#GOD I'M SORRY THIS GOT AWAY FROM ME

[genericpuff]

i find it funny that one of rachel’s drawings of herself in the afterword that just went up is just fully persephone. is that something she does a lot?

Alright so I've been making it a general rule for myself to like, not harp on Rachel in any way outside of LO as much because frankly the horse is dead now and there's not much left to say outside of what can be analyzed in hindsight. I think despite everything I have to say about her and her work, she still deserves to get away from this nonsense and I don't wanna spend eternity hovering over her shoulder.

But the afterword was posted within the LO series and is clearly meant for readers of LO in the functioning of being an afterword so let's just call it fair game LOL

I will say, on the whole, it does feel very honest and sentimental and I can respect Rachel for taking the time to write out and illustrate her afterword in a way that was personal to both her and her fans. I can understand why she went at it from the angle that she did and I'm not gonna fault her for that.

But there's also something that feels deeply... disingenuous about her approach right from the starting gun. I will say, before I continue, that I'm well aware I am biased towards Rachel as a creator, and I fully acknowledge that I could very well be reading too much into things. This is just my opinion, take it with mountains of salt.

I can get looking back on your own childhood, your past self, whatever, and going "see! it all got better!" because sure! For a lot of creators like Rachel, it must be wild to look back on where they came from and there's a lot of sentimentality on expressing that through an afterword like this where she reflects on where she came from. Though she STILL didn't acknowledge her other comics outside of LO, I can understand if she wants to leave those skeletons in the closet.

But I feel like her drawing herself as a child who's being given an Eisner by her adult self and all that just feels like some gross attempt to disarm any criticism of her because "don't make fun of me, I'm just a sad lonely baby girl!"

She's not a child. Child Rachel didn't grossly misappropriate Greek myth into their own self-indulged vanity project. Child Rachel didn't claim herself a folklorist of a culture's works only to bastardize them completely. Child Rachel didn't create a hostile environment within her fanbase by bullying anyone who she perceived as a threat, sneaking into critical spaces to try and cause trouble, and writing her own clapbacks into her comic. Child Rachel didn't claim to be challenging misogyny and purity culture only to reinforce misogyny and purity culture through her own self-insert baby-virgin-gets-rescued-by-rich-tycoon power fantasy that regularly glorified abuse towards women and the lower class.

30-almost-40-year-old Rachel did though.

At best it comes across as really cringe sentimentality from a Greek-weeb (heh, greeboo) and goes to show how much Rachel inserted herself into Greek myth without ever absorbing its messages or cultural contexts, it was all about her and her feelings as a sad New Zealand girl with dyslexia who thought Persephone's story was about another sad girl being rescued from her "horrible childhood".

At worst it's an active attempt to play on people's heartstrings by drawing herself as a child who people will naturally not want to criticize. I don't want to assume she's doing it intentionally, I really don't want to leave her afterword on a bad foot, as I can definitely understand as both a creator and a person who struggled with learning disabilities in their own childhood how and why she wants to pay homage to her past and where she came from... but let's just say, as someone who's also gotten way too "lost in the sauce" concerning personal self-reflective projects, I think there's a lot to say about how this confirms that Rachel made LO entirely for herself, about herself, without any actual intention to respect the original myths, because she never truly separated them from herself when she was a child. And, in my humble opinion as someone who has Been There with the self-insert OC's and self-reflective angsty plotlines, I can fully attest to the fact that that's not fucking healthy. Even with personal projects, you NEED to learn to get your head out of the sauce, you NEED to learn to objectively separate yourself from the narrative so the story doesn't fall apart under your own hubris and ego, you NEED to learn to draw a line if you want to have any sort of identity as a human being outside of what you make for people. And that's with just normal original stories, this was a story based on Greek myth which doesn't belong to her.

And this goes for a lot of the things she's said and done in the past, so much of her own "sources" even are tethered to things that she read / watched in her childhood and only vaguely remembers, as if she never mentally left her childhood at all, which just... if the point was to highlight her past and the traumas she went through and how they contributed to her present, an Eisner isn't going to validate those experiences. And drawing attention to her past through the lens of her childhood self absolutely 100% does not absolve her of the negative effect her work has had on the modern Greek myth zeitgeist nor the things she's said and done as a 38 year old woman who should absolutely know better.

