#From my old job
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Taking the DIES key to the OMEN room
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@star-sparkler I humbly offer this comic of August, she is light itself and perfect in every way
#rottmnt#not my oc#this took longer than it should have#but augie took over my brain#based off of real conversations with parents from my old nanny job#the ending was originally gonna be more wholesome#but then memes#you can actually see where I started losing steam but I wanted this finished tonight damnit#tmnt#riggsink
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the most difficult thing about growing as a person socially, as in getting out of your shell and noticing that you are, is that there will still be times when it doesn’t feel like you’ve grown at all! times when you can’t really connect with anyone around you, times when you fail to enter into an existing conversation, times when you say the wrong thing (or nothing at all when in hindsight you probably should’ve). but that’s also kind of the best thing, because that’s the thing that helps you realize that sometimes, it’s not you or your lack of skills or any shortcoming. sometimes certain environments just aren’t for you and certain people aren’t your people, and that’s okay. that’s human. it’s okay to not feel the progress you have made all the time.
#and that goes for every type of growth#backstory of this post:#after I came back after a few months of doing my international internship I felt so much more confident#it was easier making friends and walking up to people#i took more chances#and generally just heard it a lot from those around me who kept telling me how much i’d changed#this was further supported by my first office job that went pretty well#but then came my grad internship. and while i love the work and have met some great people I noticed it was difficult again#there was one office lunch where no one spoke to me at all! it was my first week and I didn’t know what to say#if i should even say anything#we were all sitting at the same table#not one person even glanced my way#it made me doubt myself; i was doing so well before#was that even real? why can’t I just speak up? this is not the way to connect with people#especially in my first week!#but you know what#i was still doing well. i just had to factor in the fact that these were all middle aged people talking about reality shows i didn’t watch#and bikes i knew nothing about#as well as people who knew i was the new intern yet didn’t speak to me at all even though I’d introduced myself to them all individually#and even so#people I couldn’t really talk to about MY interests outside of work either#my point being:#it’s okay to not feel a connection with everyone you meet#it’s okay to fall back into old habits even though you’ve developed new ones#it will never unravel the process you’ve made and the connections you’ve built#you’re doing fine#after this internship I will surround myself with people who reaffirm that belief#growth in the self#self love#positivity
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FROM THE DESK OF TAYLOR SWIFT Chairman, The Tortured Poets Department (2006-2024)
#taylor swift#ttpd#sorry this is so long...she just HAS TOO MANY DAMN ALBUMS#i had to update my old prologue post from 2018#also YES i needed to include the rep poems#really wanna find all the parallels but that's a job for another day#mine
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I had a TERRIFYING nightmare last night about being under assault from some kind of Creature and thought my sleep paralysis was back, but it turned out it was just Iggy walking across me in my sleep
#backstory: used to get it every night at my old job#'waking up' from one hag-riding dream into another and another#i much prefer my current creature :)
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it’s my birthday and my ex destroyed all my plans so i’m throwing myself a pity party and you’re all invited
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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the summer before Hogwarts🫶
in my mind, Sebastian is a huge planner & he always insisted on bringing too much along whenever he and Anne went on adventures. It’s always better to be prepared than to realize you forgot something at home😤
the next drawing will be Anne so you can compare the two😂💓
#I love thinking about their childhood so much🤧#this is a scene from my fic 🥹💓#hogwarts legacy#hogwarts legacy fanart#hphl#sebastian sallow#anne sallow#today I was walking to work and an old woman asked me where the library was and I had time so I walked with her there#I can’t give directions to save my life#turns out we have the same favorite book 🥹#then she told me ‘qué bien te parió tu madre’ jajajajajaja (my mom did a good job giving birth to me)#god I love old women & they give the funniest compliments#anyways hope you’re all having an amazing day too💓
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I've been having so much fun with my Ace Attorney comics lately but I've been feeling the pull to do original stuff again. So to ease into the transition, here is my (very first!) comedy zine. You may spot some familiar faces B)
Thanks for reading my goofiness! I'm including some nerd thoughts about zines under the cut
Zines are sooo cool and I assume most people have heard of them since this is tumblr BUT if you haven't! Zine is short for magazine (pronounced "zeen" it does not rhyme with vine). It usually refers to handmade pamphlets that can be created by folding and cutting a single sheet of paper, which is what I did, but it can be used for any sort of self made publication. The goal is to make something that can be reprinted and shared so mine is technically not in the spirit of that because of all my little interactive details but shh that's fine. Zines have been used in sooo many ways (Was Martin Luther's 95 theses not in a way the first zine (this is a joke)) but they are especially recognized as part of the punk movement as a way of fighting back against mainstream media and of sharing information around! It was a way to get around censorship and spread the word about social movements and political messages buuuut it has also always been used to share fun things, like music recommendations OR FAMOUSLY. STAR TREK SPOCK KIRK FAN FICTION (this is real and there are academic papers about this). Some of the earliest m/m fanfic was passed along through zines because they did not have ao3 back then! All they had was a typewriter and a dream! It's actually sooo silly, but I took a class in college that heavily emphasized these zines as leading to the fandom culture we had today, so they really did shape the world we live in today. Tumblr posts are like our own little zines that we share, with our own messages and thoughts and yes even hand drawn gay people...
