#Family Photographer Sydney

[lionandcubphotography]

Maternity Photography Sydney

At Lion & Cub Photography, we excel in maternity photography Sydney, capturing the radiant glow of expectant mothers. Our experienced photographers take pride in creating personalized sessions that reflect the joy and anticipation of motherhood. Whether you're looking for serene indoor shots or picturesque outdoor settings, we offer a variety of options tailored to your preferences. With an emphasis on comfort and creativity, we deliver high-quality images that celebrate the beauty of your pregnancy and leave you with lasting memories.

[evokephotography]

Get the Best Family Photographer in Sydney

At Evoke Photography, we understand the importance of capturing family moments that will be cherished for a lifetime. As your trusted family photographer in Sydney, we offer a seamless and hassle-free experience for you and your loved ones. Don't settle for ordinary photos – choose Evoke Photography for truly extraordinary family portraits.

[bukool]

Mariann | Sydney Maternity Shoot

Mariann + Adonis + Little Sofia Locations: Sydney Opera House | Sydney Harbour Bridge | Sydney Centennial Park Marianne and Adonis, a couple who have been married for several years, are expecting their first child, a baby girl. To celebrate this momentous occasion, they decided to have a maternity photo shoot in three iconic locations in Sydney, NSW, Australia. The couple began their photo…

[capturedbyelly]

Capture Precious Moments with the Best Family Photographer in Sydney

Looking for the best family photographer in Sydney to capture cherished memories? Discover timeless, beautifully crafted family portraits with a photographer dedicated to bringing out the unique bond in every family. Whether it’s a candid outdoor session or a cozy studio shoot, our approach ensures natural, heartfelt moments that reflect your family’s story. With years of experience and an eye for detail, we create images that you’ll treasure for years to come. From newborn sessions to multi-generational portraits, each session is tailored to your preferences, making the experience relaxed, fun, and memorable. Book a session today and let Sydney’s best family photographer capture your family’s unique moments with style and expertise.

[bijoububsphotography]

Capture Life's Precious Moments with Bijou Bubs Photography Pty Ltd

Bijou Bubs Photography understands that the arrival of a new baby and the journey of motherhood are profound, once-in-a-lifetime experiences. Located in the heart of Sydney, we specialize in capturing these irreplaceable moments through professional maternity and newborn photography. We are committed to providing families in the Inner West, with breathtaking images that celebrate life’s new beginnings.

Maternity Photographer Sydney: You’re Journey to Motherhood Pregnancy is a beautiful and transformative phase. As a leading maternity photographer in Sydney, Bijou Bubs Photography  captures the essence of your anticipation and joy. Our maternity sessions are designed to make you feel comfortable and beautiful. We work with you to create serene, tender portraits that reflect the love and excitement of awaiting your new baby. 

Inner West New-Born Photographer: Welcoming Your Newest Addition The first few weeks of your baby’s life are fleeting and magical. As your Inner West newborn photographer, we are dedicated to preserving these early days in timeless, elegant photographs.

Our studio is equipped with warm settings to ensure your newborn’s comfort and safety during the photo shoot. 

Why Choose Bijou Bubs Photography Pty Ltd?

At Bijou Bubs Photography we believe in creating a relaxed and welcoming environment where families can celebrate growth and new life. Here’s why many families trust us: Professional Expertise: With years of specialized experience in maternity and newborn photography, We provide a calm and nurturing experience, ensuring high-quality photos.

Customized Sessions: We tailor each session to fit your family’s unique personality and preferences.

Quality Keepsakes: We use the highest quality materials for prints and albums that ensure your memories are preserved for generations to come.

Convenient Location: Situated conveniently for clients in Sydney’s Inner West, our studio is easy to access, making it less stressful for new parents and expectant mothers.

Book Your Session Today

Don’t let these precious moments slip away. Visit us at https://bijoububsphotography.com.au/ to browse our portfolio and learn more about our services. Schedule a consultation today and let Bijou Bubs Photography capture the beauty and joy of your pregnancy and newborn’s early days.

Whether you are looking for a maternity photographer in Sydney or an Inner West newborn photographer, we are here to help you cherish these special times forever.

[paulphotos]

Best Family Photographer Sydney

About-Paul

professional photographer

CapturingJoy, Love, Memories & The Magic Of A Mome New SouthWales-based Paul Photo’s is founded and led by Paul Burmon. To call Paul a mere photographer would be an understatement He is a patient and creative artist—who specialises in capturing the joy, love, memories, and magic of each moment he shoots.

Paul and histeam offer a variety of personalised photography and videography, but specialise in family portrait photography. The goal is to capture moments that bring a tear of joy to your eye, which you and your family will cherish for eternity.

 We Guarantee That You Will BeThrilled With Your Portraits!

One of themany things that make Paul Photo unique is they go beyond the standard satisfaction guarantee—and guarantee you will be thrilled with the outcome. Anything less simply isn’t our style!

 Photography Is A Family Affair

The artisticexpression of photography is part of a century-long legacy. Paul’s grandfather, Mr. Mohini Kumar Burmon, was an industry innovator. He opened his portrait Studio back in 1919 in Bangladesh. His respected studio is still going strong today, with Paul’s father as the successor. Paul grew upwith a camera in hand and learned the ropes at a young age while assisting his father at Burmon Studio.

Why Paulphotos? No one isgoing to throw their heart & soul into creating YOUR family portrait like we do - where you all look FANTASTIC. It will be our honor. Maternity Photoshoot, Family photography, pregnancy photography, NewBorn baby photography, children’s photography, couples photography, individual female/male photography, corporate/business photography, you name it, we cover it. Paul Photos specializes in family portraits so much so that his photography will bring tears of joy to your eyes. We produce the highest quality imagery that showcases your relationships, emotions & love in the best possible way. Whatever important phase of your life you wish to get portrayed, our multi-talented photographer Paul will cover your occasion to your exact requirements. Hisphotography expresses the relationships, emotions & love that you share together at that moment in your lives. Paul is well-known for bringing life to his photography by paying special attention to the requirements of the clients and putting in dedicated effort to provide the best outcomes in order to satisfy the clients to the maximum. He has a wide professional experience in photography which enables him to bring the best out of you and your loved ones during shoot with him.

Paul Photosis located in Cambridge Park (next to Penrith). Our studio provides the perfectly quiet, comfortable and homely backdrop for any shoots. Keeping in view the comfort of our clients, our studio is well-equipped with all the things you might need during your stay with us from to make the photoshoot a hit!

Gethigh-resolution photography images bespoke for you to make your memories physical and last forever. We will show your images on an HD screen while Paul will also help you choose the best ones and whether you would like to get some art work added or not. So, if yourequire a professional yet thrilling photography experience, Paul is your man! So, get in touch with Paul Photos today to get some memories captured!

Over 20 Years Capturing MagicMoments! With over 20 years’experience serving Sydney and NSW, Paul Photos has built a reputation for excellence!

Reach outtoday to discuss a personalised photography package for Family Portraits, Baby Cake Smashing, Newborn and Maternity Photography, Couples Portraits, Professional Headshots, Weddings, and more!

[wh0reforcoriolanussnow]

Baby Daddy || Jacob Elordi x reader

Summary: Jacob being a protective dad 😌

Warnings: fem!reader

Wc: 475

A/n: can we just agree that Jacob holding a small baby in his HUGE arms would be the cutest and hottest thing ever 😃😭 I need to see this irl. Posting a Coryo fic later today!!! Also really need to do a Jacob Elordi masterlist lol, will do later today!

Emerging from the grocery store, you held bags in both hands while Jacob effortlessly juggled your one-year-old daughter in one arm and a bag of groceries in the other.

The California sun casts a warm glow as you make your way to the car, Jacob holding your precious daughter, Sydney, in his strong arms. His large frame makes her appear even tinier as he cradles her close.

As you approach the car, Jacob’s keen eyes spot a group of paparazzi in the distance. He instinctively shields Sydney’s face, a protective gesture you’ve both mastered in these public moments.

Jacob glances at you, concern in your eyes, “We should be fine, they’re far away anyways,” Jacob assures you as you unlock the car.

As Jacob secures Sydney in the car seat, you glance over at the paparazzi. Some of them notice Jacob’s protective actions and start snapping pictures even more eagerly.

You could feel their invasive gaze, but your focus remained on Sydney, shielding her from the intrusive lenses from the front seat of the car.

As Jacob buckled up your daughter, he could sense you were uncomfortable, glancing at the paparazzi from time to time. He knew how much it meant to you to keep Sydney’s upbringing away from cameras as much as possible.

“I’m going to go talk to them,” Jacob says as you look at him with surprise. “Are you sure?” You lightly bite your lip as he nods, “Yeah, I’ll be quick,” Is all he says before he shuts the door.

You watch as Jacob makes his way to the group of paparazzi. You couldn’t hear what was being said of course but they seemed understanding about what Jacob was saying to them.

Jacob approached the group with a calm but firm demeanour. “Hey guys, I’m not sure if you’re aware but Y/n and I want to keep our daughter away from the public eyes as much as possible. And I know this is your job but could you please make sure to blur out Sydney’s face in the photos you’ve taken?”

One of the paparazzi’s, seemingly more considerate than the rest, responded, “Sure thing, Jacob. I don’t think we managed to photograph your daughter’s face,” He and the others all take a look through the photo’s they’ve taken whilst showing Jacob.

“But if we find one, we’ll make sure her face is blurred. No problem.” The man says as Jacob nods. “I appreciate it. Have a good day guys.”

As Jacob walked back to the car, you exchanged a relieved glance. As he climbs into the car, you felt a mixture of gratitude and exhaustion from the constant vigilance required to protect your family’s privacy.

You intertwine your hands with Jacob’s, expressing your gratitude, “Thank you for handling that.” A grateful smile adorns your face as he grins, bringing your intertwined hands close to his face and gently kissing your hand.

