#Frank Discussion

[theunderestimator-2]

An insanely photorealistic charcoal drawing of Frank Discussion of The Feederz by DeviantArt user @Lysisrata from a b/w photo.

Frank Discussion has been a punk provocateur, a saboteur & and an agitator in Phoenix, Arizona, since the late-'70s, putting on art assaults with various lineups of The Feederz, testing the limits of free speech and art that included subversing lyrics, throwning dead animals or firing blanks from an AR-15 rifle into the audience, performing with live cockroaches glued to his head or releasing an album in a sandpaper cover to destroy everything it came into contact with as 'the product to destroy all other products' and pushing an unpopular to some political agenda of disruption and sedition against any authority figures or institutions through rioting and looting -or running off with Jello Biafra's wife after hiding at their place in San Francisco for over a year to avoid arrest back in the day.

"…in 1979 when I was called for jury duty. During the jury picking, after lunch, suddenly there was a lot of extra cops in the courtroom. The judge stopped everything and said he wanted to ask questions of "Mr. Frank Discussion." "It's been brought to my attention that in an article in the New Times paper, you advocated the overthrow of the government. Is that true? "I replied "yes" of course."Do you advocate the overthrow of the government?" "Yes." "Do you advocate the violent overthrow of the government?" I responded, "Not necessarily. You could always surrender." Frank Discussion

(via)

[spilladabalia]

The Feederz - Jesus Entering From The Rear

[anonno-42]

Kastle make out scene on my screen March 4th!!

[somewhereincairparavel]

Alright. I came across someone saying that Rick "put Jason in a pedestal" and "overhyped" him by emphasizing how good looking he is and that Jason shouldn't have been so attractive looking. (Tbf tho that person made it sound like they seemed more mad bc their least favourite character was considered good looking lol) but I'll yap about the significance here anyways. Beware of a very long yapping session below.

I do understand their frustration though, because jason getting told that he looks good all the time makes it seem very shallow and unfair to the others.

And let me tell you, Jason is SUPPOSED to be gorgeous looking in everyone's eyes. He is supposed to be conventionally handsome, Rick didn't intend for his looks to be "beauty is in the eyes of the beholder " or something like Percy's (like how Piper didn't find him as impressive) Percy's is supposed to be more authentic. Percy's character isnt centred in people idolizing him, everyone can acknowledge that he's handsome looking, but it isn't in a "perfect" type of way, he's a carefree spirit and that reflects on his looks. While Jason is hardwired as this ethereal looking hero in people's eyes that not even ONE can deny that he looks good, bc ppl in Rome had set him as the "standard". Jason said this before in the lost hero, that him being a son of Jupiter, makes him feel like the support he gets is only because his dad is a very regal and intimidating figure.

That's kind of the whole point, he's supposed to look like this perfect man who can do no wrong. His "Golden noble boy" arc is literally the whole concept of his character. Why else do you think rick wrote Aphrodite approving of Jason's looks saying that he needed no improvement (which she rarely does) ?

Because Jason is supposed to be put like a statue to admire and idolize, that's ALSO why rick made sure to add that Jason looks like a Roman sculpture, bc that's like a metaphor for his inner conflicts. The guy was put like an artifact for people to ogle at in camp Jupiter ever since he was a kid of 4. That's part of the tragedy.

Annabeth said it perfectly “Annabeth tried to hide it, but she still didn’t completely trust the guy. He acted too perfect - always following the rules, always doing the honorable thing. He even looked too perfect. In the back of her mind, she had a nagging thought. What if this is a trick and he betrayed us?” Mark of Athena, page 6.

His mother, whom he's supposed to look like, is also a literal world wide tv actress. So you can't expect anything less either.

Also, Jason is supposed to mirror Percy. And let's be real. Rick put Percy in a VERY high pedestal looks wise, aswell, Not just Jason. And that's okay.