Anyway, like I mentioned, in these fandom spaces you had queer zines that were about explicitly romantic and sexual relationships between fictional men. At the time, slash shipping was not the most common way to engage with fandom, but today it has become very mainstream and widely accepted amongst the fandom. But you know what queer behaviors are still not mainstream within fandom spaces, even within queer fandom spaces? Aro ace rep babyyyy. With that in mind, I feel like what is considered radical and abnormal these days in queer fandom spaces is to engage with fictional men (or any characters) from an aromantic or asexual lens. And so I am here to hold your hand and walk you through the wonderful radical world of imagining non-romantic scenarios with fictional guys. You can have so much fun with it and I think more people should do it. What if you stood in line at the bank and your favorite anime man was in front of you. What if you had to go in for jury duty and the guy from five nights at freddy's was there. What if you went to the library and spock and kirk were both there researching the history of zines. In a world that expects us to prioritize one normative romantic and sexual relationship as the big thing that will bring you happiness and fulfillment, it is radical to say "actually, i could probably still be really happy and fulfilled if i had some cool friends to hang out with and do mundane things with. And also what if those friends were fictional lawyers."
Anyway. Thank you to all the spirk shippers who worked hard to get us here, I will pick up your mantle and continue to push against societal norms but with fewer sex scenes this time around. Not that you aren't valid for that, this is just personal preference. The end. Go make a zine everybody.
#rage against the machine by imagining yourself in a non romantic scenario with a fictional character! And then share it with me i wanna know#if only this was real. I would give my life to be able to complain about my job to Phoenix Wright. we would have so much fun#and although I love miles... I recognize he would never hang out with me unless I paid him. Gotta keep the fantasies realistic#i did want to call out also! When I started making it I was going to just do random girls on each page#so on the Link page I used a cut out from an old american girl magazine. But then the rest ARE me. So oops thematic inconsistency#my art#art zine#zine#comic#comics#nico di angelo#link botw#phoenix wright#miles edgeworth#asexual#aro ace#aspec#aromantic#i love media i love the printing press i love the history of sharing information i love the written word yayyyy
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Radiant Finale
#Final Fantasy XIV#FFXIV#X'vahl Tia#gposers#that is most definitely *not* Radiant Finale#(it is a *heavily* edited Wide Volley)#I just needed a cool sounding ''title''#and I wanted *something* from BRDs kit.#The whole reason I did this tho is so I can put a different image in my pinned post. :)#because the old one is.......... very old now#and no longer looks good#nor does it do a good job at representing my catte#mans is truly in his element with bow in hand.#that scarf was fighting with me the whole damn time#and it still didn't end up doing what I wanted it to.
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Party members and traveling companions!
going back to the inn for some grub
#mii#miitopia#miitopia fanart#miitopia spoilers#miitopia promo miis#gifs#my gifs#my art#wanted to make something small and simple while I'm busy#I also debated whether to add the prince or not and decided that well... he technically does travel with your party and help you fight...#moving on I'm also sad that there's no (confirmed) default Mii for the elf job so I just went with Freddie#mainly because I really like the theory that Freddie is the default elf since she appeared in one of the old 3DS trailers as an npc#and almost all of the 3DS promo Miis reappear in the Switch version albeit with minor changes#I wonder what happened to the princess though... everyone else from the jobs came back but not her
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eldest daughter behavior
#he just like me fr#can you tell that I used to be an osomatsu kinnie#osomatsu san is like an old wound I got from the war that’s healed but still acts up during dubious employment periods#yes I am currently job hunting why do you ask#digital art#my art#osomatsu matsuno#osomatsu san#mr osomatsu#actually no I don’t think he deserves the Mr title there’s too much respect behind that#why do I feel like his English name would be some shit like craig#I’ve only ever cosplayed once in my life and it was this fucker#I still have the bowlcut wig buried deep in my desk and it whispers to me like the green goblin mask#also I bought a surprisingly really high quality hoodie cosplay it’s very good for cold winter days#but it has a giant pine logo smack dab in the middle so it’s like wearing a sign that says bullied in highschool in public#who says watching osmtsan doesn’t do any good?#I watched two episodes the other day and immediately went on indeed and applied for another job thanks king 👍#hello to like the ten other matsuno fans still on here#I’m literally neeting it up at home right now#my friend says I’m doing better than them cuz I got my degree tho so I’m holding on so hard onto that 👊👊👊
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Blaming Silco for Felicia’s death imo is more of an underline as to why Vander was a very flawed character/revolutionary leader and not why Silco was inherently evil. Everyone showed up to fight, where it seems like Vander was the sole survivor and everyone else was shot/ran. That is the reality of resistance, you don’t know going in when the switch is going to flip and when shots get fired. Silco didn’t shoot Felicia and Connol. Enforcers did. Vi and Vander both say verbatim that they were killed by enforcers, I know that one scene implies Silco feels guilty and Vander blamed him for escalating by tossing a Molotov cocktail, but I need you all to be so for real with yourselves about how shooting a bridge full of protestors is also an extreme retaliation and sit with why blaming Silco or Vander, and them blaming eachother/themselves, is wrong. Why feeling guilty and personal responsibility for a violent system comfortable with executing civilians in the street cant really rest on either of their shoulders. And that blaming Slco for their deaths is very centrist lib of you and I won’t stand for it.