The community she entered and took from will forever remain changed by her influence and taking, in many ways not for the better. She has the privilege of walking away and never having to think about it again, with all the awards and accolades that were bought for her, the bravado that she built around being a "folklorist" with zero credentials, and the platform she was given over many other creators struggling to even be heard.

That "place" she claims to have now was built entirely on inserting herself into another culture's works and doing nothing but taking, taking, taking, while offering nothing in return but vanity and lip service. That "place" was paid for and brought to you by Webtoons.

[memoriamp4]

I hate that we never heard Astrid tell Hiccup 'I love you'. I was fully expecting her to tell him she loved him back in rtte 6x06 after he told her he loved her... but she didn't. Like they really made an entire episode about Astrid wanting a more lovely dovey relationship but then she never even said 'I love you' in the episode?? And Astrid has so many inspiring and loving speeches to Hiccup but I wish there was an 'I love you' included in at least one of them

[floydmtalbert]

Tab + “nostalgia” from this prompts list, for @shoshiwrites

It is a hot, still evening in late August. The war has been over for a year.

Floyd steers the pickup onto a dusty side road skirting the edge of a cornfield, driving slowly, heading nowhere in particular. He holds the wheel loosely with one hand; the other hangs out of the open window. The lowering sun is warm on his forearm and on the side of his face, and glaring bright, so that he has to narrow his eyes as he stares through the dirty windshield down the road ahead, stretching away into a heat haze along the horizon.

There are no other cars on the road, no houses or farms in sight. No people. Just the cornfield, flashing yellow-green past the window, and the road ahead, long and straight, rippling in the heat. Everything quiet and lifeless, save for the pickup, the hum of the tyres on the asphalt and the rumble of the engine.

The mail that morning had brought a letter from Bill Guarnere, chatty, containing a photo of Frannie and their baby boy, and full of updates on other Easy men and plans for a reunion. Floyd can’t see the point. A bunch of fellas sitting around talking about the good old days, when they weren’t all that good, and aren’t exactly old, either.

He huffs a long sigh, makes a slight adjustment to the steering wheel. Maybe it’s only him that thinks that way.

Floyd came home nearly a year ago and picked up where he left off. He sleeps in his childhood bedroom, under the old patchwork quilt his great-aunt made, with his high school basketball trophies still on the shelf, dutifully dusted by Nellie Talbert every week, and all the old photographs pinned to the corkboard: himself as a ten-year-old with the family dog, him and his father fishing on Lake Michigan during the one vacation his parents had been able to afford, photobooth snapshots with girlfriends, all married, now, or gone to Indianapolis for work. A few months back he’d even found a bunch of dirty magazines hidden in a box under the bed, a relic of his teenage years. He’d burned them in the backyard, and filled the box instead with his medal ribbons, and his jump wings, all the patches and chevrons, and other bits and pieces, and the bundle of photographs he never looks at but still can’t bear to throw out, and kicked it back under the bed.

He turns onto another road, the pickup bumping over a pothole. The sun is behind him now. He drives past a couple of ramshackle houses, and, further on down the road, a farmhouse, with a barn and a cluster of grain silos. The road is long and straight and level, but he takes it easy. No hurry, nowhere to go.

Major Winters writes now and then—and that’s another thing, Floyd can’t stop thinking of him as Major Winters, even though the man keeps telling him to call him Dick. He’s working in New Jersey, with Captain Nixon, has already been promoted once. Chuck is doing better, working, seeing a nice girl. Joe Liebgott is getting married—or is maybe already married by now. His latest letter sits in Floyd’s bedside drawer, unopened. Smokey calls every couple of weeks, talking about using the GI Bill to go to college.

Floyd got his old job back with Mr Nelson, doing odd jobs on the farm, and in the evenings he takes his dad’s Chevy and heads out for a drive, alone, going nowhere in particular. Sometimes he circles the reservoir, watching the changing colours of the sky reflected in the water. Sometimes he drives through the suburbs on the other side of town, where the houses are tidy and painted fresh white, and have big wraparound porches and garages, and trees on the lawn out front. Other times he heads east, taking one road after another through the acres of farmland, left turn, right turn, zigzagging out and around and back on himself. Just driving, and smoking, sometimes drinking, half a bottle of whisky in a paper bag that he tosses out before he gets home.

In the rearview mirror the sun is a deep orange, flaring along the horizon.

