#Feel free to ask away!

[android-and-ale]

WIP Ask Game

Thanks for tagging me, @affixjoy

RULES: Make a new post with the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. Let people send you an ask with the title that most intrigues them, and then post a little snippet or tell them something about it! And then tag as many people as you have WIPs.

Vulcan Neuropressure

Lie Back and Think of Vulcan

Whoops, we're married? Weird way to find out

Romulan Posing As Vulcan Porn Star

Mirror Mall

Lime Tree

Wheel Of Dicks

I have a distressing number of outlines, but all of these have at least 500 words (in some cases, quite a bit more) written as well as an outline.

@indeedcaptain, @jennelikejennay, @schattengestalt, @werewolves-are-real, @ anyone else who wants to jump in

[askcursedcups]

And so it begins hehehhehehehehe

Next

[winchesterszvonecek]

top five chicago fire episodes

ooo this is a tough one, there’s so many great episodes but i think it would go something like…

7x02 - Going to War

3x03 - Just Drive the Truck

7x14 - It Wasn’t About Hockey

7x19 - Until the Weather Breaks

2x12 - Tonight’s the Night

[tremordusk]

Yep feel free to ask!

Reblog if you write fic and people can inbox you random-ass questions about your stories, itemized number lists be damned.

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[hyunjinz]

KPOP ASK GAME

your favorite group(s)?

your favorite solo artist(s)?

who is your bias in your favorite group(s) and why?

who are your ultimate biases?

who was your very first bias?

how long have you been into kpop?

which song/group introduced you to kpop?

an idol you'd love to be friends with?

an idol you don't think you'd get along with?

an idol you think would match your freak?

idols you share the same zodic sign with?

idols you share the same mbti with?

the last photo of an idol you have saved to your camera roll?

name 3 idols you'd want to accompany you during a zombie apocalypse!

your favorite hairstyle on your bias(es)?

your bias(es)' best look(s)?

tell me 3 things about your bias(es) some people might not know about!

name 5 things your bias(es) remind(s) you of?

your all time favorite kpop songs?

your favorite songs from your favorite group(s)?

your favorite kpop albums?

your favorite concepts?

your favorite choreographies?

your favorite debuts?

your favorite music videos?

your favorite collabs?

your favorite vocalists?

your favorite dancers?

your favorite rappers?

if you could only listen to one group for the rest of your life, who would it be?

if you could only listen to one song for the rest of your life, which one would it be?

which song is playing during your funeral?

a kpop concept you don't like?

a group you're no longer a fan of?

a group you've been eyeing for a while but couldn't get into them yet?

name an underrated kpop group!

name an underrated kpop song!

a song everyone seems to like but you?

a song no one seems to like but you?

songs you would show to people who are not into kpop?

last kpop song you listened to?

a fandom name you like?

do you watch survival shows?

if yes, who's a survival show contestant you've been keeping up with ever since?

do you own any kpop albums/other merch?

do you collect photocards?

have you been to any kpop concerts?

a kpop group whose concert you MUST attend in your lifetime?

your favorite kpop songs from this year (2024)?

did you get into any new groups this year (2024)?

which kpop song do you think will be your most played song this year (2024)?

which group(s) did you listen to the most this year (2024)?

tell me your unpopular kpop opinion!

talk to me about anything kpop!

[maandarinee]

have some old men yaoi lockscreens

[hellsquills]

Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want

My thoughts below the cut! (this turned into a whole ass fic lmao)

My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.

However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.

Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????

He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.

And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.

Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.

Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.

In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.

One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.

He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.

He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".

He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).

"Ya'lright, son?"

The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.

"Y-Yeah, yeah, no worries."

He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.

" 'lright then. Can I help ya?"

Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.

"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.

"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."

The man smiles lightly and nods. "Okay. Welcome to the town."

Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-

"Sweet Mother of God almighty."

Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.

"I'm sorry, I- Can I ask your name?"

The fuck?

"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.

"Son, leave him alone." The mother seems to have manners too, good to know.

The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.

"Are you Stanley Pines?"

Well, that's about it.

Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.

"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."

Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.

"I- I can't let you leave. Please. I know who you are."

This man is making it really difficult to believe he's not a cop.

"No, you don't. I'm new in town. Move."

"Listen, I-"

"Move out of my way."

"I know your brother."

The words are like a bullet between his eyebrows.

"You look just like him-"

Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.

The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.

"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"

It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?

Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.

"Hang up the phone, Clarisse, it's okay. Please."

Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.

He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.

"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."

Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.

"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."

Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.

Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.

"My name's Fiddleford McGucket, and I'm gonna help you find your brother."

______________________________

Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.

Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol

Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.

In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)

I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory

[minty364]

DPXDC Prompt#148 Part 2

Danny feels himself grow bright red and the two stare into each other's eyes for what felt like an eternity. 

“I- Uh… I’m Danny” He finally managed to mutter. 

“Damian Wayne, its a pleasure to make your acquaintance.” Danny's blush grew even brighter as the next moment Damian kissed his hand, Danny couldn’t help but feel flustered. 

After a moment  Danny rubbed the back of his neck with his hand and stuttered out, “It’s nice, to meet you too” He could tell how happy Damian was to meet him and he felt a little bad for feeling nervous in the first place. Danny thought Damian was cute and he decided then that he wouldn’t mind getting to know him a little better. First they had to get through the rest of the gala, and soon as he thought about the gala something clicked. 

He realized Damian was the son of Bruce Wayne who at the moment was talking to his own parents. He couldn’t help but stare as he let the information sink in. 

“Ah yes it looks like Father is talking to some of the scientists that were invited.” Ancients, Danny knew his parents couldn’t help being themselves and unfortunately that meant things like accidentally spilling fudge right onto Mr. Wayne's suite. They watched as Mr. Wayne told his parents it wasn’t a problem and then walked out of the room. 

Danny couldn’t help but sigh, “Sorry about them, my parents are a little eccentric. Don’t even get me started on their obsession with ghosts, my dad will not shut up sometimes.” Danny rubbed the back of his neck nervously again as he realized he was rambling a little bit. 

“Don’t worry it looks like Father handled the situation well, although I am curious what kind of inventions two scientists obsessed with ghosts create. That’s what this gala is about, we want to support scientists in untapped fields of study.” Danny listened as his soulmate explained things to him. 

Danny looked over to see Vlad talking to a thin scientist in the corner of the room. He was definitely up to something, a ball like this had Vlad scheming something with a mad scientist written all over it. 

He was brought out from his thoughts as a loud crash could be heard as the wall across the room burst open and none other than the Joker walked through.

Danny tried to make his way to the other side of the gala, strangely Damian had disappeared but Danny didn’t have the time to look for him.  

However when he got to the door staying low to the ground the door burst through and more of Joker's goons looked straight at him and he found himself tied up right in front of the Joker. 

“What do we have here? A new Wayne?” Joker said as he cupped Danny's face in his hand. Danny couldn’t do anything about the situation and he was getting a little scared considering he didn’t have a proper way to go ghost or protect his soulmate at the moment. 

The Joker circled around the tied up hostages laughing, “Of course now the fun begins”

The Joker continued to circle around the hostages thinking for a moment before he grabbed Danny.

He held Danny by the back of the shirt like a small kitten. His obsession was making him wonder if his soulmate was safe living in Gotham. Joker chuckled as he continued to hold Danny.

“This kid will be an example for the rest of you, I don’t want any outbursts like that again, especially when Batman gets here. Do you think Batman will like what I’ve done with the place?” He asked as he gestured around the ruined room. All of the tables and chairs had either been broken or knocked over and all of the food from the dessert and appetizer tables. It was quite the mess. Before Joker could do much else with the teen he had dangling in his grasp something flew out and smacked Joker right in the back of the head causing him to drop Danny.

Danny took that opportunity to get away, his hands may have been tied but his feet were sure free. He stumbled away as Batman dropped down and a fight between him and the Joker commenced. 

Danny ran towards the door and as he got there Robin and Nightwing were there ushering some of the other hostages out of the room. 