Rick made Hazel mistake Percy for a literal god because he was just that good looking (tbf, in a way, when I was younger, I found this to be a little bit of an exaggeration, bro was covered in mud and seaweed and was compared to a god, it was rlly funny to a 10 year old me 😭 yeah but don't mind this though, this was just a younger me jealous that I couldn't be as pretty as Percy was in mud lol) If Percy can be "hyped" up so "unrealistically" in that particular situation then so can Jason. They are both literal half gods, so unrealistic praise is very normal) and rick also made sure to emphasize that almost all the teen characters had a crush on Percy. So apparently that isn't called putting a character in a pedestal but Jason's is? They are BOTH put in pedestals, because they're both heroes.

Jason and Percy are supposed to be equals, so both of them being in the top two when it comes to looks makes SENSE. Because people are supposed to argue about who is better looking, since they're written as foils.

You cannot expect rick to make Percy look like a god and Jason look like a rat 😭 then there's no point of having them as parallels if one has the upper hand in something. Rick did a good job by conveying that they are BOTH attractive, but in different ways. That's why the Percy/Jason looks debate always have mixed answers.

Jason getting complimented by Aphrodite, the GODDESS of beauty, for his looks and her saying that he didn't have anything to "fix" in his face BC it already looks gorgeous = Percy getting compared to a gorgeous Roman god by hazel. They are both equal comparisons in slightly different tones.

[chiropteracupola]

people at my place of employment did not like seeing mr hurley's unpleasant partially peeled penguins

[recapitulation]

[ID: gifs from episode 19 of the series "Mysterious Lotus Casebook." Li Lianhua and Fang Duobing are eating together in Lotus Tower. Li Lianhua says, "Fang Duobing. It's a pity you're not a cook." Fang Duobing says, "This is just one of my knacks. Don't underestimate me. Cherish me." Li Lianhua looks amused and says, "I don't underestimate you." Fang Duobing looks pleased. /end ID]

[trophywifemac]

IT'S ALWAYS SUNNY IN PHILADELPHIA ↳scenes that became memes: part 2/?

[thedorkmations]

🌸My prediction in the upcoming Welcome Home Update🦋

Considering Frank is seen through Julie’s vanity mirror, there could be a possibility the two are involved

I’m kinda unsure what they are doing but my guess is Frank is reading to Julie!??

Something about the clock has me on edge a little, considering the following events from previous updates

Eddie’s crisis with the pea and feeling lonesome, Poppy hearing someone/something trying to jam in the door, my guess would be that Julie deals with noises only she can hear!? For Frank, no clue but they would/might be present during this moment since they were always there during the others crash out.

Frank definitely gets suspicious or somewhat aware?

We get another discovery on the show (I forgot the person we are following my bad, their name is like W or something please correct me)

More toy lines?.. Safe to say we are getting new secret audios or scenes. Maybe something animated like the homes warming update or a storybook like in the Poppy update.

Tell me your opinions and what yall are feeling about the update. Ik I should’ve posted this yesterday or something but maybe a before and after thing would be funny!

Editors note: I can NOT keep updating this after every grammar error I spot, I swear English is my first language sigh..

[connecting-the-stars]

But In the End, We Stay the Same

Matt, Fisk, and Frank:

Spoilers for DDBA ep 4

Matt walking through an entirely different apartment. Fisk refusing to dawn his white suit. And Frank? Frank is setup in a filthy, half-haphazardly thrown together base of operations that is a striking mirror to the first base we see him in from Netflix Daredevil season 2.

Character introductions really set the tone for where their arcs may take them. Very interesting how they have painted each of these characters this season.

Of course, I am not blind to the criticism and where the cracks show from the creative overhaul, but I already viewed the show coming in as… well different. A “new era” both due to the gap in time since we’ve seen these wonderful characters, in real life and in universe, and due to Disney’s influence. I’m not one to focus a lot on time/age but the era when DD season one premiered was a year after Captain America: Winter soldier. This was years before Endgame and the Global Pandemic, the impact of such events are felt in the fictional universe and real world. I am a true believer in rewatch value from my multiple rewatches of Netflix’s Daredevil, but I also acknowledge that there will be elements lost, left in that era of film making and studio management. The colors and the certain level of grim are noticeably absent, when you see characters fall through several floors and they cough up dust/debris. The certain spark found in much of the dialogue of season 1 really is incredibly difficult to replicate.

