#For Honor Season 3

[vocallywritten]

Colin Bridgerton truly is a man of action, but only if his family points out that he should do something first lol. His mom is like "hey you should maybe talk to Penelope before she gets engaged."

And Colin goes, "Yes, absolutely, good point. I'll go get engaged to Penelope immediately. Thanks mom."

And then Anthony goes, "Hey you should probably tell Penelope you love her with your words."

And Colin immediately stands up and is like, "Such a great point, I'm going NOW."

[katseyes]

Andre Braugher as Raymond Holt Brooklyn Nine-Nine, Season 1

[katherine40598583-blog]

Marina: I need you to kiss me

Colin: I can hardly believe I’m saying this, but we cannot go further

Penelope: I need you to kiss me

Colin: What’s a little kissing between friends, am I right?

[adh-d2]

No but it's...

the way they naturally fall into eachother's roles when the other isn't there.

the instinctual head-tilt when Crosshair stabilized his rifle on Tech's shoulder, as if they'd done it a thousand times before.

It's the fact that Tech clearly told Phee all about his brother.

It's the sad, fond smile on Crosshair's face when Omega said Tech made her memorize all the plans ("of course he did").

It's the way Tech knew exactly where to look for that mirror.

[isjasz]

April 8th (The Celestial Event ☀️)

Super late to the party but here's my piece for @boatemvillagezine, check out everyone's piece over there too if u haven't already :D

also before anyone say anything about the glasses, please read this section specifically thanks i dont want deal with that again /SILLY

[joifee]

Long awaited hug

headcanon that they dont see each other as much as they want to so there is homesickness

[ryukosbf]

I found some art work of the freaky friends posted by Andy Coyle on twitter!

turn arounds below the cut!

https://x.com/kindofandycoyle/status/1752001195596566977?s=46&t=v_YmOmf0StCK3nxiof-blQ

original post ^^

[ingravinoveritas]

Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...

[egotenebrisper]

CRELOISE NATION, LISTEN

Have you ever stopped to think that maybe Cressida hated Pen because she was so close to the girl Cress had a crush on (Eloise) while Eloise never paid attention to Cress? 🧐

I'm not saying Cressida wasn't wrong for doing so, and she still needs AT LEAST to ask for Pen's forgiveness.

I'm just trying to understand their dinamic before June 13rd

Art: xinyanfanclub

[inkstainedrat]

now you may be thinking

Lee, surely that’s enough already

W R O N G

[scintillatingshortgirl19]

their face journeys mean so much to me

[lilacjunimo]

i love when we get to see them be a little silly like

[liontalon1]

Well per usual Echo and Omega are the only ones getting shit done.

Echo: Infiltrate Tantiss and start collecting data.

Omega: Start scouting and making an escape plan.

Hunter, Wrecker, and Crosshair: Play hide and seek with stormtroopers and fight a cave bear.

Rampart: Screams.

Yup sounds about right.

[svtskneecaps]

i miss qsmp outlast trials so here's a list of my favorite parts of qsmp outlast trials

hearing baghera get increasingly more french from halfway down the hallway bc the goons are hassling her and she can't find the objective

jaiden screaming like she's being killed irl anytime something moves

cellbit being half a mile away completing the objective on his own

quackity always managing to be the last man standing bc he spends the round cowering in hidey holes and then gets teased mercilessly by the dead chat bc he's the only one who can res them

slimecicle stepping on all of the glass in a half mile radius

slimecicle kiting the monsters around a couch like a god gamer

cellbit eating snacks and giggling while watching everyone else do the tutorial

roier being absolutely fucking goated at the arm wrestling minigame and then like two rounds later having the sharpest and fastest skill fall off i have ever seen

foolish and jaiden taking turns getting scared by nothing and winding each other up

that one round where jaiden got attacked like three times within two rooms of the entrance

cellbit going I'M DYING I'M DYING and hearing quackity's muffled voice in a hiding spot down the hall go NOT ME I'M ALIVE BITCH

everyone and their mom drinking health by mistake while attempting to hand it off to their teammate

roier blasting freddy's music box into the mic to fuck with quackity

mouse freaking jaiden out by joining the discord call and saying hello while they were in a game

jaiden saying "eat brick" or "eat glass" every time she throws an item

cussing in whatever language they remember first

roier ducking all the tin can noise traps even while actively being chased

"welcome to brazil's first radio station [royalty free music plays]"

every time roier is in danger he yells for quackity. quackity is halfway across the map. he has nothing. he is screaming.

[magicandmundane]

I just rewatched The Crossing, and with the added context from s3, it’s honestly a wonder how the Batch got literally anything done during the Clone Wars before Echo and Omega joined them between Wrecker and Tech bickering over every little thing that goes wrong and Hunter and Crosshair beating each other up over snide comments lmao

[harumichan12]

Nobody:

Absolutely no one:

Haya in the war: