#Further/Deeper

[awakeonsundaynight]

THE CHURCH-MIAMI

[sinceileftyoublog]

The Church Live Show Review: 11/1, Evanston SPACE

BY JORDAN MAINZER

I'll admit it: Thought I admire both their underrated back catalog and new concept album The Hypnogogue (Communicating Vessels), having never seen The Church, I was wary of Steve Kilbey's ability to weave AI-inspired futuristic concepts into the shimmery wistfulness of the band's old songs. Maybe this was the result of having spent so much time recently trying to place myself in the mind of another overly ambitious rock icon. And perhaps my thoughts were unfair considering The Hypnogogue is a cohesive-sounding front-to-back album, stellar independent of its story. But a part of me was nonetheless skeptical of the juxtaposition of heady slow burns with dream pop classics.

Well, immediately after finishing the building "Ascendence", Ian Haug and Ashley Naylor's siren-like guitars leading the way, Kilbey declared that the Australian band was "playing better than ever before," 26 gigs in a row be damned. Indeed, they were so fine-tuned--his perfectly yearning vocals on "Destination", touring drummer Nicholas Meredith's disco beat breakdown on "Metropolis"--that by the time he introduced the concept of The Hypnogogue on ballad "No Other You", you were too, well, hypnotized, by the stadium sounds emanating from a small stage, to take in the plot. Kilbey contextualized The Hypnagogue's songs within the album's universe whenever he introduced them, but he did so non-linearly, as if each song was its own vignette. "Flickering Lights" sees the narrator hearing a nostalgic song in a cab, represented live by Jeffrey Cain's washy synths and Haug and Naylor's chiming guitars. "Antarctica", meanwhile, is named after the motherland of the main character, and the band's Pink Floyd-like, deliberate, effects-heavy prog funk conjured the feeling of being so cold you can't think straight. "Albert Ross"'s namesake in the fictional world is a disappeared guitar tech, and what better way to pay tribute to the lost soul than for Kilbey to thank the band's road crew, especially because they had to bring a mandolin just for that song?

Of course, The Church's hits were highlights, from "Hotel Womb" and "Fly", both enveloped by voluminous synths, to a lounge-like version of "Under the Milky Way" and stomping "Grind". But I was blown away by many of their deep cuts. During a mid-concert mini acoustic set, they nailed "Old Coast Road", a gorgeously jangly highlight from 2014's Further/Deeper. Meredith's motorik drumming both propelled and offered a welcome contrast to the otherwise beatific "C'est La Vie". Kilbey's dry, spoken delivery on "Second Bridge" recalled the depth of Jarvis Cocker. And "Tantalized", sans the theatrical horns of its studio version, was a tried and true monochromatic banger, clattering drums and scratchy, early 80's-The Edge-like guitars splitting eardrums in a venue over four times smaller than the theaters The Church were playing earlier in the year.

Ask any casual music fan about The Church, and they'll think of the band who made "Under the Milky Way". It is a great song; the moment the synthetic guitar solo meant to sound like bagpipes comes in, is one of the greatest in 80's rock. I posit, though, that their best song is "Reptile", whose revolving Marty Willson-Piper riff is the earworm of all earworms. This lineup, along with appropriate green and orange strobe lighting, stuck the landing, the dual guitar interplay shining in a matchup of stop-start stabs behind Kilbey's whispered sneer of a vocal turn. It was the emotional climax of the show, prepping you for the all-out closing cacophony jam of "You Took", and one that reminded you that a band in their fifth decade sounds like they could share a stage with some of today's best post-punk bands, even if their sound is meant to evoke noises of the past.

[scoobydoomistakes]

Something caught in my eye, walkin' through a random office hallway.

Wait, is that– is that a photo… of a printed sign taped up…

…then printed out and taped up again… in a different spot?

So, naturally, I started taking a photo of it to show y'all.

So, naturally my brother took out his phone to take a photo of me taking a photo of the printed photo of the printed sign.

So, naturally I printed out a photo of the post of the photo of the photo of the printed photo of the printed sign.

…what's the maximum daily consumption of meta-ness before toxic levels build up in the bloodstream? Asking for a friend.