He tries to think of what a reunion would be like. He imagines a big room in some hotel, with a dance floor, and tables set up around it. Maybe there’d be coloured paper garlands strung along the walls and across the ceiling, like they did for his high school prom, or the USO dances in England. He imagines all the fellas there, with their wives in cocktail dresses, and pictures of their kids in their wallets, catching each other up on their jobs, and their houses, and the new car. Or else their college classes, the cute girls on campus, the fraternity parties. And then the talk would turn to the war, d’you remember when and I’ll never forget that time, the jokes and the hijinks and everything else tucked away and the whole thing a big adventure, and done with, in the past.

Floyd slows the pickup and guides it carefully over a culvert. The engine chugs.

He doesn’t want to remember the war, but he can’t seem to move on from it, either. He sleeps in his old room, and works the same job he was doing at eighteen, and after work he drives around aimlessly, with nothing to do and nowhere to go. He’s tired, bored. Mostly he’s angry: at everything, and everyone, and himself most of all.

Maybe it would be good to see the guys again, he thinks as he turns onto another road. Just once. Maybe then he could get it out of his system. Snap out of it, stop holding himself back.

Twilight is falling now, and the air is soft and warm. Floyd switches on the headlights and keeps his eyes on the road ahead, dusty, uneven, patched asphalt revealed in the wobbling beam of light, and glances up now and then to watch the colours fade from the western sky.

He wouldn’t go, he decides. There was nothing to say, nothing worth remembering. He props his elbow up on the sill, and then hangs his hand out of the window again, feeling the air stream through his open fingers.

[donttouchtheneednoggle]

don't mind me just dethorning the bramble in my stick insects' cage because a CERTAIN beautiful old lady

managed to snag her wing on one and got stuck there until I saw and detangled her and I am not eager to repeat the experience!!

ALSO I finally managed to get a picture of the whole family as it is now :DDD

1 adult Indian stick insect, 1 adult Pink Winged stick insect and three Pink Winged stick insect nymphs at various stages of development

(I also have an Indian stick insect nymph but she lives in a separate enclosure at the moment and is so tiny getting her out would be way to stressful for both her and me)

[wandering-free-and-queer]

Went on a huge witch/craft supplies run yesterday, spent a fuck ton of money more than I wanted, but I thing it's worth it. I got refills on a bunch of the stuff I've been sharing with kiddo and coworker, I got a book on mermaid magic that looked hella cool, four more oracle decks including three of the Seasons of the Witch decks (Beltane, Litha, and Mabon!), hubby managed to surprise me by sneaking these gorgeous tree of life notebooks into our cart when I wasn't looking, I got a few more notebooks myself in a different store (those were for a good cause and I can't resist notebooks lol), and there were two copies of Cunninghams Encyclopedia of Magical Herbs so I grabbed them both, one for Kiddo and one for Coworker.

Next step in kiddos present is gonna be Grovedaughter Witchery by @breelandwalker and herbs out the ass lol. They already have the crystals I could share, and I've gotten them a pendulum and a tarot deck.

(Sorry if I get overly emotional about Kiddo this week y'all, they turn 18 on Wednesday and I'm having some very strong emotions about it...)

[valvesoftware]

breakups are so fucking weird. three years and just like that it's gone. huh

[menlove]

i just remembered that theory going around on tiktok for a while about how the ✨christian myth✨ of adam and eve CAME FROM nordic myths and everyone was like "OMG NO WAY THATS CRAZY I CANT BELIEVE THEY DONT TEACH US THIS IN SCHOOL"

and now i'm annoyed all over again. i don't think common sense is very common.

[gregoftom]

oh my fucking god

[sshoryuken]

The list of characters that Scott can and probably will make worse is growing so fucking fast and I fear for my life

(just me rambling about silly stuff in the tags because I'm happy and having fun)

[mrfoox]

except that im mentally dead, i’m good

[spinoff-antithesis]

[@distinguished-turtle-enjoyer ]

i actually have not stopped thinkin bout your bb!edit like,,,, its so good and scratches my brain right

how long have you been doin edits for? do have any tips for someone, who hypothetically, wants to start doin edits too? what programs do you use? how did you do the cool animated bits?

im so sorry for all the qustions 😭😭 i just think youre very talented and inspirational and i hope you have a good day ^_^

hi firstly oh my gosh you're literally so sweet i am gently shaking you i love you so much /p. secondly, i apologize for the long answer! (it's all under the cut. this got away from me. i'm so sorry apparently i have a lot to say.) (also you're so good about the questions i would constantly be asking one of my professors questions during class to the point where she said i didn't have to go "i have a question" every time i approached her)

i've been editing since 2016! around march/april, i think? loved it so much i went into film & video production in college as a major so i could do editing for a living. (i have done more motion graphics for my classmates than i have done edits outside of class assignments, BUT!)

