#Finally going to give her a name:

[gallonwghost]

since you guys liked Kai, I’m posting this

shes delusional as hell when it comes it love

[namisweatheria]

One Piece means a lot to me as a disabled person, which I think would be pretty surprising to anyone who only has a surface understanding of it. The supposed central theme of "follow your dreams" would be pretty alienating to someone like me, right? It really, really would be, if that's what it was actually about.

However, that ignores that Luffy's dream is to be the most free person in the world. And to attain that goal, the first thing he does is find friends to live life with. Over and over again, from the very beginning, he takes on their burdens, all in the name of being the most free.

Do you see what that would mean to me, as someone who needs more help to get by than is considered culturally normal, to the point that it puts me in a whole socially manufactured category of "other"? Not to mention, because of the infantilization of me due to that category, because of being forced so squarely into the "cared for" role, taking care of other people is deeply meaningful and empowering for me. However, the myths of independence and universal natural ability often make it emotionally difficult for my loved ones to accept that care.

The fear of asking for help, the guilt of being cared for, the weight of someone you loved who could not be as free as you, the insecurity of not contributing enough, the fear that you were born wrong, the self-hatred that says you are not worth the effort, Nami Sanji Zoro Usopp Robin Chopper Ace they all explore the painful obstacles to free connection. Through deeply impactful stories that weave beautifully into the larger one.

All centered around this one person who views loving them and living with them and carrying them as essential to his freedom. Who cannot, for countless reasons, live a normalized life of Structured Relations. Who views exploring and bickering and suffering and laughing with them as the ideal way to live. Who repeatedly puts his life and limbs on the line to do so.

To me, it is an ultimate privilege and freedom to carry other people's burdens. To care for them and live with them. This is central to my whole perspective, and is completely informed by my life experience as a disabled person. I rarely see it reflected back to me. Let alone as powerfully and beautifully as Luffy does.

Nor the other half of it, of wanting to create this life with people in ways that aren't socially normal or approved. Of creating many varied lifelong intimate relations among equals, rather than conforming to the expectation of choosing One Person to live life with and then Creating More.

The utter lack of roles and norms is just as integral and powerful to the exploration of freedom and connection! It is meaningful to me as a queer person, yes, but even this is deeply influenced by my disability. I could never be that One Person, despite everything I have to offer, there is logistically far too much that I cannot do to be someone's equal partner in this society that demands so much from all of us. However, even if I could, I wouldn't want to! It doesn't make any sense to me to only have two people navigate life together on such intimate terms. Can't the demands of society be more comfortably met in a group? Isn't life more fun that way?

We are taught that we can and must do everything ourselves, I just happen to be one of the people that never had a chance to buy into that lie. To learn very early not just the necessity of interdependence, but the joy in it. To learn that it is most comfortably lived with more people involved. To me, close relationships are, love is, a natural extension of that understanding. One Piece celebrates interdependence constantly from the start, while never pretending that it is always easy.

The obstacles to free connection that I mentioned before, they are interspersed throughout the story, and they are always met with "I do the things you can't do, and you do the things I can't do." With, "Of course I can't use swords you dumbass! And I can't cook either! I don't know a damn thing about navigation! And I can't lie!"

These are intentionally impactful moments, and they define the series. I found it very fitting that the Fan Letter focused on a character who was empowered by Nami to feel free and live adventurously despite not being the most physically capable. The character is able by our definition, but the story is very affirming in a disability way, and it was extremely One Piece. I loved how it acknowledged this deep connection between One Piece and the lived reality of disability and celebrated it as integral as it is.

I also believe that absolutely none of this is intentional. It is simply an earnest exploration of human relationships, emotions, and behavior, and it naturally arrives at a radical and disability-affirming viewpoint. Because we are the monkey wrench in the deeply unhealthy (lol) and dominant line of thinking that independence is all. So naturally anything that also disputes that thinking has a disabled-perspective feel to it. The best part is how much it doesn't give a fuck! One Piece is aggressively against conformity in human relationships, in a way that is hard to find in our new world of self-conscious authors.

It's also, you know, the worst part, in terms of all the outrageous bigotry and offensive character design, but god damn it if it doesn't elevate the good parts to unbearable heights. Even the bad character designs can sometimes be more impactful for their intentional "ugliness", when those characters are inevitably taken seriously despite their appearance and the stereotypes they play on, it hits hard every time. I do have a simple hatred for many choices, there is no pay-off for much of the awful problems in numerous character designs and dialogue. But no matter how upset I can be by those things, in the end they can't succeed in pulling me away from One Piece. It's just so crazy and unique and great and terrible and beautiful and I LOVE IT.

[art-is-kayos]

Sight of a Star - Blue-ish Star Ryōshū and Don Quixote

[moeblob]

son boy raccoon trash can man suffering in a dnd au as a cleric bc his warlock will not stop committing murders and he has to keep coming up with reasons murder is valid to convince the gm its fine and under control

[cherriko-art]

I go from not drawing for months to being hit with inspiration at midnight when I'm supposed to be studying and furiously sketching like a man possessed

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[warningsine]

Damn, they really sidelined and got rid of Kalinda, the only queer character on the show, to bring Jason, a recycled white male iteration.

But of course since this investigator has the right gender, Alicia fucks him on the spot.

(Not that they could have ever given us a same gender relationship between two leads on CBS--even had the feud never happened, but their friendship would have been enough.)