–Colin

[gummi-ships]

Kingdom Hearts 0.2 Birth by Sleep - A Fragmentary Passage - Forest of Thorns

[voidcat]

characters: you/imaushi wakasa, sano shinichiro...

a/n: angst lol. strangers to friends. themes of fwb but nothing explicit. switch of perspective. mcd obviously,,

as i said in this post the loose explanatio/beginning of an idea i had that i liked ALOT but couldnt write due to various reasons (esp lck of time) (open post for a lil further stuff for reader x wakasa ig,,,)

attending the same classes as shinichiro sano... you've heard of him alright but that's about it. a nice face to look at perhaps but a little odd. not someone you'd interact with occasionally, nor someone you'd remember in particular-

until you're paired with him for an assignment. it'll help build bonds between the lot of you! the teacher announces and everyone groans in unision

you shoot your new partner to be a look from where you stand and turn back to your notebook. the ring bells but by the time you can get up adn gather your stuff, sano is nowhere to be seen

it takes you hours to find him. and at possibily one of the worst times too.

you heard of the rumors about fights and deliquents but you didn't expect yourself to run into one. youre careful, you live a peaceful life, you avoid trouble, always keep a clean name and all-

the people around all battered and beaten up, covered in bruises, cuts and maybe blood, looking hungry, unsatisfied, maddened– and you're in the center of it all.

footsteps approach you, strong, stern, taking their time and all- you hold it in you to not turn for a look. wait for them to show their face at your feet, dont give them the satisfaction nor even the slightest sign of weakness.

a man with blond hair and a pretty face, long lashes and all, stands before you, looking almost a little amused. "what's a pretty little thing doin' here all by themselv-" "where's sano" you cut him midsentence.

the man looks baffled, a little offensed even. soon joined by a second figure a lot taller than him, they both look at you with hostility and a hint of curiosity.

who cares, you scoff internally, whatever intimidation they're going for, you won't fall for it.

the other man raises a brow at the way you've mentioned sano. shit, you do hope this was not the wrong place, or whatever fight went down there, they must've won... right?

"and who is asking?" the blond speaks up again, sounding a little annoyed now. "you know, we don't allow passes to every pretty thi-" "eeeew" you drag the word and scretch like a gum, making sure to put on a face. "none of your business actually." you add on, placing your hand against a hip.

"why, you-" before he can follow up with whatever's on his tongue, a jolly greeting from behind interrupts him, cutting through the air. you can notice how the idle folks around suddenly tense up, and for the two man before you, shoulders dropped, bodies relaxing...

soon sano emerges, with his hair put up and stylized, nothing like the man in your class, a deliquent out of a shitty teen's magazine you'd say so.

exhanging greets with the two men and doing a special handshake for only them to know, he looks in the mood, just his face a little bruised up and some blood on his clothes.

so that's probably why he skips school some days, you muse.

he notices you a little later.

"oh!" mouth formed into an 'o' shape, you can see his surprise written all over but he is quick to disperse all that." greeting you with your surname formally, he reaches out a hand, then brings it up upon noticing the splatters of blood and takes it back with a sheepish smile.

"what brings you there?" he asks, never losing a bit of his joy that contradicts the entire atmosphere.

"our assignment." you say curtly and receive another sound of surprise from him. he looks apolegitic at the very least, you think.

"well.. uh-" he scratches the back of his head, casting a glance around, you wait to see where the stammering will go.

"how would you wanna do it then?" he asks more for you than himself, to ease you probably, you can only assume.

another joins their little group, keeping silent and watching what's going on. you relly, really should get going, you decide after giving a quick look around. "we can go over the details at an appropirate time later."

"alright then!" he says, never missing a beat from his energy. it's unbelievable, you think. "should we... ah-" he pauses, "exchange numbers to keep in touch then?" he asks, and he means well, you can tell just from the way he looks and talks, but the rest? you're not exactly dying to say out loud your contact information. especially not with that blond anywhere within a 20 meter radius.