“Of course, I don’t need to think twice about doing something like that to protect Sydney,” Jacob affirms. He adjusts the rearview mirror, stealing a glance at Sydney in her car seat. Her curious eyes are fixed on the window, captivated by the passing palm trees.

Later that day, you were sent a tweet from Jacob’s sister. It’s from one of the paparazzi who interacted with Jacob earlier. The post details the encounter and emphasises Jacob’s kindness in handling the situation.

The tweet read, “Just had a run-in with Jacob Elordi, and gotta say, he’s one of the nicest celebs I’ve encountered. Asked us to blur out his daughter’s face, and even though we’re paparazzi, he handled it with grace. Big respect for him!”

As you read through the comments, you couldn’t help but smile at the overwhelming support from Jacob’s fans. Messages of admiration for his commitment to Sydney’s privacy flooded the comment section.

yourusername

Liked by jacobelordi, caileespaeny, hbo, zendaya, sydney_sweeney and 10,937,274 others

👶🍼💗💋🧸

view all comments

jacobelordi: love you both so much ❤️

↘️ yourusername: 💗

caileespaeny: aweee

sydney_sweeney: I need to see little Syd like rn 😭

↘️ yourusername: your godchild misses you!

↘️ user1: Is anyone just finding out now that Sydney Sweeney is the the god mother of Jacob Elordi and Y/n Y/l/n’s daughter 😃

↘️ user2: I mean, it kinda makes sense ngl. Y/n and Sydney are childhood besties and then she names her own kid after her best friend.

user3: sometimes I forget Jacob Elordi isn’t single and has a child

user4: those recent pictures of him holding Sydney is doing something to me 🙂

↘️ user5: RIGHT!

↘️ user6: oh for sure.

[977studio]

[herpsandbirds]

Black-browed Albatross (Thalassarche melanophris), coming to get you!!!, family Diomedeidae, order Procellariiformes, Sydney, Australia

photograph by Meysam Makvandi

[familiesbyella]

Never let go of those moments ! Call us to capture them forever.

Visit >>> https://www.familiesbyella.com/

[pbnbucks]

enemies to lovers Caitlin Clark fic?

word count : 1.4k

warnings : iowa caitlin, cussing, harassment?

summary : you worked for iowa wbb for 3 years as their photographer and you and caitlin have hated each other since you crossed paths when you accidentally spilt coffee on her and one night she ends up in your bed after a late night out.

song : Don’t Fall In Love With Me by Khalid || play dat shit !

your walking through the courtyard when you feel somebody’s finger tap your shoulder gaining your full divided attention when you turn around to see who it was your mood drops.

“even though i dont like you kate asked me to invite you to the bar with the team tonight.” caitlin says trying to throw as much shade she can keeping her evil promise that was to always hold her grudge against you.

you and caitlin’s freshman year you two met on the way to the girls basketball practice to take pictures like your boss told you to.

when you tried to open the door caitlin was trying to leave causing your non fresh cold batch of black coffee that you were holding on to all day to spill all over caitlins practice jersey.

“you sure its just kate who wants me to come clark?” you tease already preparing your shady conversation.

“It’s funny, isn’t it? How we always end up, in the same place, at the same time.” she retorts trying to regain your attention as you tried to make your exit.

“It’s not funny, I know you’ve been stalking me. That’s how we always end up together.” you say giving her a cold shoulder as she blocks your failed exit from the conversation once again.

“Stalking? You? in your dreams.” she scoffs finally moving out the way turning her body watching your back as you walk away from her.

you walk through the glass doors entering the bar seeing the group of girls next to other groups of drunken horny college kids in all different areas of the bar.

you grab a spot next to kate and hannah the girls you were closest to on the team showering you in hugs as soon as you sit down.

caitlins gaze remained on you sending glares the second you maintained eye contact with her. her purposeful ways trying to get on your nerves failing as you refused to make a scene in front of the others.

a group of non sober college individuals walked by when one of them dropped there glass cup of beer on your arm as it made a tiny cut around your elbow.

the noise of the glass bear gains the teams attention as they all rush to see if your okay as kate grabs you pulling you up off the couch to get you away from the broken glass that surrounded the table.

“are you okay?” sydney asked you with worry in her voice as you brush her off to head to the family bathroom. you lock the door behind you grabbing paper towels to dry the small patch of blood.

your interrupted by the sound of loud hard knocks on the wooden bathroom door. you unlock it holding it shut for a second to regain consciousness when you unlock it to see caitlin standing there pushing herself in through the door.

“Come here, let me see the cut.” she states giving you no time to ask her, her needs to be there. you keep your distance shooing her off turning back to face the mirror continuing to clean the paper cut.

“No its not that big of a deal.” only for caitlin to snatch your arm “let. me. see.” she says looking closely at the minor injury studying the small cut intently.

“ill be right back” she says carefully freeing your arm from her grasp as she leaves keeping her promise to be quick as she returns with a pack of alcohol wipes.

“hold still. this might sting a little.” she coos grabbing your arm again this time much more careful, preparing the wipe running it along the cut as the feeling of the short amount of pain fades away.

“now be careful, you don’t want to hurt your good hand” she says referring to your photography hand. her words never failing to confuse you as she has never behaved like this before.

“Since when did you ever care about me?” you respond catching her off guard receiving a dirty look from her as she rolls her eyes at your question.

“are you seriously going to do this right now?” she says standing in front of your face now as she focuses her anger and compassion on you making you roll her eyes at her comment.

“because you never act like this, since when did you begin to care all of a sudden.” backing up your statement trying to prove your point to the brunette.

“Since fucking forever, you fucking idiot!” she says throwing off your ego and pride as her whole energy was off this night letting her passive side show.

“your drunk caitlin, you don’t know what your saying.” you saying refusing to believe her recent statement shoving her only to make her stumble back a few steps as she was much stronger then you.

“…This is why I knew I shouldn’t have gotten close to you.” she says cornering you between the wall as shes inching towards your face intimidating you by the second.

“What part of ‘I want you, and only you’ do you not understand?” she breaks silence yet again as her eyes begin to visibly get watery but she refuses to loose eye contact with you.

“i bet you say that to every girl you pick up clark.” you ignore her desperate pleas for you to get her point across.

“Shut up before I-” you cut her off making sure your shouts are louder then hers topping hers not accepting defeat in the arguement.

“Before you what, huh? say it. Let me see if you can finish that sent-” your cut off by her coaxing your lips with hers startling you before you ease into the kiss.

you taste the alcohol on her tongue as her lips mix between yours. you both sit there for a second taking in each others presence before breaking the kiss.

“let me take you to your dorm” caitlin begs as her hands rest on your cheeks sneaking her arm around to your back pocket grabbing your keys from you.

“im driving, you cant so technically im taking you to my dorm” you say snatching the keys back from her hands. as you leave the bathroom after being there for at least 20 minutes catching some peoples eyes.

you and caitlin both get in the car with tensions still running high as she carefully places her hand on your thigh keeping her eyes on you studying your reaction.

your face grows red as a tiny smile forms on your face as you switch your eyes between her and the road.

“did you mean everything you said tonight” you said throwing yourself down on your already messy bed that cradled you in the tiring mornings.

“of course i did and you know that” she reply’s mad you would ask her a question like that as she has always adored you and made her weird ways trying to show it.

“alright im going to head back to my dorm” she said as she took your silence as a response turning around only for you to jump back on to your feet stopping her from exiting.

“no.” you plea as your body snaps up as your see her trying to walk away almost making you jump out of your skin from the sight.

“what do you mean no?” her voice almost silent regretting her comment instantly as she was worried you would change your mind.

“i want you to spend the night….” you say being returned with sharp awkward silence as a look of worry plastered across her face.

“in my bed with me.” you continue trying to reason to her why its a good idea as you pull the covers over you waiting for her to lay next to you.

“what, am i not allowed to look at you?” she coaxed as you got on her for stealing glances at you as you slept peacefully making her smile at the silly comment.

“i don’t think i’ve ever seen you smile clark.” now resting on your side to return the stares as your eyes where fixated on her plump lips and her euphoric smile.

“this sounds like you’re flirting with me.” she smirks teasing you before passionately throwing herself on your stomach placing kisses along your tender collarbone.

“...i have been trying to do that for three years now.” you playfully hit her thigh before taking her beauty in giving her another kiss except this time was different from last nights, it was long and meaningful.

[lionandcubphotography]

Capture your most authentic self with Sydney's premier portrait photographer. Create timeless portraits that you will cherish forever.

In a world where trends come and go, capturing our most authentic selves in a photograph can be a challenge. However, with Sydney's premier portrait photographer, you can create timeless portraits that stand out. Their unique blend of expertise, experience, and creativity sets them apart, allowing them to bring your vision to life, whether it's for stunning business portraits, professional headshots, or capturing a special moment in your life.

When capturing your most authentic self, there is no substitute for working with a Sydney portrait photographer. They have the expertise, experience, and creativity to translate your unique personality and style into a stunning image that reflects your identity. With their eye for detail and understanding of lighting, composition, and posing a talented portrait photographer Sydney can create beautiful portraits that look authentic and genuine.

One of the standout benefits of working with a portrait photographer in Sydney is the personalized experience they provide. From the initial consultation to the final delivery of your images, they will work closely with you to understand your vision, preferences, and goals for the session. They take the time to get to know you, making you feel comfortable in front of the camera and ensuring you can relax and be yourself during the shoot.

Whether you need professional Business portraits Sydney, corporate headshots, or personal branding images, a portrait photographer in Sydney can tailor their services to meet your needs. They will work with you to choose the right location, wardrobe, and styling to create a cohesive look that represents your brand and personality. Whether you prefer a classic nd timeless look or something more creative and artistic, a skilled portrait photographer can bring your vision to life in stunning detail.

A professional Sydney corporate headshots photographer has access to top-notch equipment, editing software, technical expertise, and artistic vision, so you can be confident your photographs are of the highest caliber. They will use their expertise to capture you in the best possible light, both literally and figuratively, to create images that are not only visually striking but also emotionally resonant.

