#Fritz Baumann

[germanpostwarmodern]

House Baumann (1971) in Langenthal, Switzerland, by Fritz Schwarz

[gutachter]

134 Wohnungen im ehemaligen Spital

Basel: „…Das Felix Platter-Spital im Westen Basels wurde in den 1960er Jahren nach Entwürfen von Fritz Rickenbacher und Walter Baumann errichtet. Trotz Sanierungsmaßnahmen entsprach das Krankenhaus jedoch nicht mehr den baulichen und betrieblichen Anforderungen und stand kurz davor, abgerissen zu werden. Verschiedene Akteure setzten sich für den Erhalt des Gebäudes ein, darunter der Bund…

[michaeltigerkraft]

Auf unserer Weihnachtsfeier der Traditionsmannschaft des 1. FC Köln bekam ich einen Anruf vom Sportdirektor Werder Bremens Klaus Allofs. Ob ich nicht Lust hätte von Dieter Burdenski, eine Legende des SV Werder Bremen, den Job als Torwarttrainer zu übernehmen. Ich sagte sofort ja und freute mich auf die kommende Woche auf das Gespräch mit Thomas Schaaf und Klaus Allofs im Weser Stadion. Ich hatte beide mit meiner Torwart Philosophie überzeugen können und landete Achteinhalb Saison bei diesem außergewöhnlichen Club an der Weser. Die ganze Stadt und Umgebung lebten Werder jeden Tag. Egal, ob in der Stadt Bremen oder Einkaufszentren, Cafés und Restaurants, immer wieder sah man sogar Rentner mit einem Werder Bremen Trikot umhergehen. Wir hatten Spitzen Spieler aus aller Welt bei uns spielen. Über Tim Wiese, Patrick Owomoyela, Claudio Miguel Pizarro Bosio, Torsten Frings, Frank Baumann, Clemens Fritz, Johan Micoud, Miroslav Josef „Miro“ Klose, Diego Ribas da Cunha, Jurica Vranješ, Peter Niemeyer, Tim Borowski, Leon Andreasen, Aaron Hunt, Mohamed Zidan, Nils Markus Rosenberg, Hugo Miguel Pereira de Almeida, Ivan Klasnić, Per Mertesacker, Ronaldo Aparecido Rodrigues, Petri Pasanen, Frank Fahrenhorst, Pierre Womé, Andreas Reinke, Felix Wiedwald, Christian Vander u.v.m. Wir haben unter Thomas Schaaf und unserem Co-Trainerstab bestehend Wolfgang Rolff, Matthias H��nerbach, Yann-Benjamin Kugel u.v.m. was Außergewöhnliches mit diesen Teams geleistet. 2009 DFB-Pokalsieger gegen Bayer Leverkusen durch ein Tor von Mesut Özil. UEFA-Cupfinalist in Istanbul gegen Donezk 1-2 n.V. 2010 wieder DFB-Pokalfinalist gegen Bayern München. Fünfmal 2006-2011 die Champions League gespielt. UEFA Cup Halbfinalist 2006. Ligapokalsieg 2006 gegen Bayern München. Supercupsieger gegen Al Ain 2010. Der SV Werder Bremen Der Sport-Verein „Werder“ v. 1899 e. V. bekannt als SV Werder Bremen oder einfach nur Werder Bremen oder SV Werder ist der größte Sportverein aus der Freien Hansestadt Bremen. Mit 14 nationalen Titeln (viermal Deutscher Meister, sechsmal DFB-Pokalsieger, dreimal Supercup- und einmal Ligapokalsieger) zählt Werder zu den erfolgreichsten Fußballvereinen des Landes.

[aquilacalvitium]

The character John was made by John Gilkey and named after him, but was then played by an actor by the name of Mark Ward who took over the role from 1999 onwards. The character was then renamed to Mark.

AND FRITZ was originally known as Karl, after his original actor Karl Baumann and was renamed to Fritz once Matthew Baker took over the role. He was then known as Target thereafter.

The music track playing during the Diabolo performance is Enfants d'Acier which means children of steel which is really cool because their outfits kinda make them look like they're made of metal even though diabolos are typically made of plastic - ALSO diabolos originate from China and were originally known as the Chinese Yo-Yo. They were invented over 2000 years ago and their origins are honestly kinda foggy.