"here." you say, reaching out your hand to reveal your phone. "i'm not announcing my number for a bunch of weirdo, self proclaimed deliquents to hear."

your words take him by shock but he breaks into a snort right after. the two men exchange a glance and a thug at their lips as well. the blond however does not look once pleased with your words.

or you at all.

you begin to come and go to their place often, the assignment builds up slow but steady and the guys seem reasonable enough after actually sitting down and hearing each other out. shin looks happy with the development too, says you have brought a change but you'd disagree. he is the light and sun and the beating heart of this place and wherever he goes, they follow, absolute devotion and belief in him, as a person, for his mind and for his heart.

you can see why, you can feel it too. once you begin to spend your time with shinichiro sano, all the rumors and speculations you've heard up until then are gone. assignment be damned, you can tell when a friendship begins to bloom and with shin- it happens at such a pace, you find yourself a little afraid.

the assignment ends, presentation and all, with flying colors you pass and decide to celebrate it out, with the rest joining as well.

a karaoke bar is all fun and games until night rolls out. it has gotten late but shin offers to walk you home; keizo and takeumi dragging a very drunk and messed up wakasa. everyone bids one another goodbye- save for wakasa... and you almost believe youhave seen a hint of sadness in their eyes as they bump their fists against yours. if you didn't know any better, you'd ever go as far as to say they'll miss you around.

a day passes, another and another... much to their relief and encouragement, you stick around.

not within the vicinity on the days big fights go around but definitely dropping by to hang out, fool around and whatnot. it's now your laughter mixed with shin's that fills the air, and everyone seems joyful and happy most of the time- save for imaushi wakasa.

for reasons unbeknowst to you, he remains hostile, rude, and on and up about sending your way stupid lines like he did the first time. most of the time you ignore him, which annoys him further– the scene alone brings a smile to your lips, the smirk of a vixen, you even overhear him once, yelling to keizo about you are, sounding very much frustrated.

despite this is how the things begin and roll out, neither of you expect to grow close- closer than you'd have imagined.

yes, you and shin might be the sunshines, but you and wakasa? the two of you become inseperable. you even hear some people mumble how they fear the two of you looking down at them, gazes that burn holes through their skulls, see into their souls... the two of you could make a power couple- if you were one at all.

there is the heat, there is the tension. you comb through his hair with a gentle touch that has wakasa melting in your hold, yet the second someone dares to imply anything more, you shoot them a glance so heavy, it'd crash their lungs.

wakasa hopes, in the end, that perhaps there is an end to it that is happy, that is hopeful. he knows there is no making up for the way he treated you but you were not the kindest toward him either, so it makes you equals, no?

so he sings sappy songs at karaoke whilst tipsy, so any accusation he can brush off as the effect of the booze, but hopes you caught how he looked at you. so he touches you as soft as you do him, trying to mimic your kindness, an attempt at how love, in the physical, in action should be.

he doesn't know any better, why should he? why should anyone to begin with?

it scares him how natural it is for shin and you. some days he finds himself envying the two of you even, would things be any different were you to attend the same school as the two of you? oh what wouldn't he do to be graced with your smiles and giggles all day every day, having you look at him as you rest your cheek against your palm–

he aches for something a tad normal sometimes, at the very least with you. would the two of you ever cross paths were it not for shin? the thought scares him and he feels like an asshole for envying his friend like this, desperate for anything that would come from your hands.

but at the end of the day, it is himself you seek out. his arms that you allow around your person, his lips on you, devoring you, it's wakasa that consumes you wholly and the thought brings a wave of comfort at the very least.

then the entire world collapses down in the span of 24 hours.

shinichiro dies.

almost 24 hours have passed since his death and wakasa still cannot find it in him to return to reality yet.

then like an angel amidst the chaos, you reemerge from the fog, from smoke. it doesn't take a genius to figure out something is wrong.

"waka," you call out to him, sound laced with something he cannot quite pinpoint. shutting his eyes completely, he sits in the same spot for a moment, all the doubts, every single negative, twisted and fucked up thng he has been holding at bay til now so close to breaking out.

you speak, but he does not hear the words.

not pass the 'i am leaving'

[codenamesazanka]

any chance of me being okay with Shigaraki taking up the name 'Shimura Tenko' again has withered, meta-wise. I hate seeing that name in Deku's dialogue bubbles. I hate that he feels he can call Shigaraki that. All he ever cared about was The Crying Child - Tenko. Then he failed to save Tenko. THEN Deku had the gall to expressed disappointment that Tenko - the very source of the kindness and friendship that readers all kept saying is why Shigaraki is still Tenko, why he should be saved, how the League is proof of 'Tenko' still existing! - would stay being leader of the League of Villains. And Deku saying 'Tenko' is supposed to be some sort of win???? Supposed to be touching?????