the program i use is after effects - i started learning it when covid first hit the united states because i had nothing better to do with my time (other than music theory but i failed that bc my professor focused more on the history aspects than the actual theory soooo) and my ipad kept giving me the "no more storage" whenever i tried to use videostar lmao. (vs has, apparently, gotten a LOT of good updates, so if you're looking to start editing and have an ios system, i'd look into it! only downside is you have to pay for some of the cool stuff).

also the program i use for masking (i think i explain this later dwdw) is superimpose. i've been using it since 2014 and it's SO nice bc i can use my fingers to erase backgrounds & stuff instead of hoping i can get it to work correctly in ae or photoshop (photoshop my DETESTED i'll use it but i'll complain the entire time).

for people who want to start editing: tutorials on how your program works and how to do specific transitions are gonna be your best friend when you're first figuring things out! i forced a friend to literally walk me through how after effects worked when i was first figuring it out, and when i had swapped to videostar back in 2017/2018(?) i had watched a Lot of tutorials. that and played around a lot and figured things out on my own - which is also always a good way to start!! it's also totally valid to look at other people's edits for inspiration - most editors don't really care, as long as you don't flat-out remake their edit (some people don't like that!). i have a style insp folder on instagram where i save edits that i like so if i need transition ideas or i'm doing a different style, i can look there for inspiration. at the end of the day, as long as you're having fun with it that's all that matters!

also, starting simple is always okay!! my edits for a year were just me slapping gifs & video segments together on a timeline in cute cut pro bc imovie didn't load them lol & it'd crash every time i breathed. ++ it never hurts to ask people for feedback/constructive(!!!) criticism/etc! (also not to sound like everyone else but practice? good. it's so good. if i showed my 14/15y/o self some of the edits i can make now they would've passed out on the spot bc i was still trying to figure out transitions back then. programs can also sometimes make a difference in edits, but usually it's not super noticeable until you start getting to the Complicated Shit.)

a lot of popular programs i've seen are ones like video star (ios only), alight motion (android only), after effects (i recommend 🏴‍☠️ing it tbh, i only use it legally bc i had to use adobe programs for school), capcut, and i think some people still use sony vegas pro & maybe cute cut pro (i've heard it may have actually gotten better since i last used it in 2018)? i have no idea. programs also depend on whatever device you're using to edit on! since i've been using my laptop, i'm able to use after effects (it's computer-only), but when i used my phone/ipad to edit i used ccp & vs.

for the animation - it's a lot of cutting up the image and masking! more complex animations, like the one i had of leo walking down that red 'hallway' have several different layers that have been masked. (i removed the background & filled in the spot where leo originally was in two different apps - superimpose (taking leo out) & photoshop (filling in the bg)) in after effects, the way i've done this was mask out the specific thing i wanted to move (like an eye) and then put that mask on what i've called a "base" (not animated), and then stick a solid behind the base to match the color of the object. (some of my layers are not named appropriately; base 2 is the left arm & the four "SIX_[...]" layers are the mask/bandana tails)

an example of this would be for any of the eye blink animations i did! this (above) is the same shot, with and without the eye - since it's masked out and i have the background solid behind it, it doesn't look too unnatural/have a black outline/mass where his eye should be.

what it looks like without the solid layer behind it ^ (the red lines are from the null layers - ignore that)

this is what my timeline looks like if it's a more simplistic animation - the only five things being animated here are leo & raph's eyes. (there's only this many layers bc it's two characters in one shot & i was also animating their pupils - typically, an eye-blink animation is about 4-6 layers for me (solid, base, mask, & null to animate with, 6 if i'm animating both eyes & 4 if just one))

in after effects, there's this really cool tool called the puppet pin that one of my friends (lovingly) yelled at me for not knowing about - which. yeah fair she wasn't wrong it's SUPER useful in animating, provided you chop up your image first. if you don't it's a mess.