“Right this way citizens!” Nightwing said brightly at them but he seemed to brighten up a bit more when he saw Danny weirdly. 

“Have either of you seen Damian Wayne?” Danny asked, he at least wanted to get his number, especially when he was headed back to Amity soon.

They seemed to share a look before looking back at him, “Damian left, he’s headed safely back to Wayne manor.�� Robin said but he held out a piece of paper. On it was Damians signature and his phone number. Danny sighed a little annoyed he had left but he guessed it was common to head back home after a rogue attack in Gotham. 

“Danny!!” the booming voice of Jack Fenton was suddenly heard and Danny felt himself getting pulled into a very familiar bear hug. 

“Did you have fun at the gala? Your father and I saw you talking to Mr. Wayne's son,” His mother said after his feet were back on the ground. 

“Yeah, actually can we talk about that after we’re back in our room?” He wanted to tell his parents he found his soulmate but saying that outloud when Damian was the son of Bruce Wayne sounded like a bad idea. 

They headed back to the hotel room and all Danny could think about was how lucky he was to have met his soulmate tonight, even if he was nervous about everything.

Master Post:

Last:

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[mspaint-flower]

boops are back

uh oh

[marcygoo]

3AT MY H34RT 0UT! x_X

[lorebird]

In which Ford struggles so badly to relate to other people that he wonders if he’s really human at all. The more isolated he becomes, the harder it is to reconcile with his own humanity.

[rustchild]

one of the wild things about people’s stubborn insistence on misunderstanding The Ones Who Walk Away From Omelas is that the narrator anticipates an audience that won’t engage with the text, just in the opposite direction. Throughout the story are little asides asking what the reader is willing to believe in. Can you believe in a utopia? What if I told you this? What about this? Can you believe in the festivals? The towers by the sea? Can we believe that they have no king? Can we believe that they are joyful? Does your utopia have technology, luxury, sex, temples, drugs? The story is consulting you as it’s being told, framed as a dialogue. It literally asks you directly: do you only believe joy is possible with suffering? And, implicitly, why?

the question isn’t just “what would you personally do about the kid.” It isn’t just an intricate trolley problem. It’s an interrogation of the limits of imagination. How do we make suffering compulsory? Why? What futures (or pasts) are we capable of imagining? How do we rationalize suffering as necessary? And so on. In all of the conversations I’ve seen or had about this story, no one has mentioned the fact that it’s actively breaking the fourth wall. The narrator is building a world in front of your eyes and challenging you to participate. “I would free the kid” and then what? What does the Omelas you’ve constructed look like, and why? And what does that say about the worlds you’re building in real life?

[the-way-astray]

The Keefe Sencen Infantilization Argument (because I've seen people say that saying he infantilizes Sophie is a bad-faith argument):

(Note: This post is a repost. I had my thoughts scattered out over a few posts, so I wanted to put them all together in one cohesive post. If you've already seen all the original posts, then aside from like two sentences being reworked and the format being better now, there's like nothing new here for you. Sorry.)

Examples of Keefe infantilizing Sophie and my explanations as to why this is infantilization and not okay:

Lodestar, chapter 4. What I originally said: “There you go, rocking the whole adorable-when-you’re-angry thing. I think that’s what I’ve missed about you the most.” Keefe infantilizes Sophie by saying she’s cute when she’s angry. She is trying to express her feelings, and all Keefe can do is be all Awwwwww. Isn’t that so cute? She’s angry! How adorable. It’s a form of invalidating someone’s feelings, by treating them like they’re just entertainment or by brushing them off like that. It’s some of the most manipulative behavior out there. It also saves Keefe from having to actually take Sophie’s feelings into account. His infantilization of her also shows up in his incessant need to protect her. It’s icky and gross, and authors should stop encouraging this behavior.

Sophie and Keefe are having a mental conversation and Keefe starts talking about Sophie's love triangle/square situation and Sophie doesn't want to talk about it. Not a fan of this, because Keefe butts into Sophie's personal business, then when she gets worked up, he heavily implies that he thinks it's cute. But this one isn't particularly bad compared to the others. Don't get me wrong, I still think this is infantilization, but the best I can say about it is it's not the worst example.