Despite the places where “season 4” falls short, I can absolutely appreciate the dedication of the actors and actresses, returning and new. While I am comforted and reassured by Karen’s confirmed involvement in season 2, I appreciate Kristin’s and Cherry’s performances as they bar Matt into this new… stage of his life. Of being a full time lawyer and keeping his fists mostly unstained. Fisk’s new environment is half hilarious and half ominous as ever. Watching him stumble through politics and its niceties, and his uneasy speeches are relatively unexplored in Netflix’s series, forced into throne he has to keep his best face on for, rather than crushing skulls. Compared to his handful of appearances in the public being executed in precise manner that always had an end goal, for example, provoking Matt after the murder of Ms. Cardenas. Furthermore, with Vanessa’s distance and unfamiliar distrust. I am eagerly looking forward to Fisk’s manipulation in his mayorship as well as Vanessa’s standing in her business with her ever loving husband. The side characters playing off Fisk, have been given parts that challenge Fisk into different ways, which is much appreciated as he navigates being a truly public political figure.

Matt standing dead eyed in front of his window, right after the reshoot with Foggy’s death. Man, knew something was different. Like are you not crashing out and living out of a basement rn because….? I know that he only received medical attention after the finale of Defenders because he was in a Coma, how is the King of Guilt, Self Destructive Murdock not crawling out of dumpsters again? (Crit: where is queen of sass Sister Maggie?)

But it is fascinating watching this Matt Murdock listen to a nice record player and cook his own meals and walk like he isn’t living in the Bad Ending timeline. The quiet despair washing over him every time he reaches for Foggy’s prayer card. My dread as I realize he takes a piece of Foggy with him everywhere. The idea that Matt has lost faith in Daredevil, this utter stab to the heart proof that he Failed as daredevil, that he was not enough to save his best friend. Every which way you look at Matt and Foggy’s relationship, they are each other’s person. College, first internship, first official business. Matt of course sees this as his fault, that guilt clinging to him like a bad cold. Eats him (in the words of Castle), tears him up to the point he refuses to allow himself to enter a church. The sermon mention a person’s worthiness. Point blank. The fact that he no longer lives in Hell’s Kitchen is major flag of Distress (avoiding Sister Maggie who could talk at least some sense, some kindness to him, the absence of the church he visited so often in the Netflix show). Thus, refusing consolation of faith, of worthiness to be daredevil, Matt clutches twice as hard as ever to the Judicial system. To the part of his life and faith he shared with Foggy, where they promised each other they would do good. The abrupt introduction of Cherry and Kristin apparently filling said places of Karen and Foggy by Matt’s side is jarring as much as it is telling. While Kristin is a comic book character brought into this series, the knowledge of her and connection built with her so far is minimal, when set besides how much of Karen’s development we saw in season 1 of Netflix series. Similar to Cherry’s role being a mix of Ben Uriah and “Foggy” in essence. (I say very lightly. No one will compare to our Foggy.) Cherry’s reminders to Matt of the reality of the system and praising his efforts of being a Good Lawyer, mirroring in a way to Foggy’s constant mission to ground Matt when his head is in his ass. Heather also being pulled from the comics is quite interesting as I had no thoughts of who would be Matt’s love interest, though her being wedged between Vanessa, Fisk, and possibly Muse is not a good sign for her. New apartment, new firm, new co-workers but he cannot outrun grief. It will catch him.

(I know the lack of Karen is mostly due to the overhaul, but the fact that he does not have her to rely on currently also pushes this unresolved/unaddressed grief. The one person who also endured losing Foggy)

The time-skip is certianly something I’m intrigued by. Where it plays in the current story, and the pieces of Matt and Karen’s grief that are unexplored. Wonder if it had been inserted due to the creative overhaul?

Fisk and Matt’s parallel stories this session have been done quite well. While there was a particular balance the Netflix series formed for telling both their stories, I find giving more time to Fisk’s arc strengthens how well these characters are as narrative foils of each other. Fisk arriving this season through a slow flip of the camera, setting the city on its head and picking through a meager breakfast and his tense reunion with Vanessa, while Matt ghosts around his apartment before reaching for Foggy’s prayer card to leave. Both characters are damaged, pieces of themselves lost. While I have not watched Echo, the psychological damage done to Fisk appears to have followed him into Born Again. His confidence seemed to be shaken and his lack of support from Vanessa further pushes him towards stress. Matt facing Bullseye without Karen beforehand, the brief strained conversation with Karen afterwards. While Kristin does tell the audience that Matt needs someone in his life, that he needs a win, it is clearly seen how destitute he is when Fisk announces his mayoral campaign and he sits idle as his food burns behind him. Both Fisk and Matt turning to different ways to get by, to proceed to their goals, by refusing their “darker halves.”

This refusal to indulge in a part of who they are will double the pressure, suffocating until they can no longer stand it. Matt faced with the consequences of revealing Hector’s vigilante identity and the injustice of his murder, of being forced to face the grief and righteous anger of his niece. “No one will do anything about it!” As well as his extremely emotionally intense encounter with Frank. Fisk squaring away first steps of many in political action and faced against the failure of Daniel, then pecking through yet another modest meal. That is until episode 4’s reveal. Indulging in that carb heavy and seasoning rich meal for a king, paired swimmingly with a tortured soul’s pleas. That power, that desire for absolute authority, never truly left Fisk. Most likely never will. Then Matt scaling the roof’s ladder to his pristine collection of cowls, hand already reaching for his billy club. Their darker halves never left them, refused and placated for a time, but never not in the corner waiting for them.

Frank. Haha. Frank is great, let him take a few verbal swings at the Devil of Hell’s Kitchen and he can work out more than his therapist girlfriend. Matt really is not coping, not processing. Cannot tell most people in his life everything, why he feels so responsible for the death of Foggy, for failing him. Best keep his name out of his mouth, because it’s not about him, right? Frank sitting in this grief of losing people who meant Everything to him, and recognizing that pain and stifled rage in Matt. When he retaliates, apologies and curses falling immediately afterwards, Frank does not accept it. Knows that his Darker Half is apart of him, is apart of his grief and pain. Being Daredevil, that righteousness and ruthlessness fueled him. Losing his dad to the criminal underground that got away unscathed, that injustice and lack of closure. Acting as that immovable object to villains unstoppable force. If it’s him or these innocent people behind him? Matt’s stepping to the plate everytime. Even when he attempted, he prioritized saving the victims. Frank is taking out people he deems worthy of the death penalty, Frank is “by any means necessary.” Frank’s grief, the Punisher is a part of him, of course he is going to see Matt’s grief as part of Daredevil. “You lose him. Didn’t you red? You hear him don’t you?”

Frank started out as a corpse on mission for vengeance. He got the people who took his family. He spends his efforts to end the threats permanently. Startling similar to how we first met him.

Matt and Fisk have denied themselves from fully indulging, allowing themselves to lean into their Darker Halves. However, after the events of episode 4, that is clearly going to change. I hope it does in the most explosive way possible.

All of this started from listening to Mother Mother’s - Try to Change

[ruegarding]

anyway here's my rant:

despite her comment in son, hazel doesn't have much adhd/dyslexia coding. her treatment at st agnes has more to do w being a black girl in the 1930's and her powers/curse than her possible adhd/dyslexia, considering she never mentions any symptoms specific to adhd or dyslexia in her backstory. the closest things are her interest in horses, which could be considered a hyper-fixation, and her flashbacks, which could be argued as daydreaming associated w inattentive adhd. furthermore, her powers could easily be used as a commentary on masking similar to the general attitude towards her vs other dead ppl (she looks alive, so she deserves to be alive, unlike all these other ppl who went thru the doors of death). overall, interesting set up, not expanded upon in canon.