(separated by layer vs i should've really put the mask tails & leo's head on separate layers and didn't bc that was the 2nd to last animation i had to do and i was losing my mind bc i wanted to be done with the edit lmao)

the way people animate depends all on their style (there's two common ways to do blinking animation - having the anchor point at the bottom of the eye, or the middle of it) and the program they use. it's been a while, but i could probably tell you how to do some basic animations on videostar still even though i've been doing them in after effects for about 2-3years now. ALSO the best way to have an animation be noticeable is to over-exaggerate it/make them Big - which, yes, can mean 'breaking bones' and having the limbs be a little wonky at the start. (if you want it to be realistic though go Just to the point where it looks uncomfortable lmao)

uhm. again i am so sorry that this is so long i THINK this is everything? if not: my inbox/dms are always open if you ever want to ask more questions, wanna follow up on something, etc etc!! (also if you ever start editing please send me your edits!!! i'd love to see them <3)

[babisawyer]

Dean angrily asking "haven't you ever read the bible?" like make me want your ass more I dare you.

[qveenpoppy]

why do i feel awkward mentioning matt lanter in that last post lol, as if i'm worried my followers don't remember my timeless days

[daemonbrain]

Part 2

1.8k, cw: ghosts a pervert, smut, readers husband is piece of work, not proofread.

Simon Riley who first saw you at the butcher's shop on the phone. 

You were a pretty thing. Wearing a pink little yoga set, one arm holding your mat and the other holding your phone to your ear as you wait for the butcher to bring out your cut of meat.

Which was taking a long time

Simon would’ve had it chopped and packed to go by now. Though, he can’t complain with the view he has of your ass- you. The man was touch starved. He hadn’t been back home in a while, back-to-back deployments keeping him occupied. His only company being his calloused and scraped hands roughly jerking himself until he came, bordering on unpleasurable. Not what some could consider enjoyable, but try being in the middle of fuckin’ nowhere for weeks on end and see if you care so much about gentle.

The borderline perverted look you were blissfully unaware of was tracking down your form. He stared at the way the material tightly clung on to every bit of you in a welcoming way, a second skin. The sweat on you from your little session.

Just how flexible does yoga make a bird like you?

It was only when he heard a grating sound come from your phone that he snapped out of his trance. Even with his bad ears from all the bullets whizzing past him, bombs going off within meters of him, and the usual shit show he did for a living he could hear the voice which bled through your phone's speaker.

"Get me a steak this time. Nonna that nasty shit from last time!"

You hurriedly turned your volume down as it blasted in your ear, startled by the voice. Chewing on your lip you pivoted towards the counter to see if your order had been brought out; the motion to no avail as the employee continued chopping away in the back room.

It was only when your other hand came into full view from the motion he noticed the absolute rock on your finger.

"Honey, I thought the salmon was pretty good." That prick clearly firing something back as you winced away from your phone once again. Gritting your teeth as if biting back your arguments, looking around to occupy your time as the man on the phone continues to speak. "I know... I'm sorry. Don't worry, it'll be ready by 7." You placatingly cooed.

"Listen, I have to go. I love y-" You began, but the moment the words tumbled from your lips you pulled the phone fully from your cheek to see a blank screen with the time staring back on you. The asshole hung up!

What a fuckin tosser.

Simon hears the butcher finally call your name with familiarity and with a sigh you step towards the counter. 

He leaned on to the wall further as he had been the entire time. Silent. Unsettling. A stark contrast to your bright appearance in the shop, the larger man brooded in his corner waiting his turn.

“See ya’ next Friday!” You still managed a bright smile at the butcher who handed you your meat.

A mild thing like you really shouldn’t be talked to so thoughtlessly, some guys are fuckwits though. He never liked the type. Why lock a bird down with a ring if you were gonna be mean to her?

“S’cuse me sir, i’m just gonna push past you here” You asked. With widened eyes, Simon gruffly mumbled a “Yeah,” out before creating a stupidly small space.

Maybe he really did want you to push past him. Or just push up on him but oh well.

Sweeping past him, you give him a toothy smile as you had so sweetly done to the butcher, as if you hadn’t got yelled at less than five minutes ago. God you really have no common sense, beaming up at the lurker in the corner at least twice your size. A girl as pretty as you should really stick to herself.

From that interaction on, Simon found himself being guided by the memory of you back to the butcher shop the next Friday.

And the next…

And the next.

Every week progressively standing closer and closer to you as you picked up your usual order. One day you had taken the liberty of starting small talk with him after recognizing his unmistakable stature. After all, there were only so many people you had seen in this shop and none so… large.