When it comes to creating portraits that you will cherish forever, the key is authenticity. A skilled portrait photographer in Sydney understands this, valuing the importance of capturing their subjects' true essence and creating genuine and heartfelt images. By working with a photographer who shares this value, you can be confident that your portraits will truly reflect who you are now.

In conclusion, capturing your most authentic self with Sydney's premier portrait photographer is an exceptional experience. Whether you want to create professional business portraits, corporate headshots, or personal branding images, a skilled photographer can help you create timeless photographs you will cherish forever. By working closely with a professional who values authenticity and emotional connection, you can create beautiful and feel genuine, as well as heartfelt images. So, to capture your most authentic self in a photograph, consider reaching out to a portrait photographer in Sydney and start creating portraits that will stand the test of time.

[currymanganese]

GUYS, I CAN'T ACTUALLY BELIEVE I'M SAYING THIS, BUT WHAT IF THEY ACTUALLY HAD A GOOD REASON FOR JOHN CENA BEING CAST AS SAMMY FAK?

please bear with me (pun intended) and let me know what you think of my speculation under the cut~

In a mind-boggling case of a seemingly big-lipped alligator moment in season 3 - John Cena appears in a bizarrely over the top (even by the tonal comedic standards set previously by The Bear e.g. Ecto Cooler punch at a kid's birthday party getting spiked with Xanax in Season One) and jarring scene that stretches on and on as he obnoxiously squabbles, blathers and exchanges nonsensical rapid-fire quips with his brothers Neil and Ted Fak as they buff polish The Bear's dining area before a food photographer from The Chicago Tribune arrives to take a photo for a review of The Bear.

In this scene, he also intimidates and threatens to 'haunt' (in a Fak family tradition ( that even the Faks find annoying) - that involves pranking and being an unrestrained nuisance to their loved ones especially when they least expect it) his brother Ted for, "stealing his SD cards"......

This scene and the increased screen presence of the seemingly plot-irrelevant Faks this season is currently being eviscerated by plenty of fans and critics alike.

Edit:

I now strongly suspect that John Cena's role was always in the works ever since S1

..................................

But what if there's a (debatable, but) really good reason for this scene and the increased involvement in Seasons 2 and 3 of the massive numbered siblings family of Carmy's pseudo cousins, the Faks?

See Exhibit A:

In season 2, episode 3, Sundae - after Carmy has already asked Sydney out to Kasama, a husband and wife owned restaurant run by Tim Flores, and Genie Kwon*, ostensibly just to brainstorm and gain inspiration for planning for the new menu, and after Sydney has already gone home and freshened up and changed her clothes, then arrived to Kasama early, despite the meeting only being scheduled for an hour after she last spoke to Carmy at his apartment, Claire calls and interrupts the whole hypothetical shebang with Syd and Carmy at Kasama (the Tagalog WORD FOR TOGETHER) with the words,

"Did you mean to give me a fake number? You do know that I know your entire family [translation: she must know Donna too and Claire assumes that Carmy's folks approve of her - and she's proven to be technically right throughout Seasons 2 and 3 ], right? And I know ALL the Faks! [translation: tee hee! they're bigger than you - to quote Neil and Ted with their Uncle, "We Faks do have a particular shape, don't we?😇" - and they outnumber you, you scrawny punk, slay!😉✨]"

Claire then proceeds to playfully threaten to have said "massive numbered siblings" Faks, which includes Sammy Fak, played by John Cena (a professional wrestler, from an industry that is mixes both bawdy over the top theatre, a performance art that values Kayfabe (legerdemain/slight of hand anyone?) and comedy, and an athletic discipline) that is TALL. BUILT. HENCH. AND BUFF AF.....Claire 'playfully' threatens to have THESE FAKS, beat up Carmy, who is short in stature and cannot fight well from all the previous physical confrontations we've seen him be involved in, despite supposedly being a former high-school wrestler, and who has already been seriously physically abused thrice in the series run thus far (not counting him play fighting or trying to fight with Richie) after being JUMPED by a GROUP of assailants, not once, but TWICE in season one, by the Ballbreaker nerds in the pilot, and the Bachelor Party attendees in the season finale (the first season started and ended with Carmy being beaten tf up, Holy Shit! 🤯); AND AFTER BEING SLAPPED IN THE FACE IN SEASON 2 BY HIS OWN MOTHER, DONNA.

Notice the way Carmy goes from being lost in his thoughts but being completely relaxed after his menu planning session with Sydney, and in anticipation of seeing her on their would be inspiration seeking meet-up (definitely not a date, no Sir! 👀) at Kasama, to being tense and jittery and apprehensive when Claire calls him (after going behind his back and getting his number from Fak).

Notice the way Carmy's voice shakes when he asks Claire if she really knows all of the Faks.....

Notice Carmy's defeated and annoyed reaction after he hangs up the phone.

No wonder Carmy is being so avoidant and conflict averse in his handling of Claire in both Season Two and Three, he has absolutely no faith in himself or his loved ones at present to defend himself should he assert the type of boundaries he may have been desiring to have with them for these past two seasons, after all - who can he count on to fully have his back even to the point of physically intervening for him if he gets into a scrape or is genuinely attacked, by the Faks on account of Claire taking offense at or misrepresenting his words and actions to them, e.g. Claire apparently twisting Carmy's self loathing stream of consciousness confession (that she eavesdropped on) and telling Tiff that they broke up because Carmy said that "Claire will ruin everything good for him?" while he was trapped in the fridge?

What if Carmy knows he has to rip the band-aid and call Claire and apologize for his part in the superficiality and disintegration of their dalliance, but is afraid to do so because he knows in so doing, if he is being fully honest with himself and with Claire, he never truly wanted to be with her in the first place?

And who knows how Claire will take that revelation - it probably won't be pretty will it?

And.....

to quote Neil Fak,

"Claire's the best."

"We love Claire."

"I did that." [setting Carmy and Claire up in Pop)

And.....

Claire. knows. all. the. Faks.....

TL;DR

They cast John Cena as Sammy Fak, and the Faks had a lot of screen-time this season because they are the physical manifestation of being haunted in their family's sense of the word:

and a satirical visualization of Carmy's desire for Syd being cock-blocked ; plus Claire is a Love-able Alpha Bitch, and Carmy is ambivalent towards her, and even a little scared to face her, because her henchmen are the Faks!

If you enjoyed this post, then thank you for reading and I'd recommend that you check out the following meta on the way Christopher Storer and Company have seemingly (and controversially) committed to sticking to the bit of lying to the audience and breaking the fourth wall throughout this entire season:

Richie and the viewer - by @whenmemorydies with my add-on in the reblogs about Richie, not Carmy, potentially being Christopher Storer's author avatar in this series (from a post originally written before season 3 premiered.

Fourth Wall being broken - by @brokenwinebox and @thoughtfulchaos773

Claire being a possible representation of addiction, being a habit that is hard to kick - by @thoughtfulchaos773 and my and @devisrina 's add-on speculating that Claire may also be meant to be interpreted or revealed as a bit of a mean girl, to reference TVTropes, she (and by extension Season 3) may be a deconstruction/ mashup /send-up / subversion of the: Girl Next Door, the Cute Bookworm, Nerds Are Sexy, MPDG, Yandere, Alpha Bitch, Loveable Apha Bitch, Childhood Friend Romance, High-School Sweethearts, Sickeningly Sweethearts, Getting Crap Past The Radar, Freeze Frame Bonus, Parental Bonus, Viewers Are Geniuses, Give Geeks A Chance, Even Nerds Have Standards, Beauty Equals Goodness, Face-Heel Turn, Cerebus Syndrome tropes etc.....and a subtler mirror version of Donna Berzatto.

Edit: See my reblog add on to @espumado 's thread on the recurrent 'haunting' theme this season and the possibility of the Claire x Carmy x Sydney love triangle being a Lilith x Adam x Eve allegory, and my webweaving about Syd x Carmy's Adam and Eve parallels. sidenote: Lilith is Adam's first wife apocryphally and in Jewish mysticism that left him, and became a she-demon / mother of demons after being impregnated by the archangel Samael - wait is 'Sammy' Fak a Samael allegory?!!

and another reblog add-on of mine to the thread linked above - on The Faks as the living embodiment of all that is fake in Carmy's life, C Storer's handy dandy tools for slight of hand,

you can't spell fake without FAK.

and please see

Clairecarmy as Ann Veal x GOB from Arrested Development

and with Richie's frustrated refrain of, "Who cares?!" whenever Claire and Claire and Carmy's breakup is brought up in 3 -

see the running gag of George Michael Bluth's (from Arrested Development) family's disdain for Ann and his relationship with her.

5. The parallels between The Bear and Burnt by @ambeauty - a post Season 2 post which was proven to be prescient and insightful given the Easter Egg inclusion of Bradley Cooper's character from Burnt on the photo wall of chefs at Ever in the Funeral dinner in the finale.

6. The parallels between The Bear and Boiling Point - a gritty film and mini-series set in a restaurant which features several plot elements and characters reminiscent of certain character archetypes and subplots present in The Bear - seriously think of this IP as The Bear's cynical, dramatic, older British cousin.

Decision to leave by @anderwater

This anon that recommended Boiling Point to me and wrote about its connections to The Bear.

The difference between The Bear and Boiling Point by @theblvckvenus

The similarities between The Bear and Boiling Point in this reblog add-on to @happylikeasadsong et. al's thread.

7. Claire/Carmy and the Walk In - my old post on the parallels between Strange Days (1995), Can't Hardly Wait (1998, and The Bear.

and @ambeauty 's meta on Claire as a representation of the fridge

8. My post on the possible connection between The Bear Season 3 and Andrei Tarkovsky's experimental, semi-autobiographical, psychological Oedipal drama film The Mirror (1975) - a film which was incredibly divisive upon its initial release, but has since gained wide acclaim and re-evaluation as a masterpiece, and that has had a legacy of subsequently inspiring multiple renowned filmmakers.

