow and be serious. But anyway…

This boy bestie battle royale approach has in turn lead to a reflex reaction where Stu gets studiously ignored by other sections of the fandom as a precedent has been set that shining a light on him diminishes Paul and John's relationship with Paul. It's frustrating because if people weren't so keen to cut Paul out of his own story then we would get a much better nuanced view of every single person involved.

So let's put aside all of our defenses, cut the John Lennon loved one ranking system bullshit and lets look at the actual question here which is what was John and Stu's relationship really like and what did he mean to John?

John and Stu met at art college a year or so after Paul and John met. Up to that point John and Paul had their fun little codependant thing going on but Stu quickly became a huge fixture in John's life. Stu had things that Paul couldn't really offer at that point in time. John was at his heart a musician who aspired to be seen as an artist (he would later express surprise that he didn't become an artist). Stu was the passionate artist who knew tons about the art of the period that could teach and inspire John. Their creative leanings meant they could work on projects together and share art notebooks and poetry. (Including yes the one with anti-semitic story which I mention again as I believe it's an important thing to remember when it comes to both John and Stu and the culture of the time.) Stuart by the sounds of it was even writing a novel about John at the time of his death. They were fascinated and inspired by each other.

So, creatively they fired each other up but more importantly perhaps, Stu and John were peers. It's funny to think about when you see the Beatles later but at the time Paul and George were the kids in their school uniform coming to see their cool older friend at art school. That's an important divide. When Paul and George's parents insisted their kids do their homework and go to bed, John and Stu could stay up and talk all hours of the night, which they did. They also could rent a place together and spend long hours chatting (despite John moving out later after realising electricity cost money lol.) There's a different dynamic that the age similarity offered as well. Whilst Paul would later somewhat grow into this role, Stu could act as an authority figure to John as well as open up to John in a way you can really only do with your peers. Stu was the person John opened up to throughout Stu's life:

How long can one go on writing and writing like you. I now don’t really know who I’m writing to or why it’s quiet peculiar. I usually write like this and forget about it but if I put it in a little part of my [almost?] secret self in the hands of someone miles away who will wonder what the hell is going on or just pass it off as toilet paper. Anyway I don’t care really what happens because when I think about it, it’s so bloody unimportant – but what is important who has the right to say that this letter is not important and this is a something any way – anyway – anyway – yeah! I wonder what it would be like to be a cretin or something. I bet it’s gear. & how are you keepin Stuart old chap are you as ok – is life as good – bad shite, great – wonderful as it was or is it just a thousand years of nothing and coolness on and on and on. I think this is it Goodbye Stu don’t write out of – er what is it? well not because you think you ought to write when you feel like So goodbye (from John you know the one with glasses) ANYWAY BYE BYE see you soon I don’t know why I said that I remember a time when everyone I loved hated me because I hated them so what so what so fucking what I remember a time when belly buttons were knee high when only shitting was dirty and everything else clean + beautiful I can’t remember anything without a sadness So deep that it hardly becomes known to me so deep that its tears leave me a spectator of my own STUPIDITY + so I go rambling on with a hey nonny nonny nonny no

Extract from a letter to Stuart Sutcliffe from John Lennon, 1961

By lots of accounts Stu was gentle but firm when it came to telling John he'd gone too far. John references this aspect of Stu to Hunter Davies:

"I looked up to Stu. I depended on him to tell me the truth. Stu would tell me if something was good and I'd believe him."

The Beatles: The Authorised Biography (Hunter Davies)

In this way I kind of see Stu as a proto-Yoko. John was so insecure and uncertain about his grip on the world and reality that he relied on Stu to be his point of reference and guide. Paul did this too later and I think in Hunter Davies John mentions this, but not at this time period and not as much due to their competitiveness. This may be why some people saw Stu as the person that really understood John at this time period:

"During the turbulent adolescence that prefaced a turbulent manhood, hardly anyone knew Lennon as intimately as Stuart Sutcliffe. If they weren't exactly David and Jonathan, June Furlong, one of the life models at Liverpool's Regional College of Art, had "never seen two teenagers as close as those two."

The Gospel According To Lennon by Alan Clayson

Now this person likely never met John and Paul together but this is only one of many similar quotes and even Julia captain of John and Paul's friendship boat seems to agree there was a period where Stu dominated and Paul 'kept his distance' from the John-Cyn-Stu 'menage-a-trois'. But the friendship wasn't perfect and his position as John's ultimate best friend was never iron clad. This is best outlined by the shit they pulled when John convinced him to join on Bass for the Beatles.

Despite being John's best friend, Stu was teased and bullied:

"They argued as usual amongst themselves, but most of all they picked on Stu, the newest member of the group. John, George and Paul had been with each other long enough to know that rows and arguments and criticism didn't mean much. If it did, you just argued back. "We were terrible," says John. "We'd tell Stu he couldn't sit with us, or eat with us. We'd tell him to go away, and he did." At one hotel they stayed at, a variety show had just left. There had been a dwarf in the show and they found out which bed he had slept in and said that would have to be Stu's. They certainly weren't going to sleep in it. So Stu had to. "That was how he learned to be with us," says John. "It was all stupid, but that was what we were like."

