#GOOD EPISODE 1

[bl-bam-beyond]

HIDAMARI GA KIKOERU (2024, JAPAN)

Episode 1

Premiere: June 26, 2024 on GAGAOOLALA

Japan is adapting itself as it should be. In 2017 a film version called SILHOUETTE OF YOUR VOICE was released.

The story is Sugihara Kohei(NAKAZAWA MOTOKI) is a hard of hearing law student in university. Because of this he isolates himself until he meets loud and annoying Sagawa Taichi (KOBAYASHI TORANOSUKE) who stands on the side of what is right even if a bit hot-headed.

Kohei quickly becomes enamored with the loud Taichi as his clear and demanding voice can be heard by Kohei. Is Taichi seeing Kohei the way Kohei sees him? Or will they be more than friends and less than lovers?

Anyway Taichi will lead Kohei out of his basically self imposed exile.

@pose4photoml @lutawolf @just-another-boyslove-blog @absolutebl

[poorly-drawn-mdzs]

Hey now, Let her cook!

[katsinspats]

I think my copy of the game is broken they've been doing this for 30 minutes

Crop of the Biolizard edit I did bc it makes me laugh:

[xxplastic-cubexx]

cherik fall collection i guess !!!!!!!!

[biceratops7]

Dang it guys

we only ever talked about HALF of why these scenes were a big deal, like I just realized this today and my heart is going insane.

It’s not just that Crowley’s pissed at Gabriel for treating who he thinks as Aziraphale this way, the last thing he says to the people about to kill him is a benign and peaceful wish to see them again.

And like- this is Crowley trying to replicate Aziraphale to a T. So he legitimately just sees him as this endless well of compassion, someone who is always warm and accepting. It’s not just their friendship throughout the years, he remembers Aziraphale’s kindness on the Eastern Gate. When the angel had absolutely no reason to trust this random demon who just slithered up next to him. Crowley knows that he’s loved. Maybe not like that quite yet (although he’d be very wrong), but he knows that around his friend he’s always welcome and safe.

And Aziraphale?

Well he just thinks Crowley’s the coolest fucker alive, like he is laying it in THICK and enjoying every second. Listen to that charisma, look at that smirk. These are traits that are typically only appreciated in the context of how good it makes Crowley at tempting, a job he hates. But Aziraphale doesn’t see someone manipulative or regard this persona as signs of his “demonic nature”, he just sees Crowley. Someone charming, fun loving, and cute.

This is when we get to know precisely why they love each other, what exactly they see in the other.

edit: this is now my most popular post, good work team, lol

[sprinklesharkie]

this is the greatest april fools to ever april fools

[lilianade-comics]

My brain, loving and appreciating narrative parallels and themes: Danny and Vlad are perfect foils AND they have BEAUTIFUL generational parallels through their respective trios. In a more narratively coherent version of DP, this should be explored to its fullest potential. This logically means that Danielle should not exist so as not to distract from or muddy the waters of the prime dynamic.

Also my brain, 24/7 with no chill whatsoever:

cheese melt go brrrrrrrrrr

[homeforclones]

The difference between Season 1 and Season 3 of the Bad Batch

Season 1: Omega: Crosshair, can I have a hug? Crosshair: The audacity??? Of this Child??? Nothing would revolt me more than to show any kind of weakness to sate your neediness. Season 3: Omega: Crosshair, you're getting a hug. Crosshair: The charity??? Of my Sister??? Nothing would give me more joy than to be hugged by the Literal Angel that you are, though I am a lowly worm.

[heph]

Wilson is constantly in a state of mild rage (because of House) in this show 🤔

[kindwhispers]

Ranma 1/2 Remake (2024) - Episode 4

[generichoneydew]

nuclear winters over guys. I'm only accepting nuclear spring. Bite me.

34/52

[angelfishcake]

I need everyone to see this

[greencarnation]

eleven is fascinating to me because he came right off the back of tens horrible traumatic breakdown after he lost everything and he immediately tried to establish himself as the opposite of that. he is funny and goofy and almost childlike, and he bulldozes on in his adventures with amy like nothing happened at all. but then something happens and his masks slips and it's like oh! the core of this man is still anger. he is so so angry all of the time and this façade is the only thing stopping him from being consumed by it. he isn't over any of it and he hasn't moved on. he is wearing a fez and laughing but under that all that exists is age old anger and grief and it is going to consume him

[most-normal-eccles-cake-ignorer]

while I was looking for gabriels in the intro, I noticed this redheaded person w dark clothing and lighthaired person w light clothing that appear to kiss in the theatre:

i'm making this about the 1941 kiss theory

---

edit oct 7: a few kind people have mentioned that they remember a post from the official good omens account (possibly on twitter) that said the two people kissing are War & Pollution, and the shadow beside them is Famine. (If you have the link please send it this way! I have done a fair bit of searching but with no luck and it's haunting me bc it must be real but i can't find it)

@0owhatsamsays also pointed out that in the X-Ray bonus video "Title Sequence Easter Eggs" Peter Anderson says there are specific characters from season 1 in the highlighted boxes, and as you can see, the kissing booth (top level, far right) is one with a little trail of stars coming off of it.

[thelaurenshippen]

911 really is such a good reminder of the particularly kind of joy that is weekly, seasons-long shows with many episodes per season. every character gets a moment to shine even in a truncated season. the satisfaction of seeing characters grapple with stuff that happened YEARS ago. having multi-episode arcs and one-off arcs that are equally enjoyable. beach episodes (metaphorical). I know we're all saying this all the time but why can't more tv be like this

[biceratops7]

*bracing myself on my knees and trying to breath, nursing a cramp*

I got here as fast as I can. I just wanted to point out that THIS…

Is one of the gayest fucking lines of television I’ve heard in my life.

Even if the presence of the song itself somehow wasn’t a flashing spotlight enough, the literal voice of God directly draws attention to it. Telling us that in universe, a nightingale really is in fact singing in Barkley square, and to know its music is sweet regardless of if we can hear it. Just like there are really in fact angels (one fallen but we’ll let it slide) dining at the ritz, and they’ve been falling in love regardless of if they’ve been allowed to openly pursue that feeling.

And hell, maybe it’s BECAUSE of the traffic that the nightingale finally sings. Perhaps it wasn’t ready until it was sure no one else could listen.