Lodestar, chapter 46. What I originally said: “You’re so cute when you worry, he told her.” More classic Keefe infantilization. He once again invalidates Sophie’s feelings by dumbing them down and acting like they’re this cute, quirky, inconsequential thing.

Sophie is obviously incredibly worried. Keefe clearly knows this. And his comment is to be like Yeah, but don't you know that makes you sooooo cute??? Like, sir.

Lodestar, chapter 65. What I originally said: “Is this going to be another one of those nights where you spend the whole time yelling at me to come home? Keefe asked, making her sit up straighter as his thoughts filled her head. Because as much as I love it when you get all feisty on me, now’s really not a good time.” God, Keefe is so subtly invalidating. He treats Sophie like she’s just his personal worry machine, not a person with valid concerns and ideas. The flippant way he talks about her worry for him makes me so mad. He takes her worry for granted and throws it back in her face, without a care for how it would affect her mental health. He brushes her off and invalidates her because he thinks he’s so much smarter than everyone else. Not to mention he calls her worry “feisty” and further infantilizes her feelings and ideas.

This one honestly stands alone. Context doesn't really do anything to it. The infantilization for all these quotes is in the quote itself, because it is invalidating to treat someone's outburst of negative emotions as entertainment. Keefe basically just says that he finds it cute when she insists he comes home because she's worried about him??? He's like, yeah, Sophie's worried about me, tearing up her mental health over me, but like. She gets feisty when that all becomes externalized and she begs me to come home! Again, it's just a way he's able to brush Sophie's feelings off and disregard her opinion entirely.

When I say Keefe acts like Sophie is his personal worry machine, I'm saying he acts like her worry only exists for his amusement. He doesn't see the deeper feelings behind that worry (or if he does, he certainly doesn't respect them), and only see it for what he sees it as: something cute and adorable.

Nightfall, chapter 24. What I originally said: “‘I know! Our little girl is growing up and getting so snarky!’ Keefe pretended to wipe his teary eyes. ‘I’ve never been so proud.’” “Our little girl” . . . that totally isn’t creepy or infantilizing at all. The way Keefe talks about Sophie here is genuinely so gross, even if it is a joke. 

This is a joke. 100%. But it's a joke that sat very poorly with me because of the way Keefe verbalizes this. The problem for me is in the quote itself, again, because I feel like saying these sorts of things constantly is just so weird.

Nightfall, chapter 32. Wouldn't say what I originally said adds anything new, so I'm just gonna move past that. The larger problem here is 100% the fact that Keefe is clearly trying to joke to deflect Sophie's anger away. My argument isn't about that. My argument is that saying that someone's anger is adorable is textbook infantilization. In context, Keefe uses it as a way to deflect or joke. But the simple act of saying that is a form of invalidation where Sophie's emotions are made out to be some silly, inconsequential thing.

Anyway, about this quote in particular. Sophie is obviously freaking out, and she is clearly and seriously trying to tell him that his joking behavior is unacceptable. Keefe responds, not by listening at all to what Sophie said or what she's feeling, but by instead saying this. This invalidates Sophie's very real feelings as well as saves Keefe from having to confront what Sophie's telling him. And yes, this is a product of his deflection, but my point here is that saying someone's anger or worry is adorable or cute when they are trying to be serious is textbook infantilization, because it treats that opinion they have as a silly, child-like tantrum. "Awwww, isn't that anger adorable???" is what you say about a tantrum-throwing toddler who just got their favorite toy taken away, not someone your age presenting a valid, serious opinion. My issue is with the statement "Your anger/worry is adorable/cute" itself, not how Keefe uses it to deflect. It also presents Keefe, subtle as it may be, as the only one with valid opinions on things because Sophie's adorable little feelings get in the way of her rationality.

And before you say Sophie calls him out on this, yes, but he doesn't change. I'm not going to talk about it at length here, but Keefe apologizes to Sophie in the Nightfall scene after his bed rest more out of a desire to make up with her than a desire to change his bad habits. You can see this because he continues to do it into Unlocked.