The Beatles: The Authorised Biography (Hunter Davies)

Why John encouraged this I have no idea, maybe jealousy over Stu's looks and wanting to play people off each other? Things were tense in both Scotland and Hamburg, especially between Stu and Paul. As I said in my last post, the girls were fighting and it was mutual. Paul was mad for both fair and immature teenage-boy reasons. Stu could not be bothered with the bass most of the time and couldn't really play well and was only there as he was '(John's) best friend' (ouch for Paul). Paul conversely had given up higher education to be there and was sending lots of money back home. He also was dating the girl Paul fancied. Stu was popular with the new group and also did mean things like help John steal Paul's money when money was really tight for him. Paul in turn was a passive aggressive, jealous and mean. It all came to ahead in the punch up onstage which according to Spitz came about from Paul wanting money back and saying that Stu could borrow some from Astrid. Stu goes for him and reports vary from full-on bust up to embarrassing scuffle. Stu then goes to where Astrid and Paul's gf Dot are, demands Dot leaves and goes on a rant about Paul. Now all of this must be framed in the context of Stu receiving increasing brain damage from his condition that seemingly lead to mood swings and anger. Nevertheless, the mutual needling and anger, as well as John's refusal to do/say fuck all about it, especially given how protective John was of Stu, suggests that it wasn’t straightforward and/or John may have been playing some games to make both feel threatened. This would also make sense as to why we hear conflicting accounts of John and Stu being the centre of everything and everyone else in orbit AND John and Paul being the centre and everyone else playing catch-up, as well as John giving Paul the lead to take him round the Reeperbahn when John got dressed in the gorilla costume. (I know Paul may have just been the closest there but that always gave off bestie behaviour to me.)

(I did get an ask about how John and Paul's friendship survived it, I think it was damaged by Hamburg. When Paul got back home he got a job at a construction site and there's just a vibe of everything being a bit on tenterhooks. John also acts a bit weird at the period, not talking to anyone for a few weeks then making a lot of weird demands from Paul. I'm really not sure what to make of it.)

Even when he's back in Liverpool, John still writes long letters to Stu and vice-versa. I can't find it at all but I’ve read a really sad interview with John saying he missed his best mate and it's a shame that he's not with them. He had no idea at that point that Stu had already died of a brain hemorrhage at 21.

John is said to have gone into hysterics when he found out Stu had died. A lot of people who've spoken about this time (Aunt Mimi, his sister Julia, the Exsis) concur that at this point Stu was his best friend and the death shattered him. He even told Astrid he wished he could give his life for Stu’s. This is backed up by the fact that John never forgot Stu and his shadow lingered for the rest of John's life:

Stu was recalled in In My Life

Years later, after John composed the first of his truly poignant and heartfelt Beatles songs, "In My Life"—with its lines about "friends I still can recall/some are dead and some are living"—he revealed to me that the two people he had had uppermost in mind were myself and Stuart Sutcliffe. And then he stunned me with a statement that I'd never heard him address to anyone—least of all to another man. "You know, Pete," he said softly, "I do love you. But," he quickly added, "I loved Stuart as well."

Weird that Paul isn't mentioned surely you think that he would be mentioned if Pete was there too okay, okay my tin hat is going away this isn't the time

Pete Shotton, Nicholas Schaffner, John Lennon: In My Life

In 1965 John drew Stu on a postcard

He apparently said this about Stu prior to sending the postcard, prompted by an article about Stuart.

The card had been sent from Genoa mid-way through the Beatles' Italian tour. [...] But the conversation had become maudlin when I reminded him that he was going to talk to me for an article about Stuart. [...] In that sad telephone conversation before they set off for Milan, I asked him if he was happy: 'I'd be a lot happier if Stuart was still part of us,' he said, 'The Beatles would be complete.' And before he rang off he said 'Ill send you something.'

He also appears on the cover of Sgt Pepper

As mentioned, Stu gets mentioned in Hunter Davies in terms of wistfulness and guilt AND he gets a mention in John's insane 'if I were a homosexual' ramblings in early 70s. According to Yoko, John also wanted Yoko to write letters to him and didn't think it would be strange because Stu wrote letters to him.

I have a pet theory that as with a lot of things for John, his unresolved grief over Stu really came to the fore in the late 60s now that he had actually had a chance to sit down and think about things. I believe it was partially why he wanted Yoko to write letters and why he gets mentioned in the early 70s as a collaborator/best friend and not in 1980 where John only gives that credit to Paul and Yoko. I think with the cracks with Paul, John had started to think back on his old friend and guide and what advice he would give.

Stuarts presence is still felt throughout the seventies:

“He told me everything. He loved to talk about Hamburg. There were no secrets. It was the kind of life I never knew…. It meant total freedom. At his side always was Stuart, sweet Stuart. There wasn’t a time in John’s life when he didn’t think about Stuart. He spoke always of his love and respect for Stuart.”

Yoko discussing Stu in When They Were Boys: The True Story of the Beatles’ Rise to the Top by Larry Kane

Coming to grips with his death is also present in Skywriting

SEAN O’HAIRE: What happened to Stuart Cliff? DR. FISCHY: What happened was a full exchange of energy where it was not needed within the expression of your own self or in the energies involved around and about you. We cannot call it a happening. We’ll say it is an awakening, for in that way it has served an expression from the past to the present and to the future to where there shall be more of that incomplete vibration expressed to you in a more fuller understanding.

Skywriting by Word of Mouth, John Lennon

This isn't exhaustive but I think from all this it's pretty clear that John adored Stu, John grieved Stu and kept grieving Stu. Stu had a specific place in his life as a confidant that he tried to recreate with Yoko. At the time of Stu's death, he was John's best friend, probably slightly over Paul. Stuart had been able to be both a friend and paternal presence, a confidant and an artistic collaborator. His presence and loss was one of the foundational points in John's life.