I'm choosing to ignore the Kings' "She might work things out with him post finale" and stick to the actual full-circle ending:

Alicia becoming her own person and making her own morally ambiguous choices instead of walking into the sunset in the arms of yet another man.

--

Of course, in my heart of hearts, things do get a little soapy.

A few weeks after Bishop gets sentenced to life, Alicia takes a plane from Chicago to Miami.

The camera cuts to Kalinda drinking her favorite tequila at a bar.

She is working for the law again. That's what she's good at; that's what Alicia would want.

Alicia. Kalinda often finds herself thinking of her. Diane and Cary too.

Of course, she goes by Sarita these days. Leela, Kalinda, Sarita. Does she even know who she is anymore?

While she's lost in thought, her background gets deblurred. We hear a familiar feminine voice.

"You're really hard to find."

There's enough time to see Kalinda's body stiffen, her surprised/shocked face and the turn of her head, but before we can see Alicia, the scene cuts to black.

[whos-hotter-jjba]

Hottest JJBA Outfit Bracket - Round 4 Match 5

[hercarisntyours]

hey! shoves various unfinished 3/4° angle curse tf one elita human sketches down your throat

[hellgram]

also with all the damage the show did to jon's reputation as a good northern lad and wildling i hope germ comes out with like. yeah he's rhaegar and lyanna's son and the name she gave him while bleeding out on the birthing bed alone but for her big brother holding her hand in a tower with no way to know that baby aegon had been murdered leaving the title of Egg 6 up for grabs was like. howland.

[heyclickadee]

So, my family is rewatching Rings of Power, and since I’m the one in the family that read The Silmarillion (like a masochist), I’m the one who keeps getting asked all the questions.

[astralprisms]

New gith who dis?

Saving her for patch 7 since I'm finally going to run Durge. Haven't settled on a name yet but I'm very into this look.

[todayisafridaynight]

Holy fuck I thought Jo was in a speedo for a second 🥵🥵🥵

crying at the thought of jo in a speedo cause i know he's miserable 24/7 and speedos are for people who love life. like adachi.

[lordkingsmith]

I love that all the seasons are on YouTube. Anyway.

1) this episode actually makes me ship Leelee and Vida, with a hilarious extra layer for Necrolai and Vida. It very much felt like Necrolai went “honey pick whichever ranger you want and we’ll turn them into a vampire so you can date them forever” so she tries to pick Nick, then Xander then Vida comes with because it’s a dj. And then Necrolai decides to steal her daughter’s new girlfriend for herself. Reverse Stacy’s mom situation. The mental image I keep getting makes me bust out laughing every time. No wonder LeeLee’s Like That. Her mom keeps stealing her partners! Pft. Anyway

2. Given it’s hinted DJ Fly is a vampire himself, it does maybe hint what i noticed with the vampires of power rangers was at least a little on purpose. Males when monster form have insect and bat motifs, with fly, moth, butterfly and mosquito motifs in their designs mixed with the bat shaped wings somewhere on their bodies. And the female vampires are very elegant vampires with some small nods to moths, speficially usually hawk moths.

3. It leads to the very good question who bit/put a spell on Vida initially. Necrolai or DJ Fly. Even if Fly did, it was probably under orders of Necrolai and doesn’t really matter in grand scheme of plot but it does make me wonder.

[dreamsy990]

made two of the characters i designed for ffxiv girlfriends or something

[just-an-enby-lemon]

I think a lot about how badly the "I lied on my CV" scene would go with Archivist Sasha. A LOT. Now this is based on some things:

a) The paranoia

• A lot of Archivist Sasha AUs act as if she would be imune to the paranoia arc and here is why I disagree:

1. By being the Archivist and feeding the eye you are automatically dealing with an extended feeling of being watched all the time. Not to mention the Eye is literally a paranoia entity (between it's other areas).

2. While Sasha doesn't appear to have Jon's trust issues she has a need to know at least equal to him and a tendency of theorizing. She was of course right when assuming Gertrude kept the archieves messy on purpose but that also shows that between being very smart she is very doubtifull of any behavior outside the person's normal.

3. In that same conversation ahe mentions how everyone has a mask and says to Tim, likely her best friend, that he is as honest to her as he is to Jon it is just different masks. She is fine with this. She is okay with the masks. But that is before things go wrong.

4. She KNEW Gertrude. That means solving her murder is more personal.

b) Sasha knows her shit way to well

• This one is the real fascinsting thing: Sasha is a master in figuring out people's secrets and keeping them for herself. She knew from the start Jon lied about his age and that Martin lied on his CV. To the point that for her this knowledge about Martin is a fun fact and irrelevant, a thing she keeps from because she knows he would be anxious if he knew she knows. The thing is that translating to the "I lied in my CV confession" we have:

• Paranoid Sasha found Martin's letter to his mother (likely writen as a diary with no intencion to actually send it) and thinks that Martin lied about Trevor being dead.

• She knows Martin lied on his CV and it's meaningless to her to the point she might suspect he knows she knows.

• She knows Martin has a complicated relationship with his mother and that means she would assume it to be very unlikely he would ever write this personal of a letter to her.

Conclusion:

Sasha would probably think Martin is using the fsct he lied on his CV as a diversion and truly has an awfull secret. She would also likely tell to his face she knows it isn't it because Martin's mum would never read or care about his feelings or letters and Martin should know this enough to not even bother to write "so this is likely a codename".