similarly, the only time piper is ever implied to have adhd is in that boo scene, which doesn't hold much weight bc it's a general statement in an impersonal pov (as opposed to "piper was only able to keep track bc of her adhd/demigod abilities," still in third person pov, but a more personalized statement). this post began as a quest to answer the question "how does piper's adhd manifest," and the answer is "uhhhhhhhhhhh."

continuing w the trend, jason is never implied to have adhd or dyslexia at all. would have been interesting to see, considering jason has the whole gifted-kid-burn-out thing going on, but alas.

i'm not including the statement annabeth makes abt demigods typically having one or both and hazel's statement abt "just being a demigod," bc it's also established that it's not a requirement. the fandom wiki claims frank is the only demigod to not have adhd: if "just being a demigod" means that every demigod has adhd/dyslexia, then frank, inarguably, has adhd/dyslexia, as well.

more importantly, in a story where adhd and dyslexia are explicitly addressed and considered the cornerstone of the world building, i need it to be explicitly said that a character has adhd/dyslexia in order to give credit to canon (my personal hcs are a different story).

so, it seems like leo is the only one out of the lost trio w adhd or dyslexia, and it's only adhd. he frequently references things he's reading and shows no issue doing so, given that it's in a language he understands.

interestingly, leo claims "he couldn’t read ancient greek" in hoh, so it could be that the ease w learning ancient greek (and potentially latin) is exclusive to those w dyslexia. however, this has been as inconsistent as the actual dedication to giving demigods adhd and/or dyslexia. for example, chiron says the ability is "in their blood" in tlh w no mention of dyslexia, but in tlt annabeth says percy has dyslexia bc "[his] mind is hardwired for ancient greek."

the only character to bring up how dyslexia affects them in hoo is percy, making it seem like his dyslexia is much worse than annabeth's, the only other character who we know is dyslexic (from pjo, it's never mentioned in hoo). if leo is "seriously adhd," then percy is seriously dyslexic. something to be said how they're both treated as comic relief in fandom, considering.

frank not being diagnosed despite his dyspraxia coding could be used as a commentary on medical racism and the model minority stereotype. since frank is exclusively listed as the only demigod to not have either diagnosis and his dyspraxia coding eventually disappears, it doesn't appear that that was the intention.

moving to a more theoretical discussion, it's hard to say what is/is not definitively adhd/dyslexia symptoms, specifically using canon, considering we rarely see any of the demigods acting "normal." the majority of the time, they're on a quest/in an extreme situation. contrast w pjo, where we learn things abt percy's adhd and dyslexia while he's at school, a relatively normal situation, and then can apply it to the rest of the series. w hoo, it's almost all guesswork.

leo mentions that his adhd affects his memory, so we know that similar moments can be attributed to his adhd. but is hazel forgetting part of sciron's story a symptom of adhd or just a normal thing that happens bc forgetting things in stressful situations is normal? is jason's seemingly permanent amnesia a symptom of the memory wipe or is it exacerbated by adhd? is piper's aversion to feminine clothing and make up caused by sensory issues? we'll never know, bc they're never said to have adhd.

[somewhereincairparavel]

I'm not obsessed with Jason Grace. I'm merely giving him the love he didn't get all these years. 💅

[ndostairlyrium]

"No, Frank Albert, haunting furniture is out of fashion since 9:10, now we jumpscare and aim for the heart attacks. Yes, I know, floating dressers are cool, but we're on a schedule, Frank Albert, the IRS is onto us."

-

Ref

[playgroundeyes]

I have a question. Do y'all think this is set post swarm or after? because here it's taken at face value that the black parade is just real. real band. Whereas before they were more of a concept or entity, like the afterlife ect.

So that's making me think that the dictator and everything is in the afterlife world as opposed to the 'real' one

and if the secretary died during swarm then we're left with the two possibilities: she died after the dictatorship (I really don't know what to call this) or she died then went to it.