But as we've been asked to play this stupid game and so many bios like to make a hoopla about it, were they at their closest ever as close as John and Paul were at their height?

No.

How do we know? Because John told us so:

" He [Paul] still is the closest friend I've ever had, except for Yoko, so I'm still close to him whatever goes on."

John Lennon to an interviewer, 1971

But Walrus! John just says shit! How do we know he isn't leaving out Stu because the press don't know Stu. Well true John does just say shit but this is at a time where John isn't the most glowing about Paul and he's had no problem mentioning Stu in this time period ('one of my best friends ever' would have made a similar point).

But Walrus again! If John picked Stu over Paul when they were young why wouldn't he be the boy bestie of all time, and why would John say that he was closer to Paul? Well, because of the environment and timings. Stu's death happened near the beginning of John and Paul's major bonding moments. If you look at their personal timeline, Paris, the Nerk twins, and getting signed happened just before Stu died. That's missing the major years of Beatlemania, Key West, LSD, Paul growing more into being John's peer and a load of other huge moments in their lives. It's like how John writes to Cyn in 1962 about wanting the house to themselves and not have Paul around all the time. Would you say because he feels closer to Cyn then that John in his overall lifetime loved Cyn more than Paul? No, because relationships change over time and theirs were no exception. (One thing to consider as well is that we don't yet have many letters between John and Paul during their Beatles years and earlier, probably because they were spending so much time with each other. We know a couple exist that Paul considers too personal for publication but I'm sure there are others. It's easy to understand what John felt for Stu as we have the letters, I think we would also have an easier time understanding what John felt for Paul if we had the equivalent of those.)

At the end of the day Paul was the man he believed he had a psychic bond with, the man he couldn’t shut up about, the man whom he’d conquered the world with with their endless collaboration, the man with a twin personality to him and according to John spent more time with throughout the 60s than he had with Yoko ever. To be frank if Paul had died in 67' I don't think this would have been a conversation.

As mentioned early, in early 1970s John elevates his partnership with Stu to his collaborations with Paul and Yoko but by 1980 he’s pretty clear that Paul and Yoko are their own category.

"I was saying to somebody the other day, “There’s only two artists I’ve ever worked with for more than a one night stand, as it were. That’s Paul McCartney, and Yoko Ono.” And I think that’s a pretty damned good choice!!"

John Lennon interview with DJ Dave Sholin, 1980

There are of course the what ifs. Would Stu still being alive mean that John was not as close with Paul? Maybe, highly doubtful though as the Beatles experience was so intense. If Stu remained a Beatle would John be as close with Paul? If Stu remained a Beatle he wouldn't be Stu so no. At the same time who knows what it would have been like if Paul and John were peers from the off? I said this to @the62ndbugsfan when it comes to Stu vs Paul (hi girl sorry i've made our chat a whole ass post lol) but to go a bit Wuthering Heights, soulmates are made as much from the earth as they are of the stars. What binds us is our experiences just as much as our personalities. There may be a universe where Stu and John took on the art world together or became inseparable bffs again after the Beatles disbanded, but it is not our universe. In this universe Stu tragically died and John and Paul chose to become Lennon/McCartney and artistically unite themselves forever.

Even going back to Stu's lifetime, I've said it before and I'll say it again I find it interesting that not only did John choose to go to Paris with Paul rather than pay to meet up with Stu somewhere but that they arranged to meet up with Juergen and nobody told Stu until they'd already gone. Stu was shocked and didn't know if it meant the end of the Beatles which is a pretty big thing for him not to know about. Why didn't John tell him if they're apparently still writing long letters? Was it because he really wanted to do this with Paul and didn't want to hurt Stu's feelings? And that's really the point I want to make here. Due to his trauma John was preoccupied with reinforcing ranking of relationships within his life. But the thing is friendship rankings are made up guidelines and the reality is far more complicated. You can have a designated best friend but feel closer to another friend at times, you can want to do one thing specifically with one friend and not the other for various reasons. You can (as I do) have more than one equal best friend. Friendship as with most relationships are in a constant state of flux and each friendship you have will give and mean a different thing, even if they are of similar value to you.

Paul may have ended up closer to John than Stu had been, but that doesen't make John's relationship with Stu any less special. Nor does Stu negate the significance of Paul. Whilst both fit into John's pattern of intense relationships and demands related to that, both had unique positions and meaning to him. Considering what I've gone into about John's closeness to Stu, it actually says something deeply, borderline unnervingly, intense about John and Paul that Paul pipped Stu to the post. Maybe it's time Beatles bios accept the fact that John Lennon just wouldn't be into them like that, stop using a tragically prematurely deceased young man as a prop in their jealous psychological warfare against Paul McCartney, stop perpetuating one of the most damaging games that John did to his loved ones and allow both relationships the space to shine and showcase the amazing talent that was the Beatles and those that surrounded them.

[khaopybara]

I think Kant would have gotten far less criticism or hatred if KantBison were not being shoved into our throat. Like, clearly the showmakers want us to root for KB, everyone from Style to Cop Chris saying how Kant has fallen for Bison yada yada but at the same time Kant casually talks about Bison, the supposed love of his life, getting shot dead or spending his entire life in prison....without any sign of pain in his voice or face...like he's talking about mildly uncomfy weather.