9. The Bear series' lead actress, and the director of Napkins, one of the only episodes of The Bear Season 3 to receive almost universal acclaim - Ayo Edebiri's trollish sense of humour and assertion that lying is the pinnacle of comedy.

10. And last but certainly not least with the inclusion of a Genie Kwon*'s, of Kasama fame, cameo in the season finale and the prominence of Kasama being key to Syd and Carmy's stymied relationship progression, courtesy Claire, see

The Kasama of it all by @gingerylangylang1979

@mod-doodles @lunasink @vacationship @chansoooo1-blog

@bioloyg @msmoiraine @nerdyblerd @ripley-stark @uncriticalbunny @prowitchazel @msmoiraine @mswyrr @anxietycroissant @turbulenthandholding @tvfantic87 @laryssamedeirss @tejidaepoque @angelica4equity @inalltheirgorgeouscolors @houseofevangelista @glitterslag

@uncriticalbunny @imliterallyjustablackgirl

@bioloyg and @ambeauty please don't say I told you so or welcome back, I'm flabbergasted that I wrote this, but I want to believe! 😭

P.S. If you're still reading this, do yourself a favour and read @brokenwinebox 's post

New Paradigm

and this follow up

Mocktail is a dirty word

and check out her #the magic trick tag!

and also check out these Sydcarmy and Rosalind x Orlando from Shakespeare's As You Like It parallels:

The Bear as a pastoral comedy

First Meetings

Fumbling with your crush

Separation, keepsakes and lovesickness

and also C Storer really did tell us in the music that this season would inspire

Mixed Emotions 🥴

[whenmemorydies]

You love taking care of people: Fine Dining in the Time of Late Stage Capitalism

CW: this post discusses toxic and abusive workplaces and makes brief mention of institutional child abuse and intergenerational trauma. I might also talk about global systems collapse, for shits and giggles. Also this is another long one. You know the drill. Lets have a cuppa. Also this is my last minute submission to Sydcarmy Week 2024 and the theme of “you love taking care of people”. Enjoy!

I have a confession to make to The Bear fandom:

The food is my least favourite part of this show.

Its not that its not interesting. It definitely is. I'm a home cook and for the most part, I enjoy cooking (when I can do it at my leisure and not like most mothers, while balancing the mental load). I just find all the other aspects of the show much more fascinating.

In fact, I think this show about a bunch of cooks in commercial kitchens is so popular not so much because of its take up of cooking but its unflinching and loving interrogation of grief and trauma, including the kinds that get passed down through families.

The truth is, I've also never been overly excited about the world of "fine dining." I grew up in a large, Tamil family and so our meals were big, shared and not necessarily conducive to the minimalist plating preferred in exclusive, "gourmet" spaces:

Photograph is mine, delicious Jaffna Tamil spread is the handiwork of my great aunt (Kunchi Ammamma or “little maternal grandmother”), arguably the best cook in our sprawling, extended family.

As tumultous as family life could get, I often experienced meals (that, lets be real, were almost always prepared by the women in my family) with my loved ones as a happy experience. I mean we also had our share of blow ups at the kitchen table but what was always consistent was the love and care that went into the food that we were given to eat. It was woven into the rich and complex flavours that made up the curries, varais, and sambals we had on our plates (and that even now, make me salivate just thinking about). It was spread throughout the warm, coconut-y rotis and steaming rice and puttu we ate with our hands and used to mop up all that spicy, flavourful goodness.

And if there's one question I heard more than any other from older family members growing up, it was "ni sappittiya?" ("have you eaten?"). More than "how are you?" and definitely more than "I love you." As with many Global South cultures, for Tamil folks, food is used for nourishment but also as a primary means of conveying deep care. Obviously Tamil people don't have the monopoly on using food to show their affection (or even the monopoly on using food to replace actually saying the words "I love you" lmao). Food has been found to increase interpersonal closeness and can also contribute to emotional regulation. Feeding a child is one of the first means of bonding between parents and children. Food also plays a big role in the course of romantic love: as a basis for first dates and future time spent with a partner, and of course also as an aphrodisiac.

As Cesar Chavez, Mexican-American civil rights activist, labor organiser and co-founder of the National Farm Workers Association (which later became the United Farm Workers union) said,

The people who give you their food, give you their heart.

You love taking care of people

Conveying care and love through food is a theme that comes up repeatedly in The Bear. Recall 1x02 Hands and the phone conversation with Nat and Carmy:

Natalie: Chefs always say a big part of the job is taking care of people, right?

Carmen: Yeah, yeah. No I guess.

Also recall an almost identical bit of dialogue between Carmy and Sydney, under the world's most famous table that had absolutely nothing wrong with it in 2x09 Omelette:

Carmen: You love taking care of people.

Sydney: Yeah I guess.

Here's some further mirroring between Sydney and Carmy about giving people joy through food. Recall again the phone call between Carmy and Nat in 1x02 Hands:

Natalie: When did the breathing problem start?

Carmen: I think maybe sometime in New York. I was throwing up every day before work.

[...] Chef was a piece of shit.

Natalie: Then why'd you stay there?

Carmen: People loved the food. It felt good.

Also recall the conversation between Sydney and Marcus in 1x08 Braciole:

Sydney: I want to cook for people and make them happy, and give them the best bacon on Earth.

Be gentle with each other, so that you can fight stronger together: seasons 1-2 of The Bear

As rough and tumble as The Beef was, the clear throughline in season 1 (when The Beef was in operation) was the importance of the relationships and care between the show's characters. This was also the case in season 2 where the majority of the season was spent in the context of renovations and training prior to the opening of The Bear (in that season's last episode).

In season 1, we had Carmy leading the crew at The Beef by being patient, clearly explaining technique and positively reinforcing his staff's work.

Above left: Carmy walking the BOH crew through making Donna Berzatto's Lemon Chicken Piccata in 1x05 Sheridan. Above right: Carmy encouraging the crew to keep up their current pace in 1x06 Ceres.

We saw him working with Sydney, supportively encouraging the team to go further, to push themselves. We even saw Carmy at ease enough to talk about Mikey and his mother while at work. We had a Carmy showing us how integrated he can be.

Above: Carmy and Tina in 1x05 Sheridan

Heck, we even had a Carmy who wanted to get a compost installed at The Beef for processing food so that it didn't go to waste. Recall this golden bit of dialogue between him and Sweeps in 1x01 System:

Carmen: Eh yo Gary, you set up a compost for me today, Chef?

Sweeps: After I do my thing in the place.

Carmen: That's very clear. Thank you.

We had a Carmy who had time. Recall the below scene in 1x02 Hands before Sydney gives Carmy her draft business plan for The Beef (that she drafted on her own initiative and time to support his family's struggling business. If this man doesn't hurry up and fight for her in s4 istg...):

Sydney: Hey you got time?

Carmen: Always. What's up?

Similarly, we had Carmen in the first episode of season 2 making time to talk to a clearly distraught Richie:

Richie: Yo you ever think about purpose?

Carmen: I love you, but I do not have time for this, alright? *starts to walk up the stairs out of the basement*

Richie: *Nods, looks dejected, sniffs*

Carmen: I have time for this. *comes back down the stairs and sits with Richie*

Most pointedly in season 1 we had the conversation between Sydney and Carmy in 1x03 Brigade which lays the blueprint for their joint vision for the restaurant and which should have acted as a touchstone for both of them in season 3:

Sydney: You know, I think this place could be so different from all the other places we've been at. But in order for that to be true, we need to run things different.

When I said I didn't think that the brigade was a good idea, you didn't listen. And its not that you told me that I had to. [...] But you just didn't really listen and if this is going to work the way that I think we both want it to work [...] I think we should probably try to listen to each other.

Carmen: Yeah. You're right.

Sydney: The reason I'm here and not working somewhere else, or for someone else, is 'cause I think I can stand out here. I can make a difference here. We could share ideas. I could implement things that make this place better. And I don't wanna be wasting my time, working on another line or tweezing herbs on a dish that I don't care about, or running brunch, God forbid.

Carmen: *nods vigorously*

In season 2 while The Beef undergoes its facelift into The Bear, some of the show's most beautiful moments were when characters displayed their faith and trust in one another. Recall 2x01 Beef where Sydney asks Tina to be her sous chef, or 2x02 Pasta where Sydney and Carmy send Tina and Ebra to culinary school (and Tina's unwavering belief in and support for a nervous Ebra once they get there), and 2x03 Sundae and 2x04 Honeydew where we see Carmy and Sydney send Marcus to Copenhagen to stage with Chef Luca and build up his skills as a pâtissier.

So what happened at The Bear?

Season 3 of the show has been the most divisive of the series, with its preceding two seasons being almost unanimously adored by fans and critics alike. There's been a lot of debate on here and elsewhere as to why this is the case. What appears to be a dominant line of reasoning in this regard is the shift in Carmy and his approach to running The Bear as a fine dining institution.

At The Bear, we have Carmy as an Executive Chef who's berating, hostile, and blaming everyone else for his emotional state ("You guys are fucking killing me"). We have a Carmy who has taken "every second counts" to a point so minute that he has given up smoking because of the time away from the kitchen that it will cost him. We have a Carmy who has no patience for his team, almost all of whom have no experience working in fine dining before the opening night of The Bear. We see how out of sync Carmy and Sydney are ("Been off"). We have a Carmy who is reverting to patterns of behaviour that have been modelled for him by two of his abusers: his mother, Donna Berzatto and his previous boss, Chef David Fields, Executive Chef at Empire.

Perhaps second only to Donna and her stand in Claire, Chef David Fields' toxic legacy haunts season 3 of The Bear.

This is nowhere more clear than in the sheer wasting of food and money in season 3 epitomised by Carmy's insistence on changing the The Bear's menu every day (to quote Tina: "Every day, Joffrey Ballet?!") and his repeated throwing out of dishes he deemed "not perfect."

The waste did not go unnoticed by other characters on the show. Recall Natalie telling Carmy off in 3x03 Doors:

Natalie: The menu cost is out of control.

Carmen: Nat, figure it out.

Natalie: Oh. Oh. Figure it out? Wow.

Carmen: Figure it out.

Natalie: Why don't you fucking figure it out?

Carmen: I'm trying to use less shit.

Natalie: Okay, well, whatever you're doing, the R&D [research & development] of that, its fucking us.

Carmen: Well, we're using the best shit.

Natalie: Duh. Duh. Well, duh.

Carmen: Duh? Don't duh. No duh. [lmao this dialogue]

Natalie: Don't buy fucking crazy shit and then use it once, Carm. It's so wasteful. Duh! Duh, duh. Fucking duh, bro.

In episode 3x05 Children, Uncle Jimmy commissions The Computer to come in and run analytics on The Bear in an effort to get its costs under control (LOL at his assessment below, scrawled on the back of the dodgiest looking pie chart I've ever seen):

Computer: This sample is based on the month and a half we've been operating and does not take into account any funds spent previously on build, friends and family budget, other assorted fuckery.

Carmen: I mean, there hasn't been that much fuckery.

Cicero: Oh neph. You specialise in the fucking fuckery, bro.

Uncle Jimmy had plenty to say about Carmy's use of the former's funds (which Jimmy has duly invested in The Bear to support his nephew) including Carmy's decision to spend $11,268.00 on Orwellian butter (aka Dystopian Butter from the Fucking Rare Transylvanian Five-Titted Goat, lmao).

Even Carmy was under no delusions about how wasteful he was being this season. Recall his discussion with Sydney in 3x05 Children:

Sydney: You know what we should be doing?

Carmen: Produce vendor. You don't have to say it.

Sydney: Okay, I didn't say it then. I didn't say anything. Do you want me to say something?

Carmen: That I'm jamming us up 'cause we have a new menu every day and the economics aren't great?

Sydney: Well, I'm an accomplice, so...

Note: the language in this small bit of dialogue struck me as being off. Why does Sydney needs Carmy's permission to say anything? Its like she knows that he knows the constantly changing menu and exorbitant expenses are an issue but doesn't want to say anything until Carmy brings it up first. @yannaryartside has a great break down drawing the analogy between Sydney's "accomplice" confession here with Molly Ringwald's (sorry I dunno what her character's name was) confession about facilitating her partner's substance abuse, during an Al-Anon meeting in 1x03 Brigade.

We have Carmy repeating harmful patterns of behaviour at work that he has picked up from his personal life (for example, from his mother) but also from his professional experience.

The world of fine dining that both Carmy and Sydney came to The Beef from was marked, by their own admission, with "complete and utter psychopaths" who screamed, pushed and yelled at their staff (recall Sydney's disclosure to Carmy at the end of 1x05 Sheridan) or "fucking assholes" (in the case of Chef David Fields), who made their staff "very, probably mentally ill." Sadly, this aspect of The Bear is not fiction. @moodyeucalyptus pointed out in this post that both Carmy and David Fields appear to have elements of their characters based off of real life fine dining wunderkind Chef Charlie Trotter: a Chicago-based chef known to be brilliant but who mistreated his staff so badly that he had two class actions brought against him (one by FOH staff, and another by BOH staff led by James Beard Award winner Beverly Kim).

There are other stories about the grinding nature of the fine dining industry which we'll get into below. We'll also look at a few stories of chefs who are leading a renaissance away from the "toxic, hierarchical shit show" that has historically plagued fine dining and who Joanna Calo and Chris Storer may have front of mind as they take us through Carmy and Sydney's journey together in season 4 (because as tempting as Shapiro's offer is, we know Sydney isn’t leaving Carmy). But first, we need to go further back in time to look at how the fine dining industry itself has created the conditions for a chef like season 3 Carmy to exist in the first place. Lets look at the system, baby (to quote Tina in 1x01).

The Bear's culinary ancestry: Chef David Fields and the Fine Dining Industry

I should say that I did not want to go too far into history with this post. After Carmen, Natalie, and the Berzattos, I was committed to trying to write shorter meta (/snort). But I'd be remiss if I didn't talk about the origins of fine dining, and before that, the rise of Europe as the base of "haute cuisine" (which itself is directly tied to its history of colonialism and...Empire *badumbum* @freedelusionshere has made the point that The Bear writers have given Chef David's restaurant the name Empire purposefully and they're not wrong). All of this informs the current state of fine dining today.

Though France is often credited as the place where restaurants began (in the 1700s), its been established that folks were eating in communal restaurant settings all over the world, including in China about 700-600 years earlier. The origins of western fine dining (the tradition that Carmy and Sydney have trained within) however, are synonymous with French cuisine and the efforts of Georges Escoffier (who Carmy name drops in 1x03 Brigade).

The French Brigade

Escoffier was responsible for developing the French Brigade system of organising kitchen staff which is still used today in many restaurants worldwide, including at The Bear. The French Brigade was based on Escoffier's own military experience in the Franco Prussian War and was set up to identify roles in the kitchen and increase efficiency and consistency so that restaurants could scale their work to serve larger numbers of customers.

The thing with anything based on structures found in the military is that its going to replicate hierarchy (a chain of command is central to the running of military operations). In fact, much of 1x03 Brigade is spent with Sydney resisting what she identifies as the imposition of a "toxic hierarchical shitshow".

Mariya Moore-Russell, the first Black woman in the world to get a Michelin star (who also happens to be from Chicago) talks at length here about the benefits of the French Brigade for systematising commercial kitchens but also how easily it can get corrupted if the wrong people are in the kitchen. She says in those circumstances, the Brigade can quickly perpetuate, racism, sexism, perfectionism and "all of the isms." My fav quote from the video? When Russell talks about the French standardisation of cooking adopted by most kitchens in fine dining industry (at 23:39):

They were like okay, how do we take what Grandma does, what Mama does and make it you know efficient and consistent but also just extremely stressful for everybody involved? (lmao)

Note: Moore-Russell has a series of videos on YouTube about her experiences in fine dining which are very illuminating. She's also such an engaging storyteller. For example, watch "My path through the restaurant industry".

Service à la française to service à la russe

In addition to the French Brigade, another development in the history of western fine dining was the shift in styles of food service from service à la française to service à la russe. Service à la française ('service in the French style') involved serving all the dishes for a meal at once, allowing patrons to serve themselves. Think something akin to buffet style. See below for table layout using service in the French style from 1775:

Source: Wikipedia.

To me, service in the French style looks kind of similar to how my Tamil family lays out our meals (as can be seen in the first picture of this meta, minus the pheasant, moonshine and roasted woodcocks...lol). This style of service also looks a whole lot like "family style" dining which can be described as: "when food is brought to the table on large platters or serving dishes rather than being individually plated. Guests then serve themselves from the dishes which are passed around the table." In fact, service in the French style or family style dining is how many cultures serve and eat their food, both in the home and in restaurant settings (whether they use these terms to describe that layout is another matter).

I also seem to recall a couple of soulmates Jeffreys deciding to open a family-style restaurant in 1x08 Braciole (which @bootlegramdomneess has also pointed out in her post here).

In the 19th century, service in the French style became replaced in European restaurants by service à la russe ('service in the Russian style'). This style of service is what Western fine dining and haute cuisine restaurants utilise to this day. It involves bringing courses to the dining table in sequence, one after the other. Courses are portioned and plated before being brought to the diner by service staff.

In the case of Western fine dining, Escoffier shaped haute cuisine ('high cooking') through the use of his French Brigade system and the implementation of service in the Russian style. Haute cuisine has undergone shifts and changes since the 19th century including with the nouvelle cuisine movement in the 1960s which was marked by a focus on fresh produce, paired-back menus and a focus on invention. Haute cuisine of today has been described as a fusion: employing elements of nouvelle cuisine and more elaborate techniques and processes from Escoffier's system.

To my mind, service à la russe involves a lot more people (definitely more wait staff) to have it deployed effectively. When you have more people, you have more room for error (like all those dropped dishes in season 3). Family style service or service à la française allows people to serve themselves. It encourages sharing. Personally, I prefer the latter. Also can we talk about how small the portion sizes are in haute cuisine? lmao. I get it, its art. You need a gigantic plate for a small piece of hamachi because thats the canvas. Some (read: me, lmao) might also say its big ol' waste to wash a plate that size for food that takes up maybe a 1/5 of its surface area. Can we also talk about the concept of "chargers" (which the Computer rightfully rips into Carm and Sydney for in 3x05 Children) - why do you need a table setting that no one's gonna use? I'm sure there's other aspects to haute cuisine that make no fucking sense but honestly this meta is gigantic enough as it is so I'll stop there lol.

Anyway, notably it is service à la russe and food that would be described as haute cuisine that we see at The Bear. Family style is nowhere to be seen in season 3.

Colonialism, Empire and the rise of Western food cultures

A fact that is often left out of discussions about why the French and other European countries developed such globally renowned food cultures as well as their staggering wealth and status as "first world countries" (particularly in the period between the 1600s to the 19th century) was that at around the same time, these nation states were expanding their own empires by colonising other parts of the world with the express purpose of acquiring ingredients (and other resources) that they did not have access to in Europe. A brief and non-exhaustive list of examples below:

Europe's demand for flavour was so great in the 1600s that the Dutch traded Manhattan to the British in order to secure the Indonesian island of Banda Run which, at the time, was the world's only source of nutmeg. When they first arrived in the Banda Islands, the Dutch killed and enslaved much of the Bandanese population, taking control of the island's local nutmeg plantations. This violence would come to be known locally as The Banda Massacres.

It was the hunt for a direct trade route with India for black pepper that Christopher Columbus used to pitch his voyage to the King and Queen of Spain and which ultimately led him to the Americas. Columbus' arrival precipitated the colonisation of the Americas, which resulted in enslavement, disease and outright genocide, decimating First Nations populations throughout North and South America.

The colonisation of the Americas would also lead to the exporting of various foods that have come to be staples in European cooking. For example, the tomato - the key ingredient in many Italian (and Italian American) dishes - orginated in South and Central America and was brought to Europe via Spanish colonists.

The British set up their infamously brutal East India Company (EIC) to control the Indian subcontinent and the trade of various resources including precious metals, opium, textiles (silks and cotton), spices (such as cinnamon, black pepper, nutmeg, cloves, mace) and other food items (like salt, sugar, coffee and tea). The EIC would later be supplanted by the British Raj in Britain's stranglehold on India and after almost 200 years of imperialism and economic fraud, it has been estimated that the British drained India of nearly $45 trillion. I can't even begin to fathom an amount of money that large but the British could, and that theft powered much of the empire during its height.

The influence of Indian ingredients and cuisine spread throughout the British empire, including back to Britain itself. In fact, through colonisation and empire, Indian influences appear in various global cuisines (including other European cuisines as well as in the Caribbean).

Indeed the British's impact on food globally included its colonisation of Australia and New Zealand. These two colonial outposts essentially became gigantic cattle and sheep runs for the British who facilitated the wholesale theft of land - and in the case of Australia, did so without even bothering to enter into treaties with First Nations people - in order to run livestock that was then exported to feed Britain.

In order to satisfy its sweet tooth, France operated huge sugar plantations on the backs of the labour of enslaved Africans, particularly in Haiti (known at the time as Saint-Domingue). In the late 1700s, Haiti was responsible for exporting 40% of all the sugar consumed in Europe. The human cost of this was high and brutally violent. Eventually in 1803, after many armed revolts, enslaved African-descent people kicked the French out of the country after over a hundred years of heinous exploitation (thereby creating the first Black republic in the world). The French were so economically dependent on the colony for its production of coffee and sugar that when Haiti got its independence, France decided to punish the new republic for the loss of future income on Haitian exports, demanding 150 million francs in gold as compensation. The French sent warships to enforce this cruel debt. All in all, Haiti spent approximately $21 billion paying off France for the freedom that its people had already lost their lives and shed their own blood for. The debt (which involved the fledgling republic taking out exorbitant loans and fundraising amongst its citizens) was not paid off until 1947: 122 years after it was initially enforced. The French even charged Haiti interest.

Were it not for its vicious history of slavery and its century-long extortion of its former colony, I'm pretty sure France wouldn't have had the quantities of a certain key ingredient necessary to develop its worldwide reputation for pastries and desserts. I mean, you try making a crème brûlée, an eclair, a tarte tatin, a sweet galette, a mille-feuille, a madeleine, a crepe...without sugar.

This history deeply informs fine dining today. For centuries, Europe underdeveloped much of the world (borrowing Walter Rodney's turn of phrase) through colonialism and imperialist extraction. It then used those spoils and excess wealth to, among other things, develop its own food cultures and then self-proclaim itself as the cutting edge of the culinary world. To be clear, you can only faff about in a kitchen and create fancy sugar palaces and 10-course meals if you have the means and resources to do so. Haute cuisine is a product of wealth and resources, accumulated over time. Europe's colonial history also dictates which cuisines are recognised via awards like the Michelin star system. Hell, it dictates why you have the French (Michelin is a French tire company) dictating what constitutes "good" food in the first place. If you want to read more about this topic, this essay on Medium provides a good overview of the sad, racist state of affairs over at the Michelin Guide.

Where Europeans colonised and settled, this same lens was applied. This is why you have the undervaluing of Indigenous cuisine and ingredients in Australia, a situation which has only recently begun to shift. The colonisation of Australia actively involved the lying about Aboriginal foodways in Britain's attempt to falsely claim that Aboriginal peoples were nomadic hunter gatherers who did not use their land. Its why the history of how enslaved Africans brought their food cultures with them through the Door of No Return and transformed American cuisine, is not more widely known. Its why so few chefs of colour have been recognised for Michelin stars globally.

Empire and The Bear

Season 3 of The Bear pays clear homage to the impact of European empire on the world of fine dining in a few ways. The most obvious is the fact that Chef David's restaurant is literally called "Empire" lol. Another example and one of the most visually striking to me occurs in 3x01 Tomorrow. First, recall Chef David Fields' outright theft of Carmy's dish (I think we've established that you can't get more empire than the theft of food, yes?). Can we talk about how not only did Fields steal Carmy's dish but also, turned it into the most beige meal we've seen on The Bear to date, bar that single sprig of dill fighting for its life?

Carmy's penultimate plate (the final version being The Best Meal That Sydney Ever Had™):

Chef David Fields' dick measuring exercise version:

Carm was not a fan:

Can we talk about how the original plate featured the colours of the Italian flag (green, white and red) - emblematic of Carmy's cultural heritage and what is certainly one of the single biggest influences in his culinary journey (the dish also features fish, just like the main course in La Vigilia, the Feast of the Seven Fishes) - but after Fields was done with it, that shit was practically three shades of mayonnaise?

Can we talk about how Carmy's version of the dish almost certainly had a varied and dynamic flavour profile while Fields' looks just how I imagine it tasted like: whatever flavour meh is. The dish literally has no acid from what I can see (ingredients: paupiette of hamachi, fennel soubise, potato chip and dill). And I *know* a balanced dish has salt, fat, acid and heat (cos Chef Samin Nusrat told me).

Can we also talk about how Fields hates the most commonly traded of spices? The one that Columbus was looking for when he landed at what is now the Bahamas. The one that was an integral part of the East India Company's business plan rort to fuck India and South East Asia more generally?

Carmen: He hates black pepper for some reason I'll never understand. (from 3x10 Forever)

White folks in Europe were so hungry for spices to liven up their food that they invaded large swathes of the rest of the world to get the stuff. And yet, here we have Chef Fields, disliking Europe's gateway spice: the one that the Romans (Carmy's ancestors) had been trading with the East for centuries prior to Europe’s imperial frenzy, and which now makes up 20% of the world's spice trade.

Is the man so dedicated to meh that he couldn’t even bring himself to embrace pepper? Used to be one of the best chefs in the world, is right Chef Luca.

On top of dubious taste (I'm not a food critic but no one can tell me that hamachi and fennel soubise dish tasted anything other than fucked lmao. idc idc), Chef Fields is also one of the clear antagonists in The Bear. Along with Donna Berzatto, he is one of Carmy's two primary abusers. His impact on Carmy was never as clear on the show as it was in season 3. Lets take a closer look at that impact below:

Culinary ancestry and intergenerational trauma

Both Donna and David are ancestors of a kind to Carmy. Donna is clearly a biological ancestor in that she's Carmy's birth mother. I've argued here that David Fields is a culinary ancestor to Carmy. For ease of reference, I'll include my explanation of what I mean when I say "culinary ancestry", from that earlier meta, here:

Most folks understand ancestry to refer to our family or genetic lineage. When I was in university, I learned about intellectual ancestors or genealogy: where one can trace your intellectual lineage - the thinkers and creators that have shaped your understanding of the world and/or your chosen profession. I think its useful to take this concept and apply it to The Bear to help understand what the show is saying about legacy. I wouldn't limit the concept to "intellectual" ancestry though. It might be more helpful to talk about culinary ancestors in this context because the process of creating food - crafting dishes - isn't solely an intellectual exercise. It engages our intellect yes, but also each of our senses, our memories (recall that chocolate banana from 2x10 The Bear), and the need to nurture and be nurtured. Culinary Ancestors Carmy's culinary ancestors are varied given his work history. We know he's cooked under some of the best chefs in the culinary world of The Bear, including: Daniel Boulud (of Daniel), René Redzepi (of NOMA), Thomas Keller (of The French Laundry), David Field (a sociopathic Joel McHale, of Eleven Madison Park Empire), and Andrea Terry (a sublime Olivia Colman, of Ever). I'd also include here Mikey, Donna and Natalie Berzatto. I'd include cousins Richie Jeremovich and Michelle Berzatto as well. These are the home and line cooks Carm grew up with, watched in his mother's kitchen and at The Beef. He took his lessons - the good and the bad, learnt voluntarily and involuntarily - from all of these people, incorporated them into his working self and transmuted them into his food.

NOTE: In "Ancestors and The Bear" and in other meta I've written, I've incorrectly noted that Chef David Fields was the EC at Eleven Madison Park (instead of Empire). This was due to the fact that up until 3x10 Forever, we are not told the name of the restaurant that Fields and Carmy worked at together. In the draft script for the pilot, the restaurant is identified as EMP (Eleven Madison Park) by Sugar (see p 23 of that script), however this appears to have changed to "Empire" during the course of the show's development.

Through the lens of culinary ancestry, there is a clear connection between Carmy's wasteful R&D and menu choices in season 3 with the "lessons" he received under the tutelage of Chef David at Empire. For example, and as discussed above, the refusal to serve any dish that isn't viewed as "perfect" led to extreme amounts of waste at both The Bear and at Empire.

Additionally, Chef David focused on "subtraction" (recall his writing "SUBTRACT" on green tape and sticking it to the expo of Empire in 3x01 Tomorrow) and never repeating ingredients in the dishes that came out of Empire. Instinctually, these two strategies appear to me to be techniques to create needless scarcity. They're attempts at repression in and of themselves. Carmy adopts these philosophies and tries to implement them at The Bear as well. They manifest in his unilaterally overhauling the original menu at The Bear (without Syd's input) as well as his insistence that the menu change every day.

Minimalistic subtraction of elements was also a characteristic of Escoffier's approach to cooking which would be taken even further with the nouvelle cuisine movement in France. That movement focused on minimalistic dishes with fewer seasonings and sauces. Chef David Fields is clearly rooted in the French school of fine dining in this approach.