Nightfall, chapter 34. Again, I don't think what I originally said adds anything relevant, so I'll skip that here.

The famous scene. I do admit that Sophie calls Keefe out this time. However, as I've already said, this doesn't stick, so it hardly matter. Keefe continues with this behavior through the series and into Unlocked, where he doesn't necessarily say these things out loud, but you can see he still thinks them.

Nightfall, chapter 70. What I originally said: “‘Much as I’m enjoying this sudden overflow of adorable Foster-rage—it’s not worth it.’” Ah, more of Keefe infantilizing Sophie and invalidating her feelings. If someone finds your anger or worry “adorable” and acts like it’s this cute little quirk, then that’s never a good thing. Especially if they enjoy it. Someone who cares about you should never enjoy seeing you angry or worried.

Sophie's having a serious, key word here is serious, discussion (we'll call it a discussion, even though that's not particularly correct) with Cassius, and even though her rage isn't aimed at him this time, Keefe telling Sophie her rage is adorable when she's being serious is still dumbing down her emotions to that of a toddler throwing a tantrum, not a grown-up (at least relative to Keefe) having a very valid reason to be angry. Just because he agrees with her anger, doesn't mean he can't still infantilize her.

Flashback, chapter 1, page 12. I think what I said in my original post just about sums it up: “‘You’re so adorable when you worry. I’ve told you that, right?’” (12) Yes, you have, and saying it more doesn’t make it any less icky and gross and infantilizing. It’s like he’s dumbing Sophie down to this object who only exists to entertain him with her adowabuw wittle feewings, instead of a person with very real, very complex emotions.

Keefe fans the air, so we have physical evidence he knows exactly how worried Sophie is. And his response is to be like, so cute! So adorable! Once again, this is serious, and Keefe is acting like Sophie's worry exists only to amuse or entertain him. I don't know else to communicate that that isn't a good thing. Someone being worried usually means they have something they're worrying about, worry doesn't just manifest out of thin air for entertainment's sake. Sophie also responds poorly to his writing her off, with what and the glare and all.

(Side note: When I was looking for that quote, I found a quote where Fitz says the exact same thing, I'm talking word-for-word "adorable when you worry" stuff. Like I mentioned in my disclaimers, I'm not saying he's more right for this and I'm not letting him off the hook. It's icky when Keefe does it and it's icky when Fitz does it. But I'm solely focused on Keefe, which is why I'm not bringing that up. It's also worth it to note that Fitz doesn't say this over and over again, the way Keefe does.)

Flashback, chapter 17, page 304. I think I'm just going to copy-paste exactly what I said in my original post because it's exactly what I'm trying to say: “‘Hear that, Ro?’ he interrupted. ‘She’s giving me her serious voice.’” (304) Another example of Keefe infantilizing Sophie and dumbing her feelings down for the sake of a joke. Awwww, isn’t her serious voice so cute? She only does that when she thinks she has something important to say to us grown-ups! Awwwwwww. 

Apparently, people don't get why this is a bad thing, so: acting like someone isn't being serious when you can literally feel their emotions and know they're being serious just because you don't like what they're saying is not just invalidation, but infantilization, because you are dumbing their emotions and the complexities behind them down to that of a child attempting to be serious.

I'd also argue that this shows Keefe's true colors: he only really listens to her opinions and respects them when he agrees with them. Disagreeing with someone is all fine and good, but you can still respect the other person's opinion and not dumb it down and act like it's lesser than your own. If Keefe said "Sophie, I hear you, but I think you're wrong" (in Keefe jokester language, obviously, not word-for-word what I wrote) then I wouldn't call this infantilization, I'd call it respect. My problems arise from when Keefe acts like Sophie's opinions are stupid because Sophie is the one saying them with that adorable little pouty voice.

Flashback, chapter 21, page 355. What I originally said: “It’s always fun when you get feisty.” (355) I’ve said this about a gajillion times, but Keefe’s infantilization of Sophie is so horrific, it’s like he doesn’t care about her at all. He just sees her emotions as amusement for himself.