You could not deny you found this mystery man disquieting. Always dressed in dark colours, not so much as a word coming from him. Like clockwork you would come in after hot yoga, greet the butcher, he would come in, silence would ensue as you both waited for your meat, and you would leave with a quick smile.

It was rude. He had never even said a simple hello to you! Though, you suppose that it could be due to your own curt exits. The thought of the unkindness you might’ve exhibited subconsciously sent your mind into a spiral, leading to your abrupt introduction.

After all, who were you to judge! Kindness is and should always be the response in your books.

At this kindness, Simon swore he had to take a breath in as you politely outstretched your hand and spoke your name casually. Tilting his head down to your face he raises a brow skeptically, and then firmly shakes your head.

He failed to hide the shudder which wracked his body. The way your hand effortlessly slipped into his. Soft and manicured engulfed in his.

“Simon.”

“Well it’s good to meet you Simon” With the twinkly little smile you would grace him as you hauled it out of the shop. He felt the shiver go down his spine a second time when you spoke his name for the first time.

And then- it happened.

You giggled. A soft thing, no doubt intended to be small. It wasn’t to Simon though. It reverberated throughout the room, rang so prettily in his ears. Fuck. He would remember that sound later on tonight.

“Are you cold? You keep shivering. It’s pretty harsh out there right now.”

“Nah. Not really.” His accent thick as he shrugged.

Letting out a little “mhm” you nod and look back to the counter.

“I was freezing outside! Usually I walk home-” Simon already knew that “-but today I called my husband to come grab me! Way too cold!”

That visibly made him stiffen. Of course. Perfectly normal that guy is coming to get you, he’d be an idiot to leave you walking home alone in the cold.

If you were his girl, Simon wouldn’t have let you out of his sight. Fuck sakes you practically had “come mess with me” written all over you. There were creeps all over the place nowadays, (thought the creep).

He would’ve carried everything for you, scarfed down whatever the hell you had taken the time to prepare him. That husband of yours doesn’t like your salmon? Simon would. Hell if he didn’t, he’d cram it down his throat with gratitude anyways. He doubted anything could be worse than some of the rations he’s eaten on duty. 

That train of thought is pretty redundant when he takes note of how you wouldn’t be able to leave the bed to make anything.

Maybe you’d cram something of his down your throat in gratitude.

Shaking his head subtly, he hears the bells of the store door opening. He watched your face fall as you step away from him and it’s when he sees your husband's look of complete irritation he understands why.

You had grabbed your order swiftly and with a quick wave goodbye you were on your way back to your husband. Simon could only register your husband's whisper-yell as he disapprovingly glared his way. “The fuck are you doin talking to him?”. And with that you were hurriedly ushered out.

You deigned it necessary to continue greeting Simon, have little chats about the weather, any plans he had for the weekend. Tossing in your stupid jokes that he would laugh at. You interpreted it as something closer to a breathy snort-hopefully positive- and it went on as such for weeks

And every time he returned home Friday night, he came home with only one thought after. You.

As he laid in bed the same thought persisted as he slipped his cock out of his boxers, red and weeping for some sort of stimulation. He took to his usual harsh pace. You’d be so much softer.

You’d be so nice to him wouldn’t you? Coo some compliment as he lets you tug at him. Fuck he wouldn’t know what to take first.

Would you give him a blowie or a hand job? 

No. You wouldn’t be on your knees- not yet. If you’d let him have you, you’d be on your back in an instant. He’d rip the stitches of those leggings right down the middle, your panties next.

“Fuuuuuck” he moaned into the quiet of his room. He’d stick it in slow, he’d try. It would be torture not to ram himself right up to the hilt, but he’d do it for such a good girl.

That’s what you were, weren’t you? Always a nice word for someone? What would you say to him when he began to rut into you like a madman. When you would feel the pummeling intrusion, his head knocking into the deepest parts of you.

He’d be able bend you into so many different positions that you’d better hope that yoga has taught you well. Split your legs open to accommodate his imposing body size as he’d take purchase between them. Then you better hope your cunny can accommodate his other size when he spears you open on his cock.

Would you take it smiling? Would your tears roll down your cheeks, the prodding bordering too much? You’d take it either way, he knew you could. He’d rub at your clit with such tenderness he never afforded himself (as gentle as he could anyway). He’d make sure you begged to stay on his cock forever, fuck himself so deep you would be too stupid to pull away unknowing of where he ended and you started. Not that you’d have to care.