Subtraction also shows up in the show in a more dire way: in the cutting off of relationships and the whittling away of self.

I recently come across a promo still for The Bear. It features Carmy as the CDC of Empire, plating a dish. I've seen the image before but I never noticed the writing on the wall next to Carmy before. It reads:

"Its only after we've lost everything we're free to do anything"

This quote also appears in the 1999 David Fincher film, Fight Club (which itself is based on the book by the same name by Chuck Palahniuk):

Left: Carmen Berzatto, CDC at Empire in The Bear; right: Tyler Durden, general nihilistic fuckwit in Fight Club, also preaching the gospel of David [Fields].

This ethos, written on the wall and haunting the kitchen at Empire is emblematic of how Chef David operates. It reads like a fucked Psalm, giving a poetic shimmer to Field's abuse. Chef David tears down his staff, verbally degrading them to the point that he has the gall to whisper "you should be dead" to them. (OK. Can we...for a minute...imagine being a manager and that being your management style? Telling your best performing staff that they should be dead? Excuse me, mon cheri? A literal devil).

Chef David literally strips his staff of their dignity and their connections to the outside world. He makes them lose their sense of self and claims its all to make them better chefs. He tells Carmen in 3x10 Forever:

Chef David: So you got rid of all the bullshit, and you concentrated, and you got focused, and you got great. You got excellent.

The parallels between Carmy's experience at Empire - and even in the Berzatto household - and the critique of performative violent masculinity that Fight Club was trying to get across are worth pointing out. In Fight Club, white men beat each other up to try and assert control over a perceived loss of power. At Empire, Chef Fields consistently berates and degrades Carmy, clearly threatened by his CDC's talent. Similarly we have Richie complaining about having to take orders from "toddler" Carmy, saying "I was a baby too once, Syd. Nobody gave a fuck" in 1x02 (which could have been the origin story of any one of the men who joined Brad Pitt/Edward Norton to carry out "Project Mayhem" lmao. In fact, I wouldn't be surprised if a lot of the dudes on Reddit fawning over Richie circa seasons 1-2 also watch Fight Club as if it was some sort of aspirational manifesto and not the satire that Fincher intended it to be).

Chef Fields is meant to be representative of a toxicity found in the restaurant industry globally. There have been numerous reports of the physical and psychological violence meted out against kitchen staff by those higher up in the brigade.

Additionally the structure of the French Brigade system is such that those at the bottom - stages - are often expected to work for free. While unpaid internships are common in various lines of work, those industries start to run into trouble when large amounts of their products and services depend on unpaid labour. In fact, darling of The Bear, René Redzepi of Noma faced criticism of his restaurant's unpaid internship program. The internship program was rife with stories of ridiculous working conditions. Redzepi finally began paying interns in 2022 but then announced that Noma would shut down regular service at the end of 2024 due to being unable to afford its staff (at one point, unpaid stages made up almost half of Noma's staff).

The fact that entry into the world of fine dining means people need to work for free as a stage automatically eliminates this as an option for folks who cannot afford to volunteer in order to gain work experience. This would disproportionately impact on certain communities, particularly communities of colour whose members may not have access to sufficient wealth that would allow them to work for free. This is clearly illustrated in The Bear where we see that Carmy has the safety nets and access in place that allow him to stage at various fine dining institutions and gain much sought after experience (e.g. his family's ownership of The Beef and his ability to work there, his cousin Michelle's restaurants in NYC and his access to those spaces). Sydney, Tina, Marcus and even Richie have very different entries into the world of restaurants and fine dining.

The issue of sexual abuse and harassment in the restaurant industry is also very subtly broached in The Bear (though it is more heavily implied in the draft script for 1x01), particularly in 1x07 The Review with Richie accusing Sydney of giving a food critic head in order to get a positive review for her risotto (season 1 Richie was genuinely the worst). But the issue is huge, with more sexual harassment claims filed in the US in the restaurant industry than any other field of work.

Even scrubbing floors by hand and cleaning with a toothbrush, while ensuring sparkling kitchens, have also historically been used as a means of punishment, particularly in institutional settings. During Australia's Royal Commission into Institutional Responses to Child Sexual Abuse, there were numerous reports of children in care homes being forced to scrub floors with toothbrushes as a means of physical punishment and control. (CW: the above link discusses accounts of institutional child sexual abuse).

Given the above, its clear to see that the industry - the system - facilitates a whole lot of shit that its workers are subjected to. So when Chef Adam Shapiro catches Sydney as she leaves the train station in 2x04 Violet and asks her how she's doing, her response is telling:

Sydney: It's been a long month [at The Bear].

Chef Adam: Ah. That bad?

Sydney: No, just-- Restaurants.

Chef Adam: Yeah. Right? Why do we do this to ourselves?

Sydney: 'Cause we're crazy.

Chef Adam: Yeah. What was this month's crazy?

Sydney: Um. The kind that's inherited.

Chef Adam: *Nods emphatically* Understood.

This Financial Times article on the dark side of restaurant culture in Copenhagen, sums things up perfectly:

“We always had this joke, an explanation for why things are so horrible: shit falls down,” [Chef Levi] Luna told [the author Imogen West-Knights], with a cold laugh. In the kitchen, the head chef gets mad at the sous-chef, who gets mad at the person below him, a chef-de-partie, who then takes it out on a stagiaire. Then one day, the sous-chef is the head chef, and he has learnt how a head chef behaves: badly. It should give a sense of the strength of feeling I encountered about how damaging this system is that several people independently described it as being like children who are abused going on to commit abuse as adults. This is the dark flipside of the restaurant-as-family metaphor.

Challenging the status quo @ The Bear

By the end of season 3, Carmy appears to recognise that subtraction in his life is not going to bring him happiness. In fact, in 1x08 Braciole, he identified subtraction - specifically, the cutting out of people from his life - as the reason his life got quiet as he grew more isolated. In 3x10 Forever, when he finally confronts Chef David, Carmy laments the psychic and physical impact of Fields' abuse as well as the isolation it engendered. Fields, psychopath that he is, remained unfazed:

Carmen: You gave me ulcers, and panic attacks, and-and nightmares. You--You know that, right? Do you-- Do you understand that?

Chef David: Yeah, I gave you confidence, and leadership, and ability. It fucking worked.

Carmen: My life stopped.

Chef David: That's the point, right?

Additionally, its worth pointing out that despite all the focus on precision, minimalism and (quite frankly) rage being put into the impeccably plated dishes of The Bear, it's the messy, juicy, multi-ingredient filled Italian beef sandwiches that remain the site's best seller. Indeed, in 3x05 Children, Nat tells Carmy that the sandwich window is the only thing at The Bear making any money. So much for subtraction.

We also see Carmy resisting a total acquiescence to Chef David's approach to running a kitchen early on in season 3. His non-negotiables read in the hindsight of the entirety of the series like his attempt at integrating the lessons he’s learned from various kitchens. It’s why the list says “no repeat ingredients” AND “vibrant collaboration”. We know that vibrant collaboration had to come from someone else’s kitchen cos Fields certainly wasn’t collaborating with anyone. That asshole was out there dictating like a fascist.

Additionally, while Carmy has realised the dangers of the fine dining industry by the end of season 3 (and not for the first time - recall in 2x01 The Beef when he called the Michelin star system "a trap"), and while Sydney grapples with her role as an "accomplice" to Carmy's season 3 bullshit, their protégés Tina and Marcus continue to keep the flame of genuine care, collaboration and inspiration alive. This is most clearly seen during the conversation Tina and Marcus have in 3x09 Apologies where they discuss Marcus' mother and his memories of her as well as brainstorm ideas for Tina's cauliflower, brussel sprouts and horseradish dish (please for the love of gad, give us more Tina, Marcus and Ebra next season).

Challenging the status quo in the real world

There are also actual chefs in the real world who appear to be doing something different with their work: embracing their own food cultures that have historically been locked out of the world of fine dining and also trying to run their kitchens in more egalitarian ways.

Above clockwise from top left: Chefs Tim Flores and Genie Kwon of Kasama, Chef Adejoké Bakare of Chishuru, Chef Asma Khan of Darjeeling Express and Chef Mariya Moore-Russell formerly of Kumiko and Kikkō.

The first, most obvious example of this for The Bear fans is Kasama, (shout out to @currymanganese and @thoughtfulchaos773 for introducing me to the above linked, short doco) the Filipino American restaurant founded and run by Chefs Tim Flores and Genie Kwon (who also happen to be married) in Chicago. Kasama is also where Carmy and Syd were meant to have their palate cleansing "reset" in 2x03 Sundae and where Sydney may have also been hit on by fellow Coach K fan, Kasama bae (shout out to @sydcarmyfan for verbalising what I squee-ed about on first watch of this episode lmao).

Both Flores and Kwon come from fine dining backgrounds but appear to challenge some of that industry's basic tenets, including the messianic role of the EC as top of Escoffier's brigade food chain. Flores openly states that his cooking is an ode to his Filipino mother who regularly taste tests his food. In the Nick Cavalier doco linked above, Flores states "if [his mother Lolly Flores] eats [the food] and there's no reference to her dish at all, I'm not doing the right thing." Flores and Kwon also operate Kasama using a hybrid model (that I think would send regimental Escoffier into a tailspin) where they offer fast and casual service featuring Kwon's baked goods during the day and offer a Filipino tasting menu led by Flores for dinner service only. Kasama was awarded a Michelin star in 2023, the first Filipino restaurant in the world to achieve that title. It also took home a James Beard Award that same year.

Note: if you haven't already, have a read of this interview of Tim Flores and Genie Kwon conducted by the Michelin Guide. ISTG Storer and Calo have read this and lifted whole paragraphs for The Bear's script. An excerpt that stood out to me, in particular:

The two first met at Bib Gourmand restaurant GT Fish & Oyster, also in Chicago. "He was leaving as I was starting. So we didn't overlap for very long. But I actually went to eat at the restaurant that he was working at afterwards, and I had one of the best experiences of my life at a tasting menu. And after that we started talking and hanging out, and eventually started dating," recalls Kwon about how she and Flores first met.