Quidam's first act is the German Wheel and tbh I don't have any fun facts about that other than IT LOOKS SICK AS FUCK

Autistic infodump time

(Inhale)

FUUUUUUUUUUUUUUUUCK I LOVE QUIDAM I LOVE QUIDAM SO FUCKING MUCH YOU HAVE NO IDEA YOU HAVE NO IDEEEEEEEAAAAAAAAAAA

LOOK!

AT!

HIMB!!!!!!!!

FAVOURITE #1 GUY OF ALL TIME LOOK AT HIM!!!!!!!!!!!!!!

QUIDAM (the show) IS SO FUCKING COOL IT HAS ALTERED MY BRAIN CHEMISTRY I SWEAR TO YOUUUUUUUUUUU

It's got such an awesome sinister atmosphere like "there is something fundamentally Wrong about this world" and the music shows that, the music is slow and sinister and orchestral and has so many drums and that alone would make you think "this is a dangerous world" but at the same time there's just something that makes you feel at ease

Like yeah all the conscious signals are saying this is really disturbing and wrong but all the unconscious signals are saying this is a good and safe place and everyone in it is ctually really nice

BUT I MEAN LOOK. THE TITULAR CHARACTER IS A HEADLESS MAN. IN WHAT WORLD IS THAT NOT OBJECTIVELY CREEPY.

And there are so many openly weird and sinister things about the world and the people in it so WHYYYYYYY does the character wiki specifically call out JOHN as being the creepy one???? If anything he's the biggest and most open sweetheart of everyone there!!! SO WHY is he the only character who's explicitly described as "eerie"?????

Also Fritz!!! That guy!!! Fucking love him!!! Is he supposed to be similar to the Chiennes Blanches??? I mean??? Base white colour??? Animalistic behaviour??? Frankly that's all I've got but EVEN SO. Is that just me???????

AND QUIDAM (the character). ONLY APPEARS ON STAGE THREE TIMES. ALREADY LOVE HIM TO ABSOLUTE BITS AND PIECES. EVEN THOUGH HE IS OBJECTIVELY THE CREEPIEST THING IN THE SHOW. BUT HE DOES NOT SCARE ME. SOMEHOW.

I CANNOT GET OUT IN WORDS JUST HOW MUCH I LOVE QUIDAM I MEAN GGHWLFBAKFKWFKQGDOQVDLWVSKDHIR

[circusowner]

Al Oud (1990)

Fritz Baumann

[superblyverybluebird]

Fritz Baumann (1886–1942) - Bildnis Otto Morach (Der Mann im Strohhut), 1910

[craft2eu]

Zwischen Funktion und Abstraktion: Oberschönfeld vom 13.02. bis 23.04.2022

Zwischen Funktion und Abstraktion: Oberschönfeld vom 13.02. bis 23.04.2022

Wenn die Grenzen zwischen Handwerk und Kunst verschwimmen: Das Museum Oberschönenfeld des Bezirks Schwaben präsentiert ab 13. Februar gleich zwei Ausstellungen, die sich dem Werkstoff Holz widmen.  „Zwischen Funktion und Abstraktion. Gedrechselte Gefäße“ – die erste Liga unter den zeitgenössischen Drechslern ist zu Gast in der Schwäbischen Galerie des Museums. Daneben zeigt die Ausstellung…

[useless-switzerlandfacts]

Fritz Baumann

Fritz Baumann was a Swiss painter best known for his expressionist work, even though he also made paintings in other styles. Most of his work is lost as he destroyed them by throwing them in the Rhine during a depressive phase.  

[elarafritzenwalden]

Single family house at Steigweg Märstetten, Thurgau, Switzerland; 1964

Plinio Haas, Ernst Baumann (photography by Fritz Maurer)

see map

via "Anthos: Zeitschrift für Landschaftsarchitektur = Une revue pour le paysage" 10 (1971) / "Bauen + Wohnen" 23 (1979) / "Informes de la Construcción", vol. 24, 233 (1971)

[halmoney]

just some thoughts on Witches & Brides in Rgu

I’ve been reading up on folk horror & witches and it just popped into my head the theme of witches in Revolutionary Girl Utena...

Witchcraft has always been associated with the feminine & superstition, whereas science & reason is the domain of men... introducing witchcraft into RGU further reinforces the oppressive structure of the patriarchy, because historically, witchcraft and witches have always been associated with the estranged, the disenfranchised, and the seemingly weak.