And I hate that this is probably how All Might and Gran Torino finds out the name of Nana's grandson, because they never bothered to check on the family and never tried to save Shigaraki and All Might tries to comfort Deku by saying 'well how did he look at the moment of his death?' as if that fixes anything, and now they're going to use that name. Never tried to save the boy when he was Shigaraki Tomura. But now they can mourn Shimura Tenko. because that's who deserved to be cared about. The melancholic reminder of a 5-year-old ghost, connected to someone they actually cared about. Not a villain they might have no connection to, god forbid. Why would they ever save an evil rando like that?

I think none of them should ever be allowed to say that name. They don't deserve knowing it.

[murcielagatito]

they mean the world to me

[tarczar]

objectum queen? taking this opportunity to tell you guys there's an audio drama story focused entirely on her and paracelsus ((slayer is also there <3)) also here's the english translation pdf

[angrilydancing]

i find it rlly cool how even though c!tommy & c!purpled's friendship was never canon, we as a community still managed to make such an amazing, interesting dynamic between these two character foils: someone who would do anything to be in the spotlight, and someone who would do anything to get out from under it. the boy who no one notices and the boy who everyone knows. like that's beautiful

[unvexes]

sink or swim, teddy.

[reeama-the-mage]

The difference between the tragedy of Edwin's and Charles' lives and deaths and what makes Charles' much more compelling to me is that Edwin never had anyone he could trust: he grew up with distant parents who i imagine he saw rarely and could not confide in, then he went to school and was immediately recognized as other in a way he had not fully realized of himself yet and was killed for it, and then comes hell and well who can u trust in hell? Certainly not the things that chase you until your legs ache, and even if your compatriots in the whole ordeal are as innocent as you, trapped in the same technicality, what is the good of trusting them, when they are just as helpless as you?

But Charles? Everyone Charles was supposed to trust betrayed him. His parents were close to him, atleast somewhat, atleast his father was around enough to get sick of hearing owner of a lonely heart, and his mother was around enough to watch his father beat him and be silently horrified and ultimately not do anything about it, maybe she stepped in once and we just never saw it, but I wouldn't bet on it, Charles' mom is 'quiet' that's her defining feature to Charles not protective or gentle just 'quiet', then Charles gets to school and he is popular he has friends! He has people who care for him (or should maybe, as long as he's good at sports like he's needed to be) and then he stands up for one person, because he has always wanted to be good and maybe he trusts himself to do it just this once and his friends kill him and his own actions signed the death warrant and he cannot even trust himself to do the right thing properly (it never got better and then you died)

And maybe, maybe Edwin does it too, with less intention to hurt, and with less knowledge but Charles and Edwin trust eachother maybe more than anything (maybe Charles would sooner slip away from earth's gravity than stop putting his trust in Edwin who he thinks is good and smart and brills and aces) and maybe Edwin still looks at Charles trying to protect him after Charles has had maybe the worst week of his existence and says "that was a bit...... extreme" and Edwin still promises Charles can tell him anything while hiding himself in a way that makes Charles feel untrustworthy

So yeah I'll never stop thinking about the tragedy of Charles Rowland actually 👍 think about him with me

[ahalliance]

how do i turn qantoine’s spontaneous marriage proposal to qetoiles into evidence of his early-days fear of qfrench drifing away and keeping secrets from one another

[transingthoseformers]

Deep sea Subnautica creatures would be so fucked up though

Once you know the recipe for giving a creature deep sea adaptations you'll be able to imagine them better

[crushedsweets]

Yk actually I think we as a fandom need to stop separating things by “canon” vs “fanon” and instead describe it more like … dark . Vs not dark. Or smth of similar nature. Cuz some of the “canon” stuff is cool, made for horror purposes, super interesting and I enjoy it a lot, but it is simply not canon and that’s ok !!!!!! (I don’t actually think anyone needs to stop doing anything it’s not that deep)

[renjirukia]

i've brought this up before i'm sure, but byakuya being sooo self-involved during the ss arc and so myopically obsessed with rukia's execution and how it relates to him and makes him feel etc... that he just doesn't clock the massive government conspiracy going down opens such a juicy can of worms for characterization.