Sounds a lot like a couple of Jeffs we know, yes?

Also check out Chef Adejoké Bakare, who in 2024, became only the second Black woman to get a Michelin star in the world (the first being Chicagoan Mariya Moore-Russell who announced in 2020 that she was taking a break from her career for her mental and physical wellbeing and who also...is married to a chef lol). Bakare's restaurant, Chishuru in London, specialises in West African cuisine rooted in Bakare's Yoruba, Igbo and Hausa cultures. Bakare, like Genie Kwon, has a background in biological sciences. She also began her career as a home cook, then ran a fish and chip cart while studying at university in Nigeria. Once she moved to the UK, she ran a supper club and later won the opportunity to run a short term pop up restaurant. During the ceremony where she got her Michelin star, Bakare noted "[i]t did feel rather odd at last night's ceremony that 90% of the room was white middle-aged men. But the passion I see among young women in the industry is such that I'm confident things will change."

Take also Chef Asma Khan, who got her start in the industry as a home cook and then began running supper clubs out of her house in the UK. She then opened up the Darjeeling Express with a group of South Asian women she had met when they were all fairly recent arrivals in the UK, none of whom had formal culinary training. To this day, her kitchen remains fully staffed and run by women.

In this TEDx Talk about her work, Khan says:

"I wanted to cook but I actually wanted to feed people. This gave me the greatest pleasure. I felt at my most powerful when I was able to serve someone something I had cooked. In some ways it was my way of showing affection and love, and being able to give them something that took them home."

Sounds familiar yes? Like a couple of Jeffreys in season 1 of a certain show?

About the systemic sexism in the industry, Khan says:

"But at that time, in England, anywhere in the West, everywhere you looked it was male chefs you saw that was on television [...] in the media. It was always about men who were cooking kitchens. The greatest irony of it all is that [...] in every South Asian home you go to, you will invariably find a woman [cooking] but in every South Asian restaurant you go to, not just in India but in Pakistan, Bangladesh, Sri Lanka, almost everywhere in the world, you will usually find a man cooking in the kitchen. And it was a desire for me that I wanted to cook but there was no road or route in front of me."

Khan elaborates further on the skewed and gendered manner in which elite fine dining operates, in this article:

“There is no public hanging [in her restaurant]. Male chefs have made cooking into a combat sport. I think it’s a reaction to the idea that cooking is feminine: I’m not the dinner lady! I’m not your grandmother! Sorry, but if you’re constantly screaming at staff it means you’ve trained them badly.”

Khan is describing the hyper-competitive nature of fine dining (and her suspicion that in a highly gendered industry that is populated by majority men, that there is a need to perform a hypermasculinity in order to put distance between themselves and the historically feminine-gendered roots of the act of cooking) and how Khan wanted no part of it, for herself, her staff or her patrons. In this Guardian article, Khan points her attention directly at the toxic work cultures of many fine dining institutions:

Khan sees herself as a vital heckler on the sidelines of the industry, rather than part of its elite club of star chefs. She is especially scathing of a macho restaurant culture that has allowed workplace bullying and abuse to become normalised – and of those who enable it.

“My deep concern during the pandemic is seeing very prominent people with considerable wealth remove the entire workforce without a safety net.” A surge of restaurant and pub workers were reported to be sleeping rough in central London in April, a fact Khan can’t shake. “It is so shameful, my heart bleeds for the industry, it is immoral. I don’t want restaurants to be ranked by Michelin stars for the fluff and edible herbs they put on a plate. I want to know how they treat their people, they should be ranked on that. Where there is bullying and racism, where there is sexual harassment, where staff don’t feel safe, people should boycott those restaurants. I don’t want to see them prosper.”

Honestly, after reading some of the horror stories about work place practices in the restaurant industry, I'm with Khan. I'm also with Flores, Kwon, Bakare and Moore-Russell. I reckon Storer and Calo are also with these folks too and that we're going to see a shift in season 4 of The Bear that reflects the larger industrial change in the world of fine dining that chefs like these are heralding.

The death of fine dining

Above: Carmy's phone in 3x05 Children

Like @freedelusionshere says here, I don't think its a suprise that season 3 ended with Ever's funeral. The fine dining of Empire and even Ever is dead. How can it not be given the way its been largely running to date, as discussed above? How can it not be when we are living in a time of severe food insecurity precipitated by runaway consumerism and the twin existential threats of global climate and extinction crises. How can anyone in good conscience justify charging exorbitant amounts of money on a plate that is not going to fill patron's bellies while there are communities worldwide who do not have enough food to feed their children? When some communities, even in so-called "first world" countries like America and Australia cannot access clean drinking water?

Truly, the argument for fine dining posited by Will Guidara in 3x10 Forever made me (and I'm sure many others) actually cringe.

There's nobility in this. [...] We can give them the grace, if only for a few hours, to forget about their most difficult moments. Like, we can make the world a nicer place. All of us in this room. We have this opportunity, perhaps even a responsibility, to create our own little magical worlds in a world that is increasingly in need of a little more magic.

There *is* nobility in nurturing people, in feeding them. But in a time of the multiple and rolling, global existential crises, where particular communities are being targeted not just for marginalisation but whole scale eradication, this is not a time for more "magic"; particularly when those "little magical worlds" are reserved for the select few who can afford them. We don't need more holes to bury our heads in. We need real spaces of care that are accessible, kind (read: not nice, but kind. there is a big difference) and nurturing. And those spaces need to be those things not just for the patrons who visit them but also for the staff who work there.

There is also literally no time for escapism, at least not of the kind that late stage capitalism promotes and as described by Guidara in 3x10. We are living at a time where food systems are said to make up one third of all greenhouse gas emissions, pushing the climate crisis further to the point of no return. What's the point of making magic worlds to escape an actual world on the brink? And while your magic-making contributes to the brink getting closer? Its like putting lipstick on a pig.

Indeed some have posited that it was the British Empire's remaking of the world to feed Britain (which we've looked at briefly above) that has been the single biggest contributor to the current environmental crises facing our planet. The Bear acknowledges the issue as well. Recall 2x04 Violet when Tina visits Jerry at the farmers' market and his explanation for why he has so little produce to sell:

Jerry: There's fewer and fewer moths to grow vegetables now, and 'cause of that, there's fewer and fewer farms. Used to be you could come down here, buy everything you needed for a full menu. All in one spot. Whatever grows together, goes together.

The reason there are fewer months to grow vegetables is because of climate change which has impacted on everything to season length, groundwater and rainfall levels (as the two main sources for global farming irrigation) and increased periods of drought and heatwave.

So whats next for The Bear?

Season 3 put us through the ringer with Carmy replicating toxic practices in his restaurant that are rife in the industry at large. Yes, Carmy also has mental health issues and is a survivor of multiple sources of trauma. We know this. I've talked about this at length here and here. But he's also a guy who's running his own business with folks who are dependent on their place of work for their livelihoods. As such, he, Nat and Uncle Jimmy (as co-owners of The Bear) have responsibilities to their staff.

As EC at The Bear who is directly responsible for managing BOH, Carmy has a choice to make about whether he "blows his trauma through" (shout out to Dr Resmaa Menakem and his book My Grandmother's Hands) the bodies of those closest to him, including the crew at The Bear. Just as parents have to work on themselves so that they don't replicate harmful patterns of behaviour in raising their children, so too do we all in our daily relationships, including where many of us adults spend most of our waking lives: at work.

Like Richie observed, Carmy is not integrated in season 3 but neither is the industry in which he's working. A menu that constantly changes, wasteful food practices, a food production and agricultural industry that contributes to a third of global greenhouse gas emissions leading to increased global warming. These things are absolutely not integrated. In many ways, Carmy's mental state in season 3 - anxious, agitated, exhausted, is a reflection of the times. Given all of the above, Carmy's "I'm so fucking sick of this" in 3x09 Apologies hits me harder in the chest. Yes Carmy, you should be. Now go do something about it.

Having looked at the career trajectories of a few talented, conscientious chefs in the course of writing this meta, I think its pretty clear that the old way of running restaurants a la Chef David Fields is over. As we sit at the precipice of climate disaster, watching multiple genocides unfolding at once, during a time of massive food insecurity, who the hell has time to be suffering in the way Chef David made his employees feel in the course of making food that is meant to nourish people? What fucking cognitive dissonance is required to continue on THAT kind of a path?

Come season 4, I reckon we are going to see a massive shift in the trajectory of The Bear. This will be precipitated by multiple things (like the review Carmy got at the end of 3x10 and whatever the fuck Uncle Jimmy is up to with that box and those golf clubs lol) but most significantly, by a realisation on Carmy's part that his version of Michelin mode IS NOT IT.

I reckon Carmy and Sydney are going to continue to work together but they'll go back to the original plan they made with one another in 1x08 Braciole. They're going to go back to family style. They're going to treat their staff better (after Carmy apologises lol). They're going to shift from wasteful, haute cuisine to sustainable food practices that support producers and the planet more broadly. They're going to leave Chef David Fields' scare tactic of subtraction behind and lean into using more pepper.

Above: Sydney's notebook as she workshops a recipe at home in 1x08 Braciole.

Tagging: @moodyeucalyptus @currymanganese @hwere @freedelusionshere @thoughtfulchaos773 @ambeauty @brokenwinebox @devisrina @espumado @fresaton @kdbleu @vacationship @birdiebats @bootlegramdomneess @mitocamdria @tvfantic87 @angelica4equity @anxietycroissant @turbulenthandholding @yannaryartside @afrofairysblog @ciaomarie

cos you may be interested but as always, I'd love to chat to whoever wants to about this stuff!

[capturedbyelly]

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