This is a sad scene, and Keefe has every right to be emotionally . . . off in this scene. But it still doesn't change the fact that he calls Sophie's anger "feistiness" and then says it's fun when she gets angry. You could say that's not exactly what he said, but it's likely that's what he meant given the past few quotes I've shown. Keefe has demonstrated a pattern of thinking Sophie's anger is amusing or adorable or fun. Anger is a negative emotion. When Sophie feels anger she doesn't feel good. And Keefe is like, yeah, but it's cute! Do you see how that's not the greatest thing to say? It says a lot about his internalized beliefs about Sophie, and is essentially confirmed by Unlocked. And even if that didn't represent the way he saw Sophie inside, that's still a really shitty thing to say because it still carries the invalidation.

Legacy, chapter 3, page 70. What I originally said: “‘Tell me why you have that cute little crease between your eyebrows.’” (70) You already know what I’m going to say. Keefe finding Sophie’s worry cute is textbook infantilization. But also, if he finds her worry and anger so adorable, what’s he gonna do when the Neverseen are defeated and Sophie doesn’t have as many things worrying her?

So, the crease between the eyebrows is obviously because of worry. So by saying he finds it cute, Keefe indirectly says he finds Sophie's worry cute, though I'm sure I don't have to spell that out because he's already flat out admitted he finds Sophie's worry cute several times. I'm going to sound like a broken record if I repeat what I've been saying this entire post about why this is infantilization, so instead I wanna talk about that last paragraph there. Keefe literally knows how queasy Sophie's worry can make her sometimes, and he has expressed this before, as well. So he knows exactly what Sophie's going through when she worries. And still, he acts like her worry is amusing, funny, cute, or otherwise a quirky little thing. I don't understand how Keefe can be so invalidating, having had firsthand experience with Sophie's emotions.

“But I was only half listening because she gets this cute little crinkle between her eyebrows when she’s trying to be serious, and it makes me want to reach up and smooth her forehead with my fingertip—and I’m betting she’d think I was super weird if I did that, since it’s not like she’s my . . . ” (Unlocked, very first paragraph of Keefe's diary entry, 481)

Don't have an e-book of Unlocked, unfortunately (boooooooo). So the context is that Keefe is giving us (or himself???) an intro to what he's doing here, which is writing about his drawings. He explains that Sophie gave him the idea and gives a general overview of what she said to convince him. Then he says this quote.

Here's what I said, which I stand by: I hate the way Keefe talks about Sophie. She’s just this soft, kind of ditzy, child-like sort of figure in his head. He admits that he doesn’t care what she has to say, he just cares about how adorable she looks while she says it. This is a textbook sign of a toxic relationship. You should care about what your partner/crush says, because that shows that you see them as a person, not as your personal cover model. Also “trying to be serious” paints Sophie as this impudent little child who’s trying to get the attention of the older, more experienced adults and it very much implies that Sophie is not serious, but awwww, look how cute she looks trying to be serious, isn’t it adorable? Except Keefe and Sophie are the same age. So this is another case of textbook infantilization.

Personally, I think I made it fairly clear why I think this is infantilization. Keefe did not listen to the latter half of what Sophie said because he was too busy imagining how adorable she must've looked as she said it. I don't know how to make it more clear that Keefe does not respect or care about Sophie's opinions. He did what she asked, sure, but he did not actually listen to her. Again, implying Sophie was not being serious when she was is infantilization. It takes away the weight of what Sophie is saying and makes it out to be a thing of like, Oh well, Sophie told me to, so I guess I'll humor her adorable little wishes and give it a shot, but let's get back to what's more important here, which is how cute she probably looks! I don't know how else to explain that that's not an attitude you want in someone who claims to listen to you and respect you.

