#Formative Pictures
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darkmovies · 1 year ago
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The Girls (2024) Date de sortie : Courant 2024 Réalisateur : Krista Michaels Scénario : Brandy Bryant, Jessica D’Amelio, Krista Michaels Avec : Mia Moore Marchant, Ryder Avalon, Cerebella Doefire
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yes-asil · 2 months ago
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Made fake screenshots for a role-play story I read way back when.
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jingerpi · 2 months ago
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meaningful work: transgender experience in the sex trade
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technically-human · 1 month ago
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Ooh, now that we’ve seen N!Edwin and DP!Edwin talk about Feelings could we see the same with N!Charles and DP!Charles?
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As simple as that.
Edwins version
ko-fi
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myoonmii · 6 months ago
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He watches him like a ghost
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splatoonusna · 2 months ago
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Grand Festival starts tonight! The possibilities are endless with friends by your side.
Team Future, is victory on the horizon?
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aeide-thea · 2 years ago
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Stained glass by Constantine Woolnough, 1858 Church of St Mary, Dennington, Suffolk Photography by Simon Knott
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lunacias · 9 months ago
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these are the silt verses, and I name our disciples thus
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son1c · 1 year ago
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i got you
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mothhue · 7 months ago
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A hat under waters: Subcon seas!
Planning to edit snatcher's design in the future because I'm not that proud of it & already have something in mind, but have this for now :) (...aaand I now realize that most of the text might be hard to read! whoops I'll make it clearer on the next one, apologies)
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randomaltgayperson · 3 months ago
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Alright so I'm not saying anything happened in the Honda Odyssey.
However. I am saying that whatever did happen, Logan won.
Wade was getting his ass kicked the whole time. He got a few good shots on Wolverine but for the most part, he wasn't winning at all lmao. At the end of it, he was completely tied up like?? "I'm going to fight you now" yeah and badly motherfucker, damn
Reminds me of that one Modern Family episode
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elderwisp · 19 days ago
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Y en la noche en que las estrellas salen Yo pienso en ti, mi amor
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bonefall · 1 month ago
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Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?
A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.
Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.
So, why?
Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.
He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.
Bumble, on the other hand...
Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.
But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.
It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.
More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.
Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.
It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.
All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.
I can't say for certain what that will look like for your story, but here's some things I keep in mind;
When you make characters who exist to die, make sure they're people before you axe them.
Ask yourself; what about them does the cast miss?
If they just miss them because they were (pre-existing relationship), go back to the drawing board.
Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.
Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.
If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?
Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.
And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.
If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.
"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.
"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?
When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.
#Bones gives advice#These questions can be hard for me to advise on because making characters is one of the easy parts for me.#It's more the “working them into a story without overwhelming it” part#But making characters that are fun and interesting has always come naturally to me as a writer.#I just work out some fun dialogue and fill in what their wants and desires would be based on backstory#And the rest kinda fills itself out as the message and themes of my narrative forms.#In fact the thing that makes BB so easy for me to work on is having an existing “story template” in mind#I don't have to chart out the long term events in advance because I do have a full picture of what leads where#And what I want to say with each rework.#I've always been told I'm really good at killing off characters though#Especially in my RP days. I remember I singlehandedly turned a pretty standard 'escape from evil lab' plot into--#--a painful story about loyalty and suffering. I was the main villain and the escapees knew he would never give up.#Because he loved their master and believed fully in the idea of 'sacrifice for the greater good.'#Always friendly. Passionate. Would have been a dedicated leader in a slightly different setting.#They knew he would never want to actually hurt them so they had to trick him into trying to “coral” them with his fire powers on ice#He didn't know it was ice and melted through#I guess the thing I do is just... make them cool lmao. It's hard to give advice on this#''Draw the rest of the owl 4head''
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nanaslutt · 11 months ago
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MDNI
and if i say sukuna gets off after he ACTUALLY has an intense fight with someone because of the shock and adrenaline????????
like he 100% has his hand wrapped around his cock and is furiously jerking his dick, cumming over and over again while just reeling in the high of the fight……
tell me i’m not crazy….
(brought on by watching sukuna fight mahoraga and seeing how worked up he got when he realized mahoraga could see his technique :3)
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thatoneneuvichiliauthor · 3 months ago
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Let me share the latest idea I’ve been obsessing about: A vaguely Greek mythology-inspired Aventio AU where Ratio, prince of Amphoreus, has come of age and, is supposed to get married, according to the laws and customs of his city. Except he’d rather focus on the greater purpose of curing the world from ignorance, starting with his own people, than waste his time courting some egoistical royal he couldn’t care less about. So he comes up with the oldest trick in the book to escape this meaningless duty without causing an uproar: Setting up open to all (but secretly impossible to complete) tasks that his future spouse will have to overcome if they wish to prove themselves worthy of his hand. Not that Ratio expects anyone to succeed, and for several years, his ruse works just fine, which gives him plenty of time to further his studies and become a well-versed scholar. Many suitors try to outwit him, but none can even pass through the first trial.
Then enters Aventurine.
His participation alone provokes outrage. Appalled whispers fill the streets. How dare a Sigonian barbarian, a former slave, believe himself good enough to marry the noble and esteemed prince of Amphoreus? Does he have no shame, parading around the city in grotesquely eye-catching clothes, as if he has already won?
As soon as it reaches their ears, Ratio’s advisors suggest he bans Aventurine from the competition, which he refuses just as fast. The rules he created state that anyone can participate, regardless of their birthright or education, and that is final.
So Aventurine undergoes the trials and solves all of Ratio’s perfectly crafted puzzles and enigmas, though in rather unconventional ways their creator never even considered (think cutting the Gordian knot in half instead of untangling it).
Still, when he kneels in front of Ratio as they are introduced, he fully expects the prince to accuse him of cheating as an excuse to call the marriage off. Not that he minds. It’s all part of his plan, after all. He needs Ratio’s assistance to fulfill the latest mission assigned to him by the IPC, and what better way to catch his attention and flaunt his insane luck than by beating him at his own game? Besides, he knew from the start a future king would never stoop as low as to wed a former slave.
However, what happens next is the one possibility the Stoneheart didn’t account for:
Prince Ratio doesn’t go back on his word.
How could he, when he has oh so unexpectedly found his match, when their qualities and faults balance each other out so perfectly? The crowd might attribute Aventurine’s victory to deceit or divine luck, but he can tell honed skills, shrewdness and street smarts were the real actors at play. While hearsay claims that he only respected his part of the deal out of integrity and virtuousness, perhaps even pity, his heart tells another story.
With such a sharp-witted, and dare he say it, charming fiancé challenging his worldview, well…
Suddenly, the prospect of betrothal doesn’t seem so ludicrous anymore.
And that is how, to everyone’s surprise, including his own, Aventurine accidentally gets engaged to a secretly smitten prince. (He soon learns to love it. And the citizens of Amphoreus, not to badmouth him or his origins ever again, unless they want to have chalks thrown at them by their very pissed monarch)
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wombywoo · 6 months ago
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it's my husband's bday and we made an exquisite homemade vodka sauce with fresh tomatoes so I feel like it needs to be commemorated 🍅🤌
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