#perhaps it was the police brutality all along that was evil#not the people rioting for freedom#arcane#silco#vander#Felicia#also this isn’t silco apologist for other things I get he’s a villain later#I’m JUST SAYING#his villain origin story is extremely interesting because lowkey they did a very good job in showing how you end up radicalizing#extremists from both external and internal pressures#I write way too much about this one chipped tooth moron but it is because I find his problems extremely fascinating g#perhaps I have a bit of trauma from being shot at at protests ok#maybe he’s my emotional support psycho#the national guard threatened me at gun point and now I want to shag old violent revolutionaries this is what the left wants#personal
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still thinking about this shot 🤒
#my feelings go from nostalgia gnawing at my heart like it’s an old chew toy#to GET A JOB! STAY AWAY FROM HER!#kai knowing he and elia are committed to other people but still choosing to push boundaries#sigh. king of dipping into his toxicity and enjoying it#maybe there’s reasoning behind his madness. we shall see#makoa would’ve ran him through the greenhouse window if he overheard this conversation lmfaoooo
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YOU'RE NOTHING NEXT TO MY PREVIOUS WORK CRUSH BTW
got a work crush. 339391 found dead 38397371718393 injured
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lucanis truly has a near terminal case of burned out golden child syndrome. caterina fucked both of these kids over so incredibly bad with the dynamic she enforced there, with illario being labled the perpetual fuckup kid where lucanis 'could do no (would never be allowed to do) wrong'. the way he admits in the first coffee date scene that the only thing that happened when he showed he could carry the weight of expectation was that more weight was added makes me so sad. you can hear it in caterina's voice in his intro mission that she's incredibly proud of him, but this is clearly a leandra and hawke situation where that pride never translates into relief or resolution or unconditional warmth or understanding or anything that really helps.
#you messed up an excellent little autistic dude caterina look at him he has no personal life and his only friend is his scar-ass cousin!!#because that's what you told him he has to be and he believed you!!!#all that and you wouldn't even let him have a wyvern dagger just for fun and b/c it makes him SO happy? when i get you caterina dellamorte#I'm finding the crow family drama so compelling in this game I'm just hanging around treviso Observing haha#I wish they'd given illario a bit more nuance in this (as I feel he does have in the wigmaker job)#b/c with the sheer pantomime susness he's got going on they really don't want you to engage with him deeply haha#also teia mvp as always but I think that goes without saying (and happily all these lads around her seem to know it)#both lucanis and viago like 'thank you teia you're the best 🥺' and she's like 'yeah I know'#protective big sis of the remaining crow family haha. and she's got to be barely thirty years old at this point. I'm love her so much#'*annoyed voice* MAKER HELP US' she's saying what we're all thinking#dragon age#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#lucanis dellamorte#I think my rook is having some uncomfortable moments of realizing some parallels here with their own relationship to the watchers haha#like 'buddy you're so much more than just a tool for your family to use. I however have a sacred duty I was banished from#the fulfilment of which determines my entire worth and that I am low-key mourning behind the levity b/c that's what I was made for. ...wait#I feel like rye was more the illario & lucanis combo only child tho. wants so much to be good but keeps getting into Shenanigans#chaotic underachiever with frankly upsetting potential when they actually get their act together and they WANT to so bad#but also. shenanigans keep happening. releasing blighted gods is only barely the wildest of them
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