[thalialunacy]

[for the @calaisreno May Promptnation, which is turning out to be like NaNo but with way less stress]

(1) (2) (3) (4) (5) (6) (7) (8) (9) 10: choice (11) (12) (13) (14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25) (26) (27) (28) (29) (30) (31)

Their lives have never been predictable. Which, in some ways, has made them very predictable, John thinks as he stops Sherlock in the hallway with a hand on the sleeve of his dressing gown. 'Hey,' he says, voice quiet. 'Come here.'

Sherlock raises an eyebrow, but doesn't hesitate to lean down and let John kiss him, thoroughly. Maybe even twice.

'Great, thanks,' John says roughly afterwards, backing away. 'I've got work now.'

He really should have known, from the start, that they'd have to steal moments for this out of the chaos they live in.

'Not your babysitter,' Mrs Hudson sings the next day as she holds Rosie's hands down the stairs. 'But I've got applesauce jelly with her name on it. And I'll change her nappy while I'm at it, won't I?' The last is said to Rosie, obviously, who is very focused on the stairs.

John, in turn, is focused somewhere else as well. 'We've got ten minutes,' he says, already out of his chair. 

'Eight and a half,' Sherlock corrects, pulling John to him and capturing his mouth easily. John is tempted, so tempted, to let it go too far, but his prefrontal cortex is fully developed now, unlike the last time he felt this sort of heady gut-lust.

Maybe it's because Sherlock is a man, but he hasn't experienced a sense of newness this acute since being in school. And he'd thought, because he knows Sherlock in every other way it is possible to know a person, that this added dimension would feel--normal. Comfortingly similar. Would slot into their lives unnoticeably.

Decidedly not, John accepts some days and a solved case later, just before his backside hits the kitchen table. They've got a few more stolen moments while Rosie's napping on the sofa, and he's determined to make the most of them.

At Sherlock's urging, he lifts himself up onto the table's cluttered surface, then grabs at Sherlock's face to bring him back into the kiss. He spreads his knees without a thought and feels enveloped by heat as Sherlock moves further in between them. He fits around Sherlock perfectly, and it feels like--

It feels like lacing his fingers together with the other thumb in front, or crossing his arms with the other hand dominant. It feels like his own body still, yes, his skin heating up and his lungs pressing for air, but from a literal whole new perspective.

And he wants more of it. 'Do you think,' he murmurs in between kisses, 'that you'd want to be the one--' He pauses as Sherlock bites at his jaw. 'The one in charge?'

Sherlock pulls back enough to give him a look. 'Are you struggling through your English modesty to ask me if I'd like to top?'

John's neck flushes further, and he's pretty sure now it's both from arousal and embarrassment. Which is also new; he's said plenty more graphic things to women without hesitation, but apparently all bets are off when it comes to Sherlock. 'Yeah,' he says firmly. 'Yes.'

'I'd assumed you'd want to be the one doing that.'

'Wait, though-- you've done this before…?'

Sherlock's mouth quirks up. 'Subtle as always, John. Yes, I have. But not with you, do you understand? I want whatever you want. Quite literally.'

John swallows. 'And vice versa. I'm not new-- I mean, to the whole idea--'

'I'm very aware,' Sherlock retorts. And of course he is, aware of both John's various partners over the years and also of his, well, solo habits.

'Alright,' John says dryly. 'Rein it in, detective.' He sobers, hoping he doesn't have to go into detail. 'But this feels… different. And I want you to--to show me everything, to do everything you want.'

Sherlock, as he should have expected, takes this as a sort of delightful challenge. 'Well, then, we are at a bit of a stalemate, aren't we?'

John smirks, relief seeping through. 'Flip a coin?' he says, tightening his thighs, ready to dip back into Sherlock's mouth.

But Rosie, naturally, chooses that moment to wake up, and to do so loudly. She's almost got Sherlock's name down, and she definitely can yell for John like she's getting paid for it.

John groans and leans his forehead against Sherlock's momentarily, or at least intending for it to be momentary but shortly hearing the sound of his daughter shuffling into the kitchen, dragging her favourite garishly plaid blanket behind her. 