Throughout film & media history, there’s this pervasive theme of how women who are witches will, rather than trying to use their powers to make themselves powerful, instead use it to reinforce the power of the men in their lives. Titles such as “How to Become a Sensuous Witch”(1971) and “The Do-It Yourself Witchcraft Guide”(1971) “provided instructions to cast spells, brew love potions, develop sex appeal, enchant the opposite sex, manipulate bosses ... But, for all of the promise of independence, women’s liberation, and feminine power offered by these books, in the end their domestic charms are still calculated to catching, holding, and pleasing men.” (Rebecca Baumann, in Domestic Charms, The Evolution of the Witch Wife, Hellebore No. 3: The Malefice Issue)

In Fritz Leiber’s Conjure Wife, Tansy, the witch wife, as well as the three other witch women in the novel (who are all referred to by their husband’s names e.g. Mrs. Gunnison, Mrs. Sawtelle, and Mrs. Carr) all use their magical powers for the benefit of their husbands. Fritz Leiber describes Carl Jung’s concept of the anima as “[M]an’s female component, forever dwelling in him, yet never at one with him,[...] the ‘eternal feminine,’ a cruel and jealous goddess...” and illustrates this very concept of the “anima” in Conjure Wife, with Tansy the witch wife.

Similarly, in RGU, Anthy, who is a witch, helps akio in furthering the duels in order for him to gain back his princehood (this isn’t because she wants to, but a circumstance of a witch, or a woman, living under patriarchy.)

However, both in RGU and in Conjure Wife, it is revealed that the power these men hold is just an illusion, one that would fall apart without the help of their brides. When Tansy’s husband Norman, discovers she’s a witch, he forces her to burn all of her charms and renounce her craft. What happens next? His professional career starts to crumble as he is accused of sexual assault, loses his chairmanship, accused of plagiarism, and is almost hit by a truck (all in all, he’s been cursed, and it’s evident that these were the consequences of betraying Tansy’s witchcraft.) In RGU, without his rose bride, akio can never be a prince again, and when Anthy decides to leave, the illusory power structures that held Ohtori together begin to fade.

Witches draw power from the Other, from the Unknown, and those who seek to maintain the status quo will always fear and dread this source. Anthy being a witch and a bride is significant, because to be a bride is to be close to the groom, and to be a witch is to be what men fear most.

[joergmoehre]

Fritz Baumann Sensenring Schlüssel 4 Kant Gartengeräte / Sensen / Verpackungseinheit: 1 • 4-kant

[rayhanania]

05-15_arab_democratic.mp4 (360p).mp4 from Ray Hanania on Vimeo.

The Arab American Democratic Club (AADC) Hosted its pre-election Candidates Forum & Brunch today at Nikos Banquets, 7600 S. Harlem Avenue. More than 100 candidates including in statewide, county and local races and many judges addressed the forum that ran from 10 am until 1:30 PM.

Keynote speakers included Illinois Comptroller Susana Mendoza, who gave a powerful and impressive speech on how she has helped improve Illinois ending the 8 month long backlog on payments to now only 3 days. Also keynoting was Arab American Institute President Jim Zogby who received the Miriam Zayed Community Service Award.

ShawnTe Raines-Welch and Nick Kantas, both running for the 4th Judicial District, were among the first group of speakers.

Here's the Ad book of sponsors secureservercdn.net/198.71.233.26/0gl.080.myftpupload.com/wp-content/uploads/2022/05/UPDATED-1-PDF-05-15-22-FINAL-AADC-Program-Book-SMALL.pdf

Here's a link to watch the Facebook live stream of the event: fb.watch/d1bskyXXDl/

Speakers, Honored Guests and candidate's who were acknowledged and or spoke included:

Kari Steele for Cook County Assessor Lyons President Christopher Getty Pat Hynes, Lyons Township Assessor Mike Porfirio State Senate Candidate in the new 11th District ShawnTe Raines-Welch, candidate 4th SubCircuit Judge Nick Kantas, candidate 4th SubCircuit Judge Abdelnasser Rashid, candidate for State Representative Rena Marie Tyne, Judge Congressman Sean Casten 6th District Congresswoman Marie Newman 6th District State Rep. Fran Hurley 35th District State Rep. Bill Cunningham 28th District Dan Calandriello 17th Cook County Commissioner District Congresswoman Robin Kelly, 2nd District Jim Gleffe, Judge Vernard Alsberry 5th District CC Judge Elizabeth Ryan, Judge Markham Mayor Roger Agpawa Karin Norington-Reaves, Congress Tracie Porter, Judge John Ehrlich, Judge Cook County Commissioner Frank J. Aguilar Delia Ramirez, State Rep. 3rd District Jane Nolan Palos Township Tasneem Abuzir, Palos Township Alexis Giannoulias, Secretary of State candidate David Moore, Secretary of State candidate Fritz Kaegi, Cook County Assessor Bob Maloney, Palos Township Assessor Palos Hills Mayor Gerald Bennett Patricia Flynn, MWRD Mariyana Spyropoulos, MWRD Patrick Watson Dem State Centrasl COmmittee Carmen Quinones, Judge Yolanda Harris Sayre, Judge Frank Avila, MWRD George Cardenas, Board of Review Lamont Williams State Rep. 16th District Patricia Joan Murphy Worth Township Committeewoman Judge Ruth Gudino Mary McMahon, Judge Thomas More Donnelly, Judge Sharon Waller, MWRD Russ Hartigan, Judge Charisse Williams, Congress Daniel Pogorzelski, MWRD Judie Lyn Smith, Judge Andre Smith, Cook CountyCommissioner 2nd District Patrick Watson State Central Committee 6th DistrictAileen Bhandari, Judge 11 SubCircuit Michael Weaver, Judge Deidre Baumann, Judge Judge Rouhi Shalaby Judge Bill Haddad Hassan Nijem, President of the American Arab Chamber of Commerce, Jeffery Leving DadsRights.com

[argh15]