Addressing some other things (Keefe calling Sophie herself cute [1], Keefe's deflection [2], Keefe praising Sophie's prowess [3], Sophie not seeming bothered [4], and The Real Problem [5]):

I don't think Keefe calling Sophie herself cute or adorable by itself is infantilization. That's just a cute, fluffy teenage crush. 100% cool with that. My problem is with Keefe dumbing Sophie's negative emotions that have complexities behind them down to something cute or inconsequential by calling them adorable. There's a quote in the diary entries where Keefe describes Sophie's blush as adorable and proceeds to describe it in vivid detail. I don't like it for personal taste reasons, but I would never argue that this is infantilization. Because. It's not. There is no dumbing down of emotions here, no shrugging off experience or maturity. There's just a kid with a crush.

As for Keefe's habit of deflecting stuff through jokes, yes, it's a flaw and yes, some of the times Keefe infantilizes Sophie, he's using it as a joke to deflect. Yes, that's the larger issue. But the point still stands that the way in which he thinks of Sophie's worry and anger is infantilization.

There are moments where Keefe talks nonstop (sometimes in a very unnatural way, in my opinion) about how powerful and amazing and brilliant and talented and spectacular Sophie is and how he respects her choices and whatnot. I don't see this as particularly contradictory to his infantilization. Keefe can dumb Sophie's emotions down to cute, inconsequential little playthings while also insisting that he thinks she's amazing and powerful. I do think he does think that she's incredibly talented, but he also invalidates or disrespects her choices because he sees her emotions as adorable and unserious. Sophie is objectively powerful and talented and smart, I'm not really sure how saying those clear facts out loud changes the fact that Keefe still sees Sophie as very juvenile in his head. He can respect her prowess and capacity for talent while still disrespecting her opinions and emotions. The two can coexist. This is why I say Keefe pedestalizes and infantilizes Sophie simultaneously.

As for saying this doesn't bother Sophie (except in that one instance where she glares at him), I'd hardly say it matters. People can be the object of toxic behavior without realizing it. Sophie doesn't really seem to care past a handful of seconds when Keefe reads her emotions without her permission (on purpose, with intention), but I think most of us would agree that that doesn't make it acceptable. And Keefe's infantile views of Sophie say more about him than they do Sophie, which is the argument I'm trying to make. My point is that Keefe sees Sophie's emotions as inconsequential little things that don't need to be taken into account. This is all mapped into how he sees her internally. Again, just because Sophie doesn't seem bothered by Keefe's comments, doesn't mean they're acceptable, especially considering it gives us a view into the way he truly sees Sophie. And if Keefe thinks of Sophie is such an invalidating way, how are we supposed to believe he'll respect her when she argues with him, instead of just writing it off as "that adorable rage"?

And last but not least (as this is literally the reason people are annoyed with Keefe, regardless of what flaw you're talking about): the infantilization isn't the problem. Not really. What the problem is is that it is never called out by the narrative and when it is, it lasts two seconds, doesn't stick, and Keefe continues with it having not learned a thing. He doesn't change, and I can give you a thousand explanations for why Keefe may be so prone to infantilizing Sophie based on his childhood, trauma, and everything else, but none of that is an excuse. And I'm certainly not a fan of the way we're constantly told that Keefe respects Sophie when he's clearly so ready to undermine her emotions or dumb them down. If you're going to have him say things like this, it should be understandable that it's not a good thing.

I think it all comes down to this: Imagine you were trying to get a very serious point across to someone or otherwise feeling very emotional over something and then you look over and the other person's reaction is like, Aw, you're so cute when you're all worked up trying to be serious! Anger so adorable! Worry so cute! I love it when you get feisty! Wouldn't you feel like they don't respect what you're saying? Is that not incredibly icky and weird?

Here is the definition of infantilization. I think it's very difficult to make an argument that Keefe is not doing this to Sophie. And if you think that's bad, oh boy, is it so. Much. Worse. In the actual Unlocked novella. It's very difficult to deny that Keefe only sees Sophie as an adorable little cute thing that amuses him when you read it. But I'll get there . . .

Anyway I'm leaving it off with this because these are the vibes I get from Keefe every time he makes an infantilizing comment about Sophie (minus the yelling, Keefe doesn't really yell):

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!