He’d flip you on to all fours and rip away your clothes entirely, pounding you from the back and instead of just his own labored breaths, the sound of skin slapping together would ring out.

In silent stoicism, he feels his balls tighten up at the thought of your perfect face stuffed into the pillows screaming your thank you’s. You probably were just as nice with someone stuffing themselves into your pussy.

At both his ruthless ministrations and boundless imagination, his release spurted all over his hand with a breathy sigh. When you were here he’d make sure to slam his hips to yours and keep them flush against you, coat your insides in hot cum better than your limp-dick husband ever could. That man wouldn’t be able to fuck you the way Simon knew he could. You deserve someone who could make you go stupid on his dick, not cry of frustration like you probably did everytime that knob who thinks himself a man rolled over after finishing himself off.

Not that you’ll have to worry about that soon

…

He wouldn’t be around for much longer anyways.

[twpsyn-who]

Got out of the bus with my extremely annoying coworker and made the dumb mistake of not ignoring his existence so he began talking for over 20 minutes while I was just nodding and lowkey praying he would finally fucking stop without telling him off WHEN a literal angel showed up asking for a smoke breaking the conversation and giving me the perfect opportunity to fucking leave with the angle yey

[iam-anordinary-human-orami]

I really want a scene like this in tsc2 where Neil seems to call Jean more often to check up on him and the floozies are perplexed "Why is Josten calling you?" "You guys close or sth?" "You still haven't told us what happened when he whisked you away" "we are worried sick Jean, how can you keep us in the dark?" And then Cat will say sth like "are you not sharing what you're talking to Josten about cause you're embarrassed?" Jeremy being a worried mother hen "is he bothering you?" And Jean keeps shutting everything down telling them not to worry, and then Laila as a joke says "is he flirting with you?"

And Jean responds with "I hope not. I don't think his boyfriend would take it well"

Everyone immediately stops what they are doing. "Im sorry, his WHAT?"

All hell breaks lose. Cat is shaking Laila "Josten is FRUITY?!", Jeremy is like "He has a boyfriend?" Laila being like "in the year that he joined the foxes and almost died in the hands of his serial killer dad, he got a boyfriend??? How???" And then Cat and Laila start asking questions, Jeremy trying to calm them down but also being curious, Jean is like "Well he's not told me explicitly, but it's obvious."

Jeremy having an epiphany "oh my god. Is it Kevin?" Cat in the background "oh please let it be Kevin" Jean says no, "Kevin is too much of a coward", the floozies are looking at each other like "oh we are definitely unpacking THAT at some point". And then they're like okay, well maybe the boyfriend is not on the team. But Jean confirms, it's a fox, i can tell u who it is-' "NO! We need to figure this one out!" "Let our gaydar do the work Jean we got things to prove!" Jean tiredly: "to who?"

So they start guessing, oh Hemmick is undeniably fruity, Jean is like "I don't even know who that is. Oh, backliner? No, not him". "Maybe it's Boyd?!" Cat being like "Escandalo! Cause he's with the captain right? Wilds?" Laila commenting "He'd be out of his mind to pass on that, and this is the educated opinion of a lesbian", Jean is like "how come u guys know all their names?" Jeremy says "they are a small team and it's hard not to keep tabs on them when they are in the news cycle every week or so"

"Guys we're losing track, keep your heads locked in! Who could be Josten's boyfriend, that tonight's pressing question!" "But there's no one else... wait, is he with the other backliner? Short blonde?" "I'm gonna be honest, I don't get queer vibes from him" "Lol can u imagine it's actually the goalkeeper twin" "what the one that went to juvie and looks like hes one step away from biting our heads off on the court? Nahh". Jean looks at an invisible camera like he's in the office.

And then something happens and they forget about it, until like the winter banquet or some shit and Cat is intently looking at Neil trying to decipher who his boyfriend could be, maybe he is in a throuple with Wilds and Boyd? Jean is like "Why are you looking at the foxes' table so intently?" "It's investigative work, don't worry about it" and then Neil comes over and takes Jean away at the open bar to talk about sth, the floozies are pretending to not be looking at them. Neil notices and he's like "I see they taken claim already." Jean responds with "It's not what u think" and they talk, Andrew probably gets bored at some point and goes to Neil, puts a single hand on his lower back and Jean being able to hear commotion in the Trojans table turns to see them acting like "normal", except their poses look rehearsed, there's drinks that have been spilled on the table and Cat is drinking from an empty glass looking at the sky.