'Perhaps we'll cut a deck of cards?' Sherlock suggests to him as they untangle.

Then the detective reaches down for Rosie, who is looking back and forth between them. 'Cards?' she repeats once she's in his arms, her tiny person pronunciation still simultaneously hilarious and brilliant. 

'Yes,' Sherlock answers matter-of-factly. 'Your father and I are trying to decide…' He looks at John, a glint in his eye John shouldn't like at all. '...who gets to have the first ginger nut.'

John chokes on his tea, the sting going into his nostrils. 'Unfair,' he says.

His daughter seems interested, which is not surprising considering she shares Sherlock's predilection for the biscuit. 'Ginger nut!' she says. 'Me too?'

'Of course,' Sherlock says amenably. 'It's time for tea, anyhow.'

John tamps down a smile, then goes in for the assist, relieving Sherlock of Rosie so the detective can rummage around in the fridge. In their current arrangement, Sherlock is in charge of keeping edible and non-edible items separated. It's a dealbreaker, John had said when they'd moved back in. And Sherlock had complied without too much fuss, much to John's continued surprise.

Though, to be honest, he half expects Rosie would be delighted to find fingers in the crisper.

When everything's on the table and Rosie's in her booster seat, John digs in his pocket and pulls out a 50p coin, flipping it over to Sherlock without warning.

Sherlock catches it, regards it, then raises an eyebrow. 'I can rig this, you know.' 

'Yes, but you won't, because my daughter is impressionable and worships you. And while you have many fine attributes, casual cheating is not one I'm interested in her inheriting.' 

'Or, erm,' Sherlock starts, fingers casually playing with the coin. 'Any.' It's not a question, but suddenly he's looking intently at John, forehead wrinkled.

John's heart squeezes as he clocks what Sherlock's actually trying to get at. 'Sherlock. Bloody hell. Of course.' He inhales harshly. 'I know I'm not-- not exactly trustworthy any more, in that arena.'

But Sherlock cuts off his self-flagellation. 'Poppycock.'

'Beg pardon?'

Sherlock shakes his head. 'You were seduced by a person who could talk someone into murder with the snap of her fingers. She is literally the most brilliant manipulator in the world, and though I hold you in high regard you in no way had the capacity to overcome that.'

The anxiety slowly eases, though he suspects he'll never fully be free of it. 'You're admitting you're not the cleverest?'

He thinks Sherlock will counter in good humour, but instead he's a bit thoughtful. 'I think that, at that level, one is somewhere in the stratosphere, separated from everyone below. I find I rather like it down here.' He smiles crookedly, genuinely, at John. 'In certain company, at least.' 

John's heart twinges. 'Well. That's.' He clears his throat. 'That's good. We rather like you down here. Most of the time.'

He breaks eye contact, instead looking at Rosie, who is happily getting banana all over her hands. He hopes the words will be sufficient. 'But I mean it.'

Sherlock's voice is quiet, fond and no-nonsense at the same time. 'I know. I know you, John Watson.'

John feels a smile slowly cross his face. 'Yeah, that's right, you'd catch me out instantly anyway. How I ended up with the one person I literally will not ever be able to keep a secret from, I've no idea. Birthdays and anniversaries are going to be very, very boring.'

Sherlock's smirk gives no doubt as to where his mind has immediately gone. 'Oh, I doubt that.'

John can tell his skin is starting to flush again. 'Speaking of… Coin flip is right out, so…?'

'Paper scissors stone?' 

'No!'

'Why not?'

'Because you'd definitely cheat at that.'

'True. Magic 8 Ball?'

'You know what a Magic 8 Ball is?'

'Had a case where it was the murder weapon.'

'What? Really?'

'Yes.' Sherlock leans in, clearly ready to share the tale while assisting Rosie with her cheerios. 

And John wants to remember this, this exact feeling of this exact moment, forever.

[❤️]

[chocodile]

Some character-based face cards for the Cheat/Bullshit card minigame I programmed for Wishbone. It'll be playable in the next public beta, which I hope to put out at the end of first quarter 2024.