This is clearly a narrative problem but it does make viewers frustrated and Kant's character has to bear the brunt of this narrative folly. I am very sure if the narrative made it clear from the start that KB are not, under any condition ending up together, the situation would have been different....but of course gmmtv has to sell their cp (by which I mean cp merch and stuff). The showmakers already have a pair (FadelStyle) that are hitting all the right spots for how a romantic pair should be and they can be easily shown to be having a happily ever after. Ideally they should have kept KantBison 'lovers to enemies' actually ending up as enemies...but well....cp 😒

i'll start this by saying this is the one and only ask with hate for kant/kantbison that i will answer because from your oh so many words, i can already tell you fit into the exact category of people who already made up your mind about the character and nothing i say will change your perception. but bc i'm not feeling like being the bigger person, sure, you wanna talk about this, let's talk about this.

first of all, i wanna talk about your apparent hatred for cps (or maybe it's just fk, we never know) and gmmtv's system, and you know, that's so funny because that's, and i know it'll shock you, their thing😯. so maybe if you didn't want to see that, you shouldn't have started watching the show, even after knowing that the two couples would end up together in the end because guess what, this was advertised as a romcom. and we what do we get with romcoms? exactly, happy endings. a travesty.

i find it so funny when people say fadelstyle are hitting all the spots for a romantic pairing, because that's what's supposed to be (again, a romcom), they are the more traditional romantic storyline (or as traditional as you can get with a killer and a guy who only started hitting on him and continued to do so because he wanted a car) so they are supposed to be hitting those spots. it's their storyline.

see, kantbison hooked up that very first night they met, clear attraction, kant was besotted by his one night stand and was calling him a ghost because bison up and ran before they could wake up together. their first interaction together and it had nothing to do with the police, or lying or manipulating, so maybe it's not a narrative problem that kantbison are "being shoved down our throats" maybe it's just a you problem if you didn't notice what they were being set up to.

and many people have talked about this already, and if you cared to read either liz's or lauren's meta about kant, you wouldn't have come to my inbox complaining about kant not being expressive when he clearly can't let himself feel the things he wants because his priority will always be his brother (just like fadel will prioritize bison always) in contrast to style who doesn't have to carry the responsibility of raising and caring for a younger brother on his shoulders.

and darling, if you started this show thinking at any point, from the trailers, pilot or official, promotional photos, osts, novel, press, anything, that kantbison would not be a thing, again, it's not on them, it's on you and your poor observation skills. there are plenty of people way more qualified than me to talk about this and how kant actually cares for bison, and how he's torn between his heart and his brain, but you don't really care, so why bother.

[pinkytoothlesso11]

Favorite and Least Favorite thing about Strickler and a random headcaon plus a Favorite Line

Hmm my favourite thing about Strickler? Lol there's too much to choose from. 😅

I'd say my favourite thing about Strickler is his wings... Since that's what cemented him as my favourite character lol.

As for something I don't like? I don't like how Strickler despite his intelligence makes some really stupid decisions... If Strickler was actually using his brain in Canon half the problems would have been avoided easily. Oh yeah and lying made everything worse.

Random Headcanon: Archie has astigmatism, his eyes aren't quite the right shape, even when he was newly hatched, which is why he needs glasses.

Favourite line: I like the whole 'without you there is no world' and the 'keenswimmer' thing. Strickler can be over dramatic at times and I love it.

[pseudophan]

i had 2 entire toenails removed at the end of september last year, do we think that’s what brought dapg back. they still haven’t regrown btw

yes we do think that. also yeah get used to it they regrow so damn slowly, it's been eight years since the last time i had half of one removed and it's still not fully grown out

[thsc-confessions]

"Rupert Price & Reginald Copperbottom are divorced British exes." submitted by anon

[stardustedstories]

@missallanea asked: RANDOM CHARACTER BUILDING QUESTIONS HOUR : A lot of people have playlists for their characters, but it can take a long time to listen to a whole playlist. If you could choose ONE SONG to have your followers listen to in order to better understand your portrayal, what would it be? ( for the character/s of your choice, or all of them if you so dare! )

There's part of me that's like "I will do them all!" but we'd be here for days. So I'll do a few below the cut, in no particular order:

Hunter -- Monster by Imagine Dragons. There are a few reasons for this. Hunter certainly sees himself as a monster, especially after he learns he's a grimwalker, and he's trying to do better, trying to be better. He thinks that if his friends knew what he was, they wouldn't want to have anything to do with him, so he's determined to show them that he's good, that he can be more than what he is. (I could go into so much more, but....it's a start.)

Luz -- Courage In Me. Listen. Listen, I know it's one of Marinette's songs, but it fits Luz so well. She's had to find the courage in herself so often, not only to trust herself, but to trust in the people and the friendships she's made. Luz has had to come so far, and this song just fits. (And if you haven't watched the amazing AMV Missa made, watch it right now: here)

Lotor -- Everybody Wants To Rule The World (specifically the L.orde cover). I picked this song because everyone around him wants to figure out a way to rule the universe. He just wanted to explore, to learn, but he had to throw his hat into that ring, had to become a ruler in order to fight against his father's ruthlessness, to 'turn his back on mother nature.' Lotor fought everything he was raised to be to do good, and I'll be emotional about it forever.

