#Figuring characters out
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thelostmoongazer · 2 months ago
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i was gonna do more with this but i think this is about as far as ill go. maybe. who knows. happy late valentines <3
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tearlessrain · 1 year ago
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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poorly-drawn-mdzs · 2 months ago
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The Wizard Cowboy War (Wizboys VS Cowards) continues on.
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outer-andromeda · 2 months ago
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... I couldn't resist doing more self-insert stuff whoops
Edit : Can't believe I have to add this in but the human in the picture is NOT Stanford Pines from hit cartoon Gravity Falls. Gabby is a self insert, which means he's literally based off of me. READ THE TEXT AND THE TAGS. istg people 💀
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onebadnoodle · 5 months ago
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trying to redesign an old oc
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sheikfangirl · 4 months ago
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Aryll's gift: A Pre-Calamity short story.
Note: For the best reading experience, please click on the first panel and scroll from image to image. ♥️
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... Link forgot.
Hope you enjoy this one.
Cheers!
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loolilyumm · 3 months ago
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Agent 3 interrupts the Octo Expansion character selection screen (not clickbait)
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blackkatdraws2 · 5 months ago
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[Toon x Mobster] drawn for fun, he doesn't know how to hold that thing wwwwww
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andstuffsketches · 8 days ago
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livingmeatloaf · 1 year ago
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There is only one way to make a truly wonderful Avatar adaptation, not matter how bad it turns out to be:
A professionally shot, full length stage production of the Ember Island Players' Fire Nation propaganda version of the events
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hinamie · 6 months ago
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i'm exactly as normal about him as I thought I'd be
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magentasnail · 8 months ago
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ok pause from bill art time for some mystery twins art !! specifically, 12yo selves meeting their current day selves!
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poorly-drawn-mdzs · 11 months ago
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The squad of all time has arrived on scene.
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aroaceleovaldez · 7 months ago
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i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:
You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.
You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.
You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.
You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.
You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.
You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.
You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.
#pjo#hoo#heroes of olympus#percy jackson#riordanverse#jason grace#annabeth chase#piper mclean#leo valdez#hazel levesque#frank zhang#meta#analysis#me shaking hoo: what if we actually address the interpersonal dynamics of the characters. please. please. please. please.#frank is the only person on the boat not having an identity crisis tied to another member of the crew somehow and that is FASCINATING#but also WHERE is all the interpersonal literally anything. hello. please. making grabby hands. everybody identity crisis go.#i wanna see the entire argo ii crew stumbling through trying to figure out their places and senses of self!!!!!#particularly in relation to each other!!!!! we get snippets but we rarely ever get the full thing or a resolution!!!#like. HELLO??? Piper acknowledging that her relationship with Jason is artificially sculpted in the image of Annabeth and Percy???#and that her ideals of what Jason and her can be are just that she feels like they need to be like what Percy and Annabeth have????#and thats just DROPPED COMPLETELY????#poor Jason is getting replaced twice. Leo is not his own person.#Hazel at least gets the resolution that Nico does not truly see her as a consolation prize#but Annabeth gets to be hit with the like EIGHT YEAR DELAY of learning the place she inhabits in Thalia's life is the echo of someone else#cause like. yeah she knew Thalia had lost her brother but i dont think it clicked for her until she met Jason that oh. she *replaced* him#Frank at least has some certainty about his identity in one aspect (his curse). everybody else is floundering a bit#except for maybe Percy but its kind of the camps of ''i replaced this person and it weighs on me'' versus ''i have been replaced''
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starlingfawn · 2 months ago
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through starless sky to blackest ground
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bixels · 1 year ago
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A quick Discord sheet.
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