expo2001∞

Friday, May 25, 2018, 6 PM - Saturday, June 2, 2018, 11pm

-press text- Opening May 25 201∞ at eighteen hours CET Open by appointment for ∞ days until the Closing event on June 02 201∞, also from eighteen hours CET **deutsch weiter unten** Argh! presents expo2001∞ a swarm hive-mind open-ended futurist congress, a group show turned shrunk scale world(s) exposition, opening May 25 201∞. The invited artists/architects/musicians have been asked to each create contributions based on their own vision/worries/thoughts/critiques of+on (concepts of "the") "future". Each of these contributions will be presented in the frame of a particular, concept-roofing pavilion. For the opening, a programme of performances is planned. Stay tuned for a collaborative fanzine publication to be produced during the expo and due to be released upon the closing night on June 02. During the research for this year's world expo, certain patterns of already formulated strains of pre-packaged institutionalised vision became evident: The corporate/tech complex and big media telling overwhelming and inevitable narratives of technological evolution and apocalypses, while omnipresent historical luggage of previous visions, retro-futurisms if you like, tend to block or at least blur our ability to think and formulate fresh. In Mézières & Christin's 1978 CE Valérian and Laureline sci-fi comic Les Héros de l'Equinoxe, Galaxity/Earth tempo-spacial agent Valérian enters a competition against three other alien "heroes" to re-populate Simlane, an infertile dying planet. All four succeed passing the first two physical challenges. Upon presenting their visions for the future generation, marking the third challenge, Valérian, who is in a mental haze after having barely just made it this far, cannot invision what the future should look like. Unlike his outspoken and ideologically distinct competitors, he leaves the field open for the coming generation, "as long as they will become happy". Because of this answer, he is declared winner of the competition. (Critique worthy) fertility-fantasies aside, the aim of expo2001∞ is not to ask the invited participants about future happiness. Instead, by taking the open outcome approach of Valérian's inner nebula as a starting point, everyone is invited to figure out themselves what to contribute, in a dialogual process leading up to the opening night of May 25th. From a curatorial point of view this may bear risks - and this experimental growth approach is deliberate: Not to plan the future, but to improvise it, in/dependently and in exchange. By the time of writing, the contributing pavilions thematically dip into areas such as architecture-as-organism, insect architecture, reverse process archaeology, local debris futurology, human/interspecies cyborgism, post-humanism, future as a resource, future ruins, radio waves, ideological obituaries, alien linguistics, climate turmoil surrealism, gardening, the fleeting ungraspable and proto-sci-fi re-tellings. Pavilion contributors include: Alessandro Rauschmann burgund t brandt Carla Størup Christina Gay Daniel Kupferberg Dirk Sorge DJ Shlucht Eero Yli-Vakkuri Fritz Bornstück James Edmonds Jan Deyrieux John MacLean Kathrin Köster Mondrian Fan Club Nicolas Humbert Petra Graf Sandra Krause Gómez Taher N. Ghallab Theda Weber-Lucks & Franz Schimmel Thomas Heidtmann termites Ulla Jösch Viktor Baumann Vincent Grunwald Yan Gi Cheng Initial concept+coordination: Daniel Kupferberg Argh! is an artist-run space in Berlin-Schillerkiez Selchower Str. 12, easily reachable via U8 Boddinstr. See also argh15.tumblr.com To visit the expo during the week please contact +49-1772485338. *** (deutschsprachige Fassung) expo2001∞ Eröffnung 25. Mai 201∞ um achtzehn Uhr MEZ Offen nach Voranmeldung für ∞ Tage bis zur Abschlussabend am 02. Juni 201∞, auch ab achtzehn Uhr MEZ Argh! präsentiert expo2001∞ einen schwarmgehirnischen, futurischen Kongress mit offenen Enden, eine Gruppenausstellung als eine übergrößengeschrumpfte Weltenausstellung, eröffnend am 25. Mai 2018. Die eingeladenen Künstlerinnen*, Architektinnen* und Musikerinnen* wurden gefragt, Beiträge ausgehend von eigenen Visionen von, Sorgen über und Gedanken/Kritiken/Konzepten zu "der Zukunft" beizutragen. Jeder dieser Beiträge wird präsentiert im Rahmen eines eigenen, konzeptionell überdächernden Pavillon. Zur Eröffnung wird ein Performance-Programm geplant. Eine Fanzine-Publikation wird während des Expos gemeinsam entworfen und erarbeitet und zur Abschlussveranstaltung am 02. Juni präsentiert. Im Zuge der Recherche für die diesjährige Weltenausstellung wurden gewisse Muster festgestellt, die "unsere" Sicht und Imaginationen durch sowohl vorformulierte als auch vorgefertigte, institutionalisierte Vorstellungen bewandern: Auf der einen Seite gibt es den techno-korporatischen Komplex und den großen Medienkonglomeraten, die uns überwältigende und unausweichliche Narrative technologischer Evolutionen und Apokalypsen suggerieren. Gleichzeitig neigt das omnipräsente, historische Gepäck aus bisherigen Visionen, bzw. Retro-Futurismen, dazu, "unser" Vermögen frisch und weniger voreingenommen zu denken und zu formulieren, zu blockieren oder zumindest zu trüben. In Mézières & Christins Sci-fi Comic um Valérian und Laureline aus dem Jahre 1978 n.u.Z., Les Héros de l'Equinoxe, nimmt der Raum-Zeit-Agent Valérian aus Galaxity/dem Erden an einem Wettbewerb gegen drei weitere außerirdische "Helden" teil, um den sterbenden, unfruchtbaren Planeten Simlane neu zu bevölkern. Allen Vieren gelingt es die ersten zwei physischen Herausforderungen durchzustehen. Als die dritte Probe ansteht, in der sie ihre Visionen für die zukünftige Generation vorstellen sollen, fällt es dem Valérian, der es vernebelt  gerade so bis hierher geschafft hat, nichts dazu ein wie die Zukunft auszusehen hat. Im Gegensatz zu den klar sich formulierenden und ideologisch ausgeklügelten Mitstreitern lässt er stattdessen für die Nachkommenden alles offen, "solange sie glücklich werden". Wegen dieser Antwort wird er zum Gewinner des Wettstreites erkoren.   Von (durchaus kritisch zu beäugender) Fertilitäts-Phantasien mal abgesehen, ist es für die expo2001∞ nicht die Absicht, den Teilnehmenden nach zukünftigem Glück zu befragen. Stattdessen wird Valérians innerer Nebel als Ausgangspunkt genommen um einen dialogischen Prozess bis zur Eröffnung am 25. Mai zu öffnen. Aus kuratorischer Sicht ist diese Herangehensweise vielleicht gewagt - und dieser experimentelle Wachstumsansatz ist willentlich: Nicht die Zukunft zu planen, sondern sie herbei zu improvisieren, un/abhängig und im Austausch. Zur gegenwärtigen Zeit des Schreibens werden die beitragenden Pavillons u.a. in diese Thematiken eintauchen: Architektur als Organismus, Insektenarchitekturen,  Archäologie im Umkehrprozess, Lokalschutt-Futurologie, Mensch/Interspezies Cyborgs, Post-Humanismus, Zukunft als Ressource, Zukunftsruinen, Radiowellen, ideologische Nachrufe, Alien-Linguistik, Klimaaufruhrsurrealismus, Gärtnern, das Flüchtige, sowie Neuinterpretationen frühmoderner Sciencefiction. Pavillon-Beitragende: Alessandro Rauschmann burgund t brandt Carla Størup Christina Gay Daniel Kupferberg Dirk Sorge DJ Shlucht Eero Yli-Vakkuri Fritz Bornstück James Edmonds Jan Deyrieux John MacLean Kathrin Köster Mondrian Fan Club Nicolas Humbert Petra Graf Sandra Krause Gómez Taher N. Ghallab Theda Weber-Lucks & Franz Schimmel Thomas Heidtmann Termiten Ulla Jösch Viktor Baumann Vincent Grunwald Yan Gi Cheng Anstoß-Konzept und Koordination: Daniel Kupferberg Argh! ist ein Künstler*-betriebener Kunstraum im Berliner Schillerkiez Selchower Str. 12, einfach zu erreichen per ÖPNV U8-Boddinstraße. Siehe auch argh15.tumblr.com Um unter der Woche die Expo zu besuchen bitte +49-1772485338 kontaktieren.

RSVP: https://www.facebook.com/events/210157363126508/

[karavansara]

Leiber where you least expected him

Leiber where you least expected him

I was pleasantly surprised in discovering that the latest issue of Hellebore, the magazine of folklore and ancient terrors, features a lengthy and quite interesting piece on Fritz Leiber’s Conjure Wife, its real-world influences and its long-lasting legacy. The article was penned by Rebecca Baumann.

And I already like this magazine A LOT, but now I have even more reasons to recommend it. I…

[arufferversion]

In/Out: Fritz Baumann https://ift.tt/2ZCHj9n

[useless-switzerlandfacts]

Month of Swiss Art

As I have announced before, I will be doing a “month of Swiss art”, presumably in October. 

Gotik

Kathedrale von Lausanne

Manesse-Liederhandschrift

Konrad Witz

Renaissance

Antonio da Ponte 

Carlo Maderno

Renaissance 1

Hans Holbein der Jüngere

Hans Ardüser dem Jüngeren

Niklaus Manuel

Barock

Carlo Maderno

Giovanni Serodine

Jean-Étienne Liotard

Barock 2

Fam. Orelli 

Joseph Heintz 

Anna Maria Barbara Abesch 

Romantik

Johann Jakob Bodmer

Johann Heinrich Füssli

Marquard Wocher

Symbolismus

Arnold Böcklin 

Ferdinand Hodler

Realismus

Albert Anker

Ernst Stückelberg

Rudolf Koller

(Neo) Klassizismus

Felix Maria Diogg

Leopold Robert

Impressionismus

François-Louis David Bocion

Alexandre Perrier

Frank Buchser

Post Impressionismus

Giovanni Giacometti

Cuno Amiet

René Auberjonois

Kubismus

Paul Klee

Alice Bally

Expressionismus

Johannes Itten

Fritz Baumann

Dadaismus

Sophie Taeuber Arp

Surrealismus

Meret Oppenheim

Max von Moos

Nouveau Realisme

Daniel Spoerri

Jean Tingueley

Pop art

Emilienne Farny

hugo Schumacher

Sylvie Fleury

Happening/Video art/performance art

Pippilotti Rist (Video art)

John Armleder (Performance art, fluxus)

Photorealism/Hyperrealism

Franz Gertsch

Andy Denzler

Installations

Thomas Hirschhorn

Urs Fischer

Christoph Büchel

Markus Ratz

Illustration

Annie Vallotton

Alois Cargiet

XXX

H. R. Giger

Design

Max Bill

Hans Erni

Landart

Kari Joller

Jean-Yves Piffard

Architecture

Le Corbusier

Herzog de Meuron

Mario Botta

Typefaces

Ernst Keller

Max Mieder

Josef Müller-Brockmann

Photography

Urs Lüthi

Karlheinz Weinberger

Annemarie Schwarzenbach

XXX 

Alberto Giacometti

Varlin

XXX

Luciano Castelli

Comics

Zep (Philippe Chappuis)

Robert Lips

Felix Schaad

Yes, I know, there aren’t a lot of women on this list. It is sadly super difficult to both make a list with well known artist and to make it diverse. I am open to suggestions for more artists and more categories. It is obviously difficult in some cases to exactly define the “category” an artist is in, especially when it comes to modern art, as many artists made different works during their lifetime. Categories marked with an “XXX” are there as a filler and aren’t relevant. The order of these is also up to debate, they are roughly chronological in the beginning but not anymore in the end.

---- This is the final list, I won’t make any changes anymore, except moving the different artists into other categories if I see it fit ----