Runaan -- Battlefield. His whole thing is fighting to protect the people he cares about, to make sure that those who can't fight don't have to. He sacrifices because it is what he knows. There is just something so heartbreaking about someone who knows that, every time he says goodbye to the people he leaves behind, it could be the last time. And he is willing to do that, because if his death will save them, he will gladly give himself. He doesn't want to die, but if that is what is required of him, he will give his all.

Will Solace -- Surface Pressure (specifically Caleb Hyles' cover version). Everyone expects Will to be strong, to be chill. He's the camp healer, he looks like he should be on a beach and surfing. And he tries so hard to be that for everyone, that it just keeps building. "I'm pretty sure I'm worthless if I can't be of service" is also just such a Will thing. So yeah, a look into my sunshine-y blonde boy who is under a lot of pressure that he doesn't show to basically anyone.

Kratos -- To Be Better. It's a G.oWR fansong, so it feels a little like cheating, but this is honestly one of the best ways to see Kratos, especially how I play him. He has a past, one that is fully of darkness and blood that he cannot escape from, but he can try to move beyond it, to be better.

Grog -- Born To Be a Killer. Similar to Kratos, this is a Grog fansong, but it's pretty much perfect. I love the vibe and the lyrics, because Grog was born and raised to be a killer, but he made his own choices and decided that that wasn't what he wanted. He decided that he was going to look out for the little guys, and while he still kills, he does so on his own terms and not because someone tells him he has to. I have said it before, and I'll keep saying it: Grog may have an intelligence of 6, but his heart is a Nat 20.

[moxtoons]

Hello, I just wanted to say how much I love your HHSD Scarecrow. You have an amazing artstyle ! :D

Oh my gosh it's been so long since I've checked my inbox I'm so sorry I never saw this!! TYSM!!!

It's been a while since I've drawn HHSD, maybe I should put some doodles out again soon 💛

Thank you so much for taking time to send me such a sweet message! Hope you have a wonderful day!

[baltharino]

I'm so happy to see gifs for Kannazuki no Miko, it was my first yuri anime so it's very precious to me. Thank you for making such beautiful gifs! I can't wait to see more KNM edits from you 🫶

Tysm that is so sweet! 💖💖💖

[sunsetsoft]

hey hi happy new year i just wanted to stop in here and say that i'm so grateful that we discovered each other and for the way that we've kinda just?? clicked??? like i know we don't know each other all that well yet but i kinda got that immediate friendship vibe, if u get me and that doesn't sound too weird lmao. you've been so spectacularly lovely so far and i?? adore ellie sm??? i love how we've been able to immediately build rapport between him n all my kids, tysm for being so open to all of them bc i've genuinely been having a BLAST ok.

here's to a new year that hopefully treats you well and which we can cram full of silly little interactions between our silly lil characters 💜🥳

@byanyan 🔆 new years nice things.

hi hello happy new year right back at you !!!! you're right, though, and nothing is too weird to say i don't think!!! i was so excited to get to writing with you and cradle byan tenderly. they and ellie fell into place so wonderfully and, and i can only speak for my side of this, but like they were meant to have their stories connect. and then you posted about your multi and the way our little universes expanded and immediately clicked together has been beautiful and wonderful, and you have been a joy to get to know in the process!! all of your ocs bring me such incredible joy, are so interesting to me, and are so delicious in their themes and what they explore, they're my blorbos that live in your mind and i don't do returns fgdfgkjh

i am so so so looking forward to more with your lil guys and my lil guys and you this year. hoping it will be an otherwise lovely year (and frankly at this point i'm ready to start fist fighting things if it's not), and hopefully a restful, fun one too

[1800duckhotline]

oohh i see jenica intrigued me a lot when i saw them on toyhouse would you like to talk about their horrible awful terrible no good very bad day?

This was sent like a month ago sorry but to be completely honest . I have written everything on toyhouse and itd be better if, you want the whole story, to read it there, bc its so long that im def not wtiting it again for an ask </3 its less "day" and more like. their whole life

jenica is trying to balance a chronic illness, having their blood inhabited by an actual sentient symbiote demon, and having crises left and right bc they need to kill people in order to survive (such is the cost of having a symbiote in your body). plus they're being lowkey hunted down by a sus bioengineering scientist who wants to make herself a big name in the sus biomechanical engineering industry who happens to be the twin sister of their best friend. i would say this is probably the best resume of it all

[taievieu]

taeviiiiiiiiiii auwauaghhg. thank you for all your tags theyre really awesome ❤️

yes no problem!!!!!!!

[obsesssedblerd]

“Oh, Nanaminnnn!” 

At the familiar, cheery voice, Kento looks up to see no one other than Satoru Gojo, leaning against the doorframe of his office with his usual grin. “Saw with my Six Eyes that you came to fill out those reports here instead of doing it from home. Been so long since you showed your face here and—” He cuts himself off with an excited gasp, then walks closer as his smile grows wider. “You brought my little mochi!”

In Kento’s left arm, his daughter—who had woken up from her nap about ten minutes ago—coos excitedly when Satoru enters her vision, reaching her hands towards him. “Well, hello there, sweetheart! I was wondering when I’d see you again!” He slides his hands under her plush arms, then picks her up, skillfully—and safely, Kento notes—holding her in his arms. Tiny hands brush against Satoru’s blindfold, and he lifts it so his niece can see his blue eyes. They immediately soften when the baby girl laughs when he gently tickles her tummy. 

It’s so cute that Kento can’t stop the corner of his mouth from lifting. 

“Wait—Did I hear that right?! Nanamin’s here?!” 

“Itadori, wait for us!” 

“Kugisaki, you dropped your bag—Oh, come on, guys, slow down!” 

Rapid footsteps approach, then the three first years appear at the door, gasping in unison. 

“Oh, my gosh!” Yuuji, the pink-haired teenager shouts as he points at the baby in Satoru’s arms. “Nanamin, when did you have a baby?!” 

Nobara’s question comes a split-second after Yuuji’s is finished. “Is that why [Y/L/N]-sensei quit a while ago?!” 

Megumi walks to stand beside Satoru to analyze the little bundle in his teacher’s arms. “She’s… adorable.” He mumbles, gently smiling when she wraps her hand around his finger. “Very adorable. She has [Y/L/N]-sensei’s laugh.”

“Isn’t she just so precious?” Satoru asks, proudly showing her off to the first years. “So sweet and friendly, just like her Uncle Gojo.” 

“Hopefully she won’t be as reckless as you,” Kento says as he holds his hands out, and Satoru returns his daughter to him. “[Y/N] and I already believe that she’ll be the exact opposite of me.” 

Yuuji sits beside Kento to get a closer look at her. “She’s so cute. How old is she, Nanamin?” 

“Four months as of yesterday.” 

Nobara crosses her arms and pouts. “How come only he knew?” She asks, gesturing to Satoru. 

“Well, when I had to go away on a long mission, she was only a month old,” Kento explains. “He kept an eye on her and [Y/N] for me; made sure that they were both safe. I’m very grateful. We had plans to tell you about our daughter soon.” 

“Where is she now?” Megumi asks. 

“At home. I wanted her to have the morning and most of the afternoon to herself. I’ll be heading back shortly.” 

Satoru and the students share similar looks with each other, and Kento knows what they want to ask. He pulls out his phone and dials your number. “Hi, baby,” you greet when the line connects, “how’s our girl?” 

“Hi, love. She’s amazing, as always,” he says as he looks down, playfully poking the little one’s nose. “I’m with Gojo and our students. They want to know if it’s alright to come and see you.” 

“We’ll cook dinner if you’re too tired!” Nobara chimes in hopefully.

“Actually, better yet, I can just order something for everyone,” Satoru suggests. 

“And we’ll clean up,” Yuuji and Megumi say at the same time. 

You laugh, then answer Kento, “That’s more than alright. Bring them here.” 

“Thought you’d say that. See you in a bit.” 

“Yes!” Yuuji cheers. “Alright, I’m gonna ride with Nanamin so I can sit next to the baby!” 

Nobara glares at him. “Not if I get to the car first!!” 

When they sprint out the door, Megumi groans before rushing after them. “Didn’t I just tell you guys to slow down? We’re going to the same place!” 

Satoru laughs, then waits for Kento to finish up so they can walk out together. 

—

there was an ask in my inbox requesting a cute drabble for dad! nanami ft. gojo (as a trusted friend of his) and the first years, but it disappeared. hope u like it, anon <3 

[alisonwritesimagines]

Count On Mom ~Batfamily Imagine~

Summary: The kids try to get Bruce to get away from the computer. Luckily, there is always one person who can take his mind out of anything including Batman duties. You.

Author’s Note: Haven't posted much in a while and I kept seeing a lot of Batfamily stuff at the last convention I went to so here we go!

BatFamily Masterlist

Reader’s Pronouns: She/Her

Warnings: boob flashing, hint to smut

Side Note: This is a secondary blog. If you comment a question down below, I will not answer since this is not the main blog. Please send the question to my inbox if you want a response back!

Do not repost this anywhere!

Three of the batkids stared at their adoptive father as he had been stuck in front of the screen in the Batcave. None of the moved as they watched Bruce in some kind of trance.

“How long since he moved?” Dick asked Cassandra and Jason.

“A day,” Cassandra monotonous answered.

“I think he blinked a minute ago, does that count?” Jason asked.

“It’s official. Alfred called it. He said he’ll bake cookies if we can get Bruce to stop working,” Duke said as he walked into the batcave.

"Step aside," Jason said as he cracked his knuckles. "This will be over in no time."

As the kids began to try to get Bruce to move away, no effort was made to moving Bruce.

"I got an idea," Dick said as he took out his phone.

You felt your phone ring, making you put the groceries down onto the kitchen island so you could answer your phone. You had just gone to the store to grab some ingredients to make dinner for tomorrow's dinner.

“Hello?”

“Hey mom! Are you and Damien almost done with grocery shopping yet?”

“We just got home. Why?”

“We’re trying to pry Bruce off of the computer in the Batcave and Alfred said he’d make us cookies if we get him away from the screen.”

“I’m on my way,” you say with a chuckle at the end.

"Already began to bake the cookies. I know you'll be able to get him away," Alfred told you.

"Of course I can. That's my superpower in this family," you joked.

When you got to the Batcave, you saw your husband tiredly staring at the screen in front of him. The dark bags under his eyes from the lack of sleep made you upset but you knew there was one thing you could do that would always get his attention.

"Aw my poor husband," you say.

"You got this mom?" Jason asked you.

“Step aside kids and close your eyes,” you tell them as you walked over to your husband.

“What are you going to do mom?” Dick as as he covered his eyes. The rest of the kids quickly covered their eyes to avoid to see what you were going to do.

You climbed onto Bruce’s lap before lifting both your shirt and bra in front of him. Bruce quickly snapped out of his daze before looking up at you with a smile.

“Tempting me my love?”

“Maybe,” you smile as you pulled your shirt and bra down.

“Let me have my cookies and you can have me,” you whispered into his ears as you stood up.

“Okay kids. Enjoy Alfred’s cookies,” you say as you headed out.

The moment the kids uncovered their eyes, they watched in shock as Bruce already began to make his way towards you.

“Leave it to mom for getting Bruce to do anything other than his Batman duties,” Jason said.

"I wonder how she does it," Duke says out loud.

"Because dad's got it bad for mom," Dick tells him.

By the time Bruce got to you, you were eating your chocolate chip cookies that Alfred had made with Damien. You winked at your husband as you kissed Damien’s head.

“Alfred, why don’t you and the kids go out for a bit? It’s lovely outside,” you tell him.

“Of course,” Alfred said before walking over to get the rest of the kids. You began to head upstairs to your room, knowing that you had stirred something in Bruce.

“You coming Bruce?” You called out. You smirked as you heard Bruce’s fastened footsteps.

You let out a laugh as you felt him pick you up. You held onto him as he rushed over to the bedroom.

“I owe you some alone time don’t I?” Bruce asked you with a smile.

“Yes you do. Now, while everyone is out of the house, why don’t you make it up to me?” You asked him.

“I plan to," Bruce said before kissing you passionately.

[emchante]

thighs

masterlist | requesting rules

summary: daniel notices how much you love his thighs, yet are too shy to mention it. he shows you what you've been missing by not telling him before now.

WARNINGS: 18+ content, thigh riding, use of good girl, slight dirty talk.

wc: 1.9k

a/n: hi!! i’m super excited to start posting on this blog. of course, the first post had to be dedicated to daniel and his thighs, so i hope you enjoy! requests are open, so if anyone has any prompts or ideas, please send them into my inbox! + a massive thank you to @thef1diary for beta reading this, and inspiring me to start the account.

daniel knew you loved his thighs, it wasn’t exactly a well kept secret. he was sure all of your friends knew too. your eyes wouldn’t leave the meat of his thighs when they were on display – which was often, god bless the extreme heat of most places you travelled to for making him wear shorts everyday.

it wasn’t something that you spoke about often though, in fact, daniel realised you had never really brought it up yourself. you were shy, didn’t really like bringing such things up yourself. daniel usually had to coax what you wanted out of you, and tonight wasn’t any different.

daniel trailed kisses from the nape of your neck, up your jaw until he reached your ear. he whispered sweet nothings to you, telling you how beautiful you were, how he would do anything you wanted. your face was on fire at the wet kisses, the sultry tone of his voice already starting a fire in your belly. you tilted your head to give him more access to your neck, but he pulled away from you, causing your eyes to follow him.

he moved his rose-inked hand to cup your jaw, allowing his thumb to gently stroke your cheek. you leaned into his hand, enjoying any and all touch you received from him. you only had your eyes shut momentarily before daniel gave your chin a squeeze, causing them to flutter open again.

“for me to give you what you want,” he started, his voice low. “you need to tell me exactly what it is.”

you smiled at his words. daniel, ever the gentlemen, always doing what you wanted. it was never any different. “i just want you, danny.”

daniel let out a breathy chuckle, shaking his head as he looked down. you furrowed your brows, confused at his reaction. with a tilt of your head, you asked him what was so funny.

“you are,” he told you, looking back up. “always too shy to tell me what you want. always have to work for it to get it out, don’t i?” daniel explained, raising a brow with a grin. you felt your face heat up again, but it wasn’t due to arousal this time – not for the most part, anyways.

“what are you–” you had started to question him, but you cut yourself off with a surprised gasp as daniel moved you to sit on his right thigh. you looked to him for answers, but you were only met with a small smirk on daniel’s face.

“i see the way you look at my thighs, sweetheart,” he began to explain, moving his hands to rest on your hips. his thumbs rubbed small circles into them as he continued to speak to you. “you’re always looking when i’m in shorts, eyes always on me. you know how hard i get when i watch you squeeze your thighs together, all because you can’t contain yourself?”

your jaw dropped at daniel calling you out. you knew that you weren’t exactly subtle about your interest in his thighs, but his words made your full body heat up. you stuttered over your words, but you couldn’t get a coherent sentence out. all you managed to squeak out was a “sorry”, and it only made daniel laugh.

“sorry? for what?” he asked as he laughed, moving his right hand off of your hip to grab at your own. he moved it to rest on the fabric of his clearly straining shorts, making you gulp lightly. “you mustn't have heard me, your gaze gets me so fucking hard.”

you meekly nodded, not really sure how to respond to him. daniel knew what you were like though, he didn’t expect much else. he liked how shy you were, how easily flustered he managed to get you. moving his hand off of your own, he slowly ran it up your bare leg, allowing it to slip under your short skirt, smirking as his fingers grazed your clothed pussy.

“so wet for me,” he cooed, and you could only whine as his fingers were so close to where you needed them. you let yourself rut against his thigh once to show him you were desperate for him. daniel’s eyes darkened as he felt you move against his thigh, and he couldn’t contain the groan that left his throat.

slipping his fingers to move your underwear to the side, daniel’s left hand dragged you across his thigh once more to test it, and he couldn’t have landed the jackpot quicker. the feeling of your bare pussy against his thigh, starting to soak it due to how wet you were was all he needed.

“fuck, darling,” he moaned, his right hand moving back up to your hips so he could guide you through it. “you gonna ride my thigh? like a good girl?” he asked you, looking right into your eyes as he said it.

the friction of his thigh against your clit, along with the good girl caused a whine to escape your mouth. you nodded as you moved your hands onto his shoulders, gripping them tightly as you continued to rut against him, desperately lapping up the pleasure you got from your bare cunt against his tattooed thigh.

you suddenly came to a halt though, causing you to break out of the pleasure-bound spell you seemed to be entranced in. daniel’s brows were furrowed, his hands gripping your hips tightly so you weren’t able to continue your movements.

“danny please– let me move,” you pleaded with him, looking down at his thigh as you desperately tried to move your hips. his grip was too strong for you to fight against, and daniel only tutted, clicking his tongue to get your eyes to land on him.

“so now you can talk? i want verbal confirmation as soon as i ask you a question,” he told you, his hands squeezing your hips even tighter to make sure you understood. you were sure it was going to leave bruises tomorrow, but you couldn’t find it in yourself to care, in fact, the thought only turned you on more.

“i‘m sorry, dan,” you apologised, eyes pleading with him to continue so you could go back to what you were doing. he nodded, and repeated his question for you. “so, are you going to be a good girl and ride my thigh?” he asked you, eyes trained on your face.

you nodded again, but verbally confirmed it this time too. “yes, danny. i’ll ride your thigh,” you told him, making a small smile appear on his face. you tried to move your hips again, but daniel was still holding you in place. you whined in frustration, hopelessly trying to recreate the friction from moments ago but to no avail. he tutted, shaking his head at you.

“tell me you’ll be my good girl,” he commanded, eyes dark. one thing about daniel, he was always going to make you tell him you were a good girl. his good girl.

“going to be your good girl– but please dan, i need– your thigh again,” you plead, and if it wasn’t obvious by your constant attempts at grinding against your thigh, the urgency in your voice would’ve been a dead giveaway.

“alright gorgeous, you can have it,” he cooed, loosening the grip of his hands on your hips so you could move, but still holding them securely so he could help move you against him.

you couldn’t believe it had taken so long for this to happen, and it was so much better than any fantasy you ever had about it. each grind against his inked thigh sent sparks shooting throughout your body, the whimpers and moans escaping your lips were music to daniel’s ears as his dark, hungry eyes watched the way your body moved.

daniel groaned at the sight of your tits bouncing each time you rut against him, moving between watching them, and the facial expressions you were making due to the immense pleasure from his thigh alone.

“you look so perfect riding my thigh, sweetheart,” he started, making your eyes land back on his face as you focused on his words. “soaking it too, because of how fucking wet you are,” he groaned, and bit his lip at the moan you let out at his words.

he couldn’t stop himself from moving one of his hands up to your chest, toying with your hardened nipple through the fabric. the friction of the fabric, along with the touch of his thumb sent a streak of pleasure through you, head snapping back as you let out a guttural moan.

“can’t keep my eyes off these, either,” he continued, alternating between circling his thumb around your nipple, to squeezing the swell of your breast. “everything about you is perfect. made for me, weren’t you?” he asked, looking into your eyes for confirmation.

“made for you and you only, danny,” you sighed, panting as you felt yourself getting closer. daniel could tell too, your voice pitches up, and he feels your hand’s grip onto him tighter.

“such a good girl f’me. getting close, aren’t you?” he questioned, despite already knowing the answer. he just wanted to hear your needy, desperate voice say anything. you nodded frantically at him, high pitched whines escaping your throat.

“so– fuck, so close, dan” you breathlessly admitted, slightly angling your hips so your clit was getting more friction, and daniel knew you found a good angle when a sudden but pleasant moan escaped you.

daniel suddenly got an idea. “got an idea, sweetheart. it’s gonna help you feel even better, do you trust me?” he asked, waiting to see if you’d agree, or rather just let yourself finish like this. his eyes lit up when you squeaked out a please, hands gripping your waist a little tighter before he started to bounce his leg.

it was somehow better than before, a new experience which felt like absolute euphoria. you let out a shaky, breathy moan as your eyes rolled back, unable to control yourself any longer. daniel moved you back slightly, a little closer to his knee than his thigh, and it worked like magic, as it worked even better.

“fuck– yes, yes daniel–” you panted out, almost falling into the category of babbling due to how much you kept repeating almost incomprehensible chatter, too focused on the feeling of pleasure to respond properly.

“let go for me, c’mon. cum for me,” he coaxed you, feeling your thighs tighten around his own, before you came, chanting out daniel’s name as you rode your high. you immediately fell into daniel’s chest, body slouching as you sighed, smiling lazily when his arms wrapped around you.

it was silent for a while, the only noises being your heavy breaths until you recovered back to your normal state. daniel’s hand gently stroked up and down your back, leaving soft kisses on the crown of your head as he let you recover from your orgasm. you used your still shaky hands to push yourself up, meeting face-to-face with daniel as he smiled softly at you, leaning in to initiate a passionate kiss between you.

daniel carefully carried you into your shared bedroom not long afterwards, making sure you were a-okay before helping you get into fresh pajamas and getting you ready for bed. much to your dismay, of course, as you wanted him to clean himself up first, especially after the mess you made on his thigh, but daniel paid no mind to your whining, carrying on with his duties of making